collected as a three-issue mini-series in 1994-1995. The final work in the Bacchus mythos to be published by Dark Horse was also the first time Bacchus appeared within a comic published in color, The Ghost in the Glass, published in 1995. At this point Campbell decided to self-publish his own comic, Eddie Campbell's Bacchus, in which he published two new storylines featuring Bacchus, King Bacchus and Banged Up, while concurrently revising and reprinting the material already published, and also adding new stories to the 1,001 Nights of Bacchus sequence. The Bacchus character's stories came to an end after the Banged Up storyline, and although Campbell eventually finished the reprinting of the previously published material, he continued publishing Eddie Campbell's Bacchus, updating the name to Eddie Campbell's Bacchus Magazine to reflect the growing number of text pieces he was running, before canceling the book with issue #60. Campbell also published these revised storylines in the graphic novel format in collaboration with the publisher Top Shelf. Creators Campbell worked with numerous collaborators on the many series and appearances Bacchus made, beginning with Phil Elliott, whom Campbell approached to color the Deadface and Bacchus covers. Ed 'Ilya' Hillyer worked as inker on the last four issues of Deadface, before taking full art chores on The Eyeball Kid series initially serialized in Cheval Noir. Wes Kublick collaborated with the writing on some of the short stories which made up Deadface: Doing the Islands with Bacchus, and Stephen Bissette, Phil Elliott and Pete Mullins collaborated on the art on other stories in this sequence. (Mullins helping to redo Elliott's story, which was reworked and retitled.) Kublick again helped Campbell with the writing on the first two issues of the Deadface: Earth, Water, Air, & Fire series. 1,001 Nights of Bacchus saw collaborations on the writing front with Kublick, Marcus Moore, Daren White, and Mark Campbell, with Mark Campbell also writing one story in this sequence solely. Artistic collaborators on this sequence were Steve Stamatiadis, Dylan Horrocks, and Pete Mullins, who all collaborated on one story each. Hermes vs. The Eyeball Kid is credited as being written by Campbell and Kublick, and drawn by Campbell, Mullins, and April Post, with Mullins, again assisting with the art on the latter two-thirds of The Picture of Doreen Grey. The Ghost in the Glass featured art by Teddy Kristiansen. Mullins again assisted on King Bacchus, with another credit for