album two stars out of five, deriding it as "The same nothingy vocals, the same jangly guitar, the same plodding beat on almost every track. The Byrds really must try to get some different sounds." In addition, the abundance of Dylan material on the album—with three songs taken from the Another Side of Bob Dylan album alone—led to accusations of the band being too reliant on his material. Nonetheless, the Dylan covers, including "Chimes of Freedom", "All I Really Want to Do", "Spanish Harlem Incident", and "Mr. Tambourine Man", remain among the Byrds' best-known recordings. In more recent years, Richie Unterberger, writing for the AllMusic website, said of the album: "One of the greatest debuts in the history of rock, Mr. Tambourine Man was nothing less than a significant step in the evolution of rock & roll itself, demonstrating that intelligent lyrical content could be wedded to compelling electric guitar riffs and a solid backbeat." Remix information The album was one of four Byrds albums that were remastered at 20-bit resolution and partially remixed as part of the Columbia/Legacy Byrds reissue series. This release of the album was issued on April 30, 1996, and had six bonus tracks: the outtakes "She Has a Way" and "You and Me", three alternate versions of songs found on the original album, and the single version of "All I Really Want to Do". The reason for remixing some of the album was explained by Bob Irwin (who produced these re-issues for compact disc) during an interview: He further stated: Many fans enjoy the remixed album because it's very close to the original mix in most cases and offers noticeably better sound quality. Legacy The "Mr. Tambourine Man" single and album instantly established the band on both sides of the Atlantic, challenging the dominance of the Beatles and the rest of the British Invasion. The releases also introduced the new genre of folk rock, with the U.S. music press first using the term to describe the Byrds' blend of beat music and folk at roughly the same time as the band's debut single peaked at number 1. Some critics, including Richie Unterberger and Burt Robert, have opined that, although the roots of folk rock were to be found in the American folk music revival of the early 1960s, the Animals' recording of "The House of the Rising Sun", and the twelve-string guitar jangle of the