and the baptismal font are from the previous church. The organ in the town church is the work of the Wilhelmshaven organ builder Alfred Führer. It has 47 stops and mechanical action. The disposition of the instrument was designed by the Jeverian cantor , and the prospectus of the organ was made according to a design by Dieter Oesterlen. The church interior can accommodate about 800 people attending church services. In the aforementioned historical apse is the listed Edo-Wiemken monument, which commemorates the last male East Frisian chief of the Jeverland and has already survived two fires in the course of history. It was commissioned by Fräulein Maria, the daughter of Edo Wiemken, and was created between 1561 and 1564 by students of the Antwerp sculptor Cornelis Floris. It is considered an important example of Dutch Renaissance art. St.-Annen-Kapelle St.-Annen-Kapelle is the oldest preserved church in the town of Jever. It was built in 1610, but "again completely renovated and improved by Harmen Warner and Jakob Hanke, currently members of the Jever church jury" only fifty years later. One of these improvements is probably the polygonal choir screen, which archaeological research showed the chapel did not receive until 1660. The interior of the church is a light-flooded apse hall. It is 16 metres long and seven metres wide. In the construction of the St. Anne's Chapel, younger bricks as well as bricks in the so-called monastery format were used, which probably came from the rubble of the Oestringfelde monastery. The altar is also worthy of note, the top of which was painted in rural style in 1703. On the left wing, Moses is depicted in front of the raised serpent and on the right wing, the crucified Jesus Christ. Among the representations on the altar wings there is an inscription: And as Moses lifted up the serpent in the wilderness, even so must the Son of man be lifted up. (The Gospel of John, chapter 3, verse 14). The central part of the altarpiece is composed of four carved and coloured panels with scenes from the legendary life of St. George. The chapel served in earlier times as a suburban church and today it is almost exclusively a cemetery chapel. The cemetery surrounding it was already mentioned in 1665 as Capellen-Kirchacker, but was currently only reserved as a burial place for suburbanites and members of the garrison. After the cemetery