Berit Elisabet Andersson (11 November 1935 – 14 April 2019), known professionally as Bibi Andersson (), was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman. Early life and career Andersson was born in Kungsholmen, Stockholm, the daughter of Karin (née Mansion), a social worker, and Josef Andersson, a businessman. Her first collaboration with Ingmar Bergman came in 1951, when she participated in his production of an advertisement for the detergent Bris. She also worked as an extra on film sets as a teenager, and studied acting at the Terserus Drama School and at the Royal Dramatic Theatre School (1954–1956). She then joined the Royal Dramatic Theatre in Stockholm. In the 1950s, 1960s, and 1970s, Andersson starred in 10 motion pictures and three television films directed by Bergman. With Ingrid Thulin, Eva Dahlbeck and Barbro Hiort af Ornäs, she shared the Best Actress Prize at the 1958 Cannes Film Festival for the director's Brink of Life, a film set in a maternity ward. The other films included The Seventh Seal, Wild Strawberries, The Magician, The Passion of Anna, The Touch, and Persona. In 1963, Andersson won the Silver Bear for Best Actress at the 13th Berlin International Film Festival for her performance in Vilgot Sjöman's The Mistress. From the mid-1960s onwards Andersson's intense portrayal of a nurse in the film Persona (1966) – in which actress Elizabet Vogler (Liv Ullmann), suffering from a psychosomatic condition, is mostly mute – involved her delivering the majority of the dialogue. For her performance in Persona, she won the award for Best Actress at the 4th Guldbagge Awards. That year, she was seen alongside James Garner and Sidney Poitier in the Western Duel at Diablo. More Bergman collaborations followed, and she worked with John Huston (The Kremlin Letter, 1970) and Robert Altman (Quintet, 1979, with Paul Newman). She was actor Steve McQueen's co-star in his only film with credit as a producer, a stage adaptation by Arthur Miller of Henrik Ibsen's An Enemy of the People (1977). Andersson made her debut in American theatre in 1973 with a production of Erich Maria Remarque's Full Circle. Her most famous American film is I Never Promised You a Rose Garden (1977), which also starred Kathleen Quinlan. In 1990, Andersson worked as a theatre director in Stockholm, directing several plays at Dramaten. In the late 1980s and early 1990s, she worked