"If only it were '21", that is, 1821, a reference to the Greek War of Independence). The album was immediately more successful than his debut LP and included hits such as "Na 'tane to 21'", "Κάπου νυχτώνει" ("Kapou nichtoni", Somewhere the night falls), and an instrumental version of "Pou 'ne ta chronia". The album was made up entirely of compositions by Stavros Kouyioumtzis. The songs were mainly reinterpretations, as was common in the late 60s for new Greek singers; however, not all the songs on their first release (most of them on the smaller yet more distinctive LYRA label) had proved successful, and in many instances, even now, many people in Greece believe that the Dalaras songs are originals and not cover versions. First gold album In 1972, Dalaras, along with singer Haris Alexiou, received his big break in the Greek music industry when their LP "Μικρά Ασία" (Mikra Asia, Asia Minor) went gold, his first album to do so. The songs were written by Apostolos Kaldaras, a heavyweight in the laïkó scene of the 50s and 60s, who at this time decided to enter the political fray of Greek music. Dalaras and Alexiou were immediately thrown into the limelight. The LP was also recently re-released in both CD and limited edition LP format by Minos-EMI. The Mikra Asia LP was followed up by "Βυζαντινός Εσπερινός" (Vizantinos Esperinos, Byzantine Vespers) in 1973. The album consisted again of Dalaras and Haris Alexiou, and was composed by Apostolos Kaldaras, however the lyrics were by the emerging Lefteris Papadopoulos, who had written Dalaras' first official recording. This was the last time that Dalaras officially worked with Apostolos Kaldaras in the studio, however, they worked together in live performances. Unlike Mikra Asia, Vizantinos Esperinos did not meet with exceptional sales, and is somewhat 'forgotten' in the repertoire of Dalaras's songs. Rebetiko revival After several LPs and further collaborations with Kouyioumtzis, Kaldaras, Manos Loïzos, Mikis Theodorakis and others, Dalaras decided to release his own renditions of rebetiko songs on the double LP "50 Χρόνια Ρεμπέτικο Τραγούδι" (Peninta Chronia Rebetiko Tragoudi, 50 Years of Rebetiko songs), released 1975. The recording proved an immediate success, despite the toning down of the lyrics. However, as a result, a new movement was set to take place in Greek music, and the once forgotten rebetes were finding themselves performing, in some cases for the first time in 30 to 40