Nemi and saw the reflection of the Moon seen in the centre of the lake during summer. This phenomenon is the source of the Roman name for the lake, Speculum Dianae (Diana's Mirror). Recovery Local fishermen had long been aware of the existence of the wrecks, and had explored them and removed small artefacts, often using grappling hooks to pull up pieces, which they sold to tourists. In 1446, Cardinal Prospero Colonna and Leon Battista Alberti followed up on the stories regarding the remains and discovered them lying at a depth of , which at that time was too deep for effective salvage. They damaged the ships by using ropes with hooks to tear planks from them. Alberti learned little more than the type of wood and that it was covered in lead sheathing. In 1535, Francesco De Marchi dived on the wreck using a diving helmet. His finds included bricks, marble paving stones, bronze, copper, lead artefacts, and a great number of timber beams. From material recovered he added the knowledge that mortise and tenon joints had been used in their construction. Despite the successful salvage of entire structures and parts, there was no academic interest in the ships, so no further research was performed. The objects recovered were lost and their fate remains unknown. By 1827, interest had revived and it had become a widespread belief that earlier material recovered had either been part of a temple to Diana or was from the villa of Julius Caesar cited by Suetonius. Annesio Fusconi built a floating platform from which to raise the wrecks. Several of his cables broke, and he called a halt until he could find stronger cables. When he returned, he found that the locals had dismantled his platform to make wine barrels. This led him to abandon the project. In 1895, with the support of the Ministry of Education, Signor Eliseo Borghi began a systematic study of the wreck site and discovered that the site contained two wrecks instead of the one expected. Among the material Borghi recovered was the bronze tiller head of one of the rudders and many bronze heads of wild animals. Borghi placed all of his finds in his own museum and offered to sell the collection to the Government. The timbers he recovered were discarded and lost while no contextual referencing was documented for any of his finds. Felice Barnabei, director