Ewald Wilhelm Hubert Mataré (25 February 1887 in Burtscheid, Aachen – 28 March 1965 in Büderich) was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form. Career Mataré began his instruction as an artist at the Prussian Academy of Arts in Berlin in 1907. He was a student of Prof. Julius Ehrentraut (b. 1841), Lovis Corinth (1858–1925), and History painter Arthur Kampf. In 1918, he joined the November Group. Mataré first dedicated himself to sculpture after finishing his painting studies. A great part of his sculpted work are of animal figures. In 1932 he received a professorship at the Kunstakademie Düsseldorf. After the Machtergreifung of 1933 however, all cultural and artistic life in Germany was brought into ideological alignment by the Nazis; Mataré was denounced as "degenerate" and expelled from his position. One of his sculptures "Die Katze" (The cat) was placed into the exhibition of shame and derision "Entartete Kunst" (Degenerate Art) staged by the Nazis in Munich, 1937. Church commissions became his sole source of income. After the war, Mataré was asked to become the director of the Kunstakademie Düsseldorf, but he quickly resigned because he felt there were still too many professors at the Akademie who had been actively teaching there during the Third Reich. Furthermore, no one was interested in his ambitious reform plans, which would have allowed fourteen-year-olds to study at the Akademie. However he was active at the Academy – albeit in an off-site studio – for long enough to teach artists like Günter Haese, Erwin Heerich, Georg Meistermann, Hannes Rosenow, and, most famously, Joseph Beuys. During the post-war era, Mataré took many commissions from the public sector; he also worked on many churches, e.g. he built four doors for the south portal of the Cologne Cathedral. He participated in documenta 1 (1955) and 2 (1959). Work Matare's work varies from the simplicity of his animal forms in which he explores shape and line, to the profound spirituality of his religious works. Even those not religiously inclined cannot fail to be deeply moved by many of these works. A 2006 exhibition of his work in Salzburg, Austria, demonstrated the heights which his work could achieve. It is remarkable that an artist of such power is not better known internationally. Private life In 1922, Mataré married the 31-year-old Hanna Hasenbäumer. Nonetheless, at 37