the horrors of war, despite the many comedies that made up most of his early career. Fires on the Plain got greenlighted by the studio Daiei, because they thought it would be an action movie. Ichikawa decided that it was a film that needed to be made in black and white, specifically requesting Eastman's black and white. The studio initially balked, but after a month of arguing, the studio agreed to Ichikawa's request. Ichikawa also said that he had wanted actor Eiji Funakoshi to be in the film from the beginning. Ichikawa's wife, Natto Wada, penned the script which got the approval of novel author Shohei Ooka. The film was shot entirely in Japan in Gotenba, Izu and Hakone. The actors were fed little and were not allowed to brush their teeth or cut their nails to make it look more realistic, but doctors were on set constantly. It was delayed for two months when Eiji Funakoshi fainted on the set. When Ichikawa asked Funakoshi's wife what had happened, she responded that he had barely eaten in the two months that he was given to prepare. Mickey Curtis said, also in a Criterion Collection interview, that he did not think he was a good actor, but Ichikawa said he just needed to act naturally. Ichikawa had heard that Curtis was very thin, so he decided to use him, as the characters in the story have eaten very little. Ichikawa specifically told each actor how he wanted them to react, and would not rehearse. Ichikawa expressed that the narrator (Tamura) could not be a cannibal because then he would have crossed the ultimate low. Ichikawa consulted with his wife, Natto Wada, and they decided against having him eat human flesh. As a result, Tamura never eats any in the film because his teeth are falling out. Distribution Fires on the Plain was released November 3, 1959 in Japan. It was later released on June 6, 2000 by Homevision. Then it was released as part of the Criterion Collection on March 13, 2007. The disc includes a video interview with Kon Ichikawa and Mickey Curtis. Also included is a video introduction with Japanese film scholar Donald Richie and a booklet with an essay on Fires on the Plain by Chuck Stephens. The film was digitally restored from a Spirit DataCine 35 mm composite fine-grain master positive print. The sound was restored from