octagonal paned glazing was replaced with innovative large sheets of plate glass, during a heavy-handed restoration of the house by the architect James Piers St Aubyn. The house contains fine collections of Jacobean and 18th-century furniture, paintings and statuary, all displayed in a domestic setting. The gardens, created by Bridgeman and then Kent, overlook a curve of the River Cherwell. Bridgeman had laid out the garden, with meandering walks through the woods, and pools of varying degrees of formality. Kent's theme was to create and transform the naturalistic landscape created by Bridgeman by introducing 'Augustan' traits to recall the glories and atmosphere of ancient Rome. Thus the Roman Forum was to be recreated in the verdant English countryside. "The garden is Daphne in little", Walpole told George Montagu: "the sweetest little groves, streams, glades, porticoes, cascades, and river, imaginable; all the scenes are perfectly classic." The house and garden today Away and unseen from the house, Kent's garden extends past classical temples, follies and statuary representing the spirit of that era, dying gladiators, a horse being savaged by a lion and other statues depicting similar themes. Paths lead through woods where the abundant water from the Cherwell is fully utilised: small rills lead to larger ponds and formal pools, classical statuary of Roman gods and mythological creatures are skilfully positioned to catch the eye as one progresses from a cascade to the cold bath and on to the next temple or arcade, each set in its own valley or glade, a succession of picturesque tableaux. The statues are by Peter Scheemakers. Among the most revealing and thought-provoking of the follies is a grotto with a small cascade with the inscription: "In Front of this Stone lie the Remains of Ringwood an otter-hound of extraordinary Sagacity": this shows that while the English squire who created this garden attempted to achieve Arcadia, his interests and loves remained hunting and hounds. A separate garden closer to the house evokes the spirit of the Tudor and Stuart eras of English gardening. Box-edged beds and borders of old roses and herbaceous plants are surrounded by walls of ancient red brick; here an historic circular dovecote still retains its doves and close by through a small gate is the parish church where generations of Cottrell-Dormers are buried. One memorial in the church commemorates three sons of the family killed in combat in the First World War.