single, "Wheels Ain't Coming Down", was also released in March, reaching No. 60. Release Shortly before the album's release, guitarist Dave Hill explained in a fan club interview why the album mainly used tracks that had already been released: The album's sleeve featured a new Slade logo designed by Chandler. According to the band, the 'fist' bursting through the shield on the sleeve was to signify "four royal bastards". Track listing Song information "We'll Bring the House Down", Slade's first hit single since 1977, is described by AllMusic as an "absolute must-hear". "Night Starvation" originally appeared on Six of the Best and was also released as a promotional single in the UK during 1980. "When I'm Dancin' I Ain't Fightin'", taken from Six of the Best, is described by AllMusic as "pure classic Slade". "Dizzy Mamma" was originally the B-Side to the 1979 failed single "Ginny, Ginny". For its inclusion on We'll Bring the House Down, the song was remixed by the band at Portland Studios. "Nuts Bolts and Screws", taken from Return to Base, was the other song to be remixed at Portland Studios for inclusion on the album. "Lemme Love into Ya" had also been re-worked into the song "Poland", which Lea recorded as a solo venture. His version was released as a single in 1982 on Speed Records under the name Greenfields of Tong. "Lemme Love into Ya" was voted #2 of the top three Slade album tracks in the Slade Fan Club Poll of 1979. Critical reception Upon release, Daily Star described the album as the "same old Slade style - thumping, no-nonsense, high-decibel rock". Record Mirror stated: "It's difficult to justify a record like this on its own terms. Slade are essentially a live act and on vinyl the vital ingredient of spilt beer is sorely missed. But all things considered the pros outweigh the cons." Sounds stated the album was a "corker, brimming with a knowing confidence and expertise that has far from withered through age". They concluded: "We'll Bring The House Down is both a monumental triumph for the band and a real treat for those kids who've moved unreservedly behind 'em." Melody Maker felt the album merely "fulfil[led] a function", adding that beyond the hit title track "they've come up with at least four far better tracks to ensure the stay won't be shortlived." London Trax said: "Overlooking the horrific, infantile, metallist