flowers cries of timbers and of stones cries of bricks cries of furniture of beds and chairs of curtains of pots of cats and of papers cries of odors which claw at one another cries of smoke pricking the shoulder of the cries which strew in the cauldron and of the rain of birds which inundates the sea which gnaws the bone and breaks its teeth biting the cotton wool which the sun mops up from the plate which the purse and the pocket hide in the print which the foot leaves in the rock. Development During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica. An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting. Picasso's aim in producing Guernica was to portray the immediate shock and horror of the destruction, rather than the tears of mourning that would arise in the aftermath. Following the completion of Guernica, Picasso continued with his obsession for the weeping woman. Judi Freeman remarked that, "The one motif he could not relinquish was that of the weeping woman. Her visage haunted him. He drew her frequently, almost obsessively, for the next several months. She was the metaphor for his private agonies". Between 8 June and 6 July 1937, Picasso produced a dozen drawings and four oil paintings depicting the weeping woman. After returning from a summer holiday in Mougins, he completed the last The Weeping Woman painting on 26 October 1937. In total, 36 works depicting the weeping woman have been identified, executed between May and the end of October 1937. Relationship with Dora Maar Picasso met Dora Maar in the winter of 1935. The poet Paul Éluard introduced Picasso to Maar while she was working as a photographer on Jean Renoir's film Le Crime de Monsieur Lange. Although he was 26 years older than Maar, they were drawn together by a shared connection of art and politics. Maar pursued a career as a photographer and became involved in the Surrealist movement. She was Picasso's mistress until their breakup in 1945. It was Maar who documented Picasso's painting of Guernica by taking photographs of its development.