Kid, Kid Colt: Outlaw, The Outlaw Kid, and Western Outlaws; the crime anthologies Caught and Police Action; the jungle title Jann of the Jungle; and the men's adventure anthology Rugged Action. Carrabotta also did a limited amount of work in the 1950s for Youthful Comics (Chilling Tales, Atomic Attack!), Fiction House (Planet Comics), and Lev Gleason Publications (The Amazing Adventures of Buster Crabbe, Black Diamond Western, fillers in Crime Does Not Pay and that company's Daredevil). Carrabotta's last work before leaving comics in the wake of an industry downturn was a story in Gunsmoke Western #49 (Nov. 1958), though Carrobotta did return for a single Marvel comic during the period fans and historians call the Silver Age of comic books: the nine-page story "The Challenge of Cole Younger" in Two-Gun Kid #86 (March 1967), written by Gary Friedrich. Marvel reprinted several Carrabotta stories in the 1970s, and one additional in the reprint-anthology miniseries Curse of the Weird #3 (Feb. 1994). Later life and career Upon leaving comics after a 1950s Atlas downturn, Carrabotta moved from South Carolina to Atlanta, Georgia, where he went to work for a printer, illustrating booklets. Segueing into advertising, he opened his own studio in Columbia, South Carolina, then returned to New York City, where he became senior art director at the Alden Advertising Agency. After being in and out of work, he briefly joined Mother Earth News Magazine in Henderson, North Carolina, before again returning to New York to be an art director at Reader’s Digest. From there he became an art director at the Atlanta office of the Manhattan advertising agency BBDO, specializing in storyboards. After winning an award for a Delta Air Lines project, he began freelancing as a storyboard and conceptual artist for several agencies, including Grey Advertising, McCann-Erickson, and Young & Rubicam, for accounts including Advil, AT&T, Coca-Cola, Jell-O, and Kenner Toys. Personal life and death Carrabotta was married twice. He has six children. During the latter part of his advertising career, he and his family lived in Westport, Connecticut, but after remarrying, he and his new wife left the New York metropolitan area following the 9/11 terror attack of the World Trade Center and moved to Columbia, South Carolina. At some point afterward he spent three years in Los Angeles, California, where he worked on the Pirates of the Caribbean movie posters. As of at least 2010, he lived in