for mail, which is left in a receptacle for that purpose. The wall lights of the room are controlled by a switch at right of entrance, but these are of dull amber, the candle variety, the light is never bright." Legacy Warrick Fuller's work has received new interest since the late 20th century. Her work was featured in 1988 in a traveling exhibition at the Crocker Art Museum, along with artists Aaron Douglas, Palmer C. Hayden and James Van Der Zee. Her work was also featured in a traveling exhibition called Three Generations of African American Women Sculptors: A Study in Paradox, in Georgia in 1998. The Danforth Museum has a large collection of Fuller's sculptures, including many unfinished works from her home studio. Many were exhibited in a solo retrospective show of her work from November 2008 to May 2009. Fuller's work was included in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum. Works Bacchante, painted plaster sculpture, 1930 Emancipation, in plaster, 1913; in bronze, 1999. Featured on the Boston Women's Heritage Trail. Ethiopia, small maquette cast in plaster and painted to resemble bronze, c. 1921, 13 × 3 1/2 × 3 7/8 in., National Museum of African American History and Culture. Ethiopia Awakening, bronze sculpture, greenish-black patina, with hand incorrectly placed flush with the figure's side, , 67 x 16 x 20 in., Schomburg Center for Research in Black Culture, New York Public Library. Henry Gilbert, painted plaster sculpture, 1928 Jason, painted plaster sculpture, Danfort Museum La petite danseuse, bronze sculpture, Los Angeles County Museum of Art Les Miserables, bronze sculpture, Maryhill Museum of Art, Goldendale, Washington Lazy Bones in the Shade, sculpture, Man Eating Out His Heart, painted plaster sculpture, 1905–1906. It represents a kneeling male nude eating his heart. Mary Turner (A Silent Protest Against Mob Violence), painted plaster sculpture, 1919, Museum of Afro-American History, Boston, Massachusetts Mother and Child, cast bronze sculpture, 1962, Massachusetts Institute of Technology Peace Halting the Ruthlessness of War, c.1917, renamed and unveiled as "Ravages of War" on October 15, 1999 at West Virginia State College Phyllis Wheatley (c. 1753-1784), painted plaster sculpture, . It was made based upon an engraving published in 1773 Refugee, sculpture, . Hunched male figure with a cane in his hand Talking Skull, bronze sculpture, 1937, Museum of Afro-American History, Boston, Massachusetts. Kneeling male figure facing a skull The