for the countries of the world, which finances a decade of rebuilding in China and the education of illiterate peoples in the undeveloped countries of Africa and Asia, who receive television sets by which they are taught to read and write, are instructed in digging wells and in purifying water. The New Deal financial assistance facilitates American businesses building factories in the undeveloped countries of Asia and Africa. American society is peaceful and harmonious and is at peace with the other countries of the world; the war ends the Soviet Union. Ten years after the war, still headed by Winston Churchill, the British Empire becomes militaristic, anti-American and establishes prison camps in India for Chinese subjects considered disloyal. Suspecting that the United States is sponsoring the anti-colonial subversion of British colonial rule in Asia, Churchill provokes a cold war for global hegemony; the geopolitical rivalry leads to an Anglo–American war won by the United Kingdom. Inspirations The novelist Philip K. Dick said that he imagined the story of The Man in the High Castle (1962) from his reading of the novel Bring the Jubilee (1953), by Ward Moore, which is an alternative history of the U.S. civil war won by the Confederacy. In the acknowledgements page of The Man in the High Castle, Dick mentions the thematic influences of the popular history The Rise and Fall of the Third Reich: A History of Nazi Germany (1960), by William L. Shirer; the biography Hitler: A Study in Tyranny (1952), by Alan Bullock; The Goebbels Diaries (1948); Foxes of the Desert (1960), by Paul Carrell; and the 1950 translation of the I Ching, by Richard Wilhelm. As a novelist, P. K. Dick used the I Ching to craft the themes, plot and story of The Man in the High Castle, whose characters also use the I Ching to inform and guide their decisions. Dick cites the thematic influences of Japanese and Tibetan poetry upon the narrative of The Man in the High Castle; (i) The haiku in page 48 of the novel is from the first volume of the Anthology of Japanese Literature (1955), edited by Donald Keene; (ii) the waka poem in page 135 is from Zen and Japanese Culture (1955), by D. T. Suzuki and (iii) the Tibetan book of the dead, the Bardo Thodol (1960), edited by Walter Evans-Wentz and mentions the sociologic influences of the expressionist novella Miss