saudade: "Que saudade!" indicating a general feeling of longing, whereby the object of longing can be a general and undefined entity/occasion/person/group/period etc. This feeling of longing can be accompanied or better described by an abstract will to be where the object of longing is. Despite being hard to translate in full, saudade has equivalent words in other cultures, and is often related to music styles expressing this feeling such as the blues for African-Americans, Sehnsucht in German, dor in Romania, Tizita in Ethiopia, Hiraeth in Welsh, or Assouf for the Tuareg people, appocundria in Neapolitan. In Slovak, the word is clivota or cnenie, and in Czech, the word is stesk. In Turkish, the word Hasret meaning longing, yearning or nostalgia has similar connotations, as does the Polish “tęsknota”. The similar melancholic music style is known in Bosnia-Herzegovina as sevdalinkah (from Turkish sevda: infatuation, ultimately from Arabic سَوْدَاء sawdā' : 'black [bile]', translation of the Greek µέλαινα χολή, mélaina cholē from which the term melancholy is derived). Elements Saudade is similar but not equal to nostalgia, a word that also exists in Portuguese. In the book In Portugal of 1912, A. F. G. Bell writes: A stronger form of saudade may be felt towards people and things whose whereabouts are unknown, such as old ways and sayings; a lost lover who is sadly missed; a faraway place where one was raised; loved ones who have died; feelings and stimuli one used to have; and the faded, yet golden memories of youth. Although it relates to feelings of melancholy and fond memories of things/people/days gone by, it can be a rush of sadness coupled with a paradoxical joy derived from acceptance of fate and the hope of recovering or substituting what is lost by something that will either fill in the void or provide consolation. To F. D. Santos, Saudade as a noun has become a longing for longing itself: Music As with all emotions, saudade has been an inspiration for many songs and compositions. "Sodade" (saudade in Cape Verdean Creole) is the title of the Cape Verde singer Cesária Évora's most famous song. Étienne Daho, a French singer, also produced a song of the same name. The Good Son, a 1990 album by Nick Cave and the Bad Seeds, was heavily informed by Cave's mental state at the time, which he has described as saudade. He told journalist Chris Bohn: "When