by Malarin Boonak), and imagines her topless. The scene where Cheng is sitting by the riverside following his discovery of the bodies at the family home, was shortened. When he stands and throws his bundle of belongings into the river, there were then shots of his murdered friends, followed by him angrily shaking his fist and shouting, "Revenge!" The next cut is another entirely deleted scene, and another popular one alongside of the "saw-in-the-head" scene. After Cheng runs down the road from the creek, rather than cutting to him arriving at the Big Boss's mansion like the mainstream cuts, he returns to the Thai brothel for a third time. Here, he picks up the prostitute in a red sweater-type dress (seen in the background the second time Cheng visits the brothel). Cheng and the prostitute go to her room; Cheng pushes her onto the bed, and the two begin to strip. Cheng stands behind the bed, completely nude, but also completely emotionless. The woman lies on the bed and Cheng walks (waist-high shot) towards the camera, blurring out the scene. Next, Cheng is shown putting on his shirt, while the woman remains in bed. He lays his remaining money on her stomach, even though he already paid to be with her. He then picks up a bag of crisps from the bedside table; he tries one, then leaves. This scene is symbolic and quite important, as in the previous scene Cheng discards his belongings in the river, and here he gives away his money and enjoys his final pleasures and one last meal before either being killed or arrested, a message which is now partially lost. A few seconds of this scene (including a shot of an apparently naked Bruce standing behind the bed) can be seen in the original trailer. Other missing scenes briefly visible in the same trailer show Hsu Chien re-enacting a fight for his co-workers in the family home; Cheng walking towards the Drinkstand Girl's (Nora Miao) roadside refreshment stall (the camera zooms in to show her smiling at him); a different head visible in the block of ice when Cheng is investigating the ice house; blood pouring from Hsu Chien's head after being stabbed by the boss's son. It is not known if these four scenes were in any print of the film. Further quick shots of violence – mostly involving weapons such as iron