Khondakar Ashraf Hossain (; 4 January 1950 – 16 June 2013) was a leading postmodernist poet, essayist, translator, and editor from Bangladesh. He wrote more than eighteen titles. Early life and education Hossain was born in Joynagar village in Sarishabarhi, Jamalpur, Dhaka, East Bengal, in 1950. He earned a BA degree in 1970, and an MA degree in 1971, both are in English and from the University of Dhaka. After he got MAs in linguistics and ELT from the University of Leeds in 1981. He also obtained a PhD in English from the University of Dhaka and a postgraduate diploma in Teaching English Overseas from the University of Leeds in 1980. His doctoral thesis is entitled Modernism and Beyond: Western Influence on Bangladeshi Poetry, which he defended under Dr. Syed Manzoorul Islam, another doyen and celebrated writer in the department. Professional and literary life Hossain was a professor and chairman of the Department of English at the University of Dhaka. In May 2013 he had been appointed as the third vice-chancellor of Jatiya Kabi Kazi Nazrul Islam University at Trishal, Mymensingh, Bangladesh. He was also a member of the Syndicate & Faculty Selection Committee of the BRAC University. In his decades-long teaching career, he was immensely popular among his students for his unique lectures delivered with ready wit and remarkable quips. He has published a number of collections of poetry and of essays in Bengali and English. About the readership of poetry, he says: Hossain translates from Bengali to English and from German and English to Bengali. His poems have been translated into English, German, French, Telugu and Hindi. Hossain edits and publishes a literary magazine: Ekobingsho (English: The Twenty-First) which was founded by Hossain himself in 1985 with its main focus on the new poetry of Bangladesh. Theatrical work Hossain patronized a drama group called Nagorik since the seventies, one of Bangladesh's leading theatrical groups, for which Hossein served as both president and dramatist. Critical reception Hossain wrote a wide variety of poems in lucid language and with innovative and suggestive imagery. Expressiveness and eloquence in his poetry came from his successful, spontaneous combination of national and world heritage and mythology with his personal experience and feelings. Though he began to write when postmodernism was blooming fast in the west, he denies to identify himself as an avowed post-modernist. In his book On Behula's Raft'''s launch ceremony, he said