yeah yeah's, yeasayer), and started tracking the new record . Fresh out of the studio, they were then asked to perform at a range of festivals in Buenos Aires and Australia (Splendour in the Grass) and also a tour supporting the Flaming Lips, road-testing new material including early versions of 'Vital Signs' (then called United Illuminations), and 'This New Technology' – allowing the songs to further develop. As a preview to the new album, the band released the This New Technology EP, and an accompanying 500 copy 7" through Acephale Records, featuring the single This New Technology, a radio edit and remixes by The Emperor Machine, Memory Tapes, Juan Maclean and Babe Rainbow, also performing in New York at the CMJ music festival. Returning home, the band (who were self-producing their new album) went back into the studio to finish mixing the rest of the record. 2010 started out with performances at the Falls, Big Day Out and Golden Plains festivals. The band then created 'The Crystal Axis' (not only the name of the album but a physical construct / a world surrounding the album) which they built (using all the synthesisers and instruments from the recording) with the help of Melbourne artist Dylan Martorell and lights from MPH. They also created a video around this construct, an idea from the band executed with the help of Krozm. Just prior to the release of The Crystal Axis the band played a handful of sold-out shows previewing the new record in Paris, London, Amsterdam, Zurich, Edinburgh, Santiago, Brazil and more. The Crystal Axis was then released on 28 May 2010 in Australia with international dates following between July (UK) and September (August in the US, with a 12" double vinyl on Acephale/Siberia Records and September in Europe). The Crystal Axis won 'Best Independent Dance/Electronica Album' at the fifth annual Australian Independent Record (AIR) Awards. They received their second award in this category, after winning in 2007. The rest of 2010 was filled with European and Australian festival dates such as Calvi on the Rocks, Montreux Jazz Festival, Exit Festival, Lovebox, Benicassim, Splendour in the Grass, and Parklife. Uncanny Valley and Aerials (2013–2014) The band took a few years' break where they returned to focus on various experimental audio-visual projects. Eventually they started writing/recording sessions in a converted church in France's Loire Valley. They then released a music video anonymously, hidden under