The Captivating Star of Happiness () is a 1975 Soviet historical drama. The title is an allusion to a line from a poem by Alexander Pushkin. It is a costume drama dedicated "to the women of Russia". Plot The story is set in the aftermath of the Decembrist revolt against Tsar Nicholas I in 1825. The revolt is repressed, and the military officers involved confess one by one. They are sentenced to exile in Siberia and their wives face the decision as to whether or not to follow them. Cast Irina Kupchenko as Princess Ekaterina Ivanovna Trubetskaya Aleksey Batalov as Prince Sergei Trubetskoy Natalya Bondarchuk as Princess Mariya Volkonskaya Oleg Strizhenov as Prince Sergey Volkonsky Eva Shikulskaya as Polina Göbl-Annenkova, in marriage Praskovya Yegorovna Igor Kostolevsky as Ivan Aleksandrovich Annenkov, Decembrist, cavalergard Lev Ivanov as Nikolay Raevsky, a general from the cavalry (not in the credits) Raisa Kurkina as Sofya Alekseevna Raevskaya, the wife of NN Raevsky Tatyana Pankova as Anna Annenkova, the mother of IA Annenkov Aleksandr Porokhovshchikov as Pavel Pestel Victor Kostetskiy as Pyotr Kakhovsky Yuri Rodionov as Sergey Muravyov-Apostol Oleg Yankovsky as Kondraty Ryleyev Tatyana Fedorova as Natalia Ryleeva, the wife of KF Ryleev Vasily Livanov as Emperor Nicholas I Innokenty Smoktunovsky as Ivan Bogdanovich Zeidler, Irkutsk Governor Vladislav Strzhelchik as Count Laval Dmitry Shilko as Count Mikhail Miloradovich, St. Petersburg Governor-General Igor Dmitriev as Count Lebzeltern, Austrian Envoy in St. Petersburg Boris Dubensky as Emperor Alexander I Victor Terekhov as Vasily Vasilyevich Levashov, Adjutant-General Vadim Makarovsky as Vosh Arkady Trusov as Fedor, valet Annenkov Mikhail Kokshenov as Nikita, servant of Annenkov-senior Aleksei Kozhevnikov as Paphnutius, servant of Zeidler Production After making the 1970 hit film White Sun of the Desert, Motyl received no directorial projects for five years. When Motyl got the green light from Goskino to make a film about the Decembrists, he still had problems and had to do many rewrites because the authorities believed that the picture had too many parallels to the Soviet regime and allusions about Soviet dissidents. Nevertheless, the screenplay was rejected. Then Motyl went to Leningrad, to the regional party committee. He handed the script to the secretary on ideology; the woman did not have time to read it and instead gave the text to her daughter who ended up adoring it. The mother called Filipp Ermash, Moscow's Minister of Cinematography and declared that "The Leningrad Regional Committee is