the Whitney Museum in 1941 and purchased by the Phillips Collection later that year. Showing a sandlot ball game near a gas storage tank and some low-income housing, it depicts players and spectators enjoying weekend downtime. The painting fulfills Ruellan's intention to make works that are both well executed in a technical sense and also have emotional content. In an interview conducted in 1943 she said, "People are never just spots of color. What moves me most is that in spite of poverty and the constant struggle for existence, so much kindness and sturdy courage remain. Naturally I want to paint well-designed pictures—but I also wish to convey these warmer human emotions." In 1941–42, Ruellan made two murals for the Section of Painting and Sculpture of the U.S. Treasury Department, one entitled A Country Saw Mill for the post office in Emporia, Virginia, and the other, called Spring in Georgia, for the post office in Lawrenceville, Georgia. Created during the early stages of the U.S. participation in World War II, they conformed, broadly, to the we-can-do-it attitude fostered by the government and widely accepted within the country. A Country Saw Mill shows a small steam-driven mill. At right, a worker moves logs into position for sawing while a man with a notebook supervises. At center, men can be seen observing the sawing within the mill and finished lumber is stacked. At far left a man drives a team of horses pulling more logs from the forest which can be seen in the distance. The seven workers in view are African-American while the two supervisors are white. Ruellan prepared sketches on-site, as was her usual practice, and painted the mural in her studio retaining much of the freshness of the scene she had drawn. Spring in Georgia shows ordinary people in a rural setting: a woman and a girl tilling a flower garden, a mother with young boy and infant, and a man with a team of mules. The painting conveys a sense of purpose and resourcefulness. It has four roughly equal segments. At left is the flower garden with cozy homestead in the background. Next appears the woman standing with her two children on a strip of grass before a large conifer. The man with his mules, standing on turned earth, drinks a glass of milk or water. At right is a hillside orchard and a stand of trees with