consoles, and even at times thatched roofs, gave Tudor Revival its more striking effects. Beginnings Although the Gothic style remained popular in Britain well into the Renaissance and Baroque periods, by the end of the 16th century, it had subsided completely in the wake of classicism. While domestic and palace architecture changed rapidly according to contemporary taste, few notable churches were constructed after the Reformation; instead, old gothic buildings were retained and adapted to Protestant use. In contexts where conservatism and traditionalism had great value (e.g., within the Church of England and at the Universities of Oxford and Cambridge) building additions and annexes were often designed to blend or harmonize rather than contrast with the archaic style of the older work. Christopher Wren's steeple of St Dunstan-in-the-East (London,1668-71) and Tom Tower at Christ Church, Oxford (1681-82), and Nicholas Hawksmoor's Codrington Library and Front Quad at All Souls College, Oxford (1751) are the most notable examples of "Gothic survival" in the Baroque period. As the last and most recent phase of the Gothic period, the Tudor style had the most secular survivals in 17th and 18th-century England; many older buildings were rebuilt, added to, or redecorated with ornament in the Tudor period. As such, the Tudor style had perhaps an over-sized influence on the image formed by the Georgians of their medieval past. Before the various phases of medieval architecture had been well identified and studied, and designers such as A.W.N. Pugin and George Gilbert Scott had advocated for the use of the Decorated gothic rather than the perpendicular, Tudor elements figured heavily in the early examples of the Gothic Revival. Horace Walpole's Strawberry Hill House at Twickenham (1749-76; designed in collaboration with Richard Bentley, John Chute, and James Essex) features elements derived from late gothic precedents. In the group of nine cottages at Blaise Hamlet, built around 1810–1811 by a Bristol banker for his retired employees, John Nash demonstrated a remarkably forward-looking selective appropriation of Tudor vernacular architecture such as fancy twisted brick chimney-stacks to make picturesque and comfortable middle-class homes. Several have thatched roofs, some at two levels in a completely unnecessary but very picturesque way. Nash published an illustrated book on the group; this was a formula with a future. In contrast with Nash's Blaise Hamlet, Dalmeny House near Edinburgh, built in 1817 for Archibald Primrose, 4th Earl of Rosebery, is a large stately home in a revival