Family is the ninth studio album by American singer LeAnn Rimes, released October 9, 2007, by Curb Records in the United States. It was produced primarily by musician and record producer Dann Huff, with additional production by Tony Brown and guest vocalist Reba McEntire. Family is the first album in Rimes' career where she has co-written every song for an album. The album debuted at number four on the US Billboard 200 chart, selling 74,200 copies in its first week. Upon its release, Family received positive reviews from most music critics, who complimented Rimes' performance and songwriting. The lead single "Nothin' Better to Do" earned her a Grammy Award nomination for Best Female Country Vocal Performance while the third single "What I Cannot Change" also earned her a nomination the following year . Singles The first single, "Nothin' Better to Do", was released to radio on May 29, 2007 which she was nominated for a Best Female Country Vocal Performance Grammy for the 50th Grammy Awards, followed by "Good Friend and a Glass of Wine" and "What I Cannot Change," which was nominated for a Best Female Country Vocal Performance Grammy for the 51st Grammy Awards and went to number one on the Billboard Dance chart. Reception Commercial performance The album debuted at number four on the US Billboard 200 chart, with first-week sales of 74,200 copies in the United States. It spent a total of 20 weeks in Billboard 200. As of July 2011 it has sold 401,000 copies in United States. In the United Kingdom, Family debuted at number 31 on the UK Albums Chart, becoming Rimes's first album to miss the top 20 of the chart (though not all of her albums were released in the UK). Critical response Family received positive reviews from most music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 70, based on 12 reviews, which indicates "generally favorable reviews". Allmusic editor Stephen Thomas Erlewine gave it four out of five stars and called it "surprisingly far-ranging underneath its soft country-pop veneer [...] a canny blend of the commercial and the confessional". Blenders Jane Dark complimented its "lighthearted genre-hopping", writing that it "suggests nothing so much as a Broadway smash about a restless country star, borrowing from many styles, beholden to none." Sarah Rodman of The Boston Globe