in England. Henry IV's government dismissed him as an impostor, and several sources from both sides of the border suggest the man had a mental illness, one also describing him as a "beggar" by the time of his death in 1419, but he was buried as a king in the local Dominican friary in Stirling. Meanwhile, in 1413, Henry Vin an effort both to atone for his father's act of murder and to silence the rumours of Richard's survivalhad decided to have the body at King's Langley moved to its final resting place in Westminster Abbey. Here Richard himself had prepared an elaborate tomb, where the remains of his wife Anne were already entombed. Character and assessment Contemporary writers, even those less sympathetic to the king, agreed that Richard was a "most beautiful king", though with a "face which was white, rounded and feminine", implying he lacked manliness. He was athletic and tall; when his tomb was opened in 1871, he was found to be six feet (1.82 m) tall. He was also intelligent and well read, and when agitated he had a tendency to stammer. While the Westminster Abbey portrait probably shows a good similarity of the king, the Wilton Diptych portrays him as significantly younger than he was at the time; it must be assumed that he had a beard by this point. Religiously, he was orthodox, and particularly towards the end of his reign he became a strong opponent of the Lollard heresy. He was particularly devoted to the cult of Edward the Confessor, and around 1395 he had his own coat of arms impaled with the mythical arms of the Confessor. Though not a warrior king like his grandfather, Richard nevertheless enjoyed tournaments, as well as hunting. The popular view of Richard has more than anything been influenced by Shakespeare's play about the king, Richard II. Shakespeare's Richard was a cruel, vindictive, and irresponsible king, who attained a semblance of greatness only after his fall from power. Writing a work of fiction, Shakespeare took many liberties and made great omissions, basing his play on works by writers such as Edward Hall and Samuel Daniel, who in turn based their writings on contemporary chroniclers such as Thomas Walsingham. Hall and Daniel were part of Tudor historiography, which was highly unsympathetic to Richard. The Tudor orthodoxy, reinforced by Shakespeare, saw a continuity in civil discord starting with Richard's