in front of W.C. Fields, who, upon Stromboli's entrance, muttered to whoever was with him that the puppet master "moves too much." Michael Barrier agrees with Fields' criticism, considering Stromboli a "poorly conceived character" whose "passion has no roots... there is nothing in Stromboli of what could have made him truly terrifying." Leonard Maltin disagrees, considering Pinocchio's encounter with the showman to be the wooden boy's "first taste of the seamy side of life... (Stromboli) tosses his hatchet into the remnants of another ragged marionette, now a pile of splinters and sawdust, a meekly smiling face the only reminder of its former 'life'." Though the character is Italian, characteristics such as Stromboli's facial expressions, obsession with wealth, and long black 'goat's beard' (though the latter is present also in several Italian/European versions and transpositions of the original novel and almost all the villains in the film are looking for money or wealth) have led some to make comparisons with Jewish stereotypes (particularly Hollywood moguls). Later portrayals In Giuliano Cenci's 1972 animated film The Adventures of Pinocchio (Un burattino di nome Pinocchio), Mangiafuoco's portrayal is true to the book in design and personality. In the English version he is renamed The Fire-Eater, translation of his original Italian name. He is voiced by Michele Gammino in the Italian version and by Bob Holt in the English dub. In Pinocchio's Christmas, a character named Maestro Fire-Eater (voiced by Alan King) is loosely based on Mangiafuoco. Like in the book, his role is small and is made into an antagonist like Stromboli. Maestro Fire-Eater is shown to have a marionette named Julietta who Pinocchio befriends. After Pinocchio fled with Julietta as Maestro Fire-Eater sends the Gendarmerie after him, Pinocchio later left Julietta in the care of Lady Azura. He appears in the 1972 miniseries The Adventures of Pinocchio, portrayed by Lionel Stander. Filmation's Pinocchio and the Emperor of the Night features a puppet master named Puppetino voiced by William Windom. When Pinocchio runs away to a carnival with the idea of finding work, Puppetino recognises him from when he was a puppet. In a nightmarish sequence, Puppetino turns Pinocchio back into a lifeless, wooden puppet through an unexplained, magical process. It is implied strongly that he has done this to other children also. Puppetino speaks in a cockney accent and is a gaunt, pale-skinned man with a red moustache and hair, thick lips and