José Antonio Nieves Conde (22 December 1911 in Segovia, Castilla y León, Spain – 14 September 2006) was a Spanish film maker, journalist, and screenplay writer, the director of feature films such as Surcos [Furrows] (1951), Angustia [Anguish] (1947), and Balarrasa [Reckless] (1950). Biography Nieves Conde, part of a large family and with a military father, was interested in film from the time he was a child. Upon finishing secondary school in Segovia, he began to study law in Madrid, joining the Falange Española de las JONS (Spanish Phalanx of the Councils of the National Syndicalist Offensive), a fascist political party, whose social ideology would have a profound impact on his cinematographic works. At the outbreak of the Spanish Civil War, he joined the front as a voluntary Falangist as part of the Nationalist or Rebel faction, opposing the unification of the Falange and the Requetés decreed by Franco, allying himself in the Falangist faction with the "hedillistas" (supporters of Manuel Hedilla, the successor of José Antonio Primo de Rivera, at the head of the Falange that was opposed to the unification as decreed by Franco) and reaching the rank of Infantry Second Lieutenant. He did not complete his university studies. At the end of the war he returned to Segovia where he worked in the press and radio until he returned to Madrid to become a movie critic for the newspaper Pueblo. Between 1939 and 1942 he was an editor at the film magazine Primer Plano in charge of the section "Fuera de cuadro" (off-screen). A friend of Carlos Fernández-Cuenca, Luis Gómez Mesa, and Rafael Gil, he began to work professionally in film with Gil in 1941 as a directing assistant. He worked with Gil on five of his movies from 1941 to 1946, including Viaje sin destino [Journey to Nowhere] (1942) and Tierra sedienta [Thirsty Land] (1945). From 1942 onward he left Primer Plano and Pueblo—seemingly over disagreements over its direction—and dedicated himself professionally to film. Career He directed his first film, Senda ignorada [Unknown Path] (1946), a gangster movie set in the United States, in 1946. This was followed by Angustia [Anguish] (1947), featuring Rafael Bardem and Julia Caba Alba, another crime film, which was declared of "national interest," and Llegada la noche [Night Arrival] (1949), with a script from Carlos Blanco. In 1950 he directed Balarrasa [Reckless] (1950) with a script from Vicente Escrivá and with