the bedroom. Several days later, Homer tries to express how bad he feels by slipping pictures of himself under the door, but falls asleep. When he wakes up, Marge is gone and Grandpa is looking after Bart and Lisa, who tell him that Marge left hours ago. Marge is on top of city hall, where she declares she will show the world how she feels about Homer. She reveals the largest Popsicle sculpture she has ever made, and the subject is Homer. Marge realizes that Homer tried to keep his promise to her and make it on time, not that he did not care, much to the shock of a nearby Opal. Marge apologizes to Homer for the way that she acted, Homer apologizes for ruining her sculptures, and the two reunite. The scene shifts 200 years into the future, where the Homer sculpture is the only remaining element of Western art in a world where iPods have conquered humanity, whipping them with headphones for a hobby. Cultural references This episode's title is a reference to the first words of Stephen Foster's "Jeanie with the Light Brown Hair", lyrics that also inspired the title of the sitcom I Dream of Jeannie. Greta Wolfcastle makes a non-speaking cameo appearance in this episode. The episode features the songs "Get Ur Freak On" by Missy Elliott, "Money for Nothing" by Dire Straits, "Feels So Good" by Chuck Mangione, and varied scorings of "Pop Goes the Weasel". The revelation of the customized ice cream truck is a parody of Pimp My Ride, which also had an episode about a man with a broken-down ice cream truck that gets pimped out by Xzibit. Bart says: "Wow Otto, you totally pimped Dad's ride." The scene where Homer gets dressed in his ice cream man uniform is a reference to the opening of Da Ali G Show. The TV show Marge watches, Opal, is a parody of The Oprah Winfrey Show. Opal reappears in "Husbands and Knives" and "Funeral for a Fiend". When Homer is speeding to Marge's art show, the theme from the 1970s TV show The Streets of San Francisco is heard. Homer mistakes a huge Popsicle-stick sculpture of himself for Magilla Gorilla. The episode predicts a bleak future in which humanity is enslaved by anthropomorphic giant iPods. When Snake Jailbird hijacks the helicopter, he tells Kent Brockman about a "tie-up on the 101/405 interchange".