a nationally recognized novelist. In 1991, he graduated from the creation graduate class of Lu Xun School of literature, and obtained a master's degree in literature from Beijing Normal University. Pen name "Mo Yan" – "don't speak" in Chinese – is his pen name. Mo Yan has explained on occasion that the name comes from a warning from his father and mother not to speak his mind while outside, because of China's revolutionary political situation from the 1950s, when he grew up. It also relates to the subject matter of Mo Yan's writings, which reinterpret Chinese political and sexual history. In an interview with Professor David Wang, Mo Yan stated that he changed his "official name" to Mo Yan because he could not receive royalties under the pen name. Works Mo Yan began his career as a writer in the reform and opening up period, publishing dozens of short stories and novels in Chinese. His first published short story was "Falling Rain on a Spring Night", published in September 1981. In 1986, the five parts that formed his first novel, Red Sorghum (1987), were published serially. It is a non-chronological novel about the generations of a Shandong family between 1923 and 1976. The author deals with upheavals in Chinese history such as the Second Sino-Japanese War, the 1949 Communist Revolution, and the Cultural Revolution, but in an unconventional way; for example from the point of view of the invading Japanese soldiers. His second novel, The Garlic Ballads, is based on a true story of when the farmers of Gaomi Township rioted against a government that would not buy its crops. The Republic of Wine is a satire around gastronomy and alcohol, which uses cannibalism as a metaphor for Chinese self-destruction, following Lu Xun. Big Breasts & Wide Hips deals with female bodies, from a grandmother whose breasts are shattered by Japanese bullets, to a festival where one of the child characters, Shangguan Jintong, blesses each woman of his town by stroking her breasts. The book was controversial in China because some leftist critics objected to Big Breasts''' perceived negative portrayal of Communist soldiers. Extremely prolific, Mo Yan wrote Life and Death Are Wearing Me Out in only 42 days. He composed the more than 500,000 characters contained in the original manuscript on traditional Chinese paper using only ink and a writing brush. He prefers writing his novels by hand rather