Robert Coull Wellins (24 January 1936 – 27 October 2016) was a Scottish tenor saxophonist who collaborated with Stan Tracey on the album Jazz Suite Inspired by Dylan Thomas's "Under Milk Wood" (1965). Biography Robert Coull Wellins was born into a showbiz family living in the Gorbals, Glasgow; he later lived in Carnwadric and attended Shawlands Academy. Wellins studied alto saxophone and harmony with his father Max, and also played piano and clarinet when young. He joined the RAF as a musician playing tenor sax. After demobilisation he played with a few Scottish bands before moving to London in the mid-1950s. He was a member of Buddy Featherstonhaugh's quintet between 1956 and 1957, together with Kenny Wheeler. Around that time Wellins also joined drummer Tony Crombie's Jazz Inc., where he first met pianist Stan Tracey, joining Tracey's quartet in the early 1960s. He also worked with Lionel Grigson in 1976. At the end of the 1970s he was a member of the Jim Richardson Quartet. In the mid-1970s he led his own quartet with pianist Pete Jacobsen, bassist Adrian Kendon (replaced later by Ken Baldock, and then Andy Cleyndert in the 1980s) and drummer Spike Wells. In the 1980s he formed a quintet with fellow sax player Don Weller and then with guitarist Jim Mullen; the former group included Errol Clarke on piano, Cleyndert on bass and Wells on drums, while the latter featured Pete Jacobsen on piano. Following this group, Wellins led various quartets, which included players such as Liam Noble on piano, Simon Thorpe on bass and Dave Wickens on drums. Later, he has renewed his association with drummer Spike Wells with a quartet featuring Mark Edwards on piano and Andrew Cleyndert on bass. In 2011, artistic director of the Scottish National Jazz Orchestra, Tommy Smith, commissioned Florian Ross to arrange Wellins' 5 movement Culloden Moor Suite: The Gathering, The March, The Battle, Aftermath and the Epilogue, which toured Scotland and Shetland. In May 2013, the suite was recorded in Gorbals Sound Studio and mixed in Rainbow Studios in Oslo. The Herald's Rob Adams stated, "Wellins had been inspired to write in 1961 after reading John Prebble's account of the last battle to be fought on British soil and its chilling aftermath. Now this recording puts it in its rightful place as a great jazz musician's response to an event that affected him in a way that makes