it appears this was actually filmed on 13 February 1975 with Billie Whitelaw reprising the role. In this production the Auditor is absent and the camera stays fixed on her mouth, everything else being blacked out with makeup. A criticism of this interpretation is that the focus shifts from the aural to the visual as the image of Whitelaw’s mouth dominates the screen and has often been likened to a vagina attempting to give birth to the self. This is a point Beckett himself picked up on when first viewing the video though one to which he raised no objection. 11 April 1978 Théâtre d'Orsay, Paris: Whereas in the French premiere (8 April 1975), Beckett allowed the role of the Auditor to be dropped, in the subsequent performance he both reinstated the position and gave it greater prominence lighting it from above but only at times when Mouth renounces the first person singular. In addition to covering his head with his hands at the end, Beckett also added "a gesture of blame" to the French version. Both this and the 1975 performance featured Madeleine Renaud. 27 February 1993 Performed by Tricia Kelly, directed by Cathy Denford, at West Yorkshire Playhouse. February 2000 Beckett on Film, Shepperton Studios: This filmed production, directed by Neil Jordan begins differently from the BBC version in that the viewer sees Julianne Moore come into view, sit down and then the light hit her mouth. Because of this the audience is aware that a young woman as opposed to an "old hag" is portraying the protagonist. 9 April 2006 Beckett Evening, BBC Radio 3''': To mark the centenary of Beckett’s birth, the BBC produced a number of radio programmes including a recording of Not I by Juliet Stevenson who had played the role on stage. Despite the lack of visuals her performance garnered favourable reviews. Of note is the fact that she chose to speak with an accent. 2005 onwards Performed by Lisa Dwan, firstly in London's Battersea Arts Centre in 2005. Dwan was interviewed with Billie Whitelaw as part of the Beckett celebrations on BBC Radio 3. Dwan performed the piece again in July 2009 in the Southbank Centre in London in a time of nine minutes and fifty seconds; it usually plays for anything between twelve and fifteen minutes. The performance has since toured around the world, garnering five star reviews. 28 February 2018