Serge Gainsbourg and Yves Montand as influences. He also expressed interest in French film and culture, claiming this was his original reason for traveling to Europe. The Flying Club Cup was officially released in October 2007. In September 2007 they did a Take-Away Show acoustic video session shot by Vincent Moon. The DVD Cheap Magic Inside was shot but quickly sold out; in December 2010, Beirut, Ba Da Bing, and La Blogothèque authorized its dissemination via digital download. March of the Zapotec On April 3, 2008, Beirut canceled a previously announced summer European tour. Already in 2006, Beirut canceled the European leg of the tour due in the fall because after two months of the US tour, Condon stated that after two months of touring, he was suffering from exhaustion. Zach Condon explained the cancellations in a post on the official Beirut website, stating that he wanted to put the effort into ensuring that any shows would be "as good as humanly possible". In January 2009 the double EP March of the Zapotec/Holland EP was released, containing an official Beirut release based on Condon's recent trip to Oaxaca (March of the Zapotec), and electronic music under the "Realpeople" name (Holland). On February 6, 2009 Beirut made their debut television performance in the United States on the Late Show with David Letterman, performing "A Sunday Smile". The Rip Tide In early June 2011, amidst touring the US, Beirut announced that their newest album, The Rip Tide, which had been recorded the previous winter in upstate New York, was to be released on August 30. The band simultaneously released the single "East Harlem" (first recorded on Live at the Music Hall of Williamsburg), with the B-side "Goshen". The album was recorded, managed, and released under Condon's own Pompeii Records. Reviewers and fellow musicians have noted that, unlike the prior albums which drew heavily on foreign music from Mexico, France, the Balkans, etc., this one has shown Beirut with its own, more pop-oriented sound; saying, "what emerges [on The Rip Tide] is a style that belongs uniquely and distinctly to Beirut, one that has actually been there all along." One reviewer noted that "the Euro influences [of Beirut's previous albums] are still there, but the presiding spirit is old-fashioned American pop." This album also differs from Beirut's previous albums in that the music was recorded as a band playing together rather than laying