The Knack …and How to Get It is a 1965 British comedy film directed by Richard Lester and starring Rita Tushingham, Ray Brooks, Michael Crawford, and Donal Donnelly. The screenplay by Charles Wood is based on a play of the same name by Ann Jellicoe. The film is considered emblematic of the Swinging London cultural phenomenon. The film premiered in-competition at the 1965 Cannes Film Festival, and won the Palme d'Or and the Technical Grand Prize. At the 19th British Academy Film Awards, the film was nominated in six categories, including BAFTA Award for Best Film and Outstanding British Film. Rita Tushingham was nominated for a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, and the film was nominated for Best English-Language Foreign Film. Plot Colin is a nervous schoolteacher working in London, observing rather than participating in the sexual revolution of the 1960s. He has little personal sexual experience and wishes to gain "the knack" of how to seduce women. He turns to his friend and tenant, a confident, womaniser known only by his surname, Tolen. Tolen gives him unhelpful advice to consume more protein and use intuition, acknowledging intuition is not something that can be completely learned, and advocates the importance of domination of women. He suggests that Colin should let another friend move into Colin's spare room, and they could "share" women. Colin boards the front door shut. Tom, who is passing, takes up occupation of the vacant room. He is obsessed with painting everything white... including the windowpanes. Due to the blocked door Tolen now brings his women in through the window. Colin swaps his single bed for a fancy old double wrought iron bed which he finds in a scrapyard with Tom. Nancy meets Colin at the scrapyard. Nancy is an inexperienced and shy young woman who has arrived to London from out of town, and is searching for the YWCA. She stops by a clothing store and is won over by the flattery of the clerk, until she overhears him repeating the same words to every female customer. From the scrapyard the three take the bed on a complex and zany journey back to the house. This includes parking it at a parking meter, moving it on a car transporter, floating it along the River Thames, and carrying it down the steps of the Royal Albert Hall. In a public