Napoleon I on his Imperial Throne () is an 1806 portrait of Napoleon I of France in his coronation costume, painted by the French painter Jean-Auguste-Dominique Ingres. Description The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne. In his left hand, that of justice. On his head is a golden laurel wreath, similar to one worn by Julius Caesar. He also wears an ermine hood under the great collar of the Légion d'honneur, a gold-embroidered satin tunic and an ermine-lined purple velvet cloak decorated with gold bees. The coronation sword is in its scabbard and held up by a silk scarf. The subject wears white shoes embroidered in gold and resting on a cushion. The carpet under the throne displays an imperial eagle. The signature INGRES P xit is in the bottom left, and ANNO 1806 in the bottom right. History The painting was exhibited as work number 272 at the 1806 Paris Salon as His Majesty the Emperor on his throne, when it was recorded as being owned by the Corps législatif. At the same salon Robert Lefèvre exhibited his Portrait of Napoleon in his coronation costume. In 1815 Ingres's painting was transferred to the Louvre Museum, where it was first inventoried as MR 2069 and is now known as INV. 5420. In 1832 the comte de Forbin had it put on display in the Hotel des Invalides, at first in the chapel then from 1860 in the library. It is now on show in the Musée de l'Armée. At the top right of the painting (and much more visibly on the preparatory drawing), cut off halfway across its width, can be seen a shield with the arms of the Papal States, Este, Lombardy, Venice and Savoy, all surmounted with the crown of Italy. From this Sébastien Allard hypothesizes that the painting was commissioned by an Italian institution to show Napoleon as king of Italy not as emperor, but, due to its innovative iconography, the original commissioners refused it and that was why it was acquired by the Corps législatif. Models and influence Zeus This portrait's frontality refers to the colossal Statue of Zeus at Olympia by Phidias, whose pose served as the model not only for many representations of sovereigns but also