Eleanor Ross Taylor (June 30, 1920 – December 30, 2011) was an American poet who published six collections of verse from 1960 to 2009. Her work received little recognition until 1998, but thereafter received several major poetry prizes. Describing her most recent poetry collection, Kevin Prufer writes, "I cannot imagine the serious reader — poet or not — who could leave Captive Voices unmoved by the work of this supremely gifted poet who skips so nimbly around our sadnesses and fears, never directly addressing them, suggesting, instead, their complex resistance to summary." Biography Eleanor Ross was born in rural North Carolina in 1920. She enrolled at the Woman's College of the University of North Carolina, now the University of North Carolina at Greensboro, where she studied with the poet Allen Tate and novelist Caroline Gordon. She graduated in 1940, and worked for a time as a high school English teacher. With the recommendation from Allen Tate, she was admitted to Vanderbilt University for master's work with Donald Davidson. There in 1943 she met Peter Taylor, whom she married after a six-week courtship, having broken off her engagement to another man. Panthea Reid has written of their marriage, Like most women of her generation, Eleanor Ross assumed that marriage and a career were incompatible. Despite precocious beginnings, therefore, Eleanor Ross largely ceased to write when she married the major short story writer and novelist, Peter Taylor. Perhaps she did not want to compete with her husband; certainly she was too busy to follow a dedicated writing regime. She served as wife, mother, housekeeper, hostess, letter-writer, and also family packer, as Peter Taylor nomadically moved from one to another writer-in-residence post. Poetry In the 1950s, Peter Taylor was teaching at the University of North Carolina at Greensboro, along with the poet Randall Jarrell. Eleanor Taylor had been writing poems for some time, and Jarrell became her critic and sponsor. In 1960, her first poetry collection, A Wilderness of Ladies, was published; Panthea Reid has speculated that Jarrell "probably was behind the publication of Eleanor Taylor's first collection of poems", and Jarrell wrote an appreciative introduction for the volume. This first volume received a middling review from Geoffrey Hartman, who wrote, That every poem is like to every other is not a fault, at least not in this volume. It is the price Mrs. Taylor pays for achieving a style with her first