meets Jane, she is slightly repulsed but also fascinated by his animal-like actions. As the story progresses, Tarzan surrenders his knife to Jane in an oddly chivalrous gesture, which makes Jane fall for Tarzan despite his odd circumstances. Turgovnick believes that this displays an instinctual, civilized chivalry that Burrough believes is common in white men. Gender dynamic Burroughs's opinions, manifested through the narrative voice in the stories, reflect common attitudes in his time, which in a 21st-century context would be considered racist and sexist. Although the character of Tarzan does not directly engage in violence against women, feminist scholars have critiqued the presence of other sympathetic male characters who do so with Tarzan's approval. In Tarzan and the Ant Men, the men of a fictional tribe of creatures called the Alali gain social dominance of their society by beating Alali women into submission with weapons that Tarzan willingly provides them. Following the battle, Burroughs (p. 178) states:To entertain Tarzan and to show him what great strides civilization had taken—the son of The First Woman seized a female by the hair and dragging her to him struck her heavily about the head and face with his clenched fist, and the woman fell upon her knees and fondled his legs, looking wistfully into his face, her own glowing with love and admiration.While Burroughs depicts some female characters with humanistic equalizing elements, Torgovnick argues that violent scenes against women in the context of male political and social domination are condoned in his writing, reinforcing a notion of gendered hierarchy where patriarchy is portrayed as the natural pinnacle of society. Tarzan in other media Film The first Tarzan films were silent pictures adapted from the original Tarzan novels, which appeared within a few years of the character's creation. The first actor to portray the adult Tarzan was Elmo Lincoln in 1918's film Tarzan of the Apes. With the advent of talking pictures, a popular Tarzan film franchise was developed, lasting from the 1930s through the 1960s. Starting with Tarzan the Ape Man in 1932 through twelve films until 1948, the franchise was anchored by former Olympic swimmer Johnny Weissmuller in the title role. Tarzan films from the 1930s on often featured Tarzan's chimpanzee companion Cheeta, his consort Jane (not usually given a last name), and an adopted son, usually known only as "Boy." However, productions by Sy Weintraub from 1959 onward dropped the character