Amar Kanwar was born in New Delhi in 1964 where he continues to live and work as a filmmaker. Kanwar studied at the Department of History, Ramjas College, Delhi University (1982-1985), and at the Mass Communication Research Center, Jamia Millia Islamia, New Delhi (1985–87). After making a few films, Kanwar joined the People's Science Institute in 1988 as a researcher on occupational health and safety in the coal-mining belt of Madhya Pradesh in central India. He returned to filmmaking in 1990, and his films were then shown primarily in public campaigns, community spaces and film festivals in India and across the world. Kanwar's filmmaking practice challenges the limits of the medium in order to create complex narratives traversing several terrains such as labour and indigenous rights, gender, religious fundamentalism and ecology. In 2002, Kanwar was invited to exhibit at Documenta 11 in Kassel whereupon his work has also been presented in several art exhibitions and museums. Connecting with diverse audiences, in multiple public spaces, Kanwar also participated in the next three editions of the Documenta exhibition in 2007, 2012 and 2017. He has been an eminent voice in film and art for the past two decades. Kanwar was one of the three curators for Istanbul Biennial 2021. Key Works His key works have been A Season Outside, a reflective essay on violence; A Night of Prophecy on the poetry of resistance; the multiple projection installations The Lightning Testimonies about sexual violence in public conflicts; and The Torn First Pages on the Burmese democracy movement. Kanwar's recent work, The Sovereign Forest (2012 – ongoing) is a profound interrogation of the politics of violence and justice. Initiating a creative response to our understanding of crime, human rights, and ecology, it engages viewers in manifold ways of seeing and comprehending as it presents a set of propositions that investigates the notion of "poetry as evidence"; and Such a Morning, a modern parable about two people’s quiet engagement with truth. Awards Kanwar has received several awards for his work as a filmmaker and artist, including the IHME Helsinki Commission (2022); Prince Claus Award (2017); Golden Gate at the San Francisco Film Festival (1999); the Edvard Munch Award for Contemporary Art, Norway (2005); and Leonore Annenberg Prize for Art and Social Change (2014). Other awards have been Best Public Service Short Film at Vatavaran International Environment Film Festival, New Delhi (2012); Best Film Award at