The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and 1997 (Galerie der Gegenwart), located in the Altstadt district between the Hauptbahnhof (central train station) and the two Alster lakes. The name Kunsthalle indicates the museum's history as an 'art hall' when it was founded in 1850. Today, the museum houses one of the few art collections in Germany that cover seven centuries of European art, from the Middle Ages to the present day. The Kunsthalle's permanent collections focus on North German painting of the 14th century, paintings by Dutch, Flemish and Italian artists of the 16th and 17th centuries, French and German drawings and paintings of the 19th century, and international modern and contemporary art. History The museum collection traces its origin to 1849, when it was initially established by the Hamburg Kunstverein, which was founded in 1817. The collection opened to the public a year later as the Städtische Gallerie (municipal painting gallery). The collection grew quickly, and it soon became necessary to provide a suitable building. The original red-brick Kunsthalle building was constructed from 1863 to 1869. It was designed by architects Georg Theodor Schirrmacher and Hermann von der Hude, and financed largely through private donations. The Kunsthalle's first director was the art historian and educator Alfred Lichtwark (1852–1914). His successor during the interwar period was Gustav Pauli. He oversaw the completion of the Kuppelsaal (domed-hall) extension, the museum's first annex, designed by Fritz Schumacher and erected between 1914 and 1921. In 1994, a painting of the Kunsthalle was involved in the so-called Frankfurt art theft. While on loan to the Kunsthalle Schirn in Frankfurt, the painting Nebelschwaden by Caspar David Friedrich was stolen. After negotiations with the thieves, a lawyer bought back the painting; when the Kunsthalle refused to pay him the agreed "consideration", he sued and won. In 1997, the museum opened the Galerie der Gegenwart building, an extension of that was designed by Cologne architect Oswald Mathias Ungers and that is dedicated to the Kunsthalle's contemporary art collections. The cubic building sits on a monolithic base at a prominent location in close proximity to the Binnenalster. Collections The Kunsthalle is divided into four different sections: the Gallery of Old Masters, the Gallery