Hans Tutschku (born 1966) is a German composer. Born in Weimar, Tutschku has been a member of the Ensemble for Intuitive Music Weimar since 1982. He studied composition of electronic music at the Hochschule für Musik Carl Maria von Weber, Dresden, and since 1989 has participated in several concert cycles of Karlheinz Stockhausen to study the art of the sound direction. He further studied sonology and electroacoustic composition in 1991–92 at the Royal Conservatory of The Hague, the Netherlands. In 1994 there followed a one-year study residency at IRCAM in Paris. He taught during 1995–1996 as a guest professor of electroacoustic composition in Weimar. In 1996, he participated in composition workshops with Klaus Huber and Brian Ferneyhough. From 1997 until 2001 he taught electroacoustic composition at IRCAM in Paris and from 2001 to 2004 taught at the Conservatory of Montbéliard. In May 2003 he completed a doctorate (Ph.D.) with Jonty Harrison at the University of Birmingham. During the spring term of 2003 he was the Edgar Varèse Guest Professor at the Technical University of Berlin. Since September 2004, Tutschku has held the position of Professor of Composition and Director of Electroacoustic Studios at Harvard University. During the last few years he has been invited to give master classes in São Paulo, Buenos Aires, Santiago de Chile, Singapore, Budapest, Darmstadt, Florence, Milano and Rome. He is the winner of many international composition competitions including: Bourges, CIMESP São Paulo, Hanns Eisler Prize, Prix Ars Electronica, Prix Noroit, Prix Musica Nova, ZKM Giga-Hertz, CIME ICEM and Klang!. In 2005 he received the . In 2013 he held a fellowship at the Radcliffe Institute for Advanced Study, and in 2014 a stipend from the Japan–U.S. Friendship Commission. List of works 1987 – Durchdringung, 2-channel electroacoustic composition, 6:40 min 1987 – Hommage à Laszlo Moholy-Nagy, 2-channel electroacoustic composition, 10:51 min 1989 – Sein wirkliches Herz, 2-channel electroacoustic composition, 9:10 min 1989 – Übergänge, 2-channel electroacoustic composition, 8:50 min 1991 – Die zerschlagene Stimme, 4-channel electroacoustic composition, 10:14 min CD 1991 – Drei Traumgesichter, for English horn and electronics, 11:30 min 1992 – The Metal Voice, for percussion and tape, 11:30 min 1994 – Nachts, for violoncello, bass clarinet, percussion and electronics, 15:00 min 1995 – Freibrief für einen Traum, for soprano, flute, cello, percussion and electronics, 12:30 min 1995 – Sieben Stufen, 4-channel electroacoustic composition, 13:00 min CD 1996 – ...erinnerung..., 4-channel electroacoustic composition, 10:10