Hairinquiry collected responses to the questions: How does it feel to lose your hair? What does it mean to cut your hair? The project was later archived through an online website. In 2002, Wilson began the series Topologies (2002-ongoing) at the Whitney Museum of American Art's Biennial exhibition. In Topologies, expansive networks of found black lace are deconstructed to create large horizontal topographies. Some of the structures are formed by Wilson from computer-mediated scans of lace fragments that are manipulated and re-materialized by hand stitching. The form of Topologies is inspired by forms of physical and electronic networks, city structures, immateriality, biology and the urban sprawl. In 2010, Wilson produced one of her most ambitious installations at the Knoxville Museum of Art in East Tennessee. Local Industry, a central component of the exhibition Anne Wilson: Wind/Rewind/Weave, was a site-specific installation as a collaborative "textile factory". From January 22 through April 25, 2010, visitors to the Knoxville Museum of Art worked together to produce a bolt of cloth. Wilson conceived of Wind/Rewind/Weave as a meditation on labor, acknowledging the specific geographic location of the Knoxville Museum of Art in the historical heartland of both hand weaving traditions and textile mill production in the United States. The Local Industry cloth, long, was on display at the Knoxville Museum of Art in 2011. Also related to textile production in content, Wilson has choreographed 4 thread walking performances, conceptual movement works based upon weaving (Wind-Up: Walking the Warp Chicago, Rhona Hoffman Gallery, 2008; Wind-Up: Walking the Warp Houston, Contemporary Arts Museum Houston, 2010; Walking the Warp Manchester, Whitworth Art Gallery, Manchester, England, 2012; and To Cross (Walking New York), The Drawing Center, New York, 2014). In all her performances, Wilson is working through direct physical participation to think about time, labor, art, and cultural production. Wilson continues her hair and cloth-works practice, alongside the creation of horizontal topographies, installations, and performances. New works were included in her solo exhibition, Dispersions, at the Rhona Hoffman Gallery in 2013, and Fiber: Sculpture 1960-Present originating at the ICA Boston in 2014. In 2015-16 her work was included in Pathmakers: Women in Art, Craft and Design, Midcentury and Today originating at the Museum of Arts and Design in NYC, and Art_Textiles at the Whitworth Art Gallery in Manchester, England. In 2016 she opened a solo exhibition at the James Harris Gallery in Seattle. Exhibitions 2016 Anne Wilson: Drawings