From Nashville to You is the eighth studio album by American singer La Toya Jackson. The album, which has also been released as My Country Collection and Little Misunderstood, features country western music. Background and production In Spring 1994 it was reported in various newspapers that Jackson was preparing an album of country music. Tommy Martin was recruited as producer of the album by Jackson's ex-husband and manager Jack Gordon. Gordon described Jackson as "the new country-western heart throb." Gordon also described the album as "very up, very country, very Garth Brooks-like." Recording sessions for the album took place from March 20–27, 1994 at Creative Recording Studios in Nashville. The album was recorded with a live band and a team of three backing vocalists. When asked by TimesDaily why she chose to record a country album, Jackson replied: Martin called on his friend, countrypolitan singer Lee Greenwood, to collaborate with Jackson. The result was the duet "What You Don't Say." Greenwood stated that Jackson "is presented with a great challenge here to be accepted into the country music community. I don't think she is going to have any trouble. First of all, on these songs she is very unique(sic). There is not a voice like hers." Release and reissues The album was initially released in 1994, by Mar-Gor Records, a label founded by Tommy Martin and Jack Gordon. The record label eventually shut down, and the licensing of From Nashville to You was sold to Sherman Records. The album with the original cover is still available from Martin's website. Sherman Records subsequently re-released the album under the titles My Country Collection in 1996 and Little Misunderstood in 2003. The latter release includes a bonus medley of "Boots," "Burnin' Love," "Little Misunderstood," and "One Strike You're Out." A 1996 compilation titled Great Ladies of Country & Western bundles the album with Lynn Anderson's Rose Garden. Reception TimesDaily reviewed the album in July 1994 and opined that "people will be pleasantly surprised when they get a chance to hear the album." "I've Got To Be Bad", "Trash Like You", and "Dance Away These Blues Tonight" were highlighted as "rockers" that best suited Jackson. The paper concluded, "Given a chance, this album could be a real big winner for Jackson and Martin." In contrast, Allmusic described the album as "unriveting, bland" and "weak". It went on to say that Jackson's version of "Crazy"