Franklyn Seales (July 15, 1952 – May 14, 1990) was an American film, television and stage actor. He was known for his portrayals of business manager Dexter Stuffins in the 1980s sitcom Silver Spoons, and real-life convicted cop killer Jimmy Lee (Youngblood) Smith in the 1979 film The Onion Field. Early life and education Franklyn Vincent Ellison Seales was born on July 15, 1952, the fifth eldest of eight siblings, in Calliaqua to Francis Seales, a merchant seaman and government employee, and Olive Seales (née Allen), a homemaker. Seales was of English, Scottish, African, Portuguese and Native Caribbean descent. He and his family left the West Indies in 1960 and settled in New York City. He attended Lincoln High School in Brooklyn. Seales originally intended to study at the Pratt Institute to pursue a career in art. However, in the early 1970s, Seales agreed to accompany an aspiring-actress friend to an audition at the Juilliard School. As Seales helped his friend run through the famous Romeo and Juliet balcony scene, actor/producer John Houseman (then director and founder of the school's drama division) began to notice him. Houseman offered Seales a four-year Juilliard scholarship. Seales was the first and only known graduate of Juilliard to hail from St. Vincent. He studied at Houseman's Acting Company. Career Seales made his breakthrough in 1978 with the PBS drama, Trial of the Moke, portraying Lt. Henry O. Flipper, the first African-American graduate of West Point. He went on to appear in The Onion Field (1979), in which he portrayed real-life convicted cop killer Jimmy Lee (Youngblood) Smith. That same year, he also had a minor role in Star Trek: The Motion Picture. He appeared in the 1981 film, Southern Comfort, in which he portrayed Rifleman Cleotis Simms. He came to do other television and became a regular on Silver Spoons (which also starred Houseman), a situation comedy of the early 1980s in which he portrayed Dexter Stuffins from 1983 to 1987. He appeared on episodes of Hill Street Blues and Amen. In Los Angeles, Seales joined L.A. Theatre Works and was seen in such unconventional productions as Conversation at Night With a Despised Character, in which Los Angeles Times critic Lawrence Christon found him "one of America's most compelling stage actors." He was the Last Person on Earth in Sade-Sack, or How to Live After the Asprocalisp, and he starred in Bertolt Brecht's The