Gothic architecture was suitable for the colonies because of its then strong Anglican connotations, representing hard work, morality and conversion of native peoples. The irony of this was that many of Mountfort's churches were for Roman Catholics, as so many of the new immigrants were of Irish origin. To the many middle-class English empire builders, Gothic represented a nostalgic reminder of the parishes left behind in Britain with their true medieval architecture; these were the patrons who chose the architects and designs. Mountfort's early Gothic work in New Zealand was of the more severe Anglican variety as practised by Carpenter, with tall lancet windows and many gables. As his career progressed, and he had proved himself to the employing authorities, his designs developed into a more European form, with towers, turrets and high ornamental roof lines in the French manner, a style which was in no way peculiar to Mountfort but was endorsed by such architects as Alfred Waterhouse in Britain. Mountfort's skill as an architect lay in adapting these flamboyant styles to suit the limited materials available in New Zealand. While wooden churches are plentiful in certain parts of the US, they are generally of a simple classic design, whereas Mountfort's wooden churches in New Zealand are as much ornate Gothic fantasies as those he designed in stone. Perhaps the flamboyance of his work can be explained in a statement of principles he and his partner Luck wrote when bidding to win the commission to design Government House, Auckland in 1857: Provincial Architect As the "Provincial Architect"—a newly created position to which Mountfort was appointed in 1864—Mountfort designed a wooden church for the Roman Catholic community of the city of Christchurch. This wooden erection was subsequently enlarged several times until it was renamed a cathedral. It was eventually replaced in 1901 by the Cathedral of the Blessed Sacrament, a more permanent stone building by the architect Frank Petre, though the cenotaph by Mountfort was preserved. Mountfort often worked in wood, a material he in no way regarded as an impediment to the Gothic style, though he was unique in this respect as Gothic buildings were often created from stone and mortar. Between 1869 and 1882 he designed the Canterbury Museum and subsequently Canterbury College and its clock tower in 1877. Construction on the buildings for the Canterbury College, which later became the University of Canterbury, began with the construction