The Colour and the Shape, citing how Norton taught the band of the importance of pre-production and refining the composition, and claiming Norton's "unconventional" approach "seems to capture the best of this band", considering that with him "we're not going to do a straightforward AC/DC record, he's gonna make it different". Preparation was extensive: first Grohl had his usual start-off by developing demos with drummer Taylor Hawkins, but for the first time Grohl tried to input vocals and lyrics in this early composition stage. After rounding up composition with guitarist Chris Shiflett and bassist Nate Mendel, Grohl spent two weeks with Norton discussing "arrangements, harmony and melody" and reducing the song ideas, and then the band spent four weeks rehearsing, playing "a song a day, from noon to midnight". Hawkins stated that "we basically played each of these songs 100 different times, trying every little thing every different way" and that it was the first time since The Colour and the Shape "that Dave had to deal with someone in the room questioning all his ideas", given the more laid-back approach of previous producer Nick Raskulinecz. Grohl claimed the choices were for the "most powerful, dramatic songs", and that there was an effort to "make everything sound as natural as possible – just like on the albums we grew up listening to", citing 1970s artists such as Neil Young and Wings as a major influence. Shiflett added that for the first time he played lead guitar in some tracks while Grohl "usually works out all the bits" of composition. Recording began in March 2007 at Studio 606 in Dave Grohl's Virginia home's basement (the studio has since been moved to Northridge, California). As the band took a ten-day break in April, Grohl thought that the record needed another uptempo song, so he spent his time developing an unfinished song that became "The Pretender". The sessions wrapped in mid-June, and for the first time the band did not feel the need to rerecord any song. Grohl stated that while In Your Honor was a double album because he felt "schizophrenic" to alternate between loud and acoustic songs, Norton helped on sequencing the tracks into "an album that makes sense". The album features the Foo Fighters' first instrumental, "Ballad of the Beaconsfield Miners". It was written by Grohl after meeting with one of the miners involved in the Beaconsfield mine collapse who