and political history, Victori got to work painting 400 years of Roman emperors. He painted Julius Caesar, Caligula Caesar, Nero, Claudius, Tiberius, Galba, Otho, Vitellius, Vespasian, Titus, Nerva, Maximilian, Constantine II, Justinian, and others. Source: North Jersey Media Group Mobsters Al Capone, Frank Costello, Sam Giancano, Tommy Lucchese, John Gotti, Lucky Luciano, Paul Castellano, Carlo Gambino, Carmine Galante, Giuseppe Profaci and Vito Genevese portraits immortalize the crime bosses. These portraits by Victori were commissioned by a private collector. Source: North Jersey Media Group Science and Astronomy From the Big Bang to planet formations, Victori has traced the origins of the Universe and marveled at the infiniteness in his paintings. His vision of the stars, planets, supernovas, black holes and spectacular interstellar images are done in an array of colors set against a midnight black darkness—providing a perfect juxtaposition. Source: North Jersey Media Group Religion Depicting the creation of mankind, Victori has painted hundreds key figures in major world religions, all done in his multiplism style. His scenes include Adam and Eve their descendants, scenes from Genesis, Noah, Jesus, Mary Magdaline, Saul, King David, Elijah, Ishmael, Abraham, and more. Multiplism Victori's specific style, dubbed by journalists and art enthusiasts alike as a new school of art, is called Multiplism. In essence, this artistic approach highlights the many behind the one, unfolding all possible dimensions of a being in one all-inclusive piece of work. This style of art was created in the late 70's. The purpose of the multiplism technique is to capture the motion of life. Multiplism is the simultaneous image of the subjects various consequential movements or to depict the shifts in emotion expressed by an individual. The intent of the artist is to display a moving painting. Sculptures Victori uses an unconventional medium for his sculptures by mixing concrete and sand into a mortar. Early in his sculpting career clay was the preferred medium, but clay is relatively more expensive and too fragile to create large works to be displayed outdoors. The concrete mix would allow for the malleability of clay and upon drying would have more permanence as a building block. One of Victori's largest scale projects of the past decade is an 11-foot high 10,000-pound sculpture named "Minds of Moses" that rests on the property of Victori's corner home depicting the many sides of the religious figure. Alongside the sculpture are 3 slightly smaller cement statues of