while she worked as an artist-in-residency on the mural. The mural was designed to depicted the folk traditions and music of Tennessee. There are four thematic sections to the mural. When the painting was completed and unveiled in June 1955, it was vandalized, hidden, and debated mostly due to images that have been perceived as of racial stereotyping. One of the panels showed an adult black man farming cotton (it is unclear from the mural if he is being depicted as a slave, a sharecropper or a farmer) and he is smiling. In 1972, the mural was hidden away and covered with paneling. In 2006 the mural was uncovered due to the student's requests and the “Greenwood Mural Project” was formed on campus to discuss censorship and race. In 2013, the University Center building that held the mural was removed and the mural was restored and put into storage. The mural was put on public view at the Knoxville Museum of Art in 2014 as part of the permanent exhibit "Higher Ground", which focuses on art in East Tennessee. Later life She was exhibited in numerous solo shows at the American Contemporary Artists Gallery in New York City. She also exhibited her work at the Corcoran Gallery of Art, the Whitney Museum of American Art, the Museum of Modern Art, and the New York World's Fair. Her last mural was made in 1965 at Syracuse University, this mural was dedicated to women of the world and combined drawings and paintings from her studies and world travels. At the end of her life she lived in Woodstock, New York with her second husband Robert Plate. She died on August 20, 1970, in Kingston, New York after a long illness and a cerebral hemorrhage. Art collections Her works are represented in the public art collections of the Metropolitan Museum of Art (the Met), the Library of Congress, New York Public Library (NYPL), Smithsonian American Art Museum, National Gallery of Art, Hirschhorn Museum and Sculpture Garden, National Museum of Women in the Arts, Currier Museum of Art, Fine Arts Museums of San Francisco (FAMSF), Indianapolis Museum of Art, Cleveland Museum of Art, Wichita Art Museum (WAM), Maier Museum of Art, amongst others. Her work is also in the private collections of Maurice Wertheim, Joseph Hirschorn, and Marc Sandler. Awards 1944 – Second Prize for Painting In The United States, at the Carnegie Museum