sets with terrain elements, such as cliffs, terraces, and rivers. The depth of the auditorium to the proscenium is , while the depth to the front of the stage is . The coved ceiling is distinguished by console brackets with swags, and there are decorations of bellflowers within the cove. The ceiling is divided into ribs, containing bands with fruits and flowers. The center of the ceiling contains a rectangular panel with modillions around it, as well as floral cartouches and latticework inside. Around this panel are circular "L" motifs. Guilloche moldings hang over the second balcony. The ceiling lacked a chandelier, as the designers thought it would be distracting to the performers and audience. Instead, there are recessed light fixtures in the ceiling. Other facilities Daniel Frohman's "penthouse", comprising his office and apartment, was on the south side of the theater building, facing 45th Street. It was not part of his original plans but became his primary residence, though he also had another residence in New York City. They were accessed by a stair and elevator from the lobby. Frohman's offices contained Chippendale furniture as well as a reproduction of playwright David Garrick's library. The adjacent rooms contained stenographers' offices and other rooms. A small window from his dining room's northern wall allowed Frohman to look at the performances in the auditorium. The window measured wide and was above the second balcony level. During the mid-1920s, The New York Times described Frohman's office as, "in a manner, the headquarters of the theatrical profession in the city". The office contained portraits of numerous oil paintings, drawings, photographs, and lithographs of show personalities. Frohman's office also had a phone line for contacting the stage manager directly. Frohman's offices were subsequently converted into the Shubert Archive, which contains the Shubert Organization's theatrical collection. The archive was organized in 1976 and opened at the Lyceum in 1986. Initially, it contained four million items from the Shuberts' history between 1900 and World War II, including 2,000 costume designs, 8,000 blueprints, and 12,000 manuscripts. There is also some space inside the mansard roof. Originally, this space included a large rehearsal room with its own stage, directly above the main auditorium. The room measured long and wide. The 46th Street annex housed the scene-painting studio, a carpenter shop, a costume department, and storage spaces, as well as dressing rooms. The scene-painting studio faced the street, with