a pair of outer pavilions that have no ornament at all. The colonnade and marquee were particularly intended to attract a "more cultured audience" than similar theaters. The theater contains a mansard roof above the entablature. The mansard roof contains three windows within triangular pediments, which illuminate a penthouse in the roof. A balustrade, directly on top of the entablature, encloses a balcony at the penthouse level. There are also six oval windows above the penthouse, which illuminate a former rehearsal hall. The roof also had four large urns that emitted gas at night. The urns were used to draw attention to the theater, since it was on a side street north of the other theaters of the time. At the theater's construction in 1903, the roof was described as being of "purple slate" with a bronze statue. The Lyceum's roof had two water towers, collectively capable of storing . 46th Street The stage door entrance is through the wing on 152 West 46th Street. Herts & Tallant designed the 46th Street wing with ten or eleven stories. The wing has a utilitarian design and contains vestiges of a slit that carried backdrops between the stage and the upper-story studios. Interior Frohman had offices on the upper portion of the main 45th Street structure, while the rear annex on 46th Street contained auxiliary facilities such as storage and dressing rooms. The color scheme of the interior was compared in contemporary media to autumn foliage, with a range of hues from "deep yellow to warm red and brown". From the outset, the auditorium was designed to use electric lighting exclusively. A switchboard controlled the stage lighting, which could be controlled to be as bright as natural illumination. The theater was also mechanically advanced for its time, with heating, cooling, and ventilation systems, as well as a fireproof structural frame. The air-intake system consisted of blowers that drew air from the chimneys and passed the air through a porcelain duct, a set of silk filters, and water sprayers. The auditorium floor had "mushrooms" for air intake and outflow. The heating and ventilation system could change the auditorium's air every six minutes. Lobby The entrance lobby is a rectangular space, with elliptical arches on the north and south walls. The space measures long. The lobby floor is made of marble from Maryland, which was designed to resemble Athenian marble. The floor is made