2000: Record of Emotion, the Watchtower-Contemporary Art, Beijing 2000: Gate of the Century (1979–1999) Chinese Art Invitational Exhibition, The Contemporary Art Museum, Chengdu 2001: Lu Shengzhong: World!, Fukuoka Art Museum, Fukuoka, Japan 2001: Beijing-Dachauer, Dachauer Schloss, Germany 2001: Clues to the Future, Red Gate Gallery, Beijing, China 2002 : A la nuit tombée: Lu Shengzhong, Grenoble, France 2002 : De Waan Venray Asylum, the Netherlands 2003 : Auspice From Above, Eslite Gallery, Taipei, Taiwan 2003: Guangzhou Triennial, Guangzhou Museum of Fine Art, Guangzhou, China Blue Sky Exposure, Yizhuang, Beijing, China 2003: Synthi-Scapes: Chinese Pavilion of the 50th Venice Biennale, (cancelled due to SARS), later shown in Guangzhou Museum of Fine Art, Guangzhou, China 2003: Openness, China Art Museum, Beijing, China 2003: Left Hand, Right Hand, 798 Art Space, Beijing, China 2004: The Book of Humanity, Chambers Fine Art, New York, USA 2004: Cinesi artisti fra tradizione e presente, Marsilio Art Museum, Italy 2004: Universal Figure—A. R. Penck and Lu Shengzhong, White Space Gallery, Beijing, China 2005: The New Emerging From the Old, University Art Museum, University at Albany, New York, USA 2007: Square Earth, Round Heaven, Chambers Fine Art, New York, USA Chinese Folk Artist "I use paper to cut this little red figure to demonstrate the delicate fragility of human beings. Ephemeral. A human’s life is shorter than a paper’s thickness. The material is not important. What is more important is the process you use to create that material. This is more valuable to me." Lu Shengzhong is a Chinese artist at the China Central Academy of Fine Art in Beijing, who specializes in the ancient Chinese paper cutting. His most well-known craftsmanship is called “Little Red Figures”, in reality, it is an old and famous procedure in China, named paper-cutting, which is utilized widely in the society specialty of china. The figure, which looks similar to a small kid, is an exceptionally regular element in Chinese time honored paper cutting, the nearby folks think this small squirt can evacuate the adversities so they continue cutting paper of small tyke, but it is unequivocally shown in the farmland far at a distance from the urban. This is a symbolization and universal society disregarded by virtuoso extended time, but Lu identify it and reproduces it, made it as a formal craftsmanship and considerable throughout giving the philosophical and customary nature. "For my project, there are two inspirations, the one is