and Vata belong to the genus Moraceae(Mulberry) which the Pat Silkworm feeds on. This is further confirmed from the 9th century thesaurus Amara-kosha which mentions that the worms of the fibre Patrorna (a form of white silk), fed on the leaves of Vata, Lakucha, etc. The Arthashastra also states that the fibre was spun while the threads were wet, indicating that the production method was still the same at that period. The ancient text Kalika Purana(dated between 10th-11th century) well records the use of silk in the worship of deities in ancient Kamrupa. As per the text, while worshipping the deities at the Dikkarvasini pitha(also known as Tamreswari of Sadiya), red, yellow and white Kauseya(meaning wild silk, probably Muga) were used to drap the idols of the presiding deities of the temple.Shastri, B.N, "The Kalikapurana: Text, Introduction and English Trans. with Shloka Index", p. 1243-45, "O king! Listen to the procedure of worship of Brahma with rapt attention...Red silk(rakta-kauseya-vastram) is his (Brahma's) favourite cloth, rice cooked with milk, sesames, mixed with ghee are his favourite food." It is known that Muga, in olden times, was available in yellow(natural), white(Mejankari muga) and often dyed red with lac. The knowledge of sericulture probably arrived with the Tibeto-Burman groups which arrived from China around the period of 3000-2000 BC. Moreover, there was another trade of Silk through the Southwestern Silk road which started from China, passed through Burma and Assam, finally getting connected to the main silk road in Turkmenistan. There are various other records to show that silk came to India through Assam. As per the Sanskrit text Harshacharita (biography of North Indian ruler Harshavardhan written by the court poet Banabhatta in the 7th century), during the coronation ceremony of King Harshavardhan, king Bhaskarvarman of Kamrupa gifted many precious items to the North Indian king. Out of this the most important ones include the precious fabrics and jewels. These included an umbrella wrapped by a dukula cloth, sacks of patta-sutra cloth as well as ksoma fabrics which were as pure as the autumn moon's light (sharada chandrama shaucha ksamani). These fabrics could either be silk or linen. It is also mentioned in the text that the loin fibres were so even and polished that it resembled Bhoj-patra, which could indicate silk as well. There are also references of Assam silk in the records written by Huen Sang where he has written the