societal forces and at least a hint of some transcendent perspective". The song crossfades into "America", which follows two young lovers—"an apparently impromptu romantic traveling alliance"—as they board a Greyhound bus "to look for America". It is a protest song that "creates a cinematic vista that tells of the singer's search for a literal and physical America that seems to have disappeared, along with the country's beauty and ideals". "Overs" includes themes regarding the disintegration of love and marriage. "Old Friends" paints a portrait of two old men reminiscing on the years of their youth. The two men "sit on a park bench like bookends", and ponder how strange it feels to be nearing their lifetime. The song is joined with the "Bookends Theme", this time with vocal accompaniment from the duo. The piece closes the entire suite with the "resigned admonition" to "Preserve your memories / They're all that's left you". "Fakin' It" opens side two and finds the protagonist mulling over his insecurities and shortcomings. It has been suggested that "Fakin' It" may be an allegory for Simon's relationship with Art Garfunkel. "Punky's Dilemma" employs breakfast-food images to lampoon Hollywood and the film industry. It improbably takes an "abrupt left turn" in its third verse, when the singer begins to fantasize himself an admired soldier. "Mrs. Robinson" collects wide-ranging images to address social milieu, with a constant reassurance that Jesus loves the eponymous character, God will bless her, and heaven will welcome her. The song includes a famous reference to athlete Joe DiMaggio of the New York Yankees, one of Simon's favorite baseball teams. It also features an explicit homage to the Beatles, with Simon uttering the meaningless phrase "coo-coo-ca-choo" based on the line "Goo goo g'joob," sung by John Lennon in "I Am the Walrus". "A Hazy Shade of Winter" is an older track that dates back to Simon's days in England in 1965. The song follows a hopeless poet, with "manuscripts of unpublished rhyme", unsure of his achievements in life. In sharp contrast, the whimsical, Orwellian "At the Zoo" both concludes the album and what Simon described as the "cycle of life". The song indicates that the personalities of certain zoo animals may represent particular walks of people. The song was originally intended as a possible children's book. According to rock journalist Bud Scoppa, "the record is a meditation on the passage of life and the