Edgar Livingston Kennedy (April 26, 1890 – November 9, 1948) was an American comedic character actor who appeared in at least 500 films during the silent and sound eras. Professionally, he was known as "Slow Burn", owing to his ability to portray characters whose anger slowly rose in frustrating situations. In many of his roles, he used exasperated facial expressions and performed very deliberately to convey his rising anger or "burn", often rubbing his hand over his bald head and across his face in an effort to control his temper. One memorable example of his comedy technique can be seen in the 1933 Marx Brothers' film Duck Soup, where he plays a sidewalk lemonade vendor who is harassed and increasingly provoked by Harpo and Chico. Early years Kennedy was born April 26, 1890, in Monterey County, California, to Canadians Neil Kennedy and Annie Quinn. He attended San Rafael High School before taking up boxing. He was a light-heavyweight and once went 14 rounds with Jack Dempsey. After boxing, he worked as a singer in vaudeville, musical comedy and light opera. Film career After making his debut in 1911, Kennedy performed with some of Hollywood's biggest comedians, including Roscoe Arbuckle, Charlie Chaplin, Laurel and Hardy, the Marx Brothers, W.C. Fields, Charley Chase and Our Gang. He was also one of the original Keystone Kops. Kennedy's burly frame originally suited him for villainous or threatening roles in silent pictures. By the 1920s, he was working for producer Hal Roach, who kept him busy playing supporting roles in short comedies. He starred in one short, A Pair of Tights (1928), where he plays a tightwad determined to spend as little as possible on a date. His antics with comedian Stuart Erwin are reminiscent of Roach's Laurel and Hardy comedies, produced concurrently. Kennedy also directed half a dozen of Roach's two-reel comedies. In 1930, RKO-Pathe featured Kennedy in a pair of short-subject comedies, Next Door Neighbors and Help Wanted, Female. His characterization of a short-tempered householder was so effective, RKO built a series around him. The "Average Man" comedies starred Kennedy as a blustery, stubborn everyman determined to accomplish a household project or get ahead professionally, despite the meddling of his featherbrained wife (usually Florence Lake), her freeloading brother (originally William Eugene, then Jack Rice) and his dubious mother-in-law (Dot Farley). Kennedy pioneered the kind of domestic situation comedy that later became familiar on