The Huma (, pronounced Homā, ), also Homa, is a mythical bird of Iranian legends and fables, and continuing as a common motif in Sufi and Diwan poetry. Although there are many legends of the creature, common to all is that the bird is said never to alight on the ground, and instead to live its entire life flying invisibly high above the earth. There are numerous folk interpretations of the name, among them that of the Sufi teacher Inayat Khan, who supposed that "in the word Huma, hu represents spirit, and the word mah originates from the which means water." Myths and legends The Huma bird is said to never come to rest, living its entire life flying invisibly high above the earth, and never alighting on the ground (in some legends it is said to have no legs). In several variations of the Huma myths, the bird is said to be phoenix-like, consuming itself in fire every few hundred years, only to rise anew from the ashes. The Huma bird is said to have both the male and female natures in one body (reminiscent of the Chinese Fenghuang), each nature having one wing and one leg. Huma is considered to be compassionate, and a 'bird of fortune' since its shadow (or touch) is said to be auspicious. In Sufi tradition, catching the Huma is beyond even the wildest imagination, but catching a glimpse of it or even a shadow of it is sure to make one happy for the rest of his/her life. It is also believed that Huma cannot be caught alive, and the person killing a Huma will die in forty days. In Ottoman poetry, the creature is often referred to as a 'bird of paradise'; early European descriptions of the Paradisaeidae species portrayed the birds as having no wings or legs, and the birds were assumed to stay aloft their entire lives. In Attar of Nishapur's allegorical masterpiece The Conference of the Birds, an eminent example of Sufi works in Persian literature, the Huma bird is portrayed as a pupil that refuses to undertake a journey because such an undertaking would compromise the privilege of bestowing kingship on those whom it flew over. In Iranian literature, this kingship-bestowing function of the Huma bird is identified with pre-Islamic monarchs, and stands vis-a-vis ravens, which is a metaphor for Arabs. The legend appears in non-Sufi art as