and punk rock into the mainstream. In the aftermath of this, Jawbreaker started playing 500-capacity venues; they embarked on a seven-week US tour from March 1994. Backlash continued to grow from readers of the punk zine Maximum Rocknroll and people in the East Bay region of San Francisco. The band were still being lambasted for touring with Nirvana, as well as for dropping the Unfun songs from their live repertoire and the change of voice from Schwarzenbach after his surgery. It reached a point where, during one show, a member of the crowd frequently tried to spit in Schwarzenbach's mouth. The June 1994 issue of Maximum Rocknroll was devoted to independent and major labels; Weasel spent part of his column in the zine defending the band. Jawbreaker went on a short, ten-day tour on the US West Coast with Jawbox. They closed out the year with a tour of Europe in November 1994. In October 2014, Pfahler's label Blackball Records issued 24 Hour Revenge Therapy. It featured alternative takes of "The Boat Dreams from the Hill", "Boxcar", "Do You Still Hate Me?" and "Jinx Removing", alongside two outtakes, "First Step" and "Friends Back East". The latter two were previously included on the band's first compilation album Etc. (2002). The alternative takes of "Boxcar" and "Do You Still Hate Me?" were made available for streaming through the band's website in the lead up to the reissue. In addition to this, footage of Mission District from 1992 was compiled into a music video for "Boxcar", directed by Pfahler. Blackball Records has since re-pressed it on vinyl in 2015, 2017, 2021 and 2022. Reception and legacy 24 Hour Revenge Therapy was met with generally positive reviews from music critics. Will Dandy of Punk Planet said Schwarzenbach's lyrics got "more confusing and metaphoric" with each release. Despite this, he called the music "pulsing, [...] with a spontaneous feel". AllMusic reviewer Mike DaRonco found the band to "deal with their endeavors through music instead of wallowing in them, making this record not entirely bleak". Pitchfork contributor Brandon Stosuy said that the album provided "some of the most indelible examples of punk music crammed with emotion. These are life-changing songs that, a couple decades later, still give goosebumps". Louder writer Mischa Pearlman called it a "dark, late night cigarette of a record, one full of hope and despair and jaded existentialism". By the release of Givony's