band are so good and exciting." The JAMs re-edited and re-released "All You Need Is Love" in May 1987, removing or doctoring the most antagonistic samples; lyrics from the song appeared as promotional graffiti, defacing selected billboards. The re-release rewarded the JAMs with praise (including NME's "single of the week") and the funds necessary to record their debut album. The album, 1987 (What the F**k Is Going On?), was released in June 1987. Included was a song called "The Queen and I", which sampled the ABBA single "Dancing Queen". After a legal showdown with ABBA and the Mechanical-Copyright Protection Society, the 1987 album was forcibly withdrawn from sale. Drummond and Cauty travelled to Sweden in hope of meeting ABBA and coming to some agreement, taking an NME journalist and photographer with them, along with most of the remaining copies of the LP. They failed to meet ABBA, who they didn't realize already lived in Britain at the time, so they disposed of the copies by burning most of them in a field and throwing the rest overboard on the North Sea ferry trip home. In a December 1987 interview, Cauty maintained that they "felt that what [they]'d done was artistically justified." Two new singles followed on the JAMs' "KLF Communications" independent record label. Both reflected a shift towards house rhythms. According to NME, the JAMs' choice of samples for the first of these, "Whitney Joins the JAMs" saw them leaving behind their strategy of "collision course" to "move straight onto the art of super selective theft". The song uses samples of the Mission: Impossible and Shaft themes alongside Whitney Houston's "I Wanna Dance with Somebody". Drummond has claimed that the KLF were later offered the job of producing or remixing a new Whitney Houston album as an inducement from her record label boss (Clive Davis of Arista Records) to sign with them. The second single in this sequence – Drummond and Cauty's third and final single of 1987 – was "Down Town", a dance record built around a gospel choir and "Downtown" by 1960s star Petula Clark. These early works were later collected on the compilation album Shag Times. A second album, Who Killed the JAMs?, was released in early 1988. Who Killed the JAMs? earned the duo a five-star review from Sounds magazine, who called it "a masterpiece of pathos". The Timelords In 1988, Drummond and Cauty released a