a keyboard but soon switched to writing the sounds in his head directly onto paper. To assist with this process, he studied sight-singing with Andras Ranki at Morley College, London in 1983. Works Repulsion (1997) – for clarinet, electric guitar, trombone, percussion. c 10' SHHH (1996–97) – for taped voices. c 7' For Looking Inside (1997) – for 3 prepared violas. c 10'30" Interferogram (1997) – for large ensemble. c 10' Mala; Elated (1997) – for clarinet, harpsichord, organ, metal plates, cymbals. c 8' Black Death and Errors in Construction (1998) – for bass clarinet, prepared piano, electric guitar, 2 cellos, 2 violas, percussion, tape. c 12' The Road to Erzin (1999) – for viola, piano, alto saxophone, percussion (2 players) & live electronic sound-processing. c 15' Crackle of Forests (1999) – for many instruments. c 23' Gushe (1999) – solo clarinet and tape. c 13' Ma (1999) – montage. c 20' Apophasis (2001) – concrète sound-art piece with David Connearn. c 22' Fighting/Breathing (2001) – for bass clarinet and taped percussion. c 7'40" String Quartet 3 (2000–1) Vers Kongsu (2002) – for clarinet and percussion. c 15' Fragor (2003) – computer-assisted music for arco electric guitar and cello. c 7' Vers Kongsu II (2003) – revised version of Vers Kongsu for clarinet and ensemble. De Yoknapatawpha (2003–04) – 2 clarinets (one doubling bass) + piano. c 12' Watching into a Hard Stone (2004) – tape music using sounds of clarinet, ringmodulator, prepared piano, pitch shifter. c 9' Aici Schiteaza Pe Acumul (2004) – for tape and instrumental ensemble (3 vln/vla, 2 celli, 2 cb, oboe, 2 flt, clar, bass-clar, bassoon, sax, trom, 2 percuss, piano). c 9' Further into Hard Stone (2004) – arranged for flute (+ pic), oboe, 2 clars, bassoon, fr horn, saxes, strings, piano, percussion. c 9' Piece for Harp and Cello (2004–05) – c 9' Nameless Tower (2005) – for Vln, 2 alto, cello, flute, clar, bass clar, trombone, piano, 2 percussion. Thrown (2005) – for bass clarinet doubling clarinet, harp, piano, double bass, percussion and live sound treatment and projection. c 9' Ulaaraar (2005) – for bass clarinet, string ensemble (min 2 altos, 2 cellos) and small gong. c 10' Untitled for solo Bb clarinet (2005–06) Carillon for Amplified Harpsichord and four pre-recorded Electric Guitars (2006) – for harpsichord and tape. c 4'45" Hearken (2006) – for bass clarinet and tape. c 12' Against