instruments came from Shane, who taught him the rudiments of playing the six-string guitar. Guard participated in sports, and was a member of Punahou's ROTC battalion. In his junior year he participated in musical skits along with a number of other classmates who, like himself, had by that time also had become accomplished musicians. Guard left Punahou at the end of his junior year, completing his final year of high school at the Menlo School, a private prep school that helped him prepare for acceptance and matriculation at nearby Stanford University. At Stanford, Guard was a member of the Beta Chi chapter of Sigma Nu fraternity. He graduated from Stanford with a degree in economics in 1956. Career (1955–61) When Shane left the Calypsonians and returned to Hawaii to work in his family's business, Guard added two members, bassist Joe Gannon and vocalist Barbara Bogue, making the Calypsonians a quartet. Later, when Reynolds also left the Calypsonians, Guard replaced him with Don MacArthur to keep the quartet format intact, but by that time the national interest in calypso rhythms was waning, while Guard's musical growth was reaching out from calypso as well. Still appreciating Caribbean rhythms and vocals, but given his more eclectic folk music interests, Guard changed the name of the four Calypsonians to The Kingston Quartet. The Kingston Trio In 1956, publicist Frank Werber offered his services to Guard and his bandmates, including Reynolds at the time. Werber's offer, however, was contingent upon replacing Gannon and Bogue, and shortly thereafter both left the group. Guard and Reynolds contacted former Calypsonian member Shane (who was performing part-time in Honolulu) asking him to join the reconstituted group. In 1957, back again as a trio as in their previous college days, they changed its name to The Kingston Trio. With material gathered from a variety of sources, under Guard's musical arrangements and direction, the Kingston Trio quickly became a success. Guard, Shane, and Reynolds worked well together. In addition to developing the characteristic "Kingston Trio sound" of the group's two guitars and a banjo, success came to the group from Guard's musical arrangements and renditions of folk and Irish ballads, Shane's talent for style and performance along with an innate knowledge of what pleased audiences, and Reynolds's management of the group's logistics. The Kingston Trio with Guard recorded for Capitol Records; subsequent iterations of the group managed first by Werber and