mats as the basis for viewer interaction with the piece: moving around shifted the visitor's point of view among three options (first, second, and third person). Gestures made by visitors further affected how the piece was experienced. In the second installment, Dove continued her inquiry "into the subconscious at work in the capitalist society of the early 20th century". Notable works Lucid Possession (2009–present) Spectropia (2001–2010) Artificial Changelings (1995–2000) Casual Workers, Hallucinations and Appropriate Ghosts (1994) Archeology of a Mother Tongue (1993; in collaboration with Michael Mackenzie) The Blessed Abyss: A Tale of Unmanageable Ecstasies (1992) Mesmer: Secrets of the Human Frame (1990) Publications "Haunting the Movie: Embodied Interface/Sensory Cinema." In Gavin Carver and Colin Beardon, New Visions in Performance: The Impact of Digital Technologies. Routledge, 2012. "The Space Between: Telepresence, Re-Animation and the Re-Casting of the Invisible." In Martin Rieser and Andrea Zapp, New Screen Media: Cinema/Art/Narrative. London: British Film Institute, 2002, pp. 208–220. "Theater Without Actors: Immersion and Response in Installation." In Leonardo (1994): 281-287. Mesmer: Secrets of the Human Frame. Granary Books, 1990. References External links Home Page 20th-century American sculptors Living people Mixed-media artists American women sculptors 21st-century American women artists New media artists 21st-century American sculptors 1946 births