black metal band Dark Funeral. In late 2002 keyboardist Vivien Chen left the band and was replaced by Luis Wei. In 2003 the band released the single "Satan's Horns," which was used as the theme song for the Taiwanese release of the movie Freddy vs. Jason. In 2003 they won the Best Band Award at the Taiwan Golden Melodies Award Ceremony. In 2004 Alexia Lee replaced Luis Wei on keyboards and Dani Wang replaced AJ Tsai on drums. In 2005 the band released their fourth album, Seediq Bale, which is based on the Wushe Incident. In addition to symphonic black metal mixed with Taiwanese elements, Seediq Bale featured increased use of erhu, blast beats, and female vocals (including a guest appearance by pop singer Sandee Chan). The album was released in Mandarin Chinese and English versions, with both integrating some Seediq and Japanese lyrics. This album also supported donations for the movie project Seediq Bale directed by Wei Te-sheng, who in turn donated the film's trailer for Chthonic's use in the music video for "Quasi Putrefaction." After the release of Seediq Bale keyboardist Alexia Lee left and was replaced by CJ Kao; the erhu player Su-nong also joined the band. In early 2006, Chthonic held the "A Decade on the Throne" concert in Huashan Culture Park, Taipei. To celebrate their tenth anniversary the band released a DVD of that concert, the compilation album Pandemonium, and the book CHTHONIC Dynasty (閃靈王朝) via Eurasian Books. Seediq Bale (English version) was released in 2006 and 2007 in many countries; in Japan it was released by Howling Bull, in North America by Megaforce Records, and in Europe by SPV Records; the album was also released in several South American and Asian countries. Revolver cited Chthonic as "The Band to Watch" and England's Alternative Vision awarded them "Band of the Month." In 2006, Lim founded the annual Megaport Music Festival, Taiwan's largest rock music event; after a hiatus when he went into politics, Lim continues to organize the annual event. In 2007 Chthonic were featured as a second stage act at the 2007 Ozzfest tour. The band named that year's tour "UNlimited Taiwan Tour" to draw awareness to the fact that the United Nations does not recognize Taiwan. This symbolic protest was covered by the US mainstream media, including ABC television, New York Times, Los Angeles Times, Washington Post, and others. That year they also