to reveal "Hofstadter's Contracrostipunctus Acrostically Backwards Spells J. S. Bach". The second acrostic is found by taking the first letters of the words of the first, and reading them backwards to get "J S Bach", as the acrostic sentence self-referentially states. Reception and impact Gödel, Escher, Bach won the Pulitzer Prize for general non-fiction and the National Book Award for Science Hardcover. Martin Gardner's July 1979 column in Scientific American stated, "Every few decades, an unknown author brings out a book of such depth, clarity, range, wit, beauty and originality that it is recognized at once as a major literary event." For Summer 2007, the Massachusetts Institute of Technology created an online course for high school students built around the book. In its February 19, 2010 investigative summary on the 2001 anthrax attacks, the Federal Bureau of Investigation suggested that Bruce Edwards Ivins was inspired by the book to hide secret codes based upon nucleotide sequences in the anthrax-laced letters he allegedly sent in September and October 2001, using bold letters, as suggested on page 404 of the book. It was also suggested that he attempted to hide the book from investigators by throwing it in the trash. In 2019, British mathematician Marcus du Sautoy curated a series of events at London's Barbican Centre to celebrate the book's fortieth anniversary. Translation Hofstadter claims the idea of translating his book "never crossed [his] mind" when he was writing it—but when his publisher brought it up, he was "very excited about seeing [the] book in other languages, especially… French." He knew, however, that "there were a million issues to consider" when translating, since the book relies not only on word-play, but on "structural puns" as well—writing where the form and content of the work mirror each other (such as the "Crab canon" dialogue, which reads almost exactly the same forwards as backwards). Hofstadter gives an example of translation trouble in the paragraph "Mr. Tortoise, Meet Madame Tortue", saying translators "instantly ran headlong into the conflict between the feminine gender of the French noun tortue and the masculinity of my character, the Tortoise." Hofstadter agreed to the translators' suggestions of naming the French character Madame Tortue, and the Italian version Signorina Tartaruga. Because of other troubles translators might have retaining meaning, Hofstadter "painstakingly went through every sentence of Gödel, Escher, Bach, annotating a copy for translators into any language that might be targeted."