bravery, and youthful enthusiasm. Gaitagi (Azerbaijani: Qaytağı) is a rapid and dynamic dance. Heyvagulu (Azerbaijani: Heyvagülü) was choreographed by the Seygah mugham. Uzundara (Uzundərə): is a historical Azerbaijani folk dance. Meaning “a long gauge”, is a long dance performance. It was traditionally performed when the bride and bridegroom are on the road. The melody of this dance was first processed and pitched by Azerbaijani composer Uzeyir Hajibeyov (1885-1948). Uzeyir Hajibeyov (1885-1948) used melody of Uzundere in his second operetta "O olmasın, bu olsun" (1911) Turajy (Turacı): is a women's dance that includes lyrics. This dance based on Mahur mugham. Yuz bir (Yüz bir, meaning "one hundred and one"): is a little quick dance played by both women and men. The music of the dance based on Shushter mugham and played with Azerbaijani folk instrument Balaban. Shushter is longing and lyrical. One hundred and one is a mystical number belonging to the eastern realm. There is also a hypothesis that in ancient folk festivals in Azerbaijan, musicians created impromptu dances and numbered them in order not to forget. For example: (Azerbaijani: "Üç. Dörd. Beş. On dörd" meaning "Three. Four. Five. Fourteen".) Sari Gelin (Sarı Gəlin): is an Azerbaijani folk dance. This dance is performed under the music of Azerbaijani version of the song Sarı Gəlin. The melody of the song was first processed and pitched by Azerbaijani composer Asaf Zeynally (1909-1932). Naz elama (Naz eləmə or Naznazı meaning "Don't flirt" or "Don't play"): is dance with two heroes: a boy and a girl. The author of the music and structure of this dance was great Azerbaijani dancer and choreographer Alibaba Abdullayev. Starting from 1942, he performed this dance with Leyla Badirbeyli, later Amina Dilbazli, Shafiqa Amirova and Tutu Hamidova. This dance celebrates the feelings of love between two people. This love is shown by dance moves and facial expressions. Qaval (Qaval rəqsi): is a national dance played by women with a dayereh in her hand. This dance was composed by great Azerbaijani dancer and choreographer Alibaba Abdullayev while he was working in Azerbaijan State Dance and Song Ensemble. For the first time in 1959 dancer Emine Dilbazi performed this dance with the lyrical music of composer Gylman Salahov. Alibaba Abdullayev was the first to use the qaval in a dance. Great Azerbaijani composer Eldar Mansurov also composed music for (Qaval rəqsi). Qıtqılıda (Qıtqılıda rəqsi): is a historical and national woman's dance