20th-century French literature is literature written in French from 1900 to 1999. For literature made after 1999, see the article Contemporary French literature. Many of the developments in French literature in this period parallel changes in the visual arts. For more on this, see French art of the 20th century. Overview French literature was profoundly shaped by the historical events of the century and was also shaped by—and a contributor to—the century's political, philosophical, moral, and artistic crises. This period spans the last decades of the Third Republic (1871–1940) (including World War I), the period of World War II (the German occupation and the Vichy–1944), the provisional French government (1944–1946) the Fourth Republic (1946–1958) and the Fifth Republic (1959-). Important historical events for French literature include: the Dreyfus Affair; French colonialism and imperialism in Africa, the Far East (French Indochina) and the Pacific; the Algerian War of Independence (1954–1962); the important growth of the French Communist Party; the rise of Fascism in Europe; the events of May 1968. For more on French history, see History of France. Twentieth century French literature did not undergo an isolated development and reveals the influence of writers and genres from around the world, including Walt Whitman, Fyodor Dostoyevsky, Franz Kafka, John Dos Passos, Ernest Hemingway, William Faulkner, Luigi Pirandello, the British and American detective novel, James Joyce, Jorge Luis Borges, Bertolt Brecht and many others. In turn, French literature has also had a radical impact on world literature. Because of the creative spirit of the French literary and artistic movements at the beginning of the century, France gained the reputation as being the necessary destination for writers and artists. Important foreign writers who have lived and worked in France (especially Paris) in the twentieth century include: Oscar Wilde, Gertrude Stein, Ernest Hemingway, William S. Burroughs, Henry Miller, Anaïs Nin, James Joyce, Samuel Beckett, Julio Cortázar, Vladimir Nabokov, Edith Wharton and Eugène Ionesco. Some of the most important works of the century in French were written by foreign authors (Eugène Ionesco, Samuel Beckett). For Americans in the 1920s and 1930s (including the so-called "Lost Generation"), part of the fascination with France was also linked to freedom from Prohibition. For African-Americans in the twentieth century (such as James Baldwin), France was also more accepting of race and permitted greater freedom (in a similar way, Jazz was embraced by the French faster than in some areas in