his fraternal twin brother, John Gilroy. Directed by Tony Gilroy, the film is inspired by Robert Ludlum's Jason Bourne novel series. Manohla Dargis of The New York Times described the Gilroys' script as something that "has given [Tony] much more to wrangle—locations, characters, hardware, franchise expectations—than he's had to deal with in the past", while Toronto Star reviewer Peter Howell said it resorted "too much into jabbering and jargon and not enough into action". Gilroy made his directorial debut with the thriller Nightcrawler (2014), which starred Jake Gyllenhaal, Rene Russo, and Riz Ahmed. Gilroy also wrote the script, which he conceived in 1988 after reading the photo-book Naked City, a collection of photographs taken by American photographer Weegee of 1940s New York City residents at night. Gilroy did not begin writing the script until he moved to Los Angeles two years later, when he recognized an abundance of violent stories on television news. According to Gilroy, he considers the film to be a success story about a modern equivalent of Weegee, and a cautionary tale about the risks posed by capitalism. Nightcrawler was well received by the press on release, as was Gilroy's script, for which he was nominated for Best Original Screenplay at the 87th Academy Awards, and won Best Screenplay at the 30th Independent Spirit Awards. At the Independent Spirit Awards, Gilroy closed his acceptance speech by lamenting the proliferation of superhero films in Hollywood. In 2017, he co-wrote Jordan Vogt-Roberts's adventure Kong: Skull Island with Max Borenstein and Derek Connolly, and wrote and directed Roman J. Israel, Esq., a legal drama starring Denzel Washington. Gilroy conceived of Roman J. Israel after doing extensive research about the 1960s where many Americans have staunchly protested and advocated certain individual and group rights. The script had started as a spec, whose titular role he wrote specifically for Washington; Gilroy has said that he would not have made the film had Washington declined to take over the role. After its premiere at the Toronto International Film Festival (TIFF), he re-edited the film by trimming thirteen minutes of runtime to get the plot to arrive quickly as the previous cut had laid much emphasis on the characters. On release, although Washington's performance was mostly praised, Gilroy's script for the film drew ambivalent responses from the press: Peter Travers at Rolling Stone praised it as "above standard-issue legal thriller but below the transcendent