of rewarding of Mikhail Speransky of Nikolay I Is represented: the emperor removes from itself a tape of an Order of St. Andrew. It was mainly through the work of Speransky that a new code was introduced during Nicholas I's reign in January 1835, marking a milestone in Russian legal history. Date specifies decree signing about rewarding has been signed. The author is sculptor Salemann, the High relief are cast in masterful in Galvanic institution of Maximilian, Duke of Leuchtenberg. November 13, 1851 Survey by the emperor of Verebinsky bridge on Nikolaevskaya railway between Petersburg and Moscow at the first journey on this road. The author is sculptor Ramazanov, the High relief are cast in masterful in Galvanic institution of Maximilian, Duke of Leuchtenberg. On pedestal corners allegorical figures of Justice, Force, Wisdom and Belief to which portrait similarity to empress Alexandra Feodorovna and her daughters is given: grand duchesses Alexandra, Maria and Olga. The Russian masters Nikolai Ramazanov and Robert Salemann designed for the monument's pedestal. Salemann also sculpted the four allegorical female figures, steel fixtures, ornaments on the pedestal. The pedestal stands on a short platform made of red Finnish granite with three steps. The lower part of the pedestal is of dark gray granite and red porphyry. The middle part, hewn from a block of red Finnish granite, is decorated with bronze bas-reliefs. The upper part of the pedestal is made of red porphyry. The pedestal of the horse statue is made of white Italian marble. Registration Base of a statue have added with graceful lanterns-floor lamps with fixtures, they are made on Monferran's plan, the project was executed by architect Robert Veigelt. In 1860 the monument composition was finished by a bronze lattice from twenty links. The lattice project belongs to architect Ludvig Bonstedt. All these elements are cast in Galvanic institution of Maximilian, Duke of Leuchtenberg. Safety and restorations The monument's technical proficiency was cited as a reason why this statue — the only one from a cluster of outdoor sculptures representing 19th-century Russian royalty — survived the Soviet period virtually intact. However, a bronze fencing around the monument, first installed in 1860, was dismantled in 1940. During World War II the monument was covered by a case from the boards, filled with bags of sand. In 1987–1988 the State Museum of City Sculpture undertook a full restoration of the monument. Restorers opened the hatch