Translations In English, Tsuge's works have rarely been translated. "Red Flowers" was printed in an insert called "Tokyo Raw" in 1985 in Art Spiegelman and Françoise Mouly's Raw magazine (Vol. 1, No. 7). Vol. 2, No. 2 of the same magazine saw in 1990, translated by Akira Satake and Paul Karasik). The most recent translation was of Screw Style in The Comics Journals 250th issue in February 2003, translated by Bill Randall. was translated into French as L'Homme sans talent in 2004, and was nominated for best album at the Angoulême International Comics Festival the following year. An English language edition was published by New York Review Comics in 2020. Drawn & Quarterly has announced that, beginning in April 2020, they will publish English translations of his complete works in seven volumes. In Spanish, Neji-shiki, Munō no Hito, and Tonari no Onna (隣りの女, lit. "The Woman Next Door") were translated as Nejishiki in 2018, El hombre sin talento in 2015, and La mujer de al lado in 2017 respectively, by Gallo Nero Ediciones. In Italian, Munō no Hito was translated as L'uomo senza Talento in 2017 by Canicola. In Portuguese, Munō no Hito was translated as O Homem sem Talento in 2019 by the Brazilian publisher Veneta. In Serbian, Munō no Hito was translated as Čovek bez talenta in 2019. by Besna Kobila. In Traditional Chinese, Tsuge's several works are translated in two volumes in 2021 as 柘植義春漫畫集 (Collected Comics of Yoshiharu Tsuge), published by Locus Publishing in Taiwan. In Simplified Chinese, Yoshio no Sei Shun (義男の青春, lit. "Yoshio's Youth") was translated as 义男的青春 in 2021 by Special Comix in China. Style Tsuge's works have generally been divided into pre-Garo, Garo, and post-Garo phases. In his pre-Garo phase, Tsuge has been included among those considered to have made gekiga—dark, realistic comics with mature themes which first developed in Japan in the late 1950s and 1960s. Reception and legacy Tsuge has had an influence on a large number of Japanese cartoonists. Kazuichi Hanawa began producing horror comics for Garo in the early 1970s under the influence of Tsuge's surrealistic comics of the late 1960s. Iou Kuroda called Tsuge his primary influence. Adaptations There have been five film adaptations of Tsuge's works, as well as nine adaptations for television. Director Teruo Ishii has made film adaptations of Tsuge's work twice. from 1968 was adapted in 1993, and 1968's "Nejishiki" in 1998 (as