the multiplex cinema, which meant that audiences were increasingly seeing films on relatively small screens rather than the giant screens of the old "Picture Palaces", this meant that the expensive 70 mm format went out of favour again. The DTS digital sound-on-disc system was adapted for use with 70 mm film, thus saving the significant costs of magnetic striping, but this has not been enough to stop the decline, and 70 mm prints were rarely made. Among some of the more recent 70 mm blow-up titles are Paul Thomas Anderson's Inherent Vice (2014) and Phantom Thread (2017), Patty Jenkins's Wonder Woman (2017), and Steven Spielberg's Ready Player One (2018). Current use In the late 20th century, the usage of 65 mm negative film drastically reduced, in part due to the high cost of 65 mm raw stock and processing. Some of the few films since 1990 shot entirely on 65 mm stock are Kenneth Branagh's Hamlet (1996), Ron Fricke's Baraka (1992) and its sequel, Samsara (2011), Paul Thomas Anderson's The Master (2012), Quentin Tarantino's The Hateful Eight (2015), Christopher Nolan's Dunkirk (2017) (almost 80 minutes, about 75% of the film was shot on 65 mm IMAX film, while the rest was shot on regular 65mm film), Kenneth Branagh's Murder on the Orient Express (2017), and Tenet (2020). Other films used 65 mm cameras sparingly, for selected scenes or special effects. Films with limited 65 mm footage include Terrence Malick's The New World (2005), the Patty Jenkins film Wonder Woman 1984 (2020), Cary Joji Fukunaga's No Time to Die (2021) and the Christopher Nolan films The Dark Knight (featured 28 minutes of IMAX footage), Inception, The Dark Knight Rises (over an hour in IMAX) and Interstellar. Since the 2010s, most movie theaters have converted to digital projection systems, resulting in the removal of both 35 mm (the previous industry standard) projectors and 70 mm projectors. However some venues and organizations remain committed to screening 70 mm film, seeing the special format as something that can set them apart and be an audience draw in an industry where most movies are screened digitally. 70 mm film festivals continue to take place regularly at venues such as The Somerville Theatre in Somerville, MA, The Music Box Theatre in Chicago, IL, the Hollywood Theatre in Portland, OR, the American Cinematheque's Aero and Egyptian Theaters in Los Angeles, the Museum of the Moving Image in