José Luis García-López (born March 26, 1948) is a Spanish-Argentine comics artist who works in the United States, particularly in a long-running relationship with DC Comics. In addition to his storytelling art, he has been responsible for producing the official reference art for characters in the DC Comics Style Guide, as used in licensed merchandise. Early life José Luis García-López was born on March 26, 1948 in Pontevedra, Spain, and lived since age three in Argentina. He was inspired by artists as Alex Raymond, Harold Foster, Milton Caniff, José Luis Salinas, and Alberto Breccia. Career During the 1960s, García-López worked for Charlton Comics. In 1974, he moved to New York, where he met DC Comics editor Joe Orlando. His first interior art credit for DC was June 1975's "Nightmare In Gold" back-up in Action Comics #448, where he inked the pencils of artist Dick Dillin. The following month, he inked the pencils of Curt Swan on a "Private Life of Clark Kent" backup story in Superman #289, before graduating to full pencils on a back-up story written by E. Nelson Bridwell in Detective Comics #452 (October 1975). The following month, García-López and writer Gerry Conway created the Hercules Unbound series and in April 1977, he and writer Michael Fleisher launched the Jonah Hex ongoing series. García-López and Conway collaborated on a Superman vs. Wonder Woman story in All-New Collectors' Edition #C-54 (1978). DC Comics Presents, a team-up title starring Superman was launched in 1978 by writer Martin Pasko and García-López. He drew the first appearance of the Snowman in Batman #337 (July 1981) and a DC–Marvel crossover between Batman and the Hulk in DC Special Series #27 (Fall 1981). He penciled five issues of The New Teen Titans in 1985 and writer Marv Wolfman later commented that "I knew that I had this incredible artist who could draw almost anything that I wanted...So I decided to make the story just the biggest spectacle I could come up with." Other works by García-López include Atari Force, Road to Perdition, Deadman, and various DC superheroes. His work on the DC series Twilight received an Eisner Award nomination. His work on the Cinder and Ashe limited series was praised by ComicsAlliance in 2014 which noted "His characters are never in a static position; they’re always stretching, or crunched up, or twisting. There is constant dramatic content in their movements." During his exclusive contract