dedicated to him. He left an estate valued at £250,000.This sum is equivalent to more than £100,000,000 in 2007 values: see measuring worth.com. Carte was instrumental in bringing the British theatre from its low status in the mid-Victorian age to a position of respectable eminence, with knighthoods for actors, such as Henry Irving, and for dramatists, including Gilbert. Bernard Shaw wrote of Carte's theatrical legacy, "Mr D'Oyly Carte founded a new school of English comic opera; raised operatic inscenation to the rank of a fine art; and finally built a new English Opera House and made a magnificent effort to do for English grand opera what he had done for comic opera." In Carte's obituary, The Times noted, "By his refined taste he raised the reputation of the mise en scène of the Savoy operas to a very high pitch. He set a high standard". Beyond this, however, Carte's influence, through the production of the Savoy operas, heavily influenced the course of the development of modern musical theatre. Carte was also a prime mover in making hotels respectable and respected: in the words of the Oxford Dictionary of National Biography: "Led by the prince of Wales [the Savoy] became the meeting place for London high society and the nouveaux riches of the British empire.... [The] food and the ambience lured people from the clubs to dine in public and give great parties there. It allowed ladies, hitherto fearful of dining in public, to be seen in full regalia in the Savoy dining and supper rooms." Carte left the theatre, opera company, hotels and his other business interests to Helen. Her London and touring companies continued to present the Savoy Operas in Britain and overseas. In 1901 she leased the Savoy Theatre to William Greet, overseeing his management of a revival of Iolanthe and several new comic operas. Rupert became chairman of the Savoy Hotel by 1903, which Helen continued to own. In late 1906, Helen staged a Gilbert and Sullivan repertory season at the Savoy Theatre. The season, and the following one, which were both directed by Gilbert, earned excellent reviews and sold well, revitalising the company. After the second repertory season concluded in 1909 the company did not perform in London again until 1919, only touring throughout Britain during that time. At her death in 1913, Helen passed the family businesses to Carte's son, Rupert. He maintained the hotel