to a package of the studio's ten 1989 releases, bypassing the traditional pay-cable window. The current Universal output deal—which began as an eight-year agreement that originally lasted through December 2010, assuming the studio's pay-cable rights from Starz—was renewed for ten years on January 6, 2013; the current deal gives HBO right of first refusal over select Universal titles, allowing the studio to exercise an option to license co-distributed live-action films to Showtime and animated films to Netflix if HBO elects not to obtain pay television rights to a particular film. (Universal put a 50% cap on title acquisitions for the first year of the initial 2003–10 contract, intending to split the rights between HBO and Starz as consolation for the latter outbidding HBO for the Sony Pictures output deal.) On July 6, 2021, Universal Filmed Entertainment Group announced it would begin releasing its theatrical films on Peacock after its exclusivity agreement with HBO concludes at the end of 2021, under a fragmented window (starting within 120 days of a film's theatrical release) through which Peacock will hold exclusive rights to Universal titles in bookending four-month windows at the beginning and end of the 18-month pay-one distribution period. Subsequently, Amazon (on July 8) and Starz (on July 16) signed separate multi-year sub-licensing agreements, in which Universal films would stream on Prime Video and IMDb TV in a 10-month non-exclusivity window during the middle of the period and air on Starz's linear and streaming platforms following the Peacock/Amazon windows; HBO will continue to release Universal's 2021 film slate under their existing contracts through 2022, while Netflix will continue to offer the studio's animated films thereafter. Former first-run contracts Being the first pay-cable service to go national, for many years, HBO was advantageous in acquiring film licensing rights from major and independent studios; until Showtime, The Movie Channel and other premium channels started beefing up their movie product to compete with HBO in the early 1980s, HBO's dominance in the pay-cable led to complaints from many motion picture companies of the network holding monopoly power in the pay cable industry and a disproportionate advantage in film acquisition negotiations. During the early years of premium cable, the major American movie studios often sold the pay television rights to an individual theatrical film title to multiple "maxi-pay" and "mini-pay" services—often including HBO and later, Cinemax—resulting in frequent same-month scheduling duplication amongst the competing services. From