María Isabel Granda Larco (3 September 1920 – 8 March 1983), better known as Chabuca Granda, was a Peruvian singer and composer. She created and interpreted a vast number of Criollo waltzes with Afro-Peruvian rhythms. Granda's "La flor de la canela", "José Antonio", "El Puente de los Suspiros", and "Fina estampa" helped the singer receive international recognition. She has influenced various Peruvian artists such as Susana Baca, Eva Ayllón, Gian Marco and Juan Diego Flórez. In 2017, her work was declared a Cultural Heritage of the Nation and in 2019, the Peruvian government posthumously awarded her the highest national honor, the Order of the Sun. Life and career Granda was born on 3 September 1920, in a copper mining area in the region of Apurímac. She began singing at 12 years old, in the school choir at the exclusive girls' school Colegio Sophianum, in San Isidro, an affluent neighborhood of Lima, Peru. At this age she sang as a soprano (an operation later gave her the deep voice for which she is remembered). However, she wasn't well known until after her divorce, a scandal in contemporary Lima, noted for a very conservative Catholic society. She discovered, and was inspired by, Conny Mendez a Venezuelan composer who sang to her country and to nature. “At that time, in Peru, people mainly sang to broken hearts” she says. These are songs that never go out of fashion. The miracle of the popular song is that different countries perform it in their own way.” Early career Early in her career her work was expressive and picturesque – evoking the romantic and beautiful neighborhood of Barranco in Lima, with its grand French houses with impressive entrances and winter gardens. Some of her most famous songs from this period are "Lima de veras", "La flor de la Canela", "Fina estampa", "Gracia", "José Antonio", and "Zeñó Manué", to name a few. She broke the conventional rhythmic structure of the waltz, later broke convention with her poetic cadences as well. Later in her career she wrote songs dedicated to the Chilean Violeta Parra ("Cardo o ceniza") and to Javier Heraud, a Peruvian poet and guerrillero, who was killed in 1963 by the Peruvian army. Towards the end of her career, Chabuca Granda incorporated Afro-Peruvian rhythms into her work. Afro-Peruvian music, while popular, was not considered "high art" due to the prevalent racism and devaluation of Afro-Peruvian culture.