across several media. The deal was sealed with audiences from the 1970s and 1980s known to be more educated than those from the 1950s or before in Hong Kong. This is also the group that witnessed the dueling between two leading men known as super idols who dominated the only decade or two that there was an increase in audience for Cantonese opera. They can recite line by line and verse by verse of these legacy titles of Yam. These veteran audiences are not craving for run-of-the-mill low-quality performances with famous titles. They know better than even columnists (nationwide or not) or academics (worldwide or not) who are mostly motivated or paid to be biased if not just recycle second hand information or pull it out of thin air. Accommodation for entourage, including Trojan horse (二五仔), ends at water edge as always. Vocal style Yam was once upon a time known as the female version of and is still one of the more famous exponent of Kwai Ming Yeung style, both AAA and vocal. Yam demonstrated the "Kwai" trait of her AAA in film The Red Robe (1965) and on stage titles like "Wong Fei-fu's Rebellion" or "The Revolt from Huang Feihu’s Rebellion" (Chinese: 《黃飛虎反五關》) instead of the roles (as romantic scholars) she spent more time on in her 40s and later years on stage. However, the voice still rose to the occasion. In 1960 for charity, Yam performed a duet with the late Leung Sing Bor, the song called "Gaoping level" (Chinese: 《高平關取級》). According to experience of James Wong in 1960s as backup singer for this song, Yam was louder than the four of them. They were shocked by the "little old lady" met that day. Yam reprised her role as Liang Shanbo (Chinese: 梁山伯) more than once since the title debut. A film with Fong Yin Fun (芳艷芬) released in 1958 was followed by CD with Lee Bo Ying (李寶瑩) released in 1960s, (Chinese: 《梁祝恨史》之《樓台會》) but often nicknamed (Chinese: 《梁祝恨史》之《映紅霞》). The leads each in this title also has a solo from this title in CDs. Fong performed her solo for charity in mid-1980s on stage, almost 30 years since retirement. Several more CDs with Lee as co-star are very popular including sets just like sets with others. Yam made many CDs with many co-stars or solo since what believed to be the first one in 1937. Naamyam (Chinese: