site of reflection." Similarly, Mark B. N. Hansen has grouped Rogala together with the artists Tamás Waliczy and Jeffrey Shaw, seeing them as key in developing new ways to present the digitized photographic images: "By explicitly staging the shift from the technical image to the framing function, the works of these artists literally compel us to "see" with our bodies." Or in the words of Lynn Warren, "All these images differ profoundly from a traditional photograph in that the viewer does not merely hold (or amplify, or mutate) them in his memory after the initial, static viewing, the viewer determines the very structure of the image by how he physically moves his body, hands, and eyes. This is the post-photographic image." In 1996, Rogala produced Electronic Garden/NatuRealization, sometimes known as eGarden, an interactive sound installation created and produced for Sculpture Chicago (http://www.chicagosculptureworks.com/Welcome.html) '96. The work was placed in the center of Washington Square Park in Chicago, a site with historic significance as a place where soap box speakers of the early to mid-twentieth century would use their right of free speech and expound on and debate the issues of the day. By moving through a gazebo-like structure, the listener would trigger the playing of recordings of the words of both historic and contemporary speakers associated with the area. Between one and four recordings might play at a time, but they would be heard only if a visitor moved through the space. In the words of critic and theorist Sean Cubitt from his article "Miroslaw Rogala: Public, Publicity, Publication," "The primary concern is with the process of making spaces where democracy can be enacted, where mutuality and trust are fostered, and where the voices of the past can inform the struggles of the present". Divided We Speak was exhibited at the Museum of Contemporary Art in Chicago in 1997. In this exhibit, audience members could carry wands that would trigger changes in image and sound content as they moved through the MCA's video gallery. It accompanied a performance work, Divided We Stand, described as an interactive media symphony in six movements, which linked the use of these wands to an event involving musicians and dancers. Divided We Sing (1999) was commissioned by the Pittsburgh Center for the Arts and also used wand technology, with the participants' gestures triggering spoken words (from radio and voice over artist Ken Nordine) and sung music