brown velvet doublet with sleeves buttoned to the wrist. Bruges, 1487. At the very end of the 15th century, Albrecht Dürer's self-portrait shows the influence of Italian fashion: His low-necked shirt or chemise of fine linen, gathered and trimmed with a band of gold braid or embroidery, is worn under an open-fronted doublet and a cloak tied over one shoulder. His hair is worn long, under a draped pointed hat with a tassel, 1498. Children's fashion Charles, 6th Dauphin, drawn after his tomb effigy. He is wearing a herigaut with tucked sleeves. Charles, son of Philip III of Burgundy, wears a gold floral figured short robe, black hose, and pointed shoes with pattens underneath, and a "pudding-basin" haircut 1447–1448. Young boy holding a teething ring wears a short robe with a sash and open-toed shoes, Italy, 1461. Two Gonzaga princes wear the family colours with parti-coloured hose with ornamental points (laces). Margherita Portinari, a banker's daughter of Bruges, wears a green dress laced up the front with a single lace over a dark kirtle. Her hair is worn loose under a black cap with a pendant jewel, Netherlands, 1476–1478. Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids. Then, around the age of 6 or 7, boys would receive their first pair of hose (called breeching). Working class clothing Older huntsmen wear looser robes belted at the waist while younger men wear fashionable short robes fitted through the body and belted at the hip. The higher-ranking figures wear less practical clothes and chaperons, Livre de Chasse. Peasant reaping in linen braies and shirt, Très Riches Heures du Duc de Berry, c 1412–1416. Man and woman shearing sheep. She wears a black hood with a long liripipe and a scrip or bag at her waist. He wears a floppy black hat tied under the chin, Les Très Riches Heures du duc de Berry. Women raking hay work barefoot and wear their kirtles looped up over long-sleeved linen smocks, Les Très Riches Heures du duc de Berry. Workmen on a dock wear short robes with hats, Italy, Angelico, 1437. The very poor of Florence receive alms in well-worn and basic versions of the