The Years is a 1937 novel by Virginia Woolf, the last she published in her lifetime. It traces the history of the Pargiter family from the 1880s to the "present day" of the mid-1930s. Although spanning fifty years, the novel is not epic in scope, focusing instead on the small private details of the characters' lives. Except for the first, each section takes place on a single day of its titular year, and each year is defined by a particular moment in the cycle of seasons. At the beginning of each section, and sometimes as a transition within sections, Woolf describes the changing weather all over Britain, taking in both London and countryside as if in a bird's-eye view before focusing in on her characters. Although these descriptions move across the whole of England in single paragraphs, Woolf only rarely and briefly broadens her view to the world outside Britain. Development The novel had its inception in a lecture Woolf gave to the National Society for Women's Service on January 21, 1931, an edited version of which would later be published as "Professions for Women". Having recently published A Room of One's Own, Woolf thought of making this lecture the basis of a new book-length essay on women, this time taking a broader view of their economic and social life, rather than focusing on women as artists, as the first book had. As she was working on correcting the proofs of The Waves and beginning the essays for The Common Reader, Second Series, the idea for this essay took shape in a diary entry for 16 February 1932: "And I'm quivering & itching to write my--whats it to be called?--'Men are like that?'--no thats too patently feminist: the sequel then, for which I have collected enough poweder to blow up St Pauls. It is to have 4 pictures" (capitalization and punctuation as in manuscript). The reference to "4 pictures" in this diary entry shows the early connection between The Years and Three Guineas, which would, indeed, include photographs. On 11 October 1932, she titled the manuscript "THE PARGITERS: An Essay based upon a paper read to the London/National Society for Women's Service" (capitalization as in manuscript). During this time, the idea of mixing the essay with fiction occurred to her, and in a diary entry of 2 November 1932, she conceived the idea of a "novel-essay" in which each essay