compared Alicia Florrick, the show's protagonist, to Walter White of Breaking Bad. Esquire called The Good Wife "The Best Show on Television Right Now (Both Network and Cable)," claiming that the season five episodes "Hitting The Fan" and "The Next Day" were possibly the best television episodes produced that year, noting, "It's a rare show that starts to come into its own in the middle of its fifth season, but somehow CBS's The Good Wife has managed to do it." Chancellor Agard of The Daily Beast said, "'Hitting the Fan' is so momentous because of the degree to which it contrasts with last week's equally excellent episode, 'Outside the Bubble.'" Don Kaplan of the New York Daily News said, "Now the drama's in its fifth season, a time when most shows either go on autopilot or start offering "very special" shark-jumping episodes. But the producers and cast of Wife somehow managed to kick over the chessboard where the show has been played for years, scattering the pieces to the wind and reinventing The Good Wife as one of the most gripping dramas on television. Period." It was named the Favorite Current TV Show by the Harris Poll. In 2013, TV Guide ranked the series #59 on its list of the 60 Best Series of All Time.Rolling Stone described seasons six and seven as a "study in sprawl, with dozens of stranded characters and dead-end storylines: Alicia spent the show's sixth season running for political office only to end up right back where she started". Salon stated that season six "fell apart, seemingly overnight in the latter part of the season. On the eve of the finale, it's hard to tell what this season has been about: We watched an election, a stint in prison, an investigation of a drug dealer, and the aftereffects of voter fraud, but it has been difficult to assemble the events into a cohesive narrative." Season seven has received criticism for the "incredibly uneven [plotting], sucking so much of the vitality and urgency out of the show". Variety noted that in season seven that "there were notably more of subplots and segues that were, at best, time-fillers and at worst, eyeroll-inducing" and said it "was obvious that it was time for the show to go". TV.com observed that "obituaries for the show were already burying it instead of praising it, pointing to where it all went