new". However, May admitted this was difficult "because they're dealing with iconic Disney characters who have been in the psyche of the viewing audience for so long". For the character of Giselle, her journey to becoming a real woman is reflected in her dresses, which become less fairy tale-like as the film progresses. Her wedding dress at the beginning of the film directly contrasts her modern gown at the end of the film. The wedding dress served to provide a "humongous contrast to the flat drawings" and to accentuate the image of a Disney Princess. In order to make the waist look small, the sleeves are designed to be "extremely pouffy" and the skirt to be as big as possible, which included a metal hoop that holds up twenty layers of petticoats and ruffles. Altogether, eleven versions of the dress were made for filming, each made of 200 yards (183 m) of silk satin and other fabric, and weighing approximately 40 pounds (18 kg). On the experience of wearing the wedding dress, Amy Adams described it as "grueling" since "the entire weight was on her hips, so occasionally it felt like she was in traction". Unlike Giselle, Prince Edward does not adapt to the real world and James Marsden, who plays Edward, had only one costume designed for him. May's aim was to try "not to lose Marsden in the craziness of the outfit... where he still looks handsome". The costume also included padding in the chest, buttocks, and crotch, which gave Marsden the "same exaggerated proportions as an animated character" and "posture – his back is straight, the sleeves are up and never collapse". May was delighted that Lima "went for something more fashion-forward" with Susan Sarandon's Queen Narissa. She decided to make her look like a "runway lady", wearing something that is "still Disney" but also "high fashion, like something John Galliano or Thierry Mugler might design". Since Narissa appears in three media: hand drawn animation, live-action, and computer animation, May had to make sure that the costume would be the same throughout in terms of "color, shape, and texture". The costume for Narissa consisted of a leather corset and skirt, which looked "reptilian", as well as a cape. Working with the animators, May incorporated parts of the dragon's form into the costume; the cape was designed to look like wings, the layers of the skirt wrap around