at the eastern end passed directly into the naos (at the centre of which there are two bases for the wooden columns which held up the roof). At the back there was a square adyton, to which a third space was added in a later period. The Shrine was perhaps dedicated to Demeter Thesmophoros. To the right of the shrine is Temple B from the Hellenistic period, which is small (8.4 x 4.6 metres) and in bad condition. It is made up of a prostyle portico of four columns which is reached by a stairway with nine steps, followed by a pronaos and naos. In 1824 clear traces of polychrome stucco were still visible. Probably constructed around 250 BC, a short time before Selinus was abandoned for good, it represents the only religious building that attests to the modest revival of the city after its destruction in 409. Its purpose remains obscure; in the past it was believed to be the Heroon of Empedocles, benefactor of the Selinuntine marshes, but this theory is no longer sustainable, given the building's date. Today it is thought more likely to be a strongly Hellenised Punic cult, perhaps to Demeter or Asclepius-Eshmun. Temple C is the oldest in this area, dating from 550 BC. In 1925-7 the fourteen of the north side's seventeen columns were re-erected, along with part of the entablature. It had a peristyle (24 x 63.7 metres) of 6 x 17 columns (8.62 metres high). The entrance is reached by eight steps and consists of a portico with a second row of columns and then the pronaos. Behind it is the naos and adyton in a single long narrow structure (an archaic characteristic). It has basically the same floor plan as Temple F on the East Hill. Multiple elements show a certain experimentation and divergence from the pattern of the Doric temple which later became the standard: the columns are squat and massive (some are even made from a single stone), lack entasis, show variation in the number of flutes, the width of the intercolumniation varies, the corner columns have a larger diameter than the others, etc. Finds in the temple include: some fragments of red, brown, and purple polychrome terracotta from the cornice decoration, a gigantic clay gorgon head from the pediment, three metopes representing Perseus slaying the Gorgon, Heracles with the Cercopes, and a frontal view of the quadriga