Frank McGlynn Sr. (October 26, 1866 – May 18, 1951) was an American stage and screen actor who, in a career that spanned more than half a century, is best known for his convincing impersonations and performances as Abraham Lincoln in both plays and films. Early life McGlynn was born in 1866 in San Francisco, the eldest of four children of Mary and Frank McGlynn. Federal census records indicate that McGlynn, in addition to having two younger sisters, had a younger brother, George, who died sometime between 1870 and 1880. Those records show too that McGlynn's mother, a native of Australia, immigrated to the United States with her Irish parents around the time of the California Gold Rush. His father, also of Irish ancestry, moved to California and supported the family there as a carpenter and later by working in real estate. Originally McGlynn studied to be a lawyer. He received his law degree from the University of California, Hastings College of the Law, and was admitted to the bar in 1894. Career By 1896, however, McGlynn had turned to a career entirely different from law. That year he began appearing on stage in New York at the Casino Theatre, performing in The Gold Bug, a burlesque musical comedy written by Glen MacDonough with music from Victor Herbert. Later that year McGlynn toured in a road production of Under the Red Robe, a story based on Stanley Weyman's novel that was adapted for the stage by Edward Everett Rose. Over the next two decades McGlynn performed mostly in supporting roles with stock companies and in early silent films. McGlynn's first film role in which he impersonated Abraham Lincoln was in 1915 in The Life of Abraham Lincoln directed by Langdon West for the Edison Studios in New York. Four years later the actor's big break came when, at age fifty-three, the six-foot four-inch actor earned the starring role to portray the former president again in the Broadway production of John Drinkwater's play Abraham Lincoln. That stage production had a run of 193 performances at the Cort Theatre in Manhattan and then toured the country for over two years. In 1924, McGlynn also performed in an excerpt from Drinkwater's play that was actually recorded. Lee de Forest and J. Searle Dawley produced a two-reel short of Abraham Lincoln using De Forest's Phonofilm sound-on-film process. Unfortunately, with the exceptions of some film