a lot of courage, but I’ve also got a lot of fear. You should allow yourself to be scared. It’s one of the prime emotions. You might almost enjoy it, funny as it sounds, and find that you can get over it and deal with it. If you ignore these things, you miss so much. But when you want to enjoy something, especially when it’s something you’ve just been introduced to, you’ve got to have a lot of courage to do it. I don’t think I’m more courageous than most people. I’m an even mixture of all those prime emotions". After the release of Debut, Björk's songs received numerous remixes from different producers. "Big Time Sensuality" received three different remixes from Fluke. One of them, called the "Fluke Minimix", was chosen by Björk to receive a single treatment instead of the original, and the remix was performed on different occasions and a music video was made of it. An extended version of the "Fluke Minimix" was used as the "single version" of the song, and is also the version used in the video. However, this version was not available until the release of Björk's Greatest Hits, as the version featured on the single was shorter. The single also contained "Glóra" ("Gloria") and "Síðasta Ég" ("The Last Me") as B-sides, two songs that were recorded by The Elgar Sisters, a group formed in the early eighties by guitarist Guðlaugur Kristinn Óttarsson and Björk. "Glóra" is an instrumental track which features a flute-solo played by Björk, who also wrote and produced the track. "Síðasta Ég" was written by Björk, Óttarsson and Þór Eldon Jónsson, a member of the Sugarcubes, and was produced by Björk and Óttarsson, with guitar played by Óttarsson. Composition The first two verses of "Big Time Sensuality" are underscored by upbeat keyboards that lead into electronica and techno-influenced grooves that Sandy Masuo of Option defined as "brooding". Björk belts out the first lines accompanied by a base of percussion, while the chorus features stronger electronic beats. After the first two verses, Björk sings some sounds like moans or shouts. Ben Thompson defined the yells sequence as "sinuous pop-funk squawk". After the interlude "I don't know my future after this weekend/And I don't want to!" funk-like sounds lead the song to an end. The "Fluke Minimix" is composed on a series of synthesizers and by slower vocals. The remix features