Sad Song; Never Again; (He's) Seventeen. This configuration was withdrawn to include the current hit, "Let Me Go The Right Way" and the B-side, "Time Changes Things". "The Boy That Got Away" was withdrawn from the line-up, giving the album 11 tracks. [Deluxe Version "Meet The Supremes" 2010]. Critical reception Andrew Hamilton for Allmusic, described "Your Heart Belongs to Me" as 'romantic and sentimental', writing it 'should have been the Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells.' Hamilton praised The Supremes' vocals, writing, 'Diana Ross' sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs.' Furthermore, Hamilton praised their 'enthusiastic vocals' on "Let Me Go the Right Way". Hamilton also noted 'Ross' vocals on "Who's Lovin' You" are intense and bluesy; Wilson leads the soulful "Baby Don't Go"; and Ballard leads the raucous "Buttered Popcorn," a tune more suited for the Contours.' Stevie Chick of The Guardian, listed "Buttered Popcorn" as one of the best 10 Supremes songs. Chick expressed that Ballard was 'A bold, big-voiced belter' and described the song as 'A piece of raw, ribald soul lacking the polish that gilded their [The Supremes'] later hits'. Also, 'Ballard growls salaciously on Buttered Popcorn that her boyfriend “likes it greasy, and sticky, and salty, and gooey”, a knowingly saucy performance that somehow escaped the interference of Motown's infamous Quality Control department.' Similarly, Bonnie Stiernberg of Paste wrote 'the innuendo-laced track is not unlike buttered popcorn — salty, fluffy, and oh so good'. Contemporary reviews of "Buttered Popcorn" include a B+ from Cashbox, whilst music columnist Wayne Harada in The Honolulu Advertiser called the song 'A novelty' which 'merits attention'. On the contrary, Hamilton expressed that on their first recording, "I Want a Guy," 'the backing voices are buried, and Ross' voice sounds whiny and high-pitched', describing "I Want a Guy" and 'the '50s-sounding "He's Seventeen," as 'the only bummers'. More positively, "Time Changes Things" is noted as 'a forerunner to later efforts by Holland-Dozier-Holland', "Play a Sad Song" is described as a 'torching' ballad 'Blues lovers will relish' and the 'straight '50s doo wop' of "Never Again" drew a comparison to the Chantels. American music critic Tom Hull noted the album is 'mostly songs by Berry Gordy Jr. or Smokey Robinson,' which 'spawned four singles that went nowhere, although "I Want a Guy" and "Let Me Go