2017, starring Ruhl's mother Kathleen Ruhl. Becky Nurse of Salem premiered at Berkeley Repertory Theatre on December 19, 2019, directed by Anne Kauffman and featured Pamela Reed as the title character. She is an active member of New Dramatists, a development space for new playwrights that is in partnership with the NYU Tisch Graduate Acting Program. The Clean House Ruhl gained widespread recognition for her play The Clean House (2004). "The play takes place in a 'metaphysical Connecticut' where married doctors employ a Brazilian housekeeper who is more interested in coming up with the perfect joke than in cleaning. Trouble erupts when the husband falls in love with one of his cancer patients". It won the Susan Smith Blackburn Prize in 2004 and was a Pulitzer Prize finalist in 2005. Eurydice Eurydice (2004) was produced Off-Broadway at the Second Stage Theatre in June to July 2007. Prior to that it had been staged at Yale Rep (2006), Berkeley Rep (2004), Georgetown University, and Circle X Theatre. She wrote Eurydice in honor of her father, who died in 1994 of cancer, and as a way to "have a few more conversations with him." The play explores the use and understanding of language, an interest which she shared with her father: Each Saturday, from the time Ruhl was five, Patrick took his daughters to the Walker Brothers Original Pancake House for breakfast and taught them a new word, along with its etymology. (The language lesson and some of Patrick's words—"ostracize," "peripatetic," "defunct"—are memorialized in the 2003 Eurydice, a retelling of the Orpheus myth from his inamorata's point of view, in which the dead Father, reunited with his daughter, tries to re-teach her lost vocabulary.) Eurydice is Ruhl's version of the classic Eurydice and Orpheus tale. It portrays an Alice in Wonderland-esque underworld, complete with talking stones and a Lord of the Underworld, who can be seen riding a red tricycle. In keeping with the play's Greek origins, the Stones serve as a new take on a Greek chorus. The Stones comment on the action and warn the characters, but cannot intervene in any of the events. The play explores relationships, love, communication, and the permeability between the world of the living and the world of the dead, in a quest to discover where true meaning lies in life and thereafter. In 2020, Ruhl adapted the play as a libretto for a new