South African art is the visual art produced by the people inhabiting the territory occupied by the modern country of South Africa. The oldest art objects in the world were discovered in a South African cave. Archaeologists have discovered two sets of art kits thought to be 100,000 years old at a cave in South Africa. The findings provide a glimpse into how early humans produced and stored ochre – a form of paint – which pushes back our understanding of when evolved complex cognition occurred by around 20,000 – 30,000 years. Also, dating from 75,000 years ago, they found small drilled snail shells could have no other function than to have been strung on a string as a necklace. South Africa was one of the cradles of the human species. The scattered tribes of Khoisan and San peoples moving into South Africa from around 10000 BC had their own art styles seen today in a multitude of cave paintings. They were superseded by Bantu and Nguni peoples with their own vocabularies of art forms. In the present era, traditional tribal forms of art were scattered and re-melded by the divisive policies of apartheid. New forms of art evolved in the mines and townships: a dynamic art using everything from plastic strips to bicycle spokes. In addition to this, there also is the Dutch-influenced folk art of the Afrikaner Trek Boers and the urban white artists earnestly following changing European traditions from the 1850s onwards, making for an eclectic mix which continues to evolve today. Paleolithic rock art The pre-Bantu peoples migrating southwards from around the year 30,000 BC were nomadic hunters who favoured caves as dwellings. Before the rise of the Nguni peoples along the east and southern coasts and central areas of Africa these nomadic hunters were widely distributed. It is thought they entered South Africa at least 1000 years ago. They have left many signs of life, such as artwork ("Bushman" paintings) depicting hunting, domestic and magic-related art. There is a stylistic unity across the region and even with more ancient art in the Tassili n'Ajjer region of northern Africa, and also in what is now desert Chad but was once a lush landscape. The figures are dynamic and elongate, and the colours (derived probably from earthen and plant pigments and possibly also from insects) combine ochreous red, white, grey, black, and many warm tones ranging from