reputation in drama playing, for example, Kate Bertram in The Rights of Woman. In 1871, she toured with Henry Neville in Dion Boucicault's Elfie, playing Rosie Aircastle and Sam Willoughby in The Ticket-of-Leave Man. In 1872 she was Alfonzo in a burlesque of Zampa at the Royal Court Theatre. With Neville's company in 1873 at the Olympic, she played Florence in Mystery, Kate in Sour Grapes, Martha Gibbs in All That Glitters and Suzanne in The School for Intrigue, an adaptation of The Marriage of Figaro. The next season at the Olympic, she was Lady Betty Noel in Lady Clancarty by Tom Taylor and Beatrice in Much Ado About Nothing. Rutland Barrington, who appeared with Fowler in Lady Clancarty, called her "one of the most delightful soubrettes that ever graced the stage". In 1875 she played Deborah in The Spendthrift and May Edwards, the heroine, in The Ticket-of-Leave Man. She also portrayed Louise in The Two Orphans at the Olympic. Around this time Fowler wed John Callin Pemberton, the son of the actress Amy Sedgwick. She had never divorced her husband, however, and the marriage ended in 1879 on the grounds of illegality. At the Queen's Theatre in 1876, she was Princess Katherine in Henry V. This was followed by a season at the St James's Theatre. In 1878, she played the title role in W. G. Wills's Nell Gwynne under her own management at the Royalty, and the Viscountess Lidesdale in Scandal at the same theatre, followed by Perdita in A Winter's Tale at the Theatre Royal, Drury Lane. At the Haymarket Theatre in 1879 she played in Ellen; or Love's Cunning. That year she also appeared in The Gay Deceivers at the Royalty. She also toured during this period and played in As You Like It with Neville. Last years Fowler married a third time, in 1880, to a Captain (later Major) Walter Latham Cox, who appears to have been quartered in Oxfordshire for a time. In 1881 she joined Henry Irving's company to play Emily de L'Esparre in a revival of The Corsican Brothers at the Lyceum Theatre. Then, for more than a decade Fowler disappeared from the London stage. She seems to have been in China, from where she returned to Britain in 1894 to play Lady Winifred Skipton in An Aristocratic Alliance, an adaptation of Le Gendre de M. Poirier, at the Criterion Theatre for