A Cambodian Odyssey (published 1987), Pin Yathay's (Murderous Utopia) (1979), Laurence Picq's (Beyond the Horizon) (1984) and Francois Ponchaud's (Cambodia Year Zero) (1977) were instrumental in bringing to the world the story of life under the KR regime. The second wave of memoirs, published in the 21st century, is distinctly different from the first wave. Memoirs from the second wave include Chanrithy Him's When Broken Glass Floats (published 2000), Loung Ung's First They Killed My Father (2000), Oni Vitandham's On the Wings of a White Horse (2005) and Kilong Ung's Golden Leaf (2009). Published in large part by Cambodian survivors who were children during the period, these memoirs trace their journey from a war-torn Cambodia to their new lives in other parts of the world. To a larger extent than memoirs from the first wave, these memoirs reconstruct the significance of their authors' experiences before they left Cambodia. Having grown up away from Cambodia, these individuals use their memoirs predominantly as a platform to come to terms with their lost childhood years, reconnect with their cultural roots which they cannot forget despite residing outside of Cambodia and tell this story for their children. Noticeably, many of the authors of second wave memoirs draw out extended family trees in the beginning of their accounts in an attempt to document their family history. Additionally, some authors also note that despite them remembering events vividly, their memories were augmented by their relatives recounting those events to them as they grew up. Most significantly, the publication of the second wave of memoirs coincides with the Cambodia Tribunal and could be a response to the increased international attention paid to the atrocities of the KR. In media As in literature, there has been a proliferation of films on the Cambodian genocide. Most of the films are produced in documentary style, frequently with the aim to reveal what really happened during the KR years and to memorialise those who lived through the genocide. Film director Rithy Panh is a survivor of the KR's killing fields and is the most prolific producer of documentaries on the KR years. He has produced Cambodia: Between War and Peace and The Land of the Wandering Souls among other documentary films. In S-21: The Khmer Rouge Killing Machine, two survivors of S-21 confront their former captors. In 2013, Panh released another documentary about the KR years titled The Missing Picture. The