Ray Harm (November 9, 1926 – April 9, 2015) was an American artist, best known for his paintings of wildlife, primarily birds. He was also well known for art marketing and is generally credited as the co-creator of the limited edition art print market, which supplanted the traditional method where artists sold original works on an individual basis. Limited edition art prints are now the standard method of marketing paintings and similar works to the general public. Harm was born Ray Auvil in Randolph County, West Virginia; his father was a concert violinist who also was a woodsman and herbalist. His name was changed to Harm after his parents divorced and his mother remarried to William Harm. He left West Virginia in his mid teens to become a cowboy in the American West, eventually competing on the rodeo circuit and also training horses for the Ringling Brothers Barnum and Bailey Circus. His service in the United States Navy during World War II allowed him to take advantage of the GI Bill for continuing education. Harm used the opportunity to enroll in art school and afterwards became a painter. While selling individual paintings, Harm worked in construction and horse training to make ends meet. In 1961 Harm's work attracted the attention of Wood Hannah, a businessman and art collector from Louisville, Kentucky. The two men came up with the idea of making high-quality art prints of Harm's paintings, which would be issued in limited print runs. The idea was a great success and gave birth to a marketing method for art that has brought commercial and financial success to thousands of artists. In 1963, he was appointed the first H. L. Donovan Artist-in-residence at the University of Kentucky. Harm later wrote a weekly nature column for The Louisville Times, and was a popular speaker and lecturer. Harm was a frequent guest on the radio call-in show Metz Here, hosted for many years by Milton Metz on Louisville's WHAS-AM. In his later life, Harm became a sharp critic of artists who copy their works from photographs by tracing directly over them or projecting an image onto a canvas and then tracing. This practice is now widespread throughout the limited-edition art industry. Harm has prided himself on basing his paintings on his own sketches taken from direct observations of wildlife. On occasion, Harm says he has used museum models of wildlife to get