Sleep No More is an immersive theatre production created by British theatre company Punchdrunk. Based on Punchdrunk's original 2003 London production, the company reinvented Sleep No More in a co-production with the American Repertory Theater (A.R.T.), which opened at the Old Lincoln School in Brookline, Massachusetts on October 8, 2009. It won Punchdrunk the Elliot Norton Award for Best Theatrical Experience 2010. Overview The production was a new and expanded version of Punchdrunk's 2003 production of the same name which was performed in the Beaufoy Building, London, a disused Victorian school. Unlike a conventional stage play, Sleep No More is an immersive experience in which audiences are free to explore the world of the performance at will. It combined plot and characters of Shakespeare's Macbeth with characters, narrative, and aesthetic elements inspired by the films of Hitchcock, in particular Rebecca, an adaptation of the novel of the same name by English author Daphne du Maurier. Relationship to Macbeth Assistant director Paul Stacey says that "every line of Shakespeare's Macbeth is embedded in the multiple languages—sound, light, design, and dance—of Sleep No More." Characters There were 18 characters in the 2009 production of Sleep No More, most of them taken directly from Shakespeare's Scottish tragedy, Macbeth. Immersion of audience Audience members are invited to explore the world of the production in their own time, choosing for themselves what to watch and where to go. Unlike a conventional play, in which all audience members share the experience of witnessing the same events on the same stage, Sleep No More provides the audience with a more fragmented, multi-layered and individualized experience. As directors Felix Barrett and Maxine Doyle say in the program notes, "exploring the space individually, the audience is given the opportunity to both act in and direct their own film; to revisit, to edit and to indulge themselves as voyeurs." Absence of dialogue Though the plot is driven forward by events and interactions, Punchdrunk has developed a unique physical performance language in which there is almost no speaking by the performers. In describing Sleep No More, the directors write that "Screen dialogues become intense physical duets between characters and the body becomes the site of debate. Spoken words rarely find their way into our world; we are excited by the human body as a primary source of emotive storytelling." Old Lincoln School The venue for Sleep No More was the surplus