Cynthia Tse Kimberlin (born Cynthia Mei-Ling Tse in Ganado, Arizona, United States; Chinese name: 謝美玲; pinyin: Xiè Měilíng; Cantonese: Tse6 Mei5ling4) is an American ethnomusicologist. She is the executive director and publisher of the Music Research Institute and MRI Press, based in Point Richmond, California. Her primary area of expertise is the music of Africa, in particular Ethiopia and Eritrea. Early life Kimberlin was born on the Navajo Nation, in Ganado, Apache County, Arizona and grew up in the San Francisco Bay Area of Northern California. Traveling to Ethiopia, she was sent to the northern province of Eritrea, where she served as a Peace Corps volunteer from 1962 to 1964. During this time she took it upon herself to conduct ethnomusicological fieldwork, although she had not yet received training in the field. She recorded many types of Eritrean and Ethiopian music (including songs of the Tigray-Tigrinya people), using a borrowed Philips reel-to-reel tape recorder with 3-inch reels. Many of these recordings are now of historical significance, as younger Tigray-Tigrinya people are largely unfamiliar with these songs. Education She earned a B.A. degree in musicology from the University of California, Berkeley in 1962, directly after which she joined the Peace Corps, which had been founded a year earlier. In 1968 she received a master of arts degree in ethnomusicology from the University of California, Los Angeles (UCLA), writing her thesis on the subject of contemporary Ethiopian popular songs. While there, her instructors included Mantle Hood, Klaus Wachsmann, Charles Seeger, David Morton, Tsun-yuen Lui, Nicolas Slonimsky, and Paul Chihara. In 1972 she returned to Ethiopia for more extensive fieldwork, recording a total of 97 reel-to-reel tapes of music performed by musicians from Shewa, Wollo, Begemder, Gojjam, Tigray, Eritrea, Welega, and Gamu-Gofa, in Addis Ababa, Harar, and Jijiga. While there she also devoted intensive study to the masenqo, a traditional one-stringed bowed instrument. While in Addis Ababa, she spent six months as a Fulbright Professor at Addis Ababa University in the Theater Arts Department, which was at that time under the chairmanship of Tesfaye Gessesse. In 1976, she received her Ph.D. in ethnomusicology from UCLA. For her Ph.D. dissertation, she focused on the theory and practice of qenet (mode) among masenqo players of the Amhara people of Ethiopia, which she recorded in and around Addis Ababa. Works, awards, and current position In 1983 Kimberlin released an LP recording entitled Ethiopia: Three Chordophone Traditions,