Luděk Hulan (11 October 1929, in Prague – 22 February 1979, in Prague) was a Czech jazz double-bassist and musical organiser. He was an important exponent of Czech jazz in the second half of the 20th century. Biography Hulan started his career as a founder-member of the amateur Hootie Club ensemble in 1948. In the early 1950s he performed in various professional jazz ensembles and helped organise jam sessions in Prague. From 1953 to 1957 he moved to Brno and played double bass with the Gustav Brom Orchestra, and on his return to Prague he co-founded Studio 5, which later became a part of the Taneční orchestr Československého rozhlasu (TOČR) (The Dance Orchestra of the Czechoslovak Radio). Studio 5, one of the most important modern jazz ensembles in Czechoslovakia, disbanded in 1961, and Hulan founded another band - Jazzové studio (The Jazz Studio). The Jazz Studio often performed Hulan's own short compositions, which had poetic titles connected with the "flow of modern life". In the late 1960s he still collaborated with TOČR (later renamed the Jazz Orchestra of the Czechoslovak Radio - JOČR) and actively participated in Czech musical life. He was one of the pioneers of the "Jazz a poezie" (Jazz and Poetry) movement, which focused on cross-connections between various spheres of the Arts. In his Jazz studio Hulan collaborated with many important jazz instrumentalists, among them tenor saxophonist Milan Ulrich and trumpeter Richard Kubernát. In 1968, following the Soviet invasion of Czechoslovakia he emigrated to Switzerland, but could find no work connected with music and soon returned. His wife and daughter remained abroad. As a returned emigrant he was listed as "politically undesirable", a considerable obstacle in finding new music engagements. Despite this, he organised night-time jam sessions in the "poetic wine bar" Viola, founded a new band, Jazz Sanatorium with former colleagues from Jazz Studio, and helped its younger members in their careers. He also found work - occasional at first - with the Linha Singers ensemble. In 1972 the Traditional Jazz Studio invited him to record with the New Orleans clarinetist Albert Nicholas. He also performed with the American clarinetist Tony Scott, and prepared a TV series, Jazzový herbář (The Jazz Herbarium) with the director M. Peer. Hulan organised the "Jazz-film-forum" and "Jazz quiz" as part of his Jazz Sanatorium, using American films, recordings and literature. This was a rare event: in the "deep normalisation" of