neo-romantics and the modernists: led by S. K. Neumann, their work focused on concrete reality, free of any pathos, or complicated symbolism. Many of the new poets (Karel Toman, Fráňa Šrámek, Viktor Dyk, František Gellner, Petr Bezruč) allied themselves with anarchism and the women's movement, although this influence waned throughout the decade. In prose, the work of the modernist generation was only now coming into its own, but the different stylistic waves that affected their prose are also evident in the work of the new generation — naturalism (A. M. Tilschová); impressionism (Šrámek, Gellner, Jiří Mahen, Jan Opolský, Rudolf Těsnohlídek); the Vienna Secession (Růžena Svobodová, Jiří Karásek ze Lvovic). After their rebellious first decade, the new generation of poets (Toman, Neumann, Šrámek) turned toward nature and life in their work. This decade also marked the return of Catholic authors (Josef Florian, Jakub Deml, Jaroslav Durych, Josef Váchal) and the first entrance of the avant-garde into Czech literature, seeking to document the rapid changes in society and modernization. The first avantgarde style was neoclassicism, which soon gave way to cubism, futurism, and civilism (S. K. Neumann, the young brothers Čapek). World War I brought with it a wave of repression of the newly emergent Czech culture, and this meant a return to the past, to traditional Czech values and history: the Hussites and the Awakening. The war, however, also precipitated a crisis of values, of faith in progress, religion, and belief, which found outlet in expressionism (Ladislav Klíma, Jakub Deml, Richard Weiner), civilism (Čapek brothers) and visions of a universal brotherhood of mankind (Ivan Olbracht, Karel Matěj Čapek Chod, F. X. Šalda). The interwar period, coinciding with the First Republic, is one of the apogees of Czech literature — the new state brought with it a plurality of thinking, religion, and philosophy, leading to a great flowering of literature and culture. The first major theme of the interwar period was the war — the inhumanity, violence, and terror, but also the heroic actions of the Czech Legion (Rudolf Medek, Josef Kopta, František Langer, Jaroslav Hašek). An antiwar comedy novel The Good Soldier Švejk by Jaroslav Hašek is the most translated novel of the Czech literature (58 languages as of 2013). A new generation of poets ushered in the return of the avantgarde: poetry of the heart (early Jiří Wolker, Zdeněk Kalista) and naivism (Čapek brothers, Josef Hora, Jaroslav Seifert, and S.