collector of Victorian photography. His nude and semi-nude photographic portraits of young girls were published in the book States of Grace (Ophelia Editions, 1992). His photographs of the children's street culture in London taken in the late 1950s and early 1960s when Ovenden was a teenager have been published in Childhood Streets (Ophelia Editions, 1998) and in many catalogues issued by galleries and museums. Aspects of Lolita (Academy Editions, 1976) contains prints inspired by Vladimir Nabokov's novel, Lolita. A general monograph of his paintings, drawings, prints and photographs, entitled Graham Ovenden, was published by Academy Editions/St. Martin's Press in 1987. Other publications containing his work include David Bailey, The Naked Eye. Great Photographers of the Nude (AMPHOTO, 1987); Emily Brontë, Sturmhöhe (illustrations by Ovenden) (Carl Bertelsmann, 1981); Charles Causley, A Tribute from the Artist (Exeter University, 1987); Robert Melville, Erotic Art of the West (G.P. Putnam's Sons, 1973); David Inshaw, Graham Ovenden, Martin Axon: Photographs 1957–1981 (Plymouth Arts Centre Touring Exhibition Catalogue); Graham Ovenden Photographs (Olympus Gallery, 1984); Bradley Smith, Erotic Art of the Masters: The 18th, 19th & 20th Centuries (Mayflower Books, 1980) and Bradley Smith, 20th Century Masters of Erotic Art (Fleetbooks, 1980). Ovenden's work has also graced the covers of record albums (Malice in Wonderland by Paice Ashton Lord) and books, notably the Arden Shakespeare series,<ref>[https://www.flickr.com/photos/14168877@N04/2226382766 A Midsummer Night's Dream.]</ref> Sleep Pale Sister by Joanne Harris, and the British hardcover edition of A. N. Wilson's Dream Children. His work is in numerous collections, including the Victoria and Albert Museum, The Tate, and the Metropolitan Museum of Art, New York. As an authority on Victorian photography and illustration, Ovenden has edited Pre Raphaelite Photography (1972); Victorian Children (1972); Victorian Erotic Photography (1973); A Victorian Album – Julia Margaret Cameron and Her Circle (1975); Alphonse Mucha Photographs (1974); Clementina Lady Hawarden (1974); Hill & Adamson Photographs (1973); Lewis Carroll (1984); Nymphets and Fairies (1976) and Illustrators of Alice (1972). Writings by Ovenden on art and photography include Ruralism and the New Romanticism (Art & Design, 1988); On David Inshaw (Architectural Design, 1984); The Pre-Raphaelites (Architectural Design, 1984); The Black and White Art of Arthur Hughes (The Green Book, 1981); A Liddell Family Album (The Hillingdon Press, 1973); and Jane and Elizabeth, a selection of images of Jane Morris and Elizabeth Siddall (Hillingdon Press, 1972). In addition, he has curated numerous exhibitions, many featuring his extensive collection of antiquarian photographs,