Do", the song gain notoriety in the underground House Music industry for its unique flow of Rap mixed in with a dance-friendly House beat. The song's popularity prompted Marin to suggest that Vargas collaborate his rap style on another single from the album. Vargas would team up with DJ/producer George Morel on the international hit "Wiggle It". With the immediate success of "Wiggle It", Vargas was eventually stapled as the frontman to the group 2 in a Room, releasing the album "Wiggle It" (Cutting/Charisma, 1990). In 1992, Vargas met Winston Rosa while Rosa was engineering one of his featured singles. Having similar music styles and influences in common, they hit it off very well, eventually teaming up and forming their production company, WinDose International. Following the success of "Wiggle It", Vargas was looking to bring in something new. With the help of Rosa, he released the album "World Party" (Cutting Records, 1994), which added the Latin element to his already popular House/Hip-Hop blend. Vargas recruited his classmate Elvin Ovalles as his lyrical partner. The first single on "World Party" was the Latin Urban club hit "El Trago", produced by the dance music DJ duo of Victor and Danny Vargas (No relation to Rafael) 740 Boyz The sound and popularity from "World Party" was the motivation that both Vargas and Rosa needed to build on a new sound in the ever changing Dance music circuit. With the addition of Jose "Pickles" Fuentes, their friend and local club promoter and DJ from Vargas' neighborhood, they went on to form the 740 Boyz. Their self-titled album was released in 1995, gaining a worldwide following with the international hit "Shimmy Shake". The group gained greater popularity in Europe, specifically in France. 740 Boyz was the precursor to what defined the legacy of Fulanito, where Vargas first utilized his signature high-pitched chanted choruses and rap style. El Hombre Más Famoso de la Tierra (1997–1999) As the popularity of the 740 Boyz began to wind down, Vargas was once again in search of a new sound and market to exploit his talents. With the growing success of many young urban Latin groups such as Proyect Uno, Ilegales and Sandy y Papo surging in South America, Vargas and Rosa were eager to tap in. Vargas was well aware of the rising success of the grassroots traditional merengue genre known as Perico Ripiao (Spanish for "shredded parrot"). Vargas