Bernstein telling Bernstein he can save the world by writing more love songs, and explaining that he is going to change things by crashing a 747 into the White House and killing Richard Nixon. Then he accuses Bernstein of ignoring him, just like the other celebrities he has recorded tapes for, such as Hank Aaron and Jonas Salk. After flying into an expletive-laden rage, Byck stands up on the bench and angrily sings the chorus to West Side Storys song "America" before storming offstage. John Hinckley sits in his rumpus room, aimlessly playing a guitar. Lynette Fromme enters and tries to convince him to play her a song (asking for "Helter Skelter"), but he refuses. Fromme notices a picture of Jodie Foster, who Hinckley claims is his girlfriend. When Fromme realizes the picture is a publicity photo from a film, she pulls out a picture of Charles Manson and mocks Hinckley for being in love with a woman he's never met, which makes him throw her out in a fit of rage. Alone, he swears that he will win Foster's love "with one brave, historic act" and sings a love song to her while Fromme individually does the same to Manson ("Unworthy of Your Love"). An image of Ronald Reagan appears on a wall in the back of the stage, and an enraged Hinckley shoots it over and over again, but the picture keeps reappearing. The Proprietor mocks Hinckley by quoting Reagan's famous quips about the assassination as Hinckley fires and fires, missing each time. Back at the Proprietor's shooting range, Charles Guiteau flirts with Sara Jane Moore while giving her marksmanship tips before trying to kiss her. When she rebuffs him, he becomes suddenly enraged and attempts to attack her. Her gun goes off in his ear, and he backs off, angrily proclaiming that he is extraordinary and will be the next Ambassador to France. The scene changes to a train station, where Guiteau goes to meet James Garfield. He asks to be made Ambassador to France, but Garfield mockingly refuses, prompting Guiteau to shoot him. Guiteau is arrested and sent to the gallows, where he recites a poem he wrote that morning titled "I am Going to the Lordy". When Guiteau finishes, the Balladeer enters and sings about Guiteau's trial and sentencing while Guiteau merrily cakewalks up to the noose, getting more and more desperately optimistic with each