that many people saw, and that it led to the acceptance of future films and television shows with gay themes. The Metrograph deemed it crucial for the LGBTQ community, as it exhibited "a degree of honesty and non-judgment towards homosexuality rarely seen in mass-market entertainment at the time". For Jeremy Kinser from Queerty, it "changed a generation of gay people". Keshishian said he was very happy that so many gay adults and young people from all over the United States credit Truth or Dare with helping them see gay men in a positive and casual way. The documentary Strike a Pose premiered in the Panorama section of the 2016 Berlinale. Directed by Ester Gould and Reijer Zwaan, the film chronicles the lives of six of the Blond Ambition Tour's seven dancers who appeared on Truth or Dare, including Kevin Stea, Carlton Wilborn, Luis Xtravaganza Camacho, Jose Gutierez Xtravaganza, Salim Gauwloos and Oliver Crumes. Gauwloos opined that Truth or Dare showed "being gay when it was not cool". Sue Trupin, the mother of dancer Gabriel Trupin who died of AIDS in 1995, said that she had no idea "just how important [Truth or Dare] had been to gay men’s self-acceptance and validation", and that her son, who led the lawsuit against Madonna, "would have come to be extremely proud of the role that film played in helping gay men around the world". Trenton Straube from POZ magazine concluded: "This was 1991. Before the Internet, before gay marriage, before Will & Grace [...] Truth or Dare was some revelatory, groundbreaking shit. It changed lives". Joe Coscarelli from The New York Times felt that "[Truth or Dare] has transcended cult-classic status and been elevated to the modern canon by pop obsessives and queer audiences of a certain generation. It also in many ways presaged the celeb-reality complex". Nina Metz from the Chicago Tribune, noted an impact on reality television, as it was released just a year before MTV's The Real World premiered. Lee Barron wrote on his book Celebrity Cultures: An Introduction, that the film was a precursor to the confessional technique many reality shows would go on to adopt. A similar opinion was shared by The Daily Telegraphs Matt Cain, who also added that it predated "the modern wave of manipulated and 'structured' reality TV". According to Benjamin Halligan, Robert Edgar and Kirsty Fairclough-Isaacs, authors of The Music Documentary: Acid Rock to