Harry F. Leahey (September 1, 1935 — August 12, 1990) was an American jazz guitarist and teacher. Biography Guitar studies Leahey received his first guitar, a Stella, at the age of thirteen. He went on to study with Lou Melia at Sayer's Studio in Plainfield, who taught him the "consecutive picking" technique. A few years later, he began studying with Harry Volpe, studio guitarist and teacher of such players as Joe Pass and Sal Salvador. His saxophonist neighbour, Bill Pfeiffer, introduced Leahey to the jazz and studio guitarist Johnny Smith, who took him under his wing for six months and showed him how to perform "alternate picking." Around 1952, he made friends with a record store employee, Edie Linzer, who lent him a 10-inch record of Django Reinhardt. It featured "Manoir des mes rêves" and "Nuages." He quickly added these songs to his repertoire, eventually re-recording them in the 70's with the Phil Woods Quintet. Career As a teenager, Leahey formed a group with his sister Edith, which went by the name of "Sunshine", inspired by the Les Paul and Mary Ford duo. They are joined by his childhood friend, Tom Anthony, playing bass. They toured in Plainfield theatres, and appeared on TV in the Ding Dong Show and the Ed Sullivan Show where they played alongside a yodeler, Sara Conk. During Leahey's high school years, Sunshine began to get tired of singing. Leahey & Anthony met Richie Moore in 1951 and formed "The Richie Moore Four" along with pianist Romolo Ferri. The band plays in clubs, covering the hits of the time. In the summer of 1955, they were booked at the last minute to play on the SS Groote Beer , travelling from Hoboken, New Jersey to Rotterdam, Netherlands. Once in Europe, they decided to head off to Paris where they performed throughout July. When Leahey left the army in the early 1960s, he met Roy Cumming & Glenn Davis, with whom he later formed the Harry Leahey Trio. Through them, he met pianist Mike Melillo, who had previously played with Sonny Rollins and Phil Woods. In 1970, the four of them formed the band In Free Association. He was then offered to join the Phil Woods Quartet, which became the Quintet in 1974 or 1975. As part of the band, he contributed on the Grammy Award winning Live from the Showboat (1977) album. His arrangement of Django