Nadine Dana Suesse (; December 3, 1911 – October 16, 1987) was an American musician, composer and lyricist. Biography Dana Suesse was born in Kansas City, Missouri in 1909. When she grew too tall for ballet, she began piano lessons with Gertrude Concannon. While still a child, Suesse toured the Midwest vaudeville circuits in an act centered on dancing and piano playing. During the recital, she would ask the audience for a theme, and then weaving it into something of her own. In 1926, she and her mother moved to New York City. Suesse began to create larger-scale pieces from which she would extrapolate a phrase and then set that tune to words, collaborating with a lyricist. "My Silent Love" (which came from a larger piece called "Jazz Nocturne"), and "You Oughta Be in Pictures" are among her most well-known and popular hits. She collaborated with lyricist Eddie Heyman on "You Ought to Be in Pictures" in addition to other hits, including "Ho-Hum." The 1930s press called Suesse "the girl Gershwin." Fortune, a magazine then devoted to male achievement, included her photo alongside eight other veterans of the music business, with the headline, "Nine Assets of a Prosperous Organization" (January 1933). While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write "Concerto in Three Rhythms." In early 1932, she recorded a piano roll of the Sammy Fain and Irving Kahal popular tune "Was That The Human Thing To Do" for the Aeolian Company's Duo-Art reproducing piano system. Beginning in 1930, Suesse formed a songwriting partnership with impresario Billy Rose (usually in collaboration with other lyricists) that lasted into the 1940s. In 1936 Suesse lived in Fort Worth, Texas for three months to compose the score for Rose's Casa Mañana, the spectacular outdoor dinner theatre of the Fort Worth (Texas) Frontier Centennial. With Rose and Irving Kahal she composed "The Night Is Young And You're So Beautiful," which won a fifth place on Your Hit Parade on the broadcast of February 6, 1937, and stayed on the program for six weeks. The Jan Garber, George Hall and Wayne King orchestras all recorded it in 1937, and in 1951 Ray