Route 17N, and The Sound and the Fury. In 2007, Tim White completed a series of large scale photographs and a video titled Awakening and in 2008, as an expansion on the same theme, Route 17 North. The series’ near-repetition rhythm reveals an image of an American youth at the beginning of the 21st century, in the world of post-modern simulacra. Both of the videos and photographic series demonstrate the influence of American literature on the artist. A short (20 min) multi-channel film The Sound and the Fury followed in 2009, named after the first part of Faulkner’s novel. The first version of the film was shown in Barcelona as Seventh Heaven (based on the subtitle of the literary work, April Seventh, 1928). The work exhibited in the US was received as "astounding." Terminal Series (2000–2005) The Terminal Series consists of a series of videos Terminal by Day (I), Terminal at Night (II), Terminal Dream (III), On the Wing (IV), and Terminal Heart (V)). Terminal (I) originated immediately after the events of September 11 in New York City. The artist's studio was located directly across the street from the WTC and he barely got out in time to escape. The loss of much of his artwork and the possible loss of life had a fundamental impact on his creativity and artistic vision, spawning the Terminal Series. Between 2004 and 2006, Tim White-Sobieski created several abstract-figurative video compositions: New York City Suite, Vertigo, and Desire among them. The artist continued working in the direction of music-visual synthesis, developing new methods and algorithms to generate color, rhythm and animations based on sound parameters, further developing ideas that were explored in the Moving Paintings projects, using complementing soundtracks by Brian Eno, Robert Fripp's "frippertronics," and experiments of John Cage. Deconstructed Cities (2005–2014) Between 2005-2014, White-Sobieski created a series of films and images of deconstructed cityscapes, eliminating distinctions between design, painting, photography and architecture (New York City Suite (2005), Deconstructed Cities (2007), London, (2007), Katrina, (2008), and Deconstructed Reality(2009)). The first city-related photo-video project, New York City Suite, was shown in galleries and museums in 2006, as well as ArtMiami 2007. There, the artist not only explored the structures of New York's landscape, the face of the city, in concrete, steel, and glass, but he also offered a psychological portrait of New York City residents he saw in the streets, neither friends nor important