footage is used throughout whole sequences are used multiple times, boom mics are visible and actors frequently appear to be reading from cue cards. Outdoor sequences contain parts filmed during both day and night in the same scene. The movie stars Maila Nurmi, in her Vampira persona, and Béla Lugosi, who died before it was completed. Test footage of Lugosi shot for a different project is intercut with shots of a double with a different physique, height, and hair color, who covers his face with a cape in every scene. The narrator refers to the film by its pre-production name, Grave Robbers from Outer Space. The Creeping Terror (1964), directed by Vic Savage (under the pseudonym A. J. Nelson), uses some memorable bargain-basement effects: stock footage of a rocket launch is played in reverse to depict the landing of an alien spacecraft. What appears to be shag carpet is draped over several actors shambling about at a snail's pace, thus bringing the monstrous "creeping terror" to the screen. The movie also employs a technique that has come to be synonymous with Z-movie horror: voiceover narration that paraphrases dialogue being silently enacted onscreen, often an attempt to hide the fact that the filmmakers did not have the equipment, skill or budget to record speech synchronised with the actors' mouths, had decided to retroactively change the dialogue for plot reasons and could not do proper ADR or no longer had access to the original actors, or had ruined the original soundtrack in some other way. Harold P. Warren, a fertilizer and insurance salesman who never worked in film before or since, wrote and directed Manos: The Hands of Fate (1966) after making a bet with a professional screenwriter that he could make a movie on his own. The film is famous for its incompetent production, which included the use of a camera that could not record sound, disjointed dialogue, and seemingly random editing. The entire soundtrack was recorded by just three people, who provide the voices for every character. The film features a character named Torgo, who was intended by the writer to be a satyr, but the only onscreen evidence of this is his large, oddly placed knees hidden underneath normal human clothing. (Within the movie, nothing was ever said about him being a satyr. The impression when watching the movie is simply of a disabled man with misshapen knees under