lot of money" but changed their minds upon discovering his genuine love of the genre. The translation themes of "Move Over India" carried over into its proposed follow-up, "Come Follow Me", which featured Birmingham MC Mickey G, but the single was cancelled after the song had been heavily bootlegged. Instead, Apache Indian's next two singles, both for Sure Delight, were "Chok There" and "Don Raja". Aided mostly by pirate radio airplay, both singles continued Kapur's success in topping the UK's bhangra and reggae charts. In 1991, The British Reggae Industry Awards awarded Kapur with the award for Best Male Newcomer. Although none of his singles had reached the national pop charts, they attracted the attention of Island Records, who signed him in early 1992. Marc Marot of Island said they judged Apache Indian "just from those singles [...] We felt that he had commercial possibilities regardless of where he came from and what background he had." After signing to Island, he made a national television appearance in the UK on Blue Peter. Recording According to Apache Indian's manager, Mambo Sharma, "so much thought" went into recording No Reservations because, as the singer's debut album, it had to introduce listeners to his work effectively. Apache Indian travelled to Bob Marley's Tuff Gong Studios in Kingston, Jamaica, to record part of No Reservations. He collaborated with numerous reggae stalwarts, including Sly Dunbar, Robert Livingstone and Bobby Digital, who all provided riddims for the album, as well as vocalists Frankie Paul and Maxi Priest. Most of the album, however, was produced by Simon & Diamond, with production credits for Phill Chill on "Fix Up", Bobby Digital on "Guru" and Dunbar on "Magic Carpet", with Livingstone providing mixing and additional production on "Fix Up". Apache Indian and Trevor Wyatt acted as executive producers, while Phill Chill mixed "Arranged Marriage". According to writer Les Back, Apache Indian's decision to record in Jamaica with local reggae luminaries was partly an attempt to legitimise his fusion of reggae with bhangra, while journalist Dave Cavanagh said the "slew of the island's big names" helped endorse the album's ragga elements. Although Kapur enjoyed working with reggae musicians, he made a conscious decision to "separate from the Jamaican music scene," according to Wentz, with Kapur explaining that he made an effort "to lean more towards my people." Part of the album was also recorded in New York City. No Reservations