Lee Hoffman, born Shirley Bell Hoffman, (August 14, 1932 in Chicago, Illinois – February 6, 2007 in Port Charlotte, Florida) was an American science fiction fan, an editor of early folk music fanzines, and an author of science fiction, Western and romance novels. Career In 1950–53, she edited and published the highly regarded science fiction fanzine, Quandry. In November 1951, she began publication of Science-Fiction Five-Yearly, which has appeared regularly since then (the 2006 issue ran 58 pages). Hoffman used a gender-neutral name within science fiction fandom, and many believed that she was a man. In 1952, she 'came out' as a leading editor of the science fiction fanzine Quandry at the 1952 Chicago World Con. Briefly married to editor Larry Shaw from 1956 to 1958, she was the assistant editor on the science fiction magazines he edited, Infinity Science Fiction and Science Fiction Adventures. During that same time, she began editing and publishing her folk music publications, Caravan and Gardyloo, which found a readership through Izzy Young's Folklore Center as the folk music scene expanded during the late 1950s. Hoffman won the Western Writers of America Spur Award for her novel The Valdez Horses (Doubleday, 1967). In Spain, John Sturges directed the 1973 film adaptation, The Valdez Horses/Valdez, il Mezzosangue (aka Chino), starring Charles Bronson and Jill Ireland. Under the pseudonym Georgia York, she wrote historical romances for Fawcett Books during the years 1979 to 1983. In her autobiographical writings, she described the mid-1960s events that led to her Western novels: Ted White became a very good friend. He was great company, interested in just about everything. He was an excellent artist and an expert in jazz and comic books as well as any number of other subjects. He'd started writing science-fiction professionally, and shared his enthusiasm, inspiring me to try writing a book myself. A Western came most naturally to me. It was a typical horse opera very much in the tradition of the Western paperbacks I'd enjoyed for so long. Don and Jo Meisner critiqued the manuscript for me. Ted read it and encouraged me to submit it. Another friend, Terry Carr, was assistant to the editor, Don Wollheim, at Ace Books. Ace had a reputation for giving new writers a break. I submitted my manuscript to Terry. I hadn't yet gotten a response on it, when Terry phoned and asked me if I "had time" to