opera was not alive without someone like Loong around in 2009 and 2016 student not aware of gimmicks available to some (such as radio host to promote personal agenda or tag along big, deserved or not, names with cult of personality to get attention in the community) was respectably online looking to boost the box-office of Tai Nui Fa in 2015 Garlic-coated generations (靠黐) watched Loong videos to learn in 1990s in private (宗師) graduates from the let's watch and learn together class (二代) watched Loong videos to learn in 2000s in private (一代) students still in the let's watch and learn together class (二代) watched Loong videos to learn in 2010s in private The aroma came from a brew started a year before Loong was born and decades longer than the summation of all garlic coatings of these performers. To fool (around) again and again with this iconic image of Jia Baoyu, instead of any other version, within a five-year period can be fetish, a stunt, a con, or something else. Get in line. 「有人漏夜趕科場。」 Yam only finished grade school while Loong did not finish high school when they had roles like Jia Baoyu in 1943 and 1964 respectively. In 1964, Yam taught Loong, age 20 with one year of formal training, line by line and word by word while there is no information as to how Yam came to be in that role so well received in Macau. Neither of them ever claimed to be child prodigy. They both wrote for publications and are known most for their roles as romantic scholars, well-educated and fluent in literature. Contemporary performers benefiting from Yam-Loong perspiration take it that they can just clock in/clock out and produce what is now known as poor quality stencil and the demise of such repertoire once propped up the Cantonese opera community for five decades. Since 2011 Since 2011, Loong (金牌), with a producer (製作人) in tow, have put some of those Yam aroma back on stage. The mythical character (金牌製作人) dreaming big to build an empire on quicksand does not exist. The votes (box-office records) they received came from the pocketbooks of new as well as veteran audiences coming from the time of Yam as well as of Loong, the two career performers. Yam legacy titles were not as well received in 1950s as a decade since the debut. That was achieved with exposure