by singing and musical accompaniments, thus transgressing the theoretical definition of literature and music. "Long before the novel and short story became known as literary genres, Sudanese literature existed in the form of oral stories and narrative poems, most of which, until recently, were transmitted from one generation to the next.", as literary critic Eiman El-Nour put it in her seminal paper The Development of Contemporary Literature in Sudan. Among the living oral traditions, there are the Ahaji folk tales and the Madih, or religious praise tales. The first kind generally have a mythological and often local character. According to El-Nour, "they invariably have happy endings and are full of fanciful scenes and superstitions that describe the magic powers of genies and ogres." Madih, the other kind of poetry is typically recited by a singer and chorus, and has a religious character, praising the prophet Muhammad or revered religious leaders. Sudanese folk tales have been collected and edited by Abdallah al-Tayyib, a scholar of Arabic literature and language, and published in English as Heroes of Arabia as well as in Stories from the sands of Africa. Poetry and songs continue to occupy a prominent role in contemporary Sudanese culture. Songs celebrating the beauty of the land, its regions and scenery have been very popular in modern music since at least the 1930s. Before independence, poems and the lyrics of songs were often artistic expressions of nationalism and other political issues. Among others, Khalil Farah (1892–1932) was an important poet, and his patriotic verses have been used in popular songs like "Azza fī Hawāk" (My beloved Azza). During more recent times of political oppression, forms of oral literature have been expressions of resistance towards the rulers of the day, and have even led to the imprisonment or exile of poets like Mahjoub Sharif (1948–2014) or musicians like Mohammed Wardi (1932–2012). A traditional form of oral poetry are the songs of praise or ridicule by female singers of Western Sudan, called Hakamat. These are women of high social standing, respected for their eloquence, intuition and decisiveness, who may both incite or vilify the men of their tribe, when engaged in feuds with other tribes. The social impact of these Hakamat can be exceptionally strong. Because of this, they have recently been invited by peacebuilding initiatives in Darfur in order to exert their influence for conflict resolution or other social issues, like environmental