residential buildings were erected under their joint names, including the brick house known as "Threave" built for Watson Shennan at 367 High Street. This is one of Lawson's last works. Threave has particularly ornate carved verandahs in the Gothic style, but is today better known for its gardens than architecture. The house and gardens were extensively restored in the 1960s and 1970s by then-owner Geoff Baylis. The Lawson–Salmond partnership would not last long. In 1902 Lawson died suddenly at Pleasant Point, Canterbury, on 3 December. By the time of his death he had begun to re-establish his reputation, having been elected vice-president of the Otago Institute of Architects. Although much of Lawson's early work has since been either demolished or heavily altered, surviving plans and photographs from the period suggest that the buildings he was working on at this time included a variety of styles. Indeed, Lawson designed principally in both the classical and Gothic styles simultaneously throughout his career. His style and manner of architecture can best be explained through an examination of six of his designs, three Gothic and three in the classical style, and each an individual interpretation and use of their common designated style. Works in the Gothic style The British Protestant religions were at this period still heavily influenced by the Anglo-Catholic Oxford Movement, which had decreed Gothic as the only architectural style suited for Christian worship; Greek, Roman, and Italian renaissance architecture was viewed as "pagan" and inappropriate in the design of churches. Thus Lawson was never given opportunities such as Francis Petre enjoyed when the latter recreated great Italianate renaissance basilicas such as the Cathedral of the Blessed Sacrament in Christchurch. Dunedin had in fact been founded, only thirteen years before Lawson's arrival, by the Free Church of Scotland, a denomination not known for its love of ornament and decoration, and certainly not the architecture of the more Catholic countries. Lawson's work in Gothic design, like that of most other architects of this period, was clearly influenced by the style and philosophy of Augustus Pugin. However, he adapted the style for the form of congregational worship employed by the Presbyterian denomination. The lack of ritual and religious processions rendered unnecessary a large chancel; hence in Lawson's version of the Gothic, the chancel and transepts (the areas which traditionally in Roman and Anglo-Catholic churches contained the Lady Chapel and other minor chapels) are merely