a series of ethnographic films in such countries as Indonesia, the Philippines, New Guinea, Ceylon and Thailand from 1937 to 1938. These films included A Handful of Rice (En Handfull Ris), Man and Woman (Man och Kvinna), The Tribe Still Lives (Stammen lever än), The Bamboo Age of Mentawei (Bambuåldern på Mentawei), The Chief's Son is Dead (Hövdingens son är död), The Komodo Dragon (Draken på Komodo) and The Village Near Pleasant Fountain (Byn vid den trivsamma brunnen). In 1938 while returning from filming in Thailand Fejos met Swedish industrialist Axel Wenner-Gren, who would change Fejos' life in the same way that Edward Spitz had ten years earlier. The two men became fast friends and Wenner-Gren agreed to finance an expedition to Peru in late 1939. While in Cusco Fejos was told by a Franciscan friar about a legendary lost city somewhere in the jungle. He immediately contacted Wenner-Gren, who agreed to give additional financing for the expedition. Fejos discovered 18 ancient Incan cities and traveled to the headwaters of the Amazon river. In total, he spent a year in Peru studying the culture and filming the Yagua tribe. His research resulted in Fejos' final series of films Yagua, released in 1940 and 1941. It also resulted in the publication of Ethnology of the Yagua, published by the Viking Fund Series of Publications in Anthropology in 1943. Career as anthropologist and final years In 1941, Fejos both stopped making films and travelling to become Director of Research and acting head of the Viking Fund, a non-profit foundation based in New York City and created that same year by Axel Wenner-Gren. It was later renamed the Wenner-Gren Foundation for Anthropological Research. He went on to become highly respected in his field and was considered ahead of his time for calling for communication between various branches of anthropology. During this time Fejos also taught at Stanford, Yale and Columbia University. In 1958 Fejos married anthropologist Lita Binns, who would succeed him as research Director when he died on 23 April 1963. His obituary writer David Bidney said that "Paul Fejos had the temperament of an artist rather than a scholar or research scientist...He supported not only research projects but also, and primarily. individuals whom he trusted and considered worthy of support...His personal support of Pierre Teilhard de Chardin during the last years of the life of this eccentric genius is but one