Korean embroidery techniques and artifacts have a long history, but there is the most evidence from the Joseon Dynasty, after the 14th century in Korea. This article talks about the history, styles, preservation, artists, and examples of screens, costumes, and domestic wares of this exacting and beautiful art form. People used needles made out of bones of fish or animals to sew and weave animal skins and the bark or leaves of trees. Chasu, the Korean word for embroidery, was a method of cultivating beauty in every corner of daily life. Pokshik chasu, kiyong chasu, kamsang chasu and Buddhist chasu are the four types of Chasu. Pokshik chasu is the embroidery on clothes. Kiyong chasu is the embroidery decorated on various materials used in the king’s palace. Kamsang chasu represented a type of artistic piece. Buddhist chasu came from Buddhism. Buddhist chasu was used in the statues of Buddha or various temples. Chasu has begun from the prehistoric era when the humans first started to make clothes. History Traditional embroidery of Korea has a long history and has expressed the aesthetic qualities of Korea according to the changes of the times. The embroidery has been cultivating beauty with delicate skill in every day life through the stiffness of needle, sweat and stitches along with weaving and sewing, and also the national emotions have blossomed in. Traditional embroidery of Korea used silk cloth and thread mainly before the Three Kingdoms of Korea and had a special gloss and texture. As a result, the aesthetic effect of embroidery was expressed as beautifully as possible. This silk embroidery was first introduced in Persia, became popular in Iran, and was known to have been brought to Korea through India and China. Prehistory In the Bronze Age, there are ferrules made of soil or stone, large and small crocodiles, stone needles, and needle houses. It can be inferred that weaving and sewing were already done at the time when such spinning tools and sewing tools were unearthed. Following the Bronze Age, iron farming came into being in the Iron Age, and agriculture was remarkably developed. Textile cultivation technology developed and textile production increased. In the case of "Three Kingdoms" and "Huh Hanbook", it is said that this time, it was cultivated horse and mulberry trees and raised that silkworm cocoons, including cotton seeds, mapo, and coops. The development of these fabrics is a basic requirement