"No More Tears" is the fifth song and title track on the 1991 Ozzy Osbourne album of the same name. With a running time of 7:23, it is the longest solo song that Osbourne has ever recorded on a studio album. It reached number five on the U.S. Mainstream Rock Tracks chart, number 71 on the Billboard Hot 100, number 17 on the Dutch Top 40 chart and number 32 on the UK Singles Chart. Overview The song originated from a jam session, according to guitarist Zakk Wylde: "We were just messing around in rehearsals. Mike started jamming that on the bass, then Randy started playing drums, and then John started doing that keyboard bit." Osbourne considers this song to be "a gift from God", as stated in the Prince of Darkness liner notes. A shorter edited version of this song was released to some radio stations, and can be heard on the 1997 compilation album The Ozzman Cometh. The full-length version appears on The Essential Ozzy Osbourne. Theme In the 2002 remaster booklet for the No More Tears album, Osbourne stated that the song was about a serial killer. In the September 27, 2018 issue of Weekly Alibi, while texting with music critic August March, Osbourne claimed he wrote the song while in Albuquerque, New Mexico. Music video The video consists of Osbourne singing alone at times and with his backing band at others, intercut with footage of a woman entering a room, sitting in a chair, and crying until she is completely submerged in her own tears. The video was shot to accommodate both the album version and the edited version of the song. Some channels played the full-length video, and others played the shortened version. Osbourne's daughter Kelly is seen at the end of the video in an angel costume lip-syncing the words at the end of the song, "It's just a hand in the bush," which repeats until the video fades out. Critical reception Richard Gilliam of AllMusic wrote "the song has precisely the sort of hard, rhythmic drive that marks good heavy metal" and "Osbourne’s sharply edged vocals are among the strongest of his solo efforts" but "near the end of the song there’s a pointlessly overproduced art-rock bridge that mars the song’s otherwise fine dynamic flow." Consequence of Sound called it, "a successful song indebted to both glam metal and prog rock released the