Wongaksa Pagoda is a twelve metre high ten storey marble pagoda in the center of Seoul, South Korea. It was constructed in 1467 to form part of Wongaksa temple, that King Sejo had founded two years before on the site of an older Goryeo-period temple, Heungbok-sa. The temple was closed and turned into a kisaeng house by the (later deposed) king known as Yeonsan-gun (1476 – 1506, r. 1494-1506), and under his successor, King Jungjong (1488 – 1544, r.1506–1544) the site was turned into government offices. The pagoda and a memorial stele commemorating the foundation of Wongaksa alone survived. The site of the temple was later occupied by houses. During the Imjin War of the 1590s, the top portion of the pagoda was pulled down and lay on the ground at the foot of the pagoda until it was replaced by American military engineers in 1947. Foreign visitors to Seoul in the late 19th century often went to admire the beautiful pagoda but it was almost inaccessible, hidden in the courtyard of a small house, and in 1897 John McLeavy Brown, the Irish financial advisor to King Gojong, was authorized by the king to turn the area into Seoul's first public park. He called it Pagoda Park, the name it had at the time of the 1919 March 1st Movement. Today the park is known as Tapgol (Pagoda) Park (탑골 공원) and the pagoda stands in a protective glass case. The Korean name literally means "ten storeyed stone pagoda of Wongaksa Temple site." The pagoda is considered by art historians to be one of the finest examples of Joseon dynasty pagoda art. The pagoda was designated as the second national treasure of Korea on December 12, 1962. From an inscription on the upper part of the pagoda it is known that the pagoda was built in 1467, the thirteenth year of King Sejo's reign. It is one of the few pagodas made from marble in Korea. Typical Korean pagodas are made from granite, a material abundant on the peninsula. The pedestal supporting the pagoda is three-tiered, and its shape seen from the top looks like a Chinese character, 亞. The first three storeys of the pagoda follow the shape of the base and the next seven storeys are shaped in form of squares. Dragons, lions, lotus flowers, phoenixes, Buddhas, Bodhisattvas, and the Four Heavenly Kings carved on each storey of