Blue Curry (b. Nassau, Bahamas, 1974) is an artist living and working in London, UK, who works primarily in sculptural assemblage and installation art. Education and career Curry is a graduate of the MFA Fine Art program at Goldsmiths College, London, where his final show was listed as one of the ten best in the country by the former editor of Art Review. He was selected for inclusion in the Catlin Guide to the 40 important emerging artists in the UK in 2010 and listed as one of The Independents "Future Art Stars". He was profiled in a BBC documentary Goldsmiths: But is it Art? which charted his progress through art college and his experiences on the London contemporary art scene. Adrian Searle, chief art critic of The Guardian said that Curry's "swanky electric-blue cement mixer" installation filled with coconut sun cream might be a place for him to stick his head to soothe away his doubts about the 2010 Liverpool Bienniall. In one of his earliest works Curry transported almost a ton of sand to Germany for exhibition and then returned it to the beach it came from in the Bahamas for the group show "Funky Nassau" at the Nassauischer Kunstverein, Germany. He has also shown work at Art Basel Miami Beach, the Art Museum of the Americas, Washington D.C. and the Musée International des Arts Modestes, France. He has work in the collections of the National Art Gallery of The Bahamas, the Principal Art Group and many private collections. He has been a member of the Popop collective of artists since 2000. Exhibitions 2021 | Life Between Islands: Caribbean-British Art 1950s – Now. Tate Britain. 2021 | When the Globe is Home, Imago Mundi - Luciano Benetton Collection, Gallerie delle Prigioni, Treviso, Italy. 2021 | Here Be Dragons:a Reprise, Copperfield, London. 2020 | Mutadis Mutandis - 24 Pavilions, Giardini Projects, Studio Giardini, Venice, Italy. 2020 | The Frangenberg Collection Exhibition, Wolfson College, Cambridge. 2020 | Featured artist, MOCA London Web Exhibitions. 2020 | Visual Life of Social Affliction, a Small Axe Project, NEST, Rotterdam. 2019 | Visual Life of Social Affliction, a Small Axe Project, National Art Gallery of the Bahamas. 2019 | Visual Life of Social Affliction', a Small Axe Project, The Little Haiti Cultural Center, Miami. 2019 | The Empire Remains Shop, Grand Union, Birmingham. 2019 | Foreign Matter, duo exhibition with Fernando Martin Godoy, SCAN,