the second trial day the killer whale is cross-examined via telecast, although her testimony consists completely of whale noises. She is eventually proven innocent of all killings. Interestingly, the episode seems to have the implicit message that the fact killer whales do not use human language does not mean they do not have feelings and a right to be heard. The Vancouver Canucks of the National Hockey League features an orca whale in its logo. References Further reading Brydon, Anne, 'The Predicament of Nature: Keiko the Whale and the Cultural Politics of Whaling in Iceland', Anthropological Quarterly, 79.2 (Spring, 2006), 225-60. Davis, Susan G., Spectacular Nature: Corporate Culture and the Sea World Experience (Berkeley: University of California Press, 1997), . Howard-Williams, Rowan, 'Consumers, Crazies and Killer Whales: The Environment on New Zealand Television', International Communication Gazette, 73 (2011), 27-43 . Pagnoni Berns, Fernando Gabriel and César Alfonso Marino, 'The "Nature-Run-Amok" Cinema of the 1970s: Representation of Non/Human Animals in Frogs and Orca, in Screening the Nonhuman: Representations of Animal Others in the Media, ed. by Amber E. George, J. L. Schatz (Lanham: Lexington, 2016), pp. 117–30. Werner, Mark T., 'What the Whale was: Orca Cultural Histories in British Columbia since 1964' (unpublished MA thesis, University of British Columbia 2010) Zelko, Frank, 'From Blubber and Baleen to Buddha of the Deep: The Rise of the Metaphysical Whale', Society & Animals, 20 (2012), 91-108 . "Documentary in 2014". BAFTA.org. British Academy of Film and Television Arts. Retrieved February 27, 2017. Cetaceans in popular culture Marine life in popular culture Orcas Fictional orcas