cover was alleged Nazi incitation because it depicted Wilhelm Reich wearing a Nazi-styled armband and the British label Shout was obligated to change the cover. However, it should be said, that the armband shown on the cover contained the symbol of the orgone physics, which represented duality and its origins in unity, referred by Reich as functionalism. On The Fourth Reich the use of percussions and rhythmical efforts were far more important than in earlier works. In this respect, the song "Zen" was particularly important due to its marked rock style, but the album did not have the impact of earlier works because the music was less accessible. The Icelandic version of this EP was released by label Mjöt, which had been created by Magnús. The band began to fall apart when Þorsteinn Magnússon left. He released a solo album Líf in 1982, under the name Stanya. The remaining four members continued playing together; however, the band broke up in June 1983. Soon after, a small EP was released through label Gramm, with the title Lunaire, which featured the title song as well as two other tracks recorded in Copenhagen. In 1992, Þeyr albums were about to be reissued by Smekkleysa, but the negotiations were abandoned. However, a CD titled Mjötviður til Fóta was released in 2001. This compilation featured tracks taken from Mjötviður Mær and Iður til Fóta and is currently the only CD released by Þeyr. Þeyr's earlier releases have never been reissued since the masters are lost. Their original records have become rare collectors items, all of them currently out of public reach. Þeyr thinking: in search of absolute truth Þeyr wanted to cause a change on the Icelandic society and their means varied from straight messages to subliminal persuasion. The band worked with Zeitgeist to bring about those changes and several tools were employed, including experiments from guitar strings made to vibrate in the "atmosphere of Jupiter" to recording studios underwater. Guitarist Guðlaugur created all sort of devices aimed to affect the audience in a wide range of forms. The Scriabin was one of them. It was named after Russian composer Alexander Scriabin. The music was used as organized sound. The Scriabin was programmed with a 13-note chord (some of them microtonal, for example, out of the ordinary 12-tone scale) and this chord could be displaced either above or below the range of human perception. The