anthology of CAE's writings on electronic media is published by Passagen. The group has exhibited and performed at diverse venues internationally, ranging from the street, to the museum, to the internet. Museum exhibitions include the Whitney Museum and The New Museum in NYC; The Corcoran Museum in Washington D.C.; The ICA, London; The MCA, Chicago; Schirn Kunsthalle, Frankfurt; Musée d'Art Moderne de la Ville de Paris; and The London Museum of Natural History. Critical Art Ensemble 2003–2004 Free Range Grain was a performance-based project which tested foods to contest the global food trade system. The project used basic molecular biology techniques over a 72-hour period to test foods that others deemed suspicious of "contamination" even when the authorities were guarding against them. This performance sought to explore biotechnology and the science behind it, as the artists felt it was "one of the most misunderstood areas of production in the cultural landscape". Works and artistic approach Performance style In its performances, CAE creates various performative identities, such as that of a group of scientists or a corporation. Instead of using fancy, high-tech machinery they use 'high school lab equipment as well as common household supplies and groceries', which brings the scientific difficulty down to a level at which the public can understand and engage with because the worlds of science and technology in the modern world are 'increasingly privatised'. This playful style, however, contrasts with the groups numerous books and manifestos which have an analytical focus. Nicola Triscott is the founder of The Arts Catalyst. In her writings about the CAE, she states that their participatory theatre 'aims to involve the public in the processes of biotechnology in order to contribute to the development of an informed and critical public discourse on contemporary bioscience'. This provides people with knowledge of how science can be interesting and that it can be misused if in the wrong hands. Their works have ranged from genetically modified food, the Human Genome Project (CoNE), reproductive technologies, genetic screening and transgenics. The way they approach this style is through directly engaging with the science and presenting techniques generally unknown to the public in a performative way. The work of the CAE continues to entertain, inform and show the public how biotechnology can be demonstrated via performance. As part of their critical objectives, they target their attention on private corporations unknown in the public sector who misuse biotechnology.