Jack Sargeant (born 1968) is a British writer specializing in cult film, underground film, and independent film, as well as subcultures, true crime, and other aspects of the unusual. In addition he is a film programmer, curator, academic and photographer. He has appeared in underground films and performances. He currently lives in Australia. Career Since 1995 Sargeant has written and contributed to numerous books on underground film, including: Deathtripping: The Cinema of Transgression, about Cinema of Transgression filmmakers such as Richard Kern and Nick Zedd, Naked Lens: Beat Cinema, and Cinema Contra Cinema, a collection of essays on alternative film. In 2007 Deathtripping was republished by Soft Skull Press, this was followed by a re-printing of Naked Lens: Beat Cinema in 2008. Sargeant is the editor of the journal Suture, and has co-edited the books Lost Highways: An Illustrated History of the Road Movie (with Stephanie Watson) and No Focus: Punk on Film (with Chris Barber). In 2014 his collection of essays on the world of William Burroughs and associated artists such as Brion Gysin was published as Against Control by Swedish publisher Eight Millimetre. In 2016 Amok Books published Flesh and Excess: On Underground Film. Sargeant has contributed to numerous books on subjects ranging from Andy Warhol movies to road rage and car crash songs. His work has been included in collections such as Mikita Brottman's Car Crash Culture, Mendick & Harper's Underground USA, Wollen & Kerr's Autopia, among others. He has also authored and edited true crime books including Born Bad, Death Cults,, Bad Cop Bad Cop, and Guns, Death Terror. These books have featured contributions from Monte Cazazza, Michael Spann, Andrew Leavold, John Harrison, Simon Whitechapel, Chris Barber, and others. Sargeant has written introductions for Joe Coleman's Book of Joe and photographer Romain Slocombe's Tokyo Sex Underground. He has contributed to publications such as Headpress as well as Panik, Electric Sheep, The Wire, Fortean Times and Bizarre magazine, as well as academic journals such as Senses of Cinema and M/C. Since 2008 he has written film reviews and a regular column for the Australian film magazine FilmInk focusing on unusual areas of film culture. He has also appeared as an occasional guest on ABC Radio National's MovieTime. Between 2001–2003 he was film editor at large for Sleazenation. He has written cover notes for DVDs by various underground and independent filmmakers, including the British Film Institute's DVD release