a pressing from the real masters than from a vinyl EP and an ordinary cassette. So they looked around for a suitable label and found many interested ones from around the globe. They settled for Havoc Records (USA) and made a total reissue of their catalogue. This came in the following guise: three different 7-inch EPs: Marionett i Kedjor, Nitad, Köttahuve, first released in a special and limited "boxed" edition with some paraphernalia and the vinyls in three different colors (which led to confusion since the colors got mixed with content so people would have to by the entire suite and swap the records to get it right), followed by an unlimited pressing with the three EPs sold separately and in ordinary black vinyl. After that, it was time for the CD release Never Mind The Bootlegs, which contained all the material compiled together in the chronological order of original recording. Start Despite, or maybe thanks to, the two first line-ups hardly making it beyond the rehearsal room, they were able to bury themselves in hours of practice, and as a result they grew increasingly proficient on their instruments and were able to play faster and harder, slowly drifting away from the punk sound of the seventies and into the eighties, towards a harder, more contemporary sound. Eventually, Per and Fjalle had to make some fundamental changes in the line-up to accomplish this. In 1982, the first “real” line-up was a fact, called Moderat Likvidation Mark I, consisting of Per, Fjalle, Stefan and Cliff. Mark I Now they solidified and produced a recording that would carry the watermark of their typical sound, a sound that eventually would render them international reputation and acclaim – which at the time being couldn’t be further away from their minds; they just struggled to get their act together and considered the recording to be a rough demo. The songs on the 1982 tape found their way onto different compilations, but were initially never put on vinyl. The big turnaround for the band was when the song Nitad was played on the alternative radio show Ny Våg (meaning New Wave) that was broadcast on National Radio all over Sweden. The requests for them started dropping in and a series of chaotic gigs saw to that their reputation grew; they were an exhaustive live act and always up for some good mischief. But along with success