piano pieces, film scores and Broadway show tunes. Only her "serious" classical compositions are listed below. Syncopated Love Song for piano (1928); version for jazz orchestra with piano obbligato premiered on December 13, 1929 by Nathaniel Shilkret conducting the Victor Orchestra; in 1931 the main melody became a hit song under the title Have You Forgotten, with lyrics by Leo Robin Jazz Nocturne for piano (1931); also arranged for piano and orchestra by Carroll Huxley; the second theme became a popular hit as a song under the title "My Silent Love" Concerto in Three Rhythms for piano and orchestra (1932); commissioned by Paul Whiteman for his Fourth "Experiment in Modern Music" concert (Carnegie Hall, November 4, 1932) and orchestrated by Whiteman's chief arranger Ferde Grofé; later re-orchestrated by Dana Suesse herself without the constraints of the Paul Whiteman orchestra and premiered in 1974 Symphonic Waltzes for piano and orchestra (1933); sometimes referred to as Jazz Waltzes or Eight Waltzes, although the eight sections are played without break and form a work in one continuous movement Danza a Media Noche for two pianos (1933) Blue Moonlight for orchestra with piano obbligato (1934); premiered during Paul Whiteman's Kraft Music Hall broadcast of October 11, 1934; also arranged for solo piano "Love Makes the World Go Round," song copyrighted in 1935, music by Dana Suesse, words by Edward Heyman from the 1935 film, Sweet Surrender Afternoon of a Black Faun for orchestra with piano obbligato (1936); originally entitled Evening in Harlem and retitled for publication in 1938; orchestration by Adolph Deutsch Young Man With a Harp, suite for harp and orchestra (1939); written for harpist Casper Reardon; also arranged by Dana Suesse for harp, piano and percussion and recorded in this form by Casper Reardon, Dana Suesse and Chauncey Morehouse (New York, April 12, 1940) Concerto for two pianos and orchestra in E minor (1934–1941) American Nocturne for orchestra with piano obbligato (1941); recorded by Meredith Willson And His Concert Orchestra as part of the 1941 LP "Modern American Music"; also arranged for solo piano Three Compositions for the Piano (At the Fountain; Midnight in Gramercy Square; Swamp-bird) (1941) 110th Street Rhumba for piano (1941); later orchestrated by Dana Suesse and premiered in this form during the Newport Music Festival, 1975 Coronach for harp and orchestra (1941); dedicated to the memory of Casper Reardon, for whom she had composed her suite Young Man