|- | Manmohan Shetty, Pradeep Uppoor | Filmfare Award for Best Film |rowspan="5" |- | Govind Nihalani | Filmfare Award for Best Director |- | Sadashiv Amrapurkar | Filmfare Award for Best Supporting Actor |- | S.D. Panvalkar | Filmfare Award for Best Story |- | Vijay Tendulkar | Filmfare Award for Best Screenplay |- |} The existential crisis In a pivotal scene, from which the movie derives its name, Jyotsna gives Anant a poem to read to him from a book that she is carrying, Ardh Satya (see below for transliteration). Anant begins to read the poem aloud; as the meaning sinks in, his smile vanishes; he continues reading in a more subdued and sombre tone. Filmed in a single long take, this is one of the finest moments world cinema has shown portraying the effect of art upon man in modern cinema (compare to Apres Nous). Later in the film, a cathartic moment occurs symbolising the poem, where Anant breaks down crying. Jyotsna reaches out a hand to comfort him but then withdraws it without touching him, in one of the most poignant moments of cinema; it is as if she realised that he is "within this Chakravyuh, or Circle of Deceit" alone and needs to find his inner strength to break out. Govind Nihalani said in an interview on Indian TV after winning the National Award that the "moment" had actually occurred just before filming, during the rehearsal, where actor Om Puri broke down and started weeping openly while reciting this poem; Nihalani reached out a hand to comfort him and then withdrew it feeling that "his anguish was too monumental for a mere touch to provide any solace". He subsequently instructed Smita Patil to play the scene like this, giving her his futile gesture. When faced with a moral or existential choice of such magnitude, man is essentially alone and another cannot partake of his anguish or lessen his burden. The movie suggests that Anant refuses to break out of his situation, choosing to stand and face his nothingness – to continue being an 'impotent' police officer, rather than give up his uniform and regain his manliness and self-efficacy. The poem Ardh Satya References External links Review at NY Times 1983 films 1980s Hindi-language films 1983 drama films Films featuring a Best Actor National Award-winning performance Films about corruption in India Fictional portrayals of the Maharashtra