Catfish are able to produce a variety of sounds for communication that can be classified into two groups: drumming sounds and stridulation sounds. The variability in catfish sound signals differs due to a few factors: the mechanism by which the sound is produced, the function of the resulting sound, and physiological differences such as size, sex, and age. To create a drumming sound, catfish use an indirect vibration mechanism using a swimbladder. In these fishes, sonic muscles insert on the ramus Mulleri, also known as the elastic spring. The sonic muscles pull the elastic spring forward and extend the swimbladder. When the muscles relax, the tension in the spring quickly returns the swimbladder to its original position, which produces the sound. Catfish also have a sound-generating mechanism in their pectoral fins. Many species in the catfish family possess an enhanced first pectoral fin ray, called the spine, which can be moved by large abductor and adductor muscles. The base of the catfishes' spines has a sequence of ridges, and the spine normally slides within a groove on the fish's pelvic girdle during routine movement; but, pressing the ridges on the spine against the pelvic girdle groove creates a series of short pulses. The movement is analogous to a finger moving down the teeth of a comb, and consequently a series of sharp taps is produced. Sound-generating mechanisms are often different between the sexes. In some catfish, pectoral fins are longer in males than in females of similar length, and differences in the characteristic of the sounds produced were also observed. Comparison between families of the same order of catfish demonstrated family and species-specific patterns of vocalization, according to a study by Maria Clara Amorim. During courtship behavior in three species of Corydoras catfish, all males actively produced stridulation sounds before egg fertilization, and the species' songs were different in pulse number and sound duration. Sound production in catfish may also be correlated with fighting and alarm calls. According to a study by Kaatz, sounds for disturbance (e.g. alarm) and agonistic behavior were not significantly different, which suggests distress sounds can be used to sample variation in agonistic sound production. However, in a comparison of a few different species of tropical catfish, some fish put under distress conditions produced a higher intensity of stridulatory sounds than drumming sounds. Differences in the proportion of drumming versus stridulation sounds depend on morphological constraints,