earlier Soviet bard music for its romanticism of city life and the use of poetic language. The album consisted of thirteen songs and was named 45 in reference to its length. The group's popularity was rather limited at the time, so the album was not considered much of a success. Tsoi later stated that the record had come out crudely and he should have recorded it differently. In between (late 1982–1984) In late 1982, Kino attempted to record a second album at the studio of the Maly Drama Theatre, along with drummer (who later joined Zoopark) and sound designer Andrey Kuskov. However, Tsoi lost interest in the project and they ceased recording. In the winter of 1983, they played several shows in Leningrad and Moscow and were sometimes accompanied by Aquarium drummer . Rybin was replaced by rehearsal bassist Maksim Kolosov and later, guitarist Yuri Kasparyan. According to Grebenshchikov, Kasparyan was a poor guitar player initially, but he quickly progressed and eventually became the second most important member of Kino. With Kolosov and Kasparyan, Kino performed their second concert at the Leningrad Rock Club. The band's responsibilities were split evenly between Tsoi and Rybin. Tsoi was in charge of the creative component, writing music and lyrics, while Rybin did all the administrative work, such as organizing concerts, rehearsals and recording sessions. In March 1983, a serious conflict broke out between them, the culmination of multiple differences between the two musicians. Tsoi was particularly annoyed that Rybin performed his songs, and not his own writing, while Rybin did not like Tsoi's unconditional leadership of the group. Eventually, the two stopped talking, and Rybin left the band. The only audio document from this period was a bootleg called 46, which consisted of demos of new songs by Tsoi. These songs continued with the romanticism of 45, but also had darker undertones. Tsoi dismissed the recording as "only a rehearsal tape," but many fans viewed it as Kino's second record. Nonetheless, it has never been recognized as a legitimate album by the band. Nachalnik Kamchatki and growing fame (1984–1985) In 1984, Kino released their sophomore album, Nachalnik Kamchatki (). The title was inspired by Tsoi's job as a boiler plant operator ("nachalnik" means 'chief' or 'boss,' and "Kamchatka" is slang for 'a very faraway place' – but also a folk name for the boiler plant where Tsoi worked, now his museum), as well