"Spirit in the Sky" is a song by American singer-songwriter Norman Greenbaum, originally written and recorded by Greenbaum and released in late 1969 from the album of the same name. The single became a gold record, selling two million copies from 1969 to 1970, and reached No. 3 on the US Billboard Hot 100 where it lasted for 15 weeks in the Top 100. Billboard ranked the record the No. 22 song of 1970. It also climbed to No. 1 on the UK, Australian and Canadian charts in 1970. Rolling Stone ranked "Spirit in the Sky" No. 333 on its list of the "500 Greatest Songs of All Time". Cover versions by Doctor and the Medics and Gareth Gates have also made the No. 1 spot in the UK. The song is also known for being one of the top one-hit wonders of all time. Original version by Norman Greenbaum "Spirit in the Sky" makes several religious references to Jesus, although Greenbaum himself is Jewish. In a 2006 interview with The New York Times, Greenbaum told a reporter he was inspired to write the song after watching Porter Wagoner singing a gospel song on TV. Greenbaum said: "I thought, 'Yeah, I could do that,' knowing nothing about gospel music, so I sat down and wrote my own gospel song. It came easy. I wrote the words in 15 minutes." The song is in the Key of A. Greenbaum had previously been a member of psychedelic jug band Dr. West's Medicine Show and Junk Band. When they split up he won a solo contract with producer Erik Jacobsen for Reprise Records. Jacobsen had previously worked with The Lovin' Spoonful and the song was included on Greenbaum's first solo album. The song's arrangement came together in the studio in San Francisco where lead guitarist Russell DaShiell, bass player Doug Killmer from the band Crowfoot and drummer Norman Mayell from the band Sopwith Camel worked with Greenbaum. According to The New York Times article, Greenbaum used a Fender Telecaster guitar with a fuzz box built into the body to generate the song's characteristic guitar sound. The resulting sound was an "oddly good and compelling" combination of gospel and hard rock music, with loud drums, distorted electric guitar, clapping hands, and tambourines. The production team brought in the Stovall Sisters, an Oakland-based gospel trio, to sing backing vocals. Because of the song's length and