fanbase. A music video for the song was filmed at St. Johns Wood Studios in London. "Do The Dirty" is described by AllMusic as a "foot-stomping rocker with a little funkiness thrown in for good measure." The song opens with the shout of the word "boogie", which was provided by one of the band's American roadies. The band held an audition to see who could shout it the best. "Let's Call It Quits" has been described as having a "bluesy pay-off" and "slinky rock groove" by Chris Ingham in the liner notes of the 2007 remaster of the album. After it became a UK hit, the band had a court case taken against them by Allen Toussaint, who felt the song was similar to his "Play Something Sweet (Brickyard Blues)". The case was settled out of court with the band giving them 50% in songwriting royalties, though Lea maintained their song was one he had "never heard before or since". "Pack Up Your Troubles" is an acoustic-based country number with a "camp-fire feel". The song features Paul Prestotino on Dobro guitar. "In For a Penny" is the only Slade track to feature accordion and has the longest Dave Hill guitar solo used on a Slade single. Side two "Get on Up" is one of the more rock-based tracks on the album. It became part of Slade's live set, with a live recording appearing on their 1978 live album Slade Alive, Vol. 2. The lyrics of "L.A. Jinx" refer to the bad luck the band seemed to suffer whenever they played in Los Angeles. Holder said in a 1976 fan club interview: "Something always goes wrong; the gear blows up, we all get electric shocks, and, oh there's always some sort of equipment fault – we're always jinxed!" "Did Ya Mama Ever Tell Ya" was described by Holder as "not exactly roots reggae, more Wolverhampton stuff!" and cited it as his favourite track from the album around the time of its release. "Scratch My Back" is another rock track in similar form to "Get on Up". AllMusic described the song as "pure Slade, even with the out of place arrangement." "I'm a Talker" is a folk-based track, described by Ingham as an "infectious folksy drinking song". "All the World Is a Stage" features the prominent use of keyboards and closes with sound effects of high pitched laughing. Critical reception Upon release,