such as Tadd Dameron's "Casbah" and Fats Navarro's "Nostalgia". "When It's Sleepy Time Down South" is a song about the Great Migration, written by Clarence Muse, Leon René and Otis René. It was originally offered to Duke Ellington, who did not consider the song to be his style and declined. Louis Armstrong later adopted it as his theme song and recorded it almost a hundred times during his career. The song is also known as "Sleepy Time Down South". "When Your Lover Has Gone" was written by Einar Aaron Swan for the film Blonde Crazy. Louis Armstrong made the first jazz recording of the song in 1931. The same year it was recorded by Gene Austin, Ethel Waters and Benny Goodman, and Austin's rendition was the first to hit the charts. Frank Sinatra included the song on his 1955 album In the Wee Small Hours. Sarah Vaughan made an uptempo recording in 1962 with Count Basie's band. 1932 "Alone Together" is a ballad from Arthur Schwartz and Howard Dietz's Broadway musical Flying Colors. It was introduced by Jean Sargent on stage. A rendition by Leo Reisman and His Orchestra charted in 1932, and Artie Shaw made the first jazz recording in 1939. Dizzy Gillespie borrowed the harmony from the song's bridge for his 1942 composition "A Night in Tunisia". "April in Paris" is a Broadway show tune from Walk a Little Faster, composed by Vernon Duke with lyrics by Yip Harburg. It was sung by Evelyn Hoey in the musical, but did not become popular until after the Broadway production ended and blues singer Marian Chase started including it in her repertoire. The first recording was by Freddy Martin and His Orchestra in December 1933. Thelonious Monk's 1947 piano trio rendition helped popularize the song as a jazz vehicle. Count Basie's 1955 recording became his biggest hit and was inducted into the Grammy Hall of Fame in 1985. "How Deep Is the Ocean? (How High Is the Sky?)", a song written by Irving Berlin, was first made a hit by Paul Whiteman and His Orchestra with vocalist Jack Fulton. The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. "I Don't Stand a Ghost of a Chance with You" was composed by Victor Young with lyrics