animation soundtracks (e.g. En Passant Marcel Duchamp) as well as his continued interest in combining acoustic instruments with electroacoustics (e.g. Air). Worrall has been a regional editor for Organised Sound (Cambridge University Press) since 1996. From 2000-2012 he worked as an independent investment educator, academic, and freelance experimental composer (e.g. The Twins) and researcher with a growing interest in the human voice, both acoustic and synthetic (e.g. algorithmic poems such as A doing resounds and the extended text-to-speech work (e.g. I am on the net through an interface different from the one which you use when you do, a homage to Alvin Lucier,) as well as the continued development of PIPES works such as the large-scale collaborative Alien Garden. He was a senior research fellow (2013–2017) in sonification in the Emerging Audio Research Group at Fraunhofer Society (the International Audio Laboratories of Fraunhofer-Institut für Integrierte Schaltungen IIS) in Erlangen, Germany, undertaking research in the application of sound in the diagnosis of sleep apnoea and the sonification of large networks. He is currently a professor (and former chair) in the Audio Arts and Acoustics Department at Columbia College Chicago and an adjunct senior research fellow in the School of Music, the Australian National University. His book: Sonification design: From data to intelligible soundfields is published by Springer in their Human–Computer Interaction Series. Worrall has won various composition and research awards and has held artist-in-residence and visiting fellowship positions in universities in Australia, France, Spain, the US and in the UK, where most notably he was Leverhulme Fellow in the Music Department at the University of York in 1996. He was a founding member of the Music Council of Australia, now Music Australia, which made him an Honorary Life Member in 2009, the Electronic Music Foundation and has served on a number of organisational boards, including the Australia Council's Music and Innovative Projects (later Mixed Media) Boards, the Australian Music Centre, where he is a represented artist, and as president in 1998/1999 of the Australasian Computer Music Association. He has been and a board member of the International Community for Auditory Display (ICAD) since 2010 and their elected President 2016–2019. Notes References Bandt, R. 2001. Sound Sculpture. Sydney: Fine Art Publishing. pp. 36–37. Bebbington, W.E. 1997. (ed.) The Oxford Companion to Australian Music. Melbourne; New York: Oxford University Press. p. 599. Broadstock, B.E. 1995. Sound Ideas: Australian Composers Born Since 1950, a