colon; I had an ulcer." Reception Andrew Loog Oldham, who was then the manager of the Rolling Stones and a fan and friend of Spector, chanced upon Spector listening to a test pressing of the song that had just been delivered. Loog Oldham later wrote, "The room was filled with this amazing sound, I had no idea what it was, but it was the most incredible thing I'd ever heard." He added, "I'd never heard a recorded track so emotionally giving or empowering." Later, when Cilla Black recorded a rival version of the same song and it was racing up the British charts ahead of The Righteous Brothers' version, Loog Oldham was appalled, and took it upon himself to run a full-page ad in Melody Maker: In other ads, Loog Oldham also coined a new term to describe the song, "Phil Spector's Wall of Sound", which Spector later registered as a trademark. Assessments by music writers were also highly positive. Nick Logan and Bob Woffinden thought that the song might be "the ultimate pop record ... here [Spector's] genius for production truly bloomed to create a single of epic proportion ..." Richard Williams, who wrote the 1972 biography of Phil Spector Out of His Head, considered the song to be one of the best records ever made, while Charlie Gillett in his 1970 book The Sound of the City: The Rise of Rock and Roll wrote that "the ebb and flow of passion the record achieved had no direct equivalent." Mick Brown, author of a biography of Spector, Tearing Down the Wall of Sound, considered the song to be "Spector's defining moment" and his "most Wagnerian production yet - a funeral march to departed love". The opening line was said to be "one of the most familiar opening passages in the history of pop", and Vanity Fair described the song as "the most erotic duet between men on record". However, when it was first presented on the BBC television panel show Juke Box Jury in January 1965 upon its release in the UK, it was voted a miss by all four panelists, with one questioning if it was played at the right speed. There were initially reservations about the song from the radio industry; a common complaint was that it was too long, and others also questioned the speed of the song, and thought that the singer "keeps yelling". Some