a painting by ex-stripper Stella Vine of Princess Diana with blood coming from the mouth (it was then exhibited in his next show, New Blood). There was international media reporting of this. Vine was talked of as "the new star of the Brit art scene", commenting, "I didn't think anyone really liked what I was doing", and that she had only been painting for four years "after accompanying her son Jamie, 18, to Hampstead School of Art" (a private college). This caused a strong reaction from the Stuckists. Vine had for a short time been a member of their group, and they had first exhibited her in 2001, when she was also (briefly) married to Charles Thomson. She had even been a nominee for their Real Turner Prize Show. The Independent newspaper validated these claims and reported Thomson's complaint that Saatchi had been "stealing their identity as he tires of the Britart scene". Thomson and eleven other people (including non-Stuckists, such as David Lee and Christopher Fiddes of the Movement for Classical Renewal) then reported Saatchi to the Office of Fair Trading. The grievance was: However, the complaint was not upheld and the OFT pronounced, "We do not have reasonable grounds to suspect that Charles Saatchi is in a dominant position in any relevant market", which Thomson turned to advantage by spotting the unintended slight and remarking that it was "just another cruel smack in the face" for Saatchi. The Triumph of Painting 2005 The Stuckists' concerns were not alleviated, when, at the end of 2004, Saatchi announced that he was putting his Britart holding into storage and devoting the next year to exhibitions featuring only painting. A few months prior to this announcement, Saatchi had stood outside the Stuckism International gallery, reading not only a placard that declared "STUCKIST ART IN 2001 IS SAATCHI ART IN 2004" (referring to Stella Vine), but also the anti-conceptual art, pro-painting Stuckist manifesto, which was on display. Thomson responded immediately in the press to the announcement of Saatchi's change of direction, with the accusation: "almost verbatim, he's stolen the introduction to our manifesto." When the show, The Triumph of Painting, opened at the Saatchi Gallery on 25 October 2005, the Stuckists mounted a picket outside, handing leaflets to the incoming guests (who included Saatchi's wife Nigella Lawson), and displaying placards stating, "Stuckism leads, Saatchi follows" and "Stuckism in 1999 is Saatchi in 2005".