communicating with each other and opening into the church through two doors, one at the bottom of the building and the other adjacent to the left arm of the transept. Before the construction of the chapels on the lower sides, to add to the solidity of the building and for its embellishment, the cloister was square, and one can see the remains in the attics above these chapels. These galleries built in different periods date from the late 15th and early 16th centuries. The first part of the cloister was laid on 6 June 1445 by Daniel de Blochem. They form the three sides of a long square oriented east to the south and west, the fourth gallery is replaced by the lower left side of the collegiate church. They circumscribe a courtyard and differ from each other. The west gallery is older than the others and its ornamentation is also more meticulous, 17.50 by 4.75 metres long, it communicates with the collegiate church through a door surmounted by a great Christ in ancient wood. Entrance to the cloister Next to the door that leads into the church at the north end of this gallery, a second door opens onto a beautiful gate at the foot of the tower overlooking St. Paul's Square. This charming porch is remarkable for its deep ornamental arches and its curious decoration, partly ogival. It is dated from the Renaissance. This gate, closed by an iron gate and decorated with a central stone medallion framing a high relief depicting the Conversion of Paul the Apostle placed between two low reliefs and the arabesques of the lower panels frame two small low reliefs, one on the right side representing the Nativity, the other on the left showing the Resurrection of the Savior. A series of twelve bas-reliefs represent eight framed heads and fantastic ornaments. Seven niches remained devoid of their statues. The overhanging pinion bears the arms of coat of Corneille of Berghes, bishop from 1538 to 1544. Chapter Hall One enters by the cloisters on the east side in the chapel of the chapter hall. The exterior door comes from the church of the former located in the district of . It closed the entrance of the choir where it was placed between two altars. This richly carved oak door has two panels, the side panel representing the Liège perron and the top panels sculpted