Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera of the same name by Georges Bizet. Sources According to a letter Mérimée wrote to the Countess of Montijo, Carmen was inspired by a story she told him on his visit to Spain in 1830. He said, "It was about that ruffian from Málaga who had killed his mistress, who consecrated herself exclusively to the public. ... As I have been studying the Gypsies for some time, I have made my heroine a Gypsy." An important source for the material on the Romani people (Gypsies, Gitanos) was George Borrow's book The Zincali (1841). Another source may have been the narrative poem The Gypsies (1824) by Alexander Pushkin, which Mérimée would later translate into French prose. Plot summary The novella comprises four parts. Only the first three appeared in the original publication in the October 1, 1845, issue of the Revue des deux Mondes (Review of the Two Worlds); the fourth first appeared in the book publication in 1846. Mérimée tells the story as if it had really happened to him on his trip to Spain in 1830. Part I. The work is prefaced by an untranslated quotation from the poet Palladas: Πᾶσα γυνὴ χόλος ἐστίν· ἔχει δ᾽ δύω ὥρας, τὴν μίαν ἐν θαλάμῳ, τὴν μίαν ἐν θανάτῳ. (Every woman turns sour/Twice she has her hour/One is in bed/The other is dead). For readers of Ancient Greek, this set the theme of the tale: a ferocious woman, sex, and death. While searching for the site of the Battle of Munda in a lonely spot in Andalusia, the author meets a man who his guide hints is a dangerous robber. Instead of fleeing, the author befriends the man by sharing cigars and food. They stay in the same primitive inn that night. The guide tells the author that the man is the robber known as Don José Navarro and leaves to turn him in, but the author warns Don José, who escapes. Part II. Later, in Córdoba, the author meets Carmen, a beautiful Gitano (Romani) woman who is fascinated by his repeating watch. He goes to her home so she can tell his fortune, and she impresses him with her occult knowledge. They are interrupted by Don José, and although Carmen makes throat-cutting gestures, José