narrow and tall with flat roof stones, typical features of pagodas from the Goryeo Dynasty (918-1392). It is of special note that geometrical patterns like X and III are carved on the surfaces of the pagodas. These are the most common techniques frequently observed among the remaining pagodas of Unjusa, along with the geometric wrinkle patterns of the stone Buddha statue's garments. The remaining Buddha statues scattered throughout the fields around, and on the grounds of, Unjusa vary in size from dozens of centimeters/inches to more than 10m/33 ft high. The statues all have similar features unique to Unjusa having pillar-like bodies, simple faces, arms and hands that are out of proportion with the rest of the figures, wearing clumsy drapes of plain Buddhist robes - features that are similar to localized features of stone Buddha statues of the Goryeo period. Unjusa enshrines many special stone statues of Buddha presenting good examples of religious symbols, supporting the belief that the existence of these stone Buddhas and stone pagodas will greatly enhance the research of Buddhist art history in Korea. Temple Gallery Treasures and Tangible Cultural Properties Monk Doseon found the topology of the valley to be suggestive of a great ship so he thought his temple needed a sail and shipmaster. The square, tall pagodas, erected along a straight line down the center of the valley represent the masts of the ship's sail, where the rounded pagodas and Buddhas found throughout the grounds represent the crew. Treasure #796 Unjusa Gucheung Seoktap (Nine-storied Stone Pagoda at Unjusa) This tall stone pagoda, the tallest on the grounds, is designated Treasure number 796, and is the first of the stone pagodas encountered while approaching the worship halls via the main thoroughfare. The base stone is resting on a large rock, and the pagoda is engraved with a full complement of geometric patterns. The second and third stories are constructed of four separate wall stones where the other stories are all solid, decorated with pillars on the edge and centers. The body stones have double engravings of diamond shapes with floral patterns within the diamond. With the roof stone corners jauntily lifted up and a comb-pattern along the eaves, this pagoda represents grandeur of the finish detail typical of the latter period of the Goryeo Dynasty. The finial atop the pagoda, a cylindrical stone, preserves a place for Buddha. This stone pagoda is considered