"Born in the U.S.A." is a song written and performed by Bruce Springsteen, and released in 1984 on the album of the same name. One of Springsteen's best-known singles, it was ranked 275th on Rolling Stone's list of "The 500 Greatest Songs of All Time", and in 2001, the RIAA's Songs of the Century placed the song 59th (out of 365), remaining a favorite in classic rock. The song addresses the economic hardships of Vietnam veterans upon their return home, juxtaposed ironically against patriotic glorification of the nation's fighting forces. Recording history This song was written in 1981 as the title song for a film that Paul Schrader was contemplating making and that Springsteen was considering starring in (Light of Day starring Michael J. Fox). Springsteen thanks Schrader in the liner notes of the album Born in the U.S.A. Casual home demos were made later that year, following the completion of The River Tour. A more formal solo acoustic guitar demo was made on January 3, 1982, at Springsteen's home in Colts Neck, New Jersey during the long session that constituted most of the Nebraska album released later that year. Acoustic versions of several other songs that eventually appeared on the Born in the U.S.A. album were also on this demo, including "Child Bride" (an early version of "Working on the Highway") and "Downbound Train". However, Springsteen's manager/producer Jon Landau and others felt that the song did not have the right melody or music to match the lyrics, and also did not fit in well with the rest of the nascent Nebraska material. As a result, the song was shelved. (This version surfaced in the late 1990s on the Tracks and 18 Tracks outtake collections.) Full E Street Band versions were recorded during the Electric Nebraska sessions, with the Born in the U.S.A. album take 4 completed on April 27, 1982, at the Power Station. Much of the arrangement was made up on the spot, including Roy Bittan's opening synthesizer riff and what producer Chuck Plotkin nicknamed Max Weinberg's "exploding drums". The famous snare drum sound on this record, notable for its gated reverb, was obtained by engineer Toby Scott running the top snare microphone through a broken reverb plate with a fixed four-second decay and into a Kepex noise gate. This is the version that appeared on the Born in the U.S.A. album, a full two years later. The