of the coffin in rescue the scholar scene Roles as mid to late teens In 1959, Yam edited as she saw fit when she chaired the script-review sessions with six pillars and Tang at the table. Photograph recorded this scene with Lam Kar Sing in it. The audience laughed out loud when a female lead delivered her line about her character being 15/16 years old only in some of the biggest stage productions in 2000s Hong Kong. The costume design, bag lady in high price fabric, did not provide the kind of support needed to fight gravity and therefore did not help either. For male leads, the lack of precision about age generally makes it less offensive to audience when actors (actresses mind their figures more) in those male lead roles show their pot belly on stage if they still have all the other essential qualities such as good vocal performances. Tang botched a few times before finding his footing and came up with his life's work, in very quick succession (compared to Alexandre Dumas, père and Alexandre Dumas, fils), those titles now represent Tang in Cantonese opera. Beauty is in the eye of beholder. He understood the limit of imagination of audience to follow his desire. His desire was for audience to see the female lead as irresistible. The male lead also had to convince the audience such young lady in his arms that lovable for very good reason. The 1956 Pan4 Hing1 (顰卿) was not a success to say the least. As such, what did not happen was the film Dream of Red Chamber directed by Lau Hak Suen and produced by a new production company (興友影業公司), with Yam as Jia Baoyu along with:- Lau Hak Suen Poon Yat On Yam Bing Yee Pak Bik (白碧) Fung Wong Leui Mui Yee (梅綺, 1922–1966), 1956 original cast for Xue Baochai. #18 of #30Notwithstanding the excellent track record of such a classic novel, Tang's 1956 The Dream of the Red Chamber did not register with the audience even though the male lead, Yam Kim Fai (Yam), had been very well-received for over a decade as Jia Baoyu already since the debut of another version of same title in Macau. In 1964, Yam basically put Loong up against Xu Yulan (27 December 1921 – 19 April 2017), the then contemporary best known Jia Baoyu from a 1962 Chinese opera film, having