WUSA is a 1970 American drama film directed by Stuart Rosenberg and starring Paul Newman, Joanne Woodward, Anthony Perkins, Laurence Harvey, Cloris Leachman and Wayne Rogers. It was written by Robert Stone, based on his 1967 novel A Hall of Mirrors. The story involves a radio station in New Orleans with the eponymous call sign that is apparently involved in a right-wing conspiracy. It culminates with a riot and stampede at a patriotic pep rally when an assassin on a catwalk opens fire. Plot Rheinhardt, a cynical drifter, gets a job as an announcer for WUSA, a conservative talk radio station in New Orleans. He is content to parrot WUSA's reactionary editorial stance on the air, even if he does not agree with it. Rheinhardt finds his cynical detachment challenged by a woman he meets in a bar, Geraldine, and by Rainey, a neighbor and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand. Bingamon, the station's owner, is sponsoring a white supremacist hate rally that draws a protest from black militants. Rainey attempts to assassinate Bingamon, but after he misses and accidentally wounds someone else, the crowd beats him to death. In the chaos, drugs end up in the possession of Geraldine, who is arrested by the police and later hangs herself in jail. Rheinhardt packs his bags and leaves town. Cast Paul Newman as Rheinhardt Joanne Woodward as Geraldine Anthony Perkins as Morgan Rainey Laurence Harvey as Farley Pat Hingle as Matthew Bingamon Don Gordon as Bogdanovich Michael Anderson, Jr. as Marvin Leigh French as Girl Bruce Cabot as King Wolyoe Cloris Leachman as Philomene Moses Gunn as Clotho Wayne Rogers as Minter Robert Quarry as Jack Noonan Skip Young as Rep. Jimmy Snipe B.J. Mason as Roosevelt Berry Sahdji as Hollywood Geoffrey Edwards as Irving, Disc Jockey Hal Baylor as Shorty Clifton James as Speed, Sailor in Bar Tol Avery as Senator Paul Hampton as Rusty Fargo Jerry Catron as Sidewinder Bates Preservation Hall Jazz Band Reception Anthony Perkins was nominated for best supporting actor of the year by the National Society of Film Critics. In the 1970s Paul Newman called it "the most significant film I've ever made and the best." Roger Greenspun, reviewing the film for The New York Times, wrote: "If it were an ordinary bad movie