of the medical professions) was placed at the base of the seal to emphasise the medical interests of the School. The Seal was redesigned in 1990 by Russell Sewell Design Associates, and is retained today within the current School logo. Art and other discoveries from Selinus The Great Table of Selinus was discovered in the adyton of Temple G in 1871. It contains a catalogue of the cults practiced at Selinus and is therefore the basis for all attempts to determine the cults of the various temples of Selinus. It says "The Selinuntines are victorious thanks to the gods Zeus, Phobos, Heracles, Apollo, Poseidon, the Tyndaridae, Athena, Demeter, Pasicrateia and other gods, but especially thanks to |eus. After the restoration of peace it was decreed that a work be done in gold with the names of the gods inscribed, with Zeus at the top and that it be deposited in the Temple of Apollo, and that sixtent talents of gold be spent on this." The figurative art recovered at Selinus is very important and much of it is kept in the Regional Archeological Museum Antonio Salinas. The best examples of the distinctive archaic artistic style of Selinus are the metopes (most of which are discussed above in the context of their temples). The Ephebe of Selinus is a bronze statue of an ephebe offering a libation, cast in a severe style, with features typical of the Greek West and dating to 470 BC. Apart from the Ram of Syracuse, it represents the only large-scale bronze work which has survived from Greek Sicily. It is kept at Castelvetrano. The discovery happened by chance in the Ponte Galera district near Selinunte, home to one of the Selinuntine necropolises. It was discovered by chance in 1882 by two young boys digging the earth hoping to find gold objects to sell from the rich tombs of Selinunte. It was likely laid in a clay sarcophagus and hidden during dangerous times as it was not part of a funerary collection. At the end of the Punic invasion the owners had never recovered it so it had escaped the clutches of the Carthaginians. The necropoleis have yielded a very large number of Proto-Corinthian, Corinthian, Rhodian and Attic black figure vases, but no unique local pottery since Selinus did not produce fine pottery. Some of the most valuable votive material was found in the Sanctuary of the