print music) including for what purposes. By acting as a link between the users and creators of copyright material, collecting societies like APRA and AMCOS provide a simple means for assisting users to comply with their copyright obligations as well as ensuring that the creators or copyright owners are paid for the use of their work. History APRA APRA was established in 1926 by a number of companies, to represent the interests of Australasian music copyright holders, and to manage the performance and communication rights of its members. According to the Copyright Act, public performances of music include music played in pubs, clubs, fitness clubs, shops, cinemas, or at festivals, whether performed live, from radio or television. Communication of music covers music broadcast by TV or radio broadcasters, or accessed via the internet. In 1929, commercial radio broadcasters in Sydney and Melbourne paid APRA £7 a week for royalties, with music broadcasts limited to 66 hours a week. This arrangement broke down in 1931, with APRA banning the playing of records on air. The Australian Federation of Commercial Broadcasting Stations was established in that year to resolve royalty and copyright related issues and as a result, member broadcasters agreed to pay a fixed sum for broadcasting rights. With the introduction of the Australian Copyright Act 1968, APRA extended its services to any Australian business with copyright obligations. Demand for the service increased steadily over the following thirty years and by 2005, APRA represented the interests of 28,000 members within Australasia, and about two million creative artists and publishers from elsewhere in the world, and gathered $146 million in royalty payments, of which $127 million was distributed to copyright holders. Today the Association provides businesses with a range of licences to use copyrighted music with APRA monitoring radio and television stations, concert promoters and cinemas in particular. AMCOS The Australasian Mechanical Copyright Owners Society Limited (AMCOS) was established in 1979 to manage mechanical royalties, i.e. the reproduction or copying and storage of music in any format. These royalties are generated each time "an original musical work is licensed by a third party and commercially reproduced or sold", whether on CD, DVD or vinyl recordings, music downloads or via streaming services. Thus the licensors include all major and independent record labels as well as digital service providers (DSPs) such as Apple Music and Spotify, and schools. According to the Copyright Act, reproduction