an interesting romanesque portal. Notable is the main chapel of the apse, rebuilt in 1509 under Archbishop Diogo de Sousa by basque architect João de Castilho. The exterior of the chapel has beautiful late gothic and manueline tracery with gargoyles and pinnacles, matched in the interior of the chapel by intricate ribbed vaulting. The outer wall of the main chapel has a beautiful early-16th century statue of the Madonna breastfeeding Jesus (Madona do Leite) between the coat of arms of Portugal and Bishop Diogo de Sousa, sponsor of the manueline renovation. Interior Braga Cathedral has three aisles covered by a wooden roof, a transept and five Eastern chapels in the apse. None of the chapels is original romanesque anymore: the main chapel is manueline, while the others are heavily decorated in baroque style. In the North wall outside of the cathedral there is a small chapel, of early romanesque design, that may be a remnant of the late 11th building. This chapel was left outside of the final cathedral, perhaps due to a change of design in the 12th century. The nave is essentially romanesque thanks to a "purifying" reform in the 20th century that suppressed most later additions, although most original capitals of the columns have been lost. D. Afonso, son of King John I, is buried in a 15th-century tomb made of bronze, which can be seen in the nave of the cathedral. A high choir was added near the entrance of the cathedral in the baroque period. This choir is beautifully decorated with a painted ceiling and sculptured gilt wood (talha dourada) choir stalls executed around 1737 by Miguel Francisco da Silva. In front of the high choir there are two gilt wood organs, carved by renowned sculptor Marceliano de Araújo in the 1730s, heavily decorated with baroque and fantastic motifs. These are among the most impressive gilt wood works in Portugal. The main chapel is roofed with stone rib vaulting and its walls are decorated with a 14th-century statue of the Virgin Mary (Nossa Senhora de Braga). During the remodelling of the chapel, Archbishop Diogo de Sousa also commissioned a stone altar, but most of it has been lost. The part still preserved is used as altar table and has beautiful reliefs of Christ and the Apostles. The choir stalls are neogothic. The other chapels of the apse are decorated in baroque or neoclassical styles. The