1839 in The Romancist and Novelist's Library: The Best Works of the Best Authors, Volume 1, No. 10, published in London by John Clements. The novel contains psychological and autobiographical components. Eustace Chesser, in Shelley and Zastrozzi (1965), analysed the novella as a complex psychological thriller: "When I first came across Zastrozzi I was immediately struck by its resemblance to the dream material with which every psychoanalyst is familiar. It was not a story told with the detachment of a professional writer for the entertainment of the public. Whatever the conscious intention of the young Shelley, he was in fact, writing for himself. He was opening the floodgates of the unconscious and allowing its fantasies to pour out unrestrainedly. He was betraying, unwittingly, the emotional problems that agitated his adolescent mind." Real experiences and actual people were projected on fictional events and characters. Subconscious conflicts are resolved in the writing process. Patrick Bridgwater, in Kafka, Gothic and Fairytale (2003), argued that the novella anticipated Franz Kafka's work in the twentieth century. Stylistically, the novella reveals several flaws. The most striking flaw is missing chapters, although some critics and editors have argued that Shelley intended this omission as a prank. At about one hundred pages, Zastrozzi is shorter than novel-length, which prevents a more thorough and complete development of the characters. In the middle sections of the novella, moreover, there is not enough variation in the setting. There is a primary focus on Verezzi and Matilda at the exclusion of the other characters and at the expense of the plot development. Shelley also experiments with word selection and structure which tends to slow down the flow of the story. Adaptations In 1977, Canadian playwright George F. Walker wrote a successful play adaptation called "Zastrozzi, The Master of Discipline" based on the Shelley novella. The play was based on a plot summary of Shelley's work, but in and of itself was something "rather different from the novel," in the author's words. The play has repeatedly been revived and was part of the 2009 season of the Stratford Shakespeare Festival. Walker's play retains all the major characters of the Shelley novella, the core plot, and the moral and ethical issues relating to revenge and retribution and atheism. The play has been in continuous production worldwide since it was published in 1977. In 1986, Channel Four Films in Britain produced a four-part television mini-series