independent acquisition budget, enabling it to purchase pieces on the art market. On the initiative of Francisco de Sousa Holstein (son of the 1st Duke of Palmela, a vice-inspector of the Academia Real, in 1868, the Galeria's rooms were remodelled into a better exhibition space for its expanding collection and opened to the general public. Nonetheless, the facilities remained inadequate - it was terribly humid, cramped and still traversed by unrelated visitors to the Academia (which had, by now, become something of a social hang-out for dissheveled bohemian artists and students). In 1875, a commission headed by Sousa Holstein recommended the founding of a larger and more permanent museum away from the Academia's Chiado building. In 1881, the Academia's educational division was split off and turned into the Escola Real de Belas-Artes ("Royal School of Fine Arts", now part of the University of Lisbon), with the Academia Real de Belas-Artes proper limited to cultural pursuits. In 1881, Academia officer Delfim Guedes rented the 17th-century Palace of Janelas Verdes ("Green Windows"), the former Lisbon residence of the Counts of Alvor that had been seized by the Marquis of Pombal after 1759 and sold to his own brother, the Cardinal-Inquisitor Paulo António de Carvalho e Mendonça (thus it is also known as the Palace of Pombal-Alvor). Later sold to the neighboring Carmelite convent of Santo Alberto, the palace returned to private hands following the 1833 dissolution. Guedes intended to use it as a temporary space for an international exhibition on Iberian ornamental art ("Exposição Retrospectiva de Arte Ornamental Portuguesa e Espanhola") organized by the South Kensington Museum (now the Victoria & Albert) in London, that was set to visit Lisbon in 1882. Foundation The government formally purchased the Janelas Verdes palace in June, 1884, and recast it as the Museu Nacional de Belas-Artes e Arqueologia ("National Museum of Fine Arts and Archaeology"), formally founded on 11 May 1884, to house what where then known as the "Museus Centrais" of the State and placed it under the management of the Academia Real. Following the republican 1910 revolution, the arrangement was overhauled and the museum's management stopped depending on the Academia Real (now renamed Academia Nacional de Belas Artes). By a decree of 26 May 1911, the collections were split up and two separate and independent museums created - the Museu Nacional de Arte Antiga ("National Museum of Ancient Art"), at the Palace of