theme music, and their performances at the Friar's Inn influenced several younger white jazzmen, such as Bud Freeman and Jimmy McPartland. Isham Jones and His Orchestra had a hit with the tune in 1923. 1922 – '"I Wish I Could Shimmy Like My Sister Kate"' is a jazz composition with words and Lyrics by Armand J. Piron. It was published in 1922 with copyright assigned to the publishing house of Clarence Williams. The song was promoted through numerous instrumental recordings for different labels by the Original Memphis Five under their usual name and as The Cotton Pickers. They also accompanied the African American singer Leona Williams named as Her Dixie Band. Clarence Williams himself recorded the song playing solo piano accompaniment to his wife Eva Taylor. The song was revived in a 1939 recording by Muggsy Spanier and His Ragtime Band with a vocal chorus by George Brunies, which established its status as a standard. 1923 – "Charleston" is a jazz orchestration for the Charleston dance, composed by James P. Johnson with lyrics by Cecil Mack. Introduced by Elisabeth Welch in the 1923 Broadway musical Runnin' Wild, its success brought the Charleston dance to international popularity. Johnson's original rhythmic accompaniment inspired several later songs, many of which used the word "Charleston" in the title. The song was played in the 1946 film It's a Wonderful Life, with James Stewart and Donna Reed, at a dance scene. It was also a featured production number in the 1950 film Tea for Two. It was also featured on an episode of the 1970s sitcom The Brady Bunch. 1923 – "Tin Roof Blues" is a jazz composition by George Brunies, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel of the New Orleans Rhythm Kings. The band first recorded the tune in 1923, and it became a major influence for later jazz groups. It is one of the early New Orleans jazz pieces most often played. Jo Stafford's 1953 hit "Make Love to Me" used the tune's music with added lyrics. 1924–1925 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on trumpet. Armstrong also recorded the song with the Fletcher Henderson Orchestra later in 1924; the take marked Armstrong's first vocal recording. The song is also known as "Everybody Loves My