My Nation Underground is the fourth solo album by Julian Cope. It produced three singles including "Charlotte Anne" (which reached number 35 in the UK charts in September 1988 and was also Cope's only song to reach any position on the US charts). The album's music is an extension of the more commercial side of Cope's songwriting, following on from the relative commercial and organisational success of its predecessor Saint Julian. However, Cope himself has all but disowned My Nation Underground, considering it an artistic mis-step which failed to produce the music which he wanted (although he has also accepted responsibility for the failure). Critical consensus on the album generally supports this view. Background My Nation Underground was the follow-up to Cope’s relatively successful Saint Julian album of 1987, which had seen him move from raw psychedelic rock to a more streamlined and solid hard-rock approach built around the tight five-piece "Two-Car Garage" band. The band disintegrated after the Saint Julian promotional tour, leaving only Cope and his musical right-hand man, guitarist/multi-instrumentalist Donald Ross Skinner. As Island Records were expecting a new album, Cope enlisted his A&R man Ron Fair as producer and began recording. With the band dispersed, Skinner began to play drums, keyboards and harmonica in addition to guitar, while Cope continued to play guitar and keyboards. The other members of the core team were Fair on keyboards plus eccentric percussionist Rooster Cosby (who’d remain a close Cope associate). Other contributors included the Two-Car Garage Band bass guitarist James Eller (returning briefly - and sheepishly - as a session player), ABC/The The drummer David Palmer, revered double bass player Danny Thompson and various session singers. While the main influence on Saint Julian had been Detroit hard rock, by the time Cope came to record My Nation Underground he was favouring Funkadelic as an influence. This had a demonstrable effect on the album’s title track as well as others such as "The Great White Hoax". The album also reflected Cope’s longtime fascination with West Coast psychedelic bands like The 13th Floor Elevators and The Seeds, although the album also featured the Walker Brothers-styled ballad "China Doll". For the first time, Cope recorded cover versions: "5 O'Clock World" (originally a 1965 Vogues song for which Cope reworked the lyrics and added the bridge of the Petula Clark song "I Know a Place") and a hard rocking version of the Shadows