shy and fussy" while Strange is "charming, young, fashionable and romantic". As one reviewer remarks, "Clarke could have called the book Sense and Sensibility if the title weren't already taken." Reason and madness The novel is not about the fight between good and evil but rather the differences between madness and reason—and it is the fairy world that is connected to madness (mad people can see fairies, for example). Lady Pole, who is taken away into the fairyland of Lost-Hope every night, appears insane to those around her. She is hidden away, like the character type examined by Sandra Gilbert and Susan Gubar in their seminal book The Madwoman in the Attic (1979). Developing a "divided consciousness", she is passive and quiet at home at the same time she is vengeful and murderous in the fairy land. Englishness Clarke's book is identified as distinctively English not only because of its style but also because of its themes of "vigorous common sense", "firm ethical fiber", "serene reason and self-confidence", which are drawn from its Augustan literary roots. The "muddy, bloody, instinctual spirit of the fairies" is equally a part of its Englishness, along with "arrogance, provincialism and class prejudice". The fairy tradition that Clarke draws on is particularly English; she alludes to tales from children's literature and others which date back to the medieval period. As Feeley notes, "The idea of fairies forming a hidden supernatural aristocracy certainly predates Spenser and Shakespeare, and seems to distinguish the English tales of wee folk from those of Scotland and Ireland." In these medieval English stories, the fairies are depicted as "capricious, inconsistent in their attitude toward humankind, [and] finally unknowable", characteristics which Clarke integrates into her own fairies. Clarke notes in an interview that she drew the idea of unpredictable, amoral fairies from the works of Neil Gaiman. In an interview with Locus, Clarke explains why and how she integrated the theme of "Englishness" into Jonathan Strange: "I wanted to explore my ideas of the fantastic, as well as my ideas of England and my attachment to English landscape. ... Sometimes it feels to me as though we don't have a fable of England, of Britain, something strong and idealized and romantic. I was picking up on things like Chesterton and Conan Doyle, and the sense (which is also in Jane Austen) of what it was to be an English gentleman at the