for constant rain in Pennsylvania. This group consisted of prominent artists such as Robert A.D. Miller, Peter Keenan (1896-1952), Charles Evans (1907-1992); Henry Baker (1900-1957); Richard Wedderspoon, Carl Lindborg (1903-1994), Frederick Harer (1879-1947), Faye Swengel Badura (1904-1991), Louis Stone (1902-1984) and Charles Ward (1900-1962) among others. Other important modernist painters to later settle in the area after the initial arrivals were Josef Zenk (1904-2000), Bror Julius Nordfeldt (1878-1955), Swiss-born Joseph Meierhans (1890-1980), Clarence Carter (1904-2000) and precisionist, Richard Peter Hoffman (1911-1997) of Allentown. These fifteen people made a big mark to for Impressionistic society. Finally, there was the “Last Ten.” This group stood out because this group consisted all of women. The Ten consisted of Fern Coppedge (1883-1951) and M. Elizabeth Price (1877-1965) from New Hope, as well as Nancy Maybin Ferguson (1869-1967), Emma Fordyce MacRae (1887-1974), Eleanor Abrams (1885-1967), Constance Cochrane (1888-1962) and Theresa Bernstein (1890-2002). These women influenced many other women to join the Pennsylvania Impressionism Movement. Similar to the French impressionist movement, this style of art is characterized by an interest in the quality of color, light, and the time of day. This group of artists usually painted in plein air, or out of doors, to capture the moment. According to James A. Michener Art Museum’s Senior Curator Brian Peterson, “what most characterized Pennsylvania impressionism was not a single, unified style but rather the emergence of many mature, distinctive voices: Daniel Garber's luminous, poetic renditions of the Delaware River; Fern Coppedge's colorful village scenes; Robert Spencer's lyrical views of mills and tenements; John Folinsbee's moody, expressionistic snowscapes; and William L. Lathrop's deeply felt, evocative Bucks County vistas." Art historian Thomas C. Folk defines the movement as the Late Pennsylvania School, those artists that "came to prominence in Bucks County after 1915 or after the Armory Show and the Panama–Pacific International Exposition." According to Folk, the three most notable artists in this group were John Fulton Folinsbee, Walter Emerson Baum and George Sotter. One of the artists, Walter Emerson Baum, worked as a teacher and educator and through his founding of the Baum School of Art and the Allentown Art Museum, would serve to expand the influence of the movement out of Bucks County and into Lehigh County, specifically Allentown and the Lehigh Valley, where the movement continued to flourish into the 1940s and 1950s. Today, this group of artists is collectively known as the Baum Circle. Pennsylvania