of $2,000 low for an illustrator of his commercial power. Edward A. Wilson illustrated Richard Henry Dana's mid-19th century sea-adventure Two Years Before the Mast and Rudolph Ruzicka Henry David Thoreau's Walden. The best known of the publications in the series was Rockwell Kent's edition of Herman Melville's novel, Moby-Dick, which at that point was not yet accepted as an American classic. Kittredge commissioned Kent to perform the design and illustrations in 1926, and the book appeared four years later in a three-volume limited edition of one-thousand copies issued in an aluminum slipcase. Kittredge called it "the greatest book done in this generation" and declared that "we will all go jump in the lake" if "it is not the greatest illustrated book ever done in America." (In fact, the book is considered one of the finest of the 20th century.) Random House quickly issued a one-volume trade edition, which was also printed by Lakeside Press, bound in black cloth with silver print and decorations. The book's cover and the first advertisements both featured Kent's name but did not mention Melville's. Kent's design, especially in the Modern Library edition of 1943, helped the novel to find a wider audience. Kent's illustrations give the impression of being woodcuts but are in fact ink and wash. Kent counselled Kittredge that the "whole book is a work that should be read slowly, reflectively; the large page and type induce such reading. The character of the type should be homely, rather than refined and elegant, for homeliness flavors every line that Melville wrote." He wrote that he had thought of using a fourteen-point Caslon type-face, and he did make the pages rather large. The artist considered his illustrations "literary woodcutting, not engraving", and added that the illustrations show the "midnight darkness enveloping human existence, the darkness of the human soul, the abyss, -- such is the mood of Moby-Dick." In 1992, the Library of Congress held an exhibition devoted to the Four American Classics series. Lakeside Press Galleries In 1929, the company opened the Lakeside Galleries on the eighth floor of their newly completed building on 22nd Street. From 1930 to 1961, when the corporate headquarters were moved, the galleries devoted exhibitions to the works of American and European artists and photographers, as well as to typography and book design. Business acquisitions and mergers Throughout its history, particularly in the 1990s and 2000s, R.R. Donnelley