beginning in 1406 and Buddhist temples and art production subsequently decline in quality in quantity although beginning in 1549, Buddhist art does continue to be produced. . Japan Before the introduction of Buddhism, Japan had already been the seat of various cultural (and artistic) influences, from the abstract linear decorative art of the indigenous Neolithic Jōmon from around 10500 BCE to 300 BCE, to the art during the Yayoi and Kofun periods, with developments such as Haniwa art. The cultural exchange between India and Japan was not direct, as Japan received Buddhism through Korea, China, Central Asia and eventually India. The Japanese discovered Buddhism in the 6th century when missionary monks travelled to the islands together with numerous scriptures and works of art. The cultural contact between Indian Dharmic civilization and Japan through the adoption of Buddhist ideas and aesthetic has contributed to the development of a national cultural order in the subsequent century. The Buddhist religion was adopted by the state in the following century. Being geographically at the end of the Silk Road, Japan was able to preserve many aspects of Buddhism at the very time it was disappearing in India, and being suppressed in Central Asia. From 711, numerous temples and monasteries were built in the capital city of Nara, including a five-story pagoda, the Golden Hall of the Horyuji, and the Kōfuku-ji temple. Countless paintings and sculptures were made, often under governmental sponsorship. Indian, Hellenistic, Chinese and Korean artistic influences blended into an original style characterized by realism and gracefulness. The creation of Japanese Buddhist art was especially rich between the 8th and 13th centuries during the periods of Nara, Heian and Kamakura. Japan developed an extremely rich figurative art for the pantheon of Buddhist deities, sometimes combined with Hindu and Shinto influences. This art can be very varied, creative and bold. Jōchō is said to be one of the greatest Buddhist sculptors not only in Heian period but also in the history of Buddhist statues in Japan. Jōchō redefined the body shape of Buddha statues by perfecting the technique of "yosegi zukuri" (寄木造り) which is a combination of several woods. The peaceful expression and graceful figure of the Buddha statue that he made completed a Japanese style of sculpture of Buddha statues called "Jōchō yō" (Jōchō style, 定朝様) and determined the style of Japanese Buddhist statues of the later period. His achievement dramatically raised the