Bransle Gay, and Bransle de Poitou (Double) in his Agon (1957). The air of Arbeau's "Branle de l'Official" was adapted for the 20th-century English Christmas carol "Ding Dong Merrily on High". References Footnotes Further reading Bröcker, Marianne (1988). "Ein Branle—was ist das?" In Colloquium: Festschrift Martin Vogel zum 65. Geburtstag, überreicht von seinen Schülern, edited by Heribert Schröder, 35-50. Bad Honnef: Schröder. Challet-Hass, Jacqueline (1977). Dances from the Marais Nord Vendéen. I: Les Maraichines (Branles and Courantes); II: Les Grand Danses and Other Dances. Documentary Dance Materials No. 2. Jersey, Channel Islands: Centre for Dance Studies. Cunningham, Caroline M. (1971). "Estienne du Tertre and the Mid-sixteenth Century Parisian Chanson". Musica Disciplina 25:127–70. Guilcher, Jean-Michel (1968). "Les derniers branles de Béarn et de Bigorre". Arts et Traditions Populaires (July–December): 259–92. Heartz, Daniel (1972). "Un ballet turc a la cour d'Henri II: Les Branles de Malte". Baroque: Revue International 5:17–23. Jordan, Stephanie (1993). "Music Puts a Time Corset on the Dance". Dance Chronicle 16, no. 3:295–321. McGowan, Margaret M. (2003). "Recollections of Dancing Forms from Sixteenth-Century France". Dance Research 21, no. 1 (Summer): 10–26. Martin, György (1973). "Die Branles von Arbeau und die osteuropäischen Kettentänze". Studia Musicologica Academiae Scientiarum Hungaricae 15:101–28. Merveille, Marie-Laure, and W. Thomas Marrocco (1989). "Anthonius Arena: Master of Law and Dance of the Renaissance". Studi Musicali 18, no. 1:19–48. Mizzi, Gordon (2004). "The Branles de Malte". Classical Guitar 23, no. 1 (September): 35–37. Mullally, Robert (1984). "French Social Dances in Italy, 1528–9". Music & Letters 65, no. 1 (January): 41–44. Pugliese, Patri J. (1981). "Why Not Dolmetsch?" Dance Research Journal 13, no. 2 (Spring): 21–24. Richardson, Mark D. (1993). "A Manual, a Model, and a Sketch: The Bransle Gay Dance Rhythm in Stravinsky's Ballet Agon". Mitteilungen der Paul Sacher Stiftung, no. 16:29–35. Richardson, Mark Douglas (1996). "Igor Stravinsky's Agon (1953–1957): Pitch-Related Processes in the Serial Movements and Rhythm in the Named Dance Movements Described in De Lauze's Apologie de la danse (1623)". PhD diss. Tallahassee: Florida State University. Rimmer, Joan (1987). "Patronage, Style and Structure in the Music Attributed to Turlough Carolan". Early Music 15, no. 2 (May): 164–74. Rimmer, Joan (1989). "Carole, Rondeau and Branle in Ireland 1300–1800, Part 1: The Walling of New Ross and Dance Texts in the Red Book of Ossory". Dance Research 7, no. 1 (Spring): 20-46. Rimmer, Joan (1990). "Carole, Rondeau and Branle in Ireland 1300–1800, Part 2: Social and Theatrical Residues