Emotion. The Parrish also has a long tradition of juried exhibitions. For most of the Museum's history, these exhibitions were open to all artists, who were selected by a panel of three judges. In 2008, in recognition of the Museum's important mission of celebrating the art of the East End, the format changed. Submissions were limited to artists from eastern Long Island, whose digital entries were reviewed by nine established artists from the region. Each juror gradually narrowed his or her choices until a single selection was made. The nine chosen artists exhibited their work in tandem with the artists who selected them. This format not only focused on the artists of the region but also encouraged interaction among artists at different points in their careers. Artists Choose Artists of the East End will be a recurring program. After the Parrish moved to its Water Mill location in November 2012, it has of exhibition space dedicated to temporary exhibitions and for display of the permanent collection. Recent shows have focused on Steven and William Ladd; Alan Shields; Jules Feiffer; Joe Zucker; Robert Dash; Chuck Close; and Andreas Gursky. Future shows will focus on Jane Freilicher and Jane Wilson; Alexis Rockman; Ross Bleckner; Eric Fischl, and David Salle. In an interview for Hamptons Magazine in July, 2012, Sultan said that for the opening in November, 2012, the Parrish would show its first-ever installation featuring art from all periods in the museum's 2,600-work permanent collection, adding that many works will be completely new to visitors. During the building campaign, the article by Judith H. Dobrzynski said, the museum acquired many more painting and sculptures that would be shown, including a large Louise Nevelson sculpture, Dorothea Rockburne's "Touchstone" and Rainer Fetting's "Two Sunsets in East Hampton." Sultan added, "We covet a major Jackson Pollock, and some more great Abstract Expressionism pieces,” she said. “We have some, but it would be nice to have more works by Fischl, Salle, Bleckner, Close, Alice Aycock….” Directors 2008–2020: Terrie Sultan 2021: Kelly Taxter 2022: Melanie Crader (ad interim) 2022–present: Mónica Ramírez-Montagut References Past Imperfect: A Museum Looks at Itself. By Donna De Salvo, with essays by Maurice Berger, Alan Wallach, and a contribution by Judith Barry. 1993. The Parrish Art Museum in association with The New Press, New York, New York. The Parrish Art Museum: A History of its Collections and Building https://www.nytimes.com/2009/08/12/arts/design/12parrish.html?ref=parrish_art_museum. Article on design of