at Princeton, where he presented a paper on "The Red Atlantic". In 2006, he co-taught (with Ella Shohat) a seminar on "The Culture Wars in Translation" at Cornell's Society for Criticism and Theory. In 2003, Stam was honored at the Curitiba Film Festival for his "Noteworthy Service to Brazilian Cinema". In 2002, he was named “University Professor” at New York University, the institutions highest honor. In 1998: Honored by Africana Studies "Evening of Readings from Recently Published Work by Critically Acclaimed Authors" In 1995: a panel was dedicated to Unthinking Eurocentrism as opening for series of book-related events at the Museum of Modern Art in San Francisco. Unthinking Eurocentrism: Multiculturalism and the Media (co-authored with Ella Shohat) won the Katherine Singer Kovács "Best Film Book" Award in 1994. Stam's Subversive Pleasures; Bakhtin, Cultural Criticism and Film was a Choice "Outstanding Academic Book of the Year" in 1989 and Runner-Up for the Katherine Singer Kovács "Best Film Book" Award in the same year. Selected publications Books Race in Translation: Culture Wars in the Postcolonial Atlantic (Routledge, May 2012) Flagging Patriotism: Crises of Narcissism and Anti-Americanism (Routledge, 2006) Francois Truffaut and Friends: Modernism, Sexuality, and Film Adaptation (Rutgers, 2006) Literature through Film: Realism, Magic and the Art of Adaptation (Blackwell, 2005) Literature and Film: A Guide to the Theory and Practice of Film Adaptation (Blackwell, 2005) Companion to Literature and Film (Blackwell, 2004) Film and Theory: An Anthology (Blackwell, 2000) Multiculturalism, Postcoloniality, and Transnational Media (Rutgers, 2000), coauthored with Ella Shohat A Companion to Film Theory (Blackwell, 1999), coedited with Toby Miller Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (Duke, 1997) Unthinking Eurocentrism: Multiculturalism and the Media (Routledge, 1994), coauthored with Ella Shohat Bakhtin (Attica 1992) New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond (Routledge, 1992) Subversive Pleasures: Bakhtin, Cultural Criticism and Film (Johns Hopkins, 1989) Reflexivity in Film and Literature (UMI Press, 1985) Brazilian Cinema (Associated University Presses, 1982) O Espetáculo Interrompido (The Interrupted Spectacle) in Portuguese (Paze e Terra, 1981) Articles "Hitchcock and Buñuel: Authority, Desire and the Absurd," in Walter Raubicheck and Walter Srebnick, eds. Hitchcock's Rereleased Films (Detroit:Wayne State, 1991). "Mobilizing Fictions: The Gulf War, the Media and the Recruitment of the Spectator," Public Culture Vol.4, No.2 (Spring 1992). "From Hybridity to the Aesthetics of Garbage," Social Identities, Vol. 3, No. 2 (1997) "Transnationalizing Comparison: The Uses and Abuses of Cross-Cultural Analogy,"