Rough Crossing is a 1984 comedy play by British playwright Tom Stoppard, freely adapted from Ferenc Molnár's Játék a Kastélyban (Play at the Castle). Set on board the SS Italian Castle, it follows world-renowned playwrights Sandor Turai and Alex Gal in their attempts to preserve, with the assistance of the unorthodox cabin steward Dvornichek, the relationship of their composer, Adam Adam, and his love, the leading lady Natasha Navratilova, despite the interference of lothario actor Ivor Fish. History It was adapted from The Play at the Castle (Hungarian: Játék a Kastélyban) a play by Hungarian dramatist Ferenc Molnár. Another English-language adaptation of this play was written in 1926 by P. G. Wodehouse, entitled The Play's the Thing. André Previn wrote three original songs for the play, "This Could Be the One", "Where Do We Go from Here?", and "You Never Heard it from Me". Synopsis In the 1930s, successful Hungarian playwrights Sandor Turai and Alex Gal, collaborators for twenty years, arrive aboard the luxury transatlantic liner SS Italian Castle, which is about to sail from Cherbourg to New York, where they are to present their latest musical comedy, The Cruise of the Dodo. They are accompanied by their young French composer, Adam Adam, a former actor who was forced to end his stage career after contracting a strange speech impediment brought on by the return of his terrifying mother from prison. The three intend to surprise their stars, the glamorous Eastern European actress Natasha Navratilova and the intellectually-challenged English actor Ivor Fish, with the newest song from the as yet unfinished play. Unfortunately, they accidentally hear Ivor declaring his love for the younger Natasha, his former lover, who appears to respond. This particularly affects Adam, who, although ten years her junior, is Natasha's current love. The rest of the play sees Turai, Natasha, and Ivor (who is married and terrified of his wife finding out), assisted by the cabin steward and jack-of-all-trades Dvornichek, attempting to convince the suicidal Adam that what he heard was in fact a rehearsal for a new ending written by Ivor. It is actually Turai, staying up all night, who has written this ending, integrating Ivor's and Natasha's words from the previous evening. He does not, however, inform Gal that he has done this, and the second act takes place at a rehearsal for the play, in which the new ending is presented, although it is