Her outward appearance is summarized by The Guardian reviewer Ian Samson as "prickly and bunioned". When Paloma eventually discovers Renée's identity, she describes the latter in her journal as having the "elegance of the hedgehog"—although like the spines of the hedgehog, she is covered in quills and prickly, within, she has in the words of the English translation of the book quoted by Viv Groskop "the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary—and terribly elegant". Paloma Josse Paloma Josse, a precocious soon to be thirteen-year-old, belongs to one of the conventional families living in the posh apartment building where Renée works. Daughter of an important parliamentarian father (a former government minister), and a Flaubert-quoting mother, Paloma has a penchant for absurdism. She regards her sister's scholarship as "cold and trivial" and deems her mother's culture as conventional and useless. Paloma herself values Japanese works, and reads manga, haiku, and tanka. She keeps two diaries, one called "Journal of the Movement of the World" to record her observations of the world around her, and the other called "Profound Thoughts" to record her many and wide-ranging reflections on art, poetry, people and herself. She is introspective, and truly kind, though she tries her best to avoid the inquisition of others. She understands many facets of the world that are unseen by others, and deeply understands the way the world works, and the many perils and pitfalls of adulthood and the many hypocrisies of modern society, and therefore resolves in not an all melodramatic way, to commit suicide. However, a drastic plot twist at the end of the tale opens to her an amazing new truth: beauty, that provides meaning to our lives. Minor characters Other characters developed by Barbery in the novel include Kakuro Ozu, the cultured Japanese businessman, and Manuela, a Portuguese cleaner. Ozu, a tenant, shares Paloma's fascination with Renée's masked intelligence and brings her out of her shell (and also happens to set the entire book in forward motion), while Manuela is responsible for cleaning the apartments' toilets and is Renée's only real friend. Content Style and character development Barbery developed the character of Renée because she was "inspired by the idea of a reserved, cultured concierge who turned stereotypes on their head and at the same time created a compelling comic effect"; for the author, Renée "opened the door on a kind