program's initial telecasts. Also televised during The CBS Late Movies first five years were repeats of made-for-TV movies previously seen on CBS and other networks (including some that first appeared as an ABC Movie of the Week), and movies not well-suited for prime time due to content. (Violence was often the main factor, with true crime stories and police drama, and occasionally controversial subject matter, or strong suspense, horror, or sci-fi themes.) Among these were The Abominable Dr. Phibes, its sequel Dr. Phibes Rises Again, and Theatre of Blood (all three of which starred Vincent Price), Dr. Jekyll and Sister Hyde, The Valley of Gwangi, 7 Faces of Dr. Lao, The Creeping Flesh (with the horror team of Peter Cushing and Christopher Lee), Asylum, Baron Blood, Frogs, the killer-rats-on-the-loose film Willard and its sequel Ben. Richard Burton's Doctor Faustus, Monty Python and the Holy Grail, and The Monkees' Head made their network television debut on this series, as did such lower-budget schlock horror films as The Giant Spider Invasion and Night of the Lepus, the latter of which featured giant rabbits on the loose, becoming a source of embarrassment for one of its stars, Star Trek actor DeForest Kelley, who refused to discuss the film later in interviews. Well-known theatrical movies were also occasionally featured, such as the 1951 Show Boat (which had made its network TV debut on NBC in 1972, and was shown on CBS as both a Thanksgiving and Fourth of July special), the David Lean Great Expectations (1946), and a severely edited 75-minute version of the David Lean Oliver Twist (1948). Some films were seen in two parts over two nights, such as The Dirty Dozen and Grand Prix. Another older film that was featured was the 1939 version of the Sherlock Holmes story The Hound of the Baskervilles, starring Basil Rathbone and Nigel Bruce. In 1975, repeats of episodes from the NBC Mystery Movie were added to the mix; the first of these was Banacek, which made its CBS Late Movie debut on January 7, 1975. However, these episodes were sometimes cut to fit into the 60-minute program frame (excluding time for commercials and public service announcements), especially on nights that they were paired up with another 60-minute drama. But not all evenings were devoted to reruns of television serials, for in the summer of 1976, classic British films enjoyed a short revival on The