next day at work, Lucas storms in and informs Jonah's boss that Jonah has been stealing pills and selling them. Jonah is not able to deny this and is subsequently fired. He shows up in Sara's backyard uninvited later that night, ignoring her requests that he leave, and confesses that he was the one who bought the drugs for Troy. He asks her if she will run away to Mexico with him, saying he'll rob the pharmacy for pills and money. She says "okay", primarily to get him the hell out of her backyard. On the day they are scheduled to depart. Jonah loses his temper and physically abuses his mother. He later meets Sara in the bathroom of Lucas' house. He tries to convince her that she has feelings for him; she doesn't. Jonah attempts to give her drugs but she is reluctant to taking them. During this time the private investigator comes to Lucas' house and asks for Sara. Erin goes looking for her. After realizing that Sara will never love him, Jonah commits suicide by stabbing himself with a pair of scissors. The film is ended with Lucas, Erin, and the private investigator walking into the bathroom and seeing Jonah's dead body with Sara frightened in the corner. Release Love Is the Drug debuted as an entry in the January 2006 Slamdance Film Festival. It was given a limited theatrical release in Seattle, Washington on October 6, 2006. It was released to Region 4 DVD in Australia. Reception Love Is the Drug holds a rating of 60% and an average rating of 5.2 out of 10 on the film aggregate site Rotten Tomatoes, based on reviews from five critics. Varietys Justin Chang called the film "darkly compelling" and a "smartly acted and strikingly confident feature", he praised the cinematography and screenplay. He also praised Caplan's performance as Sara and felt Cotrona was "explosively charismatic", but he criticized the film's ending as "repetitive and overwrought" and found that the final moments "played like a cheap stunt". While Seattle Times reviewer Ted Fry praised the film as a "small, earnest and generally well-acted movie [that] infuses a horrifying sense of realism in the sexual and drug-fueled behavior of kids who believe they are mature beyond their years", he also criticized the characters as being hard to identify or sympathize with and found Johah's eventual actions to be "unpleasantly erratic".