1995 alongside three remixes of the song created by Nine Inch Nails keyboardist Charlie Clouser – "Next Motherfucker", "Brown Bag" and "Metal" – as well as a censored version of the A-side called "Lunchbox (Highschool Drop-Outs)", and a cover of "Down in the Park" (1979) by Gary Numan. In his book Marilyn Manson, Kurt B. Reighley said that the "air of detachment and repressed xenophobia" present in "Down in the Park" made the song fit well with the band's own work. Both Numan and Reighley noted that the band's cover of the song significantly reworked the original track. While recording the B-sides for the single, Manson invited a deaf groupie to the studio and asked her to strip naked. He then covered her with hot dogs, pig's feet, and salami. Madonna Wayne Gacy started having sex with her and shouted "I'm going to come in your useless ear canal." As she showered off, Twiggy Ramirez and Manson urinated on her. In his autobiography, The Long Hard Road Out of Hell (1998), Manson commented on the incident: "I think she, too, found it to be art and was having a good time." Composition "Lunchbox" is a heavy metal song with a length of four minutes and thirty-four seconds. The track was written by the band's eponymous vocalist, Daisy Berkowitz and Gidget Gein, and was produced by Manson with Trent Reznor. It features elements of death metal, industrial music and punk rock, and contains the lyrics "I got my lunchbox and I'm armed real well/I wanna grow up /wanna be a big rock-n-roll star/big time rock-n-roll star/so no one fucks with me." Manson discussed the meaning of "Lunchbox" in a 1999 article in Rolling Stone, saying: "Some journalists have interpreted it as a song about guns. Ironically, the song is about being picked on and fighting back with my Kiss lunch box, which I used as a weapon on the playground. In 1979, metal lunch boxes were banned because they were considered dangerous weapons in the hands of delinquents." Commenting on both "Lunchbox" and "Get Your Gunn", Manson added that "The somewhat positive messages of these songs are usually the ones that sensationalists misinterpret as promoting the very things I am decrying." Berkowitz told the Sun-Sentinel that the song's narrative fits with Manson's self-image as an "outcast who stands up to abuse yet, in the process, catches hell from authorities." Writing for