Moshe Rynecki (, Mosheh Rynetski; 1881–1943) was a Polish-Jewish artist. He was born in Międzyrzec Podlaski, Poland to a religious family. He was one of five surviving children of the eighteen born to his parents. Thirteen died of assorted childhood illnesses. Life Rynecki began drawing at an early age. According to family lore, he used to use chalk, or sometimes paint when he had some, to draw figures on the floor and walls of his home. According to a memoir written by his son, George, "Not once was he actually beaten for breaking the commandment, 'Thou shalt not create images.'" He once explained his drive to paint to his son. He told him, "God gave me talent and I truly don't believe in breaking that natural trend. I simply have to do it. If He wouldn't want me to paint, I wouldn't have that tremendous urge and desire to immortalize on paper or canvas what I see. I simply am a writer of sorts, instead of words, I leave my messages in pictures. I don't feel to trespass the Bible's saying about images." Rynecki received little formal art education. Although he probably would have preferred to go straight to art school, he first had to complete his Jewish education at a yeshiva. He did this, and then went on to a Russian middle school, which was a prerequisite to acceptance at the Warsaw School of Fine Arts, which he attended for a brief period during the 1906-1907 school year. At age 17, Rynecki met Perla Mittelsbach, the daughter of a Warsaw family of some means. They married, and, while Moshe continued his studies at the Warsaw Academy, Perla was left to oversee the household and to run a small store (that store was located on Krucza Street). The store, which sold writing materials, books, and paintings supplies for artists, provided the family with an income. At about the same time, the store opened, Perla gave birth to a daughter. About a year and a half later, she gave birth to a son, George. After completing his formal education, Rynecki went on to paint that which he knew best; the community in which he lived. In paintings such as "The Chess Players" and "Woman Embroidering," he captured people doing everyday activities and in paintings such as "Simhat Torah," "Synagogue Interior," and "In the Study," his works capture places, events, and issues