Georgette Leblanc (8 February 1869, Rouen – 27 October 1941, Le Cannet) was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's Carmen. For many years Leblanc was the lover of Belgian playwright and writer Maurice Maeterlinck, and he wrote several parts for her within his stage plays. She portrayed the role of Ariane in Ariane et Barbe-bleue, both in the original 1899 stage play by Maeterlinck and in the 1907 opera adaptation by Paul Dukas, as well as La Mort de Tintagiles in 1905 in Paris. Leblanc also appeared in a couple of French films, most notably L'Inhumaine in 1924. In the last few decades of her life she turned to writing, producing two commercially successful autobiographies and several children's books and travelogues. Biography Georgette Leblanc was born into a cultured family that valued the arts of all forms and encouraged her to pursue music, acting, and writing. She initially worked for a short time as an actress on the Paris stage before studying music under Jules Massenet in that city. She made her professional opera debut at the Opéra-Comique on 23 November 1893 as Françoise in Alfred Bruneau's L'attaque du moulin. Shortly thereafter she returned to that opera house to sing the title role in Bizet's Carmen. In 1894 she joined the roster at the Théâtre de la Monnaie where she sang numerous parts for the next three seasons, including: Anita in La Navarraise and the title roles in both Massenet's Thaïs and Carmen once again. In 1895, Leblanc met playwright Maurice Maeterlinck in Brussels with whom she began a 23-year romantic relationship. That same year the couple moved to the district of Passy in Paris, living together openly to the chagrin of their Catholic families. Leblanc had married a Spanish man a few years previously, and the Roman Catholic Church refused to give her a divorce from her unhappy marriage. The couple's home became a center for the artistic community with individuals like Octave Mirbeau, Jean Lorrain, and Paul Fort frequently being entertained at their house. The couple also owned a home in Normandy where they would go for the summers. Beginning with Aglavaine and Sélysette in 1896, she began to appear in a number of Maeterlinck's plays, several of which included