L'Inferno is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film. Plot Dante is barred from entering the hill of salvation by three beasts that block his path (Avarice, Pride, and Lust). Beatrice descends from above and asks the poet Virgil to guide Dante through the Nine Circles of Hell. Virgil leads Dante to a cave where they find the river Acheron, over which Charon ferries the souls of the dead into Hell. They also see the three-headed Cerberus and Geryon, a flying serpent with a man's face. They see the Devil eating human beings whole, harpies eating the corpses of suicides, an evil man forced to carry his own severed head for eternity, people half-buried in flaming lava, etc. There follows a series of encounters in which the two meet up with a number of formerly famous historical figures whose souls were denied by both Heaven and Hell, and they listen to some of their tales told in flashback. These characters include Homer, Horace, Ovid, Lucanus, Cleopatra, Dido, the traitor Caiphus, Count Ugolino, Peter of Vigna, Francesca Da Rimini and her lover Paulo, Brutus and Cassius, Mohammed, and Helen of Troy. The film's main attraction is the fantastic set designs depicting the horrors of Hell, with excessive violence and gore, designed to frighten the audience into becoming pious or God-fearing. Cast Salvatore Papa as Dante Alighieri Arturo Pirovano as Virgilio Giuseppe de Liguoro as Il conte Ugolino Augusto Milla as Lucifer Attilio Motta Emilise Beretta Production L'Inferno'''s depictions of Hell closely followed those in the engravings of Gustave Doré for an edition of the Divine Comedy, which were familiar to an international audience, and employed several special effects. As Dante's Divine Comedy places Muhammad in hell, the film also has a momentary unflattering depiction of Muhammad in its Hell sequence (his chest explodes, exposing his entrails). Nancy Mitford recorded seeing the film in Italy in 1922, referring to it as Dante. She records that it lasted from 9 until 12:15 including two intermissions. She details many of the deaths and tortures from the film. Her description of the film in her letter home is quoted during the biography Nancy Mitford by Harold Acton. The scenes from Hell from the film were reused in an American 1936