Mazurka des enfants (Children's Mazurka), all to the music of Minkus. The Paquita Grand pas classique is among Petipa's most celebrated divertissements, and is today included in the repertories of ballet companies all over the world. In 1884 Petipa staged what is considered to be his definitive revival of the romantic masterwork Giselle, and in 1885 he mounted a new production of Arthur Saint-Léon's Coppélia, a revision which would serve as the basis for nearly every version staged thereafter. Petipa staged many new works as well throughout the 1880s, including Zoraiya in 1881 and Nuit et Jour (Night and Day), a work produced by Petipa and Minkus especially for the celebration gala held at the Moscow Bolshoi Theatre in honor of the coronation of Tsar Alexander III. Petipa also staged Pygmalion, ou La Statue de Chypre (Pygmalion, or the Statue of Cyprus) in 1883 and L'Offrandes à l'Amour (The Sacrifices to Cupid) in 1886. In late 1885 the great Italian ballerina Virginia Zucchi began her two-year engagement with the St. Petersburg Imperial Ballet, making her debut in a revival of Petipa's The Pharaoh's Daughter. A few weeks later Zucchi appeared as Lise in a revival of Paul Taglioni's 1864 version of La Fille Mal Gardée, staged for the benefit performance of Pavel Gerdt by Petipa and Lev Ivanov. The Petipa/Ivanov production of La Fille Mal Gardée would be retained in the repertory of the St. Petersburg Ballet for many years, serving as a useful vehicle for such noted ballerinas as Mathilde Kschessinskaya and Olga Preobrajenska. In 1886 Petipa mounted a revival of Jules Perrot's La Esmeralda especially for Zucchi, a production that is considered to be his definitive revival of that work. For her performance, Petipa interpolated the famous La Esmeralda pas de six to the music of Riccardo Drigo, a dramatic pas d'action that allowed Zucchi to display her incomparable flair for drama and mime. For Zucchi's benefit performance in February 1887, Petipa staged the ballet L'Ordre du Roi (The King's Command), a work based on Delibes' operetta Le roi l'a dit. Zucchi scored an enormous success in the principal rôle of Pepita when the ballet premiered on . Nevertheless, many critics complained that the ballet had a weak libretto and mise en scène. Petipa would later stage an abridgement of L'Ordre du Roi as Les Élèves de Dupré (The Pupils of Dupré) in 1900 for a special performance