book with his illustrations was issued posthumously in a limited edition by the Folio Society with 16 colour plates in 1940 in the US. It was not issued with the Rackham illustrations in the UK until 1950. The Folio Society 2006 edition featured 85 illustrations, 35 in colour, by Charles van Sandwyk. A fancier centenary edition was produced two years later. Michel Plessix created a Wind in the Willows watercolour comic album series, which helped to introduce the stories to France. They have been translated into English by Cinebook Ltd. Patrick Benson re-illustrated the story in 1994 and HarperCollins published it in 1994 together with the William Horwood sequels The Willows in Winter, Toad Triumphant and The Willows and Beyond. It was published in the US in 1995 by St. Martin's Press. Inga Moore's edition, abridged and illustrated by her, is arranged so that a featured line of the text also serves as a caption to a picture. Barnes & Noble Classics featured an introduction by Gardner McFall in 2007. New York, Egmont Press produced a 100th Anniversary paperback edition, with Shepard's illustrations, in 2008. Belknap Press, a division of Harvard University Press, published Seth Lerer's annotated edition in 2009. W. W. Norton published Annie Gauger's and Brian Jacques's annotated edition in 2009. Jamie Hendry Productions published a special edition of the novel in 2015 and donated it to schools in Plymouth and Salford to celebrate the World Premiere of the musical version of The Wind in the Willows by Julian Fellowes, George Stiles, and Anthony Drewe. IDW Publishing published an illustrated edition of the novel in 2016. The hardcover novel features illustrations from Eisner Award-winning artist David Petersen, who is best known for creating and drawing the comic series Mouse Guard. Reception A number of publishers rejected the manuscript. It was published in the UK by Methuen and Co., and later in the US by Scribner. The critics, who were hoping for a third volume in the style of Grahame's earlier works, The Golden Age and Dream Days, generally gave negative reviews. The public loved it, however, and within a few years it sold in such numbers that many reprints were required. In 1909, then US President Theodore Roosevelt wrote to Grahame to tell that he had "read it and reread it, and have come to accept the characters as old friends". In The Enchanted Places, Christopher Robin Milne