psychological symphony". His brother, the psychiatrist Christian Sibelius (1869–1922), was one of the first scholars to discuss psychoanalysis in Finland. According to Tawaststjerna, the Fourth Symphony is "one of the most remarkable documents of the psychoanalytical era." Another speculated candidate for psychoanalytically inspired composition is the monodrama Erwartung, composed by Arnold Schoenberg in Vienna, 1909. It is, however, not known if Schoenberg ever read Freud’s writings. Schoenberg was a follower of Karl Kraus, a critic of psychoanalysis, and rejected psychoanalysis accordingly. Still, Freud’s ideas were circulating among the genral public at that time. In his writings, Schoenberg presented his views on aesthetics: ideally, art is intuitive expression of unconscious sensations. See also Music psychology References Bibliography Boyer, L. B. (1992). Roles played by music as revealed during countertransference facilitated transference regression. International Journal of Psychoanalysis, 73, 55–67. Brousselle, André. "Un jeu de la Bobine Vicieux et Sublime: La Musique". Des Sublimations I, Revue Française de Psychanalyse, 5-6. Tome XLIII, 1979. Cheshire, Neil M. (1996). The empire of the ear: Freud's problem with music. International Journal of Psychoanalysis, 77, 1127–1168. Damasio, Antonio (1999). The feeling of what happens. New York: Harcourt Brace. Ehrenzweig, Anton (1953). The Psychoanalysis of the Artistic Vision and Hearing. Routledge, London. Faber, M. D. (1996). The pleasures of music: a psychoanalytic note. Psychanalytic Review, 83, 419-433. Feder, Stuart – Karmel, Richard L. – Pollock, George H., eds. (1990). Psychoanalytic Explorations in Music. International Universities Press, Madison. Feder, Stuart – Karmel, Richard L. – Pollock, George H., eds. (1993). Psychoanalytic Explorations in Music. Second series. International Universities Press, Madison. Freud, Sigmund (1936). Letter to M. Bonaparte, 06.12.36. In Letters of Sigmund Freud, 1873–1939. Graf, Max (1947). From Beethoven to Shostakovitch: The Psychology of the Composing Process. Philosophical Library, New York. Haesler, Ludwig. "Sprachvertonung in Robert Schumanns Liederzyklus 'Dichterliebe' - 1840. Ein Beitrag zur Psychoanalyse der musikalischen Kreativitaet". Psyche 36, 1982, pp. 908–950. Kris, Ernst (1952). Psychoanalytic Explorations in Art. International Universities Press, New York. Kurkela, Kari (1993). Mielen maisemat ja musiikki: Musiikin esittämisen ja luovan asenteen psykodynamiikka. Musiikin tutkimuslaitoksen julkaisuja, 11. Sibelius-Academy, Helsinki. Lehtonen, Kimmo (1986). Musiikki psyykkisen työskentelyn edistäjänä. Psykoanalyyttinen tutkimus musiikkiterapian kasvatuksellisista mahdollisuuksista. Turun yliopiston julkaisuja, C 56. [Diss.] University of Turku. Lång, Markus (2004). Psykoanalyysi ja sen soveltaminen musiikintutkimukseen. [Finnish: Psychoanalysis and its application to musicology.] Studia musicologica Universitatis Helsingiensis, 11 [12]. [Diss.] University of Helsinki. Abtract. Lima, Paulo Costa. "Música: um paraíso familiar e