came tearings in the band and soon Fjalle departed, being replaced by Tobbe on the vocals. Tobbe, who had had some minor success in a local Malmö punk act called Hjärnsubstans was chaotic and disorderly enough to fit into the band. The year is now 1983 and the Mark II setting is here. Mark II The ambitions in the band had grown and they decided to record a 7-inch EP. It also entailed a rerecording of some of the songs from the 1982 tape ("Nitad, Tio Timmar, Enola Gay") but with slight modifications. Soon after that, in fact they had merely left the studio, the band won a contest announced in a local newspaper, which led them straight into yet another recording situation; the first prize in the contest being a demo recording session with the Malmö Radio’s brand new (and quite impressive) Mobile Recording Unit. The place of recording was set to the old Victoria Theatre in the city center of Malmö and the band set up their gear on the stage with the Mobile Unit van placed outside in the backyard. All the reverb on the recording is the true ambience of the theatre and is not something placed there artificially in the mix, although you could say that a little attention and less sloppiness from the sound engineer could have balanced it better in the mix. Anyhow, the schedule was tight, their allotted time merely three hours, but with the material sufficiently rehearsed they managed to record all the new songs they had – which were 5 – in less than two hours. The band now insisted on recording yet another song and with the spare time on their account they started playing around with different ideas. Everyone contributed. Even Fjalle did, although it was almost a year since his departure from the band. For in Per’s guitar case there was a whole bunch of old lyrics and notes and on one piece of paper they found some really funny pornographic words written by Fjalle. They all had great laughs when completing the lyrics and in the end it was so hilarious that Tobbe had a really hard time containing himself during the vocal takes. Had anyone in that moment told them that the selfsame lyrics, and especially the chorus where Tobbe screamed the nonsensical words “Anti Fag”, was to become a stumbling block to many “politically