man, posing as Heather. Cast Richard Gere as Dr. Isaac Barr Kim Basinger as Heather Evans Uma Thurman as Diana Baylor Eric Roberts as Jimmy Evans Keith David as Detective Huggins Paul Guilfoyle as Mike O'Brien Robert Harper as Dr. Alan Lowenthal Agustin Rodriguez as Pepe Carrero Rita Zohar as Dr. Grusin George Murdock as Judge Costello Shirley Prestia as D.A. Kaufman Tony Genaro as Hector Wood Moy as Dr. Lee Corey Fischer as Dr. Boyce Rico Alaniz as Hugo John Roselius as Sheriff's Deputy Erick Avari as Moderator (uncredited) Harris Yulin as Prosecuting Attorney (uncredited) Production Harold Becker, Joel Schumacher, and John Boorman were variously attached as director. The original script was set in New York City, but was changed due to an ongoing union strike. San Francisco was chosen due to its "character" and iconic locations. The climax originally took place on the Golden Gate Bridge, but the sequence was re-written due to budget constraints. The climax instead took place at a lighthouse, filmed at Pigeon Point Lighthouse in Pescadero. Other filming locations included the San Francisco County Superior Court, the Letterman Army Hospital, and the Kimpton Sir Francis Drake Hotel. Television comedy writer Susan Harris provided uncredited script rewrites. Reception Box office The first week's gross was $6,411,441 and the total receipts for the film's run were $28,590,665. In its widest release the film was featured in 1,504 theaters across the United States. The film grossed $47 million overseas for a worldwide gross of $75 million. Critical response Film critic Roger Ebert liked the screenplay and thought director Alfred Hitchcock, known for these types of thrillers, would have liked it as well. He wrote, "I'm a sucker for movies that look and feel like this. I like the pounding romantic music, the tempestuous sex scenes, the crafty ways that neurotic meddlers destroy the lives of their victims, and of course the handcrafted climax..." Ebert also thought the movie was needlessly complex. Vincent Canby, film critic for The New York Times, was pleased with the work of the actors in the film and wrote, "Mr. Gere and Ms. Basinger are attractive as the furious lovers, but Mr. Roberts is the film's electrical force whenever he is on screen. Ms. Thurman does well as a sort of upscale slavey." The staff at Variety magazine gave the film a positive film review, writing, "Final Analysis is a crackling good psychological