from this location that the gang plans a third robbery, the assault on a branch bank in one of the more congested middle-class neighborhoods of Madrid. During this robbery, Sebas kills one of the guards and is, in turn, gunned down outside the bank by a squad of police who have surrounded the area. Pablo, Meca, and Ángela manage to make a getaway, but Pablo has been seriously wounded and is bleeding profusely. Ángela brings him back to the apartment to nurse him while Meca disposes of the getaway car in the usual manner. However, the black cloud of smoke attracts a police helicopter and Meca is killed as he resists arrest. Understanding the seriousness of Pablo’s wound, Ángela calls a doctor who, upon arriving at the apartment, confirms the gravity of Pablo’s condition. He has been shot in the liver and must be brought to a hospital if he is to survive. Refusing, she offers him a large bundle of cash if he will treat Pablo right there. Taking the money in his black satchel, the physician promises to return shortly with instruments for surgery. Hours pass, but the doctor does not come back. Pablo, who remains unconscious, lies immobile on the bed. He stops breathing while Ángela sits in the darkened room staring at him. When she realizes he is dead, she fills her own duffel bag with the remaining money from the robbery and walks out of the apartment. She disappears into the shadows of the approaching night walking towards the city. Cast The film was shot using a nonprofessional cast of actors from the Villaverde area just south of Madrid. Two members of the principal cast were arrested for separate criminal incidents during the filming, causing a stir in their Spanish homeland. - Ángela - Pablo - Meca José María Hervás Roldán - Sebas - María Consuelo Pascual - Abuela André Falcon - Cajero Yves Arcanel - Interventor Yves Barsacq - Luis Analysis Deprisa, deprisa is a raw and sobering portrait of a generation at an existential crossroads, struggling to find mooring and direction in an uncertain climate of transformative, social revolution, as Spain emerged from the repression of fascism towards the liberalization of democracy. It is this dichotomy that is reflected in the recurring image of passing trains that bisect the horizon - a perennial view from the public housing suburb outside the city where