To the Devil...a Daughter is a 1976 British-West German horror film directed by Peter Sykes, produced by Hammer Film Productions and Terra Filmkunst, and starring Richard Widmark, Christopher Lee, Honor Blackman, Nastassja Kinski and Denholm Elliott. It is based on the 1953 novel of the same name by Dennis Wheatley. It was the final Hammer production to feature Christopher Lee until The Resident in 2011. Plot American expatriate occult writer John Verney (Widmark) is asked by Henry Beddows (Elliot) to pick up his daughter Catherine (Kinski) from London Heathrow Airport. Catherine is a member of the Children of the Lord, a mysterious heretical religious order based in Bavaria that was founded by excommunicated Roman Catholic priest Michael Rayner (Lee). Catherine's deceased mother was part of the order, and had arranged for her daughter to be brought up as a member of the order. Once Catherine arrives in London, Beddows then insists that she stays with Verney for the time being. The order, however, under Rayner, makes all efforts to get Catherine back and uses black magic to stop Verney as he protects her. Verney learns that the order harbours a group of practicing Satanists, who have prepared Catherine to become an avatar of Astaroth upon her eighteenth birthday. Upon learning that Verney has discovered his secret, Rayner kills off Verney's occult writer friends while in the midst of retrieving Catherine from Verney. Using his knowledge of the occult, Verney battles the priest and his henchmen in order to rescue Catherine, who was taken back by Rayner. As Rayner prepares to baptise Catherine in blood, Verney manages to save Catherine by knocking the priest unconscious and carrying her out of the circle of blood created by Rayner. Cast Production The film was adapted by Christopher Wicking and John Peacock from the 1953 novel of the same name by Dennis Wheatley. It was the second of Wheatley's "black magic" novels to be filmed by Hammer, following The Devil Rides Out, released in 1968. Wheatley disliked the film because it did not follow his novel and he found it obscene. He told Hammer that they were never to make another film from his novels. Wicking called the film "an awful mess. There was no real focus to it." He wanted to incorporate DNA as part of the storyline but said EMI refused because they felt this would make the film too much like