the terrain and on the northern side of the modern Kralja Milana street constructed a house 1840-1842. The edifice became known as the Old Konak. Development of the first Serbian royal compound began in 1843, when the ruling prince Alexander Karađorđević purchased the konak with the surrounding garden. In the 1850s, additional building was constructed next to Old Konak, to the north, and colloquially called Mali dvor or Mali konak ("Little Palace" or "Little Konak"). When the Obrenović dynasty was restored in 1858, they moved in the residences. As an heir apparent, Prince Michael used the Little Palace. The palaces were surrounded by the auxiliary buildings, servants' quarters, horse stables, etc. Ruling prince Miloš Obrenović, Michael's father, decided in 1858 to build a new palace for his son, which was built next to the palace's garden, to the south on the location of modern Novi Dvor, which became known as the Dvor sa kulama ("Palace with towers"). Upon ascending to the throne in 1860, Michael decided to use the Old Konak, while part of the state administration was located in the Palace with towers (ministries of foreign and internal affairs). Instigated by King Milan, the palace itself was built between 1882 and 1884, according to the design of Aleksandar Bugarski, in the style of academism of the 19th century, with intention to surpass all existing residences of the Serbian rulers. In order to build the new palace, the Little Palace had to be demolished first. Jointly with the new palace, the Marshall's building (Maršalat) was built behind it. The building was upgraded in 1922, being adapted into the large, semicircular building. The Old Konak, in which the Aleksandar and his wife, Queen Draga were assassinated during the 1903 May Coup, was demolished in 1904. English author Herbert Vivien, who visited the palace by the end of the 19th century, described in detail its interior: "At the left side, there is a fine ball room, with walls of lemon-yellow colour, with huge white lusters of Venetian glass, glistening nicely during the state festivities, lit by electric light. After passing the large reception hall, you enter the banquet hall. Everything is glistening in that hall: starting from the floor up to the carved mahogany table. Some sixty guests may be seated around that table. Leather-upholstered chairs are of the colour of autumn leaves. What is most impressive, is the good taste characterizing