film division after a series of box office failures, and soon after, producer Dino de Laurentiis bought the rights to the novel. He initially disliked Boam's screenplay and asked King to adapt his own novel. De Laurentiis reportedly then rejected King's script as "involved and convoluted"; however, David Cronenberg, who ultimately directed the film, said that he was the one who decided not to use the script, finding it "needlessly brutal". De Laurentiis rejected a second script by Andrei Konchalovsky, eventually returning to Boam. The film was finally on track to be made when de Laurentiis hired a producer, Debra Hill, to work with Cronenberg and Boam. Boam abandoned King's parallel story structure for The Dead Zone'''s screenplay, turning the plot into separate episodes. Boam told writer Tim Lucas in 1983, "King's book is longer than it needed to be. The novel sprawls and it's episodic. What I did was use that episodic quality, because I saw The Dead Zone as a triptych." His script was revised and condensed four times by Cronenberg, who eliminated large portions of the novel's story, including plot points about Johnny Smith having a brain tumor. Cronenberg, Boam, and Hill had script meetings to revise the screenplay page by page. Boam's "triptych" in the screenplay surrounds three acts: the introduction of Johnny Smith before his car accident and after he awakes from a coma, a story about Smith assisting a sheriff to track down the Castle Rock Killer, and finally Johnny deciding to confront the politician Stillson. Boam said that he enjoyed writing character development for Smith, having him struggle with the responsibility of his psychic abilities, and ultimately give up his life for the greater good. "It was this theme that made me like the book, and I particularly enjoyed discovering it in what was essentially a genre piece, a work of exploitation," he said. In Boam's first draft of the screenplay, Johnny does not die at the end, but rather has a vision about the Castle Rock Killer, who is still alive and escaped from prison. Cronenberg insisted that this "trick ending" be revised. Boam submitted the final draft of the screenplay on November 8, 1982. King is reported to have told Cronenberg that changes the director and Boam made to the story "improved and intensified the power of the narrative." In an interview with film critic Christopher Hicks, Boam said that the