of being "an MI6 contact person". Press TV's failure to pay a £100,000 fine for showing Bahari's 'confession' was connected with the revocation of Press TV's licence to broadcast in the UK, via satellite, in January 2012. Awards and honors Oxfam Novib/PEN Award, nominated for an Emmy for his film Filmography Paint! No Matter What, 1999 (about artist Khosrow Hassanzadeh) Of Shames and Coffins (about Aids in South Africa) Mohammad and the Matchmaker (about an HIV+ man's search for love in Iran) Football, Iranian Style (about Iranian passion for soccer) And Along Came a Spider (about a serial killer in Iran) Targets: Reporters in Iraq (about post traumatic stress disorder among journalists working in Iraq) Greetings from Sadr City (about life in the Baghdad suburb during the war) A Cult that would be an Army - Cult of the Chameleon (about terrorist group Mujaheddin Khalgh of Iran) The Fall of a Shah (about the history of the Iranian Revolution) An Iranian Odyssey (about the CIA-backed 1953 coup in Iran) Forced Confessions, 2012 Rosewater, 2014 (about Bahari's 118 days of detention and torture in Iran's Evin Prison, screenwritten and directed by Jon Stewart, in which Bahari is portrayed by Gael García Bernal) To Light a Candle (about the persecution of Baháʼís in Iran and the Baháʼí Institute for Higher Education) The Cost of Discrimination, 2017 82 Names, 2012 Then They Came for Me Bahari wrote a prison memoir and family history, Then They Came for Me. The book became a New York Times Best Seller and has been called "incredible" by Jon Stewart of The Daily Show who worked with Bahari on his film based on the book. Doug Saunders of The Globe and Mail called the book "Moving and, at times, very funny", and said that it "offers a number of lessons about the way Middle Eastern politics work." Leslie Scrivener of The Toronto Star explained "Then They Came for Me is a gripping story that weaves his family’s history of incarceration by Iranian rulers with his own." Mother Jones magazine wrote that "Then They Came for Me is not only a fascinating, human exploration into Bahari's personal experience but it also provides insight into the shared experience of those affected by repressive governments everywhere." Kirkus Reviews praised the book for "Providing an illuminating glimpse into the security apparatus of one of the world's most repressive countries. Especially timely given