The Island () is a 2006 Russian film about a fictional 20th century Eastern Orthodox monk. The film closed the 2006 Venice Film Festival, proved to be a moderate box-office success and won both the Nika Award and the China TV Golden Eagle Award as the Best Russian film of 2006. The filming location was the city of Kem, in Karelia, on the shores of the White Sea. It received generally positive reviews from critics. Plot During World War II, the sailor Anatoly and his captain, Tikhon, are captured by the Germans when they board their barge and tugboat, which is carrying a shipment of coal. The German officer leading the raid offers Anatolywho is terrified of dyingthe choice to be shot or to shoot Tikhon and stay alive, which Anatoly takes; he shoots, and Tikhon falls overboard. The Germans blow up the ship but Anatoly is found by Russian Orthodox monks on the shore the next morning. He survives and becomes a stoker at the monastery but is perpetually overcome with guilt. Thirty years pass. Anatoly now has the gifts of prophecy and healing. But the other monks do not really understand him. People come to see Anatoly for cures and guidance, but even now, he remains in a perpetual state of repentance. He often gets in a boat and goes to an uninhabited island where he prays for mercy and forgiveness and for Tikhon's soul. Many years pass, and an admiral of the North Fleet arrives at the monastery. He brings his daughter who is possessed by a demon, but Anatoly exorcises it. The admiral turns out to be Tikhon. It is revealed that Anatoly only wounded him in the arm. Tikhon forgives Anatoly. Anatoly announces his death by Wednesday; the monks provide a coffin. Dressed in a white garment such as Jesus wore or as an Orthodox baptismal garment, he lies in the coffin, wearing a crucifix. Monks, one carrying a large cross representing the risen Christ, are seen rowing the coffin away from the island. Spiritual message The film is focused on father Anatoly's repentance of his sin (therefore the virtually continuous occurrence of the Jesus Prayer); but the transgressions of the depicted character (a fool for Christ) and their impact on the others are the means by which the actual plot develops. The film's director Pavel Lungin, speaking of the central character's self-awareness, said he