"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia. Synopsis Beichan, who is often born in London, travels to far lands. He is taken prisoner, with different captors appearing in different variations, usually being a Moor or a Turk, though sometimes the king of France after Beichan fell in love with his daughter. Lamenting his fate, Beichan promises to be a son to any married woman who will rescue him, or a husband to an unmarried one. The daughter of his captor rescues him, and he leaves, promising to marry her. He does not return. She sets out after him—in some variants, because warned by a household spirit, Belly Blin, that he is about to marry—and arrives as he is marrying another. In some variants, he is constrained to marry; often he is fickle. His porter tells him of a woman at his gate, and he instantly realizes it is the woman who rescued him. He sends his new bride home and marries her. History Parallels This ballad is also known in Norse, Spanish, and Italian variants. In a Scandinavian variant, "Harra Pætur og Elinborg" (CCF 158, TSB D 72), the hero set out on a pilgrimage, after asking the heroine, his betrothed, how long she would wait for him; she says, eight years. After the eight years, she sets out and the rest of the ballad is the same, except that Paetur has a reason for his fickleness: he was magically made to forget. The motif of a hero magically made to forget his love and remembering her on her appearance is common; it may even have been dropped from "Young Beichan", as the hero always returns to the heroine with a promptness of an enchantment breaking. This motif is known as The Forgotten Fiancé and appears as a final episode of tales classified in the Aarne-Thompson-Uther Index as type ATU 313, "The Magic Flight: Girl