John Boles (October 28, 1895 – February 27, 1969) was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein. Early life Boles was born in Greenville, Texas to a middle-class family. He graduated from the University of Texas in 1917. Boles served in the intelligence service of the U.S. Army during World War I. He returned to Greenville, where he was selected by an out-of-town producer to act in an opera at the King Opera House. This experience convinced John that he preferred music and the stage to the preference of his parents, who wanted him to pursue a medical degree. While en route to a career as actor and singer, Boles earned a living by teaching French and singing in a high school in New York state and working as business manager and interpreter for a one-year tour of Europe by a student group. The latter venture led to his studying under tenor Jean de Reszke. Personal life Boles married Marcelite Dobbs (1896-1982) in 1917, and they remained married until his death; they are interred at Westwood Memorial Park in Los Angeles. Career He started out in Hollywood in silent movies, but became a huge star with the advent of talkies. After the war, Boles moved to New York to study music. He quickly became well known for his talents and was selected to replace the leading man in the 1923 Broadway musical Little Jesse James. He became an established star on Broadway and attracted the attention of Hollywood producers and actors. Boles' Broadway credits include One Touch of Venus (1943), Kitty's Kisses (1925), Mercenary Mary (1924), and Little Jessie James (1923). He was hired by MGM to appear in a silent film in 1924. He starred in two more films for that studio before returning to New York and the stage. In 1927, he returned to Hollywood to star in The Love of Sunya (1927) opposite Gloria Swanson, which was a big success for him. Unfortunately, because the movies were still silent he was unable to show off his singing ability until late in the decade. In 1929, Warner Brothers hired him to star in their lavish musical operetta The Desert Song (1929). This film featured sequences in Technicolor and was a box-office success. Soon after, Radio Pictures (later known as RKO) selected him to play the leading man in their