Our Time (1974). Determined to land the leading role, Spacek backed out of a television commercial she was scheduled to film, rubbed Vaseline into her hair, left her face unwashed, and arrived for her screen test clad in a sailor dress which her mother had made her in the seventh grade, with the hem cut off, and was given the part. Nancy Allen was the last to audition, and her audition came just as she was on the verge of leaving Hollywood. She and De Palma later married in 1979, but they divorced in 1984. Filming De Palma began with director of photography Isidore Mankofsky, who was eventually replaced by Mario Tosi after conflict between Mankofsky and De Palma ensued. Gregory M. Auer, assisted by Ken Pepiot, served as the special effects supervisor for Carrie, with Jack Fisk, Spacek's husband, as art director. The White house was filmed in Santa Paula, California. To give the house a Gothic theme, the director and producers visited religious souvenir shops to find artifacts to decorate the set location. A wraparound segment at the beginning and end of the film was scripted and filmed, which featured the Whites' home being pummeled by stones that hailed from the sky. The opening scene was filmed as planned, though on celluloid, the tiny pebbles looked like rain water. A mechanical malfunction botched filming the night when the model of the Whites' home was set to be destroyed by stones, so the filmmakers burned it down instead and deleted the scenes with the stones altogether. The original opening scene is presumed lost. The final scene, in which Sue reaches toward Carrie's grave, was shot backwards to give it a dreamlike quality. This scene was inspired by the final scene in Deliverance (1972). Rather than let a stunt double perform the scene underground, Spacek insisted on using her own hand in the scene, so she was positioned under the rocks and gravel. De Palma explains that crew members "had to bury her. Bury her! We had to put her in a box and stick her underneath the ground. Well, I had her husband [Fisk] bury her because I certainly didn't want to bury her". Music The score for Carrie was composed by Pino Donaggio. In addition, Donaggio scored two pop songs ("Born to Have It All" and "I Never Dreamed Someone Like You Could Love Someone Like Me") with