Anatolia engage in brutal warfare with each other. The fighting goes on and on, with no end in sight. Köroğlu realizes that even if he succeeds in bringing down the Bey of Bolu, he won't be able to bring back the old, chivalric world that he was born into. The warrior-poet disbands his followers and fades into obscurity, leaving only these lines behind: A typical occasion where one might hear Köroğlu melodies is at a traditional wrestling competition such as Kirkpinar. A team of zurna and davul players play continually as the wrestlers struggle with each other. In 1967, Yaşar Kemal successfully collected this legend in his epic novel Üç Anadolu Efsanesi, which stands as the most outstanding Köroğlu reference in contemporary literature. Gurughli Gurughli (also known as Gurghuli) is the titular character of the epic cycle from Central Asia. The cycle includes up to fifty segments which are still performed by the peoples of Turkestan in Tajik as well as Turkic languages. Gurughli, whose name means "born of the grave", is the immaculately conceived child of the sister of Ahmadkhan (a Turkistan khan). She dies during pregnancy, and the child is born while the mother is already buried and survives on the milk of one of the mares from Ahmadkhan's herd, until he is found and named by shepherds. The other hero in the tales is his adopted son Ahwazkhan, child of a fairy mother. His tales are told in all-night storytelling sessions in free verse. The background presumed known by the audience, they start without much introduction and are accompanied by music from a two-stringed lute, the dombra. Later brought into line with Islam, the stories originate from a time before Islam reached the area but became a "vehicle for the transmission of religious and moral instruction, especially targeted at the masses of nonliterate Muslims". The extant corpus of Gurughli poetry entails some 100,000 lines. It reached its final form in the 18th century and was first discovered by the outside world through Russian travelers in 1870. It was recorded between 1930 and 1960 and is preserved in the Tajik Academy of Sciences. Uzbek tradition In Uzbek bakhshi tradition ("bakhshi" is a narrator of dastans or epic, usually, playing his dumbira, two-string musical instrument), the history and interpretation of Köroğlu's name are different from Turkish one. "Go‘ro‘g‘li" in Uzbek just like in Turkmen means "the son of grave".