of their wedding, the couple already had a son, Joseph Alexander (born 1814). At the behest of Pierre Fontaine in 1828 de Steuben painted La Clémence de Henri IV après la Bataille d'Ivry, depicting a victorious Henry IV of France at the Battle of Ivry. De Steuben's Bataille de Poitiers, en octobre 732, painted between 1834 and 1837, shows the triumphant Charles Martel at the Battle of Tours, also known as the Battle of Poitiers. He painted Jeanne la folle around the same time and he was commissioned by Louis Philippe to paint a series of portraits of past Kings of France. Life in the French capital was a repeated source of internal conflict for Steuben. The allure of bohemian Paris and his military-dominated upbringing made him a wanderer between worlds. As an official commitment to his adopted country he became a French citizen in 1823. However, the irregularity of his income as a freelance artist was in contrast to his sense of duty and social responsibility. To secure his family financially, he took a job as an art teacher at the École Polytechnique, where he briefly trained Gustave Courbet. In 1840 he was awarded a gold medal at the Salon de Paris for his highly acclaimed paintings. Later years In 1843 Steuben went back to Russia for 11 years. In Saint Petersburg he created seven paintings for the Saint Isaac's Cathedral. After a stroke, the artist returned to Paris in 1854, a sick man, where he suffered two more strokes, and ultimately lost the ability to work. De Steuben died in 1856 at the age of 68 years in his adopted hometown of Paris. Steuben's son Joseph Alexander was taught painting by his father, and used his parents' close ties to the Russian art scene. After studying in Paris and a two-year residency in Rome, Josep went to Saint Petersburg like his father, where he was commissioned by Tsar Nicholas I, and also produced paintings for Saint Isaac's Cathedral. Style The love of classical painting was a lifelong passion of Steuben. He was a close friend to Eugène Delacroix, the leader of the French Romantic school of painting, whom he portrayed several times. Steuben was also part of this artistic movement, which replaced classicism in French painting. "The painter of the Revolution," as Jacques-Louis David was called by his students, joined art with politics in his works. The subjects