Larry Marder (born May 29, 1951 in Chicago, Illinois) is an American cartoonist and writer, best known as the creator of comic book Tales of the Beanworld, which began as an "essentially self-published title" in 1984. Beginning in 2009, Dark Horse Books began to reprint Tales of the Beanworld, in two volumes, and then went on to publish two more volumes of new Beanworld stories by Larry Marder. Early life Marder was educated at the Hartford Art School in Connecticut in the early 1970s, earning a BFA degree in 1973. He earned "his living as an art director in the high-pressure world of advertising" in Chicago from 1976, balancing his time in that profession with "a remarkable interior landscape of the imagination that coalesced into the vivid ecology of Beanworld". He cites as his major influences Jack Kirby, Rudolph Zallinger, Henry Darger and Marcel Duchamp. Career Beanworld Marder's Tales of the Beanworld began as a "collection of character sketches and concepts" that is described by Stanley Wiater and Stephen R. Bissette in Comic Book Rebels as "an essentially self-published comic (through distributed through Eclipse Comics)", launched in 1984. In a short period of time, the comic "evolved into what Marder terms 'a weird fantasy dimension that operates under its own rules and laws.'" Wiater and Bissette also term it: The initial idea hit Marder when he was in art school, and "swept up in the conceptual art movement['s mantra] ... 'Down with the object. Down with form. Idea is everything,'" which led him to "create comics where idea was everything". Removing the human figure, he "came up with something that would work in comics: the Bean figures", and began "goofing around with these figures". Revising and refining his characters through "political cartoons on Watergate and so on, that were published in my college newspapers using these Bean characters", although he came up with the characters in 1972, "the storyline didn't really come together until 1982". In the first collected volume, Marder explains that his work is "about the affinity of life", wherein the characters "understand that ultimately they depend on each other for survival". Wiater and Bissette see in this relationship as a wider metaphor for the interdependancy of the comics industry. Indeed, addressing the potential underlying complexity, Marder suggests that "it's harder to describe it than it is to read it". He also calls it "an ecological romance ...