Campidoglio. The fame of the Horse Tamers recommended them for other situations where the ruling of base natures by higher nature was iconographically desirable. The Marly Horses made by Guillaume Coustou the Elder for Louis XV at Marly-le-Roi were re-set triumphantly in Paris at the time of the French Revolution, flanking the entrance to the Champs-Elysées In the 1640s, bronze replicas were to flank the entrance to the Louvre: moulds were taken for the purpose, but the project foundered. Paolo Triscornia carved what seem to have been the first full-scale replicas of the groups for the entrance of the Manège (the riding school of the royal guards) in St. Petersburg" (Haskell and Penny p 139). The standing of the heroic nudes had risen with the new approach to Antiquity of Neoclassicism: Sir Richard Westmacott was commissioned to cast a full-scale bronze of the "Phidias" figure, supplied with a shield and sword, as a tribute to the Duke of Wellington; it was erected at Hyde Park Corner opposite the Iron Duke's London residence Apsley House, where some French affected to think it was the Duke himself, stark naked. Christian Friedrich Tieck placed copies of the figures, in cast iron, atop Karl Friedrich Schinkel's Altes Museum, Berlin. In St Petersburg, the Anichkov Bridge has four colossal bronze Horse Tamer sculptures by Baron Peter Klodt von Urgensburg (illustration, left). In Brooklyn's Prospect Park, at the Ocean Parkway ("Park Circle") entrance, stands a pair of bronze Horse Tamers sculptures (1899) by Frederick MacMonnies, installed as the newly combined City of New York was spreading across the Long Island landscape. Notes References See also Roman copies of Greek sculptures Horses in art Outdoor sculptures in Rome