put a photograph on him on her magazine Vile. The Canadian magazine Virus, the American Tabloid Art and Egozine, and also the German Haute Kunst published articles about him. Canadian artist Vincent Trasov visited Cavellini's home and shot a 19-minute video in which Cavellini made art performances with Colosio and Luchetti. The video was shown on Canadian television on 1 March 1978 and in the United States in September of the same year. On 15 October 1977 art critic Giuseppe Marchiori wrote a letter to Cavellini in which he called him "the most famous Italian artist in the world". However, the artist kept being ignored in Italy, as he was not present in the catalog of the Bologna art fair, he was not invited an important exhibition about Italian art from 1960 to 1977 at the Galleria Civica in Turin, and he was never listed in the Bolaffi Arte magazine. In 1977 Italian journalist Romano Battaglia dedicated a chapter of his book Vivono fra noi (They Live Among Us), in which he presented a series of unusual people, to Cavellini. He also interviewed him on his television program TG L'una, and during the program Cavellini showed Battaglia his works and wrote on the bodies of Colosio and Luchetti. Marco Nozza published on Il Giorno the article "Cavellini teases people", confusing the two "living works" with Cavellini's children Mariella and Pietro. The Bolaffi National Catalog of Modern Art no. 14, edited by critics Renato Barilli, Carlo Bertelli, Maurizio Calvesi, Mario De Micheli, Giuseppe Marchiori and Nello Ponente, coordinated by Paolo Levi, made no mention of Cavellini. However, Sandra Orienti praised his book on Il Popolo, Luigi Serravalli wrote about it on Adige and Luciano Spiazzi did the same on Bresciaoggi. In an interview to Fotografia italiana in November 1977, Andy Warhol called Cavellini "my favorite Italian artist". In 1977 Italian journalist Toti Carpentieri wrote about Cavellini in a newspaper published in Lecce, then interviewed him for the national television network RAI, asking him for a forecast on the following year's developments in art. Cavellini replied that art was dead and it was useless to make art in the traditional way, that Italy was a provincial nation and Italians were worthless pretentious people. The Gazzetta del lunedì newspaper published an article titled "The Extraordinary Cavellini". On 7 March 1978 the newspaper Il Lavoro published an article by art critic Germano Beringheli titled