in National Museum in Poznań and Kraków Society of Friends of Fine Arts, but the next one was held only in 1986 in Warsaw. He signed a letter of Polish émigré writers who supported the Letter of 59. Polish People's Republic censored information about Czapski and had his name on a list of the people completely banned from publication. His literary and artistic works were popularized in Poland only after 1989. Czapski died 12 January 1993, and three days later was buried on a cemetery in Le Mesnil-le-Roi, by the side of his sister Maria, who died in 1981. Czapski was awarded the Silver Cross of the Order of Virtuti Militari (1918–1920) and the Commander's Cross of the Order of Polonia Restituta (1990). Private life Czapski was deeply Catholic, and his faith influenced his works and personal philosophy, but also his struggles with sexuality. In the years 1924-1926 he entered a relationship with a poet Sergey Nabokov, younger brother of Vladimir Nabokov; it was ended by Czapski's departure to London, in order to cure his typhoid fever. Returning to Poland, Czapski met the writer Ludwik Hering. The pair lived together for a few years in Józefów, and despite the fact that they were separated by World War 2 and subsequent emigration of Czapski, they maintained the love for years by exchanging letters. English translation The Inhuman Land is the first work of Czapski's translated into English and was published in London in 1951. Because it is a first-hand account of contemporaneous negotiations with the Soviets over the missing Polish officers it became an important document until Russian guilt for the massacres was acknowledged. In the post-war period Czapski was also among the eyewitnesses of the situation of Polish prisoners in Soviet captivity and testified on the matter before the United States Congress. His Lost Time: Lectures on Proust in a Soviet Prison Camp was translated into English in 2018. The Jozef Czapski Pavilion In 2016, The National Museum of Krakow inaugurated the Jozef Czapski Pavilion on the grounds of the Emeryk Hutten-Czapski Museum. The pavilion is dedicated to the grandson of the most important numismatic collector in Poland, and the permanent exhibition is about his life and work. The exhibition displays some of his diaries and paintings, as well as various multimedia presentations on his work and life. One of the exhibitions is an exact recreation of the room he