treaty. (For another engraving from 1623, portraying Albrecht's funeral procession, see the picture taken from Jacob Franquart.) Albrecht's proclamation of the sovereignty was illustrated by numerous armorial charts published by several cities and noblemen of the Low Countries, and the armorial chart of Zangrius held in the Helmond Castle-Townhall is one of them. F. J. van Ettro maintained: "Particularly noteworthy about this chart is, that the metals gold and silver, and the colours red, blue, green and black, are rendered according to the same system of hatching by means of dots and stripes, as is being used to this day in modern heraldry". (op. cit. p. 211) However, the hatching systems of Silvester Petra Sancta (1638) and Marcus Vulson de la Colombière (1639), respectively differ from the method developed by Zangrius in the way of hatching of the colour Sable. Thus, it almost seems evident that Petra Sancta or de la Colombière modeled their systems after Zangrius' hatching table. Zangrius inscribed into the oval escutcheon of his hatching table both the heraldic and standard French language appellations of the given tinctures as follows – Or, Argent, Geulle [gueules] and Rouge (gules), Azur and Bleu (azure), Sinople and Verd [Vert] (vert). The hatching used by him for these tinctures is identical with contemporary hatching methods. The only difference in Zangrius' system was the hatching of the colour sable (Sable and Noir by Zangrius), i.e. crossing of vertical and diagonal lines from the heraldic left to right instead of the present day's crossing of vertical and horizontal lines. Works Albvm Amicorvm Habitibvs Mvliervm Omniv[m] Natoinv[m] Evropae, tvm Tabvlis as Scvtis Vacvis in aes Incisis Adonatvm, Vt quisque et sÿmbola et insignia sua gentilitia in ÿs depingi commode curare possit; Lovanii Apud Ioannem Baptistam Zangrium. Anno 1599 Published engravings Hollstein‘s Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700. Volume LVIII, I. Wyngaerden to Anthony van Zylvelt. Compided by Jeroen de Scheemaker, Edited by D. De Hoop Scheffer. Sound & Vision Publishers Rotterdam 2001, in co-operation with the Rijksprentenkabinet, Rijksmuseum Amsterdam. pp. 40–64. Gallery Literature Füßli, H. H. : Allgemeiner Künstlerlexikon, Zweiter Theil, Elfter Abschnitt, Zürich 1820 Hollstein, F. W. H.: Dutch & Flemish etchings, engravings and woodcuts 1450-1700, vol. 1-, Amsterdam 1949–87; Roosendaal 1988–93; Rotterdam 1995- Icones Leidenses. De Portretverzameling van de Rijksuniversiteit te Leiden, Leiden 1973 Immerzeel Jr., J.: De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters