to create Peep Show which premiered at Window on Gaines in Tallahassee, Florida. 1991–1995 In 1991, a body of work titled Fiesta Critica was developed in Indiantown, Florida, with local migrant workers; addressing Floridian agricultural labour relations. CAE produces an Easter fiesta platform to show the works. In 1992, the group produces Exit Culture as a series of works developed for Highway Culture. They also propose The Electronic Disturbance to Autonomedia publishers. In 1993, the group is invited to perform their first appearance in Europe at the Audio/Visual Experimental festival in the Netherlands. They complete the associational documentary series Apocalypse and Utopia. In 1994, Autonomedia publishes The Electronic Disturbance and construction begins to create CAE's website Critical Art Ensemble. CAE projects begin to appear in both real and virtual forms as the Useless Technology project is performed as street action and launched online. The concept of electronic civil disobedience is introduced at the Terminal Futures conference in London. In 1995, the concept of the data body is introduced in lectures at the Ars Electronica. The group tours around Europe with the performance of Body Count. 1996–2000 In 1996, Autonomedia publishes Electronic Civil Disobedience (the companion text to The Electronic Disturbance), and research begins for the book Flesh Machine. In 1997, the group tours Flesh Frontiers and Shareholder's Briefing. Castelvecchi publishes the Italian translation of The Electronic Disturbance. The group goes to Documenta X in Kassel, Germany to begin the editing and conceptualizing process for the book README: Ascii Culture and the Revenge of Knowledge at Hybrid Workspace. The performance of Flesh Machine is toured, premiering in Vienna and closing in Helsinki at Kiasma Museum of Contemporary Art in summer 1998. L'Eclat publishes the French anthology of CAE's writings titled La Resistance Electronique. In 1998, Autonomedia publishes Flesh Machine and the German translation is published by Passagen. The group's street action occurs in Sheffield, UK, with the performance of The International Campaign for Free Alcohol and Tobacco for the Unemployed. Castelvecchi publishes the Italian translation of Electronic Civil Disobedience. In 1999, The Society for Reproductive Anachronisms is premiered at Rutgers University in the student cafeteria. Work begins on Cult of the New Eve (CoNE) and is premiered at St. Clara Hospital in Rotterdam, The Netherlands. A new book project is begun, entitled Digital Resistance: Explorations in Tactical Media. In 2000, Autonomedia publishes Digital Resistance: Explorations in Tactical Media and the German