from different scenarios"). Lenny Left – a one-off strip featuring a "radical" left-wing alternative comedian whose hackneyed "street theatre" routines about Thatcherism arouse complete non-interest from the public. Lenny eventually sells out, and the last frame of the strip shows him doing a sexist and homophobic stand-up routine in a Conservative club. Lidl Richard - A middle-aged man who goes shopping but always come back with useless junk, much to his wife's frustration. Little Big Daddy – A schoolboy who thinks he is 1970s wrestler Big Daddy. Little Old Man – A young boy who acts like a stereotypical elderly man and at the end of the strip ends up being taken to a retirement home. He was introduced as the counterpart of Playtime Fontayne, but, unlike Playtime, he has so far only been a one-off strip. Little Plumber – Spoof of Beano comic strip Little Plum, in which the American Indian is a jobbing plumber. Lonely Sidney Sidebottom – A one off strip from the early 1980s (also featured in The Big Hard One annual) about a single man who has difficulties talking to women. Lord Shite and Nanny No-Dumps – a one-off strip which draws upon the urban myth that the aristocracy do not poo. It's about an aristocrat who wishes to defecate "like common people" and his former nanny who is determined to stop him. After several rather blunt episodes the strip finishes with him locking Nanny in a cage and downing his pants, intending to have a 'really big smelly shite!' Unfortunately he has kept his load in his guts for so long that it has solidified into a big (and uninteresting) diamond, and Nanny is shown in fits of laughter! Lucky Frank – A young boy who seems to have bad luck turned into good luck. An earlier (and later revived) version of Spawny Get. Luke O'Like - He is One – A strip about the titular character who gets mistaken for someone else. Lumberjack Veterinarian – A lumberjack takes on the duty of making people's pets better, only to get fired for murdering them. Luvvie Darling – a melodramatic and self-important thespian who is completely talentless. He presents himself as an A-list actor but is only offered very minor (and ultimately humiliating) roles. Darling is depicted as an exaggerated parody of old-school British Shakespearian stage actors: pompous, bombastic, profligate and pretentious in his use