licence until 1970. Jack Barrie and agent Kenny Bell came up with the idea of opening a private bar called La Chasse above the Marquee at 100 Wardour Street. Band residencies during the late 1960s included Alexis Korner, Cyril Davies, Chris Barber, the Rolling Stones, the Yardbirds, Led Zeppelin, the Who, King Crimson, the Syn, Mabel Greer's Toyshop, Yes, Jethro Tull, the Jimi Hendrix Experience and Pink Floyd (who played on Sunday afternoons as part of the Spontaneous Underground club). Another band that made regular appearances was the Manish Boys, featuring David Bowie, who first played there in November 1964. Peter Green's Fleetwood Mac gave their first performance there in 1967. To find out who was playing on any given night, you could just call in at the 'Ship' pub a few doors away. In 1964, Moody Blues manager/producer Alex Murray used a homemade studio in the garage at the back of the club to produce the classic "Go Now" single, which shot to No. 1 at Christmas 1964, and filmed for it the first ever UK pop promo video. The development of Marquee Studios was largely financed by profits from this record. The studio was later used by Elton John, the Groundhogs, the Clash and others. The Rolling Stones, who first appeared at the club in July 1962, returned there on 26 March 1971 after a nine-year hiatus to film a television special. John Gee, a former accountant and journalist, became the manager of the Marquee Club during the 1960s and was a pivotal part of helping create what the Melody Maker termed "the most important venue in the history of pop music". Gee championed certain groups that played at the club such as Ten Years After and Jethro Tull, and wrote the liner notes for Ten Years After's eponymous 1967 debut album. Jethro Tull named the B-side of their second single, "A Song For Jeffrey", a jazz-flavoured instrumental, "One for John Gee". Gee introduced the bands to the audience before they appeared on stage. He left the Marquee Club in 1970 to take a job in the offices of Radio Luxembourg. Jack Barrie, who was the former manager of the Soho bar La Chasse, took over as the manager of the Marquee in 1970. Beggars Opera and many other Scottish groups found a great following in the early 1970’s. The 1970s The Marquee Club also nurtured a large