Thomson subsequently donated the painting as part of his Thomson Collection to the Art Gallery of Ontario. The Glenbow Museum in Calgary has a copy of this painting that is thought to have been done by Kane's wife Harriet Clench. Another auction at Sotheby's on November 22, 2004, for Kane's oil painting Encampment, Winnipeg River (after the field sketch shown above) failed when bidding stopped at C$1.7 million, less than the expected sale price of C$2–2.5 million. Kane's travel report, published originally in London in 1859, was a great success already in its time and has been reprinted several times in the twentieth century. In 1986 Dawkins criticized Kane's work based mainly on this travel account, but also on the "European" nature of his oil paintings, as showing the imperialistic or even racist tendencies of the artist. This view remains rather singular among art historians. Kane's travel diary, which formed the basis for the 1859 book, does not contain any pejorative judgements. MacLaren reported that Kane's travel notes were written in a style very different from the published text, such that it must be considered highly likely that the book was heavily edited by others or even ghostwritten to turn Kane's notes into a Victorian travel account, and that it was thus difficult at best to ascribe any perceived racism to the artist himself. Legacy and influence As one of the first Canadian painters who could earn a living from his artwork alone, Kane prepared the ground for many later artists. His travels inspired others to similar journeys, and a very direct artistic influence is evident in the case of F. A. Verner, whose mentor Kane became in his later years. According to Harper, the early Lucius O'Brien was also influenced by Kane's work. Kane's 1848 exhibition of his sketches, which included 155 watercolour and 85 oil on paper paintings, helped establish the genre in the minds of the public and cleared the way for artists like William Cresswell or Daniel Fowler, who both were able to make a living from their watercolour paintings. Both his 1848 exhibition of the sketches and the later 1852 show of some of his oil paintings were great success and lauded by several newspapers. Kane was the most prominent painter in Upper Canada in his time. He frequently entered his paintings at art exhibitions and won numerous prizes for his works. He dominated the