(1117), probably designed by the same masters, stands in the Antoniev Monastery, built on the orders of Antony, the founder of that monastery. There are now some fifty medieval and early modern churches scattered throughout the city and its surrounding areas. Some of them were blown up by the Nazis and subsequently restored. The most ancient pattern is represented by those dedicated to Saints Pyotr and Pavel (on the Swallow's Hill, 1185–1192), to Annunciation (in Myachino, 1179), to Assumption (on Volotovo Field, 1180s) and to St. Paraskeva-Piatnitsa (at Yaroslav's Court, 1207). The greatest masterpiece of early Novgorod architecture is the Savior church at Nereditsa (1198). In the 13th century, tiny churches of the three-paddled design were in vogue. These are represented by a small chapel at the Peryn Monastery (1230s) and St. Nicholas' on the Lipnya Islet (1292, also notable for its 14th-century frescoes). The next century saw the development of two original church designs, one of them culminating in St Theodor's church (1360–1361, fine frescoes from 1380s), and another one leading to the Savior church on Ilyina street (1374, painted in 1378 by Feofan Grek). The Savior' church in Kovalevo (1345) was originally frescoed by Serbian masters, but the church was destroyed during the war. While the church has since been rebuilt, the frescoes have not been restored. During the last century of the republican government, some new churches were consecrated to Saints Peter and Paul (on Slavna, 1367; in Kozhevniki, 1406), to Christ's Nativity (at the Cemetery, 1387), to St. John the Apostle's (1384), to the Twelve Apostles (1455), to St Demetrius (1467), to St. Simeon (1462), and other saints. Generally, they are not thought to be as innovative as the churches from the previous period. Several shrines from the 12th century (i.e., in Opoki) were demolished brick by brick and then reconstructed exactly as they used to be, several of them in the mid-fifteenth century, again under Archbishop Yevfimy II (Euthymius II), perhaps one of the greatest patrons of architecture in medieval Novgorod. Novgorod's conquest by Ivan III in 1478 decisively changed the character of local architecture. Large commissions were thenceforth executed by Muscovite masters and patterned after cathedrals of Moscow Kremlin: e.g., the Savior Cathedral of Khutyn Monastery (1515), the Cathedral of the Mother of God of the Sign (1688), the St. Nicholas Cathedral of Vyaschizhy Monastery (1685). Nevertheless, the styles of some parochial churches were