Kino Lorber released a six-disc box, Pioneers: First Women Filmmakers, in cooperation with the Library of Congress, the British Film Institute, and others. The first disc of the set is devoted to the films of Alice Guy-Blaché. It includes Matrimony's Speed Limit (1913), which was selected for preservation in the National Film Registry of the Library of Congress in 2003. The 2018 documentary film Be Natural: The Untold Story of Alice Guy-Blaché, directed by Pamela B. Green and narrated by Jodie Foster, which opened at the Cannes Film Festival (Cannes Classics), deals with Guy-Blaché's life, career, and legacy. Because of Be Natural: The Untold Story of Alice Guy-Blaché, many of Guy-Blaché's films were restored and preserved, and a pillar in her name will be featured at the Academy Museum of Motion Pictures. In September 2019, Guy-Blaché was included in The New York Times series "Overlooked No More". As reported by Deadline in 2021, Pamela B. Green is developing a feature biopic about Alice Guy-Blaché. Guy-Blaché was an early influence on both Alfred Hitchcock and Sergei Eisenstein. Hitchcock remarked, "I'd be over the moon with the Frenchman George Méliès. I was thrilled by the movies of D.W. Griffith and the early French director Alice Guy." In his Memoirs, Eisenstein described an unnamed film he had seen as a child that continued to be very important to him. This film was identified as Alice Guy-Blaché's The Consequences of Feminism (1906) during the making of the documentary Be Natural: The Untold Story of Alice Guy-Blaché. Personal life Alice Guy-Blaché's marriage meant that she had to resign from her position working with Gaumont. The couple was sent by the Gaumont company to Cleveland to facilitate the franchise of Gaumont equipment. Early in 1908, the couple went to New York City where Guy-Blaché gave birth to her daughter, Simone, in September 1908. Two years later, Guy-Blaché became the first woman to run her own studio when she created Solax in Gaumont's Flushing studio. In 1912, when she was pregnant with her second child, she built a studio in Fort Lee, New Jersey, and continued to complete one to three films a week. On 27 June 1912, Reginald, her son, was born. To focus on writing and directing, Guy-Blaché took her husband into Solax in 1913 "for feature production and executive direction". Shortly after taking the position, Herbert Blaché started a film company named Blaché Features,