a Symphony in G minor (1893) Guy Ropartz (1864–1955), French composer of 5 symphonies (No. 1, On a Breton Chorale, A minor, 1895; No. 2, F minor, 1900; No. 3, E major, 1906; No. 4, C major, 1911; and No. 5, G major, 1945), of which the Third include parts for soprano, contralto, tenor, bass, and mixed chorus; also symphonic is the Petite symphonie, for orchestra (1943) Richard Strauss (1864–1949), German composer of 2 early conventional symphonies; also of 2 program symphonies of his maturity, symphonic in name and scale if not traditional technique; namely the multi-section symphonic poems Symphonia Domestica, Op. 53 (1903) and An Alpine Symphony, Op. 64 (1915). His Sonatina No. 2 for 16 Wind Instruments (1946) was given the title Symphony for Wind Instruments by the publisher, though the composer did not use the word. August de Boeck (1865–1937), Belgian composer of a Symphony in G major (1896) Paul Dukas (1865–1935), French composer of a Symphony in C major (1896) Paul Gilson (1865–1942), Belgian composer of 3 symphonies and La Mer (4 Symphonic sketches) Alexander Glazunov (1865–1936), Russian composer of 8 symphonies, as well as sketches for a ninth (piano sketch, 1910; later orchestrated by Gavril Yudin)—see Category of Glazunov symphonies. Albéric Magnard (1865–1914), French composer of 4 symphonies (No. 1, C minor, 1890; No. 2, E major, 1893; No. 3, B-flat minor, 1896; and No. 4, C-sharp minor, 1913) Carl Nielsen (1865–1931), Danish composer of 6 symphonies (No. 1 in G minor, 1894; No. 2, The Four Temperaments, 1902; No. 3, Sinfonia espansiva, 1911; No 4, Inextinguishable, 1916; No. 5, 1922; and No. 6, Sinfonia semplice, 1925), of which the Third utilizes a vocalise for soprano and baritone in its second movement—see Category of Nielsen symphonies Jean Sibelius (1865–1957), Finnish composer of 7 symphonies (No. 1, E minor, 1899, r. 1900; No. 2, D major, 1902; No. 3, C major, 1907; No. 4, A minor, 1911; No. 5, E-flat major, 1915, r. 1916, r. 1919; No. 6, D minor, 1923; and No. 7, C major, 1924), of which the Seventh (in one movement) erodes the traditional subdivisions of sonata form; the composer also destroyed sketches for an unfinished eighth in the 1930s. In addition, the choral work Kullervo (1892) and Lemminkäinen (1895)—both based upon Kalevala myths—are classified occasionally as unnumbered, programmatic symphonies—see Category of Sibelius symphonies Waldemar von Baußnern (1866–1931), German composer of 8 symphonies