On Your Toes (1936) is a musical with a book by Richard Rodgers, George Abbott, and Lorenz Hart, music by Rodgers, and lyrics by Hart. It was adapted into a film in 1939. While teaching music at Knickerbocker University, Phil "Junior" Dolan III tries to persuade Sergei Alexandrovich, the director of the Russian Ballet, to stage the jazz ballet Slaughter on Tenth Avenue. After becoming involved with the company's prima ballerina Vera Barnova, Junior is forced to assume the male lead in Slaughter. Trouble ensues when he becomes the target of two thugs hired by Vera's lover and dance partner to kill him. On Your Toes marked the first time a Broadway musical made dramatic use of classical dance and incorporated jazz into its score. Films about ballet Background On Your Toes originally was conceived as a film, and as a vehicle for Fred Astaire. His refusal of the part, because he thought that the role clashed with his debonair image developed in his contemporary films, caused it to be presented initially as a stage production. Richard Rodgers wrote: "Astaire at that point in his career was a pretty chic fellow who usually wore white ties and tails, and the producers felt that there was no chance in our script for him to appear that way." Astaire thought that the ballet background in the plot was too "highbrow" for his audiences. Ray Bolger was given the stage role, which allowed him to rise to stardom. Eddie Albert, not known as a dancer in his career, gave a remarkable performance opposite Vera Zorina in the 1939 film. Productions The first Broadway production, directed by C. Worthington Miner and choreographed by George Balanchine, opened on April 11, 1936, at the Imperial Theatre, where it ran for seven months, then transferred to the Majestic, for a total run of 315 performances. The cast included Ray Bolger, Tamara Geva, and Monty Woolley. The London West End production opened on February 5, 1937, at the Palace Theatre, with Jack Whiting and Vera Zorina as the singers and dancers. The first Broadway revival, directed by Abbott and choreographed by Balanchine, opened on October 11, 1954 at the 46th Street Theatre, where it ran for 64 performances. The cast included Vera Zorina, Bobby Van, Elaine Stritch, and David Winters. The original score was embellished with "You Took Advantage of Me." The second revival, directed by Abbott and