Sarabande and Cortège. John Ogdon, Thomas Adès and others. EMI Classics 4 56324 2 (Warner Classics prod. page.. Retrieved 19 August 2014. David Gutman, sleevenotes, 2010. ^ Piano Concerto in C major, Op. 39 (1901-03, 1904) BV 247 Recorded Studio No. 1, Abbey Road, London, UK, 20-22, 26 & 28 July 1967. Suvi Raj Grubb, producer; Christopher Parker, balance engineer. John Ogdon, piano Men's voices of the John Alldis Choir; Royal Philharmonic Orchestra; Daniell Revenaugh, conductor. +Busoni: Turandot Suite, Op. 42, BV 248 (1904): Orchestra Filarmonica della Scala; Riccardo Muti, conductor. +Busoni: Berceuse élégiaque, Op. 42 BV 252a (1909): New Philharmonia Orchestra; Frederik Prausnitz, conductor. +Busoni: Sarabande und Cortège, Op. 51. Two studies for Doktor Faust, (Fifth and Sixth Elegies for Orchestra), BV 282 (1918-19): Royal Philharmonic Orchestra; Daniell Revenaugh, conductor. +Busoni: Elegien. 7 neue Klavierstücke, BV 249 (1907), No. 4. Turandots Frauengemach (Intermezzo): John Ogdon, piano +Busoni: Kammer-Fantasie über Carmen (Chamber Fantasy after Carmen) (Sonatina no. 6), BV 284 (1920): John Ogdon, piano +Busoni: Zehn Variationen über ein Präludium von Chopin, BV 213a (1884 rev. 1922): John Ogdon, piano +Busoni: Sonatina (no. 3) "ad usum infantis", BV 268 (1915): Thomas Adès, piano Busoni: Piano Concerto. Garrick Ohlsson. Telarc 80207 (Concord Music Group prod. page. Retrieved 15 April 2009.) Recorded Masonic Auditorium, Cleveland, Ohio, 4 February 1989. Recommended in 1996 Penguin Guide. Recording received 3 of 3 stars and high praise for the playing of Ohlsson: "Garrick Ohlsson's bravura display is very exciting, and the pianist's own enjoyment in virtuosity enhances his electricity..." Comparative review of the Ogdon and Ohlsson recordings in Gramophone, April, 1990, p. 36. Retrieved 15 April 2009. ^ Concerto in C Major for Piano & Orchestra (with Male Chorus), Op. 39 (1904) BV 247 Garrick Ohlsson, piano The Cleveland Orchestra & Men's Chorus; Christoph von Dohnányi, conductor Busoni: Piano Concerto. Viktoria Postnikova. Apex (Warner Classics) 2564 64390-2 (2 CDs) (Warner Classics prod. page. Retrieved 20 June 2009.) Piano Concerto recorded Studio 103, Radio France, February 1989. Fantasia contrappuntistica recorded Salle Adyar, Paris, September 1990. Originally issued as Erato 2292-45478-2, 1991; reissued on Apex, 2 August 2007. Review of the original Erato release by Michael Stewart in Gramophone, April, 1992, p. 46. Retrieved 20 June 2009. Notes the unusually slow tempi for both pieces. Although the playing by Postnikova and the orchestra in the concerto are outstanding, he finds that "ultimately [the interpretation] fails to convince." Goes