lengthy and slow minuet episode before returning to the main theme for a lively finish (also recalling Count Almaviva's adagio pleadings for forgiveness leading to a buffa conclusion in Le Nozze di Figaro, a work that Mozart was working on at this time). The Andantino episode of K. 482 is melodically simpler than the parallel episode in K. 271, at least on paper, and less complex in form as well, consisting of two eight-bar phrases played by the orchestra and repeated with the solo, followed by a transition back to the rondo theme. (The Menuetto episode of K. 271, while often described as a set of variations, is actually in a more elaborate rounded binary form with both parts repeated, again followed by a transition back to the main rondo theme.) M.S. Cole has noted that the K. 482's finale marks Mozart's last use of potpourri in his compositions. This movement was featured in the film Amadeus. References Further reading Steinberg, Michael, The Concerto: A Listener's Guide, Oxford (1998, ) External links , Emanuel Ax, Bavarian Radio Symphony Orchestra, Cristian Măcelaru 22 Compositions in E-flat major 1785 compositions