in 1970. From April to June 2003 a Japanese version was shown at a large exhibition at the NTT Intercommunication Center (ICC) in Tokyo which also included a number of object/artifacts and documents and E.A.T. posters, as well as works of art that Klüver and E.A.T. were involved in. A similar showing took place in Norrköping Museum of Art, Norrköping, Sweden in September 2004 and a small version was presented in 2008 at Stevens Institute of Technology. Studies of Montparnasse In 1978 Klüver began to work with his wife Julie Martin on a research project on the evolution of the art community in Montparnasse from 1880 to 1930. In 1989 the book Kiki's Paris was published in the United States, and subsequently appeared in France, Germany, Sweden, Spain, and Japan. Kiki was the pseudonym of Alice Prin. Klüver and Julie Martin edited and annotated the original English translation of Kiki's Memoirs''', published in 1930, but banned by U.S. Customs from the United States. It was issued by Ecco Press in Fall 1996; and in French by Editions Hazan in 1998. Klüver's book, A Day with Picasso, published in 1997 in the U.S. (as well as in France, Germany. Brazil), was based on a group of photographs taken at lunch on a sunny afternoon in Montparnasse in 1916 by Jean Cocteau, of Pablo Picasso and Modigliani and friends including André Salmon, Max Jacob and Pâquerette, a model for the designer Paul Poiret. While Klüver in 1978 was researching material on the artists of Montparnasse in the 1910s and 1920s for Kiki’s Paris, he started collecting photographs of the period, noticing some that appeared to have been made together, with people dressed the same in each. He discovered 24 of these photographs and sequenced their events; the interpersonal relations of a small group in Paris vital to the Modernist era. One that Klüver saw in a 1981 Modigliani exhibition inspired him to try to determine the exact dates and times when the pictures were taken by reading the shadows like a sundial. The images provided further clues; a uniformed man suggested that it was during WW1, the foliage on the trees indicated late spring or summer, and he recognised the awning of the Café de la Rotonde. He could identify Pablo Picasso (1881–1973), Amadeo Modigliani (1884–1920) and Moïse Kisling (1891–1953) and realised there was an exhibition in which all three participated; the