The Death of General Wolfe is a 1770 painting by Anglo-American artist Benjamin West, commemorating the 1759 Battle of Quebec, where General James Wolfe died at the moment of victory. The painting, containing vivid suggestions of martyrdom, broke a standard rule of historical portraiture by featuring individuals who had not been present at the scene and dressed in modern, instead of classical, costumes. The painting has become one of the best-known images in 18th-century art. Historical context The Death of General Wolfe depicts the Battle of Quebec, also known as the Battle of the Plains of Abraham, on September 13, 1759. This was a pivotal event in the Seven Years' War and decided the fate of France's colonies in North America. The battle was fought between the British Army and the French Army; the pitched fighting lasted only fifteen minutes. The British Army was commanded by General Wolfe. Although successful in holding the British line against the French and winning the battle, General Wolfe was mortally wounded by several gunshots. In death, General Wolfe gained fame as a national hero. He became an icon of Great Britain's victory during the Seven Years' War to people throughout the British Empire. There were lines to see this painting stretching out the door at its first exhibition in London. Details West depicts General Wolfe as a Christ-like figure. This painting has a triangular composition, made by the top of the flag (as the apex) and the positions of the men. It resembles Christian "Lamentation" scenes, where Christ is held in the embrace of the Virgin Mary. Captain Hervey Smythe is pictured holding Wolfe's right arm. The depiction of the Indigenous warrior in the painting, by kneeling with his chin on his fist and looking at General Wolfe, has been analyzed in various ways. In art, the touching of one's face with one's hand is a sign of deep thought and intelligence (thus, Auguste Rodin's The Thinker). Some consider it an idealization inspired by the noble savage concept. Original items of clothing that were used as a model for portraying the warrior in the painting can be found in the British Museum's collection (as well as additional First Nations' artifacts used in other paintings by West). On the ground in front of Wolfe are his musket, cartridge box and bayonet. Wolfe went into battle armed as his men were, but his musket was of