que les hommes. The work was popular, leading to an arrangement for solo piano entitled Chanson d'Arcadelt "Ave Maria" (S.183) by Franz Liszt published in 1865, and serving as a direct source for the initial section of the principal theme of the Maestoso in the Organ Symphony of Camille Saint-Saëns published in 1886. In the latter case, this theme is among the most recognizable part of one of the most well known of Saint-Saëns' works, with several modern interpretations in popular music. Nevertheless, Saint-Saëns' criticized the work itself, noting in a letter printed in The Catholic Choirmaster Recordings Le Vaisseau fantôme has been recorded by Les Musiciens du Louvre, Grenoble under Marc Minkowski. References Sources Cooper, Jeffrey; Millington, Barry (1992), "Dietsch [Dietch, Dietzch, Dietz], (Pierre-)Louis(-Philippe)", in Sadie (1992), vol. 1, p. 1175. Cooper, Jeffrey; Millington, Barry (2001), "Dietsch [Dietch, Dietzch, Dietz], (Pierre-)Louis(-Philippe)", in Sadie (2001). Sadie, Stanley (ed.), The New Grove Dictionary of Opera, (4 volumes) (London: Macmillan, 1992), . Sadie, Stanley and John Tyrell (eds.), The New Grove Dictionary of Music and Musicians, 2nd edition (London: Macmillan, 2001), (hardcover), (eBook). External links 1808 births 1865 deaths 19th-century classical composers 19th-century conductors (music) 19th-century French composers Burials at Montmartre Cemetery Conservatoire de Paris alumni French conductors (music) French male composers French male conductors (music) Musicians from Dijon