Liu Rushi (; 1618–1664), also known as Yang Ai (杨爱), Liu Shi (柳是), Liu Yin (柳隐) and Yang Yin (杨隐),Yang Yinlian (杨影怜), Hedong Jun (河东君), was a Chinese yiji (courtesan), poet, calligrapher, and painter in the late Ming dynasty and early Qing dynasty. Early in her life, she had a relationship with Chen Zilong with whom she exchanged verses. She married the scholar-official Qian Qianyi, who was 36 years her senior, at the age of 25. She committed suicide shortly after he died. She is one of the "Eight Beauties of Qinhuai" described by late Qing official Zhang Jingqi. In addition to her creative works (many of which have survived) and independent spirit (she often cross-dressed), she has been revered in later times for her unwavering love for her husband and for her country (the Ming) during the Ming–Qing transition. Historian Chen Yinke, who spent decades researching and writing about her, characterizes Liu Rushi as "a heroine, a belle, a wordsmith, and a patriot" (). Early life Believed to have been born in Jiaxing, Liu was sold by her family as a concubine to the Prime Minister Zhou Daodeng. At the age of thirteen, a scandal led to her expulsion from Zhou's household, and she was sold to a brothel in Suzhou. At seventeen, she had her first major love affair with the painter Tang Shuda. Already a noted poet and painter herself at this early age, she met Chen Zilong in 1635 and lived with him for about a year, eventually leaving after his family disapproved of their liaison. After leaving, she managed a brothel in Wujiang. An affair with the artist Wang Janming ended when Wang failed to attend an appointment with her at the Rainbow Pavilion. Another affair with Song Yuanwen, a government official, ended when his vacillations over marriage resulted in Liu smashing her lute and storming off in a fit of pique. She was friends with fellow courtesan Chen Yuanyuan. Marriage to Qian Qianyi In 1640 Liu embarked on a campaign to marry the respected scholar Qian Qianyi. Dressed in men's clothing, she accosted Qian and requested his opinion on one of her poems. Qian apparently believed her to be a man, but later in the year he had established her at a specially built hermitage in the grounds of his Suzhou estate, called the "According to Sutra Studio". They married in 1641, whilst on