there and what I'd do." Jeff Porcaro elaborates further, explaining: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past." Some additional lyrics relate to a person flying in to meet a lonely missionary, as Paich described in 2018. As a child, Paich attended a Catholic school; several of his teachers had done missionary work in Africa. Their missionary work became the inspiration behind the line: "I bless the rains down in Africa." Paich, who at the time had never set foot in Africa, based the song's landscape descriptions from an article in National Geographic. During an appearance on the radio station KROQ-FM, Steve Porcaro and Steve Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders, particularly the line about the Serengeti. Engineer Al Schmitt stated that "Africa" was the second song written for Toto IV and had been worked on extensively in the studio. Eventually, the band grew tired of the song and considered cutting it from the album entirely. David Paich considered saving "Africa" for a solo record but decided against it. Composition Musically, the song took some time to assemble. Steve Porcaro, the band's synth player, introduced Paich to the Yamaha CS-80, a polyphonic analog synthesizer, and instructed him to write a song specifically with the keyboard in mind. Paich gravitated towards a brassy flute sound, which he found to be a unique alternative to the piano. Porcaro programmed six tracks of a Yamaha GS 1 digital piano to emulate the sound of a kalimba. Each track featured a one-three note gamelan phrase with different musical parameters. Steve Porcaro's brother, Jeff, played his parts live without a click track. Jeff Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the significance of the African pavilion drummers at the 1964 New York World's Fair and a National Geographic Special. To recreate those sounds, he and his father Joe Porcaro made percussion loops on bottle caps and marimba respectively. I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first