Barton Hill is an area of Bristol, just to the east of the city centre and Bristol Temple Meads railway station. It includes residential, retail and industrial premises and is crossed by major roads, railway tracks and the feeder canal leading to Bristol Harbour. Geology The solid geology of Barton Hill is Triassic Redcliffe Sandstone. History Barton was a manor just outside Bristol mentioned in the Domesday Book as Bertune apud Bristov, and later in 1220 as Berton Bristoll. In Saxon and early Norman times the manor was held by the king, and was known as Barton Regis. The manor gave its name to Barton Regis Hundred, the hundred. Sloping ground at the southern end of the hundred, leading down to St Philip's Marsh, became known as Barton Hill. The Great Western Cotton Factory on Great Western Lane was designed by Isambard Kingdom Brunel in the early 19th century. Great Western Cotton factory opened in 1838 and closed in 1925. From a plan of 1839 the sheds are seen to have contained up to 1600 looms. The main spinning mill was demolished in 1968. After World War 2, many homes in Barton Hill, Lawrence Hill, Easton and St. Paul's were destroyed due to being bombed. A large housing estate was built in the area during the 1950s and 1960s to house many of the homeless residents of inner city Bristol. Nine tower blocks and two blocks of maisonettes were constructed during this period of time. Many residents of this area and other inner city Bristol areas could not all be housed in these estates and had to be moved to other newly built larger outlying estates such as Southmead, Lawrence Weston, Knowle West and Hartcliffe. Music Barton Hill is a stronghold of drum and bass with notable artist and Mercury Prize-winning Roni Size/Reprazent having a studio in the area, with his album Return of V showing Barton Hill on the cover. During 1977 and 1978 Barton Hill Youth Centre was a popular venue for punk and new wave acts to play. Among the bands that appeared were Siouxsie and the Banshees, Subway Sect, Slaughter and the Dogs, Adam and the Ants, Cocksparrer, Wayne County and the Electric Chairs and local acts including The Media, The Pigs and The Pop Group. It was probably Bristol's first live punk venue. However escalating violence at the gigs contributed to its short lifespan as