she published her most well-known novel, Cartucho, relatos de la lucha en el norte de México, financed by Germán List Arzubide. Campobello described her motivation to write Cartucho as one of “avenging an injury”. After the end of the armed movement, some revolutionaries were tried against the group in power, including Francisco Villa, a childhood hero of Campobello. She continued to write about this fight in her work Apuntes sobre la vida militar de Francisco Villa. Cartucho was narrated in three sections: “Men of the North”, “The Executed”, and “Under Fire”. Each one is made up of short stories or episodes about characters of Parral and of Villa Ocampo, told from the point of view Nellie as a young girl. This point of view is rare within the genre of the Mexican Revolution. It is replete with details of daily life. It is said to be a feminist version of the Revolution, because it is narrated within private spaces, from the house of the author and from the neighborhoods of the Segunda de Rayo street in Parral. The majority of these spaces include mentions of women and children. The novel describes the personalities of women during the Revolution, not under the stereotypes usually attributed to women such as sentimentality and irrationality, but as pragmatic and strong characters, sometimes vulnerable, but facing their reality and fighting. The novel also shows men in the Revolution under a different view: a Villa that cried, a soldier that played and joked with the children, and a soldier that lulled and sang Campobello's younger sister, Gloria, to sleep. Other Works Las manos de mamá, novel, 1937 Apuntes sobre la vida militar de Francisco Villa, 1940 Ritmos indígenas de México, 1940 Tres poemas, 1957 Mis libros, 1960 (illustrated by José Clemente Orozco) Obra reunida, 2008 (Fondo de Cultura Economica) Personal life She never married, but had a number of affairs. In 1919 she had a son, José Raúl Moya, who died two years later. Allegedly, the father was Alfredo Chávez, later Governor of Chihuahua. Also Germán List Arzubide told that he fell in love with her. She was one of the few women involved in the center of Mexico's intellectual groups and was also great friends with Federico García Lorca and Langston Hughes, who translated her poetry into English. To this day, she is considered the only female Mexican writer to publish narrations (semi-autobiographical) about the