the director John Farrow and director of photography Robert Burks were unfamiliar with the new technology and had trouble adjusting to using it, while the cameras were frequently broken due to wind blowing sand into the mechanism or from other inclement weather conditions. Farrow used the technology to produce fewer gimmicks than other 3D films did at the time, with only a few scenes showing people or objects coming at the camera, such as gunfire or knives. Instead he preferred to use it to increase the depth of the expansive wide shots of the Mexican desert, or when showing figures against a landscape. The casting of Geraldine Page as the female lead was considered quite puzzling to many in Hollywood at the time. Though Hondo was not her first film, she had been known primarily as a Broadway stage actress and employed the Method acting style deemed by some to be too introspective for film, and especially for Westerns. However, she delivered a powerfully nuanced and original-feeling performance utterly appropriate to her character which later garnered her an Oscar nomination for Best Supporting Actress, the first of only two acting nominations ever for a film shot or presented in 3D. (The award went to Donna Reed for From Here to Eternity.) Page, one of the cinema's most acclaimed actresses, would receive seven Academy Award nominations during her four-decade career before winning the Academy Award for Best Actress in 1986 for The Trip to Bountiful. John Ford shot the final scenes of the wagon train attack as a favor for Wayne when Farrow had to leave the film before its completion due to a conflicting contractual obligation to begin another film. Ford accepted no credit for directing the last sequence of the film. John Wayne later said John Farrow "didn't really have a great deal to do with" the film. "Everything was set up before he came on it...It was written and I went out and looked for locations and picked the locations where each scene would be shot. I went back and brought the cameraman, and they said there's no color here. I said wait until I show you, and within seventeen miles of town I had white molten rock, blue pools of water, black buttes, big chalk-white buttes. We were using 3-D. We made it in 3-D but then it was never released in that, because Warner Brothers decided