Noue and Paris where he kept up a business as naturalist. After Foyot's death in May 1798, Levaillant lived with a younger woman, Rose Dubouchet, with whom he had four children. He died in La Noue in 1824. Four of his sons served in the French army, all earning the Légion d'honneur. By the time of his death, the family name had become Levaillant. Through Foyot's family, he was a grand uncle of the French poet Charles Baudelaire, who read Levaillant avidly as a young student. Specimens Levaillant's fame as collector in his lifetime was based on bringing back the first giraffe skeleton to France. He also sold a significant collection to the Paris Natural History Museum, including in the sale not only the Bluebuck, a major collection of African birds, but insects and the secret of Becoeur's arsenical soap, which was widely used in taxidermy till the 1950s. Over 2,000 bird skins were sent to Jacob Temminck, who had financed the expedition, and these were later studied by his son Coenraad Jacob Temminck and included in the collection of the museum at Leiden. Other specimens were kept in the cabinet of Joan Raye, heer van Breukelerwaert (1737-1823). This collection was bought by the Rijksmuseum van Natuurlijke Historie in the late 1820s, which is now the Naturalis in Leiden. Traveller and ethnographer As a traveller in Africa, Levaillant tended to describe the African people with sympathy. He shared Rousseau's idea of the "Noble savage" and condemnation of civilization. He called his "Hottentot" companion Klaas his brother and his equal and was one of the first to describe a close relationship between Western explorer and an indigenous man. One of Levaillant's acquisitions on his travels was a chacma baboon that he called Kees. In his writings, he wrote about how he shared food and drink with Kees and considered him a simple soul who was more loyal than many humans. He described the beauty of Narina, a name that he used for a young Gonaqua woman, naming her after a flower. His portrayal of their flirtation influenced early South African novels before such relationships became less socially acceptable in the later colonial period. The portrayal of Narina was probably influenced by the images of exotic beauty from Tahiti in other travelers' accounts. She was a precursor to Sarah Baartman the Hottentot venus. He also perceived Dutch settlers in a negative way,