The Basilica of the National Shrine of the Little Flower also called Our Lady of Mount Carmel and St. Thérèse Church is a historic Roman Catholic church, located in San Antonio, Texas, in the United States. The church is distinguished as one of 84 in the United States (and one of only four in the state of Texas) bearing the papal designation of "minor basilica." Despite its religious importance it is not the cathedral of the local diocese; that distinction belongs to San Fernando Cathedral. History The basilica is dedicated to St. Thérèse de Lisieux of the Child Jesus, and bearing her nickname, "The Little Flower" of Jesus. The cornerstone of her basilica was solemnly blessed and laid on October 15, 1929. Its remarkable edifice and accompanying works of religious art are uniquely uncharacteristic of its relatively recent construction. The basilica is a treasury of art, master craftsmanship, and relics. The Discalced Carmelite Friars began serving the surrounding parish community in San Antonio in 1926. The basilica was thus constructed during the Great Depression (1929–1931) and today stands as a monument to the great faith of devotees of St. Thérèse from throughout the United States and the world. Perhaps the most treasured work of art at the basilica is a painting of St. Thérèse, a gift from the Carmel of Lisieux to the friars of San Antonio in 1927. The saint's blood sister Céline Martin (1869–1959), also a nun (Sr. Genevieve of the Holy Face) in the Carmel of Lisieux, created the model for this painting, referred to as the "Apotheosis," at the request of the Vatican during the canonization process for Thérèse, according to the Archives of Carmel in Lisieux. Another artist, Pascal Blanchard, painted several large canvases based on Celine's model. Céline and another nun, Sr. Marie of the Holy Spirit, then retouched the face on each copy. One of these paintings was the standard carried in the procession to St. Peter's during the canonization ceremony on May 17, 1925; it was returned to the nuns after the ceremony. The basilica's painting is one of the several others that were loaned out by the Convent of Lisieux to Carmels in France for the canonization events. The painting was acquired for the friars of San Antonio by Fr. Raymon Gomez, one of the four original friars who arrived in San Antonio in 1926. He was instrumental in bringing to