Nobody's Fools is the sixth studio album by the British rock group Slade. It was released in March 1976 and reached No. 14 in the UK. The album was produced by Chas Chandler. Musically, the album showed the band dropping their "loud" and "rocky" type songs, as they moved towards a more "American" soul/pop sound. Tasha Thomas was also hired to provide backing vocals—the first Slade album to feature female backing. British fans accused the band of selling out and forgetting about their fan base in the UK, as the band had been in the U.S. for most of 1975, trying to crack the market. The album was Slade's first (since their rise to fame) not to reach the UK Top 10, and to drop out of the chart after a chart run of only four weeks. It would be their last album to make a UK chart appearance until the 1980 compilation Slade Smashes!. Background Since their rise to fame in 1971, Slade had failed to achieve a major breakthrough in the United States. During the period of 1972–73, the band began touring there as a step towards trying to crack the market. A number of American cities took positively to Slade, including St Louis, Philadelphia and New York City. However, in other areas, the band's anthemic, audience participation-dominated act was less enthusiastically received. By 1975, the band began feeling stale and felt they had achieved as much success in the UK and Europe that they could. Slade and their manager Chas Chandler decided that the next best career move was to try and crack America. The band agreed to move to there and build a reputation for their live performances from scratch, just as they had in the UK. Holder said in 1975: "During the past five years when the band peaked, we did five major tours of Britain, six tours of Europe, two tours of Australia, two of Japan, visited the USA a few times, made a film... you can understand why we felt more than a little jaded. We reckoned that we needed to undertake a fresh challenge to regain that old spark." In Spring 1975, Slade relocated to New York City and throughout the year, the band toured constantly, often on packages with the likes of Aerosmith, ZZ Top and Black Sabbath. Often second on the bill, Slade honed their live show, taking the idea