lost or forgotten and how people sometimes vainly try to recover them, or a sense of them in order to regain their former power and value. The work itself is inspired and based on a painting of women on a beach by the Norwegian Expressionist painter Edvard Munch. The work mainly involves duets who move their arms in various stretched positions, as if they were reaching out for something. The dancers arch their backs and dance expressively, reflecting both the music and the haunting painting that influenced the work. Kylián makes a statement of lost homelands, lost lovers and lost times and there are also duets that reflect violent moods. These duets end up as a large ensemble and then the women are left on the shore, stretching their arms again like birds that cannot fly. Falling Angels (1989) Falling Angels is a part of the Black and White ballets, which were created in 1989 with 8 white female dancers dressed in black leotards. It was performed to drumming/percussion music based on ceremonial ritual music from Ghana (West Africa). Musical rhythms and patterns are used and mixed in a synthesizer to produce a layered effect in some sections. The result of this a more energetic, sometimes frenzied sound that the dancers match in a very physical dance. Falling Angels depicts females and female dancers in their aim to achieve perfection but succumb in various stages to the human female psyche and female events such as ambition, seduction, pregnancy, birth, death, motherhood and self-awareness. It is about the things that pull and push a dancer from the 'purity' of dance and performance. Kylián was influenced by surrealism and minimalism during the creation of this work and the 'black and white ballets'. In this ballet we see the combination of classical lines and sharp percussive movements that give unpredictability to the piece as a whole. Petite Mort (1991) Petite Mort was composed for the 1991 Salzburg Festival on the second centenary of Mozart's death with six men, six women, and six foils. Assistant choreographer was Roslyn Anderson, costumes by Joke Visser, and music by Wolfgang Amadeus Mozart included Piano Concerto in A major – Adagio and Piano Concerto in C major – Andante. Other works Theatre works from 1973 to 2014 Paradox (1970) Stuttgarter Ballett Kommen und gehen (1970) Stuttgarter Ballett Incantations (1971) Stuttgarter Ballett Der Einzelgänger (1972) Stuttgarter Ballett Der stumme