neighborhood of Queens in New York City, not far from the Brooklyn neighborhood where Cautley had spent much of her childhood. Sunnyside Gardens was built in response to the post-World War I housing shortage, and was intended for families of modest income. The great achievement of Sunnyside was its 200 ft. by 900 ft. “super-blocks,” with all the houses oriented towards rear courts. Only 28 percent of each block was developed, allowing for a large middle expanse to be devoted to community garden plots and public greensward. Some believe that Cautley should be largely credited for devising this housing configuration, although she is often only mentioned in passing in articles on the work of Stein and Wright. Cautley’s planting plans filled the rear court of each house with sycamores and flowering shrubs, enclosed by low hedgerows that delineated each parcel while still fostering a communal sensibility among neighbors. After Sunnyside Gardens, Cautley went on to work on the Phipps Garden Apartments in Sunnyside (1930), and Hillside Homes (1935), yet her most well known commission with Stein and Wright was at Radburn in Fair Lawn, New Jersey, where she continued to experiment with the lessons learned at Sunnyside. Cautley wrote in detail about the planting plan for Radburn in the 1930 issue of Landscape Architecture magazine. She envisioned a community with no backyards, but simply small lawns or plots that did not encumber the extended view from the porch of each house out to the large central park, which was accessible only to neighborhood residents. “A park,” Cautley wrote, “is not a rectangular bit of turf and trees with pincushion flower beds and warning signs to keep off the grass.” Instead, she envisioned it as a “large, winding strip of land” with wide pavements on either side, flanked by shade trees that would maximize outdoor activity. The park was to be planted in stages, illustrating Cautley’s vision for a community that would develop and change over time, rather than one that is fully realized at its outset. This would ultimately allow for greater sustainability. Plant materials were selected for minimal maintenance and for all seasons, with a mind for how they would appear in years to come, and each resident had the option of personalizing his or her garden with different choices of trees, hedges, and shrubs. In her designs, Cautley was sensitive to the need for a greater sense of