drew his vignette portraits (the former as part of a series titled film unu). He is the subject of a 1930 sketch by Constantin Brâncuși, a 1931 Surrealist painting by Brauner (who also painted one of Adela Schwartzfeld), and an artistic photograph by Man Ray. The 1934 edition of Psalmul leprosului featured Fondane's portrait in the hand of graphic artist Sigmund Maur (the original version of which was dated to 1921). A posthumous image of the poet in military attire was drawn by Romanian-born artist Eugen Drăguțescu. Benjamin Fondane was also commemorated with a mention on the Panthéon plaque, among the Morts pour la France (reportedly, his name was added upon a request from Cioran). There is a similar landmark in Iași's Eternitatea cemetery, set up by the Writers' Union of Romania near his family grave. The poet-philosopher left behind a large manuscript collection, a personal library and a set of works due for publishing. His book collection was split into individual documentary funds, some located in France and others in Romania. In February 1930, Benjamin Fondane explained that he did not consider revisiting his land of birth until such time as his earlier volumes would be printed, indicating that these included (in addition to Priveliști): Ferestre spre Europa, Imagini și scriitori români ("Images and Romanian Writers"), Caietele unui inactual ("The Notebooks of an Outdated Man"), Probleme vesele ("Merry Problems"), Dialoguri ("Dialogues") and an introduction to the work of art critic Walter Pater. Among Fondane's other Romanian works, unpublished at the time of his death, were the prose poem Herța ("Hertsa"), Note dintr-un confesional and many other prose fragments and poems, all preserved in Daniel's manuscript collection. According to Paul Daniel, part of the poet's book collection in Romania was left in the care of literary critic Lucian Boz, who sold it upon his departure for Australia. In France, the copyright to Fondane's work was passed on in the late 20th century to scholar Michel Carassou, who was personally involved in several publication projects. Western echoes In France, the caretaker of documentary enterprises regarding Fondane was for long Sernet (Voronca's brother-in-law), who released part of Super Flumina Babylonis and other previously unknown texts (published in various issues of Cahiers du Sud and other journals), while supervising a new edition of L'Honneur des poètes, where Fondane was properly credited. In 1945, philosopher Jean Grenier edited the first-ever version of Le Lundi