Graham Nash David Crosby is the first album by the partnership of David Crosby and Graham Nash, released on Atlantic Records in 1972, catalog SD 7220. It peaked at No. 4 on the Billboard 200 albums chart, and a single taken from the album, "Immigration Man", peaked at No. 36 on the Billboard Hot 100 on June 17 and 24, 1972. It was certified gold by the RIAA, and it was dedicated to Joni Mitchell, as "to Miss Mitchell". History After the split of Crosby, Stills, Nash & Young in the summer of 1970, all four members would release solo albums over the next 12 months. Neil Young and Stephen Stills would both pursue independent band projects through the early years of the decade, Young working with Crazy Horse and the Stray Gators, with Stills assembling Manassas. Both If I Could Only Remember My Name and Songs for Beginners respectively by Crosby and Nash fared well in the marketplace, and in the autumn of 1971 the duo embarked on a series of concerts together, unable or unwilling to include Stills and Young. However, Stills joined them for the September 30 performance at Carnegie Hall in New York. "Blacknotes" was recorded live, just before Stills took the stage for the second set. Two other live recordings from this concert were released in 2006 on Crosby's Voyage Box Set: "The Lee Shore" and "Traction in the Rain." All four members reunited at the Boston Music Hall on October 3 and back at Carnegie Hall the next night. The success of the tour led Crosby and Nash to take the new songs auditioned on the road into the recording studio. Content Sessions for this album featured backing from notable guests Dave Mason and members of The Grateful Dead — Jerry Garcia, Phil Lesh and Bill Kreutzmann. Most of the musical support came from The Section, a quartet of in-demand session musicians on the West Coast in the 1970s. Consisting of Craig Doerge, Danny Kortchmar, Leland Sklar, and Russell Kunkel, they would appear on dozens of albums, notably those by James Taylor, Carole King, and Jackson Browne. They would also continue to work with Crosby & Nash for the remainder of the decade, both in the studio and on tour. The songs continued the qualities that marked the pair's work with the larger aggregate, with Nash writing tighter pop songs including the album's hit,