Patrick. Kafka, Gothic and Fairytale. Rodopi, 2003. Patrick Bridgwater: "Zastrozzi is more interesting than it is generally allowed: ... it comes into its own when considered side by side with Kafka's work." Hughes, A.M.D. (1912). Shelley's Zastrozzi and St. Irvyne. Modern Language Review. Hughes, A.M.D. The Nascent Mind of Shelley. Oxford: Clarendon Press, 1947. Seed, David. (1984). "Mystery and Monodrama in Shelley's Zastrozzi." Dutch Quarterly Review, 14.i, pp. 1–17. Day, Aidan. Romanticism. NY: Routledge, 1996. Shepherd, Richard Herne, ed. The Prose Works of Percy Bysshe Shelley: From the Original Editions. London: Chatto and Windus, 1888. Crook, Nora and Derek Guiton. Shelley's Venomed Melody. Cambridge: Cambridge University Press, 1986. Bonca, Teddi Chichester. Shelley's Mirrors of Love: Narcissism, Sacrifice, and Sorority. NY: SUNY Press, 1999. Clark, Timothy. (1993). "Shelley's 'The Coliseum' and the Sublime." Durham University Journal, 225–235. Duffy, Cian. (2003). "Revolution or Reaction? Shelley's 'Assassins' and the Politics of Necessity." Keats-Shelley Journal, Vol. 52, pp. 77–93. Duffy, Cian. Shelley and the Revolutionary Sublime. Cambridge University Press, 2005. Clark, Timothy. Embodying Revolution: The Figure of the Poet in Shelley. Oxford: Oxford University Press, 1989. Kiley, Brendan. "Zastrozzi: Percy Shelley’s Murder-Revenge Camp." The Stranger, Seattle, WA, 28 October 2009. Barker, Jeremy M. "The Balagan's Zastrozzi Delivers Sex & Violence Without a Pesky Purpose." The Sun Break, 12 October 2009. "Zastrozzi and the Price of Passion." Viva Victoriana, 9 September 2009. Glance, Jonathan. (1996). "'Beyond the Usual Bounds of Reverie'? Another Look at the Dreams in Frankenstein." Journal of the Fantastic in the Arts, 7.4: 30–47. "Mary Shelley's journal indicates she read ... not long before composing Frankenstein ... Zastrozzi in 1814." There are "analogous" dream images and themes in both works: "The final and closest analogue to Victor Frankenstein's dream occurs in Percy Shelley's Zastrozzi (1810)." Simpkins, Scott. "Encoding Masculinity in the Gothic Novel: Shelley's Zastrozzi." California Semiotic Circle Conference, January 1997, Berkeley, CA. Neilson, Dylan. "Zastrozzi: Master of Stage". The Gauntlet, 27 January 2005. Halliburton, David G. (Winter, 1967). "Shelley's 'Gothic' Novels." Keats-Shelley Journal, Vol. 16, pp. 39–49. "Shelley's Novels." The New York Times, 28 November 1886. Sigler, David. "The Act of Objectification in P.B. Shelley‟s Zastrozzi." International Conference on Romanticism (ICR), Towson University, Baltimore, MD, October 2007. Young, A. B. (1906). "Shelley and M.G. Lewis." Modern Language Review, 1: pp. 322–324. Rich, Frank. "Stage: Serban Directs 'Zastrozzi' at the Public." New York Times, 18 January 1962. Simpkins, Scott. "Tricksterism in the