letter the cosignatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity." In October 2010, Gillick contributed a recipe for a vodka and lime juice-based cocktail as his participation in the Ryan Gander art project "Ryan's Bar". The beverage titled "Maybe it would be better if we worked in groups of two and a half," was sold for £50 per serving. In 2010, he composed a score of "zingy electronica" for the artists' film Beijing, made by his ex-wife, Sarah Morris. In 2019, Gillick and New Order (band) released a new live album. The album, titled "?(No,12k,Lg,17Mif)", was recorded live at the 2017 Manchester International Festival. It features new renditions of New Order (band) classics, as well as rarities that the band had not performed in years. Alongside Ingrid Schaffner, Tirdad Zolghadr and others, Gillick is a member of the Graduate Committee of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College, Annandale-on-Hudson, New York. He has been on the faculty of Columbia University School of the Arts in New York City since 1997. Since 2017, he has been a founding member of The American Friends of the ICA, a support group for the Institute of Contemporary Arts (ICA). Gillick is on the board of Artists Space, which is a non-profit arts organization, founded in 1972 in New York. Artistic practice Gillick's artistic output is characterized by diversity. As Caoimhin Mac Giolla Leith of University College Dublin has said, "Gillick's practice to date has encompassed a wide range of media and activities (including sculpture, writing, architectural and graphic design, film, and music) as well as various critical and curatorial projects, his work as a whole is also marked by a fondness for diversions and distractions, tangents and evasions." The focus of Gillick' practice is evaluations of the aesthetics of social systems with a focus on modes of production rather than consumption. He is interested in forms of social organization. Through his own writings and the use of specific materials in his artworks, Gillick examines how the built world carries traces of social, political and economic systems. As art critic Ina Blom has said, "Artists such as Liam Gillick ... no longer address abstraction as the principle for the creation of distinct minimalist objects, but rather try to create through design spaces for open social interaction [artworks] whose actual use is