Carolyn Main, and the composer. Mezzo-soprano, tenor, baritone. Clarinet, bass, piano. Duration: Act one, 45 minutes. The Refill, 45 minutes. GASP!. A comic eco-operetta for children about the science of air and atmosphere!! Libretto and original story by Rick Huff. Bartleby, The Scrivener. An opera in two acts, based on the short story by Herman Melville. Libretto by Erik Bauersfeld. Baritone, tenor, baritone, bass and medium orchestra. Diary Of A Madman. One-act opera based on the story by Nikolai Gogol. Libretto by Erik Bauersfeld from his radio play adaptation. Tenor, baritone, soprano, bass and medium-size orchestra. Goblin Market. One-act opera based on the poem by Christina Rossetti for mixed chorus, soprano, mezzo-soprano, baritone with bassoon and piano. Duration: 45 minutes. Under A Halogen Sun. An opera in three acts. Original story and libretto by D. S. Black. Soprano, mezzo-soprano, 2 tenors, 2 baritones, 3 basses, chorus (with short solo roles for chorus members), and medium-size orchestra. The Furnished Room. An opera in one long act, based on the short story by O. Henry. Libretto by Richard Kuss. Tenor, 2 sopranos, mezzo-soprano; 2 contraltos, boy soprano, baritone, bass and medium-size orchestra. Duration: 1 hour, 30 minutes. The Pied Piper. An opera in one act based on the poem by Robert Browning. Libretto by Adam Cornford. For mixed chorus, soprano, tenor, baritone, piano and flute. Duration: 1 hour. For solo voice The Cat and the Moon A setting of the poem by W. B. Yeats for voice and piano. Gothic Hauntings A work for tenor and orchestra. I. Annabel Lee Edgar Allan Poe II. Dream-Land Edgar Allan Poe III. La belle dame sans merci John Keats On Turning 70 Setting of a satiric poem by Kip Allen, for voice and piano. Als I lay on Yoolis Night an arrangement of the traditional carol. Do Not Weep, Maiden A setting for baritone and piano of the poem by Stephen Crane. Bury My Name. A theater work in two acts for baritone/actor and piano. Presentation of the Shakespeare authorship question. Music: Introduction (Arrangement of "The Earl of Oxford’s Marche" by William Byrd) "Come, thou Monarch of the Vine" (Anthony & Cleopatra) Labour's Reward (Edward de Vere, 17th Earl of Oxford) "We are glad the Dauphin is so pleasant with us" (Henry V) "Alas, poor Yorick" (Hamlet) Bylbis and Caune (Ovid—translation credited to Arthur Golding, but likely at least in part by Edward de Vere)