The cinema of Russia began in the Russian Empire, widely developed in the Soviet Union and in the years following its dissolution, the Russian film industry would remain internationally recognized. In the 21st century, Russian cinema has become known internationally with films such as Hardcore Henry (2015), Leviathan (2014), Night Watch (2004) and Brother (1997). The Moscow International Film Festival began in Moscow in 1935. The Nika Award is the main annual national film award in Russia. Cinema of the Russian Empire The first films seen in the Russian Empire were brought in by the Lumière brothers, who exhibited films in Moscow and St. Petersburg in May 1896. That same month, Lumière cameraman Camille Cerf made the first film in Russia, recording the coronation of Nicholas II at the Kremlin. Aleksandr Drankov produced the first Russian narrative film Stenka Razin (1908), based on events told in a folk song and directed by Vladimir Romashkov. Among the notable Russian filmmakers of the era were Aleksandr Khanzhonkov and Ivan Mozzhukhin, who made Defence of Sevastopol in 1912. Yakov Protazanov made Departure of a Grand Old Man (1912), a biographical film about Lev Tolstoy. Animation pioneer Ladislas Starevich made the first Russian animated film (and the first stop motion puppet film with a story) in 1910 – Lucanus Cervus. His other stop-motion shorts The Beautiful Leukanida (1912) and The Cameraman's Revenge (1912), produced for Aleksandr Khanzhonkov, are also among the first animated films. In the following years, Starevich made shorts based on fables such as The Grasshopper and the Ant (1913), as well as World War I propaganda films. Olga Preobrazhenskaya was the first woman director of Russia. In 1916 she made her directorial debut Miss Peasant. However, the film has been lost. In the Soviet era she directed Women of Ryazan (1927). During World War I, imports dropped drastically, and Russian filmmakers turned out anti-German, nationalistic films. In 1916, 499 films were made in Russia, more than three times the number of three years earlier. Before the October Revolution, Russia did not have a highly developed film industry due to the general populace being too poor to support a native industry. The Russian Revolution brought more change, with a number of films with anti-Tsarist themes. The last significant film of the era, made in 1917, was Father Sergius by Yakov Protazanov and Alexandre Volkoff. It would become the first new film release