week whether he worked or not. Louis B. Mayer lent him to Columbia for $2,500 per week, hence netting MGM $500 per week while he was gone. Capra, however, insisted that Gable was a reluctant participant in the film. Filming Filming began in a tense atmosphere as Gable and Colbert were dissatisfied with the quality of the script. Capra understood their dissatisfaction and let screenwriter Robert Riskin rewrite it. Colbert continued to show her displeasure on the set. She also initially balked at pulling up her skirt to entice a passing driver to provide a ride, complaining that it was unladylike. Upon seeing the chorus girl who was brought in as her body double, an outraged Colbert told the director, "Get her out of here. I'll do it. That's not my leg!" Capra claimed that Colbert "had many little tantrums, motivated by her antipathy toward me," however, "she was wonderful in the part." Part of the film was made on Thousand Oaks Boulevard in Thousand Oaks, California. Restoration In 2013 It Happened One Night was digitally restored. A new wet-gate master was produced by Sony Colorworks for scanning at 4K. The images were digitally treated at Prasad Corporation to remove dirt, tears, scratches, and other artifacts. Care was taken to preserve the original look of the film. Reception After filming was done, Colbert complained to her friend, "I just finished the worst picture in the world". Columbia appeared to have low expectations for the film and did not mount much of an advertising campaign for it. Initial reviews were generally positive, Mordaunt Hall of The New York Times called it "a good piece of fiction, which, with all its feverish stunts, is blessed with bright dialogue and a good quota of relatively restrained scenes". Hall described Colbert's performance as "engaging and lively" and Gable as "excellent". Variety reported that it was "without a particularly strong plot" but "manages to come through in a big way, due to the acting, dialog, situations and directing". Film Daily praised it as "a lively yarn, fast-moving, plenty humorous, racy enough to be tantalizing, and yet perfectly decorous". The New York Herald Tribune called it "lively and amusing". John Mosher of The New Yorker panned it as "pretty much nonsense and quite dreary" which was probably the review Capra had in mind when he recalled in his autobiography that "sophisticated" critics had dismissed the film.