Joe Ciardiello (born 1953) is an American illustrator. He works primarily in pen and ink on water color paper and is best known for his work as a portrait artist, for clients such as American Express, Barnes & Noble.com, Capitol Records, The Folio Society, The New Yorker, The New York Times Book Review, The Rock and Roll Hall of Fame, Rolling Stone, Smithsonian and Time. He has received awards from the Society of Illustrators. Early life and education Ciardiello was born in 1953 in Staten Island, New York. His grandparents were Italian immigrants who settled on the Island and his parents were born there as well. His father, Joseph A. Ciardiello was the youngest of four boys. He operated a dental practice in Staten Island, but also had a lifelong interest in drawing. Ciardiello attended a Catholic grammar school and was accepted into the High School of Art and Design. When Ciardiello was a senior in high school, he was setting his sights on becoming a cartoonist, until Murray Tinkelman came to the school as a guest lecturer. After hearing his lecture and looking at his drawings, Ciardiello decided that Tinkelman's approach as an illustrator offered more possibilities for him than cartooning. When he enrolled in the Parsons School of Design, it was as an illustration major. At Parsons he met his second important influence on his work, his figure drawing instructor, Jim Spanfeller through whom he learned a love of drawing in an expressive way. Other instructors at Parsons included Bernie D'Andrea, Lorraine Fox and Maurice Sendak. Ciardiello graduated from Parson in 1974 and received his BFA in 1975. Artistic influences Apart from Tinkelman and Spanfeller, Ciardiello's early artistic influences came primarily from illustrators who were working at the time, such as Alan Cober and Leonard Baskin. Ciardiello also drew inspiration from the work of Egon Schiele, who was an early 20th century Austrian artist. Illustration career Getting started Ciardiello's work first appeared in print in 1974 during his senior year in college, in Crawdaddy Magazine, whose offices were a few blocks from Parsons and which Rolling Stone credited with being the first serious journal dedicated to rock and roll. The illustration was a black and white depiction of Lenny Bruce. Another early client who published Ciardiello was Penthouse Magazine. Scholastic Magazines was also an early client for the young artist. His first piece accepted into the Society of