"If I Needed Someone" from the Rubber Soul album. Of the band originals, three were penned solely by Clark. The first of these, "I'll Feel a Whole Lot Better", has been described by Rogan as an uptempo song, with pounding tambourine, jangling Rickenbacker, and criss-crossing vocals, featuring Clark singing lead, while McGuinn and Crosby provided backing vocals. The song bore a passing resemblance to the Searchers' 1963 hit "Needles and Pins" and has, since its release, become a rock music standard, inspiring several cover versions over the years. Clark's melancholy, mid-tempo ballad "Here Without You" details a bittersweet trip through the city during which every landmark and physical object reminds the singer of an absent lover, while the aforementioned "I Knew I'd Want You" is a Beatlesque minor key shuffle recounting the first flushes of romance. Although "I Knew I'd Want You" had been recorded as the intended B-side of the Byrds' debut single, Rogan has pointed out that, had the band failed to secure permission to release their version of "Mr. Tambourine Man" from Dylan and his manager Albert Grossman, "I Knew I'd Want You" might well have been issued as the group's first Columbia A-side. Another two songs on the album were co-written by Clark and McGuinn: "You Won't Have to Cry", which featured a lyric concerned with a woman who has been wronged in love, and "It's No Use", which anticipated the harder-edged, psychedelic sound the band would begin to explore towards the end of 1965 and throughout 1966. The band also covered two non-folk songs on the album: "Don't Doubt Yourself, Babe" by Jackie DeShannon, who was an early supporter of the band, and Vera Lynn's World War II era standard, "We'll Meet Again". In Rogan's opinion, the band gave the latter song a very sardonic reading, influenced by its appearance in the final scene of Stanley Kubrick's movie Dr. Strangelove. This treatment of "We'll Meet Again", sequenced at the end of the album, began a tradition of closing the Byrds' albums with a tongue-in-cheek or unusual track, a policy that would be repeated on several subsequent LPs. Album cover The album's distinctive front cover fisheye lens photograph of the band was taken by Barry Feinstein at the bird sanctuary in Griffith Park, Los Angeles. According to author Christopher Hjort, it has become an acknowledged classic since its release. The back cover featured liner notes, written