Ambrosia is an American rock band formed in Los Angeles, California in 1970. Ambrosia had five top 40 hit singles released between 1975 and 1980, including the top 5 hits "How Much I Feel" and "Biggest Part of Me", and top 20 hits "You're the Only Woman (You & I)" and "Holdin' on to Yesterday". Most of the original band members have been active with the group continuously for over thirty years to the present day, with the notable exception of original lead vocalist and guitarist David Pack since 2000. Ambrosia currently tours internationally and has worked in the past and present with Leonard Bernstein, Kurt Vonnegut Jr., Alan Parsons, Bruce Hornsby, Bill Champlin, Michael McDonald and Peter Beckett among other notable artists. Formation The group was founded as a quartet with guitarist/vocalist David Pack, bassist/vocalist Joe Puerta, keyboardist Christopher North and drummer Burleigh Drummond. According to Joe Puerta, their original name was "Ambergris Mite," but after doing some touring they discovered there was already a band using the name "Ambergris," so they turned to the dictionary and picked the name "Ambrosia" because a name meaning "nectar of the gods" seemed fitting. While Ambrosia had several radio hits in the 1970s, much of the material on their five albums is progressive in nature. The founding constituents of Ambrosia were reared in Southern California's South Bay, later adopting San Pedro as their hometown. Their initial musical influences, like many of their generation, came from the Beach Boys, Jimmy Reed, King Crimson, and the Beatles. Ambrosia fused symphonic art rock with a slickly produced pop sound, resulting in a "melodic prog" style. Early on, the band was infatuated with Crosby, Stills, Nash, & Young and began to experiment with vocal harmonies. After the group attended a show at the Whisky a Go Go in December 1969 to see an unknown but highly recommended new band called King Crimson, their perception of music was changed. The musicians, inspired by the music and artists of the progressive rock era, acquired a significant regional admiration. In 1971, a friend who was doing sound for the Hollywood Bowl, invited them to play there on stage to test a new sound system that had been installed. Gordon Parry, the head engineer in charge at the Bowl, was so impressed with the group that he invited them back to attend performances by the Los Angeles Philharmonic. He introduced