Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli. History The current church was built over a pre-existing one, erected in 1192, called infra hortes ("amidst the orchards", whence the name fratte, "thickets", from Byzantine Greek φράκτη, phráktē, "hedge") for it was located in a countryside area on the northern edge of the inhabited area of medieval Rome. The church originally belonged to Augustinian nuns. It became the national church of the Scottish people in Rome, until Scotland became Protestant, when in 1585 Pope Sixtus V assigned it to the Minim friars of Saint Francis of Paola. The Scots College, the seminary for young men studying for the priesthood, was located nearby, on the Via del Tritone, until 1604, when it moved to the Via delle Quattro Fontane. In 1942 Pope Pius XII elevated the church to the rank of a minor basilica. Fabric of the Church In 1604 the construction of the new church was begun, to the design of Gaspare Guerra. The project, halted eight years later, was revamped in 1653 by Francesco Borromini, who is responsible for the apse, the tambour of the cupola, and the square campanile with four orders. After his death, the construction was continued by Mattia De Rossi. The late Renaissance-style façade, with two orders divided by pilasters, was completed in 1826, thanks to funds provided the Testament of Cardinal Ercole Consalvi. Interior The interior has a single nave with three chapels on each side, and two small chapels on either side of the entrance. The decoration of the cupola is by Pasquale Marini. Along the nave in the first chapel is a wooden ‘’tempietto’’ (temple) (1674) painted by Borgognone and on the wall is a “Baptism of Christ” of Ludovico Gimignani. In the chapel of Saint Francis de Sales is the funeral monument of Cardinal Pierluigi Carafa sculpted by Pietro Bracci. In the cloister, the lunettes are frescoed with stories from the Life of Saint Francesco by Marini, Francesco Cozza, and Filippo Gherardi. In the transept, the altar (1736) was designed by Filippo Barigioni, the altarpiece of Saint Francis of Paola was painted by Paris Nogari, the stuccoed angels were added by Giovanni Battista Maini. The presbytery dome has a fresco of the Multiplication of the loaves