In 2021, he was one of the participants in John Greyson's experimental short documentary film International Dawn Chorus Day. Exhibitions He had his first solo institutional exhibition outside of General Idea in 2000 at the Vienna Secession in Austria, followed closely by a solo exhibition at the Museum of Contemporary Art in Chicago (2001), a solo exhibition at the MIT List Visual Arts Center, Cambridge (2002), and another at The Power Plant in Toronto (2003) and the Morris and Helen Belkin Art Gallery, Vancouver (2004). He was featured in the Montreal and Whitney Biennials (2000 and 2002). With his partner, Mark Jan Krayenhoff van de Leur, he was one of three finalists in a public competition for a monument to homosexuals persecuted by the Nazis, for the city of Vienna, Austria. In 2010, a Bronson aforementioned Felix, June 5, 1994 appeared in the Hide/Seek exhibit at the United States' National Portrait Gallery, but the artist sought to withdraw the work after the censorship controversy. The Bronson piece was on loan to the show "from the National Gallery of Canada. Marc Mayer, the director of the Canadian museum, urged the National Portrait Gallery to respect Mr. Bronson's wishes and remove the work but did not formally demand its return," and the National Portrait Gallery ultimately declined to remove the work. Bronson continues to exhibit regularly. Recent exhibitions of note include The Temptation of AA Bronson at Witte de With Center for Contemporary Art Rotterdam (2013), a kind of experimental solo show which mapped Bronson's various lifelong influences and current collaborations with younger artists. In 2015, he had twin shows at the Salzburger and Grazer Kunstvereins, for which he, in collaboration with his partner Krayenhoff van de Leur and artist Adrian Hermanides, created a massive tent structure called Folly (Lana's Boudoir), which was subsequently featured in Art Basel's Unlimited exhibition in 2016. He had a major solo exhibitions at Esther Schipper Berlin, Maureen Paley (London) and at Kunstwerke Institute for Contemporary Art (Berlin) in 2018. In 2019, he performed his Apology to Siksika Nation at the inaugural Toronto Biennial of Art. The manifold project deals with Bronson's great-grandfather, John William Tims, and the consequences of his missionary work in Siksika nation in the turn of the 20th century. The project also includes a eponymous publication. Curating Bronson has also curated exhibitions. In the late 1970s, he curated a series of exhibitions at