into question. In the happening, performers from the film, such as a professional whip cracker, come alive in the installation while surrounded by the audience. First shown at the Deste Foundation’s project space "Slaughterhouse" on the Greek island of Hydra, Black Mirror is displayed on five screens reflected “into infinity” across black mirrors and stars Chloë Sevigny tethered only by brief conversations over the phone and through voiceover in such disparate locales as Mexico, Greece, and Central America. "Black Mirror" was also a four-night event staged on a custom barge, again featuring a performers from the film: Leo Gallo, Tim McAfee-Lewis, No Age, and Chloë Sevigny. Photographs, light boxes, and sculptures Aitken is well known for his many photographs, which often explore spatial and temporal disruption and narrative suggestion like his installations. For example, Passenger, a group of still photographs made in 1999, shows planes in flight, most of which focus on the faint traceries of takeoffs and landings over desolate airport landscapes. More recently, Aitken has created aluminum light boxes that combine photographic image and text. Extending the theme of text and image, Aitken has produced sculptures from materials as diverse as plants inside clear acrylic and kaleidoscopic mirrors. Other sculptures, such as sunset (black and white), 2012, employ the use of hand-carved foam, epoxy and hand silk-screened acrylic. Sound experiments Interested in the uneasy intersection of nature and culture or narrative variability, the artist has incorporated into his scores what he calls "field recordings," such as jungle noises from Jonestown, Guyana (in his 1995 monsoon), and the reverberations of tremors generated by the eruption of the Soufrière Hills volcano on the Caribbean island of Montserrat (in eraser, 1998). In 1996, for the public art organization Creative Time, Aitken conceived an installation piece in the Anchorage, a cavernous space inside the base of the Brooklyn Bridge, that used recordings of the traffic noises overhead. In 2004, he completed a sound sculpture for the Barcelona Pavilion composed of a central post supporting a few sweeping steel branches that rotated while highly directional speakers at the end of each branch played snippets of scripted conversation. In October 2009, Aitken's Sonic Pavilion opened to the public. The pavilion is located in the forested hills of Brazil, at Inhotim. The Sonic Pavilion provides a communal space to listen to the sounds of the earth as they are recorded through highly sensitive microphones buried