Archaeological site The ancient city, capital of the Helviens people covers 30 hectares. It includes a monumental centre, such monuments were mandatory ornaments of any Gallo-Roman capital in the political and administrative system of the Roman Empire. This monumental centre consists of a forum (still buried under vines), a basilica, two temples, a curia, a small local senate, and two enigmatic buildings as their architecture leaves no tangible indication as to their function. A hypothesis is that they could be used by corporations which were known to be rich and powerful in Alba. A covered market or "macellum" completes the ornaments of this monumental centre. A little further on in the vineyards, the sanctuary of Bagnols is home to three temples: a fanum (a Gallo-Roman temple), a temple on a podium, and a temple dedicated to the worship of the Roman emperor. A statue of an emperor has been found. Finally, the theatre. It is the best preserved public building on the site. An outstanding place of entertainment and sociability, it also allowed the cohesion of the city within the framework of the empire. The steps or "cavea" allowed a selection of the people who came in their entirety to attend performances. The stage wall overlooks a stage, which no longer exists, and was built on a channeled stream, the stream of the massacre. Behind the stage wall there is a rectangular courtyard which was used in religious ceremonies. Château d'Alba Dating from the 12th to the 16th centuries, the Château of Alba had a military function as well as being a prestigious residence. It is listed in the inventory of Historic Monuments and is open to the public (exhibitions, events). Notable people On 15 September 1948, the painter André Lhote published in the newspaper Combat an article that described "the stony streets of Alba, its walls irregular checkerboards with alternate haphazardly arranged black and white stones, which makes this a wonderful material, a little austere, that is found throughout the Ardèche roads. The Abandoned houses still have their roofs which is miraculous (...). Here is a village eagerly waiting for its resurrection. What is the artist, the intellectual has his nest egg, one or two dozen surplus notes that could be put into the work to be done: save a beautiful old house which miraculously survived the war and universal contempt, moreover to ensure a noble vacation in a