hold, pending decisions on the final site and budget, but went forward in 1963. Tired of battling budget restrictions and changing program requirements, Belluschi and Catalano had difficulty generating new plans when the project restarted. Several of their previously proposed plans were turned over to Robert Burns, Frederick Taylor, and Frederick Preis, three employees at Catalano's office. Burns’ plan was based heavily off Catalano's MIT Student Center (completed in 1965). Catalano was regularly available for guidance and criticism on the project, whereas Belluschi would only stop in occasionally to review the work of Catalano's office. Belluschi played a more public role, communicating with Juilliard and with donors. He also was highly involved in designing spaces like the performance hall lobbies and foyers. Acoustician Heinrich Keilholz designed the hall's acoustics. Alice Tully played an influential role in the design of the hall. In a 1992 interview, Patrick McGinnis, former director of operations of Alice Tully Hall, described Tully as "very, very particular and meticulous about her choices of colors and what she wanted in the hall that would bear her name." Tully also insisted on there creating ample space between the rows of seats, allowing concertgoers of all heights to be comfortable. Opening, use and renovation Tully Hall opened on September 11, 1969. Its opening night showcased the first concert of the Chamber Music Society of Lincoln Center. The New York Times praised the “restrained, elegant interior” of basswood, deep lavender carpeting, and raspberry seats,” and Mildred Schmertz of Architectural Record stated that Alice Tully Hall and the other auditoriums in the Juilliard School building “prove that it is possible to create elegant halls in contemporary terms without resorting to skimpy evocations of the gilt, plaster, and crystal décor of the great halls of the past.” Since its opening, Tully Hall has served as a venue for numerous events, including Mostly Mozart, Great Performers, the New York Film Festivals, and Jazz at Lincoln Center. In 1975, a cathedral-sized, 4,192-pipe organ was installed. Diller Scofidio + Renfro were chosen in 2003 as the design architects to redevelop Lincoln Center's 65th Street corridor, beating out Norman Foster, Richard Meier, and Santiago Calatrava in a 2002 design competition. The plan called for the adjacent block of 65th Street to be renovated with a more pedestrian-friendly environment. In April 2004, Lincoln Center unveiled the designs by Diller Scofidio + Renfro and FXFOWLE for the first