খেলিম) Buku Hom Hom Kore (বুকু হম্‌ হম্‌ কৰে) Sagar sangamat (সাগৰ সংগমত) Shillongore Godhuli (শ্বিলঙৰে গধূলি) IPTA years Hazarika began close association with the leftist Indian People's Theatre Association soon after returning from the US in 1953 and became the Secretary of the Reception Committee of the Third All Assam Conference of IPTA, held in Guwahati in 1955. Professional life After completing his MA, he briefly worked at the All India Radio station at Guwahati before embarking for his doctoral studies at Columbia University. Soon after completing his education, he became a teacher at the Guwahati University. But after a few years, he left the job and went to Kolkata where he established himself as a successful music director and singer. During that period, Hazarika made several award-winning Assamese films such as Shakuntala, Pratidhwani etc. and composed evergreen music for many Assamese films. He was also considered as a new trend setter in Bengali music. Bhupen Hazarika composed music for films from Bangladesh to which got international acclaim. He was elected the President of the Asam Sahitya Sabha in 1993. In 1967, Hazarika got elected as a member of Assam Assembly from Naoboicha constituency. Social Struggle From early in his life, he was at the forefront of a social battle against the entrenched forces of casteism that sneered at a member of the Koibarta community making it as a musician of note and kept him away from the upper-caste Brahmin woman he had loved. Eventually, when the spirited Hazarika did marry, it was to a Brahmin woman, his revenge of sorts against a caste-ridden society. Later life He was introduced to Kalpana Lajmi in the early 1970s by his childhood friend and India's top tea planter Hemendra Prasad Barooah in Kolkata. Her first feature film Ek Pal with music score by Hazarika was produced by Barooah. Subsequently, Lajmi began assisting him professionally and personally till the end of his life. In the period after the release of Ek Pal (1986) until his death, Bhupen Hazarika mainly concentrated on Hindi films, most of which were directed by Kalpana Lajmi. Ek Pal (1986), Rudaali (1993) and Daman: A Victim of Marital Violence (2001) are major films of this period. Many of his earlier songs were re-written in Hindi and used as played-back songs in these films. These songs tried to cater to the Hindi film milieu and their social activist lyrics