and over 100 others. The 2006 festival, the 19th, was held at the new 3LD Art & Technology Center in Lower Manhattan, and featured two screening rooms as well as window installations and an installations lounge. The 2007 festival began with a name change, to the New York Queer Experimental Film Festival, after a few years of requests from the public to a name more inclusive than "Lesbian and Gay" and embracing of contemporary terminology. The festival was held in an empty storefront in SoHo, and marked a shift away from traditional theater venues. Installations covered the space, and led back to the makeshift screening room. Additional installations were in the mezzanine, overlooking the whole space. Many shows were packed, including the Butt magazine show, and Homoccult and other Esoterotica, guest curated by Daniel McKernan and Richie Rennt. Another highlight was a screening of a rare 16mm print shot by Women's Liberation Cinema (Kate Millett and Susan Kleckner, among others) of the 1971 gay pride march in New York. For this screening Sharon Hayes performed a live audio accompaniment. Hayes continued working with this material, and the film and recorded audio were included in Hayes's show at the Whitney Museum in 2012. In 2008 MIX took over a former Liz Claiborne department store in the South Street Seaport, filling every nook and cranny with installations, decorations and performances. The festival took place in October, earlier than its traditional mid-November dates, because the space, donated free of charge by the landlord, was only available at that time. This year MIX NYC initiated a program of artist-designed T-shirts celebrating the festival, each available in a limited edition. The 2009 festival took place in Chelsea for the first time since 1993, this time in an empty storefront of a newly constructed condo building. Ceiling to floor glass windows gave MIX unprecedented street visibility, including projections by Lori Hiris and Kadet Kuhne. Installations were prominent again, most notably a large geodesic dome that was Wildflowers of Manitoba, by Luis Jacob and Noam Gonick. A live actor inhabited the dome, silently lying there, listening to records, lighting incense and ruminating, while 3 projections illuminated some of the panels with scenes of a same-sex love and commitment. The closing night feature Maggots & Men, by Carey Cronenwett, was sold out, as were several other shows. The festival suffered some noise complaints from condo residents above, who