Tushingham. In it a group of young, London adults clash and commiserate about how to get "the knack" with the opposite sex. Jellicoe has also written plays for children. One of Jellicoe's most interesting works is a brief essay entitled, "Some Unconscious Influences in the Theatre." In a space of about thirty pages, she devises a number of complex yet common-sense theories which account for the reasons why audiences react to stage and screen as they do. The Colway Theatre Trust In 1978, Jellicoe set up the Colway Theatre Trust to explore the concept of Community Plays: pioneering work which she continued to develop over the next ten years. Jon Oram became artistic director of Colway Theatre in 1985 – now called Claque Theatre. Colway Theatre Trust are the founders of the Community Play genre. A community play as practised by Colway is the result of no less than 18 months work. They are original plays written for and about a specific community. The writer generally works with a community research team. Plays are traditionally performed in a promenade style where the audience and cast share the same space with action happening on stages around the edge of that space and in the body of the standing audience. In 2000, Colway Theatre relocated to Kent in South East England and changed its name to Claque. The company is of international standing, run by Jon Oram who has written, produced or directed over 40 productions. In 1962, Jellicoe married the photographer Roger Mayne. They moved to Lyme Regis in Dorset in 1975, and lived at Colway Manor (hence the name of the Colway Theatre Trust). After Mayne died in 2014, Jellicoe moved to West Bay in Dorset. Jellicoe herself died at the end of August 2017. Selected works Following list from Who's Who The Knack: A Comedy in Three Acts. London: Encore, 1962; New York: French, 1962. The Sport of My Mad Mother. Revised version. London: Faber, 1964; New York: Dell, 1964. Originally published in The Observer Plays, London: Faber & Faber, 1958. Shelley; or, The Idealist. London: Faber & Faber, 1966; New York: Grove Press, 1966. Some Unconscious Influences in the Theatre. Cambridge: Cambridge University Press, 1967. Judith Wilson Lecture, 1967. The Giveaway: A Comedy. London: Faber & Faber, 1970. The Seagull by Anton Chekhov, translated by Jellicoe & Adriadne Nicolaeff. New York: Avon, 1975. Three Jelliplays. London: Faber &