Aranda, Tania Bruguera, Diana Domingues, H Committee of Human Vindication, Jean-Pierre Raynaud, Rafael Lozano-Hemmer, Los Carpinteros, César Martínez Silva, Teresa Margolles, Miguel Calderon, Santiago Sierra, among others. Numerous events were held in various public places in the city exploring interpersonal relationships and modes of communication between human beings. Their objective was to reflect on the impact of technological advances in the phenomenon of communication in different spheres, which have undoubtedly generated new individual and social behaviors, since the art system itself has been affected by this circumstance, given that new supports have appeared for the circulation of works, as well as for their commercialization. This has influenced the relationship between the artist and the public, the artist and the community, and the city, and has redefined the integration of art into the daily habitat. Urban interventions were carried out in several sites in the historic zone of the capital and its modern zone through graphic mural projects and the realization of works in semi-abandoned spaces that allowed the participation of members of the community or neighborhood where they were carried out. Also, for the first time, an International Meeting of Art Students was held at the headquarters of the Higher Institute of Art of Havana. Selected projects Helio Oiticica: Beyond Space, organized by the Fundaçao Memorial da América Latina and the Proyecto Hélio Oiticica. Jean-Michel Basquiat, at Casa de las Américas. La Gente en Casa (People at Home), Cuban Art from the sixties to the nineties, at Museo Nacional de Bellas Artes,. Extramuros - Actions and Performances, at various locations, November 17 and 18, 2000. 8th Bienal de La Habana Subject: Art with life Director: Hilda María Rodríguez The eighth edition of the Biennial was convened for the year 2003, under the spirit of Art with Life, to provoke reflections on daily life, its conflicts and bounties, the problems and semblances of our cities, the role of art in the territories of coexistence, in short, the possible relations between art and life, including all its possible fractures. Lapses in the schedule were due to funding challenges. The 8th Biennial of 2002 was delayed an entire year, resuming in November 2003. This event showcased art within the social landscape, outside of traditional institutions. Artists normally unable or unwilling to participate with large institutions engaged diverse audiences by bringing art out of the museum and into the streets. Noteworthy artists to have