was nominated for the 8th Annual Independent Music Awards Folk/Singer-Songwriter Album of the Year. Alligator records In 2009, Osborne recorded a new, full band album co-produced by Osborne, Galactic’s Stanton Moore and Pepper Keenan. All songs on the album were written or co-written by Osborne. The album was picked up by Chicago-based Alligator Records, who signed Osborne and released the new recording in 2010 under the title American Patchwork. New Orleans’ OffBeat magazine praised the album, saying, "American Patchwork is the album Osborne fans have been waiting for. The record is a focused and tuneful triumph. Osborne's gifts as a guitar player are significant. His voice is so emotionally intense it feels like an explosion. He writes with remarkable eloquence...this is the living definition of great art." Relix described the album as "raging, expressive guitar and soulful singing...from scorched-earth rock to sweet, tender ballads." Since the release of American Patchwork, Osborne has toured virtually non-stop, performing with his own band, solo with Keb Mo, with The Stanton Moore Trio, with Toots and the Maytals, alongside Karl Denson’s Tiny Universe and with Luther Dickinson as well as with The Voice of the Wetlands All-Stars. He appeared on Galactic’s song "Dark Water" from their Ya Ka Ma album, and in 2011 produced and played on critically acclaimed albums by Tab Benoit, Johnny Sansone and Mike Zito. In 2012, he played on and acted as associate producer of Billy Iuso’s Naked album. Along the way, he also found time to write and record Black Eye Galaxy, released in 2012. Recorded at Dockside Studio in Maurice, Louisiana, the album was produced by Osborne along with engineer Warren Riker and Galactic's Stanton Moore. Its sounds range from heavy electric mayhem to acoustic melodicism. Blurt Magazine said, "Black Eye Galaxy is a work of art – a throwback to the days before corporations completely controlled and corrupted media and culture. It is the struggle of a man to survive addiction and find some peace and redemption. Great art is not afraid to say something and take big risks. And on each work he does, Osborne grows as an artist. We are lucky to get a chance to witness this. The blues is about hard truth and healing. And to the extent he covers both; you could say he is a blues guy. Kudos must go to Alligator Records – a great if not our greatest-blues label