about political issues, such as the Waco siege and the New World Order conspiracy theory. Martial Law 9/11 Martial Law 9/11: Rise of The Police State (2005) was co-produced by Booth with Alex Jones, who directed the documentary. It explores the changes in the United States since the September 11 attacks. American Drug War: The Last White Hope Booth directed American Drug War: The Last White Hope (2007) to examine governmental policies concerning drugs since Richard Nixon declared a "war on drugs" in 1971. It examines the government's prosecution of users, incarceration of non-violent drug offenders, focus on marijuana (a "gateway" drug), and alleges a lack of focus on large corporations that launder drug money. The documentary explores the involvement of the CIA and Contras cocaine trafficking in the US, including the experiences of one of the Central Intelligence Agency's (CIA) "chief beneficiaries", "Freeway" Rick Ross. Ross declared the war on drugs as the "last white hope". Appearing in the documentary are Tommy Chong, of Cheech and Chong; General Barry McCaffrey, a previous drug czar; and people involved in drug use, sales or convictions of drug users or traffickers. Booth provides insight about addiction within his family. It was shown on Showtime from 2008 to 2010 and won several awards for best feature documentary at film festivals in the United States. For instance, in 2007, the film won Artivist Film Festival's Best Feature, International Human Rights Award. The documentary has also been shown in other countries, like South Africa, Canada and Australia. American Drug War 2: Cannabis Destiny American Drug War 2: Cannabis Destiny was released theatrically in 16 cities across the nation beginning on June 6, 2013. The second installment to American Drug War starts at the 2012 election that legalized recreational use in two states and the film follows the traumatic story of a young boy named Cash Hyde who is repeatedly denied cannabis oil, the only medicine that appears to shrink his brain tumor. ADW2 also documents the saga of filmmaker Booth and his wife becoming foster parents and encountering the over prevalent use of pharmaceuticals on foster kids. These stories and much more underline the film's theme of children being the ultimate victims of American drug policy. The film talks about the United States Department of Health and Human Services 2003 patent on cannabinoids. It also explores the prohibition of "ancient drugs" on children through the