Wolf Vostell, Mario Ceroli, Claudio Costa and Mimmo Rotella. Even American artist Andy Warhol went to Cavellini's house and made a portrait of him. James Collins made a video-portrait. They were followed by the French Bernar Venet and Ben Vautier, by the visual poets Emilio Villa, Ugo Carrega and Ketty La Rocca, and then by Claudio Parmiggiani, Aldo Spinelli, Michele Zaza, Fernando De Filippi, Adriano Altamira, Carlo Pittore and E.F. Higgins III. In 1966 Cavellini made his first trip to the United States, in the Greenwich Village neighborhood of New York City, he made a performance by attaching hundreds of pins to his suit. In 1967 his daughter Mariella was married, and for the occasion Cavellini made an exhibition with works of Piero Gilardi, Arman, Allen Jones, Robert Rauschenberg, David Hockney, Alan Davie, Alberto Burri and Lucio Fontana. He was photographed with the artworks by Danilo Allegri. The following year he made an exhibition with his drawings in the Sturm Palace in Bassano del Grappa. For the first time some of his works, specifically a few of his Carboni, were bought by a collector. In 1970 he decided to promote his art through a series of exhibitions in Italy: first at the Toninelli Gallery in Milan, then in Como at the Salotto Gallery, then in Turin at the Triade Gallery, in Trieste at the Lanterna Gallery, in Florence at the Flori Gallery, and finally in Rome at the Toninelli Gallery. However, the exhibitions were not successful. The autostoricizzazione In 1971 Cavellini coined the term autostoricizzazione (self-historicization), upon which he acted to create a deliberate popular history through self-promotion. He made 16 Manifesti (Posters) for the exhibition that he imagined would take place in 2014 in the most important museums of the world to celebrate the centennial of his birth. In the same year he met Rina Majoli, director of the Cenobio-Visualità Gallery, who decided to exhibit the Posters. With the help of fellow artist Sarenco, Cavellini was able to repeat the exhibition at the Aktionsgalerie in Bern and then at the art fair in Basel, where he added some Carbons to the Posters. At the inauguration in Basel on 23 June 1972 there were no visitors. In this period Cavellini also created the first Francobolli (Stamps) that showed his portraits: first that by Mario Ceroli, then those by Mimmo Rotella, James Collins and Andy Warhol. He also made seven self-portraits