office girl for a plastic surgeon's office who becomes a member of the Clits In Action. Nicole Vicius as Sadie, leader of the Clits In Action group, dating Courtney Deak Evgenikos as Meat, an artistic member of the C(i)A. Carly Pope as Shulie, member of the Clits In Action Lauren Mollica as Aggie, a trans man Melanie Mayron as Courtney, Sadie's older girlfriend who funds the Clits In Action. Daniel Sea as Calvin, a butch dyke former military servicewoman Mircea Monroe as Justine Guinevere Turner as Marcy Maloney, a television reporter Jenny Shimizu as Laurel Leslie Grossman as Maude Jimmi Simpson as Chris Joel Michaely as Peter, a member of a feminist action group M. C. Brennan as a member of Women For Change Collette Divine as Holly Bruce Cronander as Edward Camila Grey as Band Member Melanie Lynskey as plastic surgery lady (uncredited) Clea DuVall as singer (uncredited) David Barr Kirtley as protester (uncredited) Production Itty Bitty Titty Committee was the first feature film to be produced by the Professional Organization of Women in Entertainment Reaching Up (POWER UP), a non-profit and production company dedicated to promoting the representation of gay women in entertainment. The character of Anna was originally intended to be a Jewish girl named Hannah, but this was changed after Melonie Diaz was cast in the role. Shulie, the character played by Carly Pope, is both named for and based on Canadian activist Shulamith Firestone. Director Jamie Babbit's original choice for the role of trans man Aggie was JD Samson of Le Tigre. Melanie Mayron originally read for the part of Anna's mother, but was given a bigger role on the strength of her audition. Of her character Maude, Leslie Grossman said, "[Anna] works in a plastic surgery office and I, of course, play the woman who runs the office who has enormously fake boobs. I'm sort of the example of everything evil that she doesn't want to be...telling her you have to look a certain way to be accepted and be beautiful." The protest activities carried on by the C(i)A are based on real-life feminist group the Guerrilla Girls. Jamie Babbit received permission from the Guerrilla Girls to use their slogans in the film. The film was shot on Super 8 and Super 16 film to give it a grainy, guerrilla filmmaking-style look. Reception In a positive review, LA Weekly said the film is "smarter,