Thomas Hayes Hunter (December 1, 1884 – April 14, 1944) was an American film director and producer of the silent era. He directed a total of 34 films between 1912 and 1934. Early career Hayes was born on December 1, 1884, in Philadelphia, Pennsylvania to Thomas and Margaret Hunter. He was the husband of actress Millicent Evans from 1919 to 1944 and the stepfather of screenwriter John Hunter. He entered the film industry in the early 1910s. His career started with the production of several photodramas in which he later transitioned to directing a large number of melodramas. He broke into the scene after directing for a number of theatrical firms including David Belasco and Klaw and Erlanger. He later became the chief producer of the Biograph Company, where he worked for a few years until resigning in 1914. One of his unfinished films, rediscovered by the Museum of Modern Art, is Lime Kiln Field Day (1913), starring Bert Williams. Colonial Productions quickly picked up Hunter to direct a number of smaller films. Major role in film In 1916 Hunter directed his first major film The Crimson Stain Mystery. This was the start to a relatively long and successful journey for Hunter. In 1919, for Zane Grey Pictures, Hunter directed Desert Gold. He had previously directed another Zane Grey film The Border Legion for Samuel Goldwyn in 1918. In 1919 Goldwyn Pictures Corporation added T. Hayes Hunter to its roster of directors. Hunter went on to patent a frame design for film that allowed for advertisements to be shown in the corners of the frame without disrupting the film itself. This served as one of the earliest examples of advertising that utilizes screen space. When his contract with Goldwyn expired in the late 1920s, he began working for The Dial Company. During this time, the Dial Company was in the process of setting up a deal with Merrill Publishing Company to produce a series of film based on the Irving Bachellar novels. The Dial Company chose Hunter to direct these films, which resulted in two of his most well known works, Earthbound and The Light in the Clearing. Praised for his use of double exposure in Earthbound, people raved that Earthbound was the “most remarkable achievement since the birth of the Celluloid Drama” and one of the most “masterful sensations of the screen.” With a long list of achievements accredited