weight of two adult men.) The medium for each candy work includes “endless supply” as well as “dimensions vary with installation.” When candies are present in a manifestation of a candy work, it is integral that viewers must be permitted to choose to take individual pieces of candy from the work. The candies may or may not be replenished at any time. Candy works can exist in more than one place at a time and can vary from installation to installation based on the owner’s or authorized borrower’s interpretations. Each of the candy works are unique. Curtains The ‘curtain’ works date from 1989 to 1995. There are five beaded curtain works, each with a specific bead pattern, and one fabric curtain work. Beaded curtain works must be installed in locations where individuals would naturally have the choice to pass through them and the work’s dimensions vary with installation. The fabric curtain work is intended to be installed on existing windows as standard curtains would typically appear. Curtain works can exist in more than one place at a time. Doubles The ‘doubles’ works date from 1989 to 1995. Doubled objects, images, and motifs feature across the majority of the bodies of work in Gonzalez-Torres’s practice. Framed Photographs The framed photographic works date from 1986 to 1995. The artist considered the frame to be an essential element of these works. This is one of many bodies of Gonzalez-Torres’s works that incorporate photographic methodologies. Many of the artist’s framed photographs were purposefully analog, developed and processed by hand, as opposed to other photographic works by Gonzalez-Torres which emphasized mechanical reproducibility and the overt removal of the artist’s hand. Graphs The ‘graph’ works date from 1988 to 1994. With the exception of one photograph, the ‘graph’ works are the only works that have hand drawn elements. The ‘graph’ works consist of both painting and drawings. While some of these works have been contextualized as representations of individuals’ medical charts, the graph works are intentionally non-specific and are also referential to other graphed data. Image Transfers The ‘image transfers’ date from 1987 to 1992. All three of these works are made in editions. Two of these works are intended to be permanently installed directly on the wall and the third is intended to be permanently tattooed. Light Strings The ‘light string’ works date from 1992 to 1994. The light strings were produced by an electrician