the break up of the Tourists, when she felt that they were "in a dream world" and that whatever they were chasing was never going to happen. She described the song as saying: "Look at the state of us. How can it get worse?" adding "I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic." Stewart, however, thought the lyrics too depressing and added the "hold your head up, moving on" line to make it more uplifting. Commenting on the line "Some of them want to use you … some of them want to be abused", Lennox said that "people think it’s about sex or S&M, and it’s not about that at all". Recording "Sweet Dreams" was created and recorded in two places, first in Eurythmics' tiny project studio in the Chalk Farm district of London above a picture framing shop, then in a small room at The Church Studios in North London. The home studio was equipped with a Tascam 80-8, 8-track half-inch tape recorder, a Soundcraft mixer, a Roland Space Echo, a Klark Teknik DN50 spring reverb, a B.E.L. Electronics noise reduction unit, and a single Beyerdynamic M 201 TG microphone. The gear was purchased second-hand after Lennox and Stewart obtained a bank loan for . Also purchased with the bank loan was a £2000 Movement Systems Drum Computer, one of only about 30 built, with the band having to sleep for a few days at the Bridgwater apartment of the manufacturer while their early prototype unit was being assembled. The MCS Drum Computer provided drum sounds, and also triggered sequences on a Roland SH-101 synthesizer, used for the synth bass line. To fill out the complement of instruments, Lennox played a borrowed Oberheim OB-X for sustained string sounds. Their only microphone, a utilitarian model typically used for hi-hat, performed all the acoustic duties, including tracking Lennox's vocals. Stewart recalls he was in a manic mood while Lennox was depressed. Stewart was upbeat because he had just survived surgery on a punctured lung, and felt like he had been given a new lease on life. Lennox was feeling low because of the poor results from past musical work. She perked up when she heard Stewart first experimenting with the song's bass line sequence. She "leaped off the floor" and started to fill in the song with the Oberheim synth. According to