At dawn, the couple awaken to find themselves tied to chairs in the living room with the intruders standing before them. Kristen attempts to reason with the strangers, before demanding an explanation, to which the blonde woman replies, "Because you were home." The offenders unmask themselves to Kristen and James before taking turns stabbing them in the chest and abdomen. Afterwards, the thugs drive away in their truck and come across two young boys on bicycles distributing religious tracts. The blonde woman steps out of the truck and asks if she can have one of their tract cards. One of the boys asks her, "Are you a sinner?" to which she responds, "Sometimes." The boy gives her one, and the strangers drive away as the brunette woman states, "It'll be easier next time." The two boys come upon the house, where they discover the bloodied bodies of Kristen, James, and Mike inside. One of the boys approaches Kristen's body and attempts to touch it. As he reaches out to her, Kristen, still alive, startles him by grabbing his hand and screaming. Cast Liv Tyler as Kristen McKey Scott Speedman as James Hoyt Gemma Ward as Dollface Kip Weeks as Man in Mask Laura Margolis as Pin-Up Girl Glenn Howerton as Mike Themes Film scholar Kevin Wetmore noted the film's portrayal of violence as a reflection of its contemporary culture, writing: "Death is a random act in post-9/11 horror—the result of being in the wrong place at the wrong time, as the cliché goes. Unlike in eighties slasher horror, for example, where engaging in negative behavior such as drinking, doing drugs, having premarital sex are often forerunners to being killed by the killer(s); [here], death is random and unrelated to one's behavior." In The Horror Show Guide: The Ultimate Frightfest of Movies, Mike Mayo noted the film's "grim realism," writing that the main characters "could have wandered out of a gloomy Ingmar Bergman film," ultimately branding the film as an example of "naturalistic domestic horror" akin to Michael Haneke's Funny Games. The film has also been noted by scholar Philip Simpson as highlighting "the divide between the underprivileged and privileged classes," as well as for its inversion of commonly-held beliefs about violence in urban areas and pastoral ethics: "The Strangers, as many horror films do ... undermines the conventional notion of rural society as a simpler, crime-free place. One might call