The Musical Comedy Murders of 1940 is a comedy by John Bishop. The play was first performed at the Circle Repertory Company in their theatre at 99 Seventh Avenue South in New York City, later moving to Broadway, opening on April 6, 1987, in The Longacre Theatre. Both productions were directed by the playwright and shared the same cast. The play is said to have been based on several 1940s mystery movies, including The Cat and the Canary, one of Bob Hope's first films. Synopsis The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious "Stage Door Slasher") assemble for a backer's audition of their new show at the Westchester estate of a wealthy "angel." The house is replete with sliding panels, secret passageways and a German maid who is apparently four different people- all of which figure diabolically in the comic mayhem that follows when the infamous "slasher" makes his reappearance and strikes again. Plot The play takes place in a mansion in Chappaqua, New York in December 1940, specifically, the library. The mansion is owned by Elsa Von Grossenknueten, and her maid, Helsa Wenzel. In the opening scene, we see Helsa is killed by a masked figure. We also see Elsa talking to a police officer, Michael Kelly, about some sort of undercover scheme. Both are unaware of the maid's murder. The next morning, we see Helsa again, only now her entire personality seems to have changed overnight. The guests Elsa has invited soon begin to arrive. They have been invited for a backer's audition to the Musical White House Merry-Go-Round. The first of the invited guests is an Irish tenor named Patrick O'Reilly. He's quickly followed by a bombastic theatre director named Ken De La Maize, and a beautiful young singer/dancer named Nikki Crandall. Nikki is followed in by a young (and bad) comedian named Eddie McCuen, who takes an instant liking to Nikki. While talking with Nikki, Eddie realizes that everyone coming (including Marjorie Baverstock, the producer, and Roger Hopewell and Bernice Roth, the writers) were all part of the creative team that made Manhattan Holiday, in which The Stage Door Slasher murdered three women. Eddie instantly wants to leave, and tells Nikki that she should leave as well, but he decides to stay after Marjorie and Elsa enter and woo him into staying. Roger Hopewell and