South Korea's Ministry of Culture, Sports and Tourism (MCST) is a central government agency responsible for the areas of tourism, culture, art, religion, and sports. It has two vice ministers, three assistant ministers, one commission, and over 60 divisions. The first Minister of Culture was novelist Lee O-young. Subsidiary entities such as the National Museum, the National Theater, and the National Library are under the Ministry. The headquarters are located in the Sejong Government Complex in Sejong City. The headquarters were previously in Jongno District, Seoul. Goals The main goals of the MCST are: To educate Korean people to be cultured and creative citizens To create a society in which leisure and work are in harmony To create a dynamic nation in which various local cultures are represented To enhance public awareness of the national agenda (e.g. green growth) through public relations activities To improve quality of life for citizens by supporting cultural events and activities, sports, tourism, and religious activities History The Ministry of Culture and Tourism was originally a sub-organization of the Ministry of Education created in 1948. Later, the Ministry of Transportation set up a tourism department. The Ministry of Information was set up in 1961 for administration of art and cultural affairs. The Ministry of Culture and Information became the Ministry of Culture in 1990. In 1993, the Ministry of Culture was integrated with the Ministry of Youth and Sports to become the Ministry of Culture and Sports. In 1998, as part of government reorganization efforts, the Ministry of Culture and Sports was replaced by the Ministry of Culture and Tourism. It was created to invest in and support the entertainment industry, as Korea needed new areas of growth in the wake of the Asian financial crisis in the 1990s. President Kim Dae Jung put forth industrial policies supporting entertainment with the same regard as traditional industrial sectors such as manufacturing. Investments were made in both infrastructure and technology to support K-Pop, including concert halls and visual effects technology. In addition, government regulation of karaoke bars favored K-Pop. Since then, there has been a focus on developing soft power; the Ministry believes that by promoting Korean culture abroad, exports of other goods and services will also increase. As part of those efforts to move beyond developing a domestic industry and toward international success, the Ministry established an advisory committee and announced an international training school. Direct