"While You Here Do Snoring Lie" (The Tempest) "Imagine that you see the wretched strangers" (The Boke of Sir Thomas More-Anon, but thought to be written by Shake-speare) "A Fool, a Fool, a Motley Fool" (As You Like It) Lord's monologue (Taming of the Shrew) Good Friend for Jesus’ sake forbear (Shaksper's Epitaph) Mad scenes (King Lear) Sonnet 72 (Shake-speare) Blow, winds, and crack your cheeks!. A setting of speeches from Shakespeare's King Lear, for baritone, tenor and orchestra (or piano reduction). (Can be done with just baritone.) Love’s Kaleidoscope. A love-song-cycle for Soprano and Tenor with string orchestra or piano reduction. To the Virgins / Upon Julia's Clothes / Chop Cherry (Robert Herrick) (Tenor) Matin Song (Thomas Heywood) (Soprano) The Passionate Shepherd to his Love (Christopher Marlowe) (Tenor) Love is Enough (William Morris) (Duet) Never Love Unless (Thomas Campion) (Soprano) Longing (Matthew Arnold) (Tenor) . Echo (Christina Rossetti) (Soprano) Return (John Wilmot, 2nd Earl of Rochester) (Tenor) Farewell, Ungrateful Traitor (John Dryden) (Soprano) From a Distant Mesa. For tenor and orchestra (commissioned by Jerry Hadley). (2222/433/per./strings) Duration: 45 minutes. Spider Woman (Adam Cornford) Cancion al Rio Grande (Rudolfo Anaya) Being the Waters (V. Barrett Price) Wordless Duets for soprano, tenor, and piano. Ever Lost in Prescient Felicity Distance Over Long Introspection Dreams of Fears Irrelevant The Real Shake-speare. A cycle of 5 songs, settings of poems by Edward de Vere, the actual author of the Shakespeare plays and sonnets. For voice and piano. Duration: 15 minutes. I am Not as I Seem to Be Revenge of Wrong Were I a King Reason & Affection Labour and Its Rewards Cat Stories. A song-cycle of poems about cats for voice and piano. Duration: 12 minutes. Verses to a Cat (Percy Bysshe Shelley) The Owl & the Pussycat (Edward Lear) On the Death of a Cat (Christina Rossetti) Cat Stretching Elegy to a Favourite Cat (Thomas Gray) Six Wordless Arias. For voice and piano (written for Deborah Benedict). Kubla Khan. A setting of the poem by Samuel Coleridge for bass and orchestra. The Song and the Slogan. A setting of poetry by Carl Sandburg. For orchestra with harmonica, solo cello. Version for flute, oboe, French horn, harmonica, banjo, cello, piano and tenor. (Commissioned by Jerry Hadley for performance in 2000.) Awarded an Emmy Award in 2003 for Best Music by the Mid-America Chapter of the National Academy of Television Arts & Sciences.