āla ( "instrument") to differentiate it from the Sufi tradition of [[Sama (Sufism)|samā''']], which is purely vocal, and to deëmphasize its relationship with Europe. Mohammed al-Haik's 18th century songbook Kunnash al-Haik, is a seminal text of the āla tradition. Traditional songs such as "Shams al-'Ashiya" are still played at celebrations and formal events. Dar ul-Aala in Casablanca is a museum and conservatory dedicated to this musical heritage. Another style of music derived from the musical traditions of al-Andalus is Gharnati music. A genre known as Contemporary Andalusian Music and art is the brainchild of Morisco visual artist/composer/oudist Tarik Banzi, founder of the Al-Andalus Ensemble. Chaabi ("popular") is a music consisting of numerous varieties which are descended from the multifarious forms of Moroccan folk music. Chaabi was originally performed in markets, but is now found at any celebration or meeting. Popular Western forms of music are becoming increasingly popular in Morocco, such as fusion, rock, country, metal and, in particular, hip hop. Morocco participated in the 1980 Eurovision Song Contest, where it finished in the penultimate position. Visual arts The decorative arts have a long and important history in Morocco. One of the traditional elements of artistic expression in Morocco is Maghrebi-Andalusian art and architecture. Carved plaster Arabesques, zellige tilework, carved wood, and other expressions of Islamic geometric patterns are typical features of this style. Maghrebi Arabic script is an important feature of the history of visual art in Morocco. While some aspects of Maghrebi script are codified and prescribed, there have also been innovations, such as those by the 19th century calligrapher Muhammad al-Qandusi. Muhammad Ben Ali Rabati was one of the first Moroccans to paint in a European style. Modern art Hamid Irbouh identifies three groups within Moroccan modernism: the Populists, the Nativists, and the Bipictorialists. Among the Populists—usually self-trained artists who received support from French and American patrons and depicted everyday vernacular life—were artists such as Ahmed Louardighi, Hassan El Glaoui, Ahmed Drissi, and Fatima Hassan El Farouj. The Nativists—active in the 1960s and led by Farid Belkahia and other members of the Casablanca School, such as Mohamed Melehi and Mohamed Chabâa—sought to break entirely with the West in general and with France in particular. The Bipictorialists, including Ahmed Cherkaoui and Jilali Gharbaoui, entered in dialog with Moroccan, French, and Western influences, working toward a reconciliation of the various dimensions of postcolonial Moroccan identity. Contemporary art Contemporary art