family. However, she paid a tribute to Lebanon by shooting a music video for two of her old tracks "Ana Al Ensan" and "Maghdouche" which appear on Yammaya (1998) and Jarh Al Habib (2000), respectively, in the form of a medley. Haddad worked with the Egyptian director Yaser Sami for the first time on "Zay El Sokar" music video which helped make the Egyptian song popular in Egypt. The Egyptian ballad "Aadi" was shot with Lebanese director Leila Kanaan earlier in 2006 but was not released until early 2007. 2008–2010: Men Diana Illa and divorce In late 2008, Haddad announced the release of her eleventh studio album (and second Khaliji album) Men Diana Illa. Despite the difficulty for a non-Khaliji artist to break into the Gulf market with Khaliji music, Haddad managed to break that barrier and stereotype. She has been somewhat "adopted" into Emirati culture and society. Two music videos were released from Men Diana Illa, both of which were directed by Haddad's friend Nahla Al-Fahd. The lead single, "Sheft Itessalek", was premiered on Al-Abdul's channel Nojoom in October 2008 coinciding with Eid al-Adha. Before the release of the second music video from the album, a track in Lebanese dialect entitled "Ya Aibo" was released in early 2009. "Ya Aibo" was also directed by Al-Fahd in Beirut. The song proved successful in Lebanon, although it received mixed criticism for its unusual lyrics and imagery. "Ya Aibo" is a diss to old men who, in spite of being grandparents, spend their time hitting on young girls and cheating on their wives. Haddad sends a message to these men to respect their age and behave well to set an example for their grandkids. Some critics hated the comedy approach Haddad took in the song and the video, while others praised the idea. This was Haddad's last single before she announced her separation from her husband Suhail Al-Abdul in August after over a decade together. After the divorce, Haddad decided to get busy in a mini summer tour in 2009, beginning with two concerts in France and Morocco. The concert in Morocco was a part of Al Mydiak Festival, which is held annually in honor of the King Crowning Day. Haddad set a record in the festival's history for attracting more than 150,000 people. After a concert in Algeria, Haddad ended the tour in Lebanon with two concerts. One of these concerts