"See Emily Play" is a song by English rock band Pink Floyd, released as their second single in June 1967. Written by original frontman Syd Barrett, it was released as a non-album single, but appeared as the opening track of the US edition of the band's debut album The Piper at the Gates of Dawn (1967). The song was written by Barrett following the Games for May concert, and became a top 10 hit when released in the UK the following month. The group appeared three times on Top of the Pops, where Barrett started showing signs of erratic behaviour, which ultimately led to him leaving the group in early 1968. Though Pink Floyd seldom performed the song live, it has been covered by a number of diverse artists and regarded as a classic psychedelic pop single. Writing "See Emily Play" is also known as "Games for May", after a free concert on 12 May 1967 at the Queen Elizabeth Hall on London's South Bank, in which Pink Floyd performed. It was the first show where the group set up a quadrophonic PA system, which would be a regular feature of future gigs. The song was reportedly about a girl named Emily, who Barrett claimed to have seen while sleeping in the woods after taking a psychedelic drug. According to A Saucerful of Secrets: The Pink Floyd Odyssey, by Nicholas Schaffner, Emily is the Honourable Emily Young, daughter of Wayland Young, 2nd Baron Kennet and nicknamed "the psychedelic schoolgirl" at the UFO Club. Bassist Roger Waters later said the woods mentioned in the song were based next to the Gog Magog Hills near Cambridge. It has been suggested by some that the slide guitar effect was produced by Barrett using a Zippo lighter, but elsewhere that he used a plastic ruler. The train depicted on the single's sleeve was drawn by Barrett. Recording The song was recorded at Sound Techniques studios on 18 May 1967 The exact recording details are unclear because of a lack of paperwork in the EMI archive. Engineer Jeff Jarrett recalls that it was recorded in a much longer form, which was then edited down for the single release. The recording involved backward tapes and much use of echo and reverb; the first piano bridge between the first chorus and second verse was recorded at a slow pace then sped up for the final master. The