The Institut du Monde Arabe (IMA) French for Arab World Institute, is an organisation founded in Paris in 1980 by France with 18 Arab countries to research and disseminate information about the Arab world and its cultural and spiritual values. The Institute was established as a result of a perceived lack of representation for the Arab world in France, and seeks to provide a secular location for the promotion of Arab civilization, art, knowledge, and aesthetics. Housed within the institution are a museum, library, auditorium, restaurant, offices and meeting rooms. History The AWI is located in a building known as the Institut du Monde Arabe, the same name as the institute, on Rue des Fossés Saint Bernard in the 5th arrondissement of Paris, France. Originally, the project was conceived in 1973 by President Valéry Giscard d'Estaing. The museum was constructed between 1981 and 1987 under the presidency of French President Francois Mitterrand as part of his urban development series entitled, the "Grands Projets." The Institute promotes cooperation and exchanges between France and the Arab nations, particularly in the areas of science and technology, contributing to the understanding between the Arab world and Europe. Libya joined the institute in 1984. Architecture The building was constructed from 1981 to 1987 and has floor space of . The Architecture-Studio together with Jean Nouvel, won the 1981 design competition. This project is a result of funds from both the League of Arab States and the French government, with the cost of the building totaling around €230,000,000. The building acts as a buffer zone between the Jussieu Campus of Pierre and Marie Curie University (Paris VI), built in large rationalist urban blocks, and the Seine. The river façade follows the curve of the waterway, reducing the hardness of a rectangular grid and offering an inviting view from the Sully Bridge. At the same time the building appears to fold itself back in the direction of the Saint-Germain-des-Prés district. In contrast to the curved surface on the river side, the southwest façade is an uncompromisingly rectangular glass-clad curtain wall. It faces a large square public space that opens in the direction of the Île de la Cité and Notre Dame. Visible behind the glass wall, a metallic screen unfolds with moving geometric motifs. The motifs are actually 240 photo-sensitive motor-controlled apertures, or shutters, which act as a sophisticated brise soleil that automatically opens and closes to