empathise with Blacks when they are denied jobs or entrance to venues, and should remember that, whereas skinheads can change how they look, Blacks cannot change their skin colour. Footage of crowd violence at a gig in Harlow was broadcast at the end of the documentary. This led to the break-up of the band, as their newly earned bad reputation discouraged venues from booking the band. Gigs were then often played under the pseudonym The 7th Cavalry to avoid the stigma of the Combat 84 name. Victory Records, wanting little to do with the band at this point, compiled an album of studio recordings (intended for the band's debut album) and bootleg-quality live tracks and licensed it to German label Rock-O-Rama Records for release as Send in the Marines in 1984. The record was disowned by the band, which split up soon after. In the intervening years, Combat 84 were frequently labelled as a neo-Nazi, white power or Rock Against Communism (RAC) band, a charge which has been denied by 'Deptford' John and Jim, noting that the band's songs contained no racist lyrics, nor were they ever aligned with any far-right political party. The band's reputation was made worse by the similarity in name to a neo-Nazi group called Combat 18. 'Deptford' John was able to retain a career by joining The Exploited, whose lyrics on certain issues were different to Combat 84 (e.g. The Exploited were against nuclear weapons), but John noted in a 2001 interview with the "Pissed and Proud" fanzine that he believes in free speech and whilst not supporting it, that RAC music should be allowed a platform as "people should be allowed to say what they want". In his book, Chris Henderson said that the 84 in the name was a reference to George Orwell's book 1984 and that the band adhered to the philosophy of George Orwell. Aftermath and reunion 'Deptford' John and Jim went on to roadie for and play with the UK Subs and The Exploited, and John Fisher played with former members of The Last Resort in The Warriors. After retiring from the music business, Chris Henderson became more involved with football hooliganism, and eventually led the Chelsea Headhunters (a group which itself, ironically, has links to organizations such as Combat 18) in the mid-to-late 1980s, writing the book Who Wants it? (with Colin Ward) about his experiences. He owned a