Baggy was a name given to a British alternative dance genre popular in the late 1980s and early 1990s, with many of the artists referred to as "baggy" being bands from the Madchester scene. History The genesis of indie-dance was the Balearic beat scene (where there were DJs playing an eclectic mix of records including such rock/dance crossovers like "Jesus on the Payroll" by Thrashing Doves and producers like Paul Oakenfold) and the indie music scene in the north west of England, which featured Tony Wilson's Factory Records and former post-punk band the Stone Roses in Manchester. Even though they were not signed to Factory Records, instead signing to Paul Birch's Revolver Records in Wolverhampton (before taking a deal with Jive Records' Silvertone), the band did have links to Tony Wilson, Martin Hannett and Peter Hook, with the New Order bassist scheduled to produce their debut album, before John Leckie took over. It was Leckie who produced the Stone Roses single "Fools Gold" (an indie-dance record which had a prominent 'shufflebeat' which came from a four-bar loop based upon Clyde Stubblefield's "Funky Drummer" drum pattern) and it was mainly fans of the Stone Roses who started to wear the fashions that gave the genre/scene its alternative name. Madchester and scally Although it was not geographically confined to the city of Manchester, many Madchester bands like Happy Mondays, Northside and the Stone Roses were described as being baggy, and vice versa. As baggy was characterised by psychedelia and acid house-influenced guitar music, often with that "funky drummer" beat, new indie-dance bands in other British cities emerged following the breakthrough of the Madchester acts, though some acts in Liverpool argued they were already part of their own scene which had emerged independently of those in Manchester (sometimes referred to as 'scally'). Some acts, such as Candy Flip, Blur and the Soup Dragons reinvented their sound and image to fit in with the new scene. This led some critics to accuse baggy bands of bandwagon-jumping and derivative songwriting. Bands in the indie-dance era of pop music can be divided into two camps; the acts who could be described as baggy (usually the Madchester acts and a few others such as Flowered Up from London), and those who can be described as alternative dance (i.e. Jesus Jones and the Shamen, who were more techno inspired). The Shamen would begin as a psychedelic indie rock