arm themselves with knives before attempting to leave. They run into Orville and retreat back into the house. As they become more panicked, they realize they left the attic window open. They run upstairs to lock the window. As Kimberly sees wet footprints, she realizes that he has already gotten into the house and flees. Jessica goes after Kimberly but Linda stays. Kimberly bumps into Orville and hides in a bathroom, but the killer gets in and murders her. While Linda hides in the attic, Orville enters. She manages to stab him numerous times before choking him. She starts her way downstairs but is attacked again by a still alive Orville. She overpowers and drowns him in the toilet. She goes downstairs and the phone rings. A woman asks for her husband, Hockstatter, before warning her he is in the house and hangs up. Linda is lured into the basement by Jessica, who reveals herself to be the killer and has been possessed by Hockstatter. Jessica chases Linda upstairs where the two fight before Orville reveals himself to still be alive. Orville stabs Jessica but she knocks him out before Linda manages to defeat Jessica, stabbing her in the neck. The next morning, Mike arrives with police officers after the movers found the bodies. They find Linda still alive, but now possessed by Hockstatter. Orville wakes up and shoots Linda dead before the police officers shoot Orville. He, however, survives and is rushed to hospital and later released after police could not pin the murders on him. Cast Gail Harris as Linda Melissa Moore as Jessica Stacia Zhivago as Kimberly Barbii as Suzanne Dana Bentley as Janey Jürgen Baum as Lieutenant Mike Block Toni Naples as Sergeant Phyllis Shawlee Mike Elliott as Eddie Bridget Carney as Candy Peter Spellos as Orville Ketchum Michael Villella as Hockstatter Production Early draft An early draft of the film was written by Mark Thomas McGee. McGee had written a book about Roger Corman and told Corman he wanted to write a film for him. Corman paid him to write Sorority House Massacre II, assigning Beverly Gray to work with him. McGee later said that Gray: Was more of a critic than a collaborator. She’d tell me what she didn’t like, which was just about everything, but she never told me what she would like in its place. She spoke in generalities. Never specifics. My