Tree and Alfred Noyes opened at His Majesty's in 1911. The opera was not seen again in London until 1960, when a new adaptation by Geoffrey Dunn opened at Sadler's Wells Theatre; this production by Wendy Toye was frequently revived between 1960 and 1974. An English version by Snoo Wilson for English National Opera (ENO), mounted at the London Coliseum in 1985, was revived there in 1987. A co-production by Opera North and the D'Oyly Carte Opera Company in a version by Jeremy Sams opened in 1992 and was revived several times. In 2019 ENO presented a new production directed by Emma Rice, which opened to unfavourable reviews. Outside Europe The first New York production was at the Stadt Theater, in German, in March 1861; the production ran until February 1862. Two more productions were sung in German: December 1863 with Fritze, Knorr, Klein and Frin von Hedemann and December 1866 with Brügmann, Knorr, Klein and Frin Steglich-Fuchs. The opera was produced at the Theatre Français in January 1867 with Elvira Naddie, and at the Fifth Avenue Theatre in April 1868 with Lucille Tostée. In December 1883 it was produced at the Bijou Theatre with Max Freeman, Marie Vanoni, Digby Bell and Harry Pepper. There were productions in Rio de Janeiro in 1865, Buenos Aires in 1866, Mexico City in 1867 and Valparaiso in 1868. The opera was first staged in Australia at the Princess Theatre, Melbourne in March 1872, in Planché's London text, with Alice May as Eurydice. A spectacular production by Reinhardt was presented in New York in 1926. The New York City Opera staged the work, conducted by Erich Leinsdorf, in 1956, with Sylvia Stahlman as Eurydice and Norman Kelley as Pluto. More recent US productions have included a 1985 version by Santa Fe Opera, and the 1985 ENO version, which was staged in the US by the Houston Grand Opera (co-producers) in 1986, and Los Angeles Opera in 1989. 21st century worldwide In April 2019 the Operabase website recorded 25 past or scheduled productions of the opera from 2016 onwards, in French or in translation: nine in Germany, four in France, two in Britain, two in Switzerland, two in the US, and productions in Gdańsk, Liège, Ljubljana, Malmö, Prague and Tokyo. Recordings Audio In French There are three full-length recordings. The first, from 1951 features the Paris Philharmonic Chorus and Orchestra, conducted by René Leibowitz, with