song broadcast by a radio station in the capital city, was recorded with great difficulties, and therefore the result was of very little audio quality. Los Astros used to play in the radio program Buenas Tardes Juventud, from Radio Marianao. According to Jorge Luis González Suárez: "Those shows also suffered the regime's ban for being considered a form of 'ideological diversion'." In spite of the political discrepancy between the US and Cuba since 1960; after the closing of the US embassy, and after the country being "invaded from the neighbor at the North" by Cubans opposed to the socialist regime, rock music never stopped to be performed, despite being considered as subversive. After the disintegration of some rock bands, their members formed new ones, as in the case of Los Halcones in the Quinteto Negro, and the Príncipes del Rock in Los Buitres, consisting of Rey Montesinos, Dino Fregio, vocals and guitar and Jorge Calvet Vidales (Coqui), guitarist and leader of the "Orquesta 440". Already in 1964, other bands imitating the Beatles emerged, such as Los Kent, Los Pacíficos from the Pre-Universitario del Vedado; and then many amateur bands, creating what was called (street rock) “rock de la calle”. That way Los Violentos of Reynaldo Montesinos was created. That group was part of the psychedelic show of Maricusa Cabrera and Arístides Pumariega (a famous cartoonist from the Cuban TV and press). In 1969, Los Violentos brought to the group Miguelito and Aimé Cabrera, two singer-dancers of very high artistic quality, thus providing a different image to the audience of the Maricusa Cabrera shows. Although its members were considered as ideological deviants, many groups continued cultivating this genre. We can include among them Los Vampiros and Los Satélites. Those groups led by Salvador Terry contributed to keep Cuban rock alive and demonstrated that it was appreciated by people from different races. Between 1961 and 1964, they were able to make people leave behind their old misunderstandings, created by those who thought that rock was the music of the high classes and the white majority. These bands were composed of black people and possessed a style similar to the Limbo Rock from the US. That was the origin of “street rock” and it continued until 1965. Around 1965, the Cuban government implemented a strategy to substitute the foreign products that the young people preferred, with others that better matched their official guidelines;