went unreleased until Grow Up was reissued in 2007. Gaudreau's time as the band's singer was brief; After his departure, Rassler joined the Queers as second guitarist and vocalist. "Joe was trying to teach me the tunes," he later recalled, "and the more he kept singing them, the more I added harmonies and lead fills. So after an hour of him saying 'You sing this lead' and me saying 'OK, you sing this back-up' we just said fuck it, you sing what you're trying to teach me and I'll sing what I'm trying to teach you. It immediately sounded great." King and Rassler began writing songs together, several of which would be recorded for what became Grow Up. Kecy took a leave of absence from the band due to health issues and was replaced by Evan Shore, who played with the Queers for a year and later recalled that during that time "we had only one full band rehearsal, which was really my audition where we simply ran through their live set." The lineup of King, Rassler, O'Neill, and Shore recorded a session at Fort Apache with Sean Slade as recording engineer and Jimmy Miller, a record producer best known for his work with the Rolling Stones. King, Rassler, and Shore all later wrote that, in lieu of payment, Miller asked that the band bring him ingredients for his favorite martinis and promise to buy drugs from him. "A win/win situation if ever we saw one", said King; "It was a mess from the start as almost everyone was gone on drugs and booze. Evan and Sean were the only sober ones." Miller's contribution was minimal, according to Shore: "He basically just hovered over Sean, martini in hand, pointing to various dials and making subtle suggestions." During this session the band recorded takes of the instrumentals "Strip Search" and "Squid Omelette", the latter titled after a dish that a friend had recently ordered at a restaurant. They also recorded "Rambo Rat" and one other song, but were not able to finish versions of "I Met Her at the Rat" and "I Don't Wanna Get Involved with You" due to running out of time to complete overdubbing and mixing. They also ran out of money and could not pay the studio for the session, so Fort Apache refused to turn over the tapes. To raise the funds, the Queers played a