spatial continuity through the columns of the architectural framework, as can be seen for example linking the Pietà group and the Dormitio Virginis. It is regarded not only as the artist's masterpiece, but also as one of the highest expressions of wooden sculpture of the Renaissance. Other examples can be found in the parish churches of Faedis and Remanzacco. Works Martini's principal mature painted works are Holy Family with Simeon (1498), oil on panel, 96 x 71 cm, Museo Correr, Venice St. Mark and St. John the Baptist, Stephen, Jerome, Ermacora, Abbot Anthony and the blessed Bertrand (1501), Udine Cathedral Altarpiece of Saint Ursula (1507), created for the church of San Pietro Martire Udinese in Udine, now divided between the Pinacoteca di Brera in Milan (central panel), the Civic Museums of Udine (upper part), and a private collection; Presentation in the Temple (1515), Portogruaro Cathedral (Duomo di Sant'Andrea apostolo); Altarpiece of Santa Maria in Collevillano (1522), created for the church of the same name at Faedis, now lost; Presentation in the Temple (1530), Spilimbergo Cathedral. References 1470 births 1535 deaths People from Udine Italian Renaissance painters Italian sculptors Italian male sculptors Italian woodcarvers