out publication work on the unfinished books of their father. A book on essays written by Misra – Sangeet Aur Samaj (Music and Society) edited by Omprakash Chaurasiya and Ragini Trivedi was published by Madhukali Prakashan, Bhopal in 2000. Several authors and former students have compiled compositions in various Raga-s and Tala-s. Raga Rupanjali & String Compositions of Twentieth Century by Pushpa Basu. Rag Vibodh: Misrabani in two volumes, Sitar Compositions in Ome Swarlipi by Ragini Trivedi. For an accurate presentation of his complex Misrabani compositions, Ome Swarlipi's digital notation system was created by Misra's grandson. Creating Raga-s Dr Pushpa Basu has documented following Raga-s in her book. Madhu Bhairava. Hexatonic Raga of Bhairava Ang performed in early morning. Shyam Bihag. Penta-heptatonic Raga of Kalyan Thaat and Ang, performed in late evening. Madhukali. Penta-heptatonic Raga blending Madhuvanti, Multani and Ramkali, played in early evening. Sameshwari. Penta-heptatonic Raga blending Rageshri and Kalavati, played in early evening. Baleshwari. Hexa-hexatonic Raga blending Bageshwari and Bilaskhani Todi, played before noon. Jog Todi. Hexa-heptatonic Raga blending Jog and Todi, played any time due its light nature. Anand Bhairavai. Revived through research. Kind of Bhairavi called Madhyam-Pradhan (subdominant centric), which shuns Rishabh (supertonic) Researcher and inventor Carrying out research on the music of the Vedic age, he unravelled the mystery of Samic scale. To re-establish the lost notes of that period he created a Raga Sameshwari. Misra also first made it possible in the history of mankind, the twenty-two Shruti-s (not to be confused with śruti, the genre of Vedic literature) to be distinctly heard on a single Veena. The invention and key to its function have been explained in “Shruti Veena” published on 11 February 1964 by Vikram Singh, Narendra Printing Works, Varanasi. He had created several other Raga-s like Shyam Bihag, Jog Todi, Madhukali, Madhu-Bhairav, Baleshwari etc., all in strict adherence to rigid classical norms for the creation of new Raga-s. UNESCO released a compact disc of his Vichitra Veena entitled The Music of Pandit Lalmani Misra in 1996. True inventions are seldom noticeable. Early on, Misra found the use of Teen Tal in slow and medium compositions ubiquitous. He realised that the possibility of Chhand-s made this Tal a favourite of most instrumentalists. He experimented and created equally alluring Chhand-s in other Tal-s. Legendary percussionists were enamoured by his compositions because of their complex, oblique rhythm pattern and called it 'Koot ki Taan'.