authorship question of the works traditionally known as "Shakespeare" Out of the Clauset (An off-season Kris mess) for narrator and instrumental ensemble Story by Rick Huff Choral works I Weep for Adonais/The breath whose might I have evoked…. Two choruses from the opera Adonais for mixed chorus and orchestra, or piano reduction. Text by Percy Bysshe Shelley. There was a naughty boy.... Setting of a poem by John Keats for mixed chorus and piano. The Jumblies. Setting of a poem by Edward Lear for unaccompanied mixed chorus. Hyacinth Moon Reflections. Setting of 6 poems by Abbot Small, for unaccompanied mixed chorus. Song of the Shepherds. Christmas work—setting of a poem by William Morris. (Arrangements for solo singer and piano, and mixed chorus and piano). Duration: 3 minutes. To a Strange Land for children's chorus, based on poems written by elementary school children under the tutelage of Adam Cornford. Duration: 20 minutes. Vocalise No. 2 for male chorus. Duration: 8 minutes. For orchestra Symphony No. 17 Oxford Symphony (four movements). (2222/423/strings) A spirit raised from depth of underground (Henry VI-2) While counterfeit supposes bleared thine eyne (Taming of the Shrew) You are not ipse, for I am he (As You Like It) Let my name be buried (Sonnet 72) Symphony No. 16 (four movements). (2222/423/strings) Encroaching on whimsically unsustainable prerogatives Softly sleeps the calm ideal in the whispering chambers of imagination Weighing one's thoughts upon a hyper-active scale Pacification of the Under-Clichéd Symphony No. 15 (four movements). (2222/423/pno/strings) The perpetuity of invented realism Notice will Be Taken Momentous light of an alien world Horizontal Demons Suspended in Spider-Clusters of Luminous Eyes Symphony No. 14 (four movements). (2222/423/pno/strings) The essential power paradigm of updating potential professional apoplexy. Liminal Illuminations Robed in sunset colors Soon to be picturesque ruins Squirrels in Spaghetti Symphony No. 13 (four movements). (2322/423/pno/strings) The emotional geography of truth is a defensive and offensive pact simultaneously. The migration of a binary dimension Prohibited Diversions Distilled from Unknown Fruit The Lascivious Grace of Nervous Dilettantes in Evening Wear Symphony No. 12 (four movements). (2222/423/strings) An emotional map of the domination of commodities Escaping the organization of re-processed images. The weight of a mythical past lies festering on the future. Irradiated Harmonies with which the Overcritical May Strangle Themselves Symphony No. 11 (four movements). (2322/42/2perc.,/strings) All that was once lived has moved into its own re-presentation. Cardboard Control Panels Registering the