In the French formal garden, a bosquet (French, from Italian bosco, "grove, wood") is a formal plantation of trees in a wide variety of forms, some open at the bottom and others not. At a minimum a bosquet can be five trees of identical species planted as a quincunx (like a 5 dice), or set in strict regularity as to rank and file, so that the trunks line up as one passes along either face. In large gardens they were dense artificial woodland, often covering large areas, with tall hedges on the outside and other trees inside the hedges. Symbolic of order in a humanized and tamed gardens of the French Renaissance and Baroque French formal gardens, the bosquet is an analogue of the orderly orchard, an amenity that has been intimately associated with pleasure gardening from the earliest Persian gardens of the Achaemenid Empire. Bosket is an English rendition of the word, now obselete; the usual English term for a large hedged bosquet was a "wilderness", while smaller unhedged ones were often called "groves". Characteristics Open bosquets traditionally have gravel laid, as the feature predates Budding's invention of the lawnmower, and since the maintenance of turf under trees is demanding (but see the modern bosquet at Amboise, right). The shade of paired bosquets flanking a parterre affords both relief from the sunny glare and the pleasure of surveying sunlit space from shade, another Achaemenid invention. As they mature, the trees of the bosquet form an interlacing canopy overhead, and they are frequently limbed-up to reveal the pattern of identical trunks. Lower trunks may be given a lime wash to a selected height, which emphasizes the pattern. Clipped outer faces of the trees may be pleached. Within a large bosquet there are often garden rooms, a cabinet de verdure cut into the formal woodland, a major ingredient of André Le Nôtre's Versailles. These intimate areas defined by clipped walls of shrubs and trees offered privacy and relief from the grand scale and public formality of the terraces and allées. Often a single path with a discreet curve or dogleg provided the only access. Inside the bosquet, privacy was assured; there virtuoso jeux d'eau and sculpture provided allegorical themes: there is a theatre in the Bosquet des Rocailles. The bosquets were altered often during the years Le Nôtre worked at Versailles. The bosquets of Versailles were examples of a matured tradition.