is the English translation of the name a Japanese novel by Arishima Takeo published in 1919. The first half of the novel first appeared in serialized form in the literary magazine Shirakaba , starting from January 1911 and running for 16 episodes to March 1913. The second half of the novel was not published until 1919, when both volumes were issued as a set. The novel is partly biographical, with Arishima modeling the protagonist, Yōko, after Kunikida Doppo's ex-wife, Nobuko Sasaki. The main theme of the novel is the changing place of women in Japanese society at the end of the Meiji period and Taishō period. Plot Yōko Satsuki, oldest of three sisters raised by a "progressive" mother at the start of the twentieth century, is strong-willed but capricious. She falls in love with a journalist (Kibe), and marries him in a "love match", when arranged marriages were still the norm. However, Yōko is very quickly bored with the journalist, and suddenly decides to divorce him and return to her parents' house. The journalist is devastated by the brief marriage and divorce, but Yōko feels only contempt for him, and (in the opening of the story), when she sees him on a train, she completely ignores his existence. After her parents' death, and following pressure from her relatives and friends, Yōko agrees to marry a friend of a friend (Kimura) who has settled in Chicago in the United States. However, on the steamer from Yokohama, Yōko has an affair with a married purser (Kuraji), oblivious to the disapproving eyes of the other passengers. By the time she reaches the United States, Yōko decides not to marry Kimura. After taking money from the hapless Kimura, Yōko returns to Japan together with Kuraji. Yōko and Kuraji start living together, despite the fact that Kuraji remains married to someone else, and Yōko has to look after her younger sisters. However, Yōko fails to find happiness, as she struggles financially and bickers constantly with Kuraji. Kuraji proves unreliable, and eventually disappears with a police arrest warrant over his head. The novel ends on a dark note; first Yōko's younger sister falls ill and dies, and then Yōko dies as well, worn out by her constant struggle to escape conventional society and morality. Although she only wanted to live her life as an individual not bound by the constrictions imposed by others, Japan at the