originally eight large windows at the transept until the walling up of the two fronting Victoria Street. The original timber louvred casements of the windows were replaced by glass shutters with green glass in 1937. The stained glass windows in the lunettes of the nave and transept windows were presented to the cathedral by Bishop Charles Arsène Bourdon. The timber ceiling is in a concave form and is made up of three rows of six rectangular panels. All eighteen panels are rather simply ornamented, with a simple rectangular border and a ceiling rose at their centres. The ceiling roses in the centre row are larger and more elaborate than those in the side rows. From the centre of each circle hangs a lamp. The ceiling edge ends in deeply moulded plaster cornice that runs along the length of the cathedral. As the height of the east end has been raised at different times, the dimensions of the entablature no longer relate to the columns properly, as their bases have been raised. The cathedral was once lit with Victorian crystal chandeliers, but these have since been replaced with simpler lamps. There are two confessionals to the left and right side of the nave and they are topped with pediments ornamented with a circle and cross at the centre. The set of fourteen oil paintings on the walls of the nave depict the Way of the Cross. At the crossing is the final resting place of Bishop Edouard Gasnier, the first bishop of the revived Diocese of Malacca. Gallery The gallery, which is closed to public access, houses the Gallery Organ and an audio-visual control room. Sanctuary On the wall of the sanctuary is a crucifix, It is framed by a pediment and four pilasters – two pilasters on a pedestal on either side of it. This reredos is not original, and was installed sometime in the 1960s, and is typical of the period, using standard glass mosaic tiles to create a 'starburst' background to the crucifix, as a replacement for the original high altar arrangement that was removed following the Second Vatican Council. At one point, the cathedra was moved to this spot where the high altar once stood, with the altar being moved forward as a free-standing 'communion table' style altar to allow versus populum celebration of the Mass. Following the most recent restoration, the traditional placement of the cathedra,