the cantata In memoriam Beniamin Fundoianu (lyrics by Victor Bârlădeanu). Writing in 1978, Martin noted that the focus of such recoveries was on Fondane's poetry, while Fondane the thinker and "informed commentator", "one of the most evolved critical voices in 1920s Romanian culture", remained unfamiliar to Romanians. The limits on Fondane's posthumous circulation were partly dictated by the policies of Communist Romania. In 1975, the censorship apparatus (who followed national communist ideas about restricting references to Judaism) removed references to Fondane's ethnic and religious background from a reprint of Arghezi's 1945 text. In 1980, a version of his Mântuirea series, Iudaism și elenism, was purged from Imagini și cărți, on orders from the same institution. Martin's 1984 monograph, Introducere în opera lui B. Fundoianu ("An Introduction to B. Fundoianu's Work"), was saluted as "penetrating" by his colleague Gheorghe Crăciun. The same study is primarily noted by Paul Cernat as a "problem-oriented" text about the "complexes" of Romanian culture, and therefore an implicit reaction against the national communism promoted under Nicolae Ceaușescu. The hidden parts of Benjamin Fondane's contribution became accessible only after the anti-communist uprising of 1989. In 1999, the Jewish community publishers, Editura Hasefer, issued Iudaism și elenism (with scholars Leon Volovici and Remus Zăstroiu as editors). The same year, the Federation of Jewish Communities of Romania published an anthology of his texts, Strigăt întru eternitate ("A Shout unto Eternity"), and Editura Echinox a concordance dictionary of his poetry (one of several such projects initiated by linguist Marian Papahagi). In 2004, Mircea Martin and Ion Pop also collected Fondane's political essays as Scriitorul în fața revoluției (titled after the Romanian version of L'Écrivain devant la révolution). Writing in 2001, Crăciun assessed that the poet was still "non-integrated" into his native Romanian culture, which mostly perceived him as estranged, and his work in the vernacular as traditionalist. Eight years later, comparatist Irina Georgescu assessed that interest in the more unknown aspects of Fondane's work had been rekindled by public conferences and new monographs (among which she cites the contributions of scholars Mariana Boca, Nedeea Burcă and Ana-Maria Tomescu). Le Féstin de Balthazar was performed in its Romanian version (Ospățul lui Baltazar), directed by Alexandru Dabija for the Nottara Theater company. The 65th commemoration of Fondane's death was marked locally with several events, including the premiere of Andreea Tănăsescu's Exil în pământul uitării ("Exile to the Land of Oblivion"), a contemporary