comparable theaters. The backs of different rows of seats were spaced apart. The large width of the auditorium compensated for the relatively small number of rows. Seating areas The rear (south) end of the orchestra contains a shallow promenade, which has wood-paneled walls, arched "L" motifs, and cartouches. The orchestra has a raked floor and painted wood paneling on the side walls. Above the paneling are ornamented pediments with foliate and egg-and-dart decorations. The orchestra level is wheelchair-accessible via the main doors, but the balcony levels can only be accessed by steps. Unusually for theaters of the time, the balconies are cantilevered from the structural framework, which obviated the need for columns that blocked audience views. The balcony levels have paneled wooden dados on both the side and rear walls; the first balcony has blind openings and cartouches. The balconies have foliate bands on their undersides, with light fixtures underneath. In front of the balconies are leaf moldings topped by brackets and foliate decoration. All three levels have sconces on the side walls. On either side of the stage is a wall section with one box at the first balcony level. Each wall section consists of Ionic-style fluted and banded columns, which support an elliptical arch. The boxes themselves are supported on large brackets, which in turn rest above piers with foliate capitals. In front of each box is a curved railing with leaf moldings. There is a cartouche with an "L" motif atop the boxes' arches, and a swag shaped like a leaf is suspended from the cartouche. Other design features The proscenium arch measures high and wide. The proscenium arch consists of a wide, molded band with foliate and egg-and-dart decorations. Above the center of the arch is a console bracket with swags, above which is a broken pediment, as well as a pair of swag-filled console brackets on either side of the pediment. The broken pediment has a figure of Pallas Athene, which is flanked by female representations of drama and music. These figures were also carved by J. W. Finn. The stage measures deep and wide. The depth of the stage could be increased by up to . The stage contains a lift that could descend to below the auditorium. The lift, no longer operational, divided the stage into several sections. It could be used not only to raise and lower scenery, but also to create