Allan Cyril Brooks (February 15, 1869 Etawah – January 3, 1946) was an ornithologist and bird artist who lived in Canada. His father William Edwin Brooks had been a keen ornithologist in India but growing up in a farming household in Canada made his entry into the career of bird art much more difficult than for his contemporary Louis Agassiz Fuertes in the United States of America. His painting style was more impressionist with a greater emphasis on the habitat than on fine details of plumage. After Fuertes' death in a road accident, he was commissioned to complete the plates for Birds of Massachusetts. Life and career Allan was born in Etawah in India, where his father, W. E. Brooks, worked in the railways while also studying the birds of India, particularly the leaf-warblers. His father named him after his close friend and ornithological associate in India, Allan Octavian Hume. Allan went to school in England (1873–1881) and studied the bird life of the Northumberland moors. Thanks to his father's connections, he interacted with Henry Seebohm and learnt egg-collection and butterfly collection from the taxidermist John Hancock. He later studied the birds of Ontario where his father William Edwin Brooks had settled to a farming life. In Canada, he met Thomas McIlwraith in 1885 and learnt specimen collecting and skinning techniques from him. In 1887, the family moved to Chilliwack, British Columbia. Robert Ridgway, the American ornithologist helped him identify birds early in Brooks' life and had shown appreciation for his art work. Brooks began his career as a specimen collector and game hunter, providing specimens to the Victoria Memorial Museum and a few private collectors. Towards the end of the 1890s Brooks contributed pictures for George Oliver Shields' Recreation magazine. Unlike wildlife artists in the United States of America during the same period, he did not find easy ways to support his interest in art. William Brewster wrote to him in 1895 that he could help him make the art work paying if Brooks could work harder. He then made some watercolours for Brewster, earning about three or four dollars for each illustration. Brooks later began to contribute illustrations to periodicals such as Recreation and St. Nicholas Magazine. His first big commission was for a book by William Leon Dawson. Dawson had sought the work of Louis Agassiz Fuertes but found him too expensive. He subsequently found more work