In Greece, these sculptures best survive as religious dedications and grave markers, but the same techniques would have also been used to make cult images. The best-known types of archaic sculpture are the kouros and kore, near life-size frontal statues of a young man or woman, which were developed around the middle of the seventh century BC in the Cyclades. Probably the earliest kore produced was the Dedication of Nikandre, which was dedicated to Artemis at her temple on Delos between 660 and 650 BC, while kouroi began to be created shortly after this. Kouroi and korai were used to represent both humans and divinities. Some kouroi, such as the Colossus of the Naxians from around 600 BC, are known to represent Apollo, while the Phrasikleia Kore was meant to represent a young woman whose tomb it originally marked. Over the course of the sixth century, kouroi from Attica become more lifelike and naturalistic. However, this trend does not appear elsewhere in the Greek world. The genre began to become less common over the last part of the sixth century as the elites who commissioned kouroi declined in influence, and by around 480 kouroi were no longer made. Pottery The period saw a shift in the decoration of Greek pottery from abstract to figurative styles. During the Greek Dark Ages, following the fall of the Mycenaean civilisation, Greek pottery decoration had been based around increasingly elaborate geometrical patterns. Human figures first appeared on Greek pots in Crete in the early part of the ninth century BC, but did not become common on mainland Greek pottery until the middle of the eighth century BC. The eighth century saw the development of the orientalizing style, which signalled a shift away from the earlier geometric style and the accumulation of influences derived from Phoenicia and Syria. This orientalizing influence seems to have come from goods imported to Greece from the Near East. At the beginning of the seventh century BC, vase painters in Corinth began to develop the black-figure style. At the same time, potters began to use incisions in the clay of vases in order to draw outlines and interior detailing. This adoption of incision, probably taken from eastern metalwork, allowed potters to show fine details of their decorations. As the archaic period drew to a close, red-figure pottery was invented in Athens, with the first examples being produced about 525 BC,