was staged on 11 September. Notwithstanding these initial problems, the first run went on for twenty-eight performances between 23 August and 25 October, when, however, only 281 livres were grossed, the lowest amount ever collected at the box office by Les Indes galantes. Nevertheless, when it was mounted again on 10 (or 11) March 1736, a 'prodigious' audience flocked to the theatre. The entrée des Fleurs was "replaced with a version in which the plot and all the music except the divertissement was new", and a fourth entrée, Les Sauvages, was added, in which Rameau reused the famous air des Sauvages he had composed in 1725 on the occasion of the American Indian chiefs' visit and later included in the Nouvelles Suites de pièces de clavecin (1728). Now in something approaching a definitive form, the opera enjoyed six performances in March and was then mounted again as of 27 December. Further revivals were held in 1743–1744, 1751 and 1761 for a combined total of 185 billings. The work was also performed in Lyon on 23 November 1741, at the theatre of the Jeu de Paume de la Raquette Royale, and again in 1749/1750, at the initiative of Rameau's brother-in-law, Jean-Philippe Mangot. Furthermore, the prologue and individual entrées were often revived separately and given within the composite operatic programs called 'fragments' or 'spectacles coupés' (cut up representations) that: "were almost constant fare at the Palais-Royal in the second half of the eighteenth century". The prologue, Les Incas and Les Sauvages were last given respectively in 1771 (starring Rosalie Levasseur, Gluck's future favourite soprano, in the role of Hebé), 1772 and 1773 (also starring Levasseur as Zima). Thenceforth Les Indes galantes was dropped from the Opéra's repertoire, after having seen almost every artiste of the company in the previous forty years take part in its complete or partial performances. In the twentieth century the Opéra-Comique presented the first version of the Entrée des Fleurs, with a new orchestration by Paul Dukas, on 30 May 1925, in a production conducted by Maurice Frigara, with Yvonne Brothier as Zaïre, Antoinette Reville as Fatima, Miguel Villabella as Tacmas and Emile Rousseau as Ali. Finally, Les Indes galantes was revived by the Opéra itself, at the Palais Garnier, with the Dukas orchestration supplemented for the other entrées by Henri Busser, on 18 June 1952: the production, managed by the Opéra's own director, Maurice Lehmann and conducted