Pinya spontaneously inculpated himself and was reconciled, and in 1720, Gabriel Cortès, (also known as Morrofés) fled to Alexandria and returned formally to Judaism; he was burnt in effigy as the last person condemned to death by the Majorcan Inquisition. There is no doubt that these last cases are anecdotal; with the trials of 1691 came the end of the Crypto-Jewry of Majorca. The effect of the escape of the leaders, the devastation of the mass burnings, and the generalized fear made it impossible to sustain the ancestral faith. It is after these events, we can begin to actually speak of the Xuetes. Anti-Xueta propaganda Faith Triumphant The same year as the autos de fe of 1691, Francesc Garau, Jesuit, theologian and active participant in the inquisitorial trials, published la Fee Triunfante en quatro autos celebrados en Mallorca por el Santo Oficio de la Inquisición en que an salido ochenta i ocho reos, i de treinta, i siete relaiados solo uvo tres pertinaces (Faith Triumphant in four acts celebrated in Majorca by the Holy Office of the Inquisition in which tried eighty-eight defendants, and of thirty-seven turned over to civil authorities only three remained stubborn). Apart from its importance as a documentary and historical source, the book was intended to perpetuate the record and the infamy of the converts, and it contributed notably to provide an ideological basis for the segregation of the Xuetes and to perpetuate it. It was republished in 1755, used in the argumentation to limit the civil rights of the Xuetes and served as the basis of the libel of 1857, La Sinagoga Balear o historia de los judios mallorquines (The Balearic Synagogue or the history of the Majorcan Jews). In the 20th century, there have been abundant republications, all with an intention contrary to that of its author, given that some passages were of scandalous crudity, and lack the most elementary sensibility. Les gramalletes The gramalleta or sambenet () was a tunic that individuals condemned by the Inquisition were forced to wear as punishment. The decorations on the gramalleta indicated what crime its bearer had committed and the punishment imposed. Once the autos-da-fé were over, a painting was created of the convicted heretic wearing the gramalleta and the name of its bearer was included in the painting. In the case of Majorca, these were exhibited publicly in the cloister of St. Domingo to perpetuate and