Mary Costa (born April 5, 1930) is an American retired actress and singer. Her most notable film credit is providing the voice of Princess Aurora in the 1959 Disney animated film Sleeping Beauty, of which she is the last surviving original voice actress of the first three Disney Princesses created in Walt Disney's lifetime and for which she was named a Disney Legend in 1999. She is a recipient of the 2020 National Medal of Arts. Early life Mary Costa was born in Knoxville, Tennessee, where she lived for much of her childhood. Raised as a Baptist of Italian descent, she sang Sunday school solos at the age of six. At Knoxville High School (Tennessee), she sang in the chorus. When she was in her early teens, her family relocated to Los Angeles, California, where she completed high school and won a Music Sorority Award as the outstanding voice among Southern California high school seniors. Following high school, she entered the Los Angeles Conservatory of Music to study with famed maestro Gaston Usigli. Between 1948 and 1951, she appeared with Edgar Bergen and Charlie McCarthy on the Bergen radio show. She also sang with Dean Martin and Jerry Lewis in concerts at UCLA, and made numerous commercials for Lux Radio Theatre. Career In 1952, after meeting people at a party with her future husband, director Frank Tashlin, she auditioned for the part of Disney's Princess Aurora, the Sleeping Beauty, in Disney's Sleeping Beauty (1959). Walt Disney called her personally within hours of the audition to inform her that the part was hers. In 1958, Costa was called upon to substitute for Elisabeth Schwarzkopf at a gala concert in the Hollywood Bowl, conducted by Carmen Dragon. Thanks to glowing reviews from that performance, she was invited to sing the lead in her first fully staged operatic production, The Bartered Bride, produced by the renowned German producer, Carl Ebert, for the Los Angeles Guild Opera. Ebert later requested she appear at the Glyndebourne Festival, where she debuted. Costa went on to perform in 44 operatic roles on stages throughout the world, including Jules Massenet's Manon at the Metropolitan Opera, and Violetta in La traviata at the Royal Opera House in London and the Bolshoi in Moscow, and Cunegonde in the 1959 London premiere of Leonard Bernstein's Candide. In 1961, for RCA, she recorded Musetta in La bohème, opposite Anna Moffo and Richard