also employed locally at Charlecote House and Stoneleigh Abbey. The stone came from the estate and the surrounding local quarries of Warwick, Hornton, Gloucester and Painswick. The most important changes include the removal of the Great Staircase on the west front and its replacement by a Saloon with pairs of columns, plus alterations to the Hall, as well as the creation of an attic storey above it. Adam also added a library and octagonal study to the south wing and adapted the brewhouse and bakery to the north of the house. The floor plans of the house were published in the fifth volume of Vitruvius Britannicus in 1771 by Colen Campbell, and show various differences from Adam’s drawings, some of which suggest that some of the Baroque interiors had been left as they were. Robert Adam was often responsible for the interior decoration as well as the architectural design of his buildings. However, at Compton Verney he designed the decoration of only a few rooms, including the Hall and the Saloon. The rest were decorated by local craftsmen using their own pattern-book designs. His drawing for the decoration of the Hall in the Victoria & Albert Museum shows three large plaster picture frames placed high on the walls that originally contained large landscape paintings with classical ruins. These landscapes were painted by the Venetian artist and favoured collaborator of Robert Adam, Antonio Pietro Francesco Zucchi (1726-1795). They were removed from the house and sold at a later date, and only the plaster frames remain. It is this period in the history of the house that is captured in the famous painting by the artist Johann Zoffany, now owned by the J.Paul Getty Museum in Los Angeles. The painting shows John, 14th Baron and his family in the breakfast room on the ground floor at Compton Verney. Although Adam’s work on the mansion was completed in 1769, building work continued on the other buildings at Compton Verney until the 1780s and it was during this period that the grounds were re-landscaped. In 1769-70 the ‘Green House’ (which no longer survives) was constructed, and in 1771-72 the Ice-House and ‘Cow House’ were finished. Lancelot 'Capability' Brown at Compton Verney In 1769, landscape architect Lancelot ‘Capability’ Brown was employed to lay out the grounds in keeping with the new taste for more naturalistic landscape. He eliminated all trace of the earlier formal gardens,