Orlando Martins (8 December 1899 – 25 September 1985) was a pioneering Yoruba Nigerian film and stage actor. In the late 1940s, he was one of Britain's most prominent and leading black actors, and in a poll conducted in 1947, he was listed among Britain's top 15 favourite actors. Life He was born as Emmanuel Alhandu Martins at Okesuna Street, Lagos, Nigeria, to a civil servant father with roots in Brazil and a Nigerian mother. Martins was related to the Benjamin Epega family. In 1913, he was enrolled in Eko Boys High School but dropped out. During World War I, he served as a stoker on the RMS Mauretania to avenge German cruelty to his family. Following the end of the war, he moved to London; on arrival in 1919, he had no source of income and had to look for ways to earn money. Around the same time, the Lyceum Theatre was looking for "supers" at the rate of three shillings per day. Martins joined the theatre and from there took on various theatre jobs to survive. In 1923, Sanger's Circus wanted to have someone to display pythons, Martins took the part, starting his performing career in the circus. He also worked as a wrestler (known as "Black Butcher Johnson"). Career In 1920, Martins was an extra acting with the Diaghilev ballet company, and was on the tour with the British company of Show Boat as a professional singer. He was an extra in silent films, having made his debut in If Youth But Knew (1926). In the 1930s he went into acting on the London stage, playing Boukman in Toussaint Louverture: The Story of the Only Successful Slave Revolt in History, a 1936 drama by C. L. R. James that starred African-American actor Paul Robeson, with whom Martins had featured in the 1935 film Sanders of the River. After the war, Martins had film roles in The Man from Morocco (1945) and in Men of Two Worlds (1946), alongside Robert Adams, becoming a sought-after character actor who was described by Peter Noble in 1948 as "a tall, powerful figure of a man with a deep bass voice, friendly, hospitable and with a grand sense of humour." Noble went on to say of Martins: "He is keenly interested in the foundation of a Negro Theatre in London. As he points out: 'If this ever comes into being it will