(Injected Mix)" eventually reached a peak of 38 on the U.S. Billboard Hot 100. Another track from the album B-Boy Hard was featured on the soundtrack to National Lampoon's Senior Trip. Phunk Junkeez toured extensively at this time, playing with No Doubt, Bush, Faith No More, Ramones, and KMFDM, but mostly with 311. The Phunk Junkeez were given a shout out in the song "Jackolantern's Weather" from 311's self-titled album released in 1995 as well as 311's "Misdirected Hostility" which was written after 311 witnessed the level of disharmony among the Junkeez, specifically a fight between Reznik and then guitarist Jeff O'Rourke, and a second brawl, later that same tour, next to the 311 dressing room between Reznik and Disco Danny D. In Mesa, Arizona at a September 24, 1993, concert at the Mesa Amphitheater (opening for Dada), Phunk Junkeez had to be pulled from the stage after playing for several minutes past the city curfew, despite the requests of the producer and threats of calling the police. The Phunk Junkeez would not allow the show's producer Brad Laughlin to interrupt the set. This forced the venue to shut off the PA. The band kept playing with only stage amplifiers and soon the lights were cut as well. Once backstage, the band's leader K-Tel Disco tossed tables and chairs and threatened the producers of the event, who left without paying the band. By then, a large percentage of the audience left the venue, not wanting to see the mild pop of Dada, despite the popularity of their hit song "Dizz Knee Land". During sound check, the obscenities were loud enough that the band was banned from playing at Mesa Amphitheater for many years. They have played the venue at least once since, the last time they were scheduled to play in 2003, they left before taking the stage after a dispute with the Insane Clown Posse, who wanted them to open the show, instead of 2 Live Crew. After numerous negative incidents between Reznik and the rest of the members over the next year, Reznik was voted out of the band. After the departure of Reznik, the band immediately toured and brought along a mobile recording studio to write their next album. Those ideas written on tour were the basis of Fear of a Wack Planet, released in 1998, which was recorded in Amsterdam and produced by Lee Popa, a