Voorhies Memorial at the Civic Center. True also painted murals for the Colorado Springs Nursery School, and murals for private homes and businesses in and around Denver (i.e. Jonas Brothers Furriers, and Dr. James Waring & Judge Stanley Johnson residences). Colorado National Bank Building Murals In 1916 the prominent Denver architectural firm Fisher & Fisher designed the Colorado National Bank Building. In 1924 another prestigious firm, Hoyt & Hoyt added on to the building. Part of the later addition involved the installation of a series of murals collectively called Indian Memories. These murals recall the days of the Indian before his contact with the white race – days when he roamed the untouched reaches of the West. Costing $18,000, the murals consisted of five triptychs, each showing a different aspect of native life. These are Youth, Buffalo Hunt, War, Women, and Art Work. The series concludes with a much larger mural, Happy Hunting Ground. The works were much commented on in the press at the time and were unveiled with much fanfare in 1925. Allen True also restored the murals and decorations in the Central City Opera House, which reopened on July 16, 1932. In 1934, True was asked by Secretary of State of Wyoming Lester C. Hunt to undertake the job of designing the familiar symbol of the bucking horse and rider which is still used on Wyoming's vehicle license plates. Also in 1934, True also was hired as Consulting Artist for the U.S. Bureau of Reclamation to lay out color schemes and create decorations for major power houses at the giant dams being built during the Thirties and early Forties (Hoover, Grand Coulee, Bonneville, Shasta, Friant and Minidoka). For Hoover Dam, True based his designs on Native American pottery and sand paintings in their decoration. In 1942, The Bureau of Reclamation sent him to camouflage school in Washington, D.C., where he drew up plans to hide America's huge dams from the country's wartime enemies. In spite of a debilitating stroke suffered in the early Fifties, True completed one more mural; an exuberant depiction of a Native American eagle dance for the University of Colorado Student Union Building in Boulder (which is now owned by the Koshare Indian Museum in La Junta). True was recognized as an authority on Indian design, costume and artifacts, as well as on the lives of westerners such as the cowboy, trapper, explorer, prospector,