who sits in the back of a Chinese restaurant with microphones on every table to surreptitiously listen to everybody’s conversations, then write perversely personal fortunes for each of the people." Hitting a writer's block, Russell could not figure out how to make the film work. In the meantime Russell was called for jury duty, after which he stopped writing the film. Ideas in the script stayed with him though and they would later form the basis for the Huckabee script. The final idea came to Russell in a dream where "This female detective she was not following me for criminal reasons, but she was following me for spiritual and metaphysical reasons." Russell, who makes a habit of writing his dreams down, knew instantly upon reading his summary of the dream that this was the story he wanted to pursue. Incident between David O. Russell and Lily Tomlin In March 2007, two videos were leaked onto YouTube portraying on-set arguments between Russell and Tomlin. When the Miami New Times asked Tomlin about the videos, she responded, "I love David. There was a lot of pressure in making the movie—even the way it came out you could see it was a very free-associative, crazy movie, and David was under a tremendous amount of pressure. And he's a very free-form kind of guy anyway." Soundtrack Jon Brion provided the score and seven original songs for the film. His unique methods for writing previous film scores (Punch-Drunk Love, Eternal Sunshine of the Spotless Mind) involved very close collaboration with the director. Through this process, David O. Russell was able to sit in the same room with Brion and watch an early cut of the film. Russell described what he wanted to portray and Brion would compose music to Russell's descriptions. The process can be seen on a featurette on the film's special edition DVD. David O. Russell, while working with Brion, had come across Brion's first solo album, Meaningless. Russell has mentioned that Brion's album asks similar questions to the ones Russell was trying to ask with I Heart Huckabees. In particular, Russell notes that the questions on Meaningless are closer to the questions directed from Caterine Vauban's negative and dark point of view. Many cues used in the film feature a Chamberlin, a keyboard instrument from the 1950s that replicates instrumental sounds using recorded tape. Release Marketing In an advertising campaign for the