at the Goodman Theater in Chicago in October 1989. It involved three panoramic 6-foot by 8-foot video walls, with a total of 48 synchronized monitors, presented in conjunction with performances by actors, musicians, and dancers. It featured the singer Urszula Dudziak. Richard Christiansen of the Chicago Tribune wrote of it, "On this giant video canvas, Miroslaw Rogala has composed urban and rural images that rise up, fade out, dissolve, fragment, reduce, blow up, and spin like a top in an ever-changing miracle of computerized artistry." In EdgeMode (1997), the artist collaborated with choreographer Shirley Mordine. Each dancer chose a newspaper text that Rogala then processed and projected, using two synchronized channels, onto the dancer's naked body dudring the performance. Post-Photographic Transformation Since 1993 and throughout the first decades of the twenty-first century, Rogala has been involved in an ongoing series of still, mixed media, and video artworks for which he has transformed photographs and digital sources using Mind's-Eye-View 360-degree perspective software developed by Ford Oxaal. The Transformed City series works with pictures taken in cities such as Kraków or Istanbul. The Transformed Garden series presents still lifes of fruits and vegetables fragmented into unstable, dynamic compositions. Works from the latter series were published in late 2009 in a book entitled Transformed Garden and exhibited in Miroslaw Rogala--The Breath of an Image: Digital Photography and Media Works held at The Art Gallery of Plock in 2013. In the words of critic George Lellis, "Rogala ... essentially inverts the image, with the lines and colors from the edges of the frame moving to its center and the color and form of the central object ... being dispersed to the periphery of the frame. ... The individual images ... suggest a photographic cubism or futurism in which a plenitude of moments, perspectives, and attitudes are frozen into a single exuberant image that often seems to defy gravity." Recently Rogala has been experimenting with transformation of still images and digital video through the use of multiple exposures, embodying his concept of "zig-zag time." Gardens of Negotiation is a four-screen video installation first exhibited at WRO Biennale held in Wroclaw Poland 2017. Using the image of the apple as a central motif, Gardens of Negotiation extended many of the ideas about contemporary encounters between nature and technology first presented in Nature Is Leaving Us. Animating the transformed imagery he had been exploring in his post-photographic