left and right wings added by Robert Navaratnam, a local organ builder. The action, once electropneumatic, was converted to direct-electric by Navaratnam. In the latest rebuilding of the organ, a new tracker action was built to replace the electric action. It is currently the oldest playable organ in Singapore and is regularly used for Masses, concerts, recordings, and organ tours. In 2005, Lin Yangchen published an article titled Singapore's Answer to Notre Dame de Paris in The Organ describing both cathedral organs in detail (The Organ 334:8–10). He describes the unique situation presented by having separate organs in the same building, which makes possible a dialogue between the Gallery and Choir Organs. In fact, this did happen during solemn occasions and when two organists were present. The choir and congregation were then accompanied separately, although this is no longer possible now that there is only one organ in the cathedral. In 2018, Andre Theng published a booklet dedicated to the history of the organ. Titled Saving The King, this book details the history and journey of the Bevington organ from its original installation to its current iteration. This book is available for sale outside the West Doors of the cathedral after the weekend Masses. Sketches of information on the older organ are available mostly through personal accounts. An elderly parishioner recounted helping out on Sundays as a young boy by operating the manual air pump of the organ. By the 1960s, the Gallery Organ became so dilapidated that it remained silent for nearly two decades. Hugo Loos, a Belgian engineer then based in Singapore, volunteered his services as both organist and repairman. Driven by his passion and love for pipe organs, he was able to render minor repairs, but much work was still required. Towards the end of 1983, the then rector of the cathedral, Father Robert Balhetchet, was introduced to Robert Navaratnam, an organ builder who had been trained in Germany. Navaratnam spent the next few decades caring for and expanding the instrument by adding ranks of pipes where they became available. He continues to look after the organ, tuning it on a regular basis. On 16 December 1984, a concert was organised in conjunction with the rededication of the Gallery Organ. Dr Margaret Chen, curator of the Klais Organ at the Victoria Concert Hall and a well-known Singaporean organist, was one of the performers. Full-length organ recitals at