work out as intended, although all the albums were released. "Urban Landscape" appears on the Hall album, as does "NYCNY" ("I May Not Have Had Enough of Me but I've Had Enough of You", with different lyrics written by Hall). The Gabriel record also features a version of "Exposure". "Here Comes the Flood" had previously appeared with a prog-rock arrangement on Gabriel's first album, but Gabriel disliked the production, and created a simpler rendition of the song for Exposure. Fripp stated in the liner notes that Exposure "is indebted to all those who took part in the hazardous series of events culminating in this record, and several who do not appear but who helped determine the final shape: Tim Cappella, Alirio Lima, Ian McDonald and John Wetton". The version of the album that was released, after the changes and compromises that had to be made, was reconceptualized as part of a new trilogy, "The Drive to 1981", marking the beginning of three-year campaigns by Fripp as a professional musician, which would include an album of Frippertronics and one of "Discotronics", to be released between September 1979 and September 1980. Both album concepts were released together as God Save the Queen/Under Heavy Manners, with each concept getting its own followup－The League of Gentlemen for Discotronics and Let the Power Fall for Frippertronics, making for a five-step trilogy. The end of The Drive to 1981 marked the beginning of "the incline to 1984", Fripp's tenure with a reformed King Crimson, originally intended as Discipline. Fripp's tour to support Exposure was strictly a solo tour, utilizing only his own electric guitar and Frippertronics, and included then unorthodox rock music venues such as restaurants and retail outlets. Release The album was remixed in 1983, and this second "definitive edition" was released in 1985 featuring some alternate takes. In 2006, a 24-bit two-disc remaster appeared on Fripp's Discipline Global Mobile label. One disc contained the original 1979 album, and the second disc contained a third version of Exposure with bonus tracks. The "definitive edition" version of "Chicago" is not included on the 2006 version; however, the version of the song on disc two is mostly identical to the definitive edition version with minor variants. A facsimile of that second edition can be created by programming the contents of the second disc as 1-2-3-20-5-21-22-8-9-10-11-12-13-14-15-16-17. There was also a version of "Water Music II" that ran more