Ross Edwards (born 23 December 1943) is an Australian composer of a wide variety of music including orchestral and chamber music, choral music, children's music, opera and film music. His distinctive sound world reflects his interest in deep ecology and his belief in the need to reconnect music with elemental forces, as well as restore its traditional association with ritual and dance. He also recognises the profound importance of music as an agent of healing. His music, universal in that it is concerned with age-old mysteries surrounding humanity, is at the same time connected to its roots in Australia, whose cultural diversity it celebrates, and from whose natural environment it draws inspiration, especially birdsong and the mysterious patterns and drones of insects. As a composer living and working on the Pacific Rim, he is aware of the exciting potential of this vast region. Early life and education Ross Edwards was born and raised in Sydney, Australia. His parents were Frank Edwards, an engineer, and Marjorie Robertson. His great-grandfather was the publisher George Robertson of Angus & Robertson. Drawn to music at an early age, his first attempts at composition date from his fourth year, but it was not until the age of 13, when taken to a concert by the Sydney Symphony Orchestra by his aunt that featured Beethoven's Fifth Symphony and Liszt's First Piano Concerto, that he became intensely aware of his vocation to become a composer. Edwards attended Sydney Grammar School, which did not offer music at the time. At 15 years of age, Edwards was granted permission to enter the New South Wales Conservatorium of Music to study piano, oboe, harmony, counterpoint and theory during lunch hours and weekends. In 1963, after being awarded a Commonwealth Scholarship to the University of Sydney, he enrolled in a Bachelor of Arts degree, but became frustrated and dropped out after a year. Due to the benevolent intervention of composers Peter Sculthorpe and Peter Maxwell Davies, he was able to earn a scholarship and complete a Bachelor of Music degree at the University of Adelaide's Elder Conservatorium in 1969, where his teachers included Peter Maxwell Davies (then composer-in-residence), Sándor Veress and Richard Meale. During vacations he worked as assistant to Peter Sculthorpe, gaining valuable insight into the working life of a composer. A further Commonwealth Scholarship enabled Edwards to complete his studies with Peter Maxwell Davies in London in 1970, earning