blu dipinto di blu"). It was succeeded as Luxembourgish representative at the 1968 contest by Chris Baldo & Sophie Garel with "Nous vivrons d'amour". Vicky Leandros went on to win the Contest five years later with the song "Après toi", again representing Luxembourg. Charts Paul Mauriat version According to Paul Mauriat, who conducted/recorded an orchestral "easy listening" version of "Love Is Blue", he chose the song because it was published by his label, Philips Records even though he was not fond of the song. A DJ in Minneapolis played the recording and asked the audience to respond, and was inundated phone calls about the song, and interest in the song then quickly spread around the country. The song became a number-one hit in the USA for five weeks in February and March 1968, the first recording by a French artist to top the Billboard Hot 100. (It remained the only French song to top the chart until 2017, when Daft Punk was a featured artist on Canadian artist The Weeknd's number-one hit "Starboy".) Mauriat's version became a gold record, and its five-week run at the top is the second longest of any instrumental of the Hot 100 era, after "Theme from A Summer Place". The song also spent 11 weeks atop Billboard's Easy Listening survey, and held the longest-lasting title honours on this chart for 25 years. Billboard ranked the record as the No. 2 song for 1968. It is the best-known version of the song in the United States. The Mauriat recording also reached No. 2 in Canada (No. 12 Year End), and No. 12 on the UK Singles Chart. The Mauriat album containing "Love Is Blue", Blooming Hits, also reached No. 1 on the Billboard Top LP's and Tapes chart for five weeks. The song sold fewer than 30,000 units in France, but 2 million singles and 800,000 LPs were sold in the US. Mauriat's version was featured repeatedly in an episode of Chris Carter's television series Millennium titled "A Room with No View", which originally aired on 24 April 1998 on the Fox Network. During the episode, the omnipresent melody is used by a kidnapper to brainwash a group of youths. His version is also briefly heard in The Simpsons episodes "There's No Disgrace Like Home" and "The Blue and the Gray." It was played over the closing credits of Mad Men'''s sixth-season episode "The Flood", which