them. He is later burned alive inside his house with the spirits of his wife and son becoming witnesses. His rival, Master Tong, a tutor for traditional Thai dance connected to Hun lakhon lek (known as Khon) attempts to steal the puppets to raise his prestige. However, this causes deaths of many people in the troupe. Tong eventually meets the same fate as Tao when the house he is in catches flames and burns down. Cast Suwinit Panjamawat - Gaan Kanyavae Chatiawaipreacha - Nuan Pornchai Chuvanon - Plew Anusak Intasorn - Im Pattama Jangjarut - Nan Savika Kanchanamas - Sa-Ing Manop Meejamarat - Cht Tinnapob Seeweesriruth - Dang Vinn Vasinanon - Bua Pongsanart Vinsiri - Master Tong Komgrich Yuttiyong - Master Tao Going Home Directed by Peter Chan Story by Teddy Chan and Su Chao-Bin Screenplay by Matt Chow and Jo Jo Hui Yuet-chun Cinematography by Christopher Doyle Filming location: Former Police Married Quarters on Hollywood Road, Sheung Wan, Hong Kong A widowed cop, Chan Kwok-wai moves to a dying apartment with his son, Cheung. He is informed about Yu, a neighbor across the complex, who lives with his paralyzed wife, Hai'er, and daughter. Yu's daughter creeps Cheung, but the two become friends and later play at a photo studio. However, Chan mistakenly believes that Yu has kidnapped Cheung and attempts to break into his apartment, only to get caught and rendered unconscious. Yu takes Chan hostage and reveals that his wife has died, yet he continues to talk to her as if she is alive. He promises to release him in three days, the time when his wife would "wake up" through the help of Chinese medicine, after which the two would go back to their Changsha home in the mainland. He also reveals that he never has a daughter, for she was aborted when his wife succumbed to liver cancer three years before. On the third day, Chan's fellow cops manage to arrest Yu. However, before he is taken away, he escapes and attempts to reach Hai'er, only to get killed when a car hits him. The doctor who treated Yu and Hai'er tell Chan the full truth about her patients as well as the fact that though Hai'er has died, she does indeed shows signs of life. The film ends with Cheung leaving the photo studio, which is shown to be closed from the outside but thriving