Per Ragnar, Per-Erik Ragnar (born 29 May 1941), is a Swedish actor, director and author. Biography Ragnar was born in Kalmar, Sweden and is the son of district manager Hans Ragnar and the postal clerk Karin, née Pettersson. Ragnar trained at the Royal Dramatic Training Academy in 1962-65. The following year he got a job as director's assistant to Ingmar Bergman (on his stage production of Peter Weiss' play The Investigation), where Ragnar states he learned a lot on the art of acting and directing from "the master", just by watching and listening when Bergman worked with his actors and the script. In 1968 Per Ragnar had his breakthrough as an actor, earning much critical acclaim and audience praise for his performances in the Arnold Wesker "trilogy" staged that year in Sweden: Hönssoppa med korngryn (Chicken Soup with Barley), Rötter (Roots) and Jag talar om Jerusalem (I'm talking about Jerusalem). The same year he also made his film-breakthrough with Korridoren (The Corridor), Jan Haldoff's social commenting film on hospitals and the health care system in Sweden, where Ragnar plays a young doctor, new on the job, facing the dilemmas of prioritizing patients. In the 1970s his collaborating with TV director Bengt Lagerkvist led to notable performances on TV, first as Arvid Falk in Lagerkvist's TV adaption of Strindberg's play The Red Room) (Röda rummet), and in the popular Swedish TV-series Någonstans i Sverige (~Somewhere In Sweden), a series covering the years in Sweden during the time of World War II in Europe, where Ragnar played the character of fänrik Ancker. For a young audience today, in Sweden, he became unforgettable when playing the religious psycho Sten Frisk in the popular and long-running 1990s TV series Tre Kronor (1994) on Swedish channel TV4, a role that followed him for long and for more than a decade led to him often being typecast as evil characters and crazy psychos in various roles on film and TV. Even though being cast in a Swedish vampire film, his character of Håkan was this time a bit more complex than just "evil"; in director Tomas Alfredson's popular success feature Låt den rätte komma in (Let the Right One In) in 2008. Previously he had worked with Tomas Alfredson and his "Killinggänget" group in their film En liten film.. (A Little Film..) in 1999, where he had a small key part as an absent-minded boss. Being