while in the second, Cole moves the boat deeper in the picture and portrays more of the river in the foreground. Youth The second painting, Youth, shows the same lush, green landscape, but here the view widens as does the voyager's life experience. Now the youth has firm hold of the tiller as the angel watches and waves from the shore, allowing him to take control. The subject's youthful enthusiasm and energy is evident in his forward-thrusting pose and billowing clothes. In the distance, an ethereal citadel towers in the sky, a shimmering white beacon that represents the dreams and ambitions of humanity. To the youth, the tranquil river appears to lead directly to the shimmering beacon, but at the far right of the painting one can just glimpse the river as it changes to become rough and difficult with the danger of rocks. Cole comments on the landscape and the youth's ambitions: "The scenery of the picture—its clear stream, its lofty trees, its towering mountains, its unbounded distance, and transparent atmosphere—figure forth the romantic beauty of youthful imaginings, when the mind elevates the mean and common into the magnificent, before experience teaches what is the Real." Manhood Third in the series, Manhood, shows a now grown figure in the vessel, amid the tribulations of adult life. Storm clouds ominously darken the sky, wind whips at the man's clothing and rain falls in the background as the boat approaches a treacherous part of the river which has become rocky and rapid, running through a treacherous gorge marked by a gnarled, leafless tree. Gentler country lies at the bottom of the defile and the distant sky line lightens in that direction hinting of the hope of better times ahead. Among the dangers the man has not lost his faith: he has let go of his boat's tiller (which may have broken) and is part kneeling, gazing upward with hands clasped together. The vessel's figurehead now holds the hourglass while far above, behind and unseen by the voyager, his guardian angel continues to watch over from the Heavens, shining brightly through a break in the clouds. Cole writes: Manhood contains the most differences between the original 1840 version and the revised 1842 version. The modified version shows a reduction in the wall of rocks and more of the distant sea. As in Childhood, he repositioned the boat, moving it further back in