Marvin Santiago (December 26, 1947 – October 6, 2004) was a Puerto Rican salsa singer who became famous all across Latin America during the 1970s. He was also a part-time comedian on Puerto Rican television. Early life Santiago was born in the Santurce district of San Juan, Puerto Rico. In his younger years Santiago lived between the Bólivar and Sánchez streets in the Parada 22 area of Santurce. At the age of 13, Santiago and his family moved to the Nemesio Canales public housing project where he was eventually nicknamed "El Grifo de Canales" ("The kinky-haired of Canales") by close friends and fans. Santiago was diagnosed with type 1 diabetes at a young age. During his youth, Santiago would participate in jam sessions in his neighborhood as well as in school. His first professional job as a singer was in 1966 with Roberto Valdés group "Los Trotamundos". Recording career Rafael Cortijo Upon a recommendation from conga player Celso Clemente, famed Puerto Rican composer Tite Curet Alonso met Santiago and brought him to an audition for Rafael Cortijo's group. Santiago was hired to sing with Cortijo's group and in three weeks time learned the bands repertoire and started touring with them throughout Dominican Republic, New York City and Chicago. On an impulse, Santiago decided to stay in Chicago. During breaks from Cortijo's group, Santiago played with local bands "Gilberto Y Su Sexteto" & "La Sonora De Felipe Rodríguez". Santiago's first recorded tracks appeared on Rafael Cortijo Y Su Bonche's album "Ahí Na Má! Put It There", released in 1968. Two of the tracks recorded where Santiago provided lead vocals, "Vasos En Colores" and "La Campana Del Lechón", were later recorded by Santiago as a solo artist. Santiago provided background vocals on other tracks from the album. Roberto Angleró In 1969 Santiago left Chicago and returned to Puerto Rico where he joined Johnny "El Bravo" López's group and toured with them briefly. On one engagement with López in Coamo, Puerto Rico, Santiago met Roberto Angleró and offered his services as a backup singer if he ever needed one. Soon after that meeting, Angleró needed a background singer and called López to see if he could lend Santiago to do some background vocals for his group and López told Angleró "you can keep him if you want to". Santiago joined Angleró's group and in 1970 recorded an album with them. The album had