(Tagalog, “wormed”), which uses a type of French gold bullion thread to make high-relief, embroidered floral and plant patterns on the statue's clothing. Headdresses are also an integral part of a , often encrusted with costume jewelry (such as paste and rhinestones) or real precious stones, to symbolize the spiritual wealth of the saint. The most common headdress for images is the (halo) behind or above the head, while royal figures wear an additional (crown or coronet). A halo decorating the perimeter of the face, known as a or , is almost always used, but not restricted to, images of the Blessed Virgin Mary, pointing to her traditional identification as the “Woman clothed in the sun” in the Apocalypse. Images of Jesus are readily identified by the (“Three Powers”) halo, a set of three rays protruding from Christ's head at acute angles. These are never used for any other subject, and are interpreted to mean various things, such as Christ's three faculties of will, memory, and understanding. Triangular haloes are exclusive to very rare set images of the Blessed Trinity, and some saints occasionally bear a or moon-shaped headband. Some female saints, particularly virgin martyrs, don diadems or tiaras; female saints are also usually given a parure or other jewellery from earrings, to necklaces, rings, and bracelets. While there are cheap plastic crowns, haloes, and other metal accessories associated with , others are made of aluminium or, traditionally, tin (tinwork remains a major folk art form in general in Mexico and New Mexico). These adornments are sometimes gold-plated for a richer effect. A more expensive type in the Philippines is made of solid brass, and fashioned in the (Tagalog for 'hammered') method by an artisan. The costliest of crowns are those made of solid sterling silver or gold, and are often reserved for images owned by wealthy clerics and cathedrals. Another style is , referring to dented holes placed on gold or silver foiling on the halos or the body of a statue, creating a reflective effect when placed in the light. Other wooden, metallic, or composite accessories, which depend on the iconographic attributes of the subject, range from a long marshal's baton for some Marian images (signifying her military patronage as the ceremonial commander of a unit), a scepter or staff for various saints, a (usually for images of the Christ Child), a rosary, wings, flowers, a weapon or