Jaime Gil de Biedma y Alba (13 November 1929 – 8 January 1990) was a Spanish post-Civil War poet. He was born in Nava de la Asunción on 13 November 1929. He stopped writing poetry some ten years before his death. He insisted that the character he had invented, the poet Jaime Gil de Biedma, as opposed to the respectable bourgeois businessman of the same name, had nothing left to say and he refused to go on playing the role of a poet in literary society. He died on 8 January 1990 of complications due to AIDS. English influence Among his readers, he is considered one of the most consummate Anglophiles in the field of contemporary peninsular literature. This Anglophilia was initiated when he first read T. S. Eliot's Four Quartets (translated in 1952). He was also a considerable Francophile as befitted a young Spaniard of his elevated social class, bearing in mind that Spanish society had always been notoriously 'afrancesada' until well into the 20th century. This state of affairs begin to change under the influence of poets like Gil de Biedma and Luis Cernuda. His lifelong adherence to and assimilation of Anglo-American culture was consolidated by his studies in Oxford in 1953 where he read T. S. Eliot for the first time in English (along with W. H. Auden and Stephen Spender), thus beginning a lifelong fascination with the work of the Anglo-American poet. Moreover, the long periods spent in the largely Anglophone circles of Manila would also contribute to his Anglophile literary sensibility and on numerous occasions he would declare England to be his 'segunda patria', his second country, and would also say that he was 'in great measure, a product of the Anglo-Saxon literary tradition. Even though, also shows conscious relations with Spanish and French tradition. Generation of '50 Poetically, Gil de Biedma belongs to the group of poets known as the "Generation of '50", a loose term referring to poets who come from the cultivated social realism in the wake of the Civil War. While earlier post-war poets focus strongly on social issues and lack attention to the poem itself, poets from Generation of '50 as Gil de Biedma, Ángel González, José Ángel Valente or Francisco Brines, while still concerned with democracy or class struggle, are aware about the literary character of their work. They all introduced in Spain, partly because of the late Cernuda's