Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth. The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem. It was written by Wordsworth after a walking tour with his sister in this section of the Welsh Borders. The description of his encounters with the countryside on the banks of the River Wye grows into an outline of his general philosophy. There has been considerable debate about why evidence of the human presence in the landscape has been downplayed and in what way the poem fits within the 18th-century loco-descriptive genre. Background The poem has its roots in Wordsworth's personal history. He had previously visited the area as a troubled twenty-three-year-old in August 1793. Since then he had matured and his seminal poetical relationship with Samuel Taylor Coleridge had begun. Wordsworth claimed to have composed the poem entirely in his head, beginning it upon leaving Tintern and not jotting down so much as a line until he reached Bristol, by which time it had just reached mental completion. Although the Lyrical Ballads upon which the two friends had been working was by then already in publication, he was so pleased with what he had just written that he had it inserted at the eleventh hour as the concluding poem. Scholars generally agree that it is apt, for the poem represents the climax of Wordsworth's first great period of creative output and prefigures much of the distinctively Wordsworthian verse that was to follow. The poem is written in tightly structured decasyllabic blank verse and comprises verse paragraphs rather than stanzas. Categorising the poem is difficult, as it contains some elements of the ode and of the dramatic monologue. In the second edition of Lyrical Ballads, Wordsworth noted: "I have not ventured to call this Poem an Ode but it was written with a hope that in the transitions, and the impassioned music of the versification, would be found the principle requisites of that species of composition." The apostrophe at its beginning is reminiscent of the 18th century landscape-poem, but it is now agreed that the best designation of the work would be the conversation poem, which is an organic development of the loco-descriptive. The silent