side-effects. Wilde also starred in and produced the drama Meadowland (2015), that premiered at the Tribeca Film Festival in New York on April 17, 2015. She played Eleanor in Love the Coopers (2015). In 2016, Wilde directed a music video for Edward Sharpe and the Magnetic Zeros, teaming up with director of photography Reed Morano. She then worked with American rock band Red Hot Chili Peppers, directing the music video for their song "Dark Necessities". Wilde starred as Devon Finestra in HBO's rock 'n' roll drama television series Vinyl (2016). Also in 2016, Wilde also directed an acclaimed live table reading of Hannah and Her Sisters at The New York Timess Center Theatre. The cast included Wilde as Hannah. Wilde stated that Hannah and Her Sisters is "just a perfect script, and I knew an audience would enjoy having the chance to focus on the genius of the writing, which is what the Live Reads allow for". Her brand ambassador partnership with Revlon ended in 2016. In 2017, Wilde made her Broadway debut portraying the role of Julia in 1984. It opened at the Hudson Theatre in New York City on June 22 (previews beginning May 18) for a limited run until October 8, 2017. In May 2017, Wilde became chief brand activist of True Botanicals, a cosmetics and skin care company. Her documentary short Fear Us Women (2017) follows Canadian civilian Hanna Bohman, who has spent the last three years in Syria as a volunteer soldier battling ISIS. As a member of the YPJ, an all-female Kurdish army, Hanna gives an inside look at the women fighting for liberation in Syria. In 2018, Wilde appeared in A Vigilante. Its world premiere was at South by Southwest on March 10, 2018. It was released March 29, 2019. The same year, Wilde starred in the drama Life Itself. The film was released on September 21, 2018, received negative reviews from critics, and performed poorly at the box office. 2019–present: Expansion to film direction Wilde made her directing debut with the teen comedy Booksmart, which was released on May 24, 2019. it was rated 97% "fresh" on Rotten Tomatoes, from 271 critics' reviews. The Washington Post stated, "[as the film progresses,] Wilde's filmmaking skills become more and more evident, bursting forth in a third act that builds into something beautiful and even transcendent." The Los Angeles Times wrote that it "leaves you