Soviet Union with their own blueprints, and housed in a suburban shantytown. The monumental form disseminated by the Communist Government reached its apogee with the construction of an entire new town near Kraków along with a steel mill soon to become the biggest in Poland. Nowa Huta was centrally planned as a major new centre of heavy industry, against substantial resistance from middle-class Cracovians. Its Main Square (Plac Centralny) was surrounded by huge blocks of flats populated by a new class of industrial workers employed at the Lenin Steelworks. Notably, the socrealist centre of Nowa Huta is currently considered a monument of architecture. Other prominent examples of urban design included Marszałkowska Housing Estate (MDM) in Warsaw, Kościuszkowska Housing Estate (KDM) in Wrocław, Main Station Gdynia Główna, a housing estate in Kowary, and the Palace of Coal-Basin Culture in Dąbrowa Górnicza. Painting and sculpture Socialist realism in Polish art was confined to portraits of party leaders and various depictions of muscular labourers and battle scenes, with special attention paid to popular taste. Formally inspired by Neoclassicism as well as the local folk art, socrealism served strictly political and pro-Soviet propaganda purposes; however, its most notable artists, such as Wojciech Weiss and Włodzimierz Zakrzewski were educated before Stalinism and inadvertently adhered to traditional Western techniques and technologies. Some of the most blatantly socrealist paintings were: "Pass-on the brick" (Podaj cegłę) pictured here, by Aleksander Kobzdej, and "Thank you tractor operator" (Podziękowanie traktorzyście) pictured here, as well as "Comrade Bierut among labourers" (Towarzysz Bierut wśród robotników) by Helena and Juliusz Krajewski. In sculpture, there was a trend toward stone-carved allegories elevating the common worker, used mainly for architectural purposes, such as those surrounding the Palace of Culture and Science in Warsaw, including mostly plaster busts of communist apparatchiks. The collection of Polish socrealist sculpture is exhibited at Kozłówka Palace near Lubartów. Film and music While the socialist realism doctrine in Soviet cinema originated around the time of the Bolshevik Revolution (Eisenstein, Dovzhenko, Pudovkin) and reached its peak in the 1930s, it did not have sufficient time to develop in postwar Poland. Therefore, the cult of the communist party remained alien to the local film industry. Among the more creative Polish films loosely adhering to principles of socialist realism were Celuloza by Jerzy Kawalerowicz, Pokolenie by Andrzej Wajda and Piątka z ulicy Barskiej by Aleksander Ford. The ideological stereotype gave birth to some inferior