Ryan Dahle (born 1970) is a Canadian musician, best known for his contributions to the bands Age of Electric and Limblifter, each of which have scored several major radio hits. The Age of Electric The Age of Electric was a band founded in 1989 that consisted of two sets of brothers, Ryan and Kurt Dahle, and Todd and John Kerns. Originally named just "Electric", the band got their start by playing original music in cover song clubs. Playing four long sets of music, six nights a week sometimes 48 weeks a year, they not only learned to play but learned how to perform in these rugged bars and pubs of Western Canada. In 1994, The Age of Electric released the Ugly EP, which sold well independently. The group gave Cargo Records the rights to distribute the EP, and its title track peaked at #11 on the Canadian Rock Radio Charts with no major label help. Invasion Group Management in New York later helped with the promotion of the album. Innovative videos for the Ryan Dahle penned singles "Ugly" and "Untitled" made a big impact at Muchmusic, Canada's version of MTV. No major label deal was in sight, so the group decided to continue to release independently, an LP called The Age of Electric. In 1995, the group got signed simultaneously to Mercury Records US and Universal Music in Canada, and re-released The Age of Electric. In 1996 they commenced recording their first major label record and what would be their final, Make a Pest a Pet. Transitional years In 1995, Ryan, Kurt and bassist Ian Somers formed Limblifter as a vehicle for the surplus songs Ryan had been writing for The Age of Electric. Signing simultaneous record deals with Mercury Records (US) and MCA in Canada, Ryan and Kurt's record deals were now at highest count four. They released a self-titled debut album, which spawned three Canadian top-40 hits, "Tinfoil", "Vicious" and "Screwed It Up". The first single was released in the US the same week their A&R man was fired at Mercury and despite an extremely promising and coveted most added single at rock radio in Billboard magazine, the record was quietly shelved by the label. The project would be put on hiatus soon thereafter, and the brothers once again began to focus on their first group. Ian Somers would soon move on to form and write for a