Cinema and the system of Saigonese theatres. By also Kiều Chinh's, Faceless Lover was the first war movie what consumed mostly paper headlines in South Vietnam. Total of its expense was 15 millions VN$ (1US$ = 277,75VN$ in 1970), but the profit was more 48 millions VN$ after a month. This account made director Hoàng Vĩnh Lộc purposed about two new films which consisted of Male and Female and In a Student's Embrace. Besides, Hoàng Vĩnh Lộc planned a post-war future for Vietnam. He wanted to realize a film project The Cartus Plant which based on the Bible. Although the event of April 30 made every things vanished into smoke. The original film tape has been lost after the National Day of Hatred, but it was still lucky to exist the copy one. Actress Kiều Chinh reissued in California from 1980s to present. The film won the Best War Film & Best Theme (for Hoàng Vĩnh Lộc) and Best Leading Actress (for Kiều Chinh) at the Asian International Film Festival XVI in Taipei on June 6, 1971. From then until now, it was solemnly mentioned in every film curriculums of Vietnam although was still forbidden to appear on television channels. In April 1975, while Chinh was on a film set in Singapore, she became aware that North Vietnam was about to overrun Saigon. She returned to her South Vietnam, and then to Singapore using her diplomatic passport. When the government of South Vietnam fell, she was deported from Singapore because her diplomatic passport was no longer valid. She was refused entry to France, Britain and the US. Eventually she was admitted to Canada. She was required to get a job immediately and ended up working on a chicken farm. She tried to contact previous acquaintances in the acting world including Glenn Ford and Burt Reynolds, but both were "unavailable" to help. Eventually she contacted Tippi Hedren who arranged an air ticket and a US visa for her and invited her to her home. William Holden also was supportive once he had found out about Chinh's plight. Kiều Chinh resumed her acting career in the US, her first part being in a 1977 episode of M*A*S*H "In Love and War", written by Alan Alda and loosely based on her life story. 1976 to present Kiều Chinh lived in Canada with her children for several years. After divorcing her husband, Chinh decided