identifies royalty in illuminated manuscripts of this period, 1460. Ladies in another illustration from Boccaccio wear tall steeple hennins with white veils. A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on her forehead is thought to be part of the wire frame that balances the hennin. Her houppelande has a black collar trimmed in white fur and she wears an elaborate carcanet or necklace, Netherlands, 1478–1478. Elizabeth Woodville, Queen consort of Edward IV of England, wears a black gown with patterned collar and cuffs and a matching truncated English hennin beneath a sheer veil. ?1470s. Style gallery – Northern Europe 1480s–1490s Mary Magdalene is portrayed in contemporary dress of 1480. The low front opening now laces over the kirtle or an inserted panel or plackard, and the gown is draped up to reveal the richer fabric of the kirtle skirt. Long gowns of the 1480s are carried looped up to allow walking, displaying the kirtle beneath. In this allegory of True Love, the woman wears a pointed hennin with a sheer veil. Her gown is laced across her kirtle, Netherlands, 1485–1490. Anne de Beaujeu, Regent of France, in the ceremonial ermine-trimmed sideless surcoat and mantle of royalty, c. 1490s. The small cap worn with her coronet is a new French fashion of the last decade of the 15th century. Margaret of Austria wears a red velvet front-opening gown lined in ermine. Her hood has black velvet lappets and gold embroidery, 1490s. Hypsipylé, first wife of Jason is depicted wearing an embroidered coif or cap decorated with small slashes, with her hair braided down her back underneath. She wears a square-necked dress with flared sleeves, French, 1496–1498. Another fashionable headdress of this period features a striped veil wrapped over an embroidered padded roll with a jewel, worn over a coif tied under the chin. The portion over the brow is probably