departed Frenett, while PJ Harvey, Stereolab keyboard player Katharine Gifford and Sidi Bou Said members Lee Howton and Claire Lemmon all contributed vocals. Horns were added by trumpeter Andrew Blick (Blowpipe) and saxophonist Raymond Dickaty (from Gallon Drunk and Skree). The band refused to use an outside producer for the sessions and self-produced instead, labelling producers as "an overpaid imposition". The Sound Your Eyes Can Follow was released in 1994 (a few months before Fiedler, Frenett and Fixsen followed with their debut as Laika). It revealed that Moonshake had completely banned guitars from their new sound, relying entirely on the combination of Dickaty's saxophones with looped and layered samples over the rhythm section (in a similar manner to The Young Gods). Compared to earlier recordings, the new Moonshake material was jazzier (with extensive horn parts) and more direct. Callahan wrote all of the songs for the record, with his bleak, vivid urban vision now uninterrupted and untempered by Fiedler's more psychedelic approaches. However, the use of female singers on the record – in particular, PJ Harvey's striking guest contribution on "Just a Working Girl" – would ensure that for now Moonshake would retain a strong female component despite Fiedler's departure. During the recording of The Sound Your Eyes Can Follow, Dickaty had joined the band as a full-time member and Matt Brewer was recruited as the new bass guitarist. When Moreland then left the band to join Moose, Callahan was left as the sole surviving original member. Moreland was replaced on drums by Kevin Bass. Katherine Gifford continued to guest as female harmony singer on live Moonshake dates (as well as performing as lead singer on those newer songs written for a female voice, such as "Heart Keeps Beating"). The Sound Your Eyes Can Follow received good reviews not matched by great sales, and some time after the release of the album Moonshake would part company with Too Pure. The C/Z years - Dirty & Divine and final split (1996–1997) In 1996, Moonshake signed with the Seattle indie label C/Z Records, which was determined to promote them in America. As part of this, the band joined the 1996 Lollapalooza tour of the American Midwest headlined by Metallica and Wu-Tang Clan. The latter experience proved disappointing - assigned to "the third stage", the band found themselves playing from the back of a truck some distance from the main arena. Dickaty would