degree fantasy such as "too bad they don't...." while two sisters had a plan for their own boy toy. Ban on actors/actresses sharing the stage was lifted about 20 years before this. The interaction on stage between actors (or actress like Yam) in male lead roles and actresses in female lead roles were very modest. 10). Happy ending (meet-date-marry-reunion in heaven if not on earth) Roles as mature with life experience Tang chaired the script-review sessions with the six pillars. Ng Kwun Lai was an up-and-coming performer who just hit big with her martial agility in the breakthrough role of Leang Hung-yuk (meaning Red Jade) in How Liang Hongyu's War Drum Caused the Jin Army to Retreat (1956) when Tang was ready to help her excel as "verdant-robed girls" (qingyi). To commemorate the 30th anniversary of Tang's passing, Ng (without any successor to carry water for her) put five titles of their collaboration on stage in Hong Kong City Hall from 4 to 8 in June 1989. The female leads, not described as particularly lovable, in these five titles go through life starting out young or already married with a son while the male leads (both primary and secondary) had major interactions between themselves. Cast for debut were all actors who could hold their own courts. No successors to those actors however spent time on these titles as Loong did for Yam's legacy titles. That may explain the relative lack of popularity compared to the BIG FOUR. Original male lead for most of these titles was Ho Fei Fan, a well-known vocalist who held his own court and one of the very few actors who successfully portrayed Jia Baoyu. In The Blessings of the Moon, the original scene when male and female leads meet, date and get engaged has been replaced by a clean version for the male lead (a scholar) to look more decent in the minds of actors who picked up the baton since Ho. Actors of a generation (known to have extramarital affairs or as adulterers off stage), except only one recently, found such move of a hot-blooded young man, a scholar, to be scandalous. Hard to tell if a scholar's mind in the gutter or those actors' minds in the gutter was the true reason. It was confirmed to be the later in 2018 by Law Kar Ying. Copyright In addition to the usual one time