Betrayed is a 1988 American spy thriller film directed by Costa-Gavras, written by Joe Eszterhas, and starring Debra Winger and Tom Berenger. The plot is roughly based upon the terrorist activities of American neo-Nazi and white supremacist Robert Mathews and his group The Order. Plot Set in the American Midwest, the film begins with the murder of a Jewish radio host in Chicago. FBI undercover agent Catherine Weaver, alias Katie Phillips, sets out to infiltrate a farming community, suspected of harboring those responsible. After receiving a warm welcome from land-owner and farmer Gary Simmons, his two children and extended family, she begins to believe that the FBI lead is erroneous. Throwing caution to the wind, she falls in love with Simmons, a Vietnam War veteran who appears to command the respect of the local community. A short while later, her suspicions are aroused by talk of family secrets and as more chilling events unfold, Katie is exposed to the fact that Gary is the leader of a Klan-like white supremacy group involved in heinous, often gut-wrenching, acts of racial violence. In too deep, Katie pleads with boss and mentor Michael Carnes to release her from the assignment, but he refuses, instead turning the screws on her mixed loyalties. Ultimately, she must betray either the man she loves or the country she has sworn to protect. Cast Production notes The opening sequence is loosely based on the 1984 murder of Denver DJ Alan Berg, which was carried out by white supremacist group known as The Order. Reception Critical response Sheila Benson in the Los Angeles Times in August 1988 believed Betrayed contained "a loosening of the trademark Costa-Gavras tension and the sogging of a relevant issue into overwrought pulp", which for all the efforts of the actors "the film begins at the implausible and works its way quickly downhill". It lurches "from the outrageous to the outright ludicrous". Roger Ebert wrote: "a film that left me in turmoil, torn between the strong sympathies I felt for the characters and the fundamental doubts I had about the plot. Here were people I believed in, involved in a story that no one could believe in." Ebert thought there was a conflict between the thriller envisaged in the screenplay by Eszterhas and the presumed wish of Costa-Gavras to make a political film, but there still remains "two performances of such power that the characters