Public Art Program and the Department of Cultural Affairs Percent Art Program. His work is held in depth at The Goetz Collection in Munich, Germany, as well as The Museum of Modern Art, significant private collections internationally, the Springville Museum of Art (Springville, UT), and The Church Museum of History and Art (Salt Lake City, UT). View his process and work on Instagram @lanetwitchell. Works Art Bank Program, Washington D.C The Goetz Collection, Munich, Germany The Progressive Corporation, Mayfield, OH Neuberger Berman Collection, New York City, New York Day Zoo, U.S. Department of State Embassy Leap With Me, Roebling Hall, New York, New York A-Frame (Green), MoMA, New York, New York (1998) Gas-n-Go (Red), MoMA, New York, New York (1998) Exhibitions #inversion: Lane Twitchell, Writ & Vision, Provo, UT (2017) Roebling Hall, New York, NY (2008) Revelation: Lane Twitchell Drawing & Painting, Schweinfurth Memorial Art Center, Auburn, New York; University Art Museum, SUNY Albany, New York; Gibson Gallery, SUNY Potsdam, New York. Curated by Thomas Piche (2007) The Searchers, Whitebox, New York, New York. Curated by Patrica Maloney (2006) Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington D.C. Curated by Johnathan Binstock. (2006) Drawings III (selected), G-Module, Paris, France (2006) Small painting show, The Ulrich Museum, Wichita, Kansas. Organized by the General Store, Milwaukee (2006) Loveless (the shoegazer show), New York, New York (2006) I Love the Burbs, Katonah Museum of Art, Katonah, New York. Curated by Eileen Keiter (2006) The Early Show, White Columns, New York, New York. Organized by the General Store, Milwaukee (2005) One of a Kind, New York Academy of Sciences, New York, New York. Curated by Thomas Woodruff (2005) Group Loop, G Fine Art, Washington D.C. Curated by Christoph Cox (2005) Here & There, Greenberg Van Doren Gallery, New York, New York (2005) American Paradigms: David Opdyke and Lane Twitchell, Corcoran Gallery of Art, Washington, D.C. (2004) Foursquare, G Fine Arts, Washington D.C. (2004) Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, New York. Organized by Jerry Saltz (2004) Emerging 2003: ACRIA Benefit, Matthew Marks Gallery, New York, New York (2003) Perforations, McKenzie Fine Art, New York, New York (2003) Terrible Beauty, Satellite, a division of Roebling Hall, New York, New York (2003) The Nature of the Beast, Caren Golden Gallery, New York, New York (2002) Some Assemblage Required: Collage Culture in Post-War America, Everson