Year chart of 2006, and "Pretence" and "A Wonder in Madrid" also reached number three and 14, respectively. Touring On May 31, 2006, Tsai's manager Howard Chiang revealed that she would start her new concert tour in the second half of the year. On July 17, 2006, she announced that she would embark on the Dancing Forever World Tour at Hong Kong Coliseum on September 15, 2006. On June 8, 2007, she released the live video album and documentary If You Think You Can, You Can! for the tour. It chronicled the Taipei dates of the tour from November 17 to 19, 2006, a documentary film, and four music videos from Dancing Forever (2006). On February 8, 2009, it ended at the Mohegan Sun Arena in Uncasville, United States. The tour lasted two and a half years and held 28 shows in 20 cities in Asia, North America, and Oceania, having more than 500,000 audiences and earning more than NT$1 billion. Critical reception Taiwan's Marie Claire stated: "Dancing Diva announced Jolin Tsai's evolution, in music and music video performance, Jolin Tsai's image of singing and dancing is becoming more and more stable, she went to the United States to study dance, she combined dance and gymnastics, bring amazing performance to music fans, she won her first Golden Melody's Best Female Mandarin Singer award, she was praised by the judges for "getting rid of the shackles and becoming a real singer", though she had been criticized by musicians as a "bad singer" years ago, now she proved her strong power with her strength." Chen Yuhao of Qianjiang Evening News commented: "Dancing Diva means a lot to Jolin Tsai. Strictly speaking, since this album, Jolin Tsai has really established her image as a dance music diva." Tencent Music's Yo! Bang stated: "The exotic music style, smooth and crisp rhythms, and Jolin Tsai's stunning dance performance have established her status as a dance music singer in the pop music scene." Tencent Entertainment's Shuwa commented: "One of the most striking features of Dancing Diva is the momentum, such momentum is not previously sought for Jolin Tsai's work. And such momentum is not only reflected in the outfit and dance, but also the music arrangement, in addition to the use of the past fashion and popular elements, the overwhelming arrangement in those dance songs on this album is the most profound. The ballads are no