"Man in the Box" is a song by the American rock band Alice in Chains. It was released as a single in January 1991 after being featured on the group's debut studio album, Facelift (1990). It peaked at No. 18 on Billboard's Mainstream Rock chart and was nominated for a Grammy Award for Best Hard Rock Performance in 1992. The song was included on the compilation albums Nothing Safe: Best of the Box (1999), Music Bank (1999), Greatest Hits (2001), and The Essential Alice in Chains (2006). "Man in the Box" was the second most-played song of the decade on mainstream rock radio between 2010 and 2019. Origin and recording In the liner notes of 1999's Music Bank box set collection, guitarist Jerry Cantrell said of the song; "That whole beat and grind of that is when we started to find ourselves; it helped Alice become what it was." The song makes use of a talk box to create the guitar effect. The idea of using a talk box came from producer Dave Jerden, who was driving to the studio one day when Bon Jovi's "Livin' on a Prayer" started playing on the radio. The original Facelift track listing credited only vocalist Layne Staley and Jerry Cantrell with writing the song. All post-Facelift compilations credited the entire band. It is unclear as to why the songwriter credits were changed. Composition and music "Man in the Box" is a grunge, alternative metal, hard rock, and alternative rock song that is widely recognized by its distinctive "wordless opening melody, where Layne Staley's peculiar, tensed-throat vocals are matched in unison with an effects-laden guitar" followed by "portentous lines like: 'Feed my eyes, can you sew them shut?', 'Jesus Christ, deny your maker' and 'He who tries, will be wasted' with Cantrell's drier, less-urgent voice," along with harmonies provided by both Staley and Cantrell in the lines 'Won't you come and save me'. Lyrics In a 1992 interview with Rolling Stone, Layne Staley explained the origins of the song's lyrics: I started writing about censorship. Around the same time, we went out for dinner with some Columbia Records people who were vegetarians. They told me how veal was made from calves raised in these small boxes, and that image stuck in my head. So I went home and wrote about government censorship and eating meat as seen through the eyes of a doomed calf.