the town's name was incorporated into the script as the Tennessee city Stark visits. On August 14, actress Dale Dickey said she had been cast in the film, and was currently shooting her scenes. The following day, production was halted when Downey suffered an ankle injury. During the break, Black and Pearce made more script revisions before shooting resumed by August 24. Cast and crew began arriving in Florida on October 1, to shoot scenes on Dania Beach and around South Florida. That same day, Downey returned to the set after his ankle injury. In early October, scenes were shot at a replica of the Malibu restaurant Neptune's Net, and filming took place on location at the Vizcaya Museum and Gardens. Scenes were shot during the daytime inside the Miami Beach Resort at Miami Beach on October 10 and 11. The production returned to Wilmington in mid-October for additional filming. On November 1, scenes were shot at the Vizcaya Museum and Gardens. Filming in the United States wrapped on November 7 in Wilmington. Filming began in Beijing, China on December 10. Filming was scheduled to wrap a week later on December 17, 2012. The China filming did not include the main cast and crew. In January 2013, it was reported that a film crew led by Shane Black would begin location scouting in Hyderabad and Bengaluru, India between January 20 and 24. Also in January, Cheadle confirmed that re-shooting was taking place in Manhattan Beach. Shooting also took place on the week of January 23, 2013 at TCL Chinese Theatre in Hollywood. A major part of the content filmed in the reshoots regarded the Mandarin, with Drew Pearce saying that in early cuts, the character "didn't feel real enough—there wasn't a sense of him being [part of] the real world, mostly because he was just looking down a lens and threatening the world." A report on actual production costs for films from FilmL.A. Inc., indicated a gross budget of $200 million, with a net of $178.4 million for Iron Man 3 after tax incentives from North Carolina and Florida. Post-production Chris Townsend served as visual effects supervisor for the film, which featured over 2,000 visual effects shots and was worked on by 17 studios, including Weta Digital, Digital Domain, Scanline VFX, Trixter, Framestore, Luma Pictures, Fuel VFX, Cantina Creative, Cinesite, The Embassy Visual Effects, Lola, Capital T, Prologue and Rise