Shirley Graham Du Bois (born Lola Shirley Graham Jr.; November 11, 1896 – March 27, 1977) was an American-Ghanaian writer, playwright, composer, and activist for African-American causes, among others. She won the Messner and the Anisfield-Wolf prizes for her works. Biography She was born Lola Shirley Graham Jr. in Indianapolis, Indiana, in 1896, as the only daughter among five children. Her father was an African Methodist Episcopal minister and the family moved often due to her father's work in parsonages throughout the country. In June 1915, Shirley graduated from Lewis and Clark High School in Spokane, Washington. She married her first husband, Shadrach T. McCants, in 1921. Their son Robert was born in 1923, followed by David Graham DuBois in 1925. In 1926, Graham moved to Paris, France, to study music composition at the Sorbonne. She thought that this education might allow her to achieve better employment and be able to better support her children. Meeting Africans and Afro-Caribbean people in Paris introduced her to new music and cultures. Graham and McCants divorced in 1927. Graham served as music librarian while attending Howard University as a nonmatriculated student under the tutelage of Professor Roy W. Tibbs. He recommended her for a teaching position at Morgan College which led to her position as head of the music department from 1929 to 1931. In 1931, Graham entered Oberlin College as an advanced student and, after earning her BA in 1934, went on to do graduate work in music, completing a master's degree in 1935. In 1936, Hallie Flanagan appointed Graham director of the Chicago Negro Unit of the Federal Theater Project, part of President Franklin D. Roosevelt's Works Progress Administration. She wrote musical scores, directed, and did additional associated work. In 1932 she composed the opera Tom-Tom: An Epic of Music and the Negro which premiered in Cleveland, Ohio, commissioned by the Stadium Opera Company. Tom Tom featured an all Black cast and orchestra, structured in three acts; act one taking place in an Indigenous African tribe, act two portraying an American slave plantation, and the final act taking place in 1920s Harlem. The music features elements of blues and spirituals, as well as jazz with elements of opera. The score of this opera was considered lost and has not been performed since its premiere until it was rediscovered in 2001 at Harvard University. Graham briefly worked at the Federal Theatre Project