was a Japanese poet, literary critic, and literary editor active during the Shōwa period of Japan. He is known for his lengthy free verse poetry, which often portray loneliness and isolation as part of contemporary life, but which are written in a complex, highly literary style reminiscent of classical Japanese poetry. Early life Miyoshi was born in Nishi-ku, Osaka as the eldest son in a large family of modest background running a printing business. He suffered from poor health as a child and was frequently absent from school due to nervous breakdowns. He was forced to drop out of junior high school due to inability to pay the tuition once the family business went bankrupt, and his father abandoned the family to escape from creditors. He was only able to complete his schooling by the charity of an aunt. From 1915-1921 Miyoshi enlisted in the Imperial Japanese Army, first undergoing training at the Osaka Army Cadet School, followed by a tour of duty in Korea. He left the army in 1921 to enroll in the Third Higher School in Kyoto, where he majored in literature. Miyoshi had been interested in literature even while still at high school, especially in the works of Friedrich Nietzsche and Ivan Turgenev. In 1914, he began to compose his own haiku verse. Literary career Miyoshi went to Tokyo to study French literature at Tokyo Imperial University from 1925-1928. While a student, he made a translation of the full works of the French poet Charles Baudelaire's collection Le Spleen de Paris into Japanese, as well as translations of several French prose writers, which were published in 1929. While in school, he became friends with short story writer Motojirō Kajii and Nakatani Takao, with whom he published the literary magazine, Aozora (“Blue Skies”), which gave him a venue to publish his poems such as Ubaguruma (“Pram”) and Ishi no ue (“On Stone”), which were favorably received by literary critics, including Hagiwara Sakutaro. Hagiwara joined him in founding the critical journal, Shi to Shiron (“Poetry and Poetic Theory”) in 1928. In 1930, Miyoshi brought out his first major anthology of free verse, Sokuryo sen (“The Surveying Ship”). The expressions reminiscent of classical Japanese poetry combined with the intellectualism of his work established his reputation. In 1934 he brought out another anthology, serialized in the literary journal Shiki (“Four Seasons”), together with Hori Tatsuo and Maruyama Kaoru, and became