other than her beloved Phoebus. Fleur de Lys notices that Esmeralda is wearing the scarf that she gave to Phoebus and realising that he has fallen in love with another, angrily calls off the engagement. Phoebus leaves with Esmeralda. Alone in a tavern, the two declare their love for each other, unaware that the archdeacon Frollo is also there, eavesdropping on them. Taking a dagger that he stole from Esmeralda's room, Frollo sneaks up behind the lovers and stabs Phoebus, who falls unconscious to the ground. Frollo calls for the authorities, shows them the body of Phoebus and the dagger that was used to stab him, which is identified as Esmeralda's. The poor girl is taken away and sentenced to death. At dawn the following morning, the Festival of Fools is under way and Esmeralda is due to be hanged for the murder of Phoebus. Her friends and Gringoire are all present and bid her farewell, while Frollo watches in triumph. Just as Esmeralda is led to the gallows, Phoebus arrives alive and well, having survived and recovered from the stabbing. He reveals the true culprit to be Frollo and announces that Esmeralda is innocent of any crime. Frollo takes a dagger and attempts to do away with them, but Quasimodo wrests the dagger from his master and stabs him to death. Esmeralda and Phoebus are happily reunited. Revivals Jules Perrot for the Imperial Ballet. Imperial Bolshoi Kamenny Theatre, St. Petersburg, 2 January 1849. Revived especially for the ballerina Fanny Elssler. Cesare Pugni revised his original score for the production. Marius Petipa for the Imperial Ballet in four acts and five scenes. Imperial Mariinsky Theatre, St. Petersburg, 17 December 1886. Revived especially for the ballerina Virginia Zucchi. Musical revision and additional pas by Riccardo Drigo (including a Pas de six for Virginia Zucchi). Petipa added additional numbers in 1866 (a Pas de deux for the ballerina Claudina Cucchi that became known as the Pas Cucchi to the music of Pugni), 1871 (a Pas de dix for the Ballerina Eugenia Sokolova to the music of Yuli Gerber), and 1872 (a Pas de cinq for the ballerina Adèle Grantzow to music by an unknown composer). Marius Petipa for the Imperial Ballet in four acts and five scenes. Imperial Mariinsky Theatre, St. Petersburg, 21 November 1899. Revived especially for the Prima Ballerina Assoluta Mathilde Kschessinskaya. Agrippina Vaganova for the Kirov Ballet in three