company experienced various owner changes. Quality control was also inconsistent. During the Vox brand's early '70s "Dallas Arbiter" period, the tube rectifiers of AC30s were replaced by silicon rectifiers, which became standard on later AC30TB models. In the late 1970s Vox also introduced a solid-state AC30 (AC30SS), which is the AC30 model that was used by Status Quo. A tube AC30TB with spring reverb feature was reintroduced in 1978. In spite of at least one AC30 production run titled "Limited Edition" of 100 units with starting serial number 0100 (1991) (no reverb), production of the AC30 has practically never ceased: Newer AC30s are reissues of the various top boost AC30/6 (AC30TB) models. AC30s made between 1989 and 1993 also had spring reverb as a standard feature. The Rose Morris company, who owned the Vox name through the 1980s, sold Vox to Korg in the early 1990s, who then manufactured a reissue of the early '60s AC30 Top Boost, correcting previous inconsistencies ranging from the correct style grille cloth to the GZ34 rectifier tube. These AC30 amps were mostly offered in the traditional black Tolex/brown diamond grille configuration, but were also available in limited numbers with purple, red, or tan tolex. These amplifiers, like all AC30s to this point, were manufactured in Great Britain. These were available with a choice of Celestion "Blue" or "Greenback" speakers. In the mid 1980s, a company in Marlborough, MA, called Primo, imported and began re-distributing the AC30s in the U.S. AC30HW Limited (2003) In 2003, Vox created the "AC30 Heritage Handwired Limited Edition" amplifier (AC30HW). This amplifier differed from the standard offering in notable ways. First, the circuitry was constructed using old-fashioned tag strips. According to Vox this was far more labor-intensive, but it allowed for easier repair versus circuit boards because there were no copper tracks to burn. According to the Vox showroom site: "1960s era Vox amps were hand wired on tag strips. The connecting lead (or wire) from each electronic part was manually wrapped around a terminal, or "tag," and then soldered. This mode of amp construction is very labour-intensive and the workmanship and accuracy of the employee building the amp will affect the performance of the product. It was for this reason that most electronics manufacturers transitioned to phenolic printed circuit boards by 1970." The second notable difference was the features and control layout. Guitar Player magazine reviewed the amp in