L.I.E. is a 2001 American drama film about a relationship between Howie, a troubled 16-year-old boy, and a middle aged man known as "Big John". The title is an acronym for the Long Island Expressway. The film was directed by Michael Cuesta, who has said that the film is about exploring sexuality. It stars Paul Dano in his first lead role as the boy Howie, and Brian Cox as John. Plot Howie Blitzer is deeply affected by the death of his mother in a car accident on the Long Island Expressway. His situation is exacerbated by his acrimonious relationship with his distant father Marty, who brought a trophy girlfriend into the house less than a month after his wife's death. Howie's only solace is the company of his best friend Gary, a juvenile delinquent and hustler. Although Gary is attracted to Howie, Howie is unsure of his own sexuality. They have two other friends their age, one of whom has an incestuous relationship with his sister. The four boys routinely break into neighborhood houses. One night, they break into the house of "Big John" Harrigan during his birthday party. Gary knows his way around the house; it is later revealed that Big John is one of his steady clients. Big John interrupts them, and they narrowly escape with a pair of rare and valuable Russian pistols. John later confronts Gary over the burglary and Gary names Howie as his accomplice. Pretending to be a friend of Howie's mother, John introduces himself and invites Howie back to his house. Once there, he confronts Howie about the burglary, demanding the return of the guns. Howie can retrieve only one of them from Gary's room, so John demands $1000 for the other; Howie can only offer to work off the debt. Putting on a pornographic video, John hints that Howie can repay him with sex. Howie hastily leaves, but after returning home, masturbates to a fantasy involving John and the girl in the video. Gary steals money from Howie's father and disappears to Los Angeles, leaving Howie alone. John and Howie begin a tenuous friendship in which John becomes a kind of father figure to him. There is no sexual activity, but there is talk of sex. Howie realizes that he wields a degree of sexual power over John, something John is aware of. Howie stays over at John's house, temporarily displacing John's