Adam Lerner is the JoAnn McGrath Executive Director/CEO of Palm Springs Art Museum, a position he assumed in July 2021. In this capacity, he oversees the museum's permanent collection of over 12,000 art objects including the Architecture and Design Center, Edwards Harris Pavilion, and Frey House II. Formerly, he was the Director of the Museum of Contemporary Art Denver and Chief Animator in the Department of Fabrications. He was the founder and Executive Director of The Laboratory of Art and Ideas at Belmar until The Lab merged with the MCA Denver in March 2009. Career Lerner was previously Master Teacher for Modern and Contemporary Art at the Denver Art Museum from 2001 to 2003. Prior to his arrival in Colorado, Lerner served as Curator of the Contemporary Museum, Baltimore, where he curated several exhibitions, including new projects with Christian Marclay and Dennis Adams, and was the originating curator for the film installation Baltimore by Isaac Julien. Museum Public Programming Lerner is known for a unique approach to museum programming that combines elements of curatorial and educational practice. Lerner’s approach is best exemplified by a program that he developed at The Lab at Belmar in 2004 Mixed Taste: Tag-Team Lectures on Unrelated Topics, which brings together randomly paired topics in the same night. In 2009, he brought the popular program to the Museum of Contemporary Art Denver, where it is produced by Sarah Kate Baie, the museum’s Director of Programing and Chief of Fictions, and presented weekly in the summer and winter seasons. Lerner has also presented Mixed Taste at public events and conferences hosted by the American Craft Council, Deitch Studio, in Long Island City, the Museum of Fine Arts, Boston, and the Museum of Modern Art, New York. Lerner and Baie also worked with artist Melanie Smith (artist) and Rafael Ortega to develop a version of Mixed Taste called Huevos Revueltos for the Sala de Arte Público Siqueros, Mexico City. In an article on Lerner in Surface Magazine, Aric Chen described one of his public events as follows: “A collision of highbrow and low, it presents odd-couple, head-to-head pairings between, say, a tequila connoisseur and an expert on dark energy in the Universe that tease out disparate approaches to knowledge with geeky brilliance.”[1] This style has precursors in the Dada art movement and is often compared with Cabinet Magazine and Machine Project, in Los Angeles. Exhibitions For MCA Denver,