opera was revived at Rome's Teatro Valle on 31 July 1837 with Leonilde Franceschini-Rossi and Cirillo Antognini in the title roles. The reception was mixed with the critic for Il pirata wondering why it had even been resurrected. Antonio Tosi writing in Rivista Teatrale di Roma had praise for the leading singers, but contrasted Bianca e Fernando with Bellini's mature works, writing that in this early opera Bellini had "followed the method of those numerous servile imitators of the Rossinian style who, lacking that master's genius and distinction, remained unaware that in the fine arts, not copies, but creations are wanted, not imitations, but originality. The opera has been rarely performed in modern times. It was revived in a staged performance in Genoa in 1978 with Cristina Deutekom and Werner Hollweg in the title roles and given a concert performance in London in 1981. The first version of the opera, Bianca e Gernando, was given in concert form by the Rossini in Wildbad festival in the summer of 2016. A live recording exists of the latter production, as well as of two previous performances of the second version. Roles Synopsis Place: Agrigento Late 14th/15th century Background The ambitious Filippo has secretly imprisoned Carlo, Duke of Agrigento and usurped his throne. Carlo's son Fernando was accordingly forced into exile although he was still only a child. Carlo's daughter, Bianca, the widow of the Duke of Messina, unaware of Filippo's plots agrees to become his wife. Fernando, now an adult, returns home with a desire to avenge his father, who he thinks is dead. Act 1 Using a false name and pretending to be a soldier of fortune, Fernando comes to the palace of Agrigento and offers his services to the new Duke. He convinces Viscardo, a follower of Filippo, that he saw Fernando die and Filippo receives this news with joy. He hires Fernando without hesitation, thinking of entrusting the task of killing Carlo to him. Bianca comes to the palace to meet her prospective bridegroom. Here she meets Fernando, but after so many years, she does not recognize him. Indeed, she suspects him. Fernando, for his part, is convinced that his sister is an accomplice of the usurper. Act 2 Filippo orders Fernando go to the prison to kill Carlo. At the same time, he announces his approaching wedding to Bianca. The old and trusted henchman of Fernando, Clemente, informs