purpose of integrating a moving image within architectural interiors and displaying it on any shapes, forms and materials. Collections The artist’s inventory of video works currently enlists more than 60 titles, with multi-channel synchronized video installations and stand-alone single theatrical presentations. His video, photography, painting, sculpture, and installation work belongs to the collections of Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; CGAC Santiago de Compostela, Spain; Denver Art Museum, Domus Artium 2002, Salamanca, Spain; Elgiz Museum of Contemporary Art, Istanbul, Turkey; Museo de Bellas Artes, Santander, Spain; Aena Foundation - FUNDACIÓN AENA, Madrid, Spain; Stiftung kunst:raum Sylt Quelle, Germany; Nomas Foundation, Rome, Italy; and Kunstverein Wiesbaden, Germany. Works Video installations Moving Paintings/Moving Drawings (1993–present) Moving Paintings and Moving Drawings projects were a series of experiments in image animation which were based partially on Lingo scripting language that was used in Macromedia applications. Concomitant with his animation work, the artist became especially interested in the musical architecture of silence of John Cage and in response to Cage's objective to look through sounds and not at them, White-Sobieski created his infinite animations of paintings and drawings as complements to an artwork. White-Sobieski wrote the scripts for programming infinite ways of controlling behavior of shapes, colors and image parameters in a video frame (and in a digital image if not video). The influence of contemporary experimental music has continued to have a great effect White-Sobieski’s work, and composers like Pierre Schaeffer, Pierre Boulez, Steve Reich, Brian Eno, David Byrne, and Robert Fripp have all appeared in his later projects. One of the most successful experiments in combining Moving Paintings animation principles with real-time video editing/rendering technique was the project "I Repeat Myself When Under Stress," 1999, exhibited in New York, Chicago and Turin. Later, the same methods were developed in hand-rendered films from the project. Almost each video frame of the series was hand-drawn, and, when assembled, created semi-abstract moving compositions. These projects were critically acclaimed at the Prague Biennale (2003), Lyon Biennale (2003), and Bucharest Biennale (2004). Time of Adolescence Series (1998–2006) Confession (2000–2002), Before They Were Beatles (2004) and Sweet Dreams (2002) developed the subjects of genetic memory and the theme of war. The videos aim to assert the postulation that "memory is perhaps genetically transferred from generation to generation." Confession had a multi-channel narrative sequence and examined migrant literary characters which also appeared in Closer to Fall, Awakening,