2017 Whitney Biennial Texts by Jo Baer "Statements." Systemic Painting. The Solomon R. Guggenheim Museum, New York 1966. "Letters," Artforum, NY, Sept 1967. p. 5-6. "Edward Kienholz: A Sentimental Journeyman," Art International, Lugano. Apr 1968, p. 45-49. "Letters." Artforum, New York. Apr 1969, p. 4-5. "The Artist and Politics: A Symposium." Artforum, Sept 1970. p. 35-36. "Mach Bands: Art and Vision" and "Xerography & Mach Bands: Instrumental Model", Aspen Magazine. Fall-Winter 1970. Fluorescent Light Culture," American Orchid Society Bulletin, NY, Sept-Oct 1971. "Art and Politics" and "On Painting". Flash Art, Nov 1972. p. 6-7 . "To and Fro and Back and Forth: A Dialogue With Seamus Coleman," Art Monthly, London. Mar 1977, p. 6-10. "Radical Attitudes to the Gallery: Statement," Art-Net, 1977 London. Reprinted in "Galerie," Paul Andriesse, Amsterdam,'89, p. 39. "On Painting." Jo Baer Paintings 1962-1975", Museum of Modern Art Oxford 1977 (catalogue). "Radical Attitudes to the Gallery: Statement #2," Studio International, London, 1980. "Beyond the Pale," (with Bruce Robbins), REALLIFE Magazine, NY, Summer 1983, p. 16-17. "Jo Baer: I am no longer an abstract artist." Art in America, NY. Oct 1983, p. 136-137. "Jo Baer: Red, White and Blue Gelding Falling to its Right (Double-cross Britannicus/Tri-color Hibernicus); `Tis Ill Pudling in the Cockatrice Den (La-Bas); The Rod Reversed (Mixing Memory and Desire)," Catalogue, 1990 Amsterdam. "Jo Baer: Four Drawings," (with Bruce Robbins), Catalogue, Amsterdam, 1993. "Radical Attitudes to the Gallery," Art Gallery Exhibiting, De Balie, Amsterdam,1996 p. 42-43. "The Diptych," The Pursuit of Painting, Irish Museum of Modern Art, Dublin, 1997, catalogue, p. 52. "The Diptych," Catalogue, Jo Baer, Paintings, 1960–1998, Stedelijk Museum, Amsterdam 1999, p26-27. "I am no longer an Abstract Artist," Catalogue, 1999, reprint from '85. pp. 15–19. Revisioning the Parthenon, 1996. A work in progress that first appeared as an appendix in Broadsides & Belles Lettres: Selected Writings and Interviews 1965–2010; a fuller version is in preparation. Baer wrote a number of texts over the years, these are brought together in Broadsides & Belles Lettres Selected Writings and Interviews 1965–2010, which provide a general commentary on art as well as her own attitude to her work. Collections Baer is represented in the following public collections: Albright-Knox Art Gallery, Buffalo, NY, US Art Institute of Chicago, Chicago, IL, US Arts Council of Great Britain, London, England National Gallery of Australia, Canberra, Australia Baltimore Museum of Art, Baltimore, MD, US Chase Manhattan Bank, New York City, NY,