his John Peel Session on Radio 1. Within a week, the band had a three-album deal with One Little Indian (the label of Björk and The Shamen) who had heard the show and promptly bought the rights to and re-released the single. Despite the attention and the added marketing abilities of One Little Indian, "Call It What You Want" eventually charted outside the Top 40 (at number 57). However, the single had brought Credit to the Nation closer to the attention of the British indie-rock music press (Melody Maker and NME), and would also make an appearance on the soundtrack to the Jude Law movie Shopping. While the band's use of a Nirvana sample was widely discussed in the music press, it was less well-publicised that the song also sampled "Welcome to the Terrordrome" by one of the band's more significant influences, Public Enemy. During 1993, Credit to the Nation spent much of their time touring with Manic Street Preachers, The Levellers, Therapy? and The Disposable Heroes of Hiphoprisy. Most of these were acts with a strong political element and all of them appealed to a white indie-rock/college fanbase. This provided Credit to the Nation with access to a solid commercial audience which was not available to those of their peers who operated only within the British hip hop scene. The band also maintained their close links with Chumbawamba, with whom they toured extensively and recorded the joint single "Enough Is Enough". Listed at number 1 in John Peel's Festive Fifty list for the year, the song was a strident anti-fascist anthem which received attention for its suggestion of meeting violence with violence: the pay-off line, delivered by Hanson, was "give the fascist man a gunshot." Both bands maintained a strong anti-fascist stance which in turn drew attention and threats from British neo-Nazi groups. 1993–94 – Take Dis In 1993, Credit to the Nation recorded and released their debut album, Take Dis, with various members of Chumbawamba contributing heavily to both production and performance. The album incorporated styles from hardcore approaches reminiscent of Public Enemy and The Bomb Squad to ragga and new jack swing and drew on a selection of unusual (and frequently British-themed) sample sources including Benjamin Britten, Glenn Miller, The Sex Pistols and even the Band of the Coldstream Guards. The album generated three subsequent singles: "Teenage Sensation" (the band's biggest hit and only Top 40 placing,