the kagura masks that were to be used in the prayer service she taught her followers. The inscription reads, "An exterior volume. Written by God. Written in Her seventy-seventh year." The Maegawas used the term to distinguish the portions they received from Nakayama from the original Ofudesaki kept at her residence, even though their portions were also in Nakayama's handwriting. The second Shinbashira (leader of Tenrikyo), Shozen Nakayama, later adopted the term to refer to the fourteen verses that were written in Miki Nakayama's handwriting and given away. Though these verses are considered to be the unnumbered verses of the Ofudesaki, they are not published with the Ofudesaki. Publication Though Miki Nakayama had completed the Ofudesaki in 1882, the scriptures were not printed until 1928. Until then the Ofudesaki was only available in the form of hand-copied manuscripts. In March 1883, the local police visited the Nakayama residence and attempted to confiscate the Ofudesaki manuscripts so that they could be destroyed. However, Shinnosuke Nakayama, the grandson of Miki, claimed that two women at the residence, Omasa and Osato, had already burned them in compliance with a patrolman's order. Thereby the Ofudesaki manuscripts remained intact, and have survived to this day. In 1939, Tenrikyo Church Headquarters announced the change of its doctrine and ritual, under pressure to comply with the demands of State Shinto. Copies of the Ofudesaki and the Osashizu (Divine Directions) were recalled from local churches, and the Ofudesaki was not allowed to be preached until the end of World War II. With the adoption of the Constitution of Japan in 1947 and the establishment of freedom of religion in Japan, Tenrikyo Church Headquarters was legally allowed to restore its scriptures to their original form and disseminate them freely. On 26 July 1948, an Ofudesaki with interpretive explanations was published and offered to all local churches. Since then the Ofudesaki has been translated into a number of languages. A trial translation was published in series in the journal Fukugen from 1946–7. The first edition English translation was published in 1971, and the sixth edition (the most recent as of 2017) was published in 1993. A volume containing the English (sixth edition), Japanese, and romanization (2nd edition) was published in 1998. Style Poetic form and script The verses of the Ofudesaki are generally in a traditional poetic style known as waka. A waka poem contains thirty-one syllables and is subdivided