Baby, but My Baby Don't Love Nobody but Me". 1924 – "Fascinating Rhythm" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was first introduced by Cliff Edwards, Fred Astaire and Adele Astaire in the Broadway musical Lady Be Good. Cliff Edwards recorded a version of "Fascinating Rhythm" in 1924 that featured an early example of scat singing. The Astaires recorded the song on April 19, 1926 in London with George Gershwin on the piano (English Columbia 3968 or 8969). The 1926 Astaire/Gershwin version and a 1938 version by Hawaiian steel guitarist Sol Hoʻopiʻi have both been added to the Library of Congress's National Recording Registry of "culturally, historically, or aesthetically important" American sound recordings. Many jazz-oriented artists have recorded "Fascinating Rhythm", including Louis Bellson, Rosemary Clooney, Tommy Dorsey (for the 1943 movie Girl Crazy), Ella Fitzgerald, Benny Goodman, Stephane Grappelli, Vince Guaraldi, Scott Hamilton, Earl Hines, Sam Lanin, Red Norvo, Oscar Peterson, John Pizzarelli, George Shearing, Stuff Smith, Mel Torme, and Paul Whiteman. 1924 – "Hard Hearted Hannah (The Vamp of Savannah)" is a song composed by Milton Ager with lyrics by Charles Bates, Bob Bigelow and Jack Yellen. It was introduced by Frances Williams in the Broadway musical Innocent Eyes. Hit recordings were made by Dolly Kay, Margaret Young and Herb Wiedoeft and His Orchestra. Ella Fitzgerald sang it in the 1955 film Pete Kelly's Blues. 1924 – "How Come You Do Me Like You Do?" is a song by vaudeville duo Gene Austin and Roy Bergere. It became popular in 1924 with the recordings of blues singers Rosa Henderson and Viola McCoy. Marion Harris recorded a hit version in 1924. The song enjoyed a revival in 1954 after Bill Krenz's recording. 1924 – "King Porter Stomp" is a ragtime composition by Jelly Roll Morton, originally recorded as a piano solo. Lyrics were later added by Sonny Burke and Sid Robin. Morton claimed to have originally written the tune in 1902. It was named after pianist Porter King, and there is a rumor that Morton consulted ragtime pianist Scott Joplin about the composition. It became a hit when Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of it in 1935. The chord progression from the first strain has been used in numerous other jazz compositions and is commonly known as the Stomp progression. 1924 – "The Man I Love" is a ballad composed