the title "The Flanderseseseses" and cuts through the counter in the letter "R" to Todd Flanders doing a chalkboard gag. The scene then cuts to Ned at the supermarket checkout. Among the products he buys is Bland-O-Lake butter, White Bread for the Soul, a Devout People Magazine and Mild Rice. Ned then walks out of the supermarket with his products, and starts a "Food Kitchen for the Homeless". Then, Homer is seen on a tractor feeling sad, while Ned parks his car in his garage, before he walks in through a door in it. Ned, Rod and Todd run into their living room where their couch would be, but Ned says to Rod and Todd, "No couch boys, I gave it to the poor," and they cheer. Guest-made versions Banksy British graffiti artist and political activist Banksy is credited with creating the opening titles and couch gag for the season 22 episode "MoneyBart", in what amounted to the first time that an artist has been invited to storyboard the show. Jean first took note of Banksy after seeing his 2010 film Exit Through the Gift Shop. According to Jean, "The concept in my mind was, 'What if this graffiti artist came in and tagged our main titles?'" Simpsons casting director Bonnie Pietila was able to contact the artist through the film's producers, and asked if he would be interested in writing a main title for the show. Jean said Banksy "sent back boards for pretty much what you saw." Series creator Matt Groening gave the idea his blessing, and helped try to make the sequence as close to Banksy's original storyboards as possible. Approximately the first half minute of the opening sequence remains the same, with a few oddities: the word "BANKSY" is sprayed onto a number of walls and other public spaces. The chalkboard gag ("I must not write all over the walls") is written all over the classroom walls, clock, door, and floor. After the Simpsons arrive at home, the camera cuts to a shot of them on the couch, then zooms out to show this as a picture hanging on the wall of a fictional overseas Asian animation and merchandise sweatshop. The animation color quickly becomes drab and gray, and the music turns dramatic à la Schindler's List. A large group of tired and sickly artists draw animation cels for The Simpsons among piles of human bones