Constantinian style, and is marked by cutouts towards the back. The current reconstruction partly assumes the Roman influence of the cheek guards; Roman practice reinforced the belief that leather hinges were employed, while the sinister and dexter cheek guards were swapped after an expert on arms and armour suggested that the cutouts should be at the back. The neck guard similarly assumes leather hinges, and with its solid iron construction—like the one-piece cap, unique among Anglo-Saxon and Scandinavian helmets—is even more closely aligned with the Roman examples, if longer than was typical. The Witcham Gravel helmet from the first century AD has such a broad and deep neck guard, and solid projecting guards are found on the Deurne and Berkasovo 2 helmets. Another feature of the Sutton Hoo helmet unparalleled by its contemporaries—its face mask—is matched by Roman examples. Among others the Ribchester helmet from the turn of the first century AD, and the Emesa helmet from the early first century AD, each include an anthropomorphic face mask; the latter is more similar to the Sutton Hoo helmet, being affixed to the cap by a single hinge rather than entirely surrounding the face. Finally, the suggestion of a leather lining in the Sutton Hoo helmet, largely unsupported by positive evidence other than the odd texture of the interior of the helmet, gained further traction by the prevalence of similar linings in late Roman helmets. Several of the decorative aspects of the Sutton Hoo helmet, particularly its white appearance, inlaid garnets, and prominent rivets, also derive from Roman practice. Its tinned surface compares with the Berkasovo 1 and 2 helmets and those from Concești, Augsburg-Pfersee, and Deurne. The Berkasovo 1 and Budapest helmets are further adorned with precious or semi-precious stones, a possible origin for the garnets on the Sutton Hoo and Valsgärde 7 helmets. Finally, the prominent rivets seen on some of the crested helmets, such as those from Valsgärde 8 and Sutton Hoo, may have been inspired by the similar decorative effect achieved by the rivets on Roman helmets like the Berkasovo 2 and Duerne examples. Beowulf Understandings of the Sutton Hoo ship-burial and Beowulf have been intertwined ever since the 1939 discovery of the former. "By the late 1950s, Beowulf and Sutton Hoo were so inseparable that, in study after study, the appearance of one inevitably and automatically evoked the other. If Beowulf came on stage first, Sutton