played the leading role, of Penelope Toop, in Douglas Hodge's touring revival of Philip King's hit farce See How They Run. In the same year, for her Lyttelton Theatre performance as Nina in Katie Mitchell's staging of Chekhov's The Seagull, she was awarded second prize in the Ian Charleson Awards 2007. TV credits include Bodies and BBC One's Outnumbered, where she portrays recurring character Jane. She has appeared in series 1, 2 and 4 of Outnumbered, as well as the Christmas Specials in 2009, 2011 and 2012. In January 2008, she appeared in the film The Bank Job, and she played a mounted policewoman in the ITV comedy drama pilot Bike Squad. Giving a career enhancing performance, she also played Elinor Dashwood in BBC One's three-part adaptation, by Andrew Davies, of Jane Austen's novel Sense and Sensibility, first broadcast on New Year's Day 2008. On 13 June 2008, she won Best Actress at the 14th Shanghai Television Festival for her performance. On 26 February 2008, she played Libby, a graduate investigating mis-selling of bank loans, in D.J. Britton's radio play When Greed Becomes Fear, a BBC Radio 4 Afternoon Play 'inspired by the sub-prime lending fiasco in America.' She worked again with director Katie Mitchell, co-starring with Benedict Cumberbatch in The City, a new, darkly comic mystery play by Martin Crimp, 24 April – 7 June 2008. In July 2008, she returned to the National to appear in ...some trace of her, Katie Mitchell's adaptation of Dostoyevsky's The Idiot, co-starring Ben Whishaw at the Cottesloe Theatre, while later in the year she played Mary in T.S. Eliot's The Family Reunion at the Donmar Warehouse. She returned to the National in April 2009 to play Kay Conway in Rupert Goold's production of J. B. Priestley's Time and the Conways in the Lyttelton auditorium and also Dawn in Caryl Churchill's Three More Sleepless Nights in the same season. On 28 February 2010, she appeared as Miss Enid in Lark Rise to Candleford, and then as Martina Twain in the BBC adaptation of Martin Amis's Money. In the theatre, she played Annie in The Real Thing by Tom Stoppard at The Old Vic theatre, directed by Anna Mackmin, from April to June 2010; a year later returning to the stage in Thea Sharrock's pared-down Sheffield Crucible revival of David Hare's 1978 Plenty: Morahan affords the heady sensation of watching an actress at the