Laurel Nakadate (born 1975) is an American feminist video artist, filmmaker, and photographer. She is based in New York City. Biography Laurel Nakadate was born 1975 in Austin, Texas and raised in Ames, Iowa. Nakadate graduated with a Bachelor of Fine Arts (BFA) degree in 1998 from Tufts University and the School of the Museum of Fine Arts, Boston. She also earned a Master of Fine Arts (MFA) degree in 2001 for photography from Yale University. Nakadate's work is displayed in numerous collections and museums around the United States, namely the Museum of Modern Art, the Whitney Museum of American Art, the Yale University Art Gallery, the Hessel Museum of Art, Bard College, Princeton University Art Museum, Smith College Museum of Art, LACMA, the Guggenheim Museum, and the Saatchi Collection. Nakadate's 2005 solo show at Danziger Projects, "Love Hotel and Other Stories", was featured in The New York Times, The Village Voice, and Flash Art. Art critic Jerry Saltz named her a "standout" in the 2005 "Greater New York" show at P.S.1 Contemporary Art Center, Long Island City, New York Since then, Nakadate's work has been exhibited at the Getty Museum, Los Angeles; the Asia Society, New York; the Reina Sofia, Madrid; the Berlin Biennial; Grand Arts, Kansas City; and at Leslie Tonkonow Artworks + Projects, New York. A ten-year retrospective of her work, called Only the Lonely, was on view at MoMA PS1 from January 23 to August 8, 2011. A cover interview with the artist appeared in the October 2006 issue of The Believer. Nakadate's first feature-length film, Stay The Same Never Change, premiered at the Sundance Film Festival in Park City, Utah, on January 16, 2009, and was featured in the 2009 New Directors/New Films Festival at The Museum of Modern Art and Lincoln Center. Her second feature, The Wolf Knife, premiered at the 2010 Los Angeles Film Festival, and was nominated for a 2010 Gotham Award and a 2011 Independent Spirit Award. Nakadate currently lives and works in New York City. Work Laurel Nakadate is known for creating video and photographic works that explore themes of sexuality, femininity and gender roles, and the knife-edge between vulnerability and power within chance encounters. Nakadate has often used herself as a subject within her work, documenting her interactions with strangers in various settings. Tonally, her work has been described as "disturbingly intimate"," as well as "creepy" art where "voyeurism,