was installed in the Ted Weiss Federal Building in 1998. Chase-Riboud also wrote a poem with the same name as the sculpture. Continuing to work as a sculptor throughout her life, Chase-Riboud creates drawings and sculptures that are exhibited and collected by museums such as the Whitney Museum of Modern Art, New York, the Newark Museum, New Jersey, the Tehran Museum of Contemporary Art, Iran, and the Metropolitan Museum of Art, New York. During September 2013 to January 2014, she exhibited artwork spanning fifty years at The Philadelphia Museum of Art's exhibition: Barbara Chase-Riboud: The Malcolm X Steles. This traveled to the Berkeley Art Museum and Pacific Film Archive on February 12–April 28, 2014. Her work was featured in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum. Her work is in major corporate collections and museums such as the Metropolitan Museum of Art and the Museum of Modern Art, New York City; Centre Pompidou, Paris; Geigy Foundation, New York; and Lannan Foundation, Los Angeles. Literary career Chase-Riboud has received numerous honors for her literary work, including the Carl Sandburg Prize for poetry and the Women's Caucus for Art's lifetime achievement award. In 1965, she became the first American woman to visit the People's Republic of China after the revolution. In 1996, she was knighted by the French Government and received the Ordre des Arts et des Lettres. Chase-Riboud attained international recognition with the publication of her first novel, Sally Hemings (1979). The novel has been described as the "first full blown imagining" of Hemings and her life as a slave, including her long-rumored concubine relationship with President Thomas Jefferson. In addition to stimulating considerable controversy, as mainline historians of the time denied the relationship and the mixed-race children she bore to Jefferson, the book earned Chase-Riboud the Janet Heidinger Kafka Prize for the best novel written by an American woman. It sold more than one million copies in hardcover and it was a Book-of-the-Month Club selection. It was reissued in 1994. It was published in paperback in 2009, together with her novel, President's Daughter (1994), about Harriet Hemings, daughter of Hemings and Jefferson, who passed into white society. She began her writing career as a poet, publishing her first work Memphis & Peking (1974), edited by Toni Morrison, and more recent collections. Everytime a Knot is Undone, a God is Released: Collected and