one-person exhibition for the Musée d'Art Contemporain in Bordeaux, which he postponed because of its proximity in time to his Guggenheim retrospective; he died before the show could be realized. For the Bordeaux installation, he envisioned a pair of indoor pools flush with the floor. When outlining his ideas for the exhibition, González-Torres also created a sketch of an outdoor version of the pools, and this is the one realized on the occasion of the Venice Biennale. Untitled and open-ended in terms of their possible materials, the pools presented here were carved from white Carrara marble. Felix González-Torres. Specific Objects without Specific Form (2010-2011) Between 2010 and 2011, a traveling retrospective, Felix González-Torres. Specific Objects without Specific Form, was shown at Wiels Contemporary Art Centre in Brussels, the Beyeler Foundation in Basel, and the Museum für Moderne Kunst in Frankfurt. At each of the stages of the exhibition tour, the show was initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by González-Torres. Artists Carol Bove, Danh Vo, and Tino Sehgal were chosen to curate the show's second half. Felix Gonzalez-Torres: The Politics of Relation (2021) In 2021, the Barcelona Museum of Contemporary Art presented Felix Gonzalez-Torres: The Politics of Relation. The exhibition, curated by Tanya Barson, situated Gonzalez-Torres’ work "within the postcolonial discourse and the connected histories between Spain and the Americas, especially as these impact present-day questions around memory, authority, freedom and national identity". A particular emphasis was placed on reading Gonzalez-Torres's work "in relation to Spanish, Latin American and Caribbean culture, not as a simple, singular biographical narrative, but rather as a way of complicating any essentialist reading of his work through any single idea, theme or identity". The show proposed various interpretations stemming from this line of investigation and also highlighted the work's formative influence on queer aesthetics. Felix Gonzalez-Torres (2023) In 2023, David Zwirner Gallery in New York staged its second posthumous solo exhibition of work by González-Torres, including two works that had never been executed as the artist envisioned. The first, "Untitled" (Sagitario) (1994-1995), is a variant of the double pools of water the artist had sketched before his death: two large pools of water were embedded in the gallery floor directly adjacent to one another. This work had first been executed posthumously as two outdoor