nemesis of Mae West's character in Belle of the Nineties (1934). She played the second female role in All the King's Horses (1935) at Paramount, and was loaned to Columbia Pictures for The Black Room (1935) and to 20th Century Fox for Call of the Wild (1935). The role of Princess Alice of France in The Crusades (1935) was a Christmas gift from her father, Cecil B. DeMille. Andre Sennwald of The New York Times wrote that the actors who gave "excellent performances" in the film included "that striking brunette, Katherine De Mille." Hollywood also praised DeMille, who was "splendid as the jilted Princess Alice of France." Paramount then cast her in two more leading roles; she was the sister of Buster Crabbe in the Western Drift Fence (1936) and a parachutist and the romantic interest of William Gargan in the aviation drama The Sky Parade (1936). She returned to MGM to play the uncredited role of Rosaline, Romeo's first love, in the 1936 film adaptation of William Shakespeare's Romeo and Juliet. 20th Century Fox and other films (1936–1941) In the mid-1930s, she signed a contract with 20th Century Fox. The studio cast her in the role of Margarita in its 1936 Technicolor film version of the Helen Hunt Jackson novel Ramona, starring Loretta Young as the title character. She was Barbara Stanwyck's rival for the love of Joel McCrea in Banjo on My Knee (1936) and played the main female role in Charlie Chan at the Olympics (1937). She received third billing as an antagonist in The Californian (1937) and played a much smaller part in Love Under Fire (1937). She went to Columbia Pictures to co-star as Jack Holt's leading lady in Under Suspicion (1937). She had a minor supporting role in the Walter Wanger production Blockade (1938), a drama about the Spanish Civil War. Again at Columbia, she was cast in the leading female role in another Jack Holt vehicle, Trapped in the Sky (1939). DeMille played supporting roles in the Roy Rogers vehicle In Old Caliente (1939), the RKO adventure Isle of Destiny (1940), the Columbia mystery film Ellery Queen, Master Detective (1940), the Universal mystery film Dark Streets of Cairo (1940), and Paramount's Technicolor adventure Aloma of the South Seas (1941). She retired from films to raise her children and devote her time to her family. Final film roles (1947–1949) After a six-year absence, DeMille