Journey into Fear is a 1975 Canadian thriller film directed by Daniel Mann, and based on the 1940 novel of the same name by Eric Ambler. It stars Sam Waterston, Zero Mostel, Yvette Mimieux, Vincent Price, Donald Pleasence, Shelley Winters, Stanley Holloway, Joseph Wiseman and Ian McShane. The film is a remake of Journey into Fear, a 1943 version of the novel starring Orson Welles. Plot U.S geologist Graham (Sam Waterston) discovers a rich oil deposit in the mountains of Turkey that creates a dangerous conflict between Turks and Arabs interests. His life suddenly in peril, Graham tries to escape aboard a boat with the assistance of a Mr. Kupelkin of the Turkish embassy. The passengers he encounters include a singer, Josette, who may also be a prostitute; and a bickering couple, Mr. and Mrs. Mathews. All the while, Graham becomes aware that someone on board is determined to kill him. Cast Sam Waterston as Graham Zero Mostel as Kupelkin Yvette Mimieux as Josette Scott Marlowe as Jose Ian McShane as Banat Vincent Price as Dervos Donald Pleasence as Kuvelti Shelley Winters as Mrs. Mathews Stanley Holloway as Mr. Mathews Jackie Cooper as Hurst Joseph Wiseman as Col. Haki Critical reception TV Guide wrote, "this version was shot all over Europe with well-known guest artists who ought to have known better, and directed by Mann who has done much better." Influence "Journey into Fear: Pilot's Quarters 1 and 2" (2001), an art installation by Stan Douglas "was inspired by the 1975 Daniel Mann film Journey into Fear," writes Rachel Taylor on the Tate website, "one of the first major films to be shot on location in Vancouver. Mann’s film a remake of the 1942 film of the same name directed by Norman Foster, which was based on the 1940 novel by Eric Ambler. Douglas’ video, like the two Hollywood films, is set on a container ship. Two characters based on Graham and Möller discuss and argue; Möller tries to convince Graham to delay a container en route to Vancouver, an act that would destabilize shares in a particular Asian contractor, leaving the company’s shares vulnerable to an aggressive takeover. These scenes, which form the majority of the video, take place in the ship’s pilots quarters. The diptych presents views of the sets used for filming these scenes. Both photographs show the sets from a distance, exposing the sound stage in