ondes") as he and Naïs declare their love for one another (Duet: "Que je vous aime"). Neptune turns Naïs into a goddess and Protée leads the festivities. Recordings Complete opera Naïs Linda Russell (Naïs), Ian Caley (Neptune), Ian Caddy (Jupiter/Télénus), John Tomlinson (Pluton), Richard Jackson (Tirésie), Brian Parsons (Astérion), Antony Ransome (Palémon), English Bach Festival Chorus and Orchestra conducted by Nicholas McGegan (Erato, 1980; reissued on 2 CDs, 1995) Naïs Mireille Delunsch (Naïs), Jean-Paul Fouchécourt (Neptune), Alain Buet (Jupiter/Tirésie), Arnaud Marzorati (Télénus), Mathias Vidal (Astérion), Dorothée Leclair (Flore/Une bergère), Matthieu Heim (Pluton/Palémon), La Simphonie du Marais conducted by Hugo Reyne (Musiques à la Chabotterie, 2012; digital download only) Naïs Purcell Choir, Orfeo Orchestra György Vashegyi. Glossa 2018 Orchestral suite Rameau: Orchestral Suites from "Naís" and "Le temple de la gloire" Philharmonia Baroque Orchestra, conducted by Nicholas McGegan (Harmonia Mundi, 1995, 1 CD) On Rameau: Orchestral Suites 2 along with the suite from Zoroastre, Orchestra of the Eighteenth Century conducted by Frans Brüggen (Glossa, 2001, reissued 2010, 1 CD) References Sources Naïs: Manuscript score at Gallica - B.N.F. Bouissou, Sylvie Jean-Philippe Rameau: Musicien des lumières (Fayard, 2014) Girdlestone, Cuthbert, Jean-Philippe Rameau: His Life and Work (Dover paperback edition, 1969) Sadler, Graham, article on Naïs in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. Sadler, Graham, booklet notes to the Erato recording by Nicholas McGegan (1980) Sadler, Graham, (Ed.), The New Grove French Baroque Masters (Grove/Macmillan, 1988) Further reading C. M. Girdlestone has listed instrumental music that Rameau borrowed from his own Les Fêtes de Polymnie and Les Paladins for Naïs, and in turn the music that Rameau took from Naïs for Hippolyte et Aricie (Girdlestone, C.M., "Rameau's Self-Borrowings" (January 1958). Music & Letters, 39 (1): pp. 52-56). Graham Sadler has discussed various facets of Rameau's orchestration for Naïs (Graham Sadler, "Rameau and the Orchestra" (1981-1982). Proceedings of the Royal Musical Association, 108: pp. 47–68). Operas Operas by Jean-Philippe Rameau French-language operas 1749 operas Opera world premieres at the Paris Opera