many performers. Glamor is opposite to tradition. Chinese opera (Xìqǔ) has been relying on no more than a table and two chairs as support for travelling performers with storylines, voices and skills to hold the audience's attention. Yam, for example, has been called the prevailing performer as (落拓窮酸書生) a scholar in rags. It was believed glamorous/fancy costume, just like fancy vocal style, would have made Yam less manly. 6). Big casts For example, Lam Kar Sing, the successor of Sit, along Leung Sing Bor and Lang Chi Bak. Most important was Yam Kim Fai as male lead exclusively on stage while Yam still worked with other co-stars in films. Why Not Return? in 1958 was also a breakthrough for Lam Kar Sing starring his first film, a Sit classic legacy title, opposite Fong (instead of a classmate). These four performers were also what some called "film distributors could take to the bank". 7). Rehearsals Follow the Sit tradition to rehearse till confident about hitting the ground running at debut. Sit worked with many new members of his troupes for various reasons. The rehearsals became essential for these new performers to make less mistakes under the circumstances. Audience in the past, according to one veteran (Huang Junlin 黃君林), expressed their disapproval by throwing mud towards the stage. The female lead in all those Big Four/Five is known as very immature and unable to perform well without enough rehearsals. She also was never a co-star of Sit while some of the generation after her were. The level of maturity Yam has achieved after years of struggle is well-known. With highly accomplished and superb opera acting skills, she knows how to improvise if it should become necessary. Such a stage demeanor can only be projected by a veteran virtuoso opera performer. 8). Sing and dance but duet instead of solo See musical theatre – Tang's solution when the female lead could neither measure up to Fong/Hung nor hold her own court with vocal performances. (For example, from the January The Story of the Lute all the way up against September The Summer Snow in 1956.) While some, LGBT or not, in the audience enjoyed the arousing singing of the female lead, some (conservatives 良家婦女) opined that noises she made were obscene. 9). Hanky-panky Without being pornographic or scandalous, hanky-panky of some sort, of two actresses. Shippers like Natalia Chan had expressed their 360