Who Are You is the eighth studio album by English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts. Who Are You was the Who's last album to feature Keith Moon as their drummer, who died three weeks after it was released. The ironic nature of the text "Not to Be Taken Away" that was stencilled on Moon's chair on the album cover was noted by some critics. Composition Overview Who Are You was recorded when punk rock was popular. This is not reflected in the album's music, which incorporates elements of progressive rock and, according to biographer Tony Fletcher, it was produced in such a way as to appeal to commercial rock radio at the time. The album showcased some of Townshend's most complicated arrangements, with multiple layers of synthesizer and strings. Many of the songs also revisited themes from Townshend's long-contemplated Lifehouse project, featuring lyrics about songwriting and music as a metaphor for life, as indicated by titles like "Guitar and Pen", "New Song", "Music Must Change", and "Sister Disco". The latter two, along with "Who Are You", ultimately appeared on Lifehouse Chronicles, Townshend's later actualization of the project. Several of the song's lyrics also reflect Townshend's uncertainty about the Who's continued relevance in the wake of punk rock, and his dissatisfaction with the music industry. There was a three-year hiatus between Who Are You and the Who's previous album, The Who by Numbers. The band was drifting apart during this period, as band members were working on various solo projects, and Moon was driving deeper into drug and alcohol abuse. The initial sessions at Ramport Studios, produced by Glyn Johns and Jon Astley, were lackadaisical; Jon Astley recalled that "no one wanted to work", and the members looked forward more to drinking and reminiscing at six in the evening. Astley felt that he and Johns pushed Moon too hard to play a simpler style, while Johns believed that Moon had "lost confidence in his ability" and would deliberately go out of his way to resist his suggestions. Moon's health was especially an object of concern, as his drumming skills had noticeably deteriorated and his performances