Peter Wollen (29 June 1938 – 17 December 2019) was a film theorist and filmmaker. He studied English at Christ Church, Oxford. Both political journalist and film theorist, Wollen's Signs and Meaning in the Cinema (1969) helped to transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. He taught film at a number of universities and was Professor Emeritus at the University of California, Los Angeles at the time of his retirement from academe in 2005. Life Wollen was born on June 29, 1938, in Woodford, northeast London, to Douglas and Winifred (Waterman) Wollen. Douglas was a Methodist minister and Winifred was a teacher. Peter attended a Methodist boarding school, Kingswood School, in Bath, Somerset, England. In 1959, Wollen graduated from the University of Oxford with a degree in English literature. In 1968, Wollen married noted film theorist and his partner in filmmaking, Laura Mulvey. They divorced in 1993 and soon afterward he wed writer and artist, Leslie Dick. He had a son from his first marriage and a daughter from his second. Wollen died of Alzheimer's disease on December 17, 2019, from which he had suffered for many years. Academic career By the mid-1960s, Wollen was writing for journals such as the New Left Review under the pseudonym of Lee Russell. Through a bit of self-reflexivity, Wollen interviewed himself as Lee Russell in 1997. Wollen joined the British Film Institute's education department in the late 1960s, at the behest of its director, Paddy Whannel, who had been impressed by his work. Wollen explained, "One of the basic goals of the education department was to support anyone who wanted to teach film in schools or universities. And one way to support them was by publishing books which they could use in class." Subsequently, the BFI created a series of film books titled, "Cinema One," and Signs and Meaning in the Cinema was the ninth book released under that banner. Signs and Meaning in the Cinema'''s initial publication in 1969 was followed by a revised edition, with a new appendix, just three years later. It quickly gained traction in the burgeoning film-studies world of the 1970s. In 1976, Robin Wood contended, "Peter Wollen's Signs and Meaning in the Cinema is probably the most influential book on film in English of the past decade." And the book has continued to wield influence decades later—having been released in