Symphosius (sometimes, in older scholarship and less properly, Symposius) was the author of the Aenigmata, an influential collection of 100 Latin riddles, probably from the late antique period. They have been transmitted along with their solutions. Biography Nothing more is known of Symphosius's life than what can be gleaned from the riddles themselves: even his name is clearly 'a joking pseudonym, meaning “party boy” or the like'. Proposed dates of composition have ranged from the third century to the sixth.<ref>A. Riese, ' Anthologia latina sive poesis latinae supplementum (Leipzig, 1869), xxv.</ref> The prevailing view today is that they were probably composed in the late fourth or early fifth century. A range of circumstantial evidence in the content of the riddles suggests that Symphosius was writing in Roman North Africa. The riddles The riddles themselves, written in tercets of dactylic hexameters, are of elegant Latinity. The author's brief preface states that they were written to form part of the entertainment at the Saturnalia. This could be a literary convention, and the passage may not even have been original, but the riddles do 'copy their form(and some of their content) from Martial’s Xenia, a collection of enigmatic descriptions of xenia (Saturnalian gifts)'. According to Sebo, the preface to Symphosius's riddles 'reveals that within Symphosius' milieu there is still a conception of riddles as oral and agonistic' going back to Antique traditions of the symposium. However, the riddles themselves are highly literary: 'in thus removing the Riddle form from its popular context as a guessing game, so to speak, and endowing it with a new autonomy and intertextual sophistication Symphosius "invents" what was later termed the Literary Riddle'. Sebo also argues that the collection is carefully structured as a literary whole, proceeding from the more light-hearted to the more sombre, and drawing together material similar in subject (such as whether the solutions are plants, animals or artefacts), metaphorical themes, or aural similarity of lemmata. She argues that, since the solutions are transmitted with the riddles in the manuscript, they too are to be read as part of the sophisticated literary form of Symphosius's work; and she claims that overall the work meditates on the material world, giving voices to creatures and objects whose perspectives on the world were not ordinarily heard. Symphosius's collection opens with riddles about writing; these riddles about the act of writing stand as a meta-comment on Symphosius's own literary