Street Fighting Years is the eighth studio album by Scottish rock band Simple Minds, released in May 1989 by record label Virgin Records worldwide apart from the US, where it was released by A&M. Produced by Trevor Horn and Stephen Lipson, the album reached the top of the UK Albums Chart. Recording Street Fighting Years was recorded during yet another period of personnel change for Simple Minds, and was notably the last of the band's albums to feature keyboard player/composer/founder member Mick MacNeil. MacNeil has subsequently mentioned that "Jim (Kerr) had already started talking about making changes" and the credits for the album suggested that Simple Minds had officially become a trio of the only three remaining founder members — Jim Kerr, Charlie Burchill and Mick MacNeil (all previous albums had credited the band as a full quintet). The lack of equality and unity within the band's ranks soon became evident. Drummer Mel Gaynor was sidelined during the album sessions (apparently after disagreements with Trevor Horn) and was eventually demoted to session player status, with much of the drumming in the studio being performed by Manu Katché (from Peter Gabriel's band) and Stewart Copeland (ex-Police). Bass player John Giblin — who'd joined the band in 1985 for Once Upon a Time and played on the subsequent tours and the Live In The City Of Light album — left the band during or immediately after the sessions, despite having made significant contributions to the album (including writing the ballad "Let It All Come Down"). The circumstances surrounding Giblin’s departure are undisclosed (although the band's previous bass player Derek Forbes has hinted that ultimately Giblin simply "didn’t fit in" with the band). Some of the bass guitar parts on the album were played by producer Stephen Lipson. Content Produced by Trevor Horn and Stephen Lipson, it was a major stylistic departure from the previous album, 1985's Once Upon a Time. While still maintaining the epic arena rock sense of scale and drama which the band had developed since the mid-1980s, Street Fighting Years also moved away from the American soul and gospel influences of its predecessor in favour of soundtrack atmospherics and a new incorporation of acoustic and Celtic/folk music-related ingredients including fretless bass, slide guitar and accordion. The lyrics built on the more political themes which the band had introduced with "Ghost Dancing", moving away from the impressionistic or spiritual concerns