Ben-Hur (1959) – credited as MGM Camera 65. How the West Was Won (1962) – selected scenes only in Ultra Panavision. Mutiny on the Bounty (1962) – credited as Ultra Panavision. It's a Mad, Mad, Mad, Mad World (1963) – filmed in Ultra Panavision. Also projected using the single-projector Cinerama system. The Fall of the Roman Empire (1964) – credited as Ultra Panavision. The Greatest Story Ever Told (1965) – filmed in Ultra Panavision. Also originally projected using the single-projector Cinerama system. The Hallelujah Trail (1965) – filmed in Ultra Panavision. Also originally projected using the single-projector Cinerama system. Battle of the Bulge (1965) – filmed in Ultra Panavision. Also originally projected using the single-projector Cinerama system. Khartoum (1966) – filmed in Ultra Panavision. Also originally projected using the single-projector Cinerama system. The Hateful Eight (2015) – Directed by Quentin Tarantino, first film shot in this process since Khartoum. Filmed in Ultra Panavision 70 and projected with the single-projector Cinerama system in selected theaters. Christopher Robin (2018) – some scenes filmed in Ultra Panavision 70. Also filmed with Panavision 35 mm anamorphic lenses (on both 35 mm film and Arri Alexa digital cameras) and in Panavision System 65 with spherical lenses. The entire film is shown in the 2.40:1 aspect ratio. Many sources often claim the 1959 film The Big Fisherman was filmed in Ultra Panavision, but Panavision itself says that the film was shot in Super Panavision 70. Additionally, several films have been recorded digitally in conjunction with Ultra Panavision 70 lenses: Rogue One (2016), Bright (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019) and The King (2019) with the Arri Alexa 65 camera, and The Hate U Give (2018) and Like a Boss (2020) with the Panavision Millennium DXL camera. See also Super Technirama 70 References Bibliography Altman, Rick. Sound Theory, Sound Practice. Florence, Ky.: Psychology Press, 1992. Balio, Tino. United Artists: The Company That Changed the Film Industry. Madison, Wisc.: University of Wisconsin Press, 1987. Belton, John. Widescreen Cinema. Cambridge, Mass.: Harvard University Press, 1992. Block, Alex Ben and Wilson, Lucy Autrey. George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies, Including Untold Secrets of Their Financial and Cultural Success. New York: HarperCollins, 2010. Burum, Stephen H. American Cinematographer Manual. Hollywood, Calif.: ASC Press, 2007. Cameron, James Ross. Cameron's Encyclopedia on Sound Motion Pictures. Manhattan Beach, N.Y.: Cameron Pub. Co., 1930. Casper, Drew. Postwar Hollywood, 1946-1962. Malden,