The great success of the film upset some moral and Christian organizations. The Catholic Abbot Battleme, wrote: "... First, they lie next to each other, and then one to another ... It is true that the cover hides their figures, but it certainly does not hide their movements... The protagonists are shown in particularly long shots, especially Ita... A viewer can recognize her excitement, then her expression of anxiety mixed with longing, then the pain and at the end... I blush while describing the scenes". This was, however, the best advertisement for the film, and the beginning of Rina's career. In 1930, Rina acted in three films, most notable being the first talking Czech film Tonka of the Gallows, which is often named her best role. Meanwhile, she married Miodrag Đorđević in 1931, and changed her religion from Roman Catholic to Serbian Orthodox. Rina was baptised in the Russian Orthodox Church, and also got her new Orthodox name, Tamara Đorđević. "I wanted to be named Ljubica, but the Russian priest would not allow that name. He proposed to me the Russian variety, Ljubov, but I refused it. So, I was named Tamara", Rina stated about her change of name. The same year, Rina was given an offer from Hollywood, but her husband forced her to choose between her career and their marriage; Rina chose to stay with him. Although she had announced her retirement from her film career, she acted until the outbreak of World War II. Her last prewar film was crime drama Zentrale Rio. Marriage, later years and death (1940–1979) After she left her film career, Rina and her husband settled in Belgrade. In 1940, she gave birth to their son Milan. After the bombing of Belgrade in 1941, the family moved to Vrnjačka Banja, where Rina gave birth to a daughter, Tijana. They moved back to Belgrade after the end of World War II in 1945. Although she was promised several roles in Yugoslav films, all projects were cancelled. After receipt of a letter she had written to President Tito, Rina began working as a co–production advisor in Avala Film. She returned to the silver screen once, in the 1960 film Atomic War Bride, directed by Veljko Bulajić. This was her last role. As she suffered from asthma, Rina and her husband moved to Budva (then Yugoslavia, now Montenegro) in 1967. There, she took care of her