with Haïm on tour in the United States (St. Paul Chamber Orchestra and New World Symphony) and with her group Le Concert d'Astrée at the Aldeburgh Festival, in Paris, on tour in France, on BBC radio. The soprano performed excerpts with countertenor David Daniels at the 2007 Cortona Festival in Italy with Haïm and le Concert d'Astrée. Her first recording collaboration with Haïm is Händel's Arcadian duets on Virgin Veritas/EMI. In December 2011, she celebrated the orchestra's 10-year anniversary in a Gala at the Théâtre des Champs-Elysées, Paris, rebroadcast by France Musique. Modern music In modern music, she made her debut at the Salzburg Festival in Peter Sellars's new production of Ligeti's Le Grand Macabre, reprising the role of Amanda in the same production at the Théâtre du Châtelet in Paris. She can be heard on the Grammy-nominated recording of Le Grand Macabre for Sony with Esa-Pekka Salonen conducting. Concerts of Humperdinck's Hänsel und Gretel (role debut as Gretel) with the London Symphony Orchestra, Copland's The Tender Land (role debut as Laurie Moss), The Rake's Progress (role debut as Anne Trulove) all at London's Barbican, as well as Mistress Page in Vaughan Williams' Sir John in Love in Newcastle with the Northern Sinfonia and its recording for Chandos are some highlights of her operatic collaboration with conductor Richard Hickox. Claycomb debuted Cunegonde in Candide at Opera Pacific with John Demain. In 2006, Claycomb originated the role of Queen Wealtheow in Elliot Goldenthal's opera Grendel in a Julie Taymor production with Los Angeles Opera and Lincoln Center Festival. She added Anne Trulove in the Rake's Progress to her stage roles in 2007 with a new Robert Lepage production she originated at Brussels' La Monnaie and reprised at the Opéra de Lyon. In 2015, Claycomb created the role of Hester Prynne in world premiere of Lori Laitman's The Scarlet Letter at Opera Colorado as well as singing Leonard Bernstein's Kaddish (Symphony No. 3) for the first time with the RAI National Symphony Orchestra in Turin. Concerts In concert music, with Esa-Pekka Salonen, she has sung Debussy's Le martyre de Saint Sébastien (Angel) with the Swedish Radio Orchestra and Mendelssohn's A Midsummer Night's Dream with the Los Angeles Philharmonic. Claycomb sang the world-premiere of Salonen's Five Fragments After Sappho with the composer conducting at the Ojai Festival, with the Los Angeles Philharmonic in Los Angeles, with the London Sinfonietta at the Queen Elizabeth