wanted to see you again." It is later revealed that Lois made a living as a con artist during Karen's childhood and adolescence, implicating Karen in many of her schemes. As a result of this unconventional upbringing, Karen decided to distance herself from her mother, presumably in an attempt to lead a more stable life. However, the fruit does not fall far from the tree, as Karen's long, colorful history of multiple marriages and desire to "throw the feds off" proves. They forgive each other in the next episode, "Something Borrowed, Someone's Due", but Lois wants to do one last job: conning an elderly shut-in out of his fortune. Karen would appear to be a down-on-her-luck daughter who is so "slow" that she was a cheerleader who never stopped clapping. While doing this Karen makes Lois sign a paper saying she will never pull another con with Karen again, and Karen notarizes it; she reveals that she is a legal notary from a Chicago job they once pulled. The job fails when the old man's daughter gets a restraining order against Lois; then Lois and Karen make amends. Other rivals Karen's arch rivals include, but are not limited to, Beverley Leslie (Leslie Jordan), Lorraine Finster (Minnie Driver), Anita Bryant, Candice Bergen (who is also Karen's best friend, referring to running into her at a restaurant as "a nightmare-slash-delightful"), and Marlo Thomas (Karen hates her, but likes her husband, Phil Donahue). Further enemies include Scott Woolley (Jeff Goldblum), whom she jilted in high school; Candace "Candy" Pruitt (Christine Ebersole), who once said that Karen's voice sounded "like someone strangling an old macaw"; and Helena Barnes (Joan Collins), a famous interior designer. Karen often openly insults or ridicules her enemies, while simultaneously thinking of them as her friends. Karen has a tendency to stumble upon becoming aware of her physical proximity to certain rivals. The most notable occurrence of this physical reaction occurs during her encounters with Beverley Leslie. Personality With other staff and help, Karen is deliberately patronizing, referring to them solely by their title both in conversation and to their faces: "Driver", "Butler", "Private Detective", "Pharmacist", "Back-Up Pharmacist", et cetera, and even refers to Will as "Lawyer" on occasion. She does this even when they are doing other jobs ("Cook sometimes cleans, Cleaner sometimes cooks, Driver sometimes provides an alibi ..."). This rude tone is not just limited to her