Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Sabu, Maria Montez, Jon Hall and Leif Erickson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre (The Thief of Bagdad), it features no monsters or supernatural elements. The film is one of series of "exotic" tales released by Universal Pictures during World War II. Others include Cobra Woman, Ali Baba and the Forty Thieves and White Savage. This is the first feature film that Universal made using the three-strip Technicolor film process, although producer Walter Wanger had worked on two earlier Technicolor films for other studios: The Trail of the Lonesome Pine at Paramount and Walter Wanger's Vogues of 1938 for United Artists. Plot The story starts at a harem in Persia, where the elderly overseer bids his young charges to read the story of Haroun al-Rashid (Hall) and his wife Sherazade (Montez), unfolding the film's plot in the process. Sherazade, a dancer in a wandering circus owned by Ahmad (Billy Gilbert) – whose troupe also includes Sinbad the Sailor and Aladdin, who have seemingly fallen on hard times - had captured the attention of Kamar (Erickson), the brother of caliph Haroun al-Rashid. In his infatuation with her, and because of a prophecy which names her as the future queen, Kamar had attempted to seize the throne, but was captured and sentenced to slow death by exposure. As Haroun visits his brother, for whom he feels pity, Kamar's men storm the palace and free their leader; outnumbered, Haroun is forced to flee. He manages to get near the plaza where Sherazade's circus is performing and is spotted by the young acrobat Ali Ben Ali (Sabu), who finds out his identity and decides to hide him in the circus, confiding only in Sherazade (though he does not tell her about the fugitive's true identity). Upon awakening from the wounds he had received in his flight, Haroun beholds Sherazade and instantly falls in love with her. Meanwhile, Kamar, thinking that Haroun is dead, assumes the throne of Baghdad, but to his chagrin Sherazade is not to be found, and he orders the captain of his guard (Turhan Bey) to find her. But then the scheming Grand Vizier Nadan (Edgar Barrier) approaches the captain with