of directors, committees and artist advisory boards for: the New York Foundation for the Arts, New York State Council on the Arts, African Voices, the Black Rock Coalition and other national and grassroots institutions. She is also a workshop leader for innovative poetry conducting intensives for St. Mark's Poetry Project, Atlantic Center for the Arts, Poets' House, Naropa University, Kore Press and other national arts organizations. Featured recordings With Elliott Sharp Terraplane: Forgery Terraplane: Secret Life Radio-Hyper-Yahoo Terraplane: Sky Road Songs 4AM Always With Uri Caine The Goldberg Variations (Winter & Winter, 2000) Books Chap-T-Her Won, 1993, TM Ink Intermission, 1998, Soft Skull Press "Rhyme Scheme", 2012, Zasterle Press Handholding: 5 kinds, 2016, Kore Press Best American Experimental Writing 2016 (a.k.a. BAX 2016) co-edited with Charles Bernstein, Seth Abramson, Jesse Damiani, Wesleyan University Press, 2017 Per Form/Hard Kore: joca seria press 2017 (English with French translation by Olivier Brosard, Vincent Broqua, Abigail Lang) Who Do With Words: Chax Press 2018 Poetry 401 Requiem Boating Duozetuor Slave Sho' to Video Aka Black but Beautiful The Mrs. Gets Her Ass Kicked Project Princess Leonine Viewing Notes References The Columbia Granger's Index to Poetry in Anthologies by Tessa Kale Right to Rock: The Black Rock Coalition and the Cultural Politics of Race by Maureen Mahon The Stamp of Class: Reflections on Poetry and Social Class by Gary Lenhart Uptown Conversation: The New Jazz Studies by Robert O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin Living in Spanglish: The Search for Latino Identity in America by Ed Morales, St. Martin's Press: 2003 Production Notebooks Volume 2 by Mark Bly Geography: Art/race/exile by Ralph Lemon and Ann Daly Listen Up! by Zoe Angelsey Girls Guide to Taking Over the World: Writings From The Girl Zine Revolution by Tristan Taormino, Karen Green, and Ann Magnuson Poetry Slam: The Competitive Art of Performance Poetry by Gary Mex Glazner We Who Love to Be Astonished: Experimental Women’s Writing and Performance Poetics. edited by Laura Hinton and Cynthia Hogue. The Muse is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word by Meta DuEwa Jones University of Illinois Press, 2011 Choice Voice Noise: Soundings in Innovative African American Poetry by Kathleen Crown in "Assembling Alternatives: Reading Postmodern Poetries Transnationally" edited by Romana Huk, Wesleyan University Press, 2003 Ranft, Erin (January 2014). "The Afrofuturist Poetry of Tracie Morris and Tracy K. Smith". Journal of Ethnic American Literature External links