Reactionary modernism is a term first coined by Jeffrey Herf in the 1980s, to describe the mixture of "great enthusiasm for modern technology with a rejection of the Enlightenment and the values and institutions of liberal democracy" which was characteristic of the German Conservative Revolutionary movement and Nazism. In turn, this ideology of reactionary modernism was closely linked to the original, positive view of the Sonderweg, which saw Germany as the great Central European power neither of the West nor of the East. Overview Herf's application of the term to describe fascism has been widely echoed by other scholars. Herf had used the term to denote a trend in intellectual thought during the era, what German novelist Thomas Mann had described as "a highly technological romanticism" during the interwar years. Herf used the term in reference to a wide range of German cultural figures, including Ernst Jünger, Oswald Spengler, Carl Schmitt, and Hans Freyer. Raphel Costra argues that fascism is a modernist movement, as its desire for revolutionary and total projects to remake society could only have emerged in the early 20th century when society and culture were permeated with modernist meta-narratives of cultural renewal. Fascism, in the words of historian Modris Eksteins, "was a desire to create mankind anew." David Roberts, in his 2016 book Fascist Interactions, argues that "by now it is widely held that fascism was not some revolt against modernity but the quest for an alternative modernity." In various eras Interwar Europe Since Herf created the neologism, it has gained mainstream currency with historians in discussing the paradoxical European enthusiasm for paternalistic authoritarianism and volkish nationalism on the one hand, and new technological and political concepts on the other hand, all under totalitarian regimes. Reactionary modernism has been explored as a theme in the interwar literature and broader political culture of Great Britain. It has been examined in the context of other European countries during the interwar period, including Romania, Greece, Sweden, and Spain. It has even been examined in the context of fascism in Japan. Other historians acknowledge the term's recognition of an influential trend in European philosophical, cultural and political thought during the period when fascism was on the rise. Historian Nicolas Guilhot has broadened the scope of reactionary modernism, applying the term to trends in Weimar Republic industry, medicine (eugenics), mass politics, and social engineering. Reactionary modernism can be seen in the fascist