all variants, whoever says so would turn to stone to his waist. The third raven says, again in different variants, that the princess would faint and die unless someone draws three drops of blood from her right breast; or a dragon would attack their bridal chamber and unless driven off, kill them. True to form, whoever states this would turn entirely to stone. John prevents all three fates. For the first two, the king trusts that John has acted in his service; but for the third, the king decides to execute him. At the place of execution, John tells the story of the ravens and turns progressively to stone. In time, the queen bears twin sons. The king learns that if he kills the boys and rub John's statue with their blood, he would come to life again. The king does this, and upon John's resurrection, he does the same to the boys and resurrects them. Later, John and the twins hide in a closet as the king explains what would need to be done to bring John back to test her loyalty. When the queen agrees to the sacrifice, John and the twins emerge from the door and embrace everyone. The king and queen live happily until their deaths. Analysis Possible point of origin British translator Edgar Taylor, in his original notes to the Grimm Brothers' tale, remarked that the story "contain[ed] so much of Orientalism", which would lead one to imagine oneself in The Arabian Nights' Entertainments. Australian folklorist Joseph Jacobs pointed out, in his commentaries on his own reconstruction (John The True), in his work Europa's Fairy Book, that the story showed striking parallels with tales of Indian literary history and suggested them as a possible point of origin, due to the antiquity of the sources, such as Panchatantra and Somadeva's The Ocean of Stories. Folklorist Stith Thompson seemed to concur with Jacobs's analysis and cited the works of Erich Rösch and Kaarle Krohn, who each have posited that, respectively, the material to form the tale came from India, or the tale, in complete form, travelled westward from India. Motifs According to scholar A. K. Ramanujan, the tale type shows a "motif cluster": the three perils that menace the couple and the faithful servant that overhears the birds' talk. Variants Graham Seal pointed out that Faithful John is a "figure of European and Asian folktales" who demonstrates