Roadshow 2010 tour in the US, alongside Boys Like Girls, LMFAO and Third Eye Blind. On August 31, a music video was released for "Lost in Stereo". Critical reception Nothing Personal was met with mixed-to-positive reviews. AbsolutePunk reviewer Drew Beringer praised the album for its "massive hooks" and complimented the "nature of the lyrics". He also noted a few flaws on the album, saying "Hello, Brooklyn" is an "awful song" and "Too Much" is everything that its title implies. He closed by saying, "the rest of 2009 is shaping up to be All Time Low's year". Alternative Press, commenting on the album's first single, said "'Weightless' is an insta-classic." However, the reviewer was disappointed in the producers for their use of Auto-Tune, saying "This boy (Gaskarth) can sing, let him already." The article also contradicted AbsolutePunk's view of the song "Too Much", saying it "is a remarkable progression for the quartet: a slow, electronic-tinged number". The Washington Post was also hugely favorable of the album. Reviewer Nancy Dunham said: "The songs on Nothing Personal are what pop-punk is all about -- or should be, anyway." She felt the album "will likely gain the band plenty of media and popular attention" and that "the album's 12 tunes are so jaunty and their lyrics about first love, betrayal and parties so angst-filled you can easily imagine them playing in the background of the TV shows The Hills or 90210". Tim Sendra of AllMusic he stated "All Time Low shows signs of maturing," he summarized by adding, "Nothing Personal is an example of emo-pop at its best, and anyone who thinks emo is just a bunch of pop junk might be surprised at how catchy and powerful a modern rock album it is." Kerrang! writer Nick Ruskell praised lead single, "Weightless", as "a three minute rush of punk smothered in pop fairy dust". He went on to add that, "Nothing Personal is simply a good, fun record." Rock Sound stated the band had "nailed it with their third offering". The review went on to say, "Lead single 'Weightless' kicks things off in cracking fashion with its epic sing-along chorus, and the momentum continues well into the rest of the album. Matt Squire (Panic! at the Disco) returns with his trademark production polish". Courtney Lear of online music site ShockHound, also praised the album, commenting that it had "massive hooks and memorable choruses, with