University. Work Yoon's works often employ photography, video and elements of performance to question constructions of identity within specific historical and social conditions. In 1991, the artist produced a work entitled Souvenirs of the Self, which explores the relationship between notions of self and Other within dominant images of the Canadian landscape, most noticeably those which have been shaped primarily by tourism. The unconscious, memory, history, identity, place and nationhood are important themes for the artist, whose recent project, Unbidden, uses multiple-channel videos and photographs to allude to the psychic and physical conditions of the subject, particularly through migration, diasporic dispersal and displacement related to war and other geo-political conditions. An installation created in 1998, between departure and arrival, marks Yoon’s shift of using photographic images as outward marker of race. Using video and audio in departure, Yoon investigates "interior, consciousness forming structures such as language."<ref>{{cite book |last1=Radul |first1=Judy |author-link1=Judy Radul |year=1998 |chapter=At the Station: Notes on between departure and arrival' |editor1-last=Yoon |editor1-first=Jin-me |title=Between departure and arrival, 8 January – 8 February 1997 |location=Vancouver, BC |publisher=Western Front Society |page=14 |isbn=9780920974308 |oclc=38430635}}</ref>= In 2009, she was a finalist for the Art Gallery of Ontario’s Grange Prize and in 2013 was awarded a Smithsonian Artist Research Fellowship. In 2018 she was made a Fellow of the Royal Society of Canada. In 2022, she won the Scotiabank Photography Award. Her recent video work explores various cities, most notably in South Korea and Japan. Formally tipping the vertical city of skyscrapers and bipedal humans onto a horizontal plane, Yoon evokes subliminal and inchoate associations with both the past and the present. For viewers experiencing the work within the gallery there is an uncanny sense of a dream-like immersion in the phantasmagoria of late modernity. Over the past fifteen years her work has become known internationally and was shown 2008 at the Centre Culturel Canadien/Canadian Cultural Centre, Paris, France, Centro Cultural Montehermoso, Vitoria, Spain and Tank Loft in Chongqing, China. Her work has also been recently shown at the Up to/and including the limits, Argos Centre for Art and Media, Brussels, Belgium, Activating Korea, Govett-Brewster Art Gallery, New Plymouth, New Zealand, Videonale, Kunstmuseum Bonn, Germany, the National Gallery of Canada in 2006, Ssamzie Space in Seoul, South Korea in 2006, the Vancouver Art Gallery in 2005 and in many other solo and group exhibitions in North America, Asia, Australia and Europe. Select exhibitions About Time,