Wijsbegeerte van de Universiteit van Indonesia). Also in 1952, the Department of Culture opened provincial "cultural offices" in Medan (North Sumatra), Bukit Tinggi (Central Sumatra), Palembang (South Sumatra), Jakarta, Bandung (West Java), Surabaya (East Java), Makassar (South Sulawesi), Denpasar (Bali) and Ambon (Moluccas). In 1956, there were several changes in the Department of Culture, which include the additional responsibility of museum management (the Museum Section). Other changes were: the conversion of the Archaeological Division into the autonomous Institute of Archaeology; the Language Division in the Institute of Literature became the Language Division of the Literary Faculty of Indonesia; and the Language Division became the Sub-Division of Customs and Traditions. Later, the Department of Culture was included into the Directorate of Culture as part of the ministerial reorganization of the 1960s. The reorganization also converted the Museum Section into the autonomous National Museum Institute. Following the reorganization, the Ministry of Education and Culture consisted of one Directorate of Culture and four autonomous institutes: Archaeology, Language & Literature, National Museums, and History & Anthropology. The responsibility of opening provincial "cultural offices" was given to the Inspectorate of Provincial Culture. New Order Period At the start of the New Order, the regime of Suharto converted the Ministry of Education and Culture into five Directorates-General. The Directorate-General of Culture itself was divided into five directorates: Art, Cultural Education, Archaeology & History, Museums, and Language & Literature. Other restructuring occurred in 1969, reducing the Directorates-General into three; this time the Directorate-General of Culture consisted of three directorates: Art, Art Education, and Museums; and four Institutes: National Language, Archaeology, History & Anthropology, and Music & Choreography. The New Order period also saw the expansion of the Armed Forces History Center and the encouragement of the development of museums of militaristic in nature. One of the reason for military involvement at first is because of the problem of internal divisions. This led to an accepted strategy of promoting shared values and identity across the forces through the use of a centralized military museum for older and younger generations of the soldiers. Some of these museums for which the Armed Forces was directly responsible are Satria Mandala Armed Forces Museum (opened in 1972), Museum of the Sacred Pancasila Monument (1982), Museum of Eternal Vigilance (1987), Soldiership Museum (1987), and the Museum of Communist Treachery (1993). The collection of these museums feature relics, photographs, and weapons. Dioramas are extensively