Streets as an homage to the original and historical 1913 Armory show. Ten artists worked with more than 30 engineers to produce art performances incorporating new technology. Early video projection was used in works of Alex Hay, Robert Rauschenberg, David Tudor and Robert Whitman. In 1967 he wrote a key theoretical text in the history of art and technology: Theater and Engineering - an Experiment: Notes by an Engineer. Experiments in Art and Technology (E.A.T.) In 1967 Klüver, Robert Rauschenberg, Robert Whitman, and Fred Waldhauer founded Experiments in Art and Technology, a not-for-profit service organization for artists and engineers. Since 1968 he served as president of E.A.T. E.A.T. established a Technical Services Program to provide artists with technical information and assistance by matching them with engineers and scientists who can collaborate with them. In addition. E.A.T. initiates and administers interdisciplinary projects involving artists with new technology. These projects included: The Pepsi Pavilion at Expo '70, Osaka Japan where E.A.T. artists and engineers collaborated to design and program an immersive dome A 1971 pilot project at Anand Dairy Cooperative, Baroda, India called "Utopia: Q&A" that consisted of public spaces linked by telex in New York, Ahmedabad, India, Tokyo, and Stockholm A pilot program to develop methods for recording indigenous culture in El Salvador The formation of a large screen outdoor television display system for Centre Georges Pompidou in Paris A collaboration with artists Fujiko Nakaya (1980) and Robert Rauschenberg (1989) to design sets for the Trisha Brown Dance Company. E.A.T. recently initiated a film restoration project to restore and edit the archival film material from 9 Evenings into ten films documenting the artists performances. In 1972 Klüver, Barbara Rose and Julie Martin edited a book Pavilion that documented the design and construction of the Pepsi Pavilion for Expo '70 in Osaka, Japan. In 2001 Klüver produced an exhibition of photo and text panels entitled "The Story of E.A.T.: Experiments in Art and Technology, 1960 - 2001 by Billy Klüver." It was first shown in Rome, then at Sonnabend Gallery in January 2002. The exhibition went to Lafayette College in the spring 2002, then to the Evolution Festival in Leeds, England, and University of Washington, in Seattle. In 2003 it traveled to San Diego State University in San Diego, California and then to a gallery in Santa Maria, California, run by Ardison Phillips who was the artist who managed the Pepsi Pavilion