In 1979 Maillard interviewed Canadian novelist Howard O’Hagan who explained to him his writing process; the interview appeared as a chapter in Margery Fee's Silence Made Visible: Howard O’Hagan and Tay John (1992). Maillard's first published novel, Two Strand River, appeared in 1976, published by Dave Godfrey's Press Porcépic. Most reviewers were confounded by this strange book with its cross-gendered protagonists and weird events, but Two Strand River soon acquired a cult following, came to be labeled a classic of Canadian magic realism, and has been republished twice. 1980s Maillard's second published novel was actually the first one he had begun; the book rejected by 26 publishers finally – after having passed through eight major rewrites – appeared in 1980 as Alex Driving South. In this gritty, naturalistic tale, Maillard first introduced the fictional town of Raysburg, West Virginia, where most of his novels have been set. The Knife in My Hands, influenced by American writer Jack Kerouac, followed in 1981, and its sequel, Cutting Through, in 1982. Then, with a fifth book half-completed, Maillard was afflicted with writer's block. From 1985 through 1988 Maillard applied his writing skills to designing university and adult education courses for the Open Learning Agency and, from 1986–1989, he workshopped his screenplay, Two Strand River, with Patricia Gruben's Praxis Film Development Workshop (Simon Fraser University). Maillard's fifth novel, Motet, published in 1989, won the Ethel Wilson Fiction Prize. Reviewer David Homel assured readers that despite the novel's sixteenth-century Dutch choral mystery and Vancouver setting, "power and madness made in the USA is still at the heart of Maillard's creativity." Having taught as a sessional lecturer at both the University of British Columbia (UBC) and Simon Fraser University, Maillard was appointed in 1989 to a regular teaching position in UBC's Creative Writing Department, where he has taught every genre except stage writing. He served as Advisory Editor of PRISM international for 10 years. 1990s While at UBC, Maillard began what he considers his mature work – what has come to be known as the "Raysburg Series." Called "a small masterpiece" by the Georgia Straight, Light in the Company of Women was published in 1993 and was runner-up for the Ethel Wilson Fiction Prize. It was followed in 1995 by Hazard Zones, which was included on the Toronto Star'''s list of the best Canadian books for that year and was short-listed for the Commonwealth Writers' Prize.