onto a new city within a matter of days. Through the years of constant travelling and working, his identity fluctuated between celebrity status and starving artist. Once Victori decided some energy had to be shifted back towards his original work, he returned to the Northeast and opened a gallery on Park Avenue in New York City. The Park Avenue gallery, located in the east walkway of the Helmsley Building underpass, was home to private sittings, instructional painting classes, networking soirees as well as the birth of a few of Victori's original prized pieces. The space was eventually bought out due to eminent building renovation and Victori transitioned away from New York City. He married Maria Victori (born 1954), and opened an Art gallery on 230 Park avenue New York City, NY. 1981~ 2000. Currently Victor Victori is retired, and lives in Rutherford, New Jersey. He has five grown sons. Work Over the course of forty years, Victori, painted portraits for Donald Trump, Ronald Reagan, and Senator Ted Kennedy among others and offered live sittings at his Park Avenue gallery. After creating approximately 30,000 oil paintings, Victori retired from portraits to experiment with a style of painting he had been developing since 1979, which he termed "multiplism". Unlike portraits, which portray a single moment, Victori's multiplist works combined the subject in many different positions and expressions in order to show change over time. Trained at the Art Academy of Korea and community college in the US, Victori, emigrated to the United States in 1972 and became well known for his presidential portraits in the White House. He cites favorite painters including Rembrandt because of his "depth and technique" and mastery for portraits, and Baroque artist Peter Paul Rubens for his scale. In 2010, Victor completed a lifelong dream to paint 10 Mona Lisas in the span of 24 hours. The Leader newspaper, a publication in the Meadowlands of New Jersey, documented the artistic ordeal. The artist also released a book entitled "God and I" which takes the reader through his craft and the philosophical ideas that fuel it. In September 2013, Victori unveiled a completed, 8-by-12-foot panel, commemorative painting of the tragedy that befell America on September 11, 2001. It was documented and reported on by a staff writer of Northjersey.com. Victori's career and experience in portrait work spanned much of his adult life, however he still managed to focus on