The cinema of Burma has a long history dating back to the 1910s. The person who created the first silent film was Ohn Maung (Burma's first producer and director). Start of the Burmese cinema Burma's first film was a recording of the funeral of Tun Shein - a leading politician of the 1910s, who campaigned for Burmese independence in London. It was captured with a second-hand camera by Ohn Maung and was screened at the Royal Cinema, near Scott Market (now Bogyoke Market), which belonged to a Mr Achar, a friend of Ohn Maung. Despite its documentary nature, the Burmese public was very proud of the film, which opened with the notice "Please accept our apologies for the poor quality of the film". Ohn Maung then founded The Burma Film Company to produce and direct more films. He hired Nyi Pu (Burma's first actor) to shoot the first Burmese silent film Myitta Ne Thuya (Love and Liquor) which proved a major success, despite its poor quality due to a fixed camera position and inadequate film accessories. The film opened with the title "Burma Film Presents: Love and Liquor" but there were no credits or mention of the cast. It was based on a story by P Moe Nin about how gambling and alcohol destroyed a man's life. The day the film premiered, 13 October 1920, is commemorated annually as the Myanmar Movie Day. Fox of America asked for Burmese nature study scenes and bought them from Ohn Maung. He also acquired more advanced film accessories and camera from the Kodak Company. During the 1920s and 1930s, many Burmese-owned film companies (such as A1, New Burma, British Burma, The Imperial, Bandula and Yan Gyi Aung) made and produced several films. Some of the famous directors of this era were Nyi Pu, Sunny, Tote Kyi, and Tin Pe. The first Burmese sound film was produced in 1932 in Bombay, India with the title Ngwe Pay Lo Ma Ya (Money Can't Buy It) and directed by Tote Kyi. Films dealing with social issues and political themes became popular in the 1930s. Parrot Film Company produced films that addressed social issues such as gambling and police corruption, although the films were censored by the British colonial government. There were also films that were banned like Do Daung Lan (Our Peacock Flag) in 1936 and Aung Thabyay (The Triumphant Jambul) in 1937. The political film