film Fejos used beautiful documentary-like footage of local fishermen and their everyday lives. The film was highly criticized in Hungary for its depiction of the fisherman and accused of bigotry against village life. In 1933 Fejos moved to Austria and made Ray of Sunshine (Sonnenstrahl), again starring Annabella. The film focused on unemployment and poverty in post-World War I Austria and was praised by critics as "the summit of Fejos' art in Europe...too often ignored by the critics." Later that year Fejos made the light comedy Voices of Spring (Frühlingstimmen). In 1934 Fejos moved to Denmark and made three films for the Nordisk Film company: a light comedy in 1934 called Flight of the millions (Flugten fra millionerne), a farce about a world where there are no prisoners or police officers called Prisoner Number 1 (Fange Nr. 1) in 1935, and an adaptation of playwright Kaj Munk's The Golden Smile (Det Gyldne Smil) about the relationship between art and life in 1935. Career as ethnographic filmmaker By 1935 Fejos had grown tired of narrative films and their inauthentic sets and stories. That year he was sent by Nordisk Film to scout filming locations in Madagascar and loved the country so much that he ended up staying for nine months. He filmed over 30,000 feet of footage of animals, plants, tribal societies and local customs, all of which was unusable for a narrative feature. He also collected many artifacts and eventually donated them to the Royal Danish Geographical Society. When he returned to Denmark the unusable footage that he had shot was brought to the attention Svensk Filmindustri's Gunnar Skoglund who commissioned a series of six short documentaries to be made from the footage. These films included Black Horizons (Svarta Horisonter), The Dancers of Esira, Beauty Salon in the Jungle, The Most Useful Tree in the World, Sea Devil, and The Graves of our Father, all released between 1935 and 1936. In 1936, he married Inga Arvad, a Danish journalist, noted for being a guest of Adolf Hitler at the 1936 Summer Olympics and for her romantic relationship with John F. Kennedy. Arvad had appeared in Flight of the millions and the two remained married until 1942. Inspired by his newfound passion for cultures and history, Fejos studied cultural anthropology at the Museum of Copenhagen in 1936 and studied under Dr. Thompson. He was then commissioned by Svensk Filmindustri to make