Post No. 43, American Legion, in Hollywood; Billboard reported that the acoustics in the Hollywood Legion were "far superior to most studio space in Hollywood and similar to that of the best concert halls." During the week of April 21, 1958, Columbia held open sessions for The Old Man and the Sea at the Legion Hall. The soundtrack was later released in both stereo and mono by Columbia Records. Reception Bosley Crowther of The New York Times wrote: Credit Leland Hayward for trying something off the beaten track in making a motion-picture version of Ernest Hemingway's The Old Man and the Sea, and credit Spencer Tracy for a brave performance in its one big role. Also credit Dimitri Tiomkin for providing a musical score that virtually puts Mr. Tracy in the position of a soloist with a symphony. And that just about completes a run-down of the praiseworthy aspects of this film. Among the film's shortcomings, Crowther notes, is that "an essential feeling of the sweep and surge of the open sea is not achieved in precise and placid pictures that obviously were shot in a studio tank. There are, to be sure, some lovely long shots of Cuban villages and the colorful coast...But the main drama, that of the ordeal, is played in a studio tank, and even some fine shots of a marlin breaking the surface and shaking in violent battle are deflated by obvious showing on the process screen." The film has been described as the "most literal, word-for-word rendition of a written story ever filmed". Time noted that "the script follows the book in almost every detail", but called the novel a fable "no more suitable for the screen than The Love Song of J. Alfred Prufrock". Time pointed out that Tracy was "never permitted to catch a marlin" while on location, so the "camera could never catch him at it" and the result is "Sturges must cross-cut so interminably—fish, Tracy, fish, Tracy—that Old Man loses the lifelikeness, the excitement, and above all the generosity of rhythm that the theme requires. According to producer Hayward, Hemingway was pleased with the film, and said it had "a wonderful emotional quality and [he] is very grateful and pleased with the transference of his material to the screen. He thought Tracy was great (in light of his quarrels with him this is quite a compliment) ... the photography was