where sounds and screams are dominating as they were their means of communication before they learned how to speak. Pain cannot actually be communicated, as it is a personal experience and can only be experienced individually. Pain, as any other concept, is actually an individual experience that can only be communicated as an idea and it also is to be interpreted as. Hegel writes: “The biggest relief when having pain is to be able to scream it out […] through this expression, the pain becomes objective and this makes the connection between the subject, who is alone in pain, and the object, that is not in pain.” Arnal and colleague demonstrated that human screams exploit a unique acoustic property, roughness, that selectively activates the auditory brain as well as the amygdala, a deep brain structure involved in danger processing. Art Painting The Scream () is the popular name given to each of many versions of a composition, created as paintings, pastels, and lithographs by the Expressionist artist Edvard Munch between 1893 and 1910. Der Schrei der Natur (The Scream of Nature) is the title Munch gave to these works, all of which show a figure with an agonized expression against a landscape with a tumultuous orange sky. Arthur Lubow has described The Scream as "an icon of modern art, a Mona Lisa for our time." Music In music there are long traditions of scream in rock, punk rock, heavy metal, soul music, rock and roll, and emo music. Vocalists are developing various techniques of screaming that results in different ways of screaming. In rock and metal music singers are developing very demanding guttural and growled sounds. Scream is also used predominant as an aesthetic element in “cante jondo”, a vocal style in flamenco. The name of this style is translated as “deep sing”. The origins of flamenco and also of its name are still not clear. Flamenco is related to the gypsies’ music and it is said to have appeared in Andalusia in Spain. In cante jondo, that is a subdivision of flamenco, which is considered to be more serious and deep, the singer is reduced to the most rudimentary method of expression, which is the cry and the scream. Ricardo Molima, a Spanish poet, wrote "flamenco is the primal scream in its primitive form, from a people sunk in poverty and ignorance. Thus, the original flamenco song could be