and Hip-Hop MC Lars heavily refers to "The Raven" in his song "Mr. Raven" on his album The Laptop EP (2004). The song includes the words, "We got EAP in the house tonight, Edgar Allan Poe. America's favorite anti-transcendentalist." He continues to refer to "The Raven" throughout. Edgar Allan Poe was pitted against Stephen King in 2013 in Epic Rap Battles of History's Season 3 episode "Stephen King vs Edgar Allan Poe." Musicals and scores In the West End musical, Snoopy!!! The Musical, a musical number in act one is titled "Edgar Allan Poe". In the song, some characters are worried that their teacher is going to ask them something about Edgar Allan Poe, who they know nothing about, while other characters list facts and titles by Poe. Spoken word Jim Reeves recorded "Annabel Lee" in 1963 for an album of poems called Talkin' To Your Heart. The tribute album Closed on Account of Rabies produced by Hal Willner was released in 1997, with musicians and actors such as Jeff Buckley and Christopher Walken reading Poe's works with background music. Lou Reed released a double CD concept album called The Raven in 2003 that featured a number of musical and spoken-word interpretations of Poe, with guest appearances from various actors, including Steve Buscemi and Willem Dafoe. Other genres Noël Coward's parody version (Las Vegas, 1955) of Cole Porter's "Let's Do It, Let's Fall in Love" (1928) includes the lines: “E. Allan Poe, ho ho ho, did it / But he did it in verse / H. Beecher Stowe did it / But she had to rehearse”. Buddy Morrow and His Orchestra recorded an album of songs based on Poe's work. The album, Poe for Moderns, was recorded by the jazz ensemble at Webster Hall in New York in 1960 and includes the following tracks: "The Murders In The Rue Morgue", "Annabel Lee", "The Gold Bug", "A Descent Into The Maelstrom", "The Bells", "The Fall Of The House Of Usher", "The Pit And The Pendulum", "Ulalume", "The Black Cat", "The Raven", and "Quoth The Raven/The Tell-Tale Heart." In 1972, Israeli singer Shlomo Artzi recorded his own setting of the famous Hebrew translation, by Ze'ev (Vladimir) Jabotinsky, of "Annabel Lee". This extraordinary translation manages to mimic the internal rhythms and complex rhyming patterns of the original English poem, and, together with Ze'ev Jabotinsky's Russian translation of "Annabel Lee", sets a very high