Sylvester Stallone. She told press in London that her latest album will reflect her emotional state and chronicle events in her personal life since her last musical release in 2002. She said "That makes it real. The changes that we go through, the transitions that we go through, the tests that we go through, being a mother, becoming a single mother. It all had its ups and its downs, but for the most part, I kept my faith and I kept my head up... I took my time. All the triumphs and the ups and downs and stuff, it's all incorporated on the album, and hopefully not only does it inspire me, but inspires a whole lot of other people." Music According to Davis, I Look to You was not aimed at simply following current music marketing trends, but instead, staying true to who Houston is and the impact she has made on the music industry. The album's opener "Million Dollar Bill" was written and co-produced by Alicia Keys, after the singer-songwriter personally asked Davis if she could make a contribution to the album. Houston had previously asked Keys to write/produce a song for her. The song's beat produced by Swizz Beatz surprised critics, as they felt it was more of an "old-school R&B" production and did not sound like most "Swizzy" productions, and is "not an attempt at being a hip-hop club banger." Shaheem Reed from MTV commented "Houston's voice [was displayed] over a club-friendly beat that blends a rough-riding thump with R&B". "Nothin' But Love", produced by contemporary R&B and hip-hop producer Nathaniel "Danja" Hills, was described by Rap-Up magazine as being "uptempo [and] danceable [with a] hand-clapping beat." It was also described as being made for urban radio. "Call You Tonight" is one of two songs written by Johntá Austin and was produced by Norwegian production team Stargate featuring "their trademark guitar riffs". The other Austin track on the album is a mid-tempo R&B track titled, "Worth It", produced by Eric Hudson. In the Summer 2009 edition of Rap-Up, R&B singer Akon spoke about working with Houston for the then-upcoming album. In the interview he revealed that he had worked with her on two songs for the album; one of which, "Like I Never Left", was previously leaked to the internet. It had initially been tipped as a single. Davis said Houston wanted an island song, so