United States (1979 release), the film earned millions of US dollars in its first few weeks, and went on to earn about in theatrical rentals, equivalent to estimated box office gross receipts of approximately . In France, it was the 14th highest-grossing film of 1978 with 2,256,892 ticket sales, equivalent to an estimated gross revenue of approximately (US$8,264,929). In Germany, the film sold 750,513 tickets (575,000 tickets in 1978 and 175,513 tickets in 1981), equivalent to an estimated gross revenue of approximately (US$2,544,854). In Spain, the film sold 1,112,793 tickets, equivalent to an estimated gross revenue of approximately (US$1,962,106). Combined, the film grossed a total estimated worldwide box office revenue of approximately Critical reception This version of the film received a mixed critical reception, holding a 46% Rotten Tomatoes score. Criticism of the revised version included the inclusion of scenes that could be considered in bad taste, such as the incorporation of footage of Lee's actual funeral. Another scene, often pointed out by critics of the film, involved a shot of Kim looking at himself in the mirror, with an obvious cardboard cut-out of Lee's face pasted onto the mirror's surface. Upon its North American release, Cecilia Blanchfield in The Calgary Herald rated it three stars, praising the climactic fight scenes as "Bruce Lee at his best" while criticizing the "abysmal" writing and "clumsily executed" production up until then, calling the film a "poor tribute to a remarkably talented man." Bey Logan points out a few logic issues with the 1978 film. In order for the henchmen to remain low key, they should be wearing more casual clothes instead of the multicolored tracksuits seen at various parts of the film. But as a rationale, this explains why Lee wears the yellow tracksuit. Also, during the fight between Lee and Kareem Abdul-Jabbar, the scene near the vase in Logan's opinion appears to look choppy, along with the short fight with Hugh O'Brian. In the first half of the English version, during the fight sequences, Lee is seen to be beaten down instead of making short work of the henchmen. Game of Death could be considered more accessible to Western audiences than Lee's previous films. Compared to other Bruce Lee films like The Big Boss, Fist of Fury and Way of the Dragon, Game of Death has more Western characters and the story structure is more straightforward and less culturally specific to