Boy Scouts, the summer camp, and the feeling of belonging...On his eighteenth birthday, he walked into an army careers office and from then until the age of twenty-one had the happiest years of his life in the RASC...He adored the army – It gave him a uniform, and set the limits...Then the shock – he was discovered to be physically unfit...Dormant asthma...He was invalided out of the service...And, he had no taste for civilian life...His Auntie Irene (now in a hospice) secured the flat above Ethel Skinner's for Lofty...He misses the security of the Army...He works in the pub – cash in hand." (page 60) The invention of Lofty had been an afterthought, and during the casting he was still considered as something of an "enigma" to the creators and writers alike. This had made casting difficult as Holland and Smith were unsure about what they were looking for. The actor Tom Watt was suggested by one of the writers. Holland and Smith liked that his physical appearance (gauche and childlike) made him stand out (they likened him to the accident-prone sitcom character, Frank Spencer). It was decided that these attributes fitted the character perfectly and Watt was subsequently cast in the role. Development The BBC's official EastEnders website describes Lofty as "a mug although a lovable one". In 1987, Bob Shields of the Evening Times described Lofty as a "portable funeral". He added, "Beneath the facade of his National Health glasses smoulders the fire and passion of a cold toilet seat." One of the most notable storylines Lofty was involved with was his marriage to the teenage mother, Michelle Fowler (Susan Tully). Michelle and Lofty's church wedding was a massive target of press speculation before the episodes aired. They wanted to know two things, firstly the design of Michelle's dress, and secondly whether or not she would jilt Lofty at the altar. Anticipating a press furore, it was decided to shoot the wedding in a church in private grounds where the press would not have access. However the press still turned up in large numbers, and security men had to be hired to keep cameramen away from the story action. Huge lorries were parked in front of the entrance to the church so that nothing could be seen, and the cast arrived in disguise. Finally strong lights were shone into the eyes of the journalists and photographers, making them