Virgil Widrich (* 16 May 1967 in Salzburg) is an Austrian director, screenwriter, filmmaker and multimedia artist. Widrich works on a large number of films and multimedia projects, sometimes as part of a creative team. He is known especially for his numerous short films and multimedia works. Biography Born in Salzburg, Virgil Widrich spent his childhood in a house that is over 500 years old and stands on the Mönchsberg. While there he became acquainted with artists such as Peter Handke, who was his neighbour, and film director Wim Wenders, a frequent visitor. He gained his first experience with film at a very young age and was given his first camera, a Super-8, at the age of 13. That same year (1980) he made three films, "My Homelife", "Gebratenes Fleisch" and 3 mal Ulf. He followed that with an animated cartoon titled Auch Farbe kann träumen. At the age of 15 he made Monster in Salzburg, on which he worked with actors for the first time. He created the rampaging monster using stop-motion photography. In 1983 he began work on Vom Geist der Zeit (Spirit of Time). Even bad grades at school were not enough to prevent him finishing his first feature-length movie, which took him 14 months. During this time he also took on a job as an extra and props manager at the Salzburg Festival to finance his films. In 1984 he began to take an interest in computers and programmed a number of simple games. After passing his school-leaving exams at the Akademisches Gymnasium in Salzburg he entered the Vienna Film Academy, only to leave again after a matter of weeks to work on the script for a science fiction film which, in the end, he never made. In 1987 he founded the film distributing company Classic Films with two partners with the aim of distributing mainly artistic films. Later on he became assistant to John Bailey, a camera man and director, and in 1990 he went to Hollywood to work with Bailey on the science fiction comedy The Search for Intelligent Life in the Universe. After selling Classic Films in 1991 Widrich again turned his attention to the computer and the possibilities it offered for creating art. His next major project, which saw him working as production manager, was a new festival for Austrian film, held for the first time in 1993 under the name Diagonale.