Tang Ti-sheng () (18 June 1917 – 15 September 1959), born Tang Kang-nien (), was a Cantonese opera playwright, scriptwriter, and film director. His contributions to Cantonese opera significantly influenced Hong Kong's reform and development of the genre beginning in the late 1930s. During his twenty-year career, Tang composed over 400 operas and achieved immense popularity within the Cantonese opera scene. He also wrote the film scripts adapted from his own operas, directed the movies and at times acted in them himself. He collapsed in the Lee Theatre and died later of intracerebral hemorrhage in St. Paul's Hospital (Hong Kong). He was survived by his second wife (鄭孟霞 of 17 years), their two daughters (唐淑珠、唐淑儀) and two more children (son 唐寶堯 and daughter 唐淑嫻 by his first wife 薛覺清 of five years). A fifth (irrespective of age) child Cheng mentioned in a 1989 interview, after the passing of Yam Kim Fai, is not listed on Tang's headstone. Early life Tang was born in Heilongjiang province, northeastern China. Upon graduating from the Guangdong Sun Yat-sen Memorial Middle School, Tang reportedly attended the Shanghai Fine Arts School and also the Shanghai Baptist College. With the outbreak of the Second Sino-Japanese War, Tang fled south to Hong Kong in 1937 where he joined the Kok Sin Sing Opera Troupe (覺先聲粵劇團) led by his double (cousin) in-law and one of the "Four Super Stars" Sit Gok Sin (薛覺先). His first wife was the tenth sister (Sit Gok Ching, 薛覺清) of Sit while Sit was married to his paternal first cousin (唐雪卿). Tang worked as a copyist and assistant to Fung Chi-fen (馮志芬) and Nam Hoi Sup-sam Long (南海十三郎), two famous writers for the troupe. Encouraged by Sit Gok Sin, Tang began his career as a playwright in 1938 with his first (being taken as an announcement of his intention to be in the arena) opera The Consoling Lotus of Jiangcheng (). Throughout the next twenty years Tang wrote a total of 446 opera scripts, while 80 of those were adapted for films. During the Japanese occupation of Hong Kong, Tang penned many scripts for his wife and her co-stars to stage in return for food (mostly rice) and found his footing eventually. #2 of #30Leaped into fame with the script White Poplar, Red Tears () that Yam Kim Fai found worth "giving it a try" when script was short in supply. It was first