same Elsie that Eddie loved long ago. Unhappily they both go to bed. Meanwhile, Elsie Darling knocks on Eddie's door because she is afraid a mouse is in her room. He comforts her and tells her to be brave (“Babes in the Wood”). The next morning Elsie Lilly finds out that Dick got her red roses all the way from New York. Victoria Lake and her girls sing (“The Fashion Show”). Dick meets Percy and Georgina and informs them that the "newlyweds" Eddie and Elsie Darling are at the Inn. He tells them how they had cocktails on the boat; Percy and Georgina are shocked and angry. The clerk informs Madame Matroppo that he has to sing in a minute, and he needs a last minute voice lesson. She decides to hypnotize him, and he tells her he used to be a cashier in a police station. He fantasizes about money and having someone to share it with (“I’d Like to Have a Million in the Bank”). Eddie bought a few left over roses from Dick and knocks on Elsie Darling's door to give them to her. She starts crying when she sees him in Percy's pajamas. Elsie Lilly and Dick enter and once again he confesses his love for her. This time she accepts it (“Holding Roses”). Eddie tells Elsie Darling that Madame Matroppo is suspicious of their “marriage” so they decide to speak very lovingly to each other in the hope that she can hear them. Unfortunately, Percy and Georgina hear them and angrily confront them. But Eddie and Elsie Darling have learned how to handle themselves. Eddie explains the facts, and both of them finally stand up to their partners. Eddie orders Georgina to sit down, and she does. The delighted clerk shouts admiringly, "Very Good, Eddie!” (“Finale”). Productions Produced by Elisabeth Marbury and F. Ray Comstock, the original Broadway production opened on December 23, 1915 at the Princess Theatre. In May 1916, it moved to the Casino Theatre, and in September it transferred to the 39th Street Theatre, returning to the Princess Theatre to end its run on October 14, 1916, after a total of 341 performances. The cast included Ernest Truex and Helen Raymond. The sets were designed by the interior decorator Elsie de Wolfe, who also coordinated the costumes. This was followed by an Australian production in 1917 featuring Barry Lupino, and a London