Benedictine monastery and later a Pauline monastery. This finding could indicate that Bosančica spread all the way to Istria and Kvarner Gulf. The Roman Catholic diocese in Omiš had a seminary (called arvacki šeminarij, "Croat seminary") active in the 19th century, in which arvatica letters were used. Liturgical works (missals, breviaries, lectionaries) of the Roman Catholic Church from Dubrovnik, 15th and 16th century - the most famous is a printed breviary from 1512 The comprehensive body of Bosnian literacy, mainly associated with the Franciscan order, from the 16th to mid-18th century and early 19th century. This is by far the most abundant corpus of works written in Bosnian Cyrillic, covering various genres, but belonging to the liturgical literature: numerous polemical tractates in the spirit of the Counter-Reformation, popular tales from the Bible, catechisms, breviaries, historical chronicles, local church histories, religious poetry and didactic works. Among the most important writings of this circle are works of Matija Divković, Stjepan Matijević and Pavao Posilović. After the Ottoman conquest, Bosnian Cyrillic was used, along with Arebica, by the Bosnian Muslim nobility, chiefly in correspondence, mainly from the 15th to 17th centuries (hence, the script has also been called begovica, "bey's script"). Isolated families and individuals could write in it even in the 20th century. In conclusion, main traits of Bosnian Cyrillic include: It was a form of Cyrillic script mainly in use in Bosnia and Herzegovina, central Dalmatia and Dubrovnik. Its earliest monuments are from the 11th century, but the golden epoch covered the period from the 14th to 17th centuries. From the late 18th century it rather speedily fell into disuse to be replaced by the Latin script. Its primary characteristics (scriptory, morphological, orthographical) show strong connection with the Glagolitic script, unlike the standard Church Slavonic form of Cyrillic script associated with Eastern Orthodox churches. It had been in use, in ecclesiastical works, mainly in Bosnian Church and Roman Catholic Church in historical lands of Bosnia, Herzegovina, Dalmatia and Dubrovnik. Also, it was a widespread script in Bosnian Muslim circles, which, however, preferred modified Arabic aljamiado script. Serbian Orthodox clergy and adherents used mainly the standard Serbian Cyrillic of the Resava orthography. The form of Bosnian Cyrillic has passed through a few phases, so although culturally it is correct to speak about one script, it is evident that features present in Bosnian Franciscan documents in the 1650s differ from the charters from