John Frederick Kensett, Otis Bullard, E. L. Henry, George Luks, and Everett Shinn, among others. Since the Porter bequest of 1975, the Parrish has increasingly focused on American painting of the twentieth and twenty-first centuries, with a special emphasis on artists who have maintained studios on the East End of Long Island since the 1950s. Among those represented in the collection are Jane Freilicher, Larry Rivers, James Brooks, Alfonso Ossorio, Esteban Vicente, Jane Wilson, and Robert Dash, to name just a few. More recent East End arrivals whose work the Museum holds are Chuck Close, Joan Snyder, Joe Zucker, Alice Aycock, Lynda Benglis, April Gornik, Keith Sonnier, Mary Heilmann, Malcolm Morley, and many more. At the same time the Museum continues to strengthen its earlier twentieth-century holdings. The collection also includes a substantial number of prints and drawings, among them works by George Bellows, Marsden Hartley, Larry Rivers, Helen Frankenthaler, and Robert Rauschenberg. In 1982 Paul F. Walter donated drawings by many Minimalist painters and sculptors, including Barry Le Va, Dorothea Rockburne, Mel Bochner, and Jennifer Bartlett. Robert Dunnigan gave the Museum more than 500 etchings in 1976, with prints by many of the American artists who participated in the “painter-etcher” movement of the late nineteenth century. Also in the Museum's print collection are nearly 200 Japanese woodblock prints presented as part of the Littlejohn bequest. Dating from the nineteenth and twentieth centuries, they provide a contrast to their American counterparts from the same period. Exhibitions The Museum schedules four or five exhibitions per year. While some recent shows, such as Fairfield Porter: Raw—The Creative Process of an American Master and American Landscapes: Treasures from the Parrish Art Museum, are drawn from the permanent collection, the majority are exhibitions organized by Parrish curators exploring themes and concepts in art. Recent solo shows have included Alice Aycock: Some Stories are Worth Repeating; Jennifer Bartlett: History of the Universe—Paintings 1970–2011; Rackstraw Downes: Onsite Paintings, 1972–2008; Alex Katz: Seeing, Drawing, Making; Roy Lichtenstein: American Indian Encounters; Platform: Maya Lin; Platform: Josephine Meckseper; Jean Luc Mylayne; Alan Shields: Stirring the Waters; Michelle Stuart: Drawn from Nature; and Jack Youngerman: Folding Screen Paintings. Notable among recent group exhibitions are Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art; All the More Real; Sand: Memory, Meaning, and Metaphor; Modern Photographs: The Machine, the Body, and the City; and Damaged Romanticism: A Mirror of Modern