The character of Count Dracula from the 1897 novel Dracula by Bram Stoker, has remained popular over the years, and many forms of media have adopted the character in various forms. In their book Dracula in Visual Media, authors John Edgar Browning and Caroline Joan S. Picart declared that no other horror character or vampire has been emulated more times than Count Dracula. Most variations of Dracula across film, comics, television, documentaries predominantly explore Dracula as he was portrayed in film with only a few more closely adapting Stoker's original narrative. These including borrowing the look of Count Dracula in both the Universal's series of Dracula and Hammer's series of Dracula, including include the characters clothing, mannerisms, physical features hair style and his motivations such as wanting to be a nearby home away from Europe. Stage Drama In 1924, the British producer Hamilton Deane premiered a stage version of Dracula at the Grand Theatre in Derby, England. This version of the play was a modernized retelling of Stoker's story. The play's success led to Deane taking it on tour for the next three years. The play opened in London's Little Theatre on February 14, 1927, where it was sold well while not being critically well received. After seeing the play in London, American producer Horace Liveright bought the rights to the for Broadway, and hired John L. Balderston to Americanize the Deane's text. The Broadway version featured actors who would later be cast into the Universal film, including Bela Lugosi as Dracula, Edward Van Sloan as Prof. Van Helsing, Herbert Bunston as Dr. Seward. Dracula opened at New York's Fulton Theatre on October 5, 1927, where it ran for 265 performances finally closing in New York in May 1928. Gary Don Rhodes described the play as "taking America storm", a statement backed up by a 1930 article in the Chicago Tribune claiming that the play "has been rolling around the country ever since its first vogue two or three seasons ago, coaxing money into box offices that had abandoned hope of the drama, and of the shriek-and-shudder plays of the last five years it easily leads the list." O. D. Woodward purchased rights to present Dracula on the West Coast, and the play opened at the Biltmore Theater in Los Angeles on June 25, 1928. The play was originally booked for a four-week engagement, but proved so popular that it