commentators, given his problematical relationship with the Shakespeare canon: Jaggard issued the suspect collection The Passionate Pilgrim in 1599 and 1612, and in 1619 printed the so-called False Folio, ten pirated or spurious Shakespearean plays, some with false dates and title pages. It is thought that the printing of the First Folio was such an enormous task that the Jaggards' shop was simply needed to get the job done. William Jaggard was old, infirm, and blind by 1623, and in fact died a month before the First Folio was complete. The First Folio was reprinted three times in the 17th century: The Second Folio appeared in 1632. Isaac Jaggard had died in 1627, and Edward Blount had transferred his rights to stationer Robert Allot in 1630. The Second Folio was published by Allot, William Aspley, Richard Hawkins, Richard Meighen, and John Smethwick, and printed by Thomas Cotes. It contained the same plays as the First Folio and much of the same additional material, with the addition of an unsigned poem by John Milton. The Third Folio was issued in 1663, published by Philip Chetwinde; Chetwinde had married Robert Allot's widow and so obtained the rights to the book. To the second impression of the Third Folio (1664) he added seven plays, namely Pericles, Prince of Tyre; Locrine; The London Prodigal; The Puritan; Sir John Oldcastle; Thomas Lord Cromwell; and A Yorkshire Tragedy. (See: Shakespeare Apocrypha.) All seven of these additional plays had been published as quartos while Shakespeare was alive, but only Pericles was eventually widely accepted into the Shakespearean canon. The quartos of Pericles (1609 and 1611), The London Prodigal (1605) and A Yorkshire Tragedy (1608) were all attributed to William Shakespeare on their front pages. The quartos of Locrine (1595), The Puritan (1607) and Thomas Lord Cromwell (1602 and 1613) were attributed to W. S. on their title pages, but Shakespeare was not the only playwright with those initials; Wentworth Smith has been put forward as another possible author of these works. Sir John Oldcastle was printed in 1619, three years after Shakespeare's death, as part of the False Folio. It was attributed to Shakespeare on its title page which also bore a false date of 1600. The Third Folio is relatively rare, compared to the Second and Fourth, probably because unsold copies were destroyed in the Great Fire of London in 1666. One surviving copy was purchased