Year Zero is the fifth studio album by American industrial rock band Nine Inch Nails, released by Interscope Records on April 17, 2007. Conceived while touring in support of the band's previous album, With Teeth (2005), the album was recorded in late 2006. It was produced by Trent Reznor and Atticus Ross, and was the band's first studio album since 1994's The Downward Spiral that was not co-produced by long-time collaborator Alan Moulder. It was the band's last album for Interscope, following Reznor's departure the same year due to a dispute over overseas pricing. In contrast to the introspective style of songwriting featured on the band's previous work, the record is a concept album that criticizes contemporary policies of the United States government by presenting a dystopian vision of the year 2022. It was part of a larger Year Zero project, which included a remix album, an alternate reality game of the same name, as well as a conceived television or film adaptation. The game expanded upon the album's storyline, using websites, pre-recorded phone messages, murals, among other media in promotion of the project. The album was promoted by two singles: "Survivalism" and "Capital G". Year Zero received positive reviews from critics, who complimented its concept and production, as well as the accompanying alternate reality game. The album reached number 2 in the United States, number 6 in the United Kingdom, and the top 10 in some other countries. Recording In a 2005 interview with Kerrang!, Trent Reznor raised his intentions to write material for a new release while on tour promoting With Teeth. He reportedly began work on the new album by September 2006. Reznor devised much of the album's musical direction on his laptop. Reznor told Kerrang! in a later interview, "When I was on the Live: With Teeth tour, to keep myself busy I just really hunkered down and was working on music the whole time, so this kept me in a creative mode and when I finished the tour I felt like I wasn't tired and wanted to keep at it." The limitations of devising the album's musical direction on a tour bus forced Reznor to work differently from usual. Reznor said, "I didn't have guitars around because it was too much hassle... It was another creative limitation... If I were in my studio, I would have done things the way I normally do them. But