Sean mercilessly derides his “pansy” singing alter ego". Antony Hatfield of BBC Music praised the album, stating that it "is of major league significance" and, with "influences that enter from all angles," it is "an album by gifted people with a vision beyond boundaries and a simple devotion to music." In particular, he also praised the title track "Me Against Myself", where Sean's singer and rapper personae go into battle, for its honesty and self-awareness. Tareck Ghoneim of Contactmusic.com also praised the album, referring to Sean as an "Asian sensation" who is breaking barriers "making pop songs that include sounds from Sean’s cultural background and with potential mass appeal." He stated that the "album is progressive in that it shows a fusion of Asian sounds with r’n’b and pop music." Caroline Sullivan of The Guardian gave the album 3 out of 5 stars, praising "the Bollysoul arrangements that underscore his vocals", in reference to the fusion of Bollywood and soul music, especially in the song "Stolen". The Liverpool Daily Post gave the album a score of 3 out of 4 stars. Peter Culshaw of The Telegraph referred to the album as "highly accomplished R&B, with minor Indian musical elements", but considered the best tracks in the album to be the hip hop tracks "You Don't Know Me" and "Me Against Myself" for their social commentary which deal with Sean's inner conflicts and the difficulties in "trying to make it as an Asian in the hip-hop arena." Culshaw praised Sean's talent and stated that, "currently attracting the attention of demi-god producer Timbaland, it will be fascinating to see how Sean resolves his musical schizophrenia." The album received similarly positive reviews in Asia, where its British-Asian fusion sounds were also seen as a novelty. In India, A. Vishnu of The Hindu stated that, "After having kick-started the `British sound with an Indian flavour' concept, Sean has created a cutting-edge formula, which appeals to Hip-hop fans and Bhangra enthusiasts alike." He concluded that the "album previews the future of Brit-Bhangra music, which sure is here to stay. It's time to take Bhangra to the next level." The Statesman stated, "A mixture of R & B, hip hop and rap, it has desi flavours as well. With bhangra influences in the background, this album is one of the most popular UK Asian crossover offerings till date." In Malaysia, Kiren Kaur of New Straits Times