A mechanical (later electrical) mechanism connected the box to a pedal that the organist would use to open and close the shutters, adjusting the perceived loudness of the sound. When the box is shut (or closed), less sound is released into the venue. In American and British organs, the enclosed division is usually named the Swell, and the box surrounding the pipes is usually referred to as the swell box. Thus, the expression pedal is sometimes known as the swell pedal or swell shoe. Sometimes the swell pedal is referred to by its German name, schweller. Larger organs may have two or more expression pedals, allowing the volume of different divisions to be individually controlled. No matter how well a swell box is designed, the sound of the pipes is altered by their enclosure. Even when the shutters are fully opened, the pipes do not speak as clearly into the room as they would if they were otherwise unenclosed. In some instances and applications, particularly for the performance of Romantic organ music, enclosure in an expression chamber can remove some of the shrillness of organ pipes. Romantic instruments frequently have more than one division (keyboard) under expression. On pipe organs, the expression pedal should not be confused with the crescendo pedal, which progressively adds stops as it is opened, building from piano to fortissimo. Ratchet swell lever Historically, the palettes were manipulated by a ratchet swell, a lever operated by the foot to the side of the console. The lever would fit into two or three different notches, which would lock the position of the lever, and therefore the shutters, in place. To change the position of the shutters, the lever would be kicked sideways to allow it to travel into a new position. The lever was weighted so that its default position was at the top, with the shutters closed. As the lever was lowered, the shutters would open. Balanced swell pedal The balanced swell pedal (as pictured above) was developed in the late nineteenth century so that the opening of the box could be fixed at any degree (not just the two or three options of the ratchet swell). This pedal is fitted above the center of the pedalboard. It usually rotates towards and away from the organist through a distance of about 90° from an almost vertical position ("shut") to a near horizontal position ("open"). Because the