2013 science fiction apocalyptic comedy. The film follows a group of friends, led by Pegg, reattempting an epic pub crawl during an alien occupation of their home town. In the final scene of the film, a Cornetto wrapper blows past in a breeze, briefly catching on a wire fence. Wright said in an interview for Entertainment Weekly, "We thought it would be a funny idea to do a sci-fi film where even the people who are going to be your saviours are hammered." Connections and themes The name originates from a "silly joke" during the promotion of Hot Fuzz. Wright had written in Cornetto ice cream as a hangover cure for Frost's character in Shaun of the Dead, based on his own experiences. At the after party for the film, they received free Cornetto ice creams so Wright and Pegg decided to include another reference to Cornetto in their next film in a failed attempt to get more free ice cream. In Hot Fuzz, Wright included a couple of brief throwaway scenes that referred to the Cornetto joke in Shaun. On the promotional tour of Hot Fuzz during production of The World's End, one interviewer pointed out the use of Cornetto in the first two films, and Wright jokingly said that they represent a trilogy comparable to Krzysztof Kieślowski's Three Colours film trilogy. Wright seriously considered the three films as a trilogy, and wrote The World's End to complete themes set out in the earlier films, adding a Cornetto reference to the film. Each film in the trilogy is connected to a specific Cornetto flavour appearing in each film. Shaun of the Dead features a strawberry-flavoured Cornetto, which signifies the film's bloody and gory elements, Hot Fuzz includes the blue original Cornetto, to signify the police element to the film, and The World's End features the green mint chocolate chip flavour (though shown only by a wrapper caught in the wind) representing "little green men" and science fiction. According to Wright, Wall's, manufacturer of the Cornetto, was "very pleased with the namecheck". Wright considered each of the films a "Trojan horse", "genre films that have a relationship comedy smuggled inside a zombie movie, a cop movie and a sci-fi movie". Thematically, Wright saw each of the films containing common themes of "the individuals in a collective [...] about growing up and [...] about the dangers of perpetual adolescence". Wright reworked