which might sound "dated" several decades later. A producer who is tasked with doing a remix of this song 30 years later cannot "undo" or remove the distortion, reverb, chorus or flanger effects, and so there are limited options for remixing the guitar sound. On the other hand, if the engineering and production team in 1985 had simultaneously tracked (recorded) a "dry", DI out signal from the electric guitar's pickups, a producer remixing the song 30 years later could take the dry guitar signal and re-amp it through 2000s-era digital effects and speaker systems, giving a new sound to this 1985 track. Electronic interfacing Direct inject (DI) is a device for connecting an unbalanced, high-impedance, low-level signal (commonly a guitar pickup's signal) into audio equipment designed for a low-impedance balanced signal (such as a DAW) or audio consoles. Reverse-DI means running this same device or technique in reverse – connecting a high-level (typically balanced, low-impedance) signal into audio equipment that was designed for low-level, unbalanced, high-impedance signals, such as a guitar amplifier. Playing back a signal from recording studio equipment directly into a guitar amplifier can cause unwanted side-effects such as input-stage distortion, treble loss or overemphasis, and ground-loop hum; thus there is sometimes a need for impedance conversion, level-matching, and ground alteration. Like running a guitar signal through a guitar effects pedal that is set to Bypass, re-amping introduces some degree of sonic degradation compared to playing a guitar live directly into a guitar amp rig. A re-amping device commonly employs a reversed Direct Inject (DI) transformer with some resistors added for level and impedance shift. Level and impedance adjustment can be achieved by adding a potentiometer or adjustable resistor. A proper re-amping device converts a balanced signal to an unbalanced signal, reduces a high studio-level (line-level) signal down to a low guitar-level signal, and shifts the output to a high instrument-level impedance (typically a guitar pickup impedance). In conventional re-amplification, a dry recorded signal is sent into a balanced XLR input. An unbalanced ¼" (Tip-Sleeve) phone connector is typically used for the output, which is connected to the guitar amp rig. Some re-amping devices offer a pad (attenuator) switch to reduce a too-hot output level. Sometimes a guitar volume pedal or buffered effects pedal can work adequately for re-amping, depending on grounding, levels, and impedance. Another approach to simulating the high impedance of a guitar pickup is to