Barrett dives in the ocean around the boat. She encounters a shark, and flees behind a reef only to be accosted by a submerged zombie. Surfacing, she reaches the boat while the shark and zombie attack each other. Eventually, the boat docks at Matul. Menard is alarmed to find that one of his colleagues, Fritz, has died of the zombie infection. He tells his remaining staff to shoot all the dead bodies in their heads. While digging a grave for a body, he hears a signal flare and follows it to discover the boat group. Menard sends them back to his mansion in order to fetch his wife, where they discover Paola's corpse being eaten by zombies. The group fends off an attack against them and escapes in a jeep, with West suffering an ankle injury when the vehicle veers off-road after slamming into a zombie. Resting in a jungle clearing, the group realize they have encountered a Conquistador-era graveyard; Barrett is killed when one of the corpses rises from the earth and bites out her throat. As more corpses reanimate, the group flees to the local hospital, where Menard explains that the dead are rising as a result of a voodoo curse which he has been trying to stop. The hospital is besieged by zombies, and Menard is killed by a reanimated Fritz. As the zombies attempt to enter, those being treated for infection inside the hospital also reanimate, killing several hospital staff who have stayed behind. As the dead outside breach the door, Bowles and Hull set the building on fire; the undead Barrett bites Hull but is shot in the head by West. Bowles, West and Hull escape to the boat and leave the island. At the sea, Hull dies of his infection, and his body is locked in a cabin to be used as evidence of what has happened. However, as the boat approaches New York again, a radio broadcast reports that the city is under attack from zombies—the result of the initial attack in the harbor. Production Pre-production Zombi 2 serves as a sequel to Zombi, a re-edited European release of George A. Romero's 1978 film Dawn of the Dead. Zombi had been edited by Dario Argento and given a new score by the Italian band Goblin, and proved successful upon its release in Italy. As Italian copyright law allows any film to be marketed