left aisle. 1892–1894: PP. Bernal y Argueta Bishop Antonio Pérez y Aguilar, who later became an archbishop, ordered Father Juan José Bernal to continue construction work on the church and also named him its chaplain. After two years of work, the central aisle was completely renovated. Father José E. Argueta was named the new chaplain of the church in 1883. Father Argueta continued leading the construction work. In 1894, the left chapel was finished and it was dedicated to the Sacred Family and to the Sacred Heart of Jesus. 1894–1916: P. José María López-Peña Father José María López-Peña made considerable changes of notable artistic quality in the main aisle of the church. He decided to make the roof of the central aisle higher, following the Gothic style. Father López Peña also ordered the construction of a bigger and newer image of Our Lady of El Carmen. He paid the artist 175 silver pesos. This image was placed over the primitive main altar. In 1897 the sacristy was inaugurated. In 1898 the right chapel was opened and dedicated to the Holy Trinity and Divine Providence. These were represented with the most valuable sculptures in the church, which were an inheritance from the colonial period and had been kept in San Salvador in Iglesia San Francisco which was demolished during the earthquake of 1873. The chapel of the Holy Trinity and Divine Providence was almost entirely financed by the contributions of Beatriz Orantes de Estévez, the Gallardo Family, and Doña Concha Morales Villaseñor. In 1899 Father López-Peña commissioned Pascasio González to decorate the most visible part of the main altar, and to do so in an imitation of the Gothic style. In 1900 the brick pavement was opened and the new altar was inaugurated on 16 July. The old altar was moved to the chapel of the Sacred Family where the image of the Sacred Heart of Jesus was installed. In June 1904 decoration works were concluded in the chapel of the Holy Trinity. The convent on the north or the temple was also completed. In the end of the same year the zinc and wooden constructions of the facade were finished and also the towers designed by Jose Jerez. The carpenter Luz Molina and the artist José Ruiz accepted to direct the work charging no honoraries for their contribution. In 1941 the chaplain José Jerez became dissatisfied with the work in