Tracy Franklin Pew (19 December 1957 – 7 November 1986) was an Australian musician, and bassist for The Birthday Party. He was later a member of The Saints, and worked with Nick Cave and the Bad Seeds. As a member of the Birthday Party, Pew became associated with their "prodigious consumption of drugs and alcohol". In 1982, he was imprisoned for ten weeks in HM Prison Won Wron on charges relating to driving under the influence of alcohol. He died on 7 November 1986 of a brain haemorrhage, after sustaining head injuries during an epileptic seizure; he was aged 28. Biography Tracy Franklin Pew was born on 19 December 1957 in Australia; he moved with his family to New Zealand in 1959, but they returned in May 1964. From 1972, he attended Caulfield Grammar School in Melbourne. He lived in Mount Waverley and learned to play bass from his friend, Chris Walsh. Pew joined a rock band, The Boys Next Door, in 1975; it included his schoolfriends Nick Cave on vocals, Mick Harvey on guitar and Phill Calvert on drums. In May 1978, they provided three tracks for the Suicide Records compilation by various artists, Lethal Weapons, including two tracks each by Teenage Radio Stars and JAB. The Boys Next Door added Rowland S. Howard on guitar in December 1978; in April 1979, they issued their debut album Door, Door on Mushroom Records. In October that year they released a shared single, "Scatterbrain", backed with "Early Morning Brain (It's Not Quite the Same as Sobriety)" by alternative rockers Models. The Boys Next Door and Models were "the first Melbourne bands to rise out of the ashes of that city's hothouse punk/new wave explosion of the late 1970s with a clear vision and wider appeal. While The Birthday Party was hell-bent on kicking down the established parameters of rock music, Models were more clearly pop-oriented". Move to London In February 1980, The Boys Next Door renamed themselves The Birthday Party and relocated to London. Rowland S. Howard recalls, "About the time of Hee Haw we decided to move to London ... we got very little press and our audience had reached a plateau. There was nowhere we could go. So we figured we had to go somewhere that, by virtue of population, there was more people that would be interested in seeing a band that was not a commercial proposition." In