the relationship was eventually repaired in correspondence between the two men in 1833 and 1834, with Bellini in Paris and Romani in Milan. They never met again. Performance history 19th century Beatrice di Tenda received its first performance at the Teatro La Fenice in Venice on 16 March 1833 with Giuditta Pasta in the title role. The following year, it was staged at the Teatro Carolino in Palermo on 1 March with Marietta Alboni, Giovanni Basadonna, and Ignazio Marini in the major roles. There, it was well received. Bellini was pleased. So my Beatrice was well received? I am pleased....I myself did not believe [it] deserving of the fate that befell it in Venice, and I am convinced that outside reasons induced the audience to disapprove of it... However, Venice's "fiasco" was relative because the opera was staged again at La Fenice in 1838, 1843, 1844 and then again in 1871. After it had come to Naples in 1834, initially at the del Fondo in July and then at the Teatro di San Carlo in November, Milan followed in February 1835 with 12 performances. Then came Rome, Messina, Bologna, Trieste where it was given under the name of Il Castello d'Ursino. Performances continued in Italy throughout the late 1830s and into the 1840s with some significant singers of the time appearing in major rules. These included Caroline Unger and Giuseppina Strepponi. Outside Italy it was premiered in Vienna in March 1836, and also in London, Prague, Berlin (in German), Lisbon, Barcelona, Madrid, and Paris. In 1842 the American premiere of Beatrice was staged in New Orleans at the St Charles Theatre on 5 March 1841 followed by a New York presentation at a later date. It was also the first Bellini opera to be staged in Buenos Aires, in 1849. However, like many other bel canto operas, Beatrice practically disappeared from the stage after the 1870s. 20th century and beyond At the centenary of the first performance, the opera was staged at the Teatro Massimo Bellini in Catania in January 1935, with Giannina Arangi-Lombardi singing the Countess. It took until April 1966 before it was heard there again under Vittorio Gui with Leyla Gencer singing the title role. Beatrice di Tenda was revived in 1961 by the American Opera Society in New York with Joan Sutherland, Enzo Sordello, Marilyn Horne and Richard Cassilly under Nicola Rescigno, and in the same