Frank Ernest Howard (1888, Headington, Oxfordshire – 1934, Oxford) was an English architect who worked exclusively in the area of ecclesiastical furnishings and fittings. He was a pupil of Sir Ninian Comper and carried out much of his work under the auspices of the Warham Guild. He published several books and articles on medieval ecclesiastical architecture and church furnishings which continue to be regarded as authoritative. Biographical summary Frank Ernest Howard (1888–1934), commonly referred to as F.E. Howard, was a prolific designer of church furnishings based on his deep knowledge of ecclesiastical art and architecture in the Middle Ages. His work can be found throughout Great Britain but especially within the south of England close to his home base of Oxford where he lived for all his adult life. He also carried out commissions outside the British Isles as a result of his connection with the Warham Guild. His particular expertise and interest was in medieval church woodwork and he was the author, with F.H. Crossley, of an extensive and authoritative work on the subject, English church woodwork : a study in craftsmanship during the mediaeval period A.D. 1250–1550 (1917), a lavishly illustrated volume which was produced to a remarkably high standard, considering its date of publication during the depths of the Great War. Howard was responsible for all of the text and for the majority of the drawings. A second edition appeared in 1927 and was reissued in 1933. A facsimile reprint appeared in 2007, the work still being regarded as an authoritative source on the subject. His other major published work was Mediaeval styles of the English parish church, which was published posthumously in 1936. It is a wide-ranging and detailed guide to the ways in which church architecture evolved during the Middle Ages and is still frequently cited as an authority; a facsimile reprint of this work too appeared in 2007. He was an active member of the Royal Archaeological Institute of Great Britain and Ireland from 1909 until his death; he contributed several weighty articles to its transactions, the Archaeological Journal, and presented papers on similar subjects at meetings of the Institute which were not subsequently published. Howard was a pupil of Sir Ninian Comper whose style and teachings had a strong influence on his own work. He was connected with the Warham Guild following its establishment in 1912 and under its auspices he designed many