"Butterflies and Hurricanes" is a song by English rock band Muse. It was released as the sixth and final single from their third studio album, Absolution (2003), on 20 September 2004. Unlike Absolution, the single was released through Atlantic Records. The song was one of two songs recorded with a studio orchestra during the initial stages of production. It is also notable for its Rachmaninoff-esque piano interlude. The title and theme were mainly inspired by the butterfly effect of chaos theory. The theory describes how even the smallest of changes in present conditions, like the flapping of a butterfly's wings, can cause a chain reaction and have a significant effect in the future, like a hurricane. The song was also dedicated to Dominic Howard's father, who died shortly after the band's performance at the Glastonbury Festival. Background and composition Some parts of the song have been around at least as early as 1999. Matt Bellamy had suggested a piece featuring the band and an orchestra playing over a "mechanical paradiddle" to Dom Howard, the band's drummer. According to Bellamy the song really took shape when he spent a few hours fiddling around on a Steinway piano he found at a hotel he was staying in: Matthew Bellamy also declared about the song: "It's about hope, about trying to find the strength to get through any given situation. I was trying to find a classical type of piano style that would be heavy and work with bass and drums. It had that sort of mechanical paradiddle thing all the way through, and then it breaks down into this kind of romantic, flowing weird bit in the middle". Recording There are several versions of "Butterflies and Hurricanes". For the original studio recording, the song's introduction, verse and choruses were harmonically driven by piano and keyboards. The single version contains both guitar and keyboard, but the interlude is slightly shorter, reducing the song from 5:01 to 4:48. The vinyl single includes a full-length version with guitars in the mix. Finally, the radio edit of the single goes further by omitting the entire piano interlude, bringing the song down to 4:10. Live The song was reworked with a more prominent electric guitar sound during the Absolution tour, including some extended guitar solos before the piano interlude (and a bass fill to segue Matt Bellamy's transition from guitar to the piano). This version was also