Edith Taliaferro (December 21, 1894 – March 2, 1958) was an American stage and film actress of the late 19th and early 20th centuries. She was active on the stage until 1935 and had roles in three silent films. She is best known for portraying the role of Rebecca in the 1910 stage production of Rebecca of Sunnybrook Farm. Early life and family Taliaferro was born in Richmond, Virginia, the daughter of theatre workers. She was the younger sister of Mabel Taliaferro who also became a stage actress, and the cousin of actress Bessie Barriscale. Her ancestors were originally from England, of remote Italian descent (from the 1500s). They were one of the families who settled in Virginia in the 17th century. Career Early years Taliaferro made her acting debut at the age of two in the stock stage production of Shore Acres, with James A. Herne. It was rumored that she obtained the part because her sister Mabel was too old to depict the character. Her New York City debut came in 1896 at Miner's Theatre on Fifth Avenue in the same play. The Harlem Opera House presented Shore Acres in October 1897. At the age of ten, in 1904, Taliaferro was paid $100 per week by George Tyler of Liebler & Company. She signed a contract for the following season to appear with Ezra Kendall. She was the youngest Shakesperean actress on the stage. She portrayed Puck in a Ben Greet production of A Midsummer Night's Dream before an audience at Princeton University in May 1904. She was lauded by professors there, and they sent her a Princeton University flag and pin. By then, she had performed in six to eight juvenile roles after her professional debut. When she returned to New York, Taliaferro appeared with Clara Bloodgood in The Girl with the Green Eyes. Early in her career, she toured with such stars as Olga Nethersole and E.H. Sothern. In 1907, Frederic Thompson produced Polly of the Circus, written by Margaret Mayo, for his new wife Mabel Taliaferro, and at times during its run, Edith took on the lead role of the youthful circus rider in her sister's place. It ran for more than a year at the Liberty Theater, 242 West 42nd Street. The production moved to the Wieting Theater in Syracuse, New York in November 1908. She is most noted for her 1910 performance in