and parapet and decorative caps were placed on all three doors. The Dolores Bell was placed in a niche flanked by atlantes above the balcony above the central door. The façade was covered with red tezontle stone and installed stone frames on the doors, windows, cornices, and parapets. In the interior, a grand staircase of marble was installed in the central patio (where Diego Rivera would later paint The History of Mexico mural) and constructed stairs to the internal revenue department and the offices of the General Treasury in the north wing. The old Chamber of Deputies, abandoned after a fire in 1872, was reconstructed and re-inaugurated as a museum to the centennial. A statue of Benito Juárez was placed in the north wing near his old quarters. This statue was made with bronze from the cannons of the Conservative Army during the Reform War and from French projectiles from the Battle of Puebla. This caused the Palace to lose its Baroque (and French) appearance and give it the appearance it has today. Palace as presidential residence All the viceroys that ruled New Spain during the colonial period lived in this residence except for Antonio de Mendoza and Juan O’Donojú, the first and last viceroys. After independence, the palace was home to the two emperors who ruled Mexico during brief periods: Agustin de Iturbide and Maximilian I of Mexico. The first president to live in the building was also Mexico's first president, Guadalupe Victoria, and its last occupant in the 19th century was Manuel González, president from 1880 to 1884. After that, the presidential residence was moved to Chapultepec Castle and later, in 1934, to Los Pinos, but the National Palace became the official residence once again with Andrés Manuel López Obrador, president since 2018. Famous people who stayed here include Sor Juana Inés de la Cruz, Mateo Alemán, Friar Servando de Mier (he also died here), Alexander von Humboldt and Simón Bolívar. 2014 damage On November 8, 2014, alleged anarchists intentionally damaged the palace facade and windows with graffiti and by breaking windows, and burned down a section of the Mariana Door after a failed attempt at breaking it down. The National Institute of History and Anthropology (INAH) handled the restoration and presented charges for the damage. Archaeological work Because of work related to the construction of Metro Line 2 and the acceleration of the sinking of many of