Marnix Gijsen (20 October 1899 – 29 September 1984) was a Belgian writer. His real name was Joannes Alphonsius Albertus Goris; his pseudonym relates to Marnix van Sint Aldegonde and the surname of his mother (Gijsen). Early years Gijsen was born in 1899 in Antwerp, Belgium. In his youth he received a strict Roman Catholic education, at the Jesuit college of Saint Ignacio in Antwerp, but in 1917 he was punished heavily (consilium abeundi, E: 'advice to leave') for his militant Flemish activism during World War I. In 1925 he went to the Catholic University of Leuven, where he obtained a PhD in history and moral sciences with a dissertation on Études sur les colonies marchandes méridionales (portugaises, espagnoles, italiennes) à Anvers de 1488 à 1567. He went on to study at the University of Freiburg, Paris (Sorbonne) and London (London School of Economics). Career From 1928 until 1933, he was a civil servant at the municipal authorities of Antwerp, including principal private secretary of the mayor of Antwerp (1928–1932). Subsequently he worked at the civil service in Brussels from 1932 to 1939, where he was Chief of Cabinet of the Minister of Economics from 1932 until 1937, and from 1939 up to 1941 he was Commissioner-General for tourism. During the Nazi occupation of Belgium he went into exile. From 1942 until 1964, he lived in New York City (United States) as Belgian commissioner for information and in addition he was plenipotentiary minister. On the Belgian public radio, as The voice from America, he had a weekly radio spot on Saturday night. Literary career Marnix Gijsen started his literary career as a poet within the expressionist group Ruimte (Space) their illustrated magazine. His most important poem was Lof-litanie van de Heilige Franciscus van Assisië (Praise of Saint Francis of Assisi) (1920). In his early period he came into contact with the Flemish poets Paul van Ostaijen, Karel van den Oever, and Victor J. Brunclair. After a study trip to the United States, he wrote the story Ontdek Amerika (Discover America) (1927). He wrote essays on art, such as on Karel van Mander (1922), Jozef Cantré, (1933), and Hans Memlinc (1939), and he wrote daily literary criticisms. He was a close friend of the Belgian writer Suzanne Lilar, and he wrote the afterword in the 1976 Dutch translation of Lilar's "Le Couple" (1963). During World War II, he broke with his