main collaborators. On May 5, 2017, Jealous Butcher Records reissued Lost Somewhere Between the Earth and My Home by the Geraldine Fibbers on vinyl format in the United States. This reissue included a previously unreleased song "Thank You For Giving Me Life" performed by Bozulich on vocals, William Tutton on bass, Kevin Fitzgerald on drums, Nels Cline on guitar and Jessica Moss on violin. Bozulich has used the name Bloody Claws for one-off concerts and tours, including 45 International concerts with Francesco Guerri, with whom she toured Europe in 2009. She has also contributed to recordings by Mike Watt, Hadda Brooks and Lydia Lunch. She has performed live with Watt, as well as with Thurston Moore, Christian Marclay; Carla Kihlstedt, Wayne Kramer, Wilco, Agathe Max, and Italian guitarist Simone Massaron. On August 16–17, 2009 she performed live with Marianne Faithfull and Marc Ribot in Düsseldorf as part of the 2009 Ruhrtriennale. Willie Nelson performed on her 2003 album The Red Headed Stranger, a song-by-song cover of his album of the same name. Bozulich scored a 2001 production of Jean Genet's play The Maids, as well as the 2003 film By Hook or by Crook, directed by Harry Dodge and Silas Howard and produced by Steak House. The Geraldine Fibbers songs "Lilybelle" and "Seven or in 10," both co written by Bozulich, have been covered by Kiki and Herb. The Geraldine Fibbers track "Dragon Lady" was featured in the 1997 film All Over Me, and "House Is Falling" is featured in the opening scene of the film Kill Me Later, in which Selma Blair’s character contemplates suicide while teetering on the roof of her workplace. Bozulich performed as a solo artist at two All Tomorrows Parties festivals as well as two Bad Bonn Kilbi festivals. In 2005, she performed Brecht/Weill composition "The Ballad of the Lily of Hell" at the Meltdown Festival in London, curated by musician Patti Smith. Performance art Between 2000 and 2010, Bozulich created site-specific performance art pieces under the umbrella names Eyes for Ears and VOYAGERS. "Fake Party" (developed for Society for the Activation of Social Space through Art and Sound aka SASSAS) took place at the Schindler House in August 2000. During the piece, the audience were made to feel part of a faux party. Guests were then pulled from the "party" into a private room where they were serenaded by Bozulich lip-synching to old pop