the double-crossing of a prostitute, whom he dreamed to live with. Hacı's drama does not only narrates loneliness and lovelessness. At the same time, it shows the by-products of the capitalist order, which develop alongside but which are not visible as long as one “keeps out”, like worthlessness, prostitution, procuration, and bravado. Abuzer saw his mother killing a man, to whom her husband sold her. After that, Abuzer is pushed to evilness and crime, as he does not have any shelter or a family anymore. The last scene is one which becomes imprinted in the memory of those who watch the film. It makes the fact visible, what an innocent child can become due to the lack of social conscience. Zavallılar sets forth a lot of problems and conflicts without mentioning their roots. With this approach Güney continues, with the help of Yılmaz, his documentary behaviour. It shows realities without any interpretation to the audience. Again, Zavallılar has an uncertain end, as in Umut and most of his other films. References External links TurkishFilmChannel page for the film Zavillilar at SinemaTürk 1970s Turkish-language films Turkish drama films 1975 films Films set in Turkey Hyperlink films 1975 drama films