what I mean? Yeah, yeah.' Very vague, very ambiguous, that'll do. Look in the mirror and wink while you're singing it and it's quite saucy. And I fucking love that line, 'Coming in a mess, going out in style'. We were a bunch of scruffs from Manchester and we're going out in a Rolls-Royce." In another 1997 interview, this time on BBC, Noel Gallagher said: "I can't believe I wrote it, it's going to blow people away." "The morse code in the background was inspired by Strawberry Fields Forever. We got hold of a code book and tried to tap out 'Bugger All' to follow that line 'Don't look back cos you know what you might see'. But if anyone can tell me what we really said, please let me know. Profound lagerisms..." In an interview with the BBC for their documentary Seven Ages of Rock, Gallagher said of the song, "It's eight and a half minutes, the first single, the drums haven't fuckin' come in for two minutes—it's all feedback!" He also said that he expected someone to ask them to edit the introduction to the song down, but such was their status in Britain, nobody did. They even performed the song on Top of the Pops, omitting most of the lengthy introduction. The lyrics reference two Beatles songs—"The Fool on the Hill" and "I Feel Fine"—as well as the Bob Dylan albums Blood on the Tracks and Bringing It All Back Home, and the Dylan documentary Dont Look Back. The line "I ain't good looking but I'm someone's child" is adapted from a line in Blind Willie McTell's "Statesboro Blues". Packaging The single cover photograph, by Michael Spencer Jones and directed by Brian Cannon of Microdot, was taken in front of the 'Blind Steps', a staircase in Wigan so called because they run past the Blind Workshop, which can be seen to the left of the shot. The steps can still be found on Darlington Street. The shoot was shrouded in secrecy to protect mass media coverage, but newspaper The Wigan Evening Post got exclusive rights to cover the event and subsequently sold the photos to the Daily Mirror. At a lunchtime break, Liam Gallagher and sleeve designer Brian Cannon enjoyed a pint of beer in the nearby Crispin Arms pub by Birkett Bank. Critical reception British magazine Music Week rated "D'You Know What I Mean?" five out