documentary All This and World War II, for which, as with the 1974 stage play John, Paul, George, Ringo … and Bert, Harrison would refuse permission for any of his songs to appear; and Steve Harley & Cockney Rebel having a top-ten hit in the UK with a cover of Harrison's composition "Here Comes the Sun". The planned Harrison greatest-hits compilation then became an experiment by Capitol whereby Beatles tracks were mixed with solo hits on the one album. Harrison immediately disavowed the venture, he being the least attached to the band's legacy of all the former Beatles. Song selection To fill one side of the LP, Capitol selected Harrison-written songs that had been released by the Beatles between 1965 and 1970. A risk-free approach prevailed, commentators have noted, both with the unimaginative album title and with the predictable selection of songs. Nowhere was Indian music represented, a musical genre with which Harrison was synonymous via his long association with Ravi Shankar, and which various authors, and Shankar himself, credit Harrison with introducing to Western popular music. In this way, what McCartney has termed Harrison's "landmark" Indian compositions, "Within You, Without You" and "The Inner Light", were overlooked while "Taxman" received its second album release in six months (having been issued on Rock 'n' Roll Music). "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something" were also among the tracks selected, even though they had all appeared on the 1973 Beatles compilation 1967–1970. Side two was made up of Harrison's biggest solo hits: "My Sweet Lord" and "What Is Life" from All Things Must Pass (1970), "Give Me Love (Give Me Peace on Earth)" from Living in the Material World (1973), the title track from Dark Horse (1974), and "You" from Extra Texture (1975). The sixth solo song was the non-album single "Bangla Desh", released in 1971. Aside from the financial benefits of repackaging Beatles-era songs, part of the reason for Capitol reducing Harrison's mostly successful solo years thus far to six album tracks was due to the "lackluster" commercial fate of the Lennon and Starr compilations, author Nicholas Schaffner wrote in 1977. Another factor was Harrison's tendency to limit his single releases to a minimum: he had been reluctant to issue any single from All Things Must Pass originally, and the scheduled second single from Material World, "Don't Let Me Wait Too Long" – a "certain #1",