Tongue n' Cheek is the fourth studio album by British rapper Dizzee Rascal. The album was released on 20 September 2009 and includes the number one singles, "Dance wiv Me", "Bonkers", "Holiday" and "Dirtee Disco". It has been certified platinum by the BPI for sales of over 300,000, making it the best-selling album of Rascal's career. Background Its release was announced on Friday Night with Jonathan Ross when, in an interview, Rascal revealed details including track information and production. He confirmed in an interview on Radio 1 that he is leaving his grime roots behind, in favour of more mainstream pop music. On 23 May 2009, Calvin Harris revealed on his Twitter that he was producing a Dizzee track. At the Evolution Festival in Newcastle-upon-Tyne, he confirmed that there will be two new singles from the album called "Road Rage" and "Dirtee Cash". Dirtee Cash heavily samples The Adventures of Stevie V song "Dirty Cash.". Samples are also used on "Can't Tek No More" ("Warrior's Charge" by Aswad from the film Babylon) and "Chillin' Wiv da Man Dem" ("Oh Honey" by Delegation). In early August the track listing was confirmed in a preview of the album by music website NME. Notably, Rascal designed a Nike-distributed Tongue n' Cheek shoe, to be in released at the same time as the album. The proceeds from these shoes going to Tower Hamlets Summer University of which Rascal is a patron. Release and chart performance On 27 September 2009, Tongue n' Cheek entered the UK Albums Chart at number 3, charting behind Muse's The Resistance and Madonna's Celebration. Critical reception Tongue n' Cheek received positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 75 based on 14 reviews, which indicates "generally favorable reviews". The Guardian gave the album 4 out of 5 stars, opining: "If it's less wilfully uncommercial than his earlier oeuvre, which frequently made the listener feel like they were being mugged in the middle of an amusement arcade, its distorted synthesisers are still edgily thrilling". Pitchforks Ian Cohen gave the album 7.5/10, saying that "He sounds damn good over trashy, flashy electro that manages to keep pace with cadences as hyperactive as his own, and, above all, he's way more fun than he's often given credit for". NME gave the album 7/10 and