Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's Orpheus and Eurydice Cycle (1976–86) deals with the myth, and gives Eurydice a more prominent voice. Sarah Ruhl's Eurydice likewise presents the story of Orpheus's descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. David Almond's 2014 novel, A Song for Ella Grey, was inspired by the myth of Orpheus and Eurydice, and won the Guardian Children's Fiction Prize in 2015. The 2014 novel Orfeo by Richard Powers is based on Orpheus. The 2020 novel Orpheus' Temptation by Stefan Calin is based on an allegory between the main character and Orpheus's descent into the Underworld and subsequent temptation to look at Eurydice. Dino Buzzati adapted the Orpheus motif in his graphic novel Poem Strip (1969). Neil Gaiman depicts his version of Orpheus in The Sandman comics series (1989–2015). Gaiman's Orpheus is the son of Oneiros (the Dream Lord Morpheus) and the muse Calliope. The poet Gabriele Tinti has composed a series of poems inspired by the myth of Orpheus, read by Robert Davi at the J. Paul Getty Museum. Film and stage Vinicius de Moraes's play Orfeu da Conceição (1956), later adapted by Marcel Camus in the 1959 film Black Orpheus, tells the story in the modern context of a favela in Rio de Janeiro during Carnaval. Jean Cocteau's Orphic Trilogy – The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1959) – was filmed over thirty years, and is based in many ways on the story. Philip Glass adapted the second film into the chamber opera Orphée (1991), part of an homage triptych to Cocteau. Nikos Nikolaidis's 1975 film Evrydiki BA 2O37 is an innovative perspective on the classic Greek tragedy of Orpheus and Eurydice. Baz Luhrmann's 2001 jukebox musical film Moulin Rouge! is also inspired by the myth. Anaïs Mitchell's 2010 folk opera musical Hadestown retells the tragedy of Orpheus and Eurydice with a soundtrack inspired by American blues and jazz, portraying Hades as the brutal work-boss of an underground mining city. Mitchell, together with director Rachel Chavkin, later adapted her album into a multiple Tony award-winning stage musical. Sarah Ruhl's play Eurydice examines the myth from the perspective of Eurydice, and the myth features as one of the tales told in Mary