Yung Gravy and bbno$. Jazzhop and Lofi Hip-Hop Lo-fi hip-hop emerged in the underground beatmaking hip-hop scene of the 2000s but reached peak popularity throughout the 2010's, particularly after the release of the Roland SP-303 and Roland SP-404 samplers, both of which included a separate button for the "lo-fi" effect. YouTube started hosting live streams in 2013, resulting in 24-hour "radio stations" dedicated to the subgenre. Compilation videos also became popular, combining the music with visuals that could take the form of recorded pedestrian walks through major cities like Tokyo, looping visuals from cartoons such as The Simpsons or Internet memes. Electronic While dance music had periodically conquered the American pop charts, its current incursion had most likely been its deepest since the disco heyday of the 1970s. Throughout the 2010s, various electronic dance subgenres had conquered the music scene, such as house, dubstep, drumstep, hardstyle, electro house, techno, trance, synth-pop, electropop, and trap. These genres have many musical influences from 1970s' disco, 1980s' hi-NRG, spacesynth, Italo disco, and new wave, and 1990s' and 2000s' Eurodance, techno, house, trip hop, Europop, garage rock, and trance. The rise of electronic dance had brought massive success to large festivals, raves, technoparades, algoraves, doofs, and teknivals that mostly take place in the United States and Europe though every year thousands of electronic focused music festivals are held throughout the world. These events are also well known for their long association with the use of recreational drugs, including MDMA, LSD, 2C-B, Ketamine, and Benzylpiperazine. The top mainstream disk jockeys in the 2010s were Tiesto, David Guetta, Calvin Harris, Steve Aoki, Nicky Romero, Afrojack, Deadmau5, Diplo, Skrillex, Armin Van Buuren, Avicii, Zedd, Martin Garrix, Hardwell, The Chainsmokers, Marshmello, Major Lazer, DJ Snake, Slushii, and Disclosure. Hyperpop A loosely defined musical style and queer microgenre known as hyperpop was born in the UK in the early 2010s. Artists in this genre generally combine pop and avant-garde sensibilities while relying on themes found in electronic, hip hop, and dance music. It is distinguished by a maximalist or exaggerated take on popular music. Hyperpop typically uses elements like brash synth melodies, Auto-Tuned "earworm" vocals, excessive compression, and distortion, as well as surrealist or nostalgic allusions to 2000s Internet culture and the Web 2.0 era. Hyperpop reflects an exaggerated, eclectic, and self-referential approach to pop music. [4] Heavy processing of the voice, metallic, melodic percussion, pitch-shifted synths, catchy choruses,