at night, the sculpture echoes the sunrise in each of the foundation's global offices in real time. Every Beating Second Within the renovated Terminal 2 of San Francisco International Airport, this 40-foot (12 m) sculptural installation of colored netting hangs below three round skylights. During the day, the shadow of the sculpture interplays with a shaded outline of the shadow that would occur at the summer solstice. At night, the sculpture is lit with programmed color lighting. Fans animate the sculpture throughout the day. The title of the sculpture is from a line by beat poet Allen Ginsberg in his poem Howl, which he wrote in San Francisco. Visually, the sculpture evokes the contours and colors of cloud formations over San Francisco Bay and hints at the silhouette of the Golden Gate Bridge. Aesthetically, the sculpture looks both backwards and forwards, drawing its color from the heyday of psychedelic music, the Summer of Love, and San Francisco's prominence in the beat poetry movement, while also referencing the contemporary bay area as a hub of innovation and interconnectivity for the world of technology. Water Sky Garden Put on display beginning in 2009, Water Sky Garden is a contemplative art environment at the plaza surrounding the Richmond Olympic Oval, a legacy of the 2010 Vancouver Olympic Winter Games. Red-stained cedar boardwalks lead visitors through the artwork. Water-purifying aerators draw shapes with bubbles on the surface of a pond that collects runoff water from the Oval's 5-acre roof, while suspended net sculptures undulate overhead in the wind, becoming sky-lanterns with nighttime illumination. Her Secret Is Patience Finished in 2009, this 145-foot-tall (44 m) aerial net sculpture is suspended over Civic Space Park in Phoenix, Arizona. Nighttime illumination colors change gradually through the seasons, from blues in the summer to reds in the winter. The title quotes poet Waldo Emerson: "Adopt the pace of nature; her secret is patience." She Changes Installed at the Praça da Cidade do Salvador, Porto, Portugal in 2005, this sculpture is composed of an aerial net sculpture hanging from a 45-metre (148 ft) steel ring on three steel support poles. The city has made the sculpture its graphic symbol and residents give different interpretations of the work, from fishing nets, ships and masts of maritime history, to smokestacks of the industrial past, to Portuguese lace, sea creatures, and ripples in water. Temporary public installations As If It Were Already