their "10 Best Thor Characters In Marvel Comics But Not In The MCU" list and included her in their "The 10 Most Powerful Asgardian Gods In Marvel Comics" list, and their "10 Best Asgardians Not Yet In The MCU" list. In 2022, CBR.com ranked Angela 5th in their "10 Strongest Asgardians In The Comics" list. Literary reception Volumes Angela: Asgard's Assassin - 2014 According to Diamond Comic Distributors, Angela: Asgard's Assassin #1 was the 15th best selling comic book in December 2014. Angela: Asgard's Assassin #1 was the 217th best selling comic book in 2014. Doug Zawisza of CBR.com called Angela: Asgard's Assassin #1 "one of the most technically stunning debut issues from Marvel," writing, "Stephanie Hans' work is atmospheric and painterly, providing a distinct visual difference from Jimenez's but maintaining the same level of detail and dedication to addressing Angela as a figure flowing through the panels rather than a sex symbol posing in those panels. Hans adds rugged torn edges to the panels, giving them the appearance of being ripped from Sera's or Angela's memories. Just as subtly as "Angela: Asgard's Assassin" #1 shifts from main story to substory, it shifts back out, bringing readers to a conclusion fraught with anticipation. Any comic with "Asgard" in the title is destined to bring in the God of Thunder, but with Thor now being a different Thor than the one Angela is familiar with, Gillen elects to leave readers awaiting the confrontation between Angela and Odinson. To sweeten the pot, the writer teases a surprising reason for the visit, leaving readers with a cliffhanger in the process. It's a solid cap to a solid comic book, as "Angela: Asgard's Assassin" #1 gives readers yet another excellent female-led series in the Marvel Universe." Petra Halbur of The Mary Sue described Angela: Asgard's Assassin #1 as potentially "the best new series in recent memory," asserting, "There’s plenty to appreciate about Angela: Asgard’s Assassin #1aside from the heroine’s principles, of course. Awesomely, Stephanie Hans’ illustrations provide little to no fodder for The Hawkeye Initiative. Despite her ridiculously skimpy armor, Angela remains generally un-sexualized by the artist, striking no poses that draw especial attention to her breasts, legs or butt. I also love Sera’s design, a woman, er, angel of color who rocks her celestial armor with a short, plump frame (by comic book standards, anyways). Still, it’s this code of justice that really