to the Los Angeles Opera's permanent repertoire and earned Goldenthal a nomination in April 2007 for the Pulitzer Prize for Music. In 2008 Goldenthal reunited with Michael Mann to score 1930s gangster movie Public Enemies and in 2009 he scored another Julie Taymor Shakespeare adaptation, The Tempest. He cites Japanese composer Tōru Takemitsu as an influence and someone he styles his own career on; Goldenthal has said that the lines between traditional concert music and orchestral film score have become more blurred which is the way he thinks it should be. He has also collaborated four times with Irish director Neil Jordan, including on his films Interview with the Vampire and In Dreams. Personal life He lives in New York City "happily unmarried", as he once put it, with his partner Julie Taymor, whom he met in 1980 through a mutual acquaintance, who told him, "I know a person whose work is just as grotesque as yours". They have an office/apartment where they both live and work. Style Elliot Goldenthal has been called the "thinking man's composer" by film-music collectors and a generally more cerebral choice for film makers and lovers of film music. He is known for his experimentation, nuances and willingness to try unconventional techniques. He has scored films in almost every genre from horror to action to Shakespeare adaptations. He has not yet scored comedy, but he has composed comedic motifs for several films such as Demolition Man and the Batman series. His eclectic output has gained him a great deal of respect in the music and film communities and with fans. He is widely appreciated for his musical abilities and distinctive style, although some find his work to be too experimental or inaccessible. His action music is brutal and atonal. Sometimes, in underscore, he uses very fast French horn passages with bending tones and whining. Goldenthal has said that he doesn't "hear" atonal and tonal, rather, "I either hear melody or I hear sonority". Goldenthal often works with a team he assembled after the soundtrack for Drugstore Cowboy: Teese Gohl as supervising producer, Robert Elhai as orchestrator, Joel Iwataki and Steve McLaughlin as sound engineers and Richard Martinez as electronic music producer. According to Martinez, "a lot of composers want to focus on writing their music, and that's what [his] team allows Elliot to do." At the website filmscoremonthly.com, a former classmate of Goldenthal's commented on