streetwear brand 1017 ALYX 9SM. Williams has brought an edgier aesthetic to Givenchy, and his work is often seen on celebrities such as Kendall Jenner and Bella Hadid. The commercial and critical response to his work at Givenchy has been mixed, with Carine Roitfeld saying she cannot identify the Givenchy woman; "it's not a strong DNA." Icons and the cinema Audrey Hepburn In 1953, Audrey Hepburn and Hubert de Givenchy met by the intermediary of Gladys de Segonzac in a way to create her costumes for Sabrina by Billy Wilder. As Gladys de Segonzac had organized the meeting with 'Miss Hepburn', the fashion designer thought that he was going to receive Katharine Hepburn. Dressed in a pink and white gingham privateer, a T-shirt and a gondolier hat, the British actress received some prototypes of the future collection. Audrey Hepburn decided to wear Givenchy clothes on and off the screen, such as in Sabrina (1954), Love in the Afternoon (1957), Funny Face (1957), Breakfast at Tiffany's (1961), Charade (1963), Paris When It Sizzles (1963), How to Steal a Million (1965) and Bloodline (1979). Celebrities Givenchy attracted many other celebrities, including the likes of Lauren Bacall, Babe Paley, Michael Norman, Greta Garbo, Elizabeth Taylor, Marlène Dietrich, Jacqueline Kennedy-Onassis, Beyoncé Knowles, Princess Grace of Monaco, Michèle Bennett, and even Wallis Simpson, for whom he created some special garment bags to keep the duchess's orders from being viewed by other clients. The collection of attire (dress, coat, perfume, etc.) furnished for Simpson would later become known as 'blue Wallis'. Today, Givenchy dresses many Hollywood stars, including Cate Blanchett, Emma Stone, Lady Gaga, Julianne Moore, Julia Roberts, Rooney Mara, and others. In May 2019, Givenchy confirmed that singer Ariana Grande would be the new face of its Fall and Winter campaign that was unveiled that July. On February 10, 2021, K-pop group Aespa became global ambassadors for Givenchy. This made them first K-pop artists chosen as such by the French fashion house. Cinema In 1958, director Otto Preminger photographed David Niven; Jean Seberg and Deborah Kerr in Givenchy on the shooting of ‘Bonjour Tristesse’. Beat the Devil (Plus fort que le diable), 1954 realized by John Huston Sabrina, 1954 realized by Billy Wilder, with Audrey Hepburn Love in the afternoon (Ariane), 1957 realized by Billy Wilder, with Audrey Hepburn La vérité, 1960, realized by H, -G Clouzot Charade, 1963, realized by Stanley Donen, with Audrey