"Mickey" (originally titled as "Kitty") is a song recorded by American singer and choreographer Toni Basil for her debut studio album, Word of Mouth, in 1981. It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil's version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene. Background The song was originally performed by British pop group Racey, with the title "Kitty", and was included on their debut studio album Smash and Grab in 1979. The original Racey song did not include the "Oh Mickey, you're so fine" chant, which Basil added. For years, it was rumored that the name was changed to Mickey because Basil developed a crush on the Monkees' drummer and lead vocalist Micky Dolenz, after meeting him on the set of their movie, Head, for which she was the choreographer. However, that claim has been denied by Basil, who has said that she "didn't really know Micky at all". In January 2020, Basil released a re-recording of the song as "Hey Mickey" to digital and streaming platforms. Legal claims On August 31, 2017, Basil filed a multi-claim lawsuit against Razor & Tie Direct, Forever 21, Disney, Viacom, VH1, and South Park. Basil alleged that the defendants had commercially used the song "Mickey" without a license and damaged her right of publicity, claiming excess of $25,000 in damages. Basil also filed a lawsuit against AMC on May 12, 2020, for the unauthorized use of "Mickey" in a trailer for Preacher. On August 27, 2020, a California state of appeals court affirmed dismissal of Basil's case. Composition According to the sheet music published at Musicnotes.com by Alfred Music, the song is written in the key of E major and is set in time signature of common time with a tempo of 145 beats per minute. Basil's vocal range spans two octaves, from B3 to C♯5. Critical reception Rock critic Robert Christgau commented on the perceived 'obscene' content of the lyric "So come on and give it to me / Any way you can / Any way you want to do it / I'll take it like a man". Christgau wrote in a review at