blood of the boy are cooked and consumed by the father. What is missing in most English language translations in the word "stew" is that the blood of the boy is also cooked and eaten. The symoblism in relation to the Eucharist - eating the body and drinking the blood of Christ - then become unmistakable. Reincarnation "In fairy tales the cycle of human life is intimately related to the cycle of nature." Particularly seen in the Grimm Brother's "The Juniper Tree," reincarnation plays a major role in the tale. The audience first sees reincarnation when the first wife asks to be buried under the juniper tree. Although the mother never truly comes back to life, her spirit appears to have supernatural influence over the juniper tree, which allows her son to be physically reincarnated, as a bird and as his originally physical form, at the end of the story. Theory of Grimm Each Grimm tale follows a predetermined and categorical format. Every tale is based on the idea that each character is born with fault. For example, if a child is “loved by his parents, he is hated by a brother or sister.” Another example could include a child “surrounded by affection.” Using the Grimm theory, the child then must be “pursued by an offense committed prior to his birth, generally by one of his family.” It is this format that pushes a "coming of character moment" where the main character (in order to survive) “set[s] out on a road strew with pitfalls, pursued by an evil willpower, as if distance itself could not take him away from the fatality of [his or her] family." Transformative bodies in Grimm Continuous throughout each of the Grimm tales are the reappearance of transformative bodies. Critic Jeana Jorgensen, argues that there is a connection between the physical transformation of characters and their genders. Drawing a connection between beauty ideals consistently being a major factor in female character development to Grimm, while transformations playing a significant role in the development of mostly male characters. She concludes that female characters are usually described with a focus on their physical attributes such as small, petite, wicked, beautiful, and ugly compared to the adjectives used in male transformations that overall relate strictly to age and size. Specifically, in The Juniper Tree, Jorgensen uses Miriam's depiction of sorrow as a representation of the fact that in several