Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable, the medium can be also sculpted. And/or, materials can be encased, collaged or layered into the medium. A completely unrelated type of "encaustic painting", not involving wax at all, is found in British ceramics, after Josiah Wedgwood devised and patented the technique in 1769. This was a mixture of ceramic slip and overglaze "enamel" paints used to imitate ancient Greek vase painting, and given a light second firing. Usually the vessel was black and painted in the red of red-figure painting. The technique was copied by other British potteries. Encaustic tiles are not painted at all, but effectively inlaid with contrasting colours of clay for a polychrome pattern. History The word encaustic originates from , which means "burning in", from en, "in" and kaiein, "to burn", and this element of heat is necessary for a painting to be called encaustic. Encaustice or Encaustike (ἐγκαυστική) was the art of painting by burning in the colours. The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt, around 100–300 AD, but was a very common technique in ancient Greek and Roman painting. It continued to be used in early Byzantine icons but was effectively abandoned in the Western Church. Kut-kut, a lost art of the Philippines, employs sgraffito and encaustic techniques. It was practiced by the indigenous