the wife of a high-profile politician following a public sex scandal. They got the idea after they observed prominent American scandals of this nature, such as those involving President Bill Clinton and North Carolina Senator John Edwards. The image of a wife standing silently beside her husband as he publicly admits to his sexual or political misconduct had become clichéd, according to Robert King. This image led the Kings to wonder about the events that followed that initial announcement. They were further intrigued by the fact that many of the wives were lawyers who had halted their personal careers for the sake of their husbands' professional ambitions. The actual idea for the series was first postulated in the weeks following the Eliot Spitzer prostitution scandal of 2008. As Michelle King explains: Production team The series was created by Michelle and Robert King, who serve as executive producers and show runners. The pair had produced the short-lived legal drama In Justice that aired as a mid-season replacement in early 2006. The creators had previously worked extensively in feature films. Scott Free productions helped to finance The Good Wife and Ridley Scott, Tony Scott (until his death) and David W. Zucker are credited as executive producers. Executive producer Dee Johnson added television writing experience to the team. Charles McDougall directed the pilot episode and was the pilot's other executive producer. McDougall had previously enjoyed success as the director of the pilot for Desperate Housewives. All seven executive producers returned when a full series was ordered and they were joined by executive producer Brooke Kennedy. McDougall left the crew after directing and executive producing the second episode. The series is produced by Bernadette Caulfield who had previously worked on the HBO polygamy drama Big Love; co-producer Ron Binkowski added post production experience to the pilot and returned for the first season. Several new producers were added to the crew once CBS ordered a full season. Angela Amato Velez joined the crew as a consulting producer and writer bringing legal experience from her careers as a police officer and legal aid attorney and writing experience from the police dramas Third Watch and Southland. Todd Ellis Kessler, who had recently completed production on The Unit, and had previously worked on legal drama The Practice, joined the staff as a co-executive producer and writer. Ted Humphrey served as a supervising producer and writer and then as