film would be shot in Europe and in the Todd-AO format, developed by Taylor's late husband Michael Todd, which ensured that Taylor would receive additional royalties. In January 1960, Stephen Boyd was approached by Wanger about being cast as Mark Antony, but felt he was too young for the role. In August 1960, Boyd was cast as Mark Antony, Peter Finch as Julius Caesar and Keith Baxter as Octavian. Mamoulian had also cast Elisabeth Welch to portray one of Cleopatra's handmaidens. Filming Production under Rouben Mamoulian With Mamoulian as director, construction on the Alexandria exteriors was already under way on the studio's backlot. London was also seen as a viable choice for hosting the production. The Eady Levy had offered financial incentives to American film studios as long as a certain percentage of the primary cast and production crew were English. There, the production would be supervised by Robert Goldstein, the studio's foreign head of production. A number of other countries, including Turkey and Egypt, were considered for exterior locations. In 1960, Adler entered into a coproduction deal with Italian producer Lionello Santi, who had recently completed a foreign-language version of Cleopatra that the studio purchased to keep away from the American market. Mamoulian traveled to Italy for location scouting and reported back the difficulties upon shooting there. Furthermore, the impending Rome Summer Olympics threatened to complicate filming accommodations. On April 20, 1960, Santi issued a full-page ad in Variety announcing his forthcoming production of Cleopatra without mentioning Twentieth Century Fox's involvement. Angered, Adler shifted the entire production to Pinewood Studios. On July 11, Adler died from cancer, and was replaced by Goldstein. Skouras asked Wanger to assume Goldstein's former position, but months later, he was replaced by Sid Rogell. Meanwhile, Wanger cautioned about shooting in England in a July 15 memo, stating that the weather conditions could jeopardize Taylor's health and that the labor force was insufficient. However, Fox management overruled his decision. Principal photography began at Pinewood Studios on September 28, 1960. On the same day, the British hairdressers' union threatened to leave production, as Taylor had brought Sydney Guilaroff, an American hairstylist. A settlement was reached that Guilaroff would be allowed to style Taylor's hair, but only at her Dorchester suite. Taylor shot a scene in 40-degree weather and fell sick with a sore throat, rendering her unable to work for two weeks. Mamoulian was then forced