protecting pilgrims enroute to Jerusalem. The Teutonic Knights were formed in 1190 to protect pilgrims in both the Holy Land and Baltic region. The Hospitallers and the Templars became supranational organisations as papal support led to rich donations of land and revenue across Europe. This, in turn, led to a steady flow of new recruits and the wealth to maintain multiple fortifications in the crusader states. In time, they developed into autonomous powers in the region. After the fall of Acre the Hospitallers relocated to Cyprus, then ruled Rhodes until the island was taken by the Ottomans in 1522. While there was talk of merging the Templars and Hospitallers in by Clement V, but ultimately the Templars were charged with heresy and disbanded. The Teutonic Knights supported the later Prussian campaigns into the fifteenth century. Art and architecture According to the historian Joshua Prawer no major European poet, theologian, scholar or historian settled in the crusader states. Some went on pilgrimage, and this is seen in new imagery and ideas in western poetry. Although they did not migrate east themselves, their output often encouraged others to journey there on pilgrimage. Historians consider the crusader military architecture of the Middle East to demonstrate a synthesis of the European, Byzantine and Muslim traditions and to be the most original and impressive artistic achievement of the crusades. Castles were a tangible symbol of the dominance of a Latin Christian minority over a largely hostile majority population. They also acted as centres of administration. Modern historiography rejects the 19th-century consensus that Westerners learnt the basis of military architecture from the Near East, as Europe had already experienced rapid development in defensive technology before the First Crusade. Direct contact with Arab fortifications originally constructed by the Byzantines did influence developments in the east, but the lack of documentary evidence means that it remains difficult to differentiate between the importance of this design culture and the constraints of situation. The latter led to the inclusion of oriental design features such as large water reservoirs and the exclusion of occidental features such as moats. Typically, crusader church design was in the French Romanesque style. This can be seen in the 12th-century rebuilding of the Holy Sepulchre. It retained some of the Byzantine details, but new arches and chapels were built to northern French, Aquitanian, and Provençal patterns. There is little trace of any surviving indigenous influence in