Christ Illusion, and deals with the end of the world. Araya and Hanneman have said "World Painted Blood" is "one of the more classic Slayer songs". A music video has been made for "Beauty Through Order", however, it has been removed from most online sources. Reception Critical The album earned generally positive reviews. On Metacritic, it holds a score of 78 out of 100 based on 11 reviews. "Sounding," said Classic Rock, "like it was recorded in a studio where the amps were set to FUCK YOU rather than 11 and armed with a dual attack of heavy and heaviest, Slayer's 10th studio album [sic] offers a remarkable clarity of vision and strength of identity." "Quite frankly we were beginning to wonder if they still had an album like this left in them," said Greg Moffitt of the BBC. "A few of the songs command the attention with the insistence of old… [The album is] a deliciously wicked ride." AllMusic's Thom Jurek awarded the album three and a half stars, saying, "In many ways it could be Reign In Blood Revisited… Some compositions on this new recording have more of the band's early–style melody in them, with lightning flare–up riffs between verses: quick unexpected guitar pyrotechnics; and blast beat power drumming from Dave Lombardo pushing it all into red." Leonard Pierce of The A.V. Club remarked on the "burden" that "weighs particularly heavy on bands that made their reps with intensity and innovation; Slayer, in particular, was perceived as wandering in the wilderness during the years Paul Bostaph sat behind the drum kit." He rewarded the album with an A−, describing it as "eclectic, but never self-consciously so. It rarely flags in intensity, and it's good enough that if it were inserted in Slayer’s discography right after Seasons In The Abyss — the record it most resembles — it would be an almost seamless transition." Adrien Begrand of PopMatters gave the album eight out of ten stars, saying, "It's a slight improvement on Christ Illusion, as more than on any of their previous five albums, the foursome of guitarists Jeff Hanneman and Kerry King, bassist/vocalist Tom Araya, and drummer Dave Lombardo find themselves revisiting the seminal styles of their 1986–88 heyday." MusicOMH gave the album four out of five stars. Blabbermouth's Ryan Ogle gave it 7.5 out of 10 and said it "jumps into fairly aggressive thrash gallop, but doesn't