Street painting, also known as screeving, pavement art, street art, and sidewalk art, is the performance art of rendering artistic designs on pavement such as streets, sidewalks, and town squares with impermanent and semi-permanent materials such as chalk. Origin The origins of modern street painting can be traced to Britain. Pavement artists were found all over the United Kingdom and by 1890 it was estimated that more than 500 artists were making a full-time living from pavement art in London alone. The British term for a pavement artist is a "screever". The term is derived from the writing style, often Copperplate, that typically accompanied the works of pavement artists since the 1700s. The term screever is most commonly cited as Shakespearean slang dating from around 1500. The Irish word for ‘writing’ is ‘scriobh’, (pronounced ‘screev’). The works of screevers often were accompanied by poems and proverbs, lessons on morality, and political commentary on the day’s events. They were described as "producing a topical, pictorial newspaper of current event." They appealed to both the working people, who (on the whole) could not read or write, but understood the visual images; and to the educated members of the middle-classes who appreciated the moral lessons and comments. It was important for a screever to catch the eye of the ‘well to do’ and in turn attract the pennies donated for their efforts. Street painters, (also called chalk artists) a name these performance artists are most commonly called in the United States are called I Madonnari in Italy (singular form: madonnaro or madonnara) because they recreated images of the Madonna. In Germany, the word is Straßenmaler (streets: "Straßen", painter: "Maler"). The Italian Madonnari have been traced to the sixteenth century. They were itinerant artists, many of whom had been brought into the cities to work on the huge cathedrals. When the work was completed, they needed to find another way to make a living, and thus often would recreate the paintings from the church onto the pavement. Aware of festivals and holy days held in each province and town, they traveled to join in the festivities to make a living from observers who would throw coins if they approved of the artist's work. For centuries, many Madonnari were folk artists, reproducing simple images with crude materials such as tiles, coal, and chalk. Others, such as El Greco, would go on to become household names.