Locri is a town and comune (municipality) in the province of Reggio Calabria, Calabria, southern Italy. Its name derives from that of the ancient Greek region of Locris. Today it is an important administrative and cultural centre on the Ionian Coast and within its province. History Epizephyrian Locris (Greek Ἐπιζεφύριοι Λοκροί; from ἐπί epi, "on", Ζέφυρος (Zephyros), West Wind, and the plural of Λοκρός, Lokros, "a Locrian," thus "The Western Locrians") was founded about 680 BC on the Italian shore of the Ionian Sea, near modern Capo Zefirio, by the Locrians, apparently by Opuntii (East Locrians) from the city of Opus, but including Ozolae (West Locrians) and Lacedaemonians. Its Latin name, Locri, is the plural of the Latin Locrus, which was used both to mean an inhabitant of Locris and the eponymous ancestor of the Locrians. Strabo suggests that the Ozolian Locrians were the principal founders, pace Ephorus, who held that the Locri was a colony of Opuntian Locris. Due to fierce winds at an original settlement, the settlers moved to the present site. After a century, a defensive wall was built. Outside the city there are several necropoleis, some of which are very large. Epizephyrian Locris was one of the cities of Magna Graecia. Its renowned lawgiver Zaleucus decreed that anyone who proposed a change in the laws should do so with a noose about their neck, with which they should be hanged if the amendment did not pass. Plato called it "The flower of Italy", due to the local peoples' characteristics. Locris was the site of two great sanctuaries, that of Persephone — here worshipped as the protector of fertile marriage — and of Aphrodite. At Locri, perhaps uniquely, Persephone was worshiped as protector of marriage and childbirth, a role usually assumed by Hera, and Diodorus Siculus knew the temple there as the most illustrious in Italy. During the 5th century BC, votive pinakes in terracotta were often dedicated as offerings to the goddess, made in series and painted with bright colors, animated by scenes connected to the myth of Persephone. Many of these pinakes are now on display in the National Museum of Magna Græcia in Reggio Calabria. Locrian pinakes represent one of the most significant categories of objects from Magna Graecia, both as documents of religious practice and as works of art. In the iconography of votive plaques at Locri, her abduction and marriage to Hades