Tina Dixon was an American R&B singer, actress and comedian. She became a featured singer in swing bandleader Jimmie Lunceford's band early in her career and recorded for Excelsior, Aladdin, and King Records in the 1940s. By the 1970s, Dixon was making x-rated party records as Auntie Tina Dixon. Life and career Born in Detroit, Dixon began her singing career at the age of 18. Her first gig was at the Club Ballyhoo in Detroit and eventually she performed at the Apollo Theater in Harlem. In 1939, Dixon married tap dancer Leon Collins in Detroit. In 1942, they moved to New York City where Dixon was billed to perform with the Jimmie Lunceford orchestra. Dixon helped land her husband a spot in the show when the opening act called out sick, resulting in a five-year contract for Collins. They with his band at theaters and nightclubs. She appeared at the Tic Toc Club in Boston; Cafe Zanzibar in New York; Club Bali in Washington, D.C.. Dixon was managed by Harold F. Oxley [who also managed Jimmie Lunceford and Mabel Scott]. Dixon also appeared on television, made color movie shorts for Pathe, and performed at army and navy camps. In June 1945, Dixon recorded "E-Bob-O-Le-Bob" with Jimmie Lunceford for Armed Forces Radio Service (AFRS) Jubilee. AFRS recordings were made by African-American artists to showcase their music to the United States Armed Forces and allied nations; they weren't meant for commercial release. Dixon is credited as the songwriter for the record, but shortly after, singer Helen Humes released the song under the title "Be-Baba-Leba" (Philo 106). Humes is credited as the songwriter on her record which became a hit single although Dixon had been performing it on her act since 1942. Later in 1945, Dixon recorded "E-Bob-O-Le-Bob" with the Flennoy Trio. The copyright controversy was noted in Billboard (January 26, 1946), when Humes' version was hot on the chart:Charlie Barnet has secured exclusive publishing rights for his Indigo pub outfit to the swing novelty tune.... Barnet closed deal for Be-Baba-Leba with Harold Oxley, the agent, who controlled original copyright of the tune introduced in the first place by Tina Dixon, whom Oxley manages. Dixon also made recording of tune for Excelsior label. Her side, however, came out after the Humes version for Philo. Barnet dickered with Helen Humes on tune for a while until he learned that her recorded version followed Dixon's