and Digital Media, he is also currently on the editorial board for the academic journals CTheory, Studies in Theatre and Performance, and Body, Space & Technology. Steve has also been invited many times to present seminars at many different Universities' including Paris Sorbonne, Trinity, Beijing Film Academy, Kansas, Bayreuth, Manchester, Nottingham and Bristol. Dixon has also delivered keynote conference addresses in the US, Australia, Korea and the UK. LASALLE College of the Arts Since February 2012, Dixon has been the president of LASALLE College of the Arts in Singapore. Advisory Positions Dixon is a Research Panel member for the Arts and Humanities Research Council (Panel 7, Music and Performing Arts), and has served on two specially constituted AHRC advisory panels (ICT in Creative and Performing Arts, and the Strategic Evaluation Review of AHDS). Dixon is a recognised academic pioneer and advisor on the use of ICT in the arts and humanities. He is currently a standing committee member of Digital Resources in Humanities and Arts (DRHA) and an advisory board member of the Arts and Humanities Data Service (AHDS), and Artifact (JISC Resource Discovery Network hub). Previously he worked as a subject reviewer for the Quality Assurance Agency (QAA) and was a member of the Benchmarking Reference Group for Dance, Drama and Performance Studies. Dixon has also formerly been a Chair of the Information Technology Group for the drama subject association SCUDD, a committee member for Performance Studies International, a panel advisor to the North West Arts Board, and an expert advisor on the JISC Arts and Humanities Research ICT Awareness and Training project. Published works The Digital Performance Archive In 1999 Steve Dixon became a co-director for the newly developed Digital Performance Archive funded by the Arts and Humanities Research Council (UK). The Digital Performance Archive was established as a tool to document and analyse interdisciplinary developments in performance which draw upon varied forms of digital media. During the years 1999 – 2000 the Digital Performance Archive recorded all activity found in this field and became an extensive online database of individual works. The unique and intensive research documented over the two years are viewed as a significant historical period for digital performance. The study covers both digital resources used in performance and digital resources on performance in the period studied, examples of these include theatrical performances that incorporate electronic media to performance arts databases. The Digital Performance Archive