Violence Has Arrived is the eighth studio album by the band Gwar. It was released on November 6, 2001, through Metal Blade Records. According to an interview with Dave Brockie, it was originally supposed to be released on September 11, 2001, but Metal Blade would not release it until November. According to Slave Pit Inc., it was not finished. According to other official sources, they did not even start recording the album until July, and the Dave Brockie Experience had a tour in September. Overview Violence Has Arrived re-attains the brutal focus of the band's earlier albums. It has more of a thrash metal sound than any of their previous albums. It is similar to Scumdogs of the Universe, in that Dave Brockie was the dominant voice of the band again, and the theme is centered on generalized carnage. Gwar takes on more "medieval" themes this time, such as torture ("The Wheel") and conjures up some truly ugly imagery in songs such as "Licksore", "Beauteous Rot", "Immortal Corrupter" and "The Apes of Wrath". "Biledriver" is about a fluid-spewing cannon, which can be seen in the "Immortal Corrupter" video and on tour. The cannon itself has now become something of a staple at their live shows. "The Song of Words", inspired by the 11th-century French epic poem The Song Of Roland, is the only song with the voices of Jizmak Da Gusha (though Jizmak would later sing part of "El Presidente" on the album The Blood of Gods) and Flattus Maximus (though Maximus did sing lead vocals on the 2009 album Lust in Space), though neither of them are really singing. Nobody is really singing on the song (Beefcake the Mighty, Balsac the Jaws of Death and Oderus Urungus all speak, as opposed to sing - appropriately for a "Song of Words"). Technically, it is tied with "Jiggle The Handle" for the most vocalists on a Gwar song, though Maximus and Da Gusha each have five words. Indeed, the entire album has a narrative feel to it. Though touching on the "Gwar lore" that began on Hell-O, Violence Has Arrived follows no individual story. This was, in large part, because of the disappointing reaction to We Kill Everything by the band, and due to Slave Pit Inc.'s diminished ranks - the previous year Danielle Stampe (Slymenstra Hymen) and Hunter Jackson (Techno Destructo) had left, as well as "slave" Davis Bradley (though