Soca and Dance hall music from Trinidad and Jamaica. Bomba and Plena were played during the festival of Santiago (St. James), since slaves were not allowed to worship their own gods. Bomba and Plena evolved into countless styles based on the kind of dance intended to be used. These included leró, yubá, cunyá, babú and belén. The slaves celebrated baptisms, weddings, and births with the "bailes de bomba". Slaveowners, for fear of a rebellion, allowed the dances on Sundays. The women dancers would mimic and poke fun at the slave owners. Masks were and still are worn to ward off evil spirits and pirates. One of the most popular masked characters is the Vejigante (vey-hee-GANT-eh). The Vejigante is a mischievous character and the main character in the Carnivals of Puerto Rico. Until 1953, Bomba and Plena were virtually unknown outside Puerto Rico. Island musicians Rafael Cortijo (1928–1982), Ismael Rivera (1931–1987) and the El Conjunto Monterrey orchestra introduced Bomba and Plena to the rest of the world. What Rafael Cortijo did with his orchestra was to modernize the Puerto Rican folkloric rhythms with the use of piano, bass, saxophones, trumpets, and other percussion instruments such as timbales, bongos, and replace the typical barriles (skin covered barrels) with congas. Cuisine Nydia Rios de Colon, a contributor to the Smithsonian Folklife Cookbook, also offers culinary seminars through the Puerto Rican Cultural Institute. She writes of the cuisine: Similarly, Johnny Irizarry and Maria Mills have written: Religion In 1478, the Catholic Monarchs of Spain, Ferdinand II of Aragon and Isabella I of Castile, established an ecclesiastical tribunal known as the Spanish Inquisition. It was intended to maintain Catholic orthodoxy in their kingdoms. The Inquisition maintained no rota or religious court in Puerto Rico. However, heretics were written up and if necessary remanded to regional Inquisitional tribunals in Spain or elsewhere in the western hemisphere. Africans were not allowed to practice non-Christian, native religious beliefs. No single organized ethnic African religion survived intact from the times of slavery to the present in Puerto Rico. But, many elements of African spiritual beliefs have been incorporated into syncretic ideas and practices. Santería, a Yoruba-Catholic syncretic mix, and Palo Mayombe, Kongolese traditions, are also practiced in Puerto Rico, the latter having arrived there at a much earlier time. A smaller number of people practice Vudú, which is derived from Dahomey mythology. Palo Mayombe, or Congolese traditions, existed for