multiple casinos in Las Vegas during the 1970s and 1980s. The film was De Niro's third mob film of the decade, following Goodfellas (1990) and A Bronx Tale (1993). De Niro's fellow mob actor, Al Pacino, also resumed roles in the crime film genre during the 1990s, reprising his role as the iconic Michael Corleone in The Godfather Part III (1990). The film served as the final installment in The Godfather trilogy, following Michael Corleone as he tries to legitimize the Corleone family in the twilight of his career. The Godfather Part III incorporated elements of the real life scandal relating to the Vatican Bank in the 1980s and the collapse of the Milan-based Banco Ambrosiano in 1982. The Vatican Bank, which owned the majority of the shares in the Banco Ambrosiano, which were accused of amongst other things of money laundering for the Mafia. One of the film's characters, the corrupt Archbishop Gilday in charge of the Vatican Bank seems to have based on Archbishop Paul Marcinkus, the American cleric who was at the center of the Vatican Bank scandal. The film courted controversy by including the allegation that Pope John Paul I had been murdered in 1978 after he ordered a "clean up" of the corrupt Vatican Bank. In the film, Michael Corleone invests his ill-gotten fortune into the International Immobiliare, an Italian bank similar to the Banco Ambrosiano whose majority shareholder is the Vatican Bank, only for the proceedings to be blocked by the newly elected Pope John Paul I, causing Corleone to order the pope's murder to allow the deal to go through. In 1993, Pacino starred in the film, Carlito's Way as a former gangster released from prison who vows to go straight. In 1996, Armand Assante starred in television film Gotti as infamous New York mobster, John Gotti. In Donnie Brasco (1997), Pacino starred alongside Johnny Depp in the true story of undercover FBI agent Joseph Pistone and his infiltration of the Bonanno crime family of New York City during the 1970s. It was nominated for an Academy Award for Best Adapted Screenplay. Lo zio di Brooklyn (1995) was a vulgar Italian comedy with all of the characters are grotesquely misshapen in some way, being a metaphor for the stunted nature of Sicilian society that was being held back by the Mafia. Lo zio di Brooklyn (The Uncle From Brooklyn) followed the misadventures of