but that nonetheless, "this is a book that needed to be written" because "Habermas’s critique of disclosure was at times narrow and short-sighted. But as Habermas is now rethinking some of these shortcomings, Kompridis gives him – and indeed all critical theorists – ample resources" for a better balance between disclosure and procedural thinking. Similarly, Dana Villa writes that "Kompridis argues—persuasively, I think— that contemporary critical theory would do well to abandon its insistence that communicative rationality is the quasi-transcendental core of democratic legitimacy" and rethink its suspicion of world disclosure. In November 2011, the journal Philosophy and Social Criticism published a number of responses to the book from other critical theorists, along with a reply from Kompridis. Kompridis has also published a number of essays arguing for his own conceptions of cultural change, receptivity, critique, recognition and reason, and has engaged in written debates about these and other issues with critical theorists including Amy Allen, Axel Honneth, Nancy Fraser and Seyla Benhabib (see "Exchange with Seyla Benhabib", below). Romanticism Kompridis has written that he sees critical theory, and critique in general, as implicitly romantic in its self-understanding, and much of his scholarly work reflects this concern. His edited collection, Philosophical Romanticism (2006), includes essays on diverse themes in romanticism from philosophers such as Albert Borgmann, Stanley Cavell, Hubert Dreyfus, Richard Eldridge, Robert Pippin and others, as well as his own contributions. The topics addressed in the volume include: "Beginning anew"; "Self-determination and expression"; "Art and irony"; "The living force of things"; and "Returning the everyday". In 2009, Kompridis published a chapter on Romanticism in The Oxford Handbook of Philosophy and Literature, articulating his view of the relationship between romanticism and social change, and particularly the work of the social critic. There, he connects the work of a number of poets, artists and philosophers – including Rainer Maria Rilke, Walter Benjamin, Jean-Luc Godard, William Wordsworth and Ralph Waldo Emerson – whom Kompridis sees sharing a deep concern with the possibility of individual and cooperative transformation. He writes that: What is demanded of [the romantic critic], in spite of all the obstacles and constraints, in spite of the improbability and possible futility of it all, is to find and found new ways of looking at things, new ways of speaking and acting, new kinds of practices, and new kinds of institutions. Anyone who thinks such change is not only necessary but