are reluctant to reveal information about Mrs. Drablow and the mysterious woman in black. Any attempt by Kipps to find out the truth causes pained and fearful reactions. From various sources, he learns that Mrs. Drablow's sister, Jennet Humfrye, gave birth to a child, Nathaniel. Because she was unmarried, she was forced to give the child to her sister. Mrs. Drablow and her husband adopted the boy, and insisted that he should never know that Jennet was his mother. The child's screams that Kipps heard were those of Nathaniel's ghost. Jennet went away for a year. When realising she could not be parted for long from her son, she made an agreement to stay at Eel Marsh House with him as long as she never revealed her true identity to him. She secretly planned to abscond from the house with her son. One day, a pony and trap carrying the boy across the causeway became lost and sank into the marshes, killing all aboard, while Jennet looked on helplessly from the window. After Jennet died, she returned to haunt Eel Marsh House and the town of Crythin Gifford, as the malevolent Woman in Black. According to local tales, a sighting of the Woman in Black presaged the death of a child. After some time (but still years before the beginning of the story), Kipps returns to London, marries Stella, has a child of his own, and tries to put the events at Crythin Gifford behind him. At a fair, while his wife and child are enjoying a pony and trap ride, Kipps sees the Woman in Black. She steps out in front of the horse and startles it, causing it to bolt and wreck the carriage against a tree, killing the child instantly and critically injuring Stella, who dies ten months later. Kipps finishes his reminiscence with the words, "They have asked for my story. I have told it. Enough." Stage play The play of The Woman in Black was adapted by Stephen Mallatratt in December 1987 and started off as a low budget production for the new Christmas play in Scarborough. It turned out to be so successful that it arrived in London's West End two years later in January 1989, taking up residence at the London Fortune Theatre on 7 June that same year and is currently the second longest-running play in the West End. For the 30th