swing style. Following his recording with the Texas Playboys (OKeh 06530) on April 15, 1940, the song entered the standard repertoire of all Western swing bands, influencing the adoption of "Corrine, Corrina" by Cajun bands and later by individual country artists. "Corrine, Corrina" is also an important song related to Western swing's pioneering use of electrically amplified stringed instruments. It was one of the songs recorded during a session in Dallas on September 28, 1935, by Roy Newman and His Boys (OKeh 03117). Their guitarist, Jim Boyd, played what is the first use of an electrically amplified guitar found on a recording. Cliff Bruner's Texas Wanderers also recorded an early version of Chatmon's song on February 5, 1937 (Decca 5350). Folk music revival recordings "Corrina, Corrina" entered the folk-like acoustical tradition during the American folk music revival of the 1960s when Bob Dylan began playing a version he titled "Corrina, Corrina". Although his blues-based version contains lyrics and song structure from "Corrine Corrina", his melody is lifted from "Stones in My Passway" (Vocalion 3723) recorded by Robert Johnson in 1937. Dylan's version, found on his second album, The Freewheelin' Bob Dylan, also borrows lyrics taken from Johnson's song: I got a bird that whistles, I got a bird that sings (2×) The Rising Sons, featuring Taj Mahal and Ry Cooder, recorded the song as "Corinna, Corinna" before breaking up in 1966. Taj Mahal then recorded another version in 1968 titled "Corinna". Michael Cooney included it under the title "Weeping Willow (Corrina)" on his 1976 album on Front Hall Records, Singer of Old Songs. Joni Mitchell covered the song in 1988 on her album Chalk Mark in a Rain Storm, with the title "A Bird That Whistles (Corrina Corrina)", and adding a flight-evoking Wayne Shorter soprano sax solo. Other artists who have recorded the song include Eric Clapton, who sings it as "Alberta, Alberta", Willie Nelson, Steve Gillette, Leo Kottke, and Conor Oberst. The English roots band Show of Hands also performed the song on their live album As You Were, released in 2005 under the duo's own label Hands on Music. The Band (featuring Miranda Sykes as a special guest for this part of the album) used the Dylan/Johnson version of the song. Rock recordings Big Joe Turner recorded a rendition of the song for Atlantic Records in 1956. Ray Peterson's 1960 version, produced by Phil Spector, reached number nine