with no apparent destination. Another notable feature of the Museum garden is the green wall, or wall of vegetation, created by botanist Patrick Blanc. This living wall of greenery covers of the façades of the museum, and of the interior walls. It includes 15,000 plants of 150 different varieties, coming from Japan, China, the Americas and Central Europe. Library The museum has a library with 3 main departments: the book collection, with two reading rooms—a research reading room on the top floor and a popular reading room on the ground floor the picture collection with photographs and drawings the archive collection Many of the specialized scientific journals, data bases, documents, visual or audiovisual objects can be accessed online. Moreover, the library also holds collections from important ethnologists, including Georges Condominas, Françoise Girard, and Nesterenko, as well as that of art collector Jacques Kerchache. Publications The museum has published many catalogues and various other publications, among them: Aztèques. La collection de sculptures du musée du Quai Branly, by Leonardo López Luján and Marie-France Fauvet-Berthelot (2005). It has also co-published several noted ethnomusicology audio sets with Frémeaux & Associés, including booklets in both French and English, among which: Les Indiens d'Amérique 1960–1961, American First Nations Authentic Recordings 1960–1961 The Color Line, Les Artistes Africains-Américains et la Ségrégation – 1916–1962 Haiti Vodou, Folk Trance Possession, Ritual Music From the First Black Republic 1937–1962 Jamaica – Roots of Rastafari, Mystic Music From Jamaica – Folk, Trance, Possession 1939–1961 Madagascar, Traditional Music From the South West Criticism and controversy Vacillation over the museum's name reflected tensions about its scope and viewpoint. Not all critics were pleased with the new museum when it opened. Michael Kimmelman, architecture critic of The New York Times, published a review on 2 July 2006 entitled "Heart of Darkness in the City of Light". He called the museum "a missed opportunity and an inexplicable exercise" and said it was "devised as a spooky jungle, red and black and murky, the objects in it chosen and arranged with hardly any discernible logic. The place is briefly thrilling, as spectacle, but brow-slappingly wrongheaded....The place simply makes no sense. Old, new, good, bad are jumbled all together without much reason or explanation, save for visual theatrics." The MQB was involved in a controversy over the return of Maori tattooed heads, known as mokomokai, held in France. The controversy arose after a museum in Normandy