far from the centers of Islamic intellectual traditions. Also, his philosophy may not have appealed to Islamic scholars of his time. His focus on Aristotle's works was outdated in the twelfth-century Muslim world, which had already scrutinized Aristotle since the ninth century and by now was engaging deeply with newer schools of thought, especially that of Avicenna. In the nineteenth century, Muslim thinkers begin to engage with the works of Averroes again. By this time, there was a cultural renaissance called Al-Nahda ("reawakening") in the Arabic-speaking world and the works of Averroes were seen as inspiration to modernize the Muslim intellectual tradition. Cultural references References to Averroes appear in the popular culture of both the western and Muslim world. The poem The Divine Comedy by the Italian writer Dante Alighieri, completed in 1320, depicts Averroes, "who made the Great Commentary", along with other non-Christian Greek and Muslim thinkers, in the first circle of hell around Saladin. The prologue of The Canterbury Tales (1387) by Geoffrey Chaucer lists Averroes among other medical authorities known in Europe at the time. Averroes is depicted in Raphael's 1501 fresco The School of Athens that decorates the Apostolic Palace in the Vatican, which features seminal figures of philosophy. In the painting, Averroes wears a green robe and a turban, and peers out from behind Pythagoras, who is shown writing a book. Averroes is referenced briefly in Victor Hugo's 'The Hunchback of Notre-Dame' (written 1831, but set in the Paris of 1482). The novel's villain, the Priest Claude Frollo, extols Averroes' talents as an alchemist in his obsessive quest to find the Philosophers Stone. A 1947 short story by Jorge Luis Borges, "Averroes's Search" (), features his attempts to understand Aristotle's Poetics within a culture that lacks a tradition of live theatrical performance. In the afterwords of the story, Borges comments, "I felt that [the story] mocked me, foiled me, thwarted me. I felt that Averroës, trying to imagine what a play is without ever having suspected what a theater is, was no more absurd than I, trying to imagine Averroës yet with no more material than a few snatches from Renan, Lane, and Asín Palacios." Averroes is also the hero of the 1997 Egyptian movie Destiny by Youssef Chahine, made partly in commemoration of the 800th anniversary of his death. The plant genus Averrhoa (whose members include the starfruit and the bilimbi), the lunar crater