volunteer nurse, of sorts) later said that Poe called Lewis a "fat, gaudily-dressed woman." Poe's biographer, Arthur Hobson Quinn, called "An Enigma" "one of Poe's feeblest poems". Epigram for Wall Street (1845) Printed in the New York Evening Mirror on January 23, 1845, the poem is generally accepted as being written by Poe, though it was published anonymously. The title neglected to capitalize "street." The humorous poem of four rhyming couplets tells savvy people interested in gaining wealth to avoid investments and banks. Instead, it suggests, fold your money in half, thereby doubling it. Eulalie (1843) "Eulalie" was first published in 1845 in American Review: A Whig Journal and is about a man who overcomes his sadness by marrying the beautiful Eulalie. Evangeline (1848) "Evangeline" was included at the end of Poe's 1848 essay "The Rationale of Verse." It was first published in the November 1848 issue of the Southern Literary Messenger. Evening Star (1827) This lyric poem by Poe was first collected in Tamerlane and Other Poems early in Poe's career in 1827. In the poem, a stargazer thinks all the stars he sees look cold, except for one "Proud Evening Star" which looks warm with a "distant fire" the other stars lack. The poem was influenced by Thomas Moore's poem "While Gazing on the Moon's Light". The poem was not included in Poe's second poetry collection, Al Aaraaf, Tamerlane, and Minor Poems, and was never re-printed during his lifetime. "Evening Star" was adapted by choral composer Jonathan Adams into his Three Songs from Edgar Allan Poe in 1993. Fairy-Land (1829) Originally titled "Heaven," "Fairy-Land" was written while Poe was at the United States Military Academy at West Point. Poe first offered the poem to Nathaniel Parker Willis, who wrote in an edition of "The Editor's Table" of the American Monthly of how he threw the submission into the fire and joyfully watched it burn. Nonetheless, it was soon published in the September 1829 issue of The Yankee and Boston Literary Gazette. The journal's editor John Neal introduced the poem and others by Poe as "nonsense". He did, however, admit that the work showed great promise in the author. His introduction read, "If E. A. P. of Baltimore — whose lines about 'Heaven,' though he professes to regard them as altogether superior to any thing in the whole range of American poetry, save two or three trifles referred to,