Antonio Gasalla (born March 9, 1941) is an Argentine actor, comedian, and theatre director. Life and work Antonio Gasalla was born in Ramos Mejía, a western suburb of Buenos Aires, in 1941. He enrolled at the National Dramatic Arts Conservatory, and began his work in Buenos Aires' vibrant theatre scene in 1964 as an understudy, by which he befriended a colleague, Uruguayan émigré Carlos Perciavalle. He and Perciavalle starred in their production of María Inés Quesada's Help Valentino! (1966), which they performed as a café-concert; this genre was popular in Argentina at the time, and the Gasalla-Perciavalle duo became among its best known exponents. They accepted roles in film productions of Un viaje de locos (Madmen's Journey) and Clínica con música (Musical Clinic) in 1974. Though known for their comedy roles, they were also cast in 1974 by Sergio Renán for La tregua (The Truce), the first Argentine film nominated for an Oscar for Best Foreign Language Film. The duo parted ways subsequently, and Gasalla was cast in a comic role in Tiro al aire (Shot in the Dark), a 1980 family film starring Héctor Alterio. Offbeat film director Alejandro Doria offered Gasalla the lead role in a 1985 comedy, Esperando la carroza (Waiting for the Hearse). Portraying Mamá Cora, a mischievous nonagenarian in need of attention from her self-absorbed family, Gasalla underwent four hours of prosthetic and makeup work daily, while shooting lasted. Receiving mixed reviews, the grotesque comedy was a commercial success and introduced Gasalla to a new act: female impersonation. He appeared seldom on television work until 1990, when he was offered a comedy show, El Mundo de Gasalla (Gasalla's World), following which he hosted or starred in numerous other variety programs on Argentine television, mostly for Channel 9. The most popular of these was El palacio de la risa (The Palace of Laughter), where television audiences became acquainted with his feminine roles. His comic portrayals earned his first Martín Fierro Award, the most prestigious in Argentine entertainment, in 1994. Having had a falling out twenty years earlier, Gasalla and his erstwhile café-concert partner, Carlos Perciavalle, were reunited in a 1997-98 theatrical series in Punta del Este, Uruguay. Gasalla then returned to film in 2000, portraying Fredy, a homosexual man, in Almejas y mejillones (Clams and Mussels), and to the theatre, where he portrayed his numerous female characters from 2000 to 2004. Ending his hiatus from television