Capitol Records (Apple's US distributor) and Columbia Records (Dylan's label) over who had a rightful claim to release the album. Columbia/CBS were eventually mollified with the granting of tape distribution rights in North America, and record and tape distribution in the rest of the world. Another stumbling block was Capitol's insistence that they receive monetary compensation, thought to be around $400,000, for what the company perceived to be vast production and distribution costs for the boxed three-record set. It was a position from which EMI chairman Bhaskar Menon refused to budge, while Harrison was equally adamant that, since all the artists were providing their services for free and Apple was supplying the album packaging at no charge, the record company "must give up something" also. With the sound mix being completed in LA, Harrison spent most of September 1971 in New York working on the problematic film footage of the concert, before heading to London. There he attended the re-opening of Apple Studio on 30 September and produced new signing Lon & Derrek Van Eaton's debut single, as well as enduring a fruitless meeting with the British Treasury's financial secretary – the latter activity in an attempt to have the government waive its standard purchase tax, and so keep the album affordable to record-buyers. Harrison returned to New York on 5 October and announced that the Bangladesh live album would be issued during the following month. At this time, with concert bootlegs now on the market, posters were placed in record shops bearing the slogan: "Save a starving child. Don't buy a bootleg!" In the fourth week of November – well into the lucrative Christmas sales period and close to four months after the concerts – Harrison voiced his frustration at the stalemate with Capitol on ABC's late-night chat show, The Dick Cavett Show. Harrison was on the program to promote the Raga documentary with Shankar, but after making a surprise guest performance with Gary Wright's new band Wonderwheel, he launched into a complaint about his US record company's interference and threatened to take the whole album package to Columbia. With the outburst attracting unfavourable attention in the press, where Capitol were viewed as "profiteering on the backs of famine victims", the company eventually backed down and agreed to release the album on Harrison's terms. Of all the labels involved, only Columbia would make any money from The Concert for