rage. While exploring the room, she eats a piece of cheese and looks through a photo album containing pictures of the old woman, whilst the old woman continues to make observations about her to the unknown person on the radio. To the old woman's anger, Lily looks out the window and again sees the unicorn. Lily climbs out the window and down the wall, and chases the unicorn around the sprawling property as it continuously eludes her. She is horrified when she stumbles upon the corpse of a female soldier. Brother picks the corpse up and buries it in a grave. The unicorn appears again, and Lily chases it until she trips over the pig and is set upon by the band of nude children. The unicorn once again appears to Lily, and tells her she is mean. The unicorn also tells Lily the old woman upstairs is not real. In the house, Lily observes Sister serving the children dinner. Upstairs, Lily tries to comfort the old woman after another fight with Humphrey, and agrees to breastfeed her. Later, Lily plays Tristan und Isolde on the parlor piano. The children sing along, while Sister paints Brother's face and the two reenact the opera. At dawn, Lily finds the old woman has disappeared. A hawk flies into the house, which Brother decapitates with a sword. Brother and Sister then battle one another in the garden as Lily watches from the window. Brother beats Sister with a stick, and Sister bashes him in the face with a rock as sounds of gunfire emanate from the woods. Lily climbs into the old woman's empty bed and tries unsuccessfully to use the radio, after which a snake slithers onto the bed. Outside, a large crowd of sheep and turkeys surround the house. After falling asleep, Lily awakens to find the unicorn seated in front of the fireplace. Lily prepares to breastfeed the unicorn. Production Malle has characterized his film as "[o]paque, sometimes clumsy, it is the most intimate of my films. I see it as a strange voyage to the limits of the medium, or maybe my own limits." Black Moon was shot in Malle's own 200-year-old manor house and its surrounding estate in the lush, wild Dordogne valley in Quercy, near Cahors, called "Le Coual," or "The Crow's Call." The house and grounds were actually the initial inspiration for the film, according to