the United States Capitol in protest against the law. Eventually, the arrests were appealed up to the Supreme Court in United States v. Eichman, with the Supreme Court eventually ruling in favor of Scott and the other protesters and federal laws regulating flag desecration being ruled unconstitutional. Recent works In response to the deaths of unarmed African Americans Alton Sterling and Philando Castile at the hands of police, Scott created a flag, reading "A Man Was Lynched by Police Yesterday", which has been produced in two separate editions, one in 2015 and the other in 2017. It was inspired by a banner that the National Association for the Advancement of Colored People (NAACP) displayed from what was then their national office in New York, reading "A MAN WAS LYNCHED YESTERDAY". In 2016, Scott's flag was flown at the Jack Shainman Gallery in Manhattan. Scott is a character in Talene Monahon's 2020 play about historical reenactment, How to Load a Musket. Slave Rebellion Reenactment (2019) Around 2014, Scott began planning to re-enact the 1811 German Coast uprising in Louisiana. The revolt was the largest rebellion by enslaved individuals in North American history and took place upriver of New Orleans. The project was planned in partnership with the organization Antenna, which promotes visual and literary arts relevant to communities of New Orleans. Over two days in November 2019, Scott and fellow participants reenacted the revolt, with the process filmed by Ghanaian-British artist John Akomfrah and Black cinematographer Bradford Young, and the work was simultaneously made visible through posts on social media, pushing it beyond "a singular iconic tableau or monumental presence . . . through the accretion of multiple images of the same event, created and disseminated" collectively. Rather than ceasing at the point that the rebellion was stopped by a militia, the re-enactors instead continued on to New Orleans; for curator and poet Kristina Kay Robinson, this meant that, "questions of how to grapple with the rebellion’s bloody end were avoided altogether, as it was replaced by a 'cultural celebration' in Congo Square." The Slave Rebellion Reenactment consisted of more than the re-enactment itself, and instead should be understood as a social and durational work that involved fundraising, recruiting participants, collaborating with New Orleans non-profits, organizing sewing circles to create costumes and props, involving researchers to clarify historical details, acquiring event permissions, and discussing the work in public forums. “The heart