is transformed into The Asylum's Transmorphers. Another commercial relative of the fan film is the overt B-movie homage. Quentin Tarantino and Robert Rodriguez's Grindhouse (2007) nods to a wide variety of exploitation styles popular from the late 1960s through the early 1980s. Criticizing the film, notwithstanding its "posture of cool," as yet another "blockbuster B-movie," Adario Strange places it in historical context: "Despite themselves, Tarantino and Rodriguez have the right idea. As the tools for filmmaking have become cheaper and more malleable, now is the time for rough, ugly, experimental films to shine again as they did in the '70s. The problem for these directors is that they are just too rich, too well-connected and too self-aware to produce films that are truly spit and chewing gum, bleeding-edge like Eric Nicholas' Alone With Her, Vincent Gallo's The Brown Bunny or Shane Carruth's Primer—films most Americans will never see." References Sources Canby, Vincent (1984). "Down-and-Out Youths in 'Suburbia,'" New York Times, April 13 (available online). Collum, Jason Paul (2004). Assault of the Killer B's: Interviews with 20 Cult Film Actresses (Jefferson, N.C., and London: McFarland). Cook, David A. (2000). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. Berkeley, Los Angeles, and London: University of California Press. Corliss, Richard (1981). "This Is the Way the World Ends," Time, January 26 (available online). Corman, Roger, with Jim Jerome (1998). How I Made a Hundred Movies in Hollywood and Never Lost a Dime, new ed. New York: Da Capo. Dargis, Manohla (2007). "Hollywood Shines on Sundance; Independent Film Gets Burned," New York Times, section 2 ("Arts & Leisure), pp. 1, 19, January 21. Epstein, Edward Jay (2005). The Big Picture: The New Logic of Money and Power in Hollywood. New York: Random House. Finler, Joel W. (2003). The Hollywood Story, 3d ed. London and New York: Wallflower. Halbfinger, David M. (2007). "Summer Cinema's One-Week Wonders," New York Times, July 18 (available online). Holman, Curt (2007). "Where No Fan Has Gone Before," New York Press, February 7–13 (available online). Leydon, Joe (1997). "100 Proof," Variety, March 2 (available online). Lubasch, Arnold H. (1979). "Allied Artists Seeks Help Under Bankruptcy Act; Allied Artists Files Chapter XI," New York Times, April 5. Mackey-Kallis, Susan (2001). The Hero and the Perennial Journey Home in American Film. Philadelphia: University of Pennsylvania Press. Maslin, Janet (1997). "An Orgy of Bent Fenders and Bent Love," New York