incorporates electronic production and digital sampling, which combined with Kapur's toasting and affinity for sound systems, situates the music in what writer Carla J Maier calls "the clubs and the recording studios in which he works, while at the same time being part of a globalized and digitalized music culture." Kapur's earlier singles, including "Move Over India" and "Chok There", reappear on the album. Composition Music On No Reservations, Apache Indian uses beats and basslines familiar to reggae and dancehall, incorporates styles and samples of bhangra, Hindi filmi music and Indian classical music to represent his Indian identity, and sings in a ragga style, resulting in what writer John Connell describes as "a contemporary Anglo-Indian fusion". Although described as primarily a bhangra album, critic Ken Hunt argues that the album is not bhangra itself but rather a "bhangra-related dance music." J. Poet of Trouser Press similarly felt the record to primarily showcase Kapur as a raggamuffin deejay, while Caroline Sullivan of The Guardian observed that Kapur uses Indian instruments and subject matter to flavour a "macho" ragga style derived from Super Cat. Apache Indian considered his style to be "first, and foremost, street music", explaining: "My stuff is all about the fusion of cultures and styles. I grew up with black and white people, my music is part of the people around me". The sounds of sitar and "hard-edged" tabla permeate the record. David Vlado Moskowitz considers No Reservations to be more mainstream than Kapur's earlier releases, while Eamon Carr of the Evening Herald, who considers the album to fuse "club styles, cultures and funky beats", emphasises the "ear for a commercial hook". The album opens with the sound of a "hail of bullets", a "gangster stance" familiar to reggae and rap which is deflated by Kapur's boast that he is "hotter than vindaloo curry". The re-appearing "Chok There" fuses bhangra and ragga rhythms, notably using a pronounced dhol drum riddim, and features sitar and percussion breaks. Despite its challenging subject matter, "Aids Warning" is among the album's poppiest songs. Considered the record's most Indian-styled track, with its sampled usage of Indian filmi music and tabla, "Arranged Marriage" opens with a dancehall-style introduction with Indian instrumentation, namely a dhol drum, a flute hook line and tabla. Taylor writes that although reggae dominates the song, the "distant sounds of India", like the aforementioned instruments and "vocalise of Indian film music", as