A Summer Place is a 1959 American romantic drama film based on Sloan Wilson's 1958 novel of the same name, about teenage lovers from different social classes who get back together 20 years later, and then must deal with the passionate love affair of their own teenage children by previous marriages. Delmer Daves directed the movie, which stars Richard Egan and Dorothy McGuire as the middle-aged lovers, and Sandra Dee and Troy Donahue as their respective children. The film contains a memorable instrumental theme composed by Max Steiner, which spent nine weeks at number one on the Billboard Hot 100 singles chart in 1960. Plot Alcoholic Bart Hunter (Arthur Kennedy), his long-suffering wife Sylvia (Dorothy McGuire), and their teenage son Johnny (Troy Donahue) operate a crumbling inn on Pine Island off the Maine coast. The inn was previously Bart's elegant family mansion in an exclusive resort, but as his family fortunes have dwindled, the Hunters are forced to rent rooms to paying guests. Bart receives a reservation request from an old acquaintance, Ken Jorgenson (Egan), who was a lowly lifeguard on the island 20 years ago, but is now a successful research chemist and millionaire. Ken wants to bring his wife and daughter to the island for the summer. Bart suggests that Ken is just coming to lord his new wealth over Bart, who is no longer rich. Bart wants to refuse the reservation, but Sylvia insists that he accept because they badly need the money, even going so far as to move themselves into the small guest house so their own master bedroom suite can be rented to Ken and his family. Ken arrives with his wife Helen (Constance Ford) and teenage daughter Molly (Sandra Dee). Helen and Ken have an unhappy marriage, sleep in separate bedrooms, and frequently argue, including over proper behavior standards for their daughter. Helen is a prude who disapproves of Molly's developing figure and healthy interest in boys, particularly Johnny Hunter, who is also attracted to Molly. Ken is much more relaxed and permissive, and tells his daughter that her natural desires are not shameful. Helen also tries, unsuccessfully, to put on airs and impress the upper-class residents of the island, while Ken is not interested in pretense and is even happy to talk with older people who remember him from when he worked as a lifeguard. As it turns out, Ken and Sylvia