of original recordings, but the band's studio albums were all recorded and released years later. They broke up with no apparent plans to reunite. The 'New' Skulls In 2000, Billy Bones was introduced to James 'Hardslug' Harding (The Adicts) by a mutual friend, Keith Miller, who had performed with Bones in the past with other projects. After discovering Hardslug was also into performing music, a 'jam' was suggested and Bones (vocals), Miller (bass) and Hardslug(drums) got together, joined by a young Kevin Preston (guitar) who attended the same school as Bones' daughter. This band practiced by covering Skulls songs among others and was to be called the DB5's, apparently after Bones' favorite automobile and interest in old James Bond movies. A few weeks later, Bones was asked to put together a version of The Skulls to perform at the 'Tribute to 77' event at The El Rey in Los Angeles, where many of the early punk bands were to perform. That line-up was to be Bones (vocals), Preston (guitar), Sean 'Geronimo' Antillon (ex Gears, Snake Charmers) (drums, who'd also played with Bones at an impromptu quasi Skulls appearance a few years before) and Keith Miller on Bass. However, Miller had to bow out at the last minute and Bones asked Hardslug if he knew anybody who could jump in. The story goes that Hardslug bought a bass, learned the songs in a week, and after just a few rehearsals, the band nailed it at the El Rey. The new version of The Skulls was born, with the DB5 project left by the wayside. The SKULLS’ soon released an album titled Therapy for the Shy on Dr. Strange Records containing mostly re-recorded Skulls songs written by the original members of 77, with the notable exceptions of: 'Gold and Ruby Red', a song written by Bones years earlier and subsequently rehashed, rearranged and 'punked-up' by Bones and Hardslug; 'Life Ain't So Pretty', another older composition given some Bones/Hardslug treatment and brought up to speed; 'Girlfriend, Shower, Sleep', a slice of fun by the new 4-piece; and finally an amazing cover of The Saints' 'Erotic Neurotic'. Various singles were also spawned from this release and, along with the CD and its Vinyl counterpart, all sold out fast. In addition, The SKULLS appeared on three separate tribute compilation CD’s released by Cleopatra Records performing covers of AC/DC, Weezer and NOFX tunes. On realizing this