her favoured architect, Richard Mique, according to the designs of the painter Hubert Robert. Its creation, however, caused another uproar when its cost became widely known. However, the hamlet was not an eccentricity of Marie Antoinette's. It was en vogue at the time for nobles to have recreations of small villages on their properties. In fact, the design was copied from that of the Prince de Condé. It was also significantly smaller and less intricate than many other nobles'. Around this time she accumulated a library of 5.000 books. Those on music, often dedicated to her, were the most read, though she also liked to read history. She sponsored the arts, in particular music, and also supported some scientific endeavours, encouraging and witnessing the first launch of a Montgolfière, a hot air balloon. On 27 April 1784 Beaumarchais's play The Marriage of Figaro premiered in Paris. Initially banned by the king due to its negative portrayal of the nobility, the play was finally allowed to be publicly performed because of the queen's support and its overwhelming popularity at court, where secret readings of it had been given by Marie Antoinette. The play was a disaster for the image of the monarchy and aristocracy. It inspired Mozart's Le Nozze di Figaro, which premiered in Vienna on 1 May 1786. On 24 October 1784 putting the Baron de Breteuil in charge of its acquisition, Louis XVI bought the Château de Saint-Cloud from the Duc d'Orléans in the name of his wife, which she wanted due to their expanding family. She wanted to be able to own her own property. One that was actually hers, to then have the authority to bequeath it to "whichever of my children I wish"; choosing the child she thought could use it rather than it going through patriarchal inheritance laws or whims. It was proposed that the cost could be covered by other sales, such as that of the château Trompette in Bordeaux. This was unpopular, particularly with those factions of the nobility who disliked the queen, but also with a growing percentage of the population, who disapproved of a Queen of France independently owning a private residence. The purchase of Saint-Cloud thus damaged the public's image of the queen even further. The château's high price, almost 6 million livres, plus the substantial extra cost of redecorating, ensured that much less money was going towards repaying France's