Ernö Rapée (or Erno Rapee) (4 June 1891 – 26 June 1945) was a Hungarian-born American symphonic conductor in the first half of the 20th century whose prolific career spanned both classical and popular music. His most famous tenure was as the head conductor of the Radio City Symphony Orchestra, the resident orchestra of the Radio City Music Hall, whose music was also heard by millions over the air. A virtuoso pianist, Rapée is also remembered for popular songs that he wrote in the late 1920s as photoplay music for silent films. When not conducting live orchestras, he supervised film scores for sound pictures, compiling a substantial list of films on which he worked as composer, arranger or musical director. Biography Rapée was born in Budapest, Hungary where he studied as a pianist and later conductor at the Royal National Hungarian Academy of Music. Later, he was assistant conductor to Ernst von Schuch in Dresden. As a composer, his first piano concerto was played by the Philharmonic Orchestra of Vienna, and after a tour of America as a guest conductor, began performing at the Rialto Theater in New York as assistant to Hugo Riesenfeld, where he began composing and conducting for silent films. Following positions at the Rialto and Rivoli theaters, he was hired by Samuel "Roxy" Rothafel as the musical director of the Capitol Theatre's 77-member orchestra in New York. It was at the Capitol that Rapée made his most famous classical arrangement of Franz Liszt's Hungarian Rhapsody, No. 13. While at the Capitol, he pioneered orchestral radio broadcasts from the theatre over station WEAF, beginning with him conducting the Capitol Grand Orchestra (as it was called) in the first known broadcast of Richard Strauss's tone poem Ein Heldenleben on Sunday evening, 19 November 1922 as part of the Capitol's pre-feature film multi-act stage presentation, which was announced over the air by Rothafel himself. This was the first of what eventually became the Roxy's Gang programs, a two-hour weekly variety show hosted by Rothafel using Capitol and, later, Roxy Theatre artistes, broadcast every Sunday evening starting at 7:20 p.m., first from an improvised basement studio at the Capitol and later from a purpose-built studio at the Roxy. Rapée also engaged Eugene Ormandy, whom he had known in his youth as a fellow music student in Budapest, as the Capitol's concertmaster and assistant conductor; Ormandy eventually became musical director of