B. Farnie, in the Fife Herald, and then reprinted as a booklet entitled Pet Marjorie: a Story of Child Life Fifty Years Ago. The rumour that Marjorie's poems were admired by Walter Scott derives from an 1863 article in the North British Review by Dr John Brown MD of Edinburgh. He acknowledged a debt to Marjorie's younger sister Elizabeth Fleming (1809–1881) for the loan of the letters and journals. He included twice as much as Farnie from the latter, as well as 100 lines of her verse. The direct, albeit sole evidence of Scott's interest appears in a long letter from Elizabeth to Brown. The life and writings of Marjorie Fleming became hugely popular in the Victorian period, although the editions published were severely truncated and re-worked, as some of her language was thought inappropriate for an eight-year-old to use. Even Lachlan Macbean's editions of 1904 and 1928 relied on earlier bowdlerized texts. The Sidgwick edition of 1934, which followed a facsimile edition of the same year, cites two other famous literary admirers. On the dust jacket, Robert Louis Stevenson is quoted as saying, "Marjory Fleming was possibly – no, I take back possibly – she was one of the noblest works of God." Leslie Stephen, in the entry he gave her in The Dictionary of National Biography in 1898, claimed that "no more fascinating infantile author has ever appeared." Mark Twain's account of her is something of a reaction to the "queasy sensations" caused by Brown's sentimentality: "She was made out of thunder-storms and sunshine, and not even her little perfunctory pieties and shop-made holinesses could squelch her spirits or put out her fires for long... and this tainted butter soon gets to be as delicious to the reader as are the stunning and worldly sincerities around it every time her pen takes a fresh breath." Marjory's "appetite for books" is noted, among others, by Kathryn Sunderland in her entry for the Oxford Dictionary of National Biography: "She records enjoying the poems of Pope and Gray, the Arabian Nights, Ann Radcliffe's 'misteris [sic] of udolpho', the Newgate calendar, and 'tails' by Maria Edgeworth and Hannah More." This literary bent is apparent also in the sometimes pithy comments in the journals and in her valiant attempts to write in rhyming couplets. Two of her verses are longer pieces probably inspired by history lessons: "The Life of Mary Queen of Scots