sell 500,000 singles in the U.S during the course of her promotion in 2010. "Game Over" is the fourth single released from the album. Summary by Jamie Smith: "It’s bold and brash, somehow modern yet retro-styled, but more than anything, it makes you want to dance, and that’s what pop music is all about." Reception Upon its release, the album received generally positive reviews from most music critics, based on an aggregate score of 67/100 from Metacritic. The Guardian writer Caroline Sullivan gave it 4 out of 5 stars and viewed Brown's effervescence as a strength, writing "She nimbly skips from 60s girl-group romping (Quick Fix) to Sandie Shaw-inspired melodrama to pumped-up powerpop to rockabilly and sounds entirely assured all the way through". BBC Online's Al Fox called it "an eclectic yet uniform collection of songs" and wrote that it "boasts a rare kind of head-turning indie-pop magnificence". John Meagher of The Belfast Telegraph gave the album 4 out of 5 stars and wrote favorably of Brown's singing. MusicOMH writer Michael Cragg gave it 3½ out of 5 stars and called Brown's voice "a versatile instrument that she utilizes to brilliant effect throughout". Entertainment Weeklys Leah Greenblatt gave Travelling Like the Light a B+ rating and commended Brown for her musical balance of modern and vintage sound. Dan Aquilante of The New York Post called the album "eclectic" and praised Brown's musical approach. Q magazine gave the album 4 out of 5 stars and praised Brown's performance, called her "a force of nature". Metros Ben East gave it 4 out of 5 stars and found Brown's style refreshing, calling it "an interesting confection with pleasingly dark lyrics". Spin critic Barry Walters praised Brown for her "guts" and "grace", writing that her "enthusiasm immediately leaps from the grooves, but this debut also reveals an emotional and musical range her neo-retro peers lack". Pete Paphides of The Times called it an "early promise". In contrast, NMEs Sam Richards perceived Brown's songwriting as lacking in substance and panned the album's assorted musical elements, stating "unless you’re hyped up on a cocktail of Sunny D and Haribo yourself, you’ll find most of this album very annoying indeed". Sunday Herald writer Edd McCracken found it "light on lyrics" and called it "a lukewarm, plastic pop concoction". The Observer expressed a mixed response towards its offbeat sound, describing it as "not straight to the scrapheap but