of Gordium was captured and destroyed by the Gauls soon afterwards and disappeared from history. In 188 BC, the southern remnant of Phrygia came under the control of the Attalids of Pergamon. However, the Phrygian language survived, although now written in the Greek alphabet. Under Rome and Byzantium In 133 BC, the remnants of Phrygia passed to Rome. For purposes of provincial administration, the Romans maintained a divided Phrygia, attaching the northeastern part to the province of Galatia and the western portion to the province of Asia. There is some evidence that western Phrygia and Caria were separated from Asia in 254–259 to become the new province of Phrygia and Caria. During the reforms of Diocletian, Phrygia was divided anew into two provinces: "Phrygia I", or Phrygia Salutaris (meaning "healthy" in Latin), and Phrygia II, or Pacatiana (Greek Πακατιανή, "peaceful"), both under the Diocese of Asia. Salutaris with Synnada as its capital comprised the eastern portion of the region and Pacatiana with Laodicea on the Lycus as capital of the western portion. The provinces survived up to the end of the 7th century, when they were replaced by the Theme system. In the Late Roman, early "Byzantine" period, most of Phrygia belonged to the Anatolic theme. It was overrun by the Turks in the aftermath of the Battle of Manzikert (1071). The Turks had taken complete control in the 13th century, but the ancient name of Phrygia remained in use until the last remnant of the Byzantine Empire was conquered by the Ottoman Empire in 1453. Culture The ruins of Gordion and Midas City prove that Phrygia had developed an advanced Bronze Age culture. This Phrygian culture interacted in a number of ways with Greek culture in various periods of history. The "Great Mother", Cybele, as the Greeks and Romans knew her, was originally worshiped in the mountains of Phrygia, where she was known as "Mountain Mother". In her typical Phrygian form, she wears a long belted dress, a polos (a high cylindrical headdress), and a veil covering the whole body. The later version of Cybele was established by a pupil of Phidias, the sculptor Agoracritus, and became the image most widely adopted by Cybele's expanding following, both in the Aegean world and at Rome. It shows her humanized though still enthroned, her hand resting on an attendant lion and the other holding the tympanon, a circular frame drum, similar