Harold Ogden "Chic" Johnson (March 15, 1891 – February 28, 1962) was the barrel-chested half of the American comedy team of Olsen and Johnson, known for his strangely infectious, high-pitched "Woo-Woo" laugh. Background Johnson was born of Swedish descent in Chicago to John M. and Matilda C. (née Carlson) Johnson. Career Johnson studied classical piano at the Chicago Musical College. He dropped out to support himself as a ragtime pianist in various Chicago-area cabarets and vaudeville houses. He broke into show business as a ragtime pianist and met his partner Ole Olsen, a violinist, when they were hired by the same band. Following the breakup of the band, they started doing comedy and by 1918 were vaudeville headliners. O&J were given contracts by Warner Bros. in 1930 to appear as the comic relief in a number of musicals including Oh, Sailor Behave (1930), Gold Dust Gertie (1931) and a lavish Technicolor version of Fifty Million Frenchmen (1931). Unfortunately, 1931 saw a backlash against musicals, and their last two pictures for Warner were released without music. In 1936, they starred in Country Gentlemen for Republic Pictures, followed by All Over Town in 1937. Released from their contract, the team returned to the stage. In 1938 Olsen and Johnson produced the Broadway revue Streets of Paris, which starred Bobby Clark and introduced the comedy team of Bud Abbott and Lou Costello to Broadway audiences. Their greatest triumph was as the stars and producers of Hellzapoppin, a zany Broadway revue, which opened at the 46th Street Theater on September 22, 1938, and ran for a record 1,404 performances. Full of outrageous gags played on stooges planted in the audience (one winner of a so-called raffle had a block of ice placed in his lap) as well as indignities inflicted on actual paying customers, it became a smash hit despite a lukewarm critical reception, thanks in part to the influence of newspaper columnist and radio personality Walter Winchell. Hellzapoppin was followed by two other Broadway hits. Sons o' Fun opened December 1, 1941, just six days before the attack on Pearl Harbor, and ran an impressive 742 performances. Laffing Room Only opened on December 23, 1944, and ran a respectable 232. Hellzapoppin was translated into a film released in 1941. Assisted by Marx Brothers screenwriter Nat Perrin, Olsen and Johnson used the film as an opportunity to satirize Hollywood as well as score some