Marston died in 1947, Peter continued with Wonder Woman until his death in 1958. Legacy Marston and Peter were peers and supporters of the suffragettes and feminists of the early 20th century. Marston — an extended family member to birth control activists Margaret Sanger and Ethel Byrne — often wrote, lectured, and taught in favor of equality for women, and Peter and his wife Adonica Fulton often drew editorial cartoons in supportive magazines, such as Judge, which featured "The Modern Woman" page from 1912 to 1917. Marston stated that he felt the intention of their work was a "psychological propaganda for the new type of woman who, I believe, should rule the world." In 1972, Ms. magazine compiled a hardcover collection reprinting the Golden Age Wonder Woman stories of Marston and Peter. Gloria Steinem selected the stories and wrote of them, "Wonder Woman symbolizes many of the values of the women's culture that Feminists are now trying to introduce into the mainstream: strength and self-reliance for women; sisterhood and mutual support among women; peacefulness and esteem for human life; a diminishment both of 'masculine' aggression and of the belief that violence is the only way of solving conflicts." Wonder Woman was also on the premiere issue cover of Ms. Magazine (January 1972) with the blurb "Wonder Woman for President", a direct reference to the "Wonder Woman For President" cover of Wonder Woman #7 (Spring 1943) by Marston and Peter. This was repeated and updated for the 40th anniversary issue in 2012. During this influential period, DC Comics also returned Wonder Woman's costume, powers, and Amazon heritage in a focus closer to her 1940s beginnings. The 1975 TV series The New Adventures of Wonder Woman reflected the Ms. book's influence directly, setting itself in the World War II era, and basing the animated opening credits on H.G. Peter panels reprinted in the collection. Trina Robbins became the first woman to officially draw Wonder Woman with her 1986 mini-series, The Legend of Wonder Woman. Its visual style and storytelling are a direct homage to H.G. Peter and Marston. The cover to Wonder Woman #184 (vol. 2, October, 2002) by Adam Hughes depicts his modern Wonder Woman meeting the H.G. Peter Wonder Woman of the 1940s. The book The Secret History of Wonder Woman (Knopf, 2014) by Harvard historian Professor Jill Lepore featured a panel of Wonder Woman by H.G. Peter on its