featured in the "Who's who in the cast" section of The Playbill for the Adelphi Theatre production beginning Friday, May 31, 1946 (pp. 26–32): Arthur Margetson as Phileas Fogg Mary Healy as Mrs. Aouda Julie Warren as Molly Muggins Larry Laurence as Pat Passepartout Victoria Cordova as Lola Stefan Schnabel as Avery Jevity Brainerd Duffield as Mr. Benjamin Cruett-Spew Dorothy Bird as Meerahlah Guy Spaull as Ralph Runcbile Bernard Savage as Sir Charles Mandiboy Orson Welles as Dick Fix Songs This is the musical program as it appears in The Playbill for the Adelphi Theatre production beginning Friday, May 31, 1946 (pp. 21–23): ACT I. Scene 4."Look What I Found" — Molly, Pat, Singers Scene 6."There He Goes, Mr. Phileas Fogg" — Fogg and Pat Scene 7.Reprise, "There He Goes, Mr. Phileas Fogg" — Fogg, Pat, Dancers and Singers Scene 12."Meerahlah" — Singing BoysDance — Meerahlah and Dancers Scene 14."Suttee Procession" — Mrs. Aouda, Dancers and Singers Scene 15.Dance — The Dancers Scene 17."Sea Chantey" — Singing Boys"Should I Tell You I Love You?" — Mrs. Aouda Scene 20."Pipe Dreaming" — Pat and Singing Chorus Scene 21.Oka Saka Circus — Circus Performers ACT II. Scene 2.Dance — Dorothy Bird, Bruce Cartwright, Jackie Cézanne and Dancers"If You Smile at Me" — LolaReprise, "Pipe Dreaming" — PatReprise, "If You Smile at Me" — Molly Scene 8."Wherever They Fly the Flag of Old England" — Fogg and Singing Girls"The Marine's Hymn" — Mrs. Aouda and Singing Boys Scene 11.Reprise, "Should I Tell You I Love You?" — Mrs. Aouda Scene 14.Finale — Entire Company Reception Critic Lewis Nichols of The New York Times calling the musical "only fitfully amusing", noted that the production "has spared no expense in gadgets and effects. There are movies of the flicker era, a miniature train crossing a bridge ... and desperate men and bold clinging to the rails of pounding ships at sea. In other words, Around the World has the making for an hilarious evening. It does not come off because it lacks unity. There are too many styles fighting among themselves ... the dances generally are miles removed from Mr. Welles' burlesque. Finally, Cole Porter has written an inferior score, the songs being on the usual musical comedy subjects and delivered without the zest brought to the show by its mainstay. … Perhaps the best part of the show is a circus, with acrobats, a