Westerns once again. In 1969 she was nominated for a Writers Guild of America Award for an episode of Then Came Bronson, titled "Two Percent of Nothing". Becoming a producer During the early 1970s, Fontana acted as Roddenberry's assistant on The Questor Tapes, but was not involved in the writing; she did however write the novelization. Fontana wrote a script for Roddenberry's Genesis II. She was hired as both story editor and associate producer on Star Trek: The Animated Series. Roddenberry was used as a consultant and not the showrunner. One of her tasks on the show was to receive pitches for episodes, which she would then relay to Roddenberry. The series won the Daytime Emmy Award for Outstanding Children's Series in 1975. After that project ended, Fontana became the story editor on The Fantastic Journey (1977). Although it was soon canceled, working with Leonard Katzman led to Fontana writing for the Logan's Run (1977–1978) television series. She also sold stories to several other science fiction series, including The Six Million Dollar Man, Buck Rogers in the 25th Century, and Automan (although the latter never became an episode due to the cancellation of the show). Fontana wrote scripts with her brother for The Waltons and under her own name again for The Streets of San Francisco. One possibly apocryphal story involves Fontana's experience writing for Battlestar Galactica. She was reportedly so dissatisfied with revisions made to her script for "Gun on Ice Planet Zero" that she used a pseudonym; the story spread, resulting in other well-known science fiction writers refusing to work on the show. When work on Star Trek: The Next Generation began, Roddenberry asked Fontana to join the team, and she offered to pitch some story ideas. After he suggested something involving an alien space station, she worked up the idea to become the pilot "Encounter at Farpoint". She was offered the position of story editor on the crew, but wanted to be an associate producer. Writer Robert Lewin found this difficult initially as, due to her being registered with the Writers Guild of America, he could not contractually ask her to do certain tasks. Since she had offered—and Roddenberry was expecting him to do it—he did anyway. She was eventually given her associate producer position. Lewin said that this fight caused some resentment between Fontana and Roddenberry, and she left during the first season. She had written