Yves Jean Bonnefoy (24 June 1923, Tours – 1 July 2016 Paris) was a French poet and art historian. He also published a number of translations, most notably the plays of William Shakespeare which are considered among the best in French. He was professor at the Collège de France from 1981 to 1993 and is the author of several works on art, art history, and artists including Miró and Giacometti, and a monograph on Paris-based Iranian artist Farhad Ostovani. The Encyclopædia Britannica states that Bonnefoy was ″perhaps the most important French poet of the latter half of the 20th century.″ Life and career Bonnefoy was born in Tours, Indre-et-Loire, the son of Marius Elie Bonnefoy, a railroad worker, and Hélène Maury, a teacher. He studied mathematics and philosophy at the Universities of Poitiers and the Sorbonne in Paris. After the Second World War he travelled in Europe and the United States and studied art history. From 1945 to 1947 he was associated with the Surrealists in Paris (a short-lived influence that is at its strongest in his first published work, Traité du pianiste (1946)). But it was with the highly personal (On the Motion and Immobility of Douve, 1953) that Bonnefoy found his voice and that his name first came to public notice. Bonnefoy's style is remarkable for the deceptive simplicity of its vocabulary. Bonnefoy's work has been translated into English by, among others, Emily Grosholz, Galway Kinnell, John Naughton, Alan Baker, Hoyt Rogers, Antony Rudolf, Beverley Bie Brahic and Richard Stamelmann. In 1967 he joined with André du Bouchet, Gaëtan Picon, and Louis-René des Forêts to found L'éphémère, a journal of art and literature. Commenting on his work, Bonnefoy has said: He taught literature at a number of universities in Europe and in the USA: Brandeis University, Waltham, Massachusetts (1962–64); Centre Universitaire, Vincennes (1969–1970); Johns Hopkins University, Baltimore; Princeton University, New Jersey; University of Connecticut, Storrs, Connecticut;Yale University, New Haven, Connecticut; University of Geneva; University of Nice (1973–1976); University of Provence, Aix (1979–1981); and Graduate Center, City University of New York, where he was made an honorary member of the Academy of the Humanities and Sciences. In 1981, following the death of Roland Barthes, he was given the chair of comparative study of poetry at the Collège de France. Bonnefoy continued to work closely with painters throughout his career and wrote prefaces for artists’ books, including those by his