The male prostitute or hustler is a frequent stereotype in literature and movies in the West from the 1960s on, and especially in movies and books with a gay perspective in which he may be considered a stock character. He also appears occasionally in popular music, some contemporary fashion advertising, and the visual arts. Stereotypes The most common stereotype of the hustler is as a sexy but tragic figure. This stereotype reveals both a fascination with the hustler as a sexual object and sadness or disdain with his situation and life-style. This stereotyped male hustler is often an underaged or teenage "street kid" or "runaway" forced to leave home because of his sexual orientation or because of sexual abuse. He is often portrayed as a drug addict or thief. The plotline frequently focuses on the crisis of leaving the trade or the street ("one last trick"), or on making enough money for an important use (a medical treatment, a gift). The climax often has one of two possible outcomes: the hustler either abandons the trade and re-integrates into society, or he meets a tragic end. This tragic image of the hustler can be contrasted with the stereotype of the female hooker with a heart of gold: instead of being portrayed as someone in control and contented, the hustler is lost, homeless, broke or exploited. In movies and books that take the point of view of the client or of a boy/girlfriend who loves the hustler, the hustler is often depicted as an impossible love object who will only bring hurt or frustration. The lover may grow jealous of and disturbed by the hustler's work; occasionally the loving boy/girlfriend will be drawn into the lifestyle of their hustler boyfriend. Older clients who fall in love with hustlers are frequently prey to emotional (and sometimes physical) pain; this is especially true in the case of "rough trade" (where the hustler identifies as straight), and this depiction has been reinforced by several famous incidents of violence against clients (such as the deaths of Pier Paolo Pasolini and Rudolph Moshammer). In contrast to the previous depictions, the male prostitute has also sometimes been portrayed as an idealized rebel living outside the law and free of bourgeois conventions. This almost Nietzschean image of the hustler as moral and sexual outlaw owes much to the writings of Jean Genet, William S. Burroughs and John Rechy (among