roof between tall pinnacles, while the four "towers" of the end pavilions have steep pyramid roofs. Wild Mouse Located adjacent to Coney Island, the Wild mouse is a small roller coaster. The track is made of laminated timber with a steel rail constructed on a concrete platform elevated above the ground. The Wild Mouse cars hold two people seated one behind the other. The ride moves back and forth and up and down along its rectangular plan It was designed to have steep gradients, sharp turns and give the rider the feeling that they might fly off into the harbour. It was constructed at Luna Park in 1962 to a design purchased by Ted Hopkins at the Seattle World Trade Fair and was dismantled annually to go to the Sydney and Brisbane shows. Between 1970 and 1979 it was replaced by the Wild Cat but was returned when the park reopened in 1995. Cliff Face The sandstone formation along the eastern side of Luna Park has been shaped since the European settlement as it has been cut back for various purposes in previous years including: 1890s excavation for the North Shore Railway and the erection of Dorman Long workshops in the 1920s. Oral history stated that the tunnel and chamber in the cliff face (at the base) were constructed by Luna Park staff during World War Two as an air raid shelter, and that staff and local residents sheltered there during the wartime Japanese midget submarine attack on shipping in Sydney Harbour. However the capacity of this space was very limited. Condition As at 17 August 2009, Entrance Face and Towers have been rebuilt as a replica. Coney Island and contents have been restored. The Crystal Palace has been restored with alterations. Archaeological monitoring of Luna Park site was undertaken in c.1993 during redevelopment. Conservation works undertaken in 1997 to remove in 1993-1994 The Luna Park amusement centre has evolved and been altered over time and much of the original fabric of the structures and rides have been replaced with similar or identical components. Despite the replacement of fabric the significance of the place has been maintained through careful reconstruction and commitment to the original design aesthetic. "The primary significance of the place therefore vests in the concept, design and associative values of place, rather than in any particular fabric. Retaining the integrity of the place therefore requires attention to