were directed by Leonid Gaidai, Eldar Ryazanov and Georgiy Daneliya, such as Carnival Night (1956), The Irony of Fate (1976), Kidnapping, Caucasian Style (1967), Operation Y and Shurik's Other Adventures (1965), The Twelve Chairs (1976), Walking the Streets of Moscow (1964), Gentlemen of Fortune (1971). Soviet filmmakers also produced historical adventure films, such as D'Artagnan and Three Musketeers (1978) and Gardes-Marines, Ahead! (1988). Among those, "osterns", the Soviet take on the westerns, became also popular. Examples of the Ostern include White Sun of the Desert (1970), The Headless Horseman (1972), Armed and Dangerous (1977), A Man from the Boulevard des Capucines (1987). On TV, mystery and spy miniseries were prevalent, such as Seventeen Moments of Spring, The Meeting Place Cannot Be Changed, Investigation Held by ZnaToKi and a faithful adaptation of Sherlock Holmes stories starring Vasily Livanov as Holmes. A respective amount of World War II dramas made in the 1970s and the 1980s were acclaimed internationally, some of which are Liberation (1971) by Yuri Ozerov, The Dawns Here Are Quiet (1972) by Stanislav Rostotsky, They Fought for Their Country (1975) by Sergei Bondarchuk, The Ascent (1977) by Larisa Shepitko and Come and See (1985) by Elem Klimov. Co-production between Soviet Union and Japan, Dersu Uzala, adapted from Vladimir Arsenyev’s book, directed by Akira Kurosawa and starring Maxim Munzuk and Yuri Solomin, won the Academy Award for Best Foreign Picture in 1976. The film was a box-office success and ended up reviving Kurosawa's career. Yuri Norstein is perhaps the most famous Russian animator of the Soviet period; his animated shorts Hedgehog in the Fog and Tale of Tales gained worldwide recognition and have served as inspiration for many filmmakers. Larisa Shepitko's film The Ascent was the first Soviet movie to win the Golden Bear at the Berlin Film Festival in 1977. Romantic drama Moscow Does Not Believe in Tears by Vladimir Menshov won the Best Foreign Picture award at the 1981 Academy Awards and it was very popular at the Soviet box-office with over 93 million viewers. Come and See by Elem Klimov received the FIPRESCI prize at the 1985 Moscow Film Festival. Science fiction film Dead Man's Letters (1986), directorial debut of Konstantin Lopushansky, was screened at the International Critics' Week section of the Cannes Film Festival in 1987 and received the FIPRESCI prize at the 35th International Filmfestival Mannheim-Heidelberg. His follow-up film A Visitor to a Museum (1989)