of those sessions, the full recordings were released as Live at the Bon Soir in 2022. Recording Recording studio sessions took place January 23–25, 1963, at Columbia's Studio A in New York City with a budget of $18,000. Material was mostly chosen from Broadway standards, many of which were fairly obscure. "I'll Tell the Man in the Street" was originally performed by Dennis King in the 1938 production of I Married An Angel, and "Who's Afraid of the Big Bad Wolf?" was taken from the 1933 Disney cartoon Three Little Pigs. Streisand's rendition of the Disney song began with the quoting of the first 11 notes from the "Cat Theme" from Russian composer Serge Prokofiev's "Peter and the Wolf", which did result in a lawsuit against Columbia Records, from Prokofiev's estates, which was settled out of court, with Prokofiev's widow receiving half of the proceeds for the unapproved quote. The Disney song ended on a Spike Jones style of rhythm and slide whistles, heard at the end of the track, before the song's fade. Not one of Cole Porter's well-known numbers, "Come to the Supermarket (in Old Peking)" appeared in a 1958 television special with music by Cole Porter, while "A Sleepin' Bee" came from the 1954 musical House of Flowers. "Soon It's Gonna Rain" and "Much More" were both introduced in the 1960 off-Broadway musical The Fantasticks, and the 1930 film Chasing Rainbows provided "Happy Days Are Here Again". "Cry Me A River" was a signature song of singer Julie London, while "A Taste of Honey" was coincidentally recorded less than three weeks later by the Beatles for their 1963 debut album, Please Please Me. "Happy Days Are Here Again" was released as Columbia single 42631 with "When the Sun Comes Out" on the b-side, but it did not chart. Notwithstanding, at the 1964 Grammy Awards, The Barbra Streisand Album won awards in the categories of Album of the Year, Best Female Vocal Performance, and Best Album Cover - Other Than Classical, the latter presented to art director John Berg. The only song recorded but not included on this album was "Bewitched, Bothered and Bewildered which Streisand and Mike Berniker recorded on two separate dates (including a later session on January 29). The song was included instead on Streisand's The Third Album using a Peter Daniels arrangement. Streisand chose Century Expanded Italic, the typeface for the album sleeve of