of Triadic Memories was listed by The Wire as one of 60 Concerts that shook the world, along with performances by Sonic Youth, Sun Ra, La Monte Young and others. In 2000 he performed his one-man show The Last Meeting of the Satie Society at the Adelaide Festival. In 2003 he produced a new one-man show Mad Dogs and Surrealists, and in 2006 Interior Voice: Music and Rodin, both initially conceived for the Art Gallery of South Australia. In 2009 he premiered a new multimedia performance, Rhythmus 09, including films by Man Ray, Viking Eggeling, Hans Richter and Marcel Duchamp, performed with music by Erwin Schulhoff, Stefan Wolpe, John Cage and Whittington himself. In 2011 he produced The Music of Light, an exploration of the relationship between film and music in the work of Stan Brakhage, with music by J.S. Bach, Josef Matthias Hauer, James Tenney, Alexander Scriabin, Philip Corner and Whittington. Other interdisciplinary events that he has organised include Psychedelic Rays of Sound(2011) and Infinite Horizons in Sound(2012). On 5 September 2012, he organised John Cage Day in Adelaide to commemorate the 100th birthday of a composer who has had a decisive influence on him. This included an 8-hour long performance on the organ of ASLSP, and a Musicircus that included, amongst other things, Concert for Piano and Orchestra, Aria 2, Cheap Imitation and The Seasons. His compositions include many genres and styles, and reveal diverse musical influences from experimental music to traditional music from many cultures and popular music. Interests in Indian music and Indonesian gamelan also developed in the 1980s. His interest in using technology dates back to the 1970s, and he has also worked with film and multimedia. He has also performed frequently as an improvising musician, playing piano and other instruments. His close association with French music has continued with appearances in France at the Printemps musical d'Annecy (2010) and the festival Turbulences sonores (2012) in Montpellier. Whittington currently teaches at the Elder Conservatorium of Music, University of Adelaide, where he directs the Electronic Music Unit (EMU), and teaches composition and theory. He also writes music criticism for various publications. Compositions Rhythm Studies (1987–1994). Solo Piano. Legend (1988). Two prepared Pianos. Windmill (1992). String Quartet. Miscellaneous arrangements of Beatles songs for piano (1987–92). Concerto for Piano and String Orchestra (1993). Just a bunch of notes (1994). Percussion duo. Heartbreak Tango (1994). Mixed ensemble (8 instruments).