and "A Fantasy" inspired by The Masque of the Red Death. Popular music Pop music Frankie Laine recorded a version of Annabel Lee in 1957, which was adapted from Poe's poem by Vic Corpora and Albert Lerner. When the Beatles compiled images for the cover of Sgt. Pepper's Lonely Hearts Club Band in 1967, one of the most recognizable faces was that of Poe, in the center of the top row. In the same year, John Lennon wrote his famous nonsensical work "I Am the Walrus", which contained the lines, "Elementary penguin singing Hari Krishna/Man, you should have seen them kicking Edgar Allan Poe." In 1985 synth-pop band Propaganda (ZTT label, Trevor Horn, Steve Lipson) used Poe’s poem ‘A Dream Within A Dream’ for the 1st track on their debut album ‘A Secret Wish’ with the same songtitle as Poe’s poem itself. The poem is used as spoken word text (by Propaganda’s Suzanne Freytag) on top of the majesticly composed track. Pop singer Britney Spears named her 2001-2002 concert tour the Dream Within a Dream Tour, incorporating lines from that poem (and other Poe works) into her show. Chamber pop band Antony and the Johnsons released a three-track EP titled The Lake in 2004 via Secretly Canadian Records. The eponymous title track is a musical rendition of Poe's poem of the same name. Scarlet's Well's fifth album Black Tulip Wings (2006) features musical settings of "To One In Paradise" and "Evening Star". Hikaru Utada in wrote her 2014 song "Kremlin Dusk" about Poe's poem "The Raven". In 2017, French pop/celtic singer Nolwenn Leroy has set Poe's poems "A Dream" and "The Lake" to music, released on her album Gemme. Folk, country, and blues The American folk and protest singer Phil Ochs set Poe's poem "The Bells" to music on his 1964 debut album, All the News That's Fit to Sing. The American folk group "the 3 D's" recorded a version of "Annabel Lee" in 1964 and included it on their New Dimensions in Folk Songs album. Bob Dylan's 1965 song "Just Like Tom Thumb's Blues" makes reference to "Rue Morgue Avenue". Poe's final poem "Annabel Lee" was set to music by composer Don Dilworth, and was recorded by Joan Baez as part of her 1967 album Joan, as well as by Spanish pop band Radio Futura. The blues/rock band, The Yardbirds, adapted The second stanza (and a portion of the