(from Urszula Dudziak and Jennifer Guo). Elaine King described it as follows, "The visitor becomes a performer, sharing a stage with wall illusory shadow dancers. Every time a visitor appears in Rogala's 'wand' theatre a fresh interactive performance emerges." Divided We See, like Divided We Sing, was an offshoot of a larger Divided We Stand project. About it Rogala has written, Video Installation and Live Performance One of the strongest influences on Miroslaw Rogala's video creation was his work with the New York-based German video artist Dieter Froese, who had developed techniques for synchronizing multiple video channels to allow for simultaneous projections. These skills led to the creation of a number of video installation and theater pieces which could be shown with precise frame-to-frame coordination between or among the different channels. Questions to Another Nation (1985) was a four-channel video piece in which the viewer was invited to watch four television monitors simultaneously. The work presented a kind of debate or interaction among the four video sources. Writing in the Chicago Reader, critic Chris Strayer described how "Rogala embraces modern technology without losing touch with meaning. He integrates Polish, English, and computer languages with real, laser, and computer images. Faces spread across monitors until they look two directions simultaneously." Remote Faces: Outerpretation (1986) used seven synchronized channels of video, parallel to the seven days of the week, with two groups of three monitors flanking each side of a larger screen. With one side representing "pro" and the other "con," Rogala's playing with a dialogic structure continued and became even more complex when combined with elements of performance. The result was a 36-minute work of video theater. Colin Westerbeck of Artforum praised the way in which Rogala explored the ways in which video could be considered comparable to a language: "He probes the electronic image to see if it has, as they say in linguistics, inherent deep structures." Macbeth: The Witches Scenes was part of a production of Macbeth directed by Byrne Piven and performed in November and December 1988 at the Noyes Cultural Arts Center in Evanston, Illinois. Writing in the Chicago Sun-Times, Lynn Voedisch has described it by saying, "It features swirling photography, witches who resemble street people, robots and synthetic speech. Watching it was like taking a wrong step into a malevolent future." Nature Is Leaving Us was a "video opera" conceived and directed by Rogala and performed