there is "more potential for awkwardness and weird parts." Writing and development Regarding accuracy, Hiroe declared that he had not done too much research on modern day pirates, commenting that even on the internet is difficult to find good information on them, also stating that the crew of Black Lagoon is "a bit different from what we are used to seeing." Regarding the weapons, on the other hand, Hiroe said that he was a big fan and that he had a personal collection, being well-versed on the subject, adding that he bought encyclopedias in order to benefit from more precise details. Due to the fact that the series is a "period piece of sorts," which features mafia and military themes, Hiroe commented that he did a lot of research for those subjects, watching documentaries and reading books. Hiroe also stated that he would sometimes find some interesting facts that he would like to incorporate into his work, and that he tried not to go towards current events, but use past information for the entertainment value. He said that the setting is loosely based on reality and that it would not be interesting if it were unrealistic, adding that he at least wants to maintain a semblance of realism, emphasizing, however, that the sense of realism is "very subjective," adding that a character like Roberta, a "Terminator-like maid," would not work in a novel, but she will in a comic; "she has to be over-the-top because it's a comic." Hiroe commented that while film is an "active" medium, manga is like having "still frames", so for the action scenes he needs to find the "best moments in time to convey meaning and movement," adding that one of the advantages of manga is that "you're not anchored to reality", commenting that he is able to make guns bigger than their physical counterparts and make explosions "far larger and more gaudy." He said that from the start, it was agreed with the publisher that the series would include action and violence, so there were never issues regarding that, adding that he would "go towards even more sensationalism if it is necessary for the plot," but Hiroe added as well that he does not want it to be confined to its violence either. Hiroe said that from the start, he wanted a story "without nationalities, without specific identities," adding that "we are still in