Samuel Langford (1863 - 8 May 1927) was an influential English music critic of the early twentieth century. Trained as a pianist, Langford became chief music critic of The Manchester Guardian in 1906, serving in that post until his death. As chief critic, he succeeded Ernest Newman and preceded Neville Cardus. Biography Early years Langford was born to an old Lancashire family in Withington, near Manchester, where his father was a market gardener. By the age of twenty Langford was an accomplished pianist and church organist, and was sent to study in Leipzig with Carl Reinecke. Recognising that his short hands were unsuited to virtuoso pianism, Langford returned to Manchester, where he was engaged by The Manchester Guardian as deputy to Ernest Newman, whom he succeeded as chief music critic in 1906. Manchester Guardian The rest of Langford's career was spent in this post, based in Manchester, although he sometimes travelled to London to hear a new work in which he was interested, and he never missed the big music festivals. Manchester was, in the early years of the twentieth century, an important musical city, with Hans Richter and the Hallé Orchestra at its centre. Neville Cardus said of him: The critic C. A. Lejeune wrote of him, "He was a musical perfectionist and great local character. His hobby was the cultivation of delphiniums ... His Lancashire accent was as rich as a fine, fruity Eccles cake. His formal clothes were very dark, and his aggressive beard was very white." As a trained concert pianist Langford retained a special fondness for the music of Chopin, he particularly enjoyed Lieder by Schubert, Brahms and Wolf, and among his other loves were Mozart and Wagner. The Musical Times quoted with approval the comment of an obituarist: Langford's music sympathies were broad. His colleagues observed, "A Gilbert and Sullivan opera, a newcomer making his first appearance … or an open rehearsal by students would set his musical imagination going … and he would clothe his thoughts about them in phrases so apt and spontaneous that sometimes it gave one a thrill to read them." Newman offended some of Langford's admirers by expressing the view that Langford was not really a music critic but rather "an unusually attractive writer whose chief concern happened to be music", but Newman nevertheless considered that at his best Langford "wrote in a way that is without parallel in