positive opinions on it. Positive While assessment of the building's architecture has been influenced by the vagaries of changing architectural style, the building at the time was acclaimed by some architects as well as by the professional association, American Institute of Architects, which gave the building its Honor Award in 1969. Representative of the contemporary praise was the opinion of The New York Times critic Ada Louise Huxtable, who wrote that "in this focal building Boston sought, and got, excellence." Historian Walter Muir Whitehill wrote that "it is as fine a building for its time and place as Boston has ever produced. Traditionalists who long for a revival of Bulfinch simply do not realize that one does not achieve a handsome monster either by enlarging, or endlessly multiplying, the attractive elements of smaller structures." Architect, educator, and writer Donlyn Lyndon wrote in The Boston Globe, "Boston City Hall carries an authority that results from the clarity, articulation, and intensity of imagination with which it has been formed." Architectural historian Douglass Shand-Tucci, author of Built in Boston: City and Suburb, 1800–2000, called City Hall "one of America's foremost landmarks" and "arguably the great building of twentieth-century Boston." In the AIA Guide to Boston, Susan and Michael Southworth wrote that "the award-winning City Hall had established its architect's reputation and inspired similar buildings across the nation." Stylistically, City Hall is considered by some to be a leading example of Brutalist architecture. It is listed among the "Greatest Buildings" by Great Buildings Online, an affiliate of Architecture Week. Additionally, in a 1976 Bicentennial poll of historians and architects regarding the United States' greatest buildings, sponsored by the American Institute of Architects, Boston City Hall received the sixth-most mentions. When Boston's Mayor Menino stirred controversy in 2010 with a discussion of selling City Hall (see below), opponents of the proposal expressed praise of the building for its influence, design originality, and symbolism as a marker of Boston's rebirth in the 1960s. Supporters of the building applied to the Boston Landmarks Commission for its designation as a landmark, with supporting signatures and letters from architecture critic Jane Holtz Kay, Friends of the Public Garden President Henry Lee, and others. The Boston Globe published editorials recognizing the building's importance. Architecture critic Ada Louise Huxtable wrote an article published in The Wall Street Journal in which she contrasted the poor treatment of Boston City Hall with Yale