The History of Sir Charles Grandison, commonly called Sir Charles Grandison, is an epistolary novel by English writer Samuel Richardson first published in February 1753. The book was a response to Henry Fielding's The History of Tom Jones, a Foundling, which parodied the morals presented in Richardson's previous novels. The novel follows the story of Harriet Byron who is pursued by Sir Hargrave Pollexfen. After she rejects Pollexfen, he kidnaps her, and she is only freed when Sir Charles Grandison comes to her rescue. After his appearance, the novel focuses on his history and life, and he becomes its central figure. Background The exact relationship between Fielding's The History of Tom Jones, a Foundling and Richardson's The History of Sir Charles Grandison cannot be known, but the character Charles Grandison was designed as a morally "better" hero than the character Tom Jones. In 1749, a friend asked Richardson "to give the world his idea of a good man and fine gentleman combined". Richardson hesitated to begin such a project, and he did not work on it until he was prompted the next year (June 1750) by Anne Donnellan and Miss Sutton, who were "both very intimate with one Clarissa Harlowe: and both extremely earnest with him to give them a good man". Near the end of 1751, Richardson sent a draft of the novel to Miss Donnellan, and the novel was being finalised in the middle of 1752. While Thomas Killingbeck, a compositor, and Peter Bishop, a proofreader, were working for Richardson in his print shop during 1753, Richardson discovered that printers in Dublin had copies of The History of Sir Charles Grandison and began printing the novel before the English edition was to be published. Richardson suspected that they were involved with the unauthorized distribution of the novel and promptly fired them. Immediately following the firing, Richardson wrote to Lady Bradshaigh, 19 October 1753: "the Want of the same Ornaments, or Initial Letters [factotums], in each Vol. will help to discover them [if exported into England], although they should put the Booksellers Names that I have affixed. I have got some Friends to write down to Scotland, to endeavour to seize their Edition, if offered to be imported". There were four Dublin presses used to make unauthorized copies of the novel, but none of them were able to add the ornaments that could effectively mimic Richardson's own. However, there