would be able to spread like wildfire throughout rural and urban populations. While many FSLN members were wiped out, the decade Fonseca spent underground allowed him to research Sandino and come up with a more concrete ideological framework and a more appropriate time to resurface on the Nicaraguan scene. This opportunity emerged in the 1970s, when the Somoza government confiscated relief funds for personal gain instead of giving aid to individuals and families after the 1972 Managua earthquake. Fonseca stated that the persistent problems that existed in Nicaragua could not be solved through legal activities and elections. Instead, Fonseca drew from the success of the Cuban Revolution and the life of Sandino to persuade students, workers, and peasants to gain power through the revolutionary force of the FSLN. Sandino, who had fought a six-year guerrilla war against the Conservatives and the United States Marines in Nicaragua from 1927 to 1933, was generally viewed as a popular war hero prior to his death. While student movements had used his name in brief struggles, Sandino's assassination in 1934 and the censorship of his name by the Somoza regime and the United States backed Guardia Nacional resulted in the meaning of his struggle being lost through the generations. Incidentally, the only book that was publicly available domestically to Nicaraguans was an account of Sandino that portrayed him as a bandit and communist, written by Somoza. Fonseca revived Sandino's image by writing five texts: Proletarian Guerrilla, Tricontinental, The Political Ideology of General Sandino, Chronology of Sandinista Resistance and Secret Chronicle: Augusto César Sandino Confronts His Betrayers. While symbolic heroes are remembered for their successes, Sandinistas value Sandino as a hero but also recognize his failure to fulfill his mission due to the lack of class-consciousness that existed during the 1930s. Fonseca explained, "It was to the glory of the people of Nicaragua that the most humble class responded for the stained honor of the nation. At the same time, it was a tragedy because we are speaking of a peasantry without any political awareness. The result was that once Sandino was assassinated, his movement was incapable of continuity." Due to Sandino's ambiguous writings, such as those indicating his years as a Liberal and his friendship and break with Augustín Farabundo Marti, a communist, it is difficult to ascertain how Fonseca reconstructed Sandino's image. However, the end result focused on Sandino's anti-imperialist struggle as a