Santa Teresa la Antigua is a former convent located in the historic center of Mexico City on Licenciado Primo de Verdad #6 just northeast of the city's main plaza. The complex ceased to be a convent in the latter part of the 19th century and has housed the Santa Teresa la Antigua Alternative Art Center since 1989. History of the convent The impetus behind the establishment of the convent occurred in 1613 when the ship carrying archbishop Juan Pérez de la Serna ran into a storm that threatened to destroy it. The archbishop promised Saint Teresa of Ávila to establish a Carmelite monastery if she would allow him to reach New Spain safely. Once securely on land, he convinced sisters Inés Castillet and Mariana de la Encarnación, heiresses of the plantations of Juan Luis de Riveral, to finance the project. The convent also had a number of other wealthy contributors, such as the Marquise of Guadalcazar. Much of the convent was built in eight months, and the order was established in 1616; it was first known as the San José de las Carmelitas Descalzas convent. However, popularly the complex became known as “Santa Teresa la Antigua.” Much of the facility was built with the intention of allowing public access, except for certain areas reserved for the nuns. The order was an austere one, as it followed the Spanish Discalced Carmelites tradition of writer and nun Teresa Zepeda y Ahumada. Unlike many other convents of the time, it had no servants or other help other than girls aspiring to be admitted into the order. The convent's church was rebuilt in 1684 by Captain Esteban de Molina and was renamed officially as “Nuestra Señora de la Antigua.” Much of the complex was rebuilt by Antonio Gonzalez Velazquez and the chapel of Señor de Santa Teresa was dedicated in 1813. Paintings by the Spanish artist Rafael Ximeno y Planes were added at this time. An earthquake demolished the dome and the apse, taking with them the paintings done by Ximeno. Reconstruction, replacing the older dome with a double-vaulted one, took thirteen years. New paintings were done by Juan Cordero. Sor Juana Inés de la Cruz once lived here, but due to her fragile health and the austere conditions of the order, she soon moved to another convent nearby in the city. The convent also served as a prison for Josefa Ortiz de Dominguez,