Pipilotti Elisabeth Rist (born 21 June 1962) is a Swiss visual artist best known for creating experimental video art and installation art. Her work is often described as surreal, intimate, abstract art, having a preoccupation with the female body. Her artwork is often categorized as feminist art. Rist's work is known for its multi-sensory qualities, with overlapping projected imagery that is highly saturated with color, paired with sound components that are part of a larger environment with spaces for viewers to rest or lounge. Rist's work often transforms the architecture or environment of a white cube gallery into a more tactile, auditory and visual experience. Personal life Pipilotti Rist was born Elisabeth Charlotte Rist in Grabs in the Rhine Valley. Her father is a doctor and her mother is a teacher. She started going by "Pipilotti", a combination her childhood nickname "Lotti" with her childhood hero, Astrid Lindgren’s character Pippi Longstocking, in 1982. Prior to studying art and film, Rist studied theoretical physics in Vienna for one semester. From 1982 to 1986 Rist studied commercial art, illustration, and photography at the University of Applied Arts Vienna in Vienna. She later studied video at the Basel School of Design, Switzerland. From 1988 through 1994, she was member of the music band and performance group Les Reines prochaines. In 1997, her work was first featured in the Venice Biennial, where she was awarded the Premio 2000 Prize. From 2002 to 2003, she was invited by Professor Paul McCarthy to teach at UCLA as a visiting faculty member. From summer 2012 through to summer 2013, Rist spent a sabbatical in Somerset. Rist lives and works in Zurich, Switzerland with her partner Balz Roth, an entrepreneur. She and Roth have a son, Himalaya. Career During her studies, Pipilotti Rist began making super 8 films. Her works generally last only a few minutes, borrowing from mass-media formats such as MTV and advertising, with alterations in their colors, speed, and sound. Her works generally treat issues related to gender, sexuality, and the human body. Her colorful and musical works transmit a sense of happiness and simplicity. Rist's work is regarded as feminist by some art critics. Her works are held by many important art collections worldwide. In I'm Not The Girl Who Misses Much (1986) Rist dances before a camera in a black dress with uncovered breasts. The images are often monochromatic and fuzzy. Rists repeatedly