sustain success in the late 2000s, after being inspired by Girls Aloud and touring with them. The most successful winner Leona Lewis enjoyed a number one album in 2008 and her début single "Bleeding Love" was the first number one single in the U.S charts by a British solo female artist since Kim Wilde in 1987. The 2000s also saw the reunion of Take That, who went on to achieve new stardom by the end of the decade. In the early 2010s, the British boy and girl bands, The Wanted, One Direction, and Little Mix have experienced worldwide success, charting highly in Britain as well as North America. Soul and female singer-songwriters British soul in the 2000s was dominated by female singers, many of them white, including Natasha Bedingfield, Joss Stone, Amy Winehouse, Estelle, Adele and Duffy, all of whom have enjoyed success in the American charts, leading to talk of a "Third British Invasion", "Female Invasion" or "British soul invasion" leading the charts like "American Boy", "No Substitute Love" o "Pretty Please (Love Me)" by Estelle or "Mercy" by Duffy. In 2009, the single "Down" reached the No. 1 spot on the Billboard Hot 100 and sold two million copies in the United States, making him "the most successful male UK urban artist in US chart history." Female singer-songwriters of various genres began to dominate the British charts in 2006 with the previously mentioned Winehouse and Lily Allen. In August 2011, the top 5 positions on the album charts were held by both Adele and Amy Winehouse with two albums each, and by American singer Beyoncé holding the other spot. British singer-songwriter Paloma Faith reached No. 2 on the album charts in 2012 with her second album Fall to Grace. Nu-folk In the 2000s bands and artists appeared who functioned as cross-over acts between the indie rock and folk scenes. Their music often used traditional instruments, sometimes beside electronic music. London's nu-folk scene included artists like Laura Marling, Noah and the Whale, Mumford & Sons and Johnny Flynn and that in Scotland, centred on Glasgow and with a more Celtic tinge, included artists such as Findlay Napier and the Bar Room Mountaineers and Pearl and the Puppets. Grime and hip hop At the beginning of the 2000s a new style of electronic music, influenced heavily by hip hop and UK garage, and dubbed grime (sometimes called eskibeat or sublow),