of HMS Hood. In 2018, at the centennial of the signing of the Armistice, plans were made to ring carillons and church bells across the Commonwealth at local sundown, in reference to the line, "at the going down of the sun... we will remember them." The bells were to be rung 100 times in recognition of the 100 years having passed. A plaque on a statue dedicated to the fallen in La Valletta, Malta, is also inscribed with these words. Oceania In Australia's Returned and Services Leagues, and in New Zealand's Returned Services Associations, it is read out nightly at 6 p.m., followed by a minute's silence. It is also part of the Dawn Service in Australia and New Zealand. Like the Menin Gate, the Australian War Memorial incorporates the ode into its Last Post Ceremony, where it is read by a member of the Australian Defence Force and is followed by a minute of silence and a bugler playing the "Last Post". Ode of Remembrance Typically, the "Ode of Remembrance" is recited in Australia, New Zealand and the Pacific Islands as follows: Canada In Canadian remembrance services, a French translation is often used along with or instead of the English ode. A quotation appears on the Calgary Soldiers' Memorial. "Lest we forget" The line "Lest we forget", taken from Rudyard Kipling's poem "Recessional" (which incidentally has nothing to do with remembering the fallen in war), is often added as if were part of the ode and repeated in response by those listening, especially in Australia. Several Boer War memorials are inscribed with the phrase, showing its use pre-World War I. In the United Kingdom, Australia, New Zealand and Singapore, the final line of the ode, "We will remember them", is repeated in response. In Canada, the second stanza of the above extract has become known as the Act of Remembrance, and the final line is also repeated. Musical settings Sir Edward Elgar set to music three of Binyon's poems ("The Fourth of August", "To Women", and "For the Fallen", published within the collection The Winnowing Fan) as The Spirit of England, Op. 80, for tenor or soprano solo, chorus, and orchestra (1917). His setting of "For the Fallen" sparked some controversy as it was published after another setting of the same poem by the composer Cyril Rootham in 1915. Neither composer was responsible for this, and Elgar initially offered