"Mrs. Robinson" is a song by American music duo Simon & Garfunkel from their fourth studio album, Bookends (1968). Written specifically for the 1967 film The Graduate, the song was released as a single on April 5, 1968, by Columbia Records. Produced by the duo and Roy Halee, the song was written by Paul Simon, who pitched it to movie director Mike Nichols alongside Art Garfunkel after Nichols rejected two other songs intended for the film. The Graduates soundtrack album uses two short versions of "Mrs. Robinson"; a full version was later included on Bookends. The song was additionally released on the Mrs. Robinson EP in 1968, which also included three other songs from the film: "April Come She Will", "Scarborough Fair/Canticle", and "The Sound of Silence". "Mrs. Robinson" became the duo's second chart-topper, hitting 1 on the Billboard Hot 100, as well as peaking within the top 10 of the United Kingdom, Ireland, and Spain, among other countries. In 1969, it became the first rock song to win the Grammy Award for Record of the Year. The song contains a famous reference to baseball star Joe DiMaggio. The song has been covered by a number of artists, including Frank Sinatra, the Lemonheads, and Bon Jovi. In 2004, it finished at No. 6 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Background Simon & Garfunkel reached national fame in the United States in 1965–66, touring colleges and releasing a string of hit singles and albums. Meanwhile, director Mike Nichols, then filming The Graduate, became fascinated with two of the duo's songs, listening to them nonstop before and after filming. After two weeks of this obsession, he met with Columbia Records chairman Clive Davis to ask for permission to license Simon & Garfunkel music for his film. Davis viewed it as a perfect fit and envisioned a best-selling soundtrack album. Simon was not as immediately receptive, viewing movies as akin to "selling out", but he agreed to write at least one or two new songs for the film after being impressed by Nichols' wit and the script. Leonard Hirshan, a powerful agent at William Morris, negotiated a deal that paid Simon $25,000 to submit three songs to Nichols and producer Lawrence Turman. Several weeks later, Simon re-emerged with two new tracks, "Punky's Dilemma" and "Overs", neither of which Nichols was particularly taken with. Nichols asked if the