Universidad de las Americas. This library is open to the public on request. The monks were initially opposed to the project as they know the monastery sits on the Temple of Quetzalcoatl and did not want to be forced out. The Capilla Real (Royal Chapel) is also called the Capilla de Naturales (Indigenous Chapel). It is located on the north end of the complex. It is similar to a mosque. It had never received any kind of royal recognition. There are twelve columns and twenty-four octagonal pilasters. Twelve of the pilasters support the entrances to the side chapels and have sixteen corbels. There are seven naves and forty-nine cupolas. The capilla real received its name because of a chapel inside dedicated to the Virgin of the Remedies, the patron of Cholula. The current interior was created in 1947. The façade has some Baroque elements, with its main entrance marked by a simple arch flanked by Corinthian columns and fluted pilasters. The choral window is flanked by Ionic columns. The crest is a pediment with a flutter. The holy water font dates from the 16th century. The base and cup are sculpted from one piece of stone. The base is decorated with acanthus leaves, other flowers and leaves and a simple molding a Franciscan cord. The Capilla de la Tercera Orden is located between the Capilla Real and the main church. It is a small church with a Baroque portal and Salomonic columns. In the pendentives of the cupola, there are paintings of various important Franciscans. The altars are Neoclassical in white and gold. The parish church of the San Pedro municipality faces that main square of the city and was built in the 17th century. The architecture is a mix of Baroque and Renaissance, which is uncommon in Mexico for the 17th century. The bell tower is Baroque and one of the tallest in the city. It has a Latin cross layout and a vaulted ceiling. The interior has been restored and contain a Churrigueresque cupola, along with 18th-century paintings such as depictions of Christ by Diego de Borgraf. The various barrios or traditional urban neighborhoods and communities of the municipality have their own parish church dedicated to a patron saint, and some have more than this. The oldest of these churches dates from the 16th century and a number are painted in what is called "popular Baroque" with bright