for embroidery development. In the granting of the transfer of the "Three Kingdoms", "the grantor wears clothes made of silver, gold, silver, and silver when he goes abroad", and the number is recorded as silver silk embroidered with gold and silver. The embroidery is presumed to have been embroidered on clothes, flags and wagons with signs indicating the rank and class of the ruling class at that time, although the facts of this age are not conveyed to today because of the nature of the materials which are easily damaged . Literary records of the embroidery before the Three Kingdoms period are only fragmentary about the embroidery and the fabric used in the Goryeo, Goguryeo, Mahan, Jinhwan, Changjin, and Yeon before the Three Kingdoms period. Samgukside (Three Kingdoms Period) In this age, production tools and production technology have been developed in general and productivity has improved. As a result, weaving machines have been improved and weaving has been developed. And the kinds of fabrics have increased and quality also has improved. Therefore, embroidery decorations would have been performed on clothes and various textile products. However, the literature on embroidery is scarce and there are no examples of embroidery artifacts left yet. Among the unearthed artifacts of Gyeongju Cheonmachuk excavated in 1973, traces of gold silk were found on the hem. In the Samguk sagi and Samgukyusa, the Silla Dynasty Queen (Jinduk Queen 4) sent "Taipyeong Song" to Tang dynasty. The "Taepyeongsong" embroidery, which was produced as a diplomatic gift at that time, is a masterpiece in which 100 Chinese characters combined with 5 and 20 lines are embroidered. The content was a ritual that praised Gojong's dignity. The number of "Taepyongsong" suggests that firstly, embroidery has made a great contribution as a diplomatic gift to represent the friendship between nations. Secondly, the record that the queen squeezed her handmade silk was important for embroidery, including sewing, weaving and dyeing, as a household art that women should acquire from their childhood, from noble to commoner. The embroidery was brought to Japan with various cultures developed in this period and had a great influence. Such facts can be found in the records of the Japanese Nihon Shiki and the Japanese embroidery textbook chronicle. Around 340 BC, the king of Baekje sent Jin Maojin, the workwoman, to Japan and she became the founder of Japanese embroidery. In addition, the head of the maritime