In the English-speaking world, Novotny is best known for his volume on 19th-century art, published as part of the Pelican History of Art. Selected works Romanische Bauplastik in Österreich, 1930. Cézanne und das Ende der wissenschaftlichen Perspektive, 1938. Selections translated in C.S. Wood, ed., The Vienna School Reader: Politics and At Historical Method in the 1930s (New York, 2000), pp. 379–433. Adalbert Stifter als Maler, 1941. Die großen französischen Impressionisten, 1952; Reprinted 1995. Painting and Sculpture in Europe 1780 to 1880 (The Pelican History of Art), 1960. Über das „Elementare“ in der Kunstgeschichte, 1968. Sources This entry is substantially based on the equivalent entry in the German Wikipedia. External links Novotny at the Biographical Dictionary of Art Historians. 1903 births 1983 deaths Austrian art historians 20th-century Austrian historians Writers from Vienna