1991 album Dangerous. When he started on the music, he didn't do the tracking until after Combs came to hear the song and gave him the go ahead to track it. When Thompson attempted the first time after Combs left, the plug came out from the machine and the entire track was erased- which led him having to do it all over again from scratch. The final single released from the album, "Come Over", was initially supposed to be an interlude. However, Evans insisted the interlude should be made into a full song. Another album track on Faith, "All This Love" was written by Evans and her boyfriend prior to her marriage to The Notorious B.I.G., but Thompson revealed the music was composed five years before he met Evans. The CD bonus track "Reasons" featured uncredited background vocals from Blackstreet member Dave Hollister. The reason for his appearance was due to Evans and Blackstreet recording their debut albums at the same studio, but only on different floors. Also originally planned as an interlude, Blackstreet member and producer Teddy Riley came looking for Hollister and overheard the two singing "Reasons". Riley then suggested to Combs that it should be made into a full song. Faith was recorded primarily at The Hit Factory and Combs' personal studio Daddy's House Recording- both of which were based in New York City. Critical reception Faith received critical acclaim upon its release. Entertainment Weekly gave the album an A− rating, describing Faith as "packed with sensual, smoky R&B torch songs and titanium-hard hip-hop beats--Faith seems set to take her place at the top of the mountain of young soul divas." Vibe complimented the albums vocal production, noting that Evans "possesses a perfect voice. Folks have likened that voice to rain, and it's an appropriate metaphor [...] can sound as lilting as a summer shower or as electric as a thunderstorm. Her instrument's potential seems boundless [...] more Whitney than Mary, more classic than nouveau." The Source praised Sean Combs production, writing that "for those closet sentimentalists or those who like to get their slow drag on [...] when you're working with the man who perfected the remix, there's still a good chance that Faith will not only be pumping on rainy nights in the crib but also on summer days in the Land Cruisers too." AllMusic editor Stephen Thomas Erlewine remarked that Faith "proves that she