Brothers' Cemetery or Cemetery of the Brethren (), also sometimes referred to in English as the Common Graves or simply as the Military Cemetery, is a military cemetery and national monument in Riga, capital of Latvia. The cemetery is a memorial to and burial ground for thousands of Latvian soldiers who were killed between 1915 and 1920 in World War I and the Latvian War of Independence. The landscape was designed by gardener Andrejs Zeidaks, who started to work on it already during the war. The memorial was built between 1924 and 1936, to designs by the sculptor Kārlis Zāle, many of whose sculptures feature prominently, the architects Pēteris Feders, Aleksandrs Birzenieks, P. Kundziņš, the sculptors J. Cirulis and F. Valdmanis and others. History In 1913 the Forest Cemetery was opened. In 1914 Riga Cathedral and St. Peter's church set aside a parcel of land for 146 burials of soldiers who did not belong to any congregation of Riga in the part of the cemetery intended for the dead from their congregations. The first soldiers buried there, on 15 October 1915, were Andrejs Stūris, Jonas Gavenas and Jēkabs Voldemārs Timma. As the war continued it became clear that land for more burials would be needed. The organization committee of Latvian Riflemen battalions turned to the churches for more land, but the request was denied. The committee then turned to Riga City Council, which had allotted the land for cemetery, arguing that reasons for refusal the churches had named were questionable and unreasonable in the time of war. The conflict was ultimately solved in 1916 by the churches agreeing to return part of the land to the city for formation of a separate cemetery, which in turn allotted it to the committee. The initial outlay of the cemetery was designed by Andrejs Zeidaks, then the head gardener of the city. In 1920 a committee for overseeing cemeteries and battlefields from World War I was formed, which became responsible for the development of the Brothers' Cemetery. The development of the memorial can thus be roughly divided into two periods. First was the period of landscape development, which lasted until 1923, when the landscaping was developed according to Zeidaks' ideas. Meanwhile, the architectonic and artistic development of the cemetery was being discussed. In 1921 and in 1922 two closed design contests took place. The sculptor Kārlis Zāle, who was visiting Riga to participate