17th-century French literature was written throughout the Grand Siècle of France, spanning the reigns of Henry IV of France, the Regency of Marie de Medici, Louis XIII of France, the Regency of Anne of Austria (and the civil war called the Fronde) and the reign of Louis XIV of France. The literature of this period is often equated with the Classicism of Louis XIV's long reign, during which France led Europe in political and cultural development; its authors expounded the classical ideals of order, clarity, proportion and good taste. In reality, 17th-century French literature encompasses far more than just the classicist masterpieces of Jean Racine and Madame de La Fayette. Society and literature in 17th-century France In Renaissance France, literature (in the broadest sense of the term) was largely the product of encyclopaedic humanism, and included works produced by an educated class of writers from religious and legal backgrounds. A new conception of nobility, modelled on the Italian Renaissance courts and their concept of the perfect courtier, was beginning to evolve through French literature. Throughout the 17th century this new concept transformed the image of the rude noble into an ideal of honnête homme ("the upright man") or the bel esprit ("beautiful spirit") whose chief virtues included eloquent speech, skill at dance, refined manners, appreciation of the arts, intellectual curiosity, wit, a spiritual or platonic attitude towards love and the ability to write poetry. Central to this transformation of literature were the salons and literary academies which flourished during the first decades of the 17th century; the expanded role of noble patronage was also significant. The production of literary works such as poems, plays, works of criticism or moral reflection was increasingly considered a necessary practice by nobles, and the creation (or patronage) of the arts served as a means of social advancement for both non- and marginalized noblemen. In the mid-17th century, there were an estimated 2,200 authors in France (mostly nobles and clergy), writing for a reading public of just a few tens of thousands. Under Cardinal Richelieu, patronage of the arts and literary academies increasingly came under the control of the monarchy. Salons and Academies Henry IV's court was considered by contemporaries a rude one, lacking the Italianate sophistication of the court of the Valois kings. The court also lacked a queen, who traditionally served as a focus (or patron) of a nation's authors and poets. Henry's