1995 a second EP was released, again with the band's self-produced recordings paired with a newly recorded title track. The Sleepwalking EP included the first official release of "Orange Juice" and, aided by continued touring, saw the band cross over from Triple J to commercial radio. The band juggled live work with the sessions for its first album, Mint 400, which had ten new songs along with newly recorded versions of "In a Box" and "Sleepwalking". The album was produced by the American producer Kevin Shirley (Led Zeppelin, Iron Maiden, Slayer). Recorded in only ten days at Festival Studios in Sydney, the recording captured the band's live sound, avoiding excessive overdubs and studio manipulation. Mint 400 was an immediate hit in Australia, jumping into the national charts at number 15. When released as the album's first single, "Drugs" (written in five minutes during a rehearsal) emerged as an instant success, despite certain stations' refusal to play the song because of its title. The song peaked at number 12 on the Australian chart, and emerged in the top 20 of Triple J's Hottest 100. "There isn't really that much of a message," said Johnstone, ""Drugs" is about apathy towards drugs." The success of the single saw the band added to the main stage of the 1995/96 Big Day Out, traveling with the festival nationally. In light of the success of the album at home, Epic released the album in America, and MTV put the $5,000 video for "Drugs" on high rotation, the cheapest video to ever do so. The band toured America, the UK and Europe throughout 1996, emerging with global record sales over 100,000. "Drugs" was the group's only charting single in the United States, reaching number 29 on the Billboard Modern Rock charts. Eleventh Avenue Returning to Australia, the band recorded and released a single, "Satin Only", which was largely unnoticed and later re-emerged as a hidden track on the band's second album. The band finished the year preparing music for an album which was to be recorded in New York with Dave Fridman (The Flaming Lips, Mogwai, Weezer). Eleventh Avenue was a very different album from the first, moving away from simple arrangements and traditional rock instrumentation. The record retains the initial chemistry of the band, but is sonically complex, adding harmonies, samples and psychedelic keyboards. After completion of the album, the band realized that they were unable