Samaleswari Temple is a Hindu temple in Sambalpur, Odisha, India, dedicated to the goddess known as 'Samaleswari', also known among the natives as samalei maa, meaning Mother Samaleswari. Shree Shree Samaleswari, the presiding deity of Sambalpur, is a strong religious force in western part of Odisha and Chhattisgarh state of India. On the bank of the river Mahanadi, the mother goddess Samaleswari is worshipped from ancient times as Jagatjanani, Adishakti, Mahalaxmi and Mahasaraswati, and is the mother of the universe. After Lord Jagannath, she is the only Goddess in Odisha who is the presiding deity of such a large region including the complete Western Odisha, parts of Jharkhand and Chhattisgarh. The region in which the temple is situated has a rich cultural heritage. Sambalpur region is popularly known as Hirakhanda from ancient times. Ptolemy has described the place as Sambalaka, according to Tavernir, the French explorer, and Edward Gibbon, the English historian, diamonds were exported to Rome from Sambalpur. The temple is of Sandhara order (these types of the temples have a square sanctum enclosed by a gallery of pillars meant for pradakshina). Thus, the Sandhara temples have a Pradakshinapatha is built of a kind of stone as durable as granite, cemented with lime mortar, the whole building is plastered, but in the course of time the surface has become mouldy. The temple consists of two separate structures. The square sanctum enshrining the deity is four step below the covered circumambulation, which is supported by 12 stone pillars. Eleven parswa devis (side Goddesses), are embedded on the outer wall of the sanctum, so that the devotees can worship those deities during parikrama through the vaulted circumambulation. The idol of Shree Shree Samalei Devi consists of a large block of granite rock with an inverted, trunk-like projection at the bottom. This also symbolises a yoni, and is an interesting kings-yoni worship. A shallow cut on her "Baraha" like face symbolises her mouth. Traditional Sambalpuri nose ornament of pure gold hangs down from her imaginary nose. Beaten gold leaves fixed on two disproportionate golden eye-like depressions on the face act as substitute for her eyes in an attempt to define the face of the mother deity on a mass of self shaped rock, the devi's idol inspires sublime sentiments of awe, fear, reverence, devotion, love and affection towards all-pervasive motherhood. She is worshipped with great care and devotion by the natives in