In a Silent Way is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances. Upon its release, the album was met by controversy among music critics, particularly those of jazz and rock music, who were divided in their reaction to its experimental musical structure and Davis's electric approach. Since its initial reception, it has been regarded by fans and critics as one of Davis's greatest and most influential works. In 2001, Columbia Legacy and Sony Music released the three-disc box set The Complete In a Silent Way Sessions, which includes additional tracks. Background and recording By January 1969, Davis' core working band had stabilised around Wayne Shorter on soprano saxophone, Dave Holland on bass, Chick Corea on electric piano, and Jack DeJohnette on drums. For his next studio album, Davis brought in former band members Tony Williams on drums as he wished to use his style and Herbie Hancock on additional electric piano as they had previously agreed to work with Davis on studio recordings. In the following month, the six were joined by Austrian keyboardist Josef Zawinul after Davis had called him and asked to bring musical ideas for the group, and English guitarist John McLaughlin, who had been in the United States for less than two weeks to join The Tony Williams Lifetime before Davis asked him to attend the recording session. McLaughlin had been a longtime fan of Davis, and spoke of his nervousness to the trumpeter about the prospect of recording with his idol. Among the pieces by Zawinul that Davis took a liking to was "In a Silent Way", an atmospheric piece that was titled at the suggestion of Julian "Cannonball" Adderley when the two were in the same band. Adderley wished to use the piece for his own recording but Zawinul turned him down after he learned that Davis wished to use it. Although Davis' live performances and recent