sexual politics, and inter-generational conflicts, and they often took positions that were, by the standards of their day, progressive. In Europe, and especially in the United Kingdom, the top soap operas typically featured working- or middle-class people, and most soap operas promoted post-war social-democratic values. Cultural influences In the West, those born in the years before the actual boom were often the most influential people among boomers. Some of these people were musicians such as The Beatles, Bob Dylan, and The Rolling Stones, as well as writers like Jack Kerouac, Allen Ginsberg, Betty Friedan, Aleksandr Solzhenitsyn, Herbert Marcuse and other authors of the Frankfurt School of Social Theory, who were either slightly or vastly older than the boomer generation. Parents, by contrast, saw their influence greatly diminished. This was a time of rapid change, and what the parents could teach their children was less important than what the children knew and what their parents did not. For young people, life was vastly different from what their parents experienced during the interwar and war years. Economic depression, mass unemployment, war, and chaos were a distant memory; full employment and material comfort were the norm. Such a drastic difference in outlook and experience created a rift between the generations. As for the peers, they did have a significant influence on young people, for while the modus operandi of youth culture at the time was to be oneself and to disregard the opinions of others, in practice, peer pressure ensured conformity and uniformity, at least within a given subculture. During the 1960s and 1970s, the music industry made a fortune selling rock records to people between the ages of fourteen and twenty-five. This era was home to many youthful stars—people like Brian Jones of the Rolling Stones or Jimi Hendrix—who had lifestyles that all but guaranteed early deaths. In the Anglosphere, and increasingly in many other countries, middle- and upper-class youths started adopting the popular culture of the lower-classes, in stark contrast with previous generations. In the United Kingdom, for instance, young people from wealthy families changed their accents to approximate how working-class people spoke. A remarkable characteristic of youth culture from this period is its internationalism. Whereas previous generations typically preferred cultural products from their own countries, those who came of age during the 1960s and 1970s readily consumed the music of other countries, above all the United States, the cultural hegemony