Dennis O'Driscoll (1 January 1954 – 24 December 2012) was an Irish poet, essayist, critic and editor. Regarded as one of the best European poets of his time, Eileen Battersby considered him "the lyric equivalent of William Trevor" and a better poet "by far" than Raymond Carver. Gerard Smyth regarded him as "one of poetry's true champions and certainly its most prodigious archivist". His book on Seamus Heaney is regarded as the definitive biography of the Nobel laureate. Life and career Born on 1 January 1954 in Thurles, County Tipperary, O'Driscoll was the child of James O'Driscoll and Catherine Lahart, a salesman/horticulturist and a homemaker. He was educated by the Congregation of Christian Brothers . After completing his secondary education, at age sixteen (1970), O'Driscoll was offered a job at Ireland's Office of the Revenue Commissioners the internal revenue and customs service. Specializing in "death duties, stamp duties, and customs," he was employed for over thirty years full-time. He lived in Naas, County Kildare, until his sudden death. In the 1970s and 80s, O'Driscoll held many part-time jobs and positions in association with his writing. He took a position as part-time editor of Tax Briefing, a technical journal produced in Ireland, as well as reviewing poetry for Hibernia, and The Crane Bag. He also served on the council of the Irish United Nations Association from 1975–80. After this, he married Julie O'Callaghan, a writer, in September 1985. O'Driscoll stayed in the revenue business for as long as he did due to the advice of a colleague, who told him, "If you ever leave your job, you will stop writing." Thus, revenue became a sort of fall back option for him; a career that paid regularly and provided a pension. Whereas poetry was his art. Even so, in his memoir entitled, Sing for the Taxman, O'Driscoll states, "I have always regarded myself as a civil servant rather than a 'poet' or 'artist' – words I would find embarrassing and presumptuous to ascribe to myself." After thirty-eight years in Revenue, in early 2008, O'Driscoll was asked to write a poem marking the opening of the Revenue Museum in Dublin Castle, marking the first time his job and his art would intermingle. This poem, At The Revenue Museum, which was originally brought to life to be printed in a program for the opening ceremony, now hangs as an exhibit in the museum itself.