The Last Puritan: A Memoir in the Form of a Novel is a 1935 novel by the Spanish-American philosopher George Santayana. Set largely in the fictional town of Great Falls, Connecticut, Boston, and England, in and around Oxford, it relates the life of Oliver Alden, the descendant of an old Boston family. Santayana wrote of the novel that "it gives the emotions of my experiences, and not my thoughts or experiences themselves." Alden's life demonstrates "the essential tragedy of the late-born Puritan." In the Prologue, Santayana explains that, "in Oliver puritanism worked itself out to its logical end. He convinced himself, on puritan grounds, that it was wrong to be a puritan." The tragic aspect is that in spite of his realization he maintained the character that was his cultural bequest. History of the novel The novel took Santayana forty-five years to complete and was a best-selling novel in 1936 (second only to Gone with the Wind). It was first published in 1935 by Constable Publishers in London. The 721 page novel was printed in Great Britain by Robert Maclehose and Co. Ltd. It was first published in the U.S. by Charles Scribner's Sons in New York. It was reprinted again in 1937 (this edition included a preface in which Santayana described the writing process and his philosophical intentions), 1940, and 1961. It was most recently published in 1994 as the fourth volume of The Works of George Santayana, a critical edition of the philosopher's writings published by MIT Press in Cambridge, Massachusetts. The MIT edition is based on the original typescript, making the content true to Santayana's original intentions. This edition also has footnotes to the text that provide the reader with historical information, commentary, and notes on editing decisions. The cover was "inspired by George Santayana's choice of the 1935 Constable edition dust jacket of The Last Puritan. Santayana was at first hesitant about having the novel published. It contains explicit content (by the standards of the time) such as drug use, sexual deviance, atheism, etc. Considering that he was writing about many of his colleagues, he was afraid that it might be very controversial. But, as he wrote in one letter: "The dangerous sides of the book...seem to have been overlooked or timidly ignored by the critics." In writing this so-called "memoir in the form of a novel," Santayana was very concerned with its interpretation and reception.