Cheryl Ruth Barker (born 22 April 1960, Sydney) is an Australian operatic soprano who has had an active international career since the late 1980s. She has sung on several complete opera recordings with Chandos Records, including the title roles in Dvořák's Rusalka, Janáček's Káťa Kabanová and Puccini's Madama Butterfly, and Emilia Marty in Janáček's The Makropulos Case. She has also made two solo recordings of opera arias, one with the London Philharmonic Orchestra under conductor David Parry and the other with Orchestra Victoria and conductor Richard Bonynge. On the stage she has had partnerships with the English National Opera (ENO) and Opera Australia. Career Barker studied with Dame Joan Hammond at the Victorian College of the Arts and began her career as a member of the opera chorus at the Victoria State Opera at the age of 19. She made her first solo appearance at that house as Blondchen in Mozart's Die Entführung aus dem Serail at the age of 23. In 1984, Barker moved with her husband, baritone Peter Coleman-Wright, to London, so that he could assume his new position as a member of the choir at the Glyndebourne Festival. Two weeks after their arrival, Barker auditioned for and was accepted as a member of the opera chorus at the Welsh National Opera. She stayed there for the next year and a half, occasionally substituting for ailing singers in larger parts and performing the occasional comprimario role in addition to singing in the chorus. In 1986, Barker was awarded the Dame Mabel Brookes Fellowship and was a finalist in the Metropolitan Opera National Council Auditions. These accolades helped her to launch a solo career with minor opera companies during the late 1980s. She performed the roles of Marzelline in Fidelio and Cherubino in The Marriage of Figaro with the English Touring Opera. In 1989 she won the Royal Over-Seas League Competition in London. Her first major critical success came in 1990 at her debut at the Sydney Opera House as Mimì in Puccini's La bohème, directed by Baz Luhrmann. Since the early 1990s Barker has been a regular performer with all of the major opera companies in Australia. With the State Opera of South Australia she has sung Blondchen and Mimì. At the Victoria State Opera she has appeared as Antonia in The Tales of Hoffmann, the First Lady in The Magic Flute, and Mimì. She has portrayed Tatyana