No. 12 in the UK album chart; and the single, "What Now My Love" made it to No. 5 in 1962. Her cover version of the Ben E. King hit "I (Who Have Nothing)" reached No. 6 in 1963. In January 1963, Bassey performed at a gala commemorating the second anniversary of President John F. Kennedy's inauguration in Washington, D.C. In March 1963, she appeared on the cover of Ebony magazine. Bassey made her Carnegie Hall debut on 15 February 1964. The complete concert recording was not released until it was included in the EMI compilation The EMU/UA Years 1959–1979 in 1994. In 1965, Bassey enjoyed her only Top 40 hit on the Billboard Hot 100 with the title song of the James Bond film, Goldfinger. The single "Goldfinger" was released in the US in January 1965, peaking at No 8. The original soundtrack for Goldfinger hit number-one in the US that year. The "Goldfinger" theme song, had a lasting impact on her career. In the sleeve notes for Bassey's 25th Anniversary Album (1978), Peter Clayton noted that: "Acceptance in America was considerably helped by the enormous popularity of ("Goldfinger")...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since "Goldfinger"...But, concertwise, I always sell out.'..." Her live 1965 album Shirley Bassey at the Pigalle, recorded during a sold-out run at the Pigalle in London, peaked at No. 15 on the UK album chart. Also in 1965, she sang the title song for the James Bond spoof The Liquidator. Bassey recorded a song for the next Bond film, Thunderball (1965). "Mr Kiss Kiss Bang Bang" was not used in the movie, although the film's score follows its melodic theme. Written by John Barry and Leslie Bricusse, "Mr Kiss Kiss Bang Bang" was re-recorded by American singer Dionne Warwick, and then rejected in favor of a new song, "Thunderball", hastily written by Barry and given to Welsh singer Tom Jones after the film's producers decided the song over the opening credits must feature the film's title. In the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the UK top 40 from 1966 to 1970. Her first album on United Artists, "I've Got