of its time with more than thirty different productions around the world between 1966 and 1969, often by notorious directors such as Peter Stein in Germany or Claude Régy in France. At that time, the play was controversial everywhere but is now considered as a 20th-century classic. Early Morning was initially panned but garnered praise from a number of writers in later years. Bond then wrote a few commissioned works. The British Empire satire Narrow Road to the Deep North (1968), which received generally positive reviews, was for the Coventry People and City Festival. He wrote two agit-prop plays for festival performances, Black Mass (1970) to commemorate the Sharpeville Massacre and Passion (1971) for the CND Easter Festival. A one-act play, the full text of Passion was printed in The New York Times the year it was first performed. Spencer described Black Mass and Passion as works with "power and humor". Bond composed Lear, based on Shakespeare's King Lear. The play follows the decay of an aging tyrannical king. Betrayed by his two cynical daughters; hounded as a political risk following military defeat; pursued by the ghost of a man whose life he has destroyed and whose death he has caused; imprisoned and tortured until enucleated; after a life of violence he finally finds wisdom and peace in a radical opposition to power. The end of the play shows him as a forced labourer in a camp setting an example for future rebellion by sabotaging the wall he once built, which subsequent regimes keep perpetuating. David L. Hirst writes that Lear divided both critics and audiences while Ronald Bryden reported that the play garnered acclaim from critics. Patrice Chéreau's 1975 production of the play "established Bond as a major contemporary figure in France". In 1972, Charles Marowitz praised Bond as "one of the foremost writers of his generation, although you'd never think so if you lived in England, a country which treats him with a disdain that would be inconceivable on the Continent. [...] On the Continent, where there is a long tradition of political theater, these works are instinctively understood." The subdued Edwardian-set comedy The Sea (1973) shows a seaside community on England's East Coast a few years before World War I, dominated by a dictatorial lady and overwhelmed by the drowning of one of its young citizens. Nurtured by his experience as a child evacuee to the seaside,