Christine Borland (born 1965) is a Scottish artist. Born in Darvel, Ayrshire, Scotland, Borland is one of the Young British Artists (YBAs) and was nominated for the Turner Prize in 1997 (won by Gillian Wearing) for her work From Life at Tramway, Glasgow. Borland works and lives in Kilcreggan, Argyll, as a BALTIC Professor at the BxNU Institute of Contemporary Art. Borland studied Environmental Art at the Glasgow School of Art and later was awarded an MA from the University of Ulster in 1988. She was on the committee of Transmission Gallery, Glasgow from 1989 to 1991. In 2004, she became one of five artist awarded the prestigious Glenfiddich Artist in Residence programme. In 2012 she was appointed BALTIC Northumbria University Professor – where she heads the Institute of Contemporary Art in Newcastle upon Tyne. This is a collaborative venture between Northumbria University and the BALTIC Centre for Contemporary Art. Borland is leading member of artists who contributed to the transformation of Glasgow in 1990s as an internationally recognised hub of contemporary arts. Across an international career of 25 years, Borland is recognised for cross-disciplinary projects with other fields, such as medical science and forensics, to explore ideas related to history of medicine, medical ethics and human genetics. She has said, "The heart of what I am trying to discuss is very dark, very strong and passionate, and if you can reach that through quite a rational process, I think it becomes more powerful, and importantly, more powerful to the viewer." Borland was elected a Fellow of the Royal Society of Edinburgh in 2020. Practice Christine Borland's works sculpture, printmaking and photography and with a variety of materials including glass, china, fabric and bronze. She often asks us to consider the fragility of human life and the way in which it is valued by social systems and institutions. Borland's practice highlights the depersonalisation of an individual's identity in Modern medical practices, and her work attempts to regain physicality and identity. Borland questions how we identify scientific fact, objectivity and truth together with traditional, conventional forms of art material, such as bronze or ceramics, together with new technologies. Borland's work, From Life, was nominated for the Turner Prize in 1997 She started with the skeleton of a missing person that she purchased legally from a medical supplies company and received it in the post, and then worked with medicine, forensics, judicial