Queensland Catholic Schools & Colleges Music Festival (QCMF) is an annual music event held at Villanova College and St. James Catholic Parish, Coorparoo, Queensland, Australia, held on the Thursday night, Friday, Saturday and Sunday immediately after the Wednesday Ekka Public Holiday in August. The festival is a three-and-a-half-day event encompassing the participation of Catholic schools from Queensland aiming for an award of either Gold, Silver or Bronze, judged by leading musicians. Schools from other parts of Australia and New Zealand who are touring Queensland are also welcome to participate in the festival. To celebrate 20 years of QCMF in 2010, there was a 20th anniversary concert on Sunday, 15 August with James Morrison, Emma Pask and selected musicians held at QPAC This event was previously known as the QCCMF (Queensland Catholic Colleges Music Festival). History The Queensland Catholic Schools' & Colleges' Music Festival has had an exciting history since its creation in 1991. At that time a number of staff from Villanova College, Coorparoo, who had developed their own school's comprehensive instrumental music programme, were lamenting the lack of opportunities for ensembles from Catholic schools. Opportunities for Catholic schools to perform, to come together, to listen to one another and to get good positive feedback from professional adjudicators were few indeed. Armed with these goals and good doses of enthusiasm and perseverance the QCMF was born. The past 22 years of history has seen this festival grow from a humble start in 1991 with 12 local Catholic schools, gathering together to recognize great achievements in Catholic Music Education. That message has not changed, although the scope and breadth of this event surely has. In 2011 it welcomed over 11,300 student performances, by 361 ensembles representing 93 Catholic schools from across Queensland, and interstate. In 2012, the numbers have grown to over 12,400 student performances, by 427 ensembles representing 104 Catholic schools. A distinguishing characteristic of this festival is that it aims to be positive and non-competitive, while still providing recognition to outstanding performances. Every performing ensemble will be adjudicated by encouraging music performance experts, sourced locally and from interstate. Directors receive positive and constructive comments on paper, allowing this to be an educational experience for all involved. The use of adjudicated digital audio recordings was discontinued after 2012 - from 2013 onwards, groups receive a recording of their performance with no adjudicator voice-over. The adjudicators for each section have the