comparing two lenses of the same focal length; a value of 1 can be used instead, and the other factors can be dropped as well, leaving area proportion to the reciprocal square of the f-number N. If two cameras of different format sizes and focal lengths have the same angle of view, and the same aperture area, they gather the same amount of light from the scene. In that case, the relative focal-plane illuminance, however, would depend only on the f-number N, so it is less in the camera with the larger format, longer focal length, and higher f-number. This assumes both lenses have identical transmissivity. Aperture control Though as early as 1933 Torkel Korling had invented and patented for the Graflex large format reflex camera an automatic aperture control, not all early 35mm single lens reflex cameras had the feature. With a small aperture, this darkened the viewfinder, making viewing, focusing, and composition difficult. Korling's design enabled full-aperture viewing for accurate focus, closing to the pre-selected aperture opening when the shutter was fired and simultaneously synchronising the firing of a flash unit. From 1956 SLR camera manufacturers separately developed automatic aperture control (the Miranda T 'Pressure Automatic Diaphragm', and other solutions on the Exakta Varex IIa and Praktica FX2) allowing viewing at the lens's maximum aperture, stopping the lens down to the working aperture at the moment of exposure, and returning the lens to maximum aperture afterward. The first SLR cameras with internal ("through-the-lens" or "TTL") meters (e.g., the Pentax Spotmatic) required that the lens be stopped down to the working aperture when taking a meter reading. Subsequent models soon incorporated mechanical coupling between the lens and the camera body, indicating the working aperture to the camera for exposure while allowing the lens to be at its maximum aperture for composition and focusing; this feature became known as open-aperture metering. For some lenses, including a few long telephotos, lenses mounted on bellows, and perspective-control and tilt/shift lenses, the mechanical linkage was impractical, and automatic aperture control was not provided. Many such lenses incorporated a feature known as a "preset" aperture, which allows the lens to be set to working aperture and then quickly switched between working aperture and full aperture without looking at the aperture control. A typical operation might be to establish rough composition, set the working aperture for metering, return to full aperture for a final check