well as its "folklike ululations", flitter among "the edges". Also features is synthesised harmonium, an instrument popular in South Asian religious music. "Don't Touch", a duet with Frankie Paul, features what Cavanagh describes as an "unadulterated JA sound", while he described "Come Follow Me" as a "barely-reggae, acoustic guitar-based Indian tour guide" Lyrics The album's lyrics, written by Apache Indian, feature social commentary and themes of social realism. Colin Larkin wrote that the record moved Kapur "away from the frothier elements of his distinctive ragga-reggae and towards the role of social commentator and Anglo-Asian representative." The songs are "relevant to Indian youth identity in Britain," according to Connell, while writer Steve Tilley says they deal with concerns typical to Asian youth, and they discuss racism, AIDS, arranged marriages, divorce, alcoholism, drugs, the caste system and bridging black-Asian hostilities, often taking a cautionary stance. References to the Taj Mahal, Amritsar, Gandhi and Ravi Shankar also feature. Many of the issues Kapur raises on the album were traditionally undiscussed within Asian communities, with the singer intending to discuss things "that haven't been talked about before". He commented that religious upbringing in Asian communities left numerous subjects "that need to be discussed among the Asian community – like arranged marriages, and AIDS... I'm not saying that we're going to solve the problem, I just want to bring them out in the open for discussion". The controversial themes proved threatening to Indian, who was told by several people that he should avoid discussing such issues, and he hired security wherever he travelled. His bodyguard, Kid Milo, explained to Sullivan in March 1993: "The Indian community don't take kindly to his singing about street things. They feel he should keep certain subjects within the community. The castes get offended and they stick together. We had a bomb threat at a record-signing the other day, and they petrol-bombed a club he was appearing at in Toronto." Kapur sings on the album in a mix of English, Jamaican and Punjabi patois, with songs generally being "dancehall Jamaican English in style," cramming words and slangs from other communities. He uses words from the three patios interchangeably, often in reference to the "sonic geography of his influences", as on "Chok There", in which he references Karachi, New York, Kingston and London. According to Raoul Granqvist, Apache Indian's style takes everyday words from Punjabi and dancehall cultures and uses them