responses, y-talk and IRC conventions back to the participants. Chat members communicated with each other through text based dialogue using avatars to interact. Notable avatars from this time included Viking, Jester and mez's screen names aeon and ms post modemism. The Wollongong World Women Online exhibition (1995, University of Wollongong Online Gallery) was the first traditionally presented exhibition to showcase a web-based text version of the mezangelle work _Through Ah Strainer_. Other online exhibitions that included mezangelled works during this period: Disgruntled Book of Wizzdumb: a collaborative work between mez and the Brisbane organization digitarts (1996). Cutting Spaces: web based mezangelle in the Undercover Girl Project Norway (1996). 1997–2003 During 1997–2003 mezangelle utilized mailing list forums as a distributive medium with an emphasis on peer collaboration. The works evolved into two subgenres: netwurks and codewurks/codeworks. Both forms employed code and chat convention mash-ups, HTML code and scripting languages to manipulate poetic structures. Codeworks included text emulations of broken source code whereas netwurks present in multimedia web interfaces that incorporate several codeworks. An example of a codework is _Viro. Logic Condition][ing][1.1_ and an example of a netwurk is _The data][h!][bleeding tex][e][ts_. In this period mezangelle shifted from a reliance on script kiddy/hacker influences to a refined interactive practice that explored aspects of fusing biological/physical and online living. Recurring themes from 1996 onward include: gamer dynamics, social engineering, questioning conceptions of print-based and electronic literature, ASCII art, play theory, teledildonics, viral imagery, and examinations of post-modern, feminist, neural net, social change and technofetistic theories. 2003–2007 In this timeframe mezangelle distribution altered from dispersal via mailing lists to social networking formats. The change occurred due to the growing repressive nature of the mailing list forums used, including extensive censorship by list moderators Julianne Pierce from Recode, Ted Byfield/Geert Lovink from Nettime and Chris Chesher from the ::fibreculture:: list. The livejournal _cross.ova.ing][4rm.blog.2.log][_ created in July 2003 is the first recorded procedural net art blog. There are at least two other known mezangelled blogs currently authored by mez. One is _dis[ap]posable_ which uses reappropriation of the blog format and snapshot software to create clustered poetic meanings. These nodal poems are examples of a type of digital readymade and are to be read via a grid-like text and image composite structure. For example, the tag, title, and link sections are all reworked with poetic loadings and not constructed according to conventional weblog standards. 2007–2014 As well