Stavans was awarded a Guggenheim Fellowship. He has also received international prizes and honors for his writings, including the Latino Literature Prize, Chile's Presidential Medal, and the Rubén Darío Distinction. Influence Stavans writes on Jewish-American identity as Eurocentric and parochial. He has been a critic of the nostalgia in this community for the past of the Eastern European shtetls of the 19th century. His work explores Jewish culture in the Hispanic world. In 1994 he published the anthology Tropical Synagogues: Stories by Jewish-Latin American Writers (1994). From 1997 to 2005 he edited the Jewish Latin America series published by the University of New Mexico Press. His anthology, The Schocken Book of Modern Sephardic Literature (2005), received a National Jewish Book Award. In his The Inveterate Dreamer: Essays and Conversations on Jewish Culture (2001), he explores Jewish writing in every major language, including variations such as Yiddish, Ladino, and others. His work has been translated into a dozen languages. He has been influenced by Jorge Luis Borges, Edmund Wilson, and Walter Benjamin. (In his autobiography, Stavans says that in the early stages of his career, in order to find his own style, he burned his collection of dozens of Borges's books, p. 9.) He has written a biography of Oscar "Zeta" Acosta, a Chicano lawyer. He wrote a book-long meditation on Mexican poet Octavio Paz. He wrote a preface in Spanglish to Poets, Philosophers, Lovers: On the Writings of Giannina Braschi. He wrote a biography, Gabriel García Márquez: The Early Years (2010), the first of two planned volumes. Stavans traces the artistic development of Márquez from childhood to the publication of One Hundred Years of Solitude in Spanish in 1967 (it was translated by Gregory Rabassa and published in English in 1970). Julia Alvarez, author of How the García Girls Lost Their Accents, described this biography as "an engaging, informative study tracking the small beginnings of a literary giant and his magnum opus. It is also a love story: that of an important contemporary critic and thinker with a writer, his life, and his text. Stavans enlightens us, not just about one literary figure, but about the culture and history of a whole hemisphere in a book that never feels plodding or overtly academic. Stavans is a magical writer himself." In A Critic's Journey (2009), Stavans address three cultures: Jewish, American, and Mexican. It includes pieces on writing On Borrowed Words,