of the Montreal facility of Framestore to create historically accurate backdrops for 85 shots in the film, including battle scenes. The team created around 300 shots for the 2017 film Blade Runner 2049, with Framestore winning a special visual effects award at the 2018 British Academy Film Awards. They have also worked on Black Mirror, creating props such as the 60s-style spaceship in the premiere of the fourth season. Reception Framestore has been awarded two Scientific and Technical Academy Awards, and 14 Primetime Emmys. In 2008, Framestore won their first Oscar for Best Visual Effects for the film The Golden Compass; they also won the BAFTA Award for that film the same year. Framestore was also nominated for Oscars in 2009 (The Dark Knight) and again in 2010 (Harry Potter and the Deathly Hallows – Part 1). Tim Webber was the VFX supervisor on Gravity (2013), and the techniques involved in the film realised by Webber and the Framestore team took three years to complete. The team won the best visual effects awards BAFTA Award for Best Special Visual Effects at the 67th British Academy Film Awards, and the Academy Award for Best Visual Effects award at the 86th Academy Awards. The company then won both the Academy Award and BAFTA for Best Visual Effects in 2018 for its work on Blade Runner 2049. In advertising the team has also won major awards including Cannes Lions, British Television Advertising Awards, Clios, D&AD and others. The company's R&D team spun off to create the technology company Filmlight, which in 2010 received four Scientific Academy Awards. Framestore won the 2020 BAFTA TV Craft Awards for Special, Visual & Graphic Effects for its extensive work on the HBO / BBC series His Dark Materials (TV series). Advertising and trade characters Framestore has collaborated with companies and advertising agencies to create trade characters, and also created an attempted photorealistic computer-generated Audrey Hepburn for a Dove chocolate advert. A combination of elements including body doubles, motion capture, FACS and rendering software called Arnold were used to mimic the appearance of the actress 20 years after her death. The advert drew press attention both for the cutting-edge technology utilized and the ethical implications of using a person's likeness posthumously for commercial purposes. Film projects 1990s Doctor Who - title sequence only A Close Shave (1995) Cold Lazarus (1996) Resident Evil (1996) The Adventures of Pinocchio (1996)