an argument with manager Edmondo Fabbri, he was left out of Italy's 1962 FIFA World Cup squad, which was eliminated in the first round of the tournament. He returned to the starting line-up in 1964, and on 10 May, he scored his final goal for Italy in a 3–1 victory against Switzerland. He would also later be excluded from Italy's squad in their similarly disappointing 1966 FIFA World Cup campaign, as well as Italy's victorious UEFA Euro 1968 squad, which won the tournament on home soil. He was once again excluded from the Italian side that would reach the final of the 1970 FIFA World Cup. Corso made his final appearance for Italy on 9 October 1971, in a 3–0 victory against Sweden. Along with Giuliano Sarti, Armando Picchi, Gianfranco Bedin, and Antonio Angelillo, he is one of the most successful Italian, Inter club players to have never been called up for a World Cup. Despite his exclusion from the national side, in 1967 FIFA placed him in their All-Star team for an international friendly against Spain, in honour of goalkeeper Ricardo Zamora, winning the match 3–0. Style of play A predominantly left-footed player, Corso was noted for his consistency, intelligence, pace on the ball, and stamina as a winger, as well as being renowned for his accurate distribution, crossing ability, creativity, and wide range of passing with his stronger foot, which made him an effective playmaker. He was capable of playing both on the left and right flank, due to his ability to provide crosses from the touchline on the left wing, or cut into the middle to strike on goal from the right. An atypical winger, he was notorious for his lack of tactical discipline, and often played between the lines in more of a central, free role, as a sort of attacking midfielder; because of this, he was capable of playing both as a forward and as a midfielder. Although he was not particularly quick footed, he was gifted with tenacity and a good physique, as well as class, outstanding technical ability, close control, flair, and dribbling skills. An accurate free-kick taker, he was known in particular for his powerful, bending knuckleball free-kicks and shots from distance. In spite of his ability, the journalist Gianni Brera accused him of being inconsistent, lacking dynamism, and having a poor defensive work-rate, something which Corso himself denied, however; as a