later titled Journey to the Pacific (1968). Fields had also hired University of Southern California students as assistant editors, including George Lucas. The following spring, the newly engaged Marcia moved in with Lucas at his hilltop apartment on Portola Drive in Beverly Hills and returned to editing commercials as George Lucas accompanied Francis Ford Coppola to scout filming locations for The Rain People (1968) at Long Island, New York. When principal photography begun on The Rain People, Lucas simultaneously begun shooting a behind-the-scenes documentary short titled Filmmaker (1968). Feature film editing Back in California, Marcia had accepted an offer to work on Medium Cool (1969) when George had recommended her as an assistant editor for Barry Malkin on The Rain People. Fortunately, the shooting schedule for Medium Cool was delayed, which allowed for her to work on both films. Following this assignment, she and George returned to their Portola Drive residence to edit Filmmaker. Shortly after, Coppola had established a multi-picture deal with his production company American Zoetrope and Warner Bros. Their first project was THX 1138 (1971) for which Marcia served as an assistant editor. Reflecting on the film's commercial failure, Marcia stated "I never cared for THX because it left me cold. When the studio didn't like the film, I wasn't surprised. But George just said to me I was stupid and knew nothing. Because I was just a Valley Girl. He was the intellectual." When principal photography had wrapped on American Graffiti (1973), George had wanted Marcia to edit the film, but Universal Pictures executive Ned Tanen insisted on hiring Verna Fields, who had just finished editing Steven Spielberg's The Sugarland Express (1974). However, Fields worked on the rough cut of the film and then left to resume work on What's Up, Doc? (1972). For the next six months, Marcia edited American Graffiti alongside her husband and sound editor Walter Murch to its contractual runtime of 110 minutes. In 1974, Marcia Lucas and Fields were nominated for the Academy Award for Best Film Editing for their work on American Graffiti. After American Graffiti was released, Martin Scorsese asked Marcia to edit Alice Doesn't Live Here Anymore (1974), his first studio film. Sandra Weintraub recalled "We knew her, and we liked her, and she was in the union. It was good for her to get away from George and his house. Here she was, a wonderful editor working