to illustrate her criticism of the medical field. Gilman sent a copy to Mitchell but never received a response. (Gilman was ultimately proven right in her disdain for the "rest cure" when she sought a second opinion from Mary Putnam Jacobi, one of the first female doctors and a strong opponent of this theory, who prescribed a regimen of physical and mental activity that proved a much more successful treatment.) She added that "The Yellow Wallpaper" was "not intended to drive people crazy, but to save people from being driven crazy, and it worked". Gilman claimed that many years later, she learned that Mitchell had changed his treatment methods. However, literary historian Julie Bates Dock has discredited this. Mitchell continued his methods, and as late as 1908 – 16 years after "The Yellow Wallpaper" was published – was interested in creating entire hospitals devoted to the "rest cure" so that his treatments would be more widely accessible. Gilman gives her greatest thanks to Richard Bauer for being the only man who believed in her. Feminist This story has been interpreted by feminist critics as a condemnation of the male control of the 19th-century medical profession. Throughout the short story, the narrator offers many suggestions to help her get better, such as exercising, working, or socializing with the outside world. Her ideas are dismissed immediately while using language that stereotypes her as irrational and, therefore, unqualified to offer ideas about her condition. This interpretation draws on the concept of the "domestic sphere" that women were held in during this period. Many feminist critics focus on the degree of triumph at the end of the story. Although some claim the narrator slipped into insanity, others see the ending as a woman's assertion of agency in a marriage in which she felt trapped. The emphasis on reading and writing as gendered practices also illustrated the importance of the wallpaper. If the narrator were allowed neither to write in her journal nor to read, she would begin to "read" the wallpaper until she found the escape she was looking for. Through seeing the women in the wallpaper, the narrator realizes that she could not live her life locked up behind bars. At the end of the story, as her husband lies on the floor unconscious, she crawls over him, symbolically rising over him. This is interpreted as a victory over her husband at the