Powder Her Face, Op. 14 (1995), is a chamber opera in two acts by the British composer Thomas Adès, with an English libretto by Philip Hensher. The opera is 100 minutes long. It was commissioned by the Almeida Opera, a part of London's Almeida Theatre, for performances at the Cheltenham Music Festival. The subject of the opera is the "Dirty Duchess", Margaret Campbell, Duchess of Argyll, whose sexual exploits were the stuff of scandal and gossip in Britain in 1963 during her divorce proceedings. The opera is explicit in its language and detail. It was first performed on 1 July 1995 in Cheltenham, with Jill Gómez in the leading role. Reviews were generally good, but the opera became notorious for its musical depiction of fellatio: British radio station Classic FM considered it unsuitable for transmission. The German premiere was in Magdeburg, Germany, in 1996. Irena Sylya performed the role of the Duchess. She also performed this role in the Long Beach, CA, production in 2001 Style The music of the sexually themed opera combines influences ranging from Alban Berg, Igor Stravinsky, and Benjamin Britten to Kurt Weill and the tangos of Ástor Piazzolla. Describing the overall impact of the libretto and the theatricality of the entire production, Alex Ross notes: Performance history After the premiere, there were five London performances at the Almeida Theatre. On 8 June 2006, there was a concert performance at the Barbican Centre, London, with the London Symphony Orchestra, conducted by the composer. From 11 to 22 June 2008, it was performed at the Linbury Studio Theatre in the Royal Opera House, London, with the Southbank Sinfonia conducted by Timothy Redmond, and Joan Rodgers as the Duchess. The U.S. staged premiere was at the Aspen Music Festival on 25 July 1997, conducted by the composer, with Marie O'Brien as the Duchess, Heather Buck, and Allen Schrott, directed by Edward Berkeley. The same cast subsequently performed at the Brooklyn Academy of Music (BAM) on 10 December 1998 with the Brooklyn Philharmonic conducted by Robert Spano. Boston first heard the opera, as produced by Opera Boston, on 6 June 2003. The Boston Modern Opera Project was conducted by Gil Rose with Janna Baty as the Duchess; Ms. Buck and Mr. Schrott reassumed their roles. The New York City Opera performed the opera in February 2013 at the BAM in a production by Jay Scheib and starring the soprano