Italo Campanini (June 30, 1845 – November 14, 1896) was a leading Italian operatic tenor, whose career reached its height in London in the 1870s and in New York City in the 1880s and 1890s. He had a repertoire of 80 operas and was the brother of the orchestral conductor Cleofonte Campanini. Early days Born in Parma, Campanini studied at the Parma Conservatory before making his operatic debut as Manrico in Il trovatore, in 1869, in Odessa. Further study with Francesco Lamperti in Milan followed, and in 1871 he returned to the stage in Bologna, scoring his first major success in the Italian premiere of Lohengrin. London beginnings Early in his 1872 Drury Lane season J. H. Mapleson, the London opera impresario, recruited Campanini from Rome, where he was in competition with the agents of Frederick Gye, the Covent Garden theatre impresario. On May 4, 1872 the tenor made his London debut as Gennaro in Lucrezia Borgia, with Thérèse Tietjens in the title role, Zelia Trebelli as Orsini and Agnesi as Duke Alfonso, under the baton of Michael Costa. He was an immediate success, being hailed by some as the tenor successor to Mario or Antonio Giuglini on what the critic Herman Klein (who attended) called a night of triumphs. It was at Drury Lane that he first sang with lyric soprano Christine Nilsson, to whom he became a celebrated stage partner. An agent from London attempted to lure him away at a rate of a thousand pounds sterling a month. He remained with Mapleson (at one-fifth of that sum) but became difficult to manage. However, he was to remain a stalwart and mainstay of Mapleson's company for the next ten years. In autumn 1872, he visited Dublin with the company (which included Maria Marimon, Ilma de Murska, Sofia Scalchi and Signor Foli [Allan Foley]), and toured the main cities of England and Scotland. During the spring of 1873, they undertook a back-up tour of British provincial towns. First American tour Campanini made his first American appearances at the Academy of Music, New York, in 1873. Here, in addition to Christine Nilsson and Giuseppe Del Puente (baritone) (regular Mapleson company singers), he was with Annie Louise Cary (with whom he often afterwards sang) in performances of Les Huguenots. On 26 November 1873 he was Rhadames in Max Strakosch's production of Aida, with Mlle Torriani (Aida), Cary (Amneris) and Victor Maurel