back to Canada ( Toronto) There he started to make progression with more focus on art by studying more about abstract expressionism and surrealism. Since 2005 he lives in the UK (England). He stated:"I finally find my own style, within the modern abstract expressionism. I try to archive situations, shapes, fields, feelings, urban themes as abstractions with vibrant colorization with my own naive and raw shapes. I'm actually unable to specify my own style. Right now I`m very much in love with Abstract expressionism." Work Art Mancino's work in abstract expressionism and suprematism is mainly based on artworks of earlier abstract expressionists from the early and middle of the 20th century. His earliest work comprised classical landscapes and still life compositions but his later work focused on the art theories of abstract painters like Wassily Kandinsky, Mark Rothko and Jackson Pollock. The change helped him establish his own artistic style within abstract expressionism. Since then he has followed the New York School of abstract expressionism . The technical elements of his art theory show the balanced application of either precise or raw objects relations. The communicative compositions are systemically related with impulsive color surroundings; the artistic application of his works are also characterized by strong vibrant colorization and raw geometrical shape composition or structuring. The use of geometrical shapes reflect Suprematism, although he preferred to call his style "Fragmented Geometrical Abstract." Mancino's "A" collection began around 1992; his "B" collection series started after 2000. Early classical stage In his early years, he made study on Hungarian classical artists works such as Mihaly Munkacsy and Laszlo Paal. At the beginning of his career he was mostly influenced by classical and surreal (Dalí) themes. At his classical landscape or still life pieces, the viewer can easily recognize the prominent modern contemporary elements such as vivid colorization and wild, raw brush strokes, abstract or geometrical balance, as well as the degree of elaboration of objects and crudity. In his earlier works, the use of vivid color surroundings point out to his later style and also shows his vibrant personality. One of the great examples of this feature is the Blue Bay, and The Hungarian Plain series. The colors of the scene of the Great Hungarian Plain show modern abstraction features that are not used by the classical painters in their realistic color settings. The dynamic usage of colors gives a new styled appearance