hospital where Solanas was confined." According to Betty Friedan, the NOW board rejected Atkinson's statement. Atkinson left NOW and founded another feminist organization. According to Friedan, "the media continued to treat Ti-Grace as a leader of the women's movement, despite its repudiation of her." Kennedy, another NOW member, called Solanas "one of the most important spokeswomen of the feminist movement." English professor Dana Heller argued that Solanas was "very much aware of feminist organizations and activism," but "had no interest in participating in what she often described as 'a civil disobedience luncheon club.'" Heller also stated that Solanas could "reject mainstream liberal feminism for its blind adherence to cultural codes of feminine politeness and decorum which the SCUM Manifesto identifies as the source of women's debased social status." Solanas and Warhol After Solanas was released from the New York State Prison for Women in 1971, she stalked Warhol and others over the telephone and was arrested again in November 1971. She was subsequently institutionalized several times and then drifted into obscurity. The shooting had a profound impact on Warhol and his art, and security at the Factory became much stronger afterward. For the rest of his life, Warhol lived in fear that Solanas would attack him again. "It was the Cardboard Andy, not the Andy I could love and play with," said close friend and collaborator Billy Name. "He was so sensitized you couldn't put your hand on him without him jumping. I couldn't even love him anymore, because it hurt him to touch him." Later life Solanas may have intended to write an eponymous autobiography. In a 1977 Village Voice interview, she announced a book with her name as the title. The book, possibly intended as a parody, was supposed to deal with the "conspiracy" that led to her imprisonment. In a corrective 1977 Village Voice interview, Solanas said the book would not be autobiographical other than a small portion and that it would be about many things, include proof of statements in the manifesto, and would "deal very intensively with the subject of bullshit," but she said nothing about parody. In the mid-1970s, according to Heller, Solanas was "apparently homeless" in New York City, "continued to defend her political beliefs and the SCUM Manifesto", and "actively promoted" her new Manifesto revision. In the late 1980s, Ultra Violet tracked down Solanas in northern California and interviewed her over the