to strict requirements of linearity, simplicity and ease of reading. The editorial structure was organized into three main sections, giving more space to opinions and analysis supporting the features, with the intention of broadening the magazine's horizons to new fields of interest like car design and fashion. Stefano Boeri was editor from January 2004 to April 2007 when Domus was characterized by interest in large architectural projects and new design frontiers, but also by its focus on some important geopolitical issues, among which the recent geo-design: the geopolitical aspects of design – how, where and why complex objects are designed today. In 2006, the publisher decided to entrust an annual special, "Domus copyright," to a renowned international architect: Dutch architect Rem Koolhaas opened the initiative. That same year, the German house, Taschen, published Domus 1928–1999, a monumental historical anthology of the magazine in 12 volumes. Flavio Albanese became editor in May 2007. With his new direction, Domus reinforced the presence of built architecture and city design, focusing on the discovery of new and young international talents, continuing its investigation into the relationship between multiple art forms. In 2008, the magazine celebrated 80 years of uninterrupted publication with a special issue revisiting Gio Ponti's work through original works produced by internationally renowned artists, shown at an exhibition during the Salone del Mobile in Milan. In April 2010, Alessandro Mendini returned as editor of Domus whose subtitle, "The new utopia," was a response to the current crisis: "The history of grand transformations in architecture and design is marked by the new utopias, and it is our intention to pursue this opening line. To scour the world in search of projects that demonstrate scenarios and attitudes of living that represent a positive way of looking to the future. Not so much new utopias of a technical nature, but rather humanistic and psychological: the ecology of exterior environments is preceded by that of interiors. In this sense the new Domus re-establishes its links with its origins as a 'Magazine for the home', offering examples of the dignity of living the city, objects and the home. The new design of the magazine will also evoke memories of the Domus of the past through the classic, radiant sequencing of its articles and images." The issues published under Mendini's direction were distinguished by cover portraits drawn by Lorenzo Mattotti. At the same time, Joseph Grima began his