poetry, prose and printing began to be recognised and the University of Otago granted him a position as Printer in Residence in 2008 while the Christchurch City Art Gallery and Gus Fisher Gallery have featured his works in exhibitions. Having spent many years printing the works of other poets, Loney is now being printed by other fine press printers: Tara McLeod at Pear Tree Press (Auckland); Inge Bruggeman for Granary Books (New York) and her own Ink-A! Press (Oregon); and Scott King at Red Dragonfly Press (Minnesota). Bibliography POETRY: Heidegger's bicycle: Notebooks 2015 - 2017 (Paekakariki Press, 2017), Day's eye, 2008; Nowhere to go & other poems, 2007; Black & White Book, 2005; Fragmenta nova, 2005; Sidetracks: Notebooks 1976 1991, 1998, Envoy (with pageworks by Mark Wills), 1996; The Erasure Tapes, 1994; Missing Parts, 1992; Shorter Poems 1963 1977, 1979; dear Mondrian, 1976; The Bare Remembrance, 1971. PROSE: Each new book, 2008; The Printing of a Masterpiece, 2008; Meditatio : the printer printed : manifesto, 2004; Bruno Leti, Survey, Artists Books 1982–2003, 2003; The Falling: a memoir, 2001; Reading/Saying/Making: Selected Essays 1977–2000, 2001; & the Ampersand (an essay on typography), 1990. Summary Loney's career as a printer has moved from traditional letterpress printing and publishing poetry in small and affordable editions to expensive fine press books employing his own and others’ design and illustrative skills. As a writer, he has spanned the period when the theories and techniques of postmodernism have contested older paradigms and forms of literature, and been at the forefront of critical and creative writing in Australia. References External links . Review by Gig Ryan, The Age, 11 February 2006 1940 births People from Lower Hutt New Zealand poets New Zealand male poets Living people Private press movement people Letterpress printmakers