A music pool or DJ record pool is a regionalized and centralized method of music distribution that allows DJs (disc jockeys) to receive promotional music to play in nightclubs and other events such as weddings, festivals and on the radio. Record labels worldwide send their newest releases to the pool of DJs; in exchange, the pool provides feedback on each release as well as exposure in the clubs and other venues they play in. DJs typically pay a monthly subscription to join the service provided by these record pools. Music pools originated as vinyl record pools in 1974 New York City, evolved into CD distribution networks, and later online music distribution between DJs (digital pools). A music pool may have a "brick and mortar" office or may be entirely virtualized. History In the early 1980s, DJing was established as a new art form, creating a platform connecting the listener to the performance. According to David Mancuso, one of the co-founders of the first established record pool, “When the disc jockey got two turntables and was in a club using recorded music, a new menu was started because the dancer was part of the performance. You’d have your live musicians, where you’d have to go someplace and listen to them play. Or your home, where you’d sit on your couch and listen to records. Well, the disc jockeys got in-between this and created something new... Where the dancer became part of the whole setting of the music being played.” As DJing became more popular, there was a higher demand for records. However, an efficient way for DJs to obtain the newest releases from record labels was not yet established and many DJs did not have enough credibility to obtain them on their own. Record labels had trouble identifying individual DJs and their place of work, so many were turned away. Knowing this, Mancuso set up a meeting for about twenty-five local New York DJs and members of record labels to meet and discuss this recurring issue at Club Hollywood. According to Mancuso, the meeting ended in a “total disaster” and resulted in a screaming match between the disc jockeys and record companies. Mancuso decided to have a separate meeting with the disc jockeys alone and invited them over to The Loft, where they declared their intent regarding fair music distribution for DJs everywhere. It was then that the first record pool