The Lost Honour of Katharina Blum, or: how violence develops and where it can lead (original German title: , ) is a 1974 novel by Heinrich Böll. The story deals with the sensationalism of tabloid news and the political climate of panic over Red Army Faction terrorism in the 1970s in the Federal Republic of Germany. The main character, Katharina Blum, is an innocent housekeeper whose life is ruined by an invasive tabloid reporter and a police investigation when the man with whom she has just fallen in love turns out to be wanted by the police because of a bank robbery. The book's fictional tabloid paper, Die Zeitung (The Newspaper), is modelled on the actual German Bild-Zeitung. Plot Four days after a Weiberfastnacht's eve party (Wed. 20 February 1974), where Katharina Blum met a man named Ludwig Götten, she calls on Oberkommissar Moeding and confesses to killing a journalist for the newspaper Die Zeitung. Katharina had met Götten at a friend's party and spent the night with him before helping him to escape from the police. The next morning, the police break into her house, arrest her and question her. The story is sensationally covered by Die Zeitung, and in particular its journalist Tötges. Tötges investigates everything about her life, calling on Katharina's friends and family, including her ex-husband and hospitalized mother, who dies the day after Tötges visits her. He paints a picture of Katharina as a fervent accomplice of Götten, and as a communist run amok in Germany. Katharina arranges an interview with Tötges. According to Katharina, upon his arrival he suggests that they have sex, whereupon she shoots him dead. She then wanders the city for a few hours before driving to police headquarters and confessing to murder. The book also details the effects of the case on Katharina's employers and friends the Blornas; Mr Blorna is her lawyer, and Mrs Blorna one of the designers of the apartment block where Katharina resides. Their association with Katharina leads to their exclusion from society. Style The story is written from a first-person plural perspective, as if the narrator were presenting a confidential report to the reader on the basis of sources. The technique is documentary, as with Group Portrait with Lady, but with a much more disciplined focus on essentials. The reader is sometimes left to infer who the sources are for many of the reports, and