to the rest of the cathedral, which was destroyed. Reconstruction began the next day, in the Gothic style, extensively using the previous foundations. Part of the cathedral had been restored by 1189, when the Archbishop of Cologne visited to reconsecrate the church. In 1197, the relics of Saint Lambert, which had been in safe storage since the fire, were reinstalled in the new building. The reconstruction was far from complete, for lack of funds. Processions criss-crossed the diocese in an effort to raise the necessary money. In the middle of the 13th century Pope Innocent IV granted indulgences to anyone who helped with the rebuilding of the cathedral. From 1391, work started on a tower 135 metres high, west of the south arm of the eastern transept, whose belltower was as high as the hill of the citadel, and for the rest of its existence was a landmark for all who approached the city. Its completion in 1433 marked the end of the major works. St. Lambert's Cathedral was 96 metres long (or 173 metres including the cloisters). With the side chapels it was 37 metres wide. It was some 30 meters high to the top of the ceiling vault. In style, if not in size, it was comparable to the cathedral of Notre-Dame de Paris. The sandstone towers that characterised the west front were closely related to those of the cathedral of Saints Michael and Gudula in Brussels, and of the Grote Kerk in Breda, in the Netherlands, as well as of the Basilica of Our Lady in Tongeren. The Archéoforum of Liège, beneath Place Saint-Lambert, makes it possible to see the ruins of the cathedral, besides the traces of other occupations of the site from the prehistoric period up to the 18th century. Notre-Dame-des-Fonts The Notre-Dame-des-Fonts ("Our Lady's with the font") was a small church adjacent to the cathedral. The church held a notable Baptismal font. Charlotte Stuart, Duchess of Albany, illegitimate daughter of Charles Edward Stuart, was baptised there on 29 October 1753. Destruction In 1794, under the French régime, after the révolution liégeoise, the demolition of the cathedral, agreed the previous year, was put in hand. The Liège revolutionaries considered it a symbol of the power of the prince-bishop. Demolition began with the removal of the lead from the roof for use in the manufacture of arms and munitions, under the supervision of a "Commission destructive