(1972–1975), rectangular pieces of paper coated with house paint and allowed to turn yellow from exposure over many years, are yet another example of film makers' investigation of the fundamental properties and effects of cinema outside the physical boundaries of the film medium. In many cases, "paracinematic" works came out of a sense among radical filmmakers that the film medium posed overly restrictive and unnecessary constraints (e.g. material and economic limitations) on their search for new kinds of cinematic experience. "Cinema", in this context, is understood as a much more varied art form than among most other kinds of filmmakers, who assume that "film" cannot be disconnected from the film medium. See also Paraliterature Mystery Science Theater 3000 No Wave Cinema Anthology Film Archives References External links Paracinema—Quarterly film magazine dedicated to B-movies, cult classics, indie, horror, science fiction, exploitation, underground and Asian films from past and present. Film genres