{{Infobox person | name = George Petrie | image = Mulreninpetrie.jpg | caption = Portrait of George Petrie, by Bernard Mulrenin | birth_date = 1 January 1790 | birth_place = | death_date = 17 January 1866 | resting_place_coordinates = | burial_place = | burial_coordinates = | occupation = Painter, Antiquarian }} George Petrie (1 January 1790 – 17 January 1866) was an Irish painter, musician, antiquarian and archaeologist of the Victorian era who was instrumental in building the collections of the Royal Irish Academy and National Museum of Ireland. Personal life George Petrie was born in Dublin, Ireland, and grew up there, living at 21 Great Charles Street, just off Mountjoy Square. He was the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He was interested in art from an early age. He was sent to the Dublin Society's Schools, being educated as an artist, where he won the silver medal in 1805, aged 15. Career After an abortive trip to England in the company of friends Francis Danby and James Arthur O'Connor, he returned to Ireland where he worked mostly producing sketches for engravings for travel books – including among others, George Newenham Wright's guides to Killarney, Wicklow and Dublin, Thomas Cromwell's Excursions through Ireland, and James Norris Brewer's Beauties of Ireland. In the late 1820s and 1830s, Petrie significantly revitalised the Royal Irish Academy's antiquities committee. He was responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong and Roscrea Brooch. His writings on early Irish archaeology and architecture were of great significance, especially his essay on the Round Towers of Ireland, which appeared in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called "the father of Irish archaeology". His survey of the tombs at Carrowmore still informs study of the site today. From 1833 to 1843, he was employed by Thomas Colby and Thomas Larcom as head of the Topographical Department (the antiquities division) of the Irish Ordnance Survey. Amongst his staff were John O'Donovan and Eugene O'Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture was never published, but his seminal essay On the History and Antiquities of Tara Hill was published