Puteri Gunong Ledang (or The Princess of Mount Ledang) is a 1961 Malay period film directed by S. Roomai Noor and based on the Legend of Puteri Gunung Ledang. The film introduces actress Elaine Edley in her first film role. Plot Sultan Mahmud Shah, ruler of Malacca, dreams of a woman with unnatural beauty. Plagued by the dream, he asks the court magician their meaning. The court magician tells him that his dream is that of an extraordinary princess who lives on the peak of Mount Ledang. Sultan Mahmud becomes obsessed with the princess or Puteri, and orders his Bendahara to cancel his scheduled wedding to a local princess. Sultan Mahmud's officers and Dinda, the princess he had been engaged to, are confused with the Sultan's sudden change of attitude. Dinda's brother, Laksamana Zainol, is especially angry on his sister's behalf. Zainol, propelled by his sister's betrayal, begins talking to the Malaccan people of Sultan Mahmud's foolishness, planting the seeds of rebellion. Sultan Mahmud commands the Bendahara to seek the Puteri of Gunung Ledang out, but he claims the task to be impossible. The elderly Hang Tuah, greatest of all Malaccan warriors, offers to find the princess for the Sultan. He forms a party of warriors and they set out to Mount Ledang to find her and present the Sultan's proposal of marriage. They travel a great distance and have to overcome many obstacles. Hang Tuah himself becomes injured and is too weak to reach the peak, so he sends the younger members of the group onward without him. A single young warrior named Tun Mamat survives to reach the peak, where he is tempted by a flower fairy who tries to seduce him off his path. Tun Mamat repeatedly spurns the flower fairy and, upon beating her test, meets an elderly hag or Nenek Kebayan who agrees to help lead him to the peak of Mount Ledang. Once at the peak, the Nenek Kebayan leaves Tun Mamat, and he is greeted by four more flower fairies. They give him one final warning and then leave, making way for the Puteri herself to appear. The Puteri tells Tun Mamat that she has no desire to be queen, but she will marry Sultan Mahmud if he can give her seven presents as her dowry. Tun Mamat descends the mountain with the message, along the way reuniting with various members of the