to be ostracized. In 1888, she left for New York, leaving Muriel with her grandmother. She traveled to London, and eventually returned to California. Atherton's first novel, What Dreams May Come, was published in 1888 under the pseudonym Frank Lin. In 1889, she went to Paris at the invitation of her sister-in-law Alejandra Rathbone (married to Major Jared Lawrence Rathbone). That year, she heard from British publisher G. Routledge and Sons that they would publish her first two books. William Sharp wrote in The Spectator praising her fiction and would later invite Atherton to stay with him and his wife, Elizabeth, in South Hampstead. In London, she had the opportunity through Jane Wilde to meet her son, Oscar Wilde. She recalled in her memoir Adventures of a Novelist (1932) that she made an excuse to avoid the meeting because she thought he was physically repulsive. In an 1899 article for London's Bookman, Atherton wrote of Wilde's style and associated it with "the decadence, the loss of virility that must follow over-civilization." Also in London she met a young Winston Churchill, who said that he liked her novels. Soon she found out that Churchill was disappointed that she did not return the compliment - she was not aware of his writing.. She returned to California in 1890 at the death of her grandfather Franklin and her mother-in-law Dominga Atherton, and she resumed taking care of Muriel. In 1891, while writing a weekly column for The San Francisco Examiner, she met Ambrose Bierce, with whom she carried on a taunting, almost love-hate friendship. When Kate Field remarked on California writers' neglect of the picturesque and romantic old Spanish life of the state, Atherton explored the history and culture of Spanish California in Monterey, San Juan Bautista, Los Angeles, San Luis Obispo, and Santa Barbara. She became a member of the Pacific Coast Women's Press Association. She wrote The Doomswoman in 1892, and it was published in Lippincott's Monthly Magazine before being published in book form in 1893. The story (set in the 1840s) focuses on Chonita Moncada y Iturbi and her love of Diego Estenega (modeled after Mariano Guadalupe Vallejo), as he dreams of modernizing California, retaining its Mexican character without sacrificing American economic vigor. Chonita is Catholic, and her faith stands in the way of Diego's political ambitions. The dramatic climax peaks when Diego kills Chonita's brother, Reynaldo, and she is