book by Sergei Lukyanenko. It was followed by the sequel Day Watch (2006). Russian actress Renata Litvinova debuted as director in 2004 with the film Goddess: How I fell in Love. The serialised novels by Boris Akunin set in pre-Revolutionary Russia evolve around fictional Erast Fandorin adventures in three popular movies: The Azazel (2002) by Aleksandr Adabashyan, The Turkish Gambit (2005) by Dzhanik Fayziev and The State Counsellor (2005) by Filipp Yankovsky. Life of the Orthodox Monastery and their Christian miracles are described in the film The Island (2006) by Pavel Lungin. The film was screened out of the competition at the 63rd Venice International Film Festival and received the Golden Eagle and Nika awards. Konstantin Lopushansky directed the science-fiction film The Ugly Swans in 2006, based on the 1967 novel by Arkady and Boris Strugatsky. The film received the Best Score award at Kinotavr. One of Russia's all-time biggest box-office hits was Timur Bekmambetov's romantic-comedy The Irony of Fate 2, directed in 2007 as a sequel to the 1976 film. 2008 musical film Stilyagi, Hipsters directed by Valery Todorovsky about the youth lifestyle in the 1950s Soviet Union was a success at the box office. It received the Golden Eagle and Nika awards for best picture. Valeriya Gai Germanika received the "Special Mention" of the jury of the Camera d’Or competition at the 2008 Cannes Film Festival for her feature debut Everybody Dies but Me. At the 2008 Sundance Film Festival Anna Melikian won the award for best Dramatic Directing for her film Mermaid. Sci-fi picture Dark Planet (2008-2009) based on the book by Arkady and Boris Strugatsky, directed by Fyodor Bondarchuk, was one of the most expensive Russian films of the 2000s, with its budget of $36.6 million. 2010s In 2014 censorship of cinematic works was officially introduced with a new and stricter revision of the "screening certificate" () act, without which public film screenings are not allowed and are punishable by law. Curse words in films were banned. The concept of a "screening certificate" first appeared in Russian laws in 1993, when Viktor Chernomyrdin signed the decree "On the registration of films and videos", the main purpose of which was to combat the spread of pirated content. For a decade and a half, the document was more or less a formality. In 2010 the comedy anthology film Yolki produced by Timur Bekmambetov was released. It spawned five