at Studios 301 in Sydney. Of the four songs originally demoed, only "Chrome Injury" was included. The album, Of Skins and Heart, was co-produced by Gilbey and Bob Clearmountain (Bryan Adams). Seven of the nine tracks were written solely by Kilbey. The first single, "She Never Said", was released in November, but did not chart. The second single, "The Unguarded Moment", co-written with Kilbey's girlfriend Michelle Parker, was issued alongside the album in March 1981, initially only in Australia. "The Unguarded Moment" reached No. 22 on the Australian Kent Music Report Singles Chart while Of Skins and Heart achieved the same position on the related Albums Chart. To promote their releases, the band undertook their first national tour. By the time of the album's release, drummer Ward had already been replaced by Richard Ploog. He was recruited by their manager, Michael Chugg, after hearing of his reputation in Adelaide. Ploog's arrival established The Church's first stable line-up. The first recordings by the group with Ploog were eventually released as a five-track double single / extended play, Too Fast for You in July 1981. It included the first collectively written track, "Sisters". Another track, "Tear It All Away", later released as a separate single, showed a development towards more elaborate guitar structures and what would become the signature Church sound. Their image of tight jeans and paisley shirts (many designed and made by Michelle Parker), as well as their 'jangly' guitar sound evoked comparisons to 1960s psychedelic groups, particularly The Byrds. The success of Of Skins and Heart enabled Chris Gilbey to present the release to Freddie Cannon of French label Carrere and Rupert Perry of American label Capitol. Both labels released the album in 1982, renamed as simply The Church, with slightly altered track listings including songs from Too Fast for You and using a crop of that EP's artwork for the cover. Ploog was incorrectly credited as the sole drummer on the release, despite only playing on one or three tracks, depending on the version. Capitol also released an edited single version of "The Unguarded Moment" which was a minute shorter than the original – a decision which displeased the band. Reception Cash Box magazine said "This young Australian quartet plays a sprite brand of British new pop that recalls the early days of The Kinks and The Who. A ringing guitar sound, Ray Davies-styled vocals and some of