Queen," The Wild Swans," "The Ugly Duckling," "The Little Mermaid," "Thumbkinetta," "The Garden of Paradise," "The Fellow Traveller" (which inspired Tolkien's The Hobbit) and "The Angel." Three years later, Eleanor Vere Boyle created what is considered one of her greatest works. In 1875, Eleanor created a retelling and illustration of the well-known story Beauty and the Beast. This work includes ten full color images. She is praised most for her unique take on the Beast. While this story has been illustrated many times, Eleanor Vere Boyle’s version seems to be the first and only to be reminiscent of a sea-creature with walrus-like tusks and flippers. This is highly different from the usual humanistic portrayal. Eleanor veers away from all normalities of the character, lacking an upright position, human facial features and clothes. Other notable works by Eleanor Vere Boyle are her illustrations in The Story Without an End and Child’s Play, as well as her illustrations and writings in Ros Rosarum Ex Horto Poetarum (1885). The Story Without an End is originally a German story by Friedrich Wilhelm Carove. It was later translated by Sarah Austin to English, and illustrated by Eleanor. On the other hand, Child’s Play and Ros Rasarum Ex Horto Poetarum were books by Eleanor herself. In Child’s Play, she matched famous nursery rhymes with her illustrations, and in Ros Rosarum Ex Horto Poetarum, Eleanor wrote poetry and created illustrations to accompany the writings. Ros Rosarum Ex Horto Poetarum is translated to "Dew of the Ever-living Rose, Gathered from the Poets' Gardens of Many Lands" in English. It is one of the most highly acclaimed works by scholars and claimed to be culturally important. Being preserved as a historic artifact, it is open to the public domain in the United States and available to read here. Ros Rosarum Ex Horto Poetarum is not where Eleanor Vere Boyle stopped writing either. Near the end of her career, Eleanor Vere Boyle continued to write, the content focused on nature as she wrote and illustrated garden books. In the last thirty-two years of her life, she wrote and illustrated four: Days and Hours in a Garden (1884), A Garden of Pleasure (1895), Seven Gardens and a Palace (1900), and Garden Colour (1905). The last work released by Eleanor was eight years prior to her death: The Peacocks Pleasaunce (1908), which was a collection of twelve beautiful writings she created, (also