hotel room, and was captivated by it. He decided that in order to do the story justice it had to be made in two parts. Jean de Florette was filmed in and around the Vaucluse department of Provence, where a number of different places have been mentioned as filming locations. La Treille, east of Marseille, in the Bouches-du-Rhône department, was the village where Pagnol had shot the original film. The village is now within the city limits of Marseille and has undergone extensive development since the 1950s, so Berri had to find alternatives. For the village of the story he settled on Mirabeau (65 km to the north), while Jean de Florette's house is located in Vaugines, where the church from the film can also be found. The market scenes were filmed in Sommières in the Gard, and the story's Les Romarins was in reality Riboux in the Var. Extensive work was put into creating a genuine and historically correct atmosphere for the film. The facades of the houses of Mirabeau had to be replaced with painted polystyrene, to make them look older, and all electric wires were put underground. Meanwhile, in Vaugines, Berri planted a dozen olive trees twelve months before filming started, and watered them throughout the waiting period, and for the second installment planted 10,000 carnations on the farm. Jean de Florette and Manon des Sources were filmed together, over a period of thirty weeks, from May to December 1985. This allowed Berri to show the dramatic seasonal changes of the Provençal landscape. At 120 million French Franc ($17 million), it was at the time the most expensive film project in French history. The long filming period and the constantly increasing cost put a great burden on the actors, many of whom frequently had to return to Paris for television or theatre work. Once completed, the release of the film was a great national event. A special promotional screening before the film's official release 27 August 1986, was attended by then Minister of Culture Jack Lang. The musical score is based around the aria Invano Alvaro from Giuseppe Verdi's 1862 opera La forza del destino. Reception The film was a great success in its native France, where it was seen by over seven million people. It also performed very well internationally; in the United States it grossed nearly $5 million, placing it among the 100 most commercially