temples, the symbolic representation of cosmic model is then projected onto Hindu temples using the Vastu Shastra principle of Sukha Darshan, which states that smaller parts of the temple should be self-similar and a replica of the whole. The repetition of these replication parts symbolizes the natural phenomena of fractal patterns found in nature. These patterns make up the exterior of Hindu temples. Each element and detail are proportional to each other, this occurrence is also known as the sacred geometry. In Christianity The construction of Medieval European cathedrals was often based on geometries intended to make the viewer see the world through mathematics, and through this understanding, gain a better understanding of the divine. These churches frequently featured a Latin Cross floor-plan. At the beginning of the Renaissance in Europe, views shifted to favor simple and regular geometries. The circle in particular became a central and symbolic shape for the base of buildings, as it represented the perfection of nature and the centrality of man's place in the universe. The use of the circle and other simple and symmetrical geometric shapes was solidified as a staple of Renaissance sacred architecture in Leon Battista Alberti's architectural treatise, which described the ideal church in terms of spiritual geometry. In the High Middle Ages, leading Christian philosophers explained the layout of the universe in terms of a microcosm analogy. In her book describing the divine visions she witnessed, Hildegard of Bingen explains that she saw an outstretched human figure located within a circular orb. When interpreted by theologians, the human figure was Christ and mankind showing the Earthly realm and the circumference of the circle was a representation of the universe. Some images also show above the universe a depiction of God. This is thought to later have inspired Da Vinci’s Vitruvian Man. Dante uses circles to make up the nine layers of hell categorized in his book, The Divine Comedy. “Celestial spheres” are also utilized to make up the nine layers of Paradise. He further creates a cosmic order of circular forms that stretches from Jerusalem in the Earthly realm up to God in Heaven. This cosmology is believed to have been inspired by the ancient astronomer Ptolemy. Unanchored geometry Stephen Skinner criticizes the tendency of some writers to place a geometric diagram over virtually any image of a natural object or human created structure, find some lines intersecting the image