Elizabeth emphasized the maternalism theme, saying often that she was married to her kingdom and subjects. She explained "I keep the good will of all my husbands – my good people – for if they did not rest assured of some special love towards them, they would not readily yield me such good obedience", and promised in 1563 they would never have a more natural mother than she. Coch (1996) argues that her figurative motherhood played a central role in her complex self-representation, shaping and legitimating the personal rule of a divinely appointed female prince. Marriage Over ninety percent of English women (and adults, in general) entered marriage at the end of the 1500s and beginning of the 1600s, at an average age of about 25–26 years for the bride and 27–28 years for the groom, with the most common ages being 25–26 for grooms (who would have finished their apprenticeships around this age) and 23 for brides. Among the nobility and gentry, the average was around 19–21 for brides and 24–26 for grooms. Many city and townswomen married for the first time in their thirties and forties and it was not unusual for orphaned young women to delay marriage until the late twenties or early thirties to help support their younger siblings, and roughly a quarter of all English brides were pregnant at their weddings. High culture Theatre With William Shakespeare at his peak, as well as Christopher Marlowe and many other playwrights, actors and theatres constantly busy, the high culture of the Elizabethan Renaissance was best expressed in its theatre. Historical topics were especially popular, not to mention the usual comedies and tragedies. Literature Elizabethan literature is considered one of the "most splendid" in the history of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Edmund Spenser, Richard Hooker, and John Lyly, as well as Marlowe and Shakespeare, are major Elizabethan writers. Music Travelling musicians were in great demand at Court, in churches, at country houses, and at local festivals. Important composers included William Byrd (1543–1623), John Dowland (1563–1626) Thomas Campion (1567–1620), and Robert Johnson (c. 1583–c. 1634). The composers were commissioned by church and Court, and deployed two main styles, madrigal and ayre. The