Fernando de Herrera (~1534–1597), called "El Divino", was a 16th-century Spanish poet and man of letters. He was born in Seville. Much of what is known about him comes from Libro de descripción de verdaderos retratos de illustres y memorables varones (Book of the Description of the True Portraits of Illustrious and Memorable Men) (1599) by Francisco Pacheco. Biography Although Herrera's family was only moderately wealthy, they were highly esteemed in Seville. During Herrera's lifetime, Seville was a bustling port city from which many transatlantic voyages would embark, and trading took place with countries all over the world. It was the most cosmopolitan city in Spain, This active atmosphere, however, was somewhat incompatible with Herrera's personality. He therefore sought solace from the busy city life through his poetry. However, whereas spending much of his time in seclusion allowed him to concentrate on his work and artistic interests, it also brought him much criticism from others. The academic community, especially Rodrigo Caro and Juan Gutiérrez Rufo, mocked him for his unorthodox ways. Although well-learned and knowledgeable — Herrera was a great admirer of Italian poetry, the classics, and the Bible (all of which influenced his work) — he was never known to have held any academic degree. He admired one Spanish poet in particular, Garcilaso de la Vega, whose style influenced his own poetry. Herrera did not just have an antiquarian interest in knowledge, however; he was interested in current events, especially those related to the military. Evidence of this is seen in his patriotic canciones (songs) in which he expresses feelings toward contemporary military leaders and actions. To accommodate his need for refuge, Herrera took minor orders in the Catholic Church and received a benefice in San Andrés, a parish of Seville. However, though Herrera displayed a love for solitude, he was no hermit. Around 1559, he struck up a friendship with Don Álvaro Colón y Portugal, Count of Gelves, and his wife, Doña Leonor de Milán de Córdoba y Aragón. Herrera was frequently invited by the count to attend his tertulia (literary salon), a meeting of an elite literary circle where he would form many friendships with local poets, men of letters, painters, and artists. It was his relationship with Doña Leonor that provided Herrera with his muse. Herrera's love for Doña Leonor inspired his love poems. However, they were never enough to provoke the same feelings in her.