the aim of demonstrating the capabilities of the Ondioline for the American public, the first Mr. Ondioline was released in 1960, it consists of four tracks showing Perrey on the cover "donning a dark hood with small slits for the yes and mouth in an attempt to conjure up the record's mysterious titular figure." The second entitled Ondiolinorama was released in 1961 with a much lower number of units. Both EPs featured Perrey's instrumental arrangements of other songwriters' work. Perrey made his U.S. television debut on Tonight Starring Jack Paar; he also appeared on The Garry Moore Show, I've Got a Secret, and Captain Kangaroo. Perrey composed jingles for radio and television, sometimes in partnership with Harry Breuer and Angelo Badalementi (working under the name "Andy Badale"). In 1962 Perrey issued the LP Musique Electronique du Cosmos (Electronic Music from Outer Space), in collaboration with Sam Fiedel and Harry Breuer, on the MusiCues label. The album was recorded in New York, but the location was listed as Paris on the jacket to avoid union obligations. The 15 short tracks (most under two minutes long and all composed or co-composed by Perrey) were intended for television and radio background use. Less than 500 copies were reportedly pressed. Perrey & Kingsley and the Moog Synthesizer Perrey was introduced to German-American composer/musician Gershon Kingsley in 1965 at Carroll Music. As a duo, Perrey and Kingsley recorded two albums for the Vanguard label: The In Sound From Way Out! (1966), for which Perrey played Ondioline and provided musique concrète "rhythmic patterns", and Kaleidoscopic Vibrations (1967), on which the duo played mostly Moog synthesizer, with added special effects. Some tracks by Perrey and Kingsley were licensed for radio and television commercials. In 1968, "The Savers", from Kaleidoscopic Vibrations, won a Clio Award when it was used as the soundtrack for a No-Cal diet soft drink commercial. After splitting from Kingsley, Perrey continued featuring the Moog (as well as Ondioline) on many of his subsequent solo records, most of which incorporated the name "Moog" in album titles like Moog Indigo (1970). On the Moog Indigo track "Flight of the Bumblebee" (adapted from an interlude composed by Nikolai Rimsky-Korsakov), Perrey began with a recording of actual bees: For this composition, I took a Nagra tape recorder to an apiary in Switzerland to record the live sounds of bees buzzing about their hive. I took these bee tapes