The People's Theatre is an amateur theatre in Newcastle upon Tyne, England. Originally located in the city centre, the People's Theatre moved to its current site, adjacent to the Coast Road in Heaton, in 1962. It shows approximately 13 productions a year including a full-scale family pantomime. History The People's Theatre originated within the Newcastle branch of the former British Socialist Party. At that time (1911) money was tight and it was suggested that "The Drama" may be a source. A Double-Bill of "Pot Luck" and "The Bishop's Candlesticks," each having impeccably socialist credentials, was produced and raised nearly 15 shillings (75p) for the funds. It was decided that putting on plays could be a good way of raising money their political activities, and so they went ahead. It was decided that they would affiliate to the Clarion Movement. One of the theatre's key co-founders was Colin Veitch (1881–1938), captain of Newcastle United in their Edwardian heyday. Plays were originally staged under the name of the Clarion Dramatic Society, one of many so-called 'Clarion' societies then existing within the BSP (such as the Clarion Cycling Club and the Clarion Vocal Union). Its first premises were in the BSP's rooms on the first floor of a building at the corner of Leazes Terrace and Percy Street in Newcastle city centre. Their first performance was of The Bishop's Candlesticks (a drama based on Victor Hugo's Les Misérables) in July 1911. But as Norman Veitch (one of the co-founders and Colin Veitch's brother) later remarked: 'If we're going to murder plays, let's murder the best'. In September they performed Bernard Shaw's The Shewing-Up of Blanco Posnet, although it had been banned by the Lord Chamberlain. Thus began the People's Theatre's close association with Shaw, whose plays combined popular appeal with a social message that appealed to the Fabian political sentiments of the Clarion Society members. These theatrical productions became so popular that the dramatic society started to cast their net wider in their choice of plays to include William Shakespeare and genres such as comedy. This led to friction with the BSP, so the Clarion group started to look for new premises. The theatre remained active throughout World War I, during which it formally split from the BSP and moved to the Royal Arcade, Pilgrim Street in 1915. In 1920, Norman Veitch went to Birmingham to meet George Bernard Shaw and the great