Houston Knights is an American crime drama television series set in Houston, Texas. The show ran on CBS from March 11, 1987 to June 7, 1988 and had 31 episodes. Summary The core of the series is the partnership between two very different cops from two different cultures. Chicago cop Joey LaFiamma, played by Michael Paré, is transferred to Houston after he kills a mobster from a powerful Mafia family and a contract is put out on him. Once there, he is partnered with Levon Lundy, played by Michael Beck, the grandson of a Texas Ranger. Although as different as night and day, and after a rocky beginning (the two engage in a fist-fight) they form a successful partnership and become friends. This is aided to a certain extent by an event where a hitman from Chicago who holds the contract to shoot La Fiamma arrives in Houston and is ultimately killed by Lundy. During the series, it is revealed that both La Fiamma and Lundy have their own personal demons. La Fiamma's Chicago partner had been killed when the partner went into a crime scene while La Fiamma had waited for backup to arrive. Lundy's wife had been killed by an explosion that was intended to kill him. Background Producer Jay Bernstein said the show "goes against the grain of current television thinking. It's an hour-long episode show at a time when half-hour comedy is king. It features two male police officers when family situation stories are hot." Bernstein said the leads needed to say what America should be... Houston Knights was created on a formula that started with Columbia Pictures. They had these two-reelers during the 1930s using two leading men who always fought with each other. There was the same relationship between John Wayne and Randolph Scott in the 1940s in movies like 'Pittsburgh.' This is different for television, but has been used in the movies since the 1930s. These are principled men. They're in the 1980s but with the conservative morals of the 1940s." The show was renewed for a second season. Beck said his relationship on air with Pare would be "less abrasive... We used that as a starting-off point, but everyone now feels that coming into living rooms that way, week after week, might grow a little tiring for the viewer. We'll have more of a needling instead of an 'I-hate-your-guts' feel between them.