song tracks, although Izzat is a gangster film with Pakistani youths as the main protagonists the film uses Rock , Hard rock, Pop rock, Alternative rock, Punk rock and Hardcore punk in most of its tracks in the music of the film. The music in the soundtrack all comes from known Norwegian rock bands with songs that are made from the late 70s to the 80s, 90s and early 2000s. The bands that are included in the soundtrack are Amulet, Anal Babes, Backstreet Girls, Bonk, Brut Boogaloo, Cato Salsa Experience, DumDum Boys, Gluecifer, Jokke med Tourettes, Kung Fu Girls, Madrugada, Raga Rockers, Ricochets and So Much Hate. The most known bands are Glucifer and Raga Rockers and with Glucifer having two song on the Izzat soundtrack. The soundtrack of Izzat was also made into a separate album which was released in September 2005 by Columbia Records which is owned by Sony. The soundtrack is sold as a CD or for digital download. Release Theatrical The movie had its domestic premiere in Norway on 7 October 2005 and was one of the first films in the immigrant made and non-children movies category to be a box office success in the theatrical release in Norway. The film also got ranked 24th of the best grossing films in Norway in the year 2005. Izzat managed to gather 129 774 ticket sales for its theatrical release in Norway in the year 2005 and an additional 1442 tickets in 2006 with an additional screening in 2009 gathering 104 ticket sales, 2.9% of the Norwegian population saw the film during the theatrical release of it in 2005. Izzat was only commercially released theatrically in Norway and did not see any theatrical release within the EU. Home media Izzat was released on DVD and Universal Media Disc after its theatrical screening. Izzat was also available for streaming on NRK nett TV and is currently available for streaming on Netflix in Norway, Sweden, Denmark, and Finland. The film is purchasable and rentable through the steaming services of Google Play Movies, Apple TV and Microsoft Movies and TV. Reception Izzat is considered part of the Norwegian diasporic cinema scene and has been compared to the American action film Goodfellas. The film is significant in that it was the first major commercially successful diaspora film in Norway. The film is also considered a forefront runner for diasporic cinema in Norway