Amy Holden Jones is an American screenwriter and film director best known for creating the FOX medical drama The Resident. She has edited various films and later began directing and writing. She currently works in television. Early life and education Jones was born on September 17, 1955 and grew up in Florida. She lived in Buffalo, New York during her high school years. She was interested in photography and wanted to study alongside Minor White who was teaching at MIT at the time. Jones attended Wellesley College in Wellesley, Massachusetts, majoring in art history, so she could also take film studies courses at nearby MIT in Cambridge, Massachusetts. Career Editor (1976–1981) Jones broke onto the festival circuit when she won first place at the American Film Institute National Student Festival, where Martin Scorsese was a judge, for her short documentary film A Weekend Home (1975). A year later Jones was struggling to make ends meet living in Boston due to a lack of funding for documentaries. After she read an article about Martin Scorsese beginning to produce another film, she reached out and called him asking "Do you remember this film? Would you advise me to move to New York?". Five days later he called her back and offered her a job as his assistant during the production of Taxi Driver. It was there that she met her husband cinematographer Michael Chapman. Martin Scorsese told Jones she was “too good to be an assistant” and got her in contact with film producer Roger Corman. She went on to work for Corman editing Joe Dante's first film, Hollywood Boulevard, when she was 22 years old. She edited American Boy: A Profile of Steven Prince for Scorsese, Corvette Summer for MGM, and Second-Hand Hearts for Hal Ashby. Despite the film Second-Hand Hearts being critically panned Jones learned a lot about editing from Hal Ashby as he was an editing genius. The Slumber Party Massacre (1982–1983) After editing these films, Jones realized that she did not want to spend the rest of her life editing; she was frustrated with the fact that an editor can dramatically improve a film, however, it is not their film. Jones felt that she was being typed as a film editor. She was scheduled to edit Steven Spielberg’s E.T, however, it was being continuously pushed back due to Poltergeist going over schedule. At this point she made a