of the band Radiohead — Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien and Phil Selway — provided their voice for their characters. The band was on tour in Santa Barbara, and Matt Stone drove there from Los Angeles to record their lines. While directing singer Thom Yorke, Stone told him to "emote more", as his acting was not exaggerated enough for animation voiceovers. Stone found it ironic to direct Yorke to put more emotion into his delivery, considering that Yorke is "brilliant at emoting perfectly, exactly, in such a complex and beautiful way" when he sings. The episode also features regular voice acting from Parker and Stone for most characters, as well as Eliza Schneider and Mona Marshall for female voices. Scott Tenorman's voice was provided by Toby Morton. Cultural references and themes Scott Tenorman's favorite band is the British rock band Radiohead. When Jimbo does not know what "a radiohead" is, Cartman and Ned sing him part of their 1992 song "Creep." In Cartman's dubbed video, the band is interviewed on MTV by long-time MTV host Kurt Loder. Loder had previously been parodied in the fourth season episode "Timmy 2000." During one of his earlier attempts at tricking Scott into giving back his money, Cartman mentions that rock singer Courtney Love is in South Park, drunk and engaging in public nudity. Cartman's inspiration for the idea of having Scott's penis bitten off by a pony is the film Hannibal, in which "the deformed guy trained giant pigs to eat his enemy alive." Hannibal, a sequel to the 1991 film The Silence of the Lambs, was released a few months before the episode. When Cartman walks away from Scott after he tells him about the Pube Fair at Fort Collins, Cartman tells him "Ha ha, charade you are, Scott," referring to Pink Floyd's "Pigs (Three Different Ones)" from Animals. The very ending of the episode, where the iris appears, is an allusion to the Looney Tunes cartoons, with Cartman assuming the role of the stuttering Porky Pig, delivering his signature line "That's all folks!" The use of the Looney Tunes ending has been seen as an ironic reinforcement of the fact that the episode's tragic plot has overstepped the established boundaries of cartoon comedy. It also has been viewed as a reminder about the fact that even the classic cartoons had "a dark side in their own right." The