employed again in 2007 when Barber Osgerby were commissioned to design the entrance foyer desk for the Royal Institute of British Architects (RIBA) in Portland Place, London resulting in a contemporary reception desk wrapped in a skin of hand-beaten stainless steel, mirror-polished to reflect its surroundings. Similarly, though now employing aerospace engineering techniques, Barber Osgerby's Iris tables for Established & Sons in 2008 were milled in sections from solid aluminum, anodized and joined with hidden bolts and tightened using magnets. Barber & Osgerby's first lamp, the Tab lamp for Flos was launched in 2007, it seemingly marked a return to the folded form but had evolved from of a series of ideas for lights conceived in the early 2000s and from 2007 Barber & Osgerby embraced a broadening range of products, projects and techniques. In 2009, Barber and Osgerby launched their first major commission for Murano glassmakers Venini: Lantern Marine, a limited edition collection of large vases composed of coloured interlocking components. In 2010 they created an experimental installation for Sony at the Salone Internazionale del Mobile in Milan exploring how electronics could be better integrated within contemporary home interiors through a series of conceptual objects that employed Sony's new sound technologies. Another investigation, this time into school furniture and how movement in a chair can aid concentration, resulted in the forward-tilting Tip Ton chair launched with Vitra in 2011 and relaunched from recycled plastic as the Tip Ton RE in 2020. In 2011, Barber and Osgerby won the London Organising Committee of the Olympic and Paralympic Games (LOCOG) competition to design the London 2012 Olympic Torch. The Torch was named the Design Museum's 2012 Design of the Year. Works in marble followed in 2012 including the pair's first design for B&B Italia, the sculptural cantilevered Tobi Ishi table, and the Western Façade bench, commissioned to commemorate ten years of the London Design Festival and exhibited during the festival in the Victoria & Albert Museum's John Madejski Garden. The following year saw Barber Osgerby's design of a £2 coin for The Royal Mint, commemorating 150 years of the London Underground, depicting the familiar image of a Tube train emerging from a tunnel, the outer ring of the coin being used graphically to suggest the tunnel walls. A further commission for the London Design Festival followed in 2014, Barber Osgerby designed the installation 'Double Space' at the V&A Museum in London.