of standard concrete blocks that were used (8 x 8 x 16 in), fair-faced, for structural and partition walls alike. The large blocks provide shade for the windows, allowing the Florida home to be easily cooled. This house's seaside facade of stacked rectangles exemplifies the sculptural nature of Rudolph's work during this period. From inside the structure, Rudolf wanted the inhabitants to locate themselves according to mood, so the large two-story window in the living room contrasts other areas of the home which feel more cave-like and secluded. Rudolph's fascination with European Modernism and the neo-Classical theory made this a difficult building to construct. Rudolph had to show concern for multiple influences as well as his own style. At the time, Rudolph was working independently and would later become an icon in European Modernism. In 1958, Rudolph was commissioned to create a master plan for Tuskegee Institute in Tuskegee, Alabama. He later collaborated with graduates of Tuskegee's architecture school on the design of a new chapel building, completed in 1969. He also designed the Endo Pharmaceuticals Building (1964), the Dana Arts Center (1969) at Colgate University, the Boston Government Service Center (1971), First Church in Boston (1972), and the Burroughs Wellcome headquarters (1972, demolished 2021) in North Carolina. The main campus of University of Massachusetts Dartmouth (originally known as Southeastern Massachusetts Technological Institute, and later as the Southeastern Massachusetts University) was a continuing focus of his work. His association started in 1963, and continued in various capacities through the 1980s. He personally designed several buildings, but his overall architectural vision guided the development of the entire campus for decades. His Shoreline apartments in Buffalo, completed in 1974, were pioneering low income housing, designed as part of a larger masterplan for the city's waterfront that was never completed. Later years Rudolph left Yale in 1965, and his career had declined gradually during the 1970s. While the Brutalist style fell out of favor in the US during the 1970s, Rudolph's work evolved, and he became more successful with international projects. In a departure from his monolithic concrete works, Rudolph designed reflective glass office towers such as the City Center Towers in Fort Worth, Texas. Rudolph continued working on projects in Singapore, where he designed The Concourse office tower with its ribbon windows and interweaving floors, as well as projects in other Asian countries through the last years of his life. The Lippo