Critic's Choice is a play written by Ira Levin. It opened at the Ethel Barrymore Theatre on December 14, 1960 and ran for 189 performances, closing on May 27, 1961. Levin's inspiration was then-New York Herald Tribune drama critic Walter Kerr and his playwright wife Jean. Otto Preminger directed. Oleg Cassini provided the costumes. A play in three acts, Critic's Choice tells the story of theater critic Parker Ballantine whose second wife, Angela, writes a play which is produced on Broadway. The play is awful and Parker must decide whether or not to review the play honestly. Reviewing for The New York Times, Howard Taubman wrote, "Ira Levin's new comedy, which opened at the Ethel Barrymore last night, is not much of a play." And, "Otto Preminger's staging discloses a seasoned hand, although his pacing often turns languid and his ideas for comedy run thin, like the playwright's." In 1963, the play was made into a film of the same name starring Bob Hope and Lucille Ball. Characters Parker Ballantine: a theater critic in his late 30s or early 40s. Angela Ballantine: Parker's second wife; a blonde of twenty-seven or twenty-eight. John Ballantine: twelve years old, Parker's son with his first wife Ivy. Dion Kapakos: twenty-nine or thirty, the director of Angela's new play. Essie: the Ballantine's black maid. Charlotte Orr: Angela's mother. Ivy London: Parker's first wife, Mother of John. In her mid-to-late thirties. Plot summary Act one The action takes place in the Ballantines’ Washington Square duplex apartment in Manhattan. Act One opens on Parker, Angela, and John Ballantine at the breakfast table. John reports that the downstairs neighbor, Dr. von Hagedorn, is writing a play. This prompts Angela to announce that she has been thinking about writing a play herself. It would be based on her memories of her Uncle Ben, who ran a rooming house. Parker is skeptical, but Angela insists and goes off to start work on the play. This gives Parker the idea to write an article for Harper’s magazine entitled "Don’t Write That Play!"—a piece that would discourage amateur playwrights. As Angela begins to write, Parker starts dictating his article into a tape recorder. Angela completes her play, entitled “The Gingerbread World”, and sends it off to a producer. While awaiting his response, she asks Parker to read it. He does, and tells Angela that the play is horrendous. Angela reacts angrily, but