in comparison to Ohio State's marching band. It is one of only three bands in the Pac-12 (the others being the Spirit of Troy and the University of Washington Husky Marching Band), and one of the few outside the Big Ten Conference, to use this physically demanding style. The Straw Hat Band, a voluntary subset of the Cal Band, was also established that same year. After Professor Cushing (director from 1934 to 1950) resigned, the Music Department was asked to provide the ASUC with a new Director for the Band. Coincidentally, James Berdahl (Student Director in 1938) was returning to Berkeley to work on his doctoral studies in music. The Music Department Chairman, Albert Elkus, convinced Berdahl to serve as acting Director of the Cal Band until the department could find a permanent replacement for Professor Cushing. Berdahl became permanent Director of the Cal Band at the end of the 1951 season, and remained in that position until 1971. In the fall of 1968, Dr. David W. Tucker (Ph.D, Cal, 1969) was hired as arranger and composer. He was appointed Associate Director in 1969. His responsibilities with the Cal Band included rehearsing, auditioning prospective new members, and directing on the football field opposite director James Berdahl. For the 1971 season, during Berdahl’s sabbatical year in Japan, Tucker was named Acting Director. At the end of the 1971 season, Tucker left the Cal Band to accept the newly created position of Director of the University of California Jazz Ensembles, after having been the volunteer director since 1969. During the 1971 season, substantial podium time was taken by Assistant Director Robert O. Briggs. He was appointed acting director in 1972, and was made director in 1973. In the 1970s, the Band's leadership structure was reorganized, a new band constitution written, and sponsorship moved from ASUC to the University. In the Spring Quarter of 1973, the all-male band voted to admit women, in the face of Title IX sanctions against the University, which was now the Band's primary funding source. There were fewer than 10 dissenting votes, against more than 100 votes in favor of admitting women. In the Fall 1973 marching season, 23 women marched, together with 120 men. Although they rehearsed, marched and performed with the Band beginning in 1973, women were not entirely accepted by the Band's "inner fellowship" until through attrition the dissenting all-male band veterans had rotated out