three Bang on a Can composers in addition to Lao Luo. They also premiered Road Trip, a celebration of Bang on a Can's 30-year journey, together at the Brooklyn Academy of Music in October 2017. Music Gordon's music incorporates elements of dissonance, minimalism, modality and popular culture. His music has been presented at Lincoln Center for the Performing Arts, Carnegie Hall, The Proms, the Brooklyn Academy of Music, the Sydney 2000 Olympic Arts Festival, the Kennedy Center, The Kitchen, the Kölner Philharmonie, Royal Albert Hall, the Bonn Oper, and the Jewish Museum Vienna, as well as at the Rotterdam, Edinburgh, St. Petersburg, Holland, Adelaide, Huddersfield, Settembre Musica and Dresden music festivals. His music has been choreographed by Eliot Feld, The Royal Ballet, Emio Greco | PC, Wayne McGregor (for Stuttgart Ballet, Random Dance), Pina Bausch's Tanztheater Wuppertal, Heinz Spoerli (for Zürich Ballet), Ashley Page (for The Royal Ballet and the Scottish Ballet), and Club Guy & Roni,. In 2017, Douglas Lee choreographed a Gordon score for the Ballett Zürich, and in 2018 Brian Brooks choreographed another score for the Miami City Ballet. Gordon is a featured artist in the repertoires of Ensemble Modern, Alarm Will Sound, and the Kronos Quartet. Notable works Since 1991, Gordon has worked extensively with video. His work Van Gogh Video Opera, a collaboration with video-artist Elliott Caplan, was premiered to critical acclaim in New York in 1991 and received its European premiere in Vienna in 1992. Other works with Caplan include Grand Dairy, based on a diner on New York's Lower East Side, which was produced in Vienna in 1996, and Weather (German Tour 1997), in which the 16 string players of Ensemble Resonanz perform on a vertical stage surrounded by video panels. The recording of Weather is available on Arthrob/Nonesuch Records. In 1997 he worked with playwright Anna Deavere Smith on House Arrest, First Edition, which premiered at the Arena Stage Theater in Washington, DC. Gordon's percussion sextet Timber was written for the percussion ensembles Slagwerk Den Haag and Mantra Percussion. This work, an evening-length piece for six 2x4s, toured with dance throughout 2009–10 and was premiered in its concert-version in June 2011. The full percussion sextet was released on Cantaloupe Music in 2011. In 2014–15 it was played in Walt Disney Concert Hall, performed by So Percussion and members of the Los Angeles Philharmonic, in Belgium, by Ictus, and in Scandinavia, by Nordic