West Coast emcee Ice Cube and his cohort, producer Sir Jinx, and Southern emcees such as Scarface and Bushwick Bill (from the Geto Boys). Although the album was originally intended to be released in 1991; its original release encountered several dilemmas due to record label issues, and the album's controversial content. Cold Chillin' Records, which was Kool G Rap and DJ Polo's main record label, was caught up in a legal battle with fellow Cold Chillin' artist Biz Markie over sampling rights, and Warner Bros. Records, which was its distributor, was involved in the Ice-T "Cop Killer" controversy. Due to Live and Let Die's cover art and song content, both labels were reluctant to give the album a release, as they didn't want to get themselves into any more legal troubles. While the project was on hold, Kool G Rap spent almost one year re-writing and recording until the LP was finally released in late 1992. Recording The recording and writing process began in 1991 in Los Angeles, and continued into 1992. The album is considered by many to be the East Coast AmeriKKKa's Most Wanted, being that it takes the same approach that Ice Cube took with writing, recording, and collaborating with, and in a coast that he didn't reside (AmeriKKKa's Most Wanted was recorded in New York, and features several non-West coast artists, namely Public Enemy and its production team the Bomb Squad, though Ice Cube was a California native and resident—Live and Let Die was recorded in California and features several non-East Coast artists, by G Rap, a New Yorker). Cover art The original cover was to display Kool G Rap and DJ Polo robbing a bank, with the photo being in black and white through a surveillance camera's perspective. This concept was eventually dismissed, as every bank said that they would not allow them to take such a graphic photo in their buildings. The second option was to have a photo of Kool G Rap and DJ Polo hopping inside a van with sacks of money and guns. Although this idea was more promising, being that this photo would cost less, and they could easily do it inside a photo studio, there was a new policy that record labels were taking at that time, which didn't allow weapons on album covers. The third and final option was thought of by photographer George Dubose. The cover depicts