The Parrish Art Museum is an art museum designed by Herzog & de Meuron Architects and located in Water Mill, New York, whereto it moved in 2012 from Southampton Village. The museum focuses extensively on work by artists from the artist colony of the South Shore (Long Island) and North Shore (Long Island). The Parrish Art Museum was founded in 1898. It has grown into a major art museum with a permanent collection of more than 3,500 works of art from the nineteenth century to the present, including works by such contemporary painters and sculptors such as John Chamberlain, Chuck Close, Eric Fischl, April Gornik, Donald Sultan, Elizabeth Peyton, as well as by masters Dan Flavin, Roy Lichtenstein, Jackson Pollock, Lee Krasner, and Willem de Kooning. The Parrish houses among the world's most important collections of works by the preeminent American Impressionist William Merritt Chase and by the groundbreaking post-war American realist painter Fairfield Porter. History Southampton village location (1898–2012) The Museum was founded in 1898 by Samuel Longstreth Parrish, a successful attorney and Quaker who began collecting art in the early 1880s and who established the museum to house his collection of Italian Renaissance painting and copies of classical and Renaissance sculpture. Designed by noted architect Grosvenor Atterbury and constructed in 1897 in downtown Southampton at 25 Jobs Lane, the Museum was incorporated the following year as the Art Museum of Southampton. One of the impetus for founding the museum in an artist colony where William Merritt Chase founded the Shinnecock Hills Summer School of Art. The original building was expanded twice, in 1902 and 1913. After his death in 1932, the collection and building were bequeathed to the Village of Southampton but, without Parrish's guiding vision, the Museum ceased to thrive. It wasn't until the 1950s, under the direction of the newly elected president of the board of trustees, Rebecca Bolling Littlejohn, that the Museum enjoyed its own renaissance. Recognizing the importance of this country's contribution to the arts, Mrs. Littlejohn launched a campaign to strengthen the Museum's holdings of American art, with special attention to artists associated with eastern Long Island such as Thomas Moran, Childe Hassam, and Thomas Doughty. Upon her death, the Museum became the beneficiary of more than 300 paintings, drawings, and watercolors from her personal collection, which included work by Martin Johnson Heade, Asher B. Durand, John H. Twachtman, John Sloan, and a