Madonna: Truth or Dare (also known as In Bed with Madonna internationally) is a 1991 American documentary film by director Alek Keshishian chronicling the life of entertainer Madonna during her 1990 Blond Ambition World Tour. Madonna approached Keshishian to do an HBO special on the tour after watching his Harvard senior project. Initially planned to be a traditional concert film, Keshishian was so impressed with the backstage life that he persuaded Madonna to make it the focus of the film. Madonna funded the project and served as executive producer. The film was edited to be in black-and-white, in order to emulate cinéma vérité, while the performance scenes are in color. Madonna: Truth or Dare was screened out of competition at the 1991 Cannes Film Festival and was given a limited release on May 10, 1991; two weeks later, it had its worldwide release. It opened to positive reviews although certain scenes, such as one where Madonna visits her mother's grave, were criticized. Madonna was nominated for a Razzie Award for Worst Actress. With a worldwide gross of $29 million, it was the highest-grossing documentary of all time, until Bowling for Columbine surpassed it in 2002. Truth or Dare has been noted as a groundbreaking film for its casual portrayal of homosexuality, and was compared to Paris Is Burning (1990). It has also had an impact on reality television and celebrity culture, inspiring parodies and other music-related documentaries. Synopsis The film begins on August 6, 1990, the day after the final show of the Blond Ambition World Tour in Nice, France. Madonna reminisces in her hotel room about the tour and how its completion would affect her. In a flashback to April 1990, the tour is about to kick off in Japan. Madonna did not realize that it was rainy season. Because of this, she and the dancers switch their tour costumes for warmer attire. In a voice-over, Madonna confesses that the only thing keeping her from "slashing my wrists" is the thought of returning to North America and performing the show as it is meant to be. In the United States, she meets the families of her dancers. Oliver Crumes, one of the dancers, sees his father for the first time in several years. In Los Angeles, sound problems arise; despite reassurances, Madonna focuses on the technical problems and yells at her manager Freddy DeMann for allowing so many people