retainers, generally considered together in drama, in literature and history. Oryū – Ginpei's wife, actually Suke no Tsubone, Emperor Antoku's nursemaid Oyasu – Ginpei & Oryū's daughter, actually Emperor Antoku Wakaba no Naishi – Koremori's wife Rokudai – son of Koremori and Naishi Kokingo – retainer to Koremori and Naishi Yazaemon – sushi-shop owner O-bei – Yazaemon's wife Gonta – Yazaemon's son Ozato – Yazaemon's daughter, Yasuke's betrothed Plot The fullest version of Yoshitsune consists of fifteen scenes in five acts. Though this was originally intended to be performed across the better part of a day, modes of performance have changed, and the full version would today take twice that long, due to the style and speed of current forms of acting. For this reason and others, Kabuki plays are almost never performed in their entirety today, and Yoshitsune is no exception. The fullest standard version of any play is called tōshi kyōgen, which in the case of Yoshitsune consists of nine of the full fifteen scenes. However, again as is the case with most plays, individual scenes or elements of Yoshitsune may be performed alone as part of a day's program of other such bits and pieces. The first, second, and fourth scenes of Act One are the most rarely performed today. The fundamental structure of the play is very much in keeping with that of Japanese traditional drama forms as a whole. The philosophy of jo-ha-kyū is employed throughout, as actions, scenes, acts, and the play as a whole begin slow (jo), then get faster (ha), and end quickly (kyu). Also, Yoshitsune follows the traditional five-act structure and the themes traditionally associated with particular acts. Act One begins calmly and auspiciously, including scenes at the Imperial Palace. Act Two features combat. Act Three is something of a sewamono insertion into the jidaimono tale, turning away from the affairs of warriors and politics to focus on the lives of commoners. Act Four is a michiyuki journey, metaphorically associated with a journey through hell. Act Five wraps up the plot quickly and returns to themes of auspiciousness. The following plot summary is based on the full fifteen-scene version. Act One The play opens at the Imperial Palace, where Yoshitsune and his faithful retainer, the warrior monk Benkei meet with , a court minister. They discuss the consequences of the battle of Yashima, and the fact that the bodies of several