rhythm. A third aspect, "Domine Deus Filius Patris" (Lord God, Son of the Father), appear forte and with an even accompaniment in triplets. The aria is, by its music of energetic syncopes, dotted rhythms and leaps, an image of a majestic heavenly king. Qui tollis The fourth movement of the Gloria is a duet for the two female soloists, expressing "Qui tollis peccati mundi, miserere nobis" (You who carries the sins of the world, have mercy). Marked Andantino mosso ( = 76) in common time, it has the two voices often in parallels of thirds and sixths. Quoniam The fifth movement of the Gloria is a bass aria on the text "Quoniam tu solus sanctus" (For You alone are Holy). A short introduction, marked Adagio, leads to an extended piano section, marked Allegro moderato ( = 76) with contrasts in dynamics. Cum Sancto Spiritu The final movement of the Gloria is a chorus on the words "Cum Sancto Spiritu in Gloria Dei Patris." (With the Holy Spirit in the Glory of God.) Amen". They are presented first as in the beginning of the Gloria, returning to the initial key. Then, marked Allegro a capella, they are expanded to long fugue with a display of counterpoint. Shortly before the end, the opening of the Gloria is repeated on the first words, unifying the movement further. Credo Different from the Gloria, the text of the Creed is mostly in the same character, interrupted only for a short soprano solo "Crucifixus" (Crucified) and an episode "Et resurrexit" (And risen), concluded by another fugue. The word "Credo" (I believe) is first sung by the tenors, then by the sopranos, again by the choir. This statement of belief is repeated several times throughout the movement, structuring and unifying it, in a way that Niccolò Jommelli, Mozart and Beethoven used before, among others. Marked Allegro Cristiano ( = 120), a strong beginning is contrasted by softly expressing "in unum Deum" (in one God), beginning on the same tone, reminiscent of liturgical reciting tone. Then the soloists, with alto and tenor beginning, sing the passage "Et incarnatus est" (And was born) in the same mood. The female voices of the chorus announce in unison: "Et homo factus est" (and was made man), repeated by the male voices, then the piano plays a sequence of short motifs, interrupted by many rests. Crucifixus The crucifixion is illustrated by the