for marketing and distribution, the film's titled was changed to She's Out of Control the following month. The film was released in Europe as Keep Your Hands Off My Daughter. Reception Based on 19 reviews, Rotten Tomatoes gave the film an approval rating of 11%, with an average rating of 3.5/10. On Metacritic, the film has a weighted average score of 20 out of 100, based on 11 critics, indicating "generally unfavorable reviews." Chicago film critic Roger Ebert gave the film the rare zero stars rating on his written review of the film, saying: What planet did the makers of this film come from? What assumptions do they have about the purpose and quality of life? I ask because She's Out of Control is simultaneously so bizarre and so banal that it's a first: the first movie fabricated entirely from sitcom cliches and plastic lifestyles, without reference to any known plane of reality. Chicago film critic Gene Siskel also gave the film zero stars, calling it "a lame comedy that barely resembles a real movie." During his TV review he reported that "when I saw She's Out of Control, I became so depressed I actually thought about quitting my job as a film critic." Only after seeing Say Anything... was his faith restored. Michael Wilmington of the Los Angeles Times called it "a sometimes funny, mostly media-referential movie without much real life; a high-tech, high-pro job that has a glamor-robot feel." Variety said that the film "picks up some wit and steam when Danza begins consulting a shrink ... For too much of its 95-minute running time, though, the film is loud, broad, and panders to the filmmakers' condescending conception of teenage tastes." Caryn James of The New York Times wrote, "Anyone who has watched television for even a night will be able to predict every scene in 'She's Out of Control' with total accuracy. It is an extended version of familiar, bland sitcom situations, with Mr. Danza playing a smoother-edged version of his character on the endlessly running hit 'Who's the Boss?'" Leonard Maltin's film guide gave it 1.5 stars out of 4, stating that it was a "superficial expanded sitcom with Danza offering a one-note performance," concluding with "this one seems as if it was spit out of a computer." Soundtrack The soundtrack, distributed by MCA Records in April 1989, was released on vinyl, cassette tape and compact