moved to the new National Gallery building in Trafalgar Square in 1837. Inscribed over the entrance to the Great Room, in which the annual Royal Academy summer exhibition was held, is the formidable inscription ΟΥΔΕΙΣ ΑΜΟΥΣΟΣ ΕΙΣΙΤΩ ("Let no stranger to the Muses enter" in Ancient Greek). Highlights of the collection Paintings Dutch School Vincent van Gogh – 3 paintings; Early Netherlandish Robert Campin (or Master of Flemalle), the Seilern Triptych Quentin Matsys – 2 paintings; English School William Beechey – 2 paintings; Thomas Gainsborough – 2 paintings; Peter Lely – 3 paintings; Flemish School Anthony van Dyck – 5 paintings; Pieter Bruegel the Elder – 2 paintings, many drawings; Peter Paul Rubens – 29 paintings; David Teniers the Younger – 10 paintings; French School Paul Cézanne – 12 paintings; Edgar Degas – 6 paintings; Paul Gauguin – 3 paintings; Claude Lorrain – 1 painting; Édouard Manet – 4 paintings; Claude Monet – 3 paintings; Camille Pissarro – 4 paintings; Alfred Sisley – 2 paintings; Georges-Pierre Seurat – 9 paintings; Pierre-Auguste Renoir – 4 paintings; Chaïm Soutine – 1 painting; Henri de Toulouse-Lautrec – 2 paintings; Henri Rousseau – 1 painting; German School Lucas Cranach the Elder – 1 painting; Italian School Fra Angelico – 4 paintings; Giovanni Bellini – 1 painting; Sandro Botticelli – 1 painting; Bernardo Daddi – 2 paintings; Lorenzo Lotto – 2 paintings; Lorenzo Monaco – 2 paintings; Pietro Perugino – 1 painting; Pesellino – a diptych Parmigianino – 2 paintings; Giovanni Battista Tiepolo – 12 paintings; Tintoretto – 2 paintings; Spanish School Francisco Goya – 1 painting; Gambier-Parry Collection Thomas Gambier Parry (1816–1888) was a keen and versatile collector for most of his adult life. Many of his purchases were made on trips to the continent, especially Italy, but he also bought from dealers and auctions in England, and sometimes sold items. His most important collections were of late medieval and Early Renaissance paintings, small sculpted reliefs, ivories, and maiolica, but he also had a significant early collection of Islamic metalwork, and a variety of other types of objects, for example Hispano-Moresque ware, glass and three small post-Byzantine wooden crosses from Mount Athos elaborately carved with miniature scenes. The Courtauld Gallery website shows images and descriptions of 324 objects from the 1966 bequest, which included the bulk of the collection. Gambier Parry began by collecting mostly 16th- and 17th-century works, but his focus gradually moved