with Armstrong today. Tommy Dorsey and Jo Stafford both brought the song to the charts in 1945. Jeremy Wilson argues that the song may actually have been composed by Fats Waller, who then sold the rights for it. 1931 "All of Me" was written by Gerald Marks and Seymour Simons. It was introduced on the radio by vaudeville performer Belle Baker who also performed the song on stage in Detroit's Fisher Theatre, reportedly breaking into tears in mid-performance. The first hit recording was made by Mildred Bailey with Paul Whiteman and His Orchestra, and by February 1932 both Louis Armstrong and Ben Selvin had risen to the charts with the song in addition to Whiteman. The song was rarely performed after 1932 until Frank Sinatra recorded it in 1948 and performed it in the 1952 film Meet Danny Wilson. "Beautiful Love" is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. "I Surrender Dear" is the title song of a 1931 film starring Bing Crosby. It was composed by Harry Barris with lyrics by Gordon Clifford. Bing Crosby performed the song in the film, and his recording with the Gus Arnheim Orchestra became his first solo hit and helped him get a contract for his first radio show. The first jazz vocalist to record the song was Louis Armstrong in 1931. Thelonious Monk recorded it as the sole standard on his 1956 album Brilliant Corners. "Just Friends" is a ballad composed by John Klenner with lyrics by Sam M. Lewis. It was introduced by Red McKenzie and His Orchestra. The song rose to the charts twice in 1932; Russ Columbo's recording with Leonard Joy's Orchestra peaked at number fourteen, as did a rendition by Ben Selvin and His Orchestra later the same year. Popularized in modern jazz by Charlie Parker's 1950 recording, the song became popular among West Coast cool jazz artists in the mid-1950s. Chet Baker's 1955 version is considered the definitive vocal performance. "Out of Nowhere" was introduced by Bing Crosby and became his first number one hit as a solo artist. The lyrics for the Johnny Green composition were written by Edward Heyman. Coleman Hawkins's 1937 recording with Benny Carter and Django Reinhardt was long the definitive version. The song's harmony has been reused in many jazz compositions,