Helena with the astronomer Nevil Maskelyne, the brother-in-law of Lord Robert Clive of India. Later in the story, Jeremiah Dixon visits New York City, and attends a secret "Broad-Way" production of the "musical drama", The Black Hole of Calcutta, or, the Peevish Wazir, "executed with such a fine respect for detail ...". Kenneth Tynan satirically refers to it in the long-running musical revue Oh! Calcutta!, which was played on Broadway for more than 7,000 performances. Edgar Allan Poe makes reference to the "stifling" of the prisoners in the introduction to "The Premature Burial" (1844). The Black Hole is mentioned in Looking Backward (1888) by Edward Bellamy as an example of the depravity of the past. In a story written by Indian author Masti Venkatesha Iyengar, "Rangana Maduve" ("Ranga's Marriage"), the narrator Shyama describes Ranga's house as 'the Black Hole of Calcutta' because of the large crowd that had gathered to see Ranga when he came home after completing his studies. If all the people had gone inside, the house would have become as crowded as the Black Hole of Calcutta. In the science-fiction novel Omega: The Last Days of the World (1894), by Camille Flammarion, the Black Hole of Calcutta is mentioned for the suffocating properties of Carbonic-Oxide (Carbon Monoxide) upon the British soldiers imprisoned in that dungeon. Eugene O'Neill, in Long Day's Journey into Night, Act 4, Jamie says, "Can't expect us to live in the Black Hole of Calcutta." Patrick O'Brian in The Mauritius Command (1977) compared Jack Aubrey's house to the black hole of Calcutta "except that whereas the Hole was hot, dry, and airless", Aubrey's cottage "let in draughts from all sides". In Chapter VII of Pearl S. Buck’s biography of her father, Fighting Angel (1936), she compares the brutality of China’s 1899-1901 Boxer Rebellion (which she and her family survived while living in China) to that of the Black Hole of Calcutta: "The story of the Boxer Rebellion ... remains, like the tale of the Black Hole of Calcutta, one of the festering spots of history. If the number of people actually dead was small, as such numbers go in these days of wholesale death by accidents and wars, it was the manner of death ....that makes the heart shudder and condemn even while the mind can reason and weigh." Diana Gabaldon mentions briefly the incident in her novel Lord John and the Private Matter