she did so and instead used a new character of her own invention, Superwoman, who was marked by the inclusion of a large letter S on her cape. In film Images of and references to Wonder Woman abound in film. The apparent first appearance of the character was in the 1969 film Midnight Cowboy wherein a little girl covers her face with a copy of DC Comics' Wonder Woman #178. Later appearances have female (and male) characters of all ages appearing in Wonder Woman's costume or T-shirt representations of said costume. Wonder Woman entered the cultural lexicon, as characters were compared to Wonder Woman due to their athletic prowess, beauty and/or height. Cobie Smulders performed the voice for Wonder Woman in 2014's The Lego Movie. Wonder Woman reappeared briefly as a non-speaking character in follow-up The Lego Batman Movie (2017). The first live action theatrical film featuring Wonder Woman was 2016's Batman v Superman: Dawn of Justice. The second was 2017's Wonder Woman. Professor Marston and the Wonder Women is a 2017 film about American psychologist William Moulton Marston, who created Wonder Woman. The film, directed and written by Angela Robinson, stars Luke Evans as Marston, Rebecca Hall as his legal wife Elizabeth and Bella Heathcote as Olive Byrne, their lover and the third member of their closed polyamorous triad. However, in an interview with Mark Walters, William Moulton Marston's granddaughter Christie Marston stated that the film is historically inaccurate. She said that the creators of the film did not contact her family and that the “depiction of the family and Wonder Woman’s origins are made up”. She also posted a statement on Twitter saying that "the film is not a true story. It is based on someone's imagination not in any way related to my family." In another interview with Rob Salkowitz for Forbes, Marston argues against two aspects of the film. The first lies in the depiction of Elizabeth and Olive: “The relationship between Gram [Elizabeth Marston] and Dots [Olive Byrne] is wrong; they were as sisters, not lovers.” The second part revolves around the depiction of the origin of Wonder Woman, which has “William Moulton Marston presenting an idea for a female hero, and Elizabeth naysaying the idea, declaring that nobody would ever publish it.” Christie Marston states instead that when her grandfather was asked by his publisher to create a comic character, he “went home and