his mother's name d'Olivet, he grew up in the Languedoc province in the south of France. When he reached the age of eleven or twelve he was sent to Paris by his father, a businessman in the international silk industry, who wished his son to receive a good education and assist the family business. He spent five years in the French capital, where he learned Latin, Greek and English. Having completed his studies, in 1786 he travelled as a salesman for his father's company, learning German in the process, but with little commercial success. During his travels he met a young woman, Chrisna; the effects of the encounter on him were long-lasting and later inspired the first of his songs to be published. Revolutionary period and aftermath Antoine Fabre returned to Paris in 1789, ostensibly for purposes related to his father's firm. However, Paris was about to undergo revolutionary upheaval later in the year and he became actively involved in political pursuits; recalling the period later in his life, he wrote that he had written speeches designed to appeal to moderate Parisians. Although his political stance during this era would later cause him problems, he survived both the French Revolution, and the subsequent period of terror it unleashed, unscathed. Following this period of political upheaval, he turned his attention to his artistic interests. These included both music and literature, and during this time he wrote for the stage – both drama and the libretto for the Paris Opéra's 1794 work Toulon soumis – as well as poetry, fiction and journalism. It was at this time that he changed his name to Fabre d'Olivet. D'Olivet's father fared less well after the Revolution; his silk business failed and consequently his son's own prospects of financial independence were ended. As a result, Fabre d'Olivet sought employment and in 1799 secured work in the French War Ministry. In his autobiography, Mes souvenirs (published posthumously), he later admitted that he worked on a number of personal literary projects instead of fulfilling his official duties. The year after joining the War Ministry, he fell in love with Julie Marcel but decided against marrying her. Her death in 1802, after they had parted, later influenced his philosophical thinking; he claimed that she had appeared to him on several occasions, and he credited her with his theories concerning both the soul's immortality and Providence. Works Le Quatorze de