part led to the bidding war surrounding the band that led to them being signed to Island. The CD single was released on 12 May 2003. During the first week 733 copies of the 1500 released were sold, reaching No. 122 in the UK Singles Chart. However, this release was so limited that nowadays copies can be expected to sell on eBay in the region of £90. The cover art, designed by Alex Lake, represents Tom Chaplin's shadow filled with the photography of two boats. The typeface used in the cover is different from that used in both the Hopes and Fears and the Under the Iron Sea publicity campaigns. Island single The 2004 version of "Everybody's Changing", re-recorded during the Heliocentric sessions of winter 2003, is Keane's second major-label release during the Hopes and Fears campaign. The single was released on 3 May 2004, a week before the album, and it reached number four on the UK Singles Chart, selling about 25,000 copies. The song also reached the top 10 in Denmark, France and Italy; it is the band's highest-charting song in all three countries. There were also pocket CDs with two songs and polyphonic ringtones, as well as alternative versions for France, the Netherlands and Germany. The enhanced CD includes the UK videoclip and wallpapers. This single was only released in Europe and Australia. Music videos There are three videos for this song. International version Keane are playing in a white room, and proceed to change into other persons. Most of the persons they change into are easily recognizable archetypes from cultures around the world. These include a basketball player, a Japanese geisha, a military soldier, a doctor in a white lab coat, a female bodybuilder, a young female gymnast, an Aboriginal Australian tribesman, a British police woman, a Boy Scout, an Inuit man, a Ballet dancer and a homeless man. United States version Keane appear on a scene representing a sunset – their performance is broken up with clips of gigs in London, Mexico City and United States. Unreleased version This video was directed by Mark Pellington, but was shelved after the band apparently (according to rumour) decided it didn't fit with the tone of the song. This video has since been released and has gained some popularity on the internet. Running at seven minutes long, the video is in the style of "verbatim theatre", with people