jazz composition by Kenny Clarke and Dizzy Gillespie. "Take the 'A' Train" is a song written by Billy Strayhorn. "Why Don't You Do Right?" is a blues song by Kansas Joe McCoy. Originally titled "The Weed Smoker's Dream", McCoy rewrote the lyrics for Lil Green, who recorded it with Big Bill Broonzy in 1941. Peggy Lee recorded a hit version with Benny Goodman in 1945; this version was performed in Who Framed Roger Rabbit by Jessica Rabbit at the Ink and Paint Club. "You Don't Know What Love Is" is a song written by Gene De Paul and Don Raye. 1942 "C Jam Blues" (a.k.a. "Duke's Place") is a song written by Duke Ellington. "Epistrophy" is a song composed by Thelonious Monk and Kenny Clarke. "Lover Man (Oh, Where Can You Be?)" is a song written by Jimmy Davis, Ram Ramirez and Jimmy Sherman. It is associated with the definitive Billie Holiday's rendition. "A Night in Tunisia" is a song composed by Dizzy Gillespie and Frank Paparelli with lyrics by Jon Hendricks. "Perdido" is a song composed by Juan Tizol with lyrics by Ervin Drake and Hans Jan Lengsfelder. "Skylark" is a song composed by Hoagy Carmichael with lyrics by Johnny Mercer. "That Old Black Magic" is a song composed by Harold Arlen, with lyrics by Johnny Mercer. Jazz-oriented artists who recorded it include Glenn Miller, Judy Garland, Louis Prima and Keely Smith, and the Freddie Slack Orchestra featuring Margaret Whiting on vocals. "There Will Never Be Another You" is a song composed by Harry Warren with lyrics by Mack Gordon. "Things Ain't What They Used to Be" is a song composed by Mercer Ellington with lyrics by Ted Persons. "Que reste-t-il de nos amours" (a.k.a. "I Wish You Love") is a song composed by Léo Chauliac and Charles Trenet with original French lyrics by Charles Trenet and English version by Albert Askew Beach in 1957. "Woody 'n' You" (a.k.a. "Algo Bueno") is a jazz composition by Dizzy Gillespie. 1943 "Harlem Nocturne" is a song composed by Earle Hagen with lyrics by Dick Rogers. "Star Eyes" is a song from the film I Dood It, written by Gene de Paul and Don Raye. It was introduced by Helen O'Connell and Bob Eberly in the film and became popular among jazz artists after Charlie Parker's 1951 recording. "The Surrey with the Fringe on Top" is a song composed by Richard Rodgers