No Reservations is the debut studio album by British-Asian musician Apache Indian, released in January 1993 by Island Records and their subsidiary Mango. The musician and singer recorded the album primarily in Jamaica's Tuff Gong studios with producers including Simon and Diamond, Bobby Digital, Phil Chill and Sly Dunbar. It follows, and includes, Apache Indian's 1990–91 singles – "Move Over India", "Chok There" and "Don Raja" – which saw him pioneer a fusion of Jamaican ragga and Indian bhangra later known as bhangramuffin. The album showcases Apache Indian's fusion of ragga and dancehall beats and basslines with bhangra and other forms of Indian music, such as filmi, with songs delivered in a fusion of English, Punjabi and Jamaican patois that the musician called "Indian patois". He sought to write about topics that were traditionally undiscussed in Asian communities, such as alcoholism, AIDS, the caste system and arranged marriages, and the controversial nature of the lyrics drew criticism and protest from castes. The singer named the record with reference to Indian reservations and is depicted on the artwork before a mixture of Jamaican and Indian iconography, reflecting his mix of musical styles. On release, No Reservations drew acclaim from music critics, who saw its fusion of ragga and bhangra modes as innovative, and it reached number 36 on the UK Albums Chart. "Arranged Marriage", issued as the album's official lead single, was the musician's breakthrough success in his home country, reaching number 16 on the UK Singles Chart. Apache Indian was particularly successful in India, where the album sold over 500,000 copies and is certified triple platinum. No Reservations has been credited for helping popularise ragga music and British-Asian pop, and was shortlisted for the 1993 Mercury Prize, while Apache Indian received four nominations at the 1994 Brit Awards. Background Born Steven Kapur to an Indian migrant family, Apache Indian was raised in Handsworth, a multiracial neighbourhood in Birmingham home to reggae bands Steel Pulse and UB40. He grew up enjoying roots reggae artists like Bob Marley and Burning Spear, and interest in reggae grew larger when introduced to sound system culture by a British-Caribbean man, Sheldon, who ran the local Siffa sound system. Kapur began chatting with numerous systems, and grew out dreadlocks in his teens. He later said he was the only Indian he knew who enjoyed reggae, saying "There was just something about the music. Regardless of what