View from the House is the eleventh studio album by American singer-songwriter Kim Carnes. It was released on July 25, 1988 by MCA Records. The album marked a return to her early country music roots. Carnes recorded the album in Nashville, Tennessee, and co-produced the album with Jimmy Bowen. View from the House received positive reviews, with music critics praising Carnes's cover songs. The album reached number 39 on the Billboard Top Country Albums chart, and contained two hit singles. "Crazy in Love" and "Speed of the Sound of Loneliness" both charted on the Billboard Hot Country Singles & Tracks at number 68 and number 70 respectively. "Crazy in Love" also reached number 13 on the Adult Contemporary chart. Background Prior to making the album, Carnes stated, "I can't do another album here (in Los Angeles). I've tried and finally stopped. The only way I get a thrill out of recording is to record live as opposed to running everything through a computer. I want to feel that interplay between musicians. And I feel real strongly that Nashville is the place to make an album with real instruments." Carnes had been interested in the Nashville music scene since 1981, after hearing Rosanne Cash's album Seven Year Ache. Carnes wanted to work with Jimmy Bowen, who produced her debut album, Rest on Me, in 1971. Carnes chose to record a cover of "If You Don't Want My Love" by John Prine. The head of A&R at MCA suggested to Carnes that she also record Prine's song "Speed of the Sound of Loneliness". "Who thinks of that?" Carnes said. "The speed of the sound of loneliness? Lyrically, that blew me away." Carnes wrote "Blood from the Bandit", with Donna Weiss, as a reflection on "pollution, greed, and other conditions afflicting the world". "The song is still pertinent today, more so, maybe," Carnes said in 2017. "What was being talked about then is on steroids now." Critical reception Ralph Novak of People magazine stated that Carnes sounds "Wonderfully relaxed and justifiably pleased with herself", noting the album's ten "generally splendid tunes" including the "convincingly romantic" cover of "Crazy in Love". AllMusic retrospectively described the album as "[a return] to the folk and country music of her earlier years." In the Honolulu Advertiser, Mike Cidoni described View from the House as a "grown-up departure from [her] techno-pop style of the early 80s". Hugh Wyatt