ape smashes skeletal remains (hence the score sheet's title), and finally at the end of the film during the "Starchild" scene. This theme music made its public debut in early 1993 as part of the Telarc compilation CD Hollywood's Greatest Hits, Vol. 2, by Erich Kunzel and the Cincinnati Pops Orchestra, and there it was titled "Fanfare for 2001" (it would therefore be the world's first exposure to North's unused 2001 music). It would eventually be recycled by North for his later scores to Shanks, Dragonslayer and The Shoes of the Fisherman. Jerry Goldsmith recording Shortly after Telarc's release of the theme, the entire original North score was released to the public. Also in 1993, in the form of an entirely new recording produced and conducted by film composer Jerry Goldsmith, performed by the National Philharmonic Orchestra and recorded from January 26 to January 30. It was released in CD format from Varèse Sarabande Records, with the track list sequenced by co-producer Robert Tounson. CD cover art by Matthew Joseph Peak. The final track, "Main Theme," was later discovered to belong not to 2001 but to an entirely different film project, the television documentary Africa. Official original recording In January 2007, Intrada Records issued 3000 copies of a limited edition CD featuring North's original recording of the score from 1968. The release was authorized by the family of North, the estate of Stanley Kubrick, Dylanna Music, North's music publishing company, and other entities (the film's current rights holder, Turner Entertainment, did not take part in this CD release). The album features nine tracks from the score, as well as an alternate version of the track "The Foraging." In addition, the album features three bonus tracks, all of additional takes of other tracks on the album. The music is conducted by Henry Brant. Brant had helped North with the orchestration in 1967-68, as North had to be taken to the recording session in an ambulance due to muscle spasms and back pain brought on by the stress of completing the score. The CD also includes liner notes and precise cue points as to where the music would have been found in the film so that viewers can properly track these cues in sync with the DVD/Blu-ray. Reception In The Art of Film Music, George Burt found North's score outstanding and deemed Kubrick's decision to abandon it was "most unfortunate", even though