destructive purpose for which they are created. Thus Howl's Moving Castle contains images both of aircraft shown as harmless and beautiful, and large military craft depicted as ugly and destructive. Cavallaro writes that Miyazaki wants to "portray flight as an object of admiration and awe," but that he is not "[blind] to its abuse by unscrupulous strategists and rulers." The nuanced view of flight is part of Miyazaki's broader critique of modern society and technology. Margaret Talbot writes that in person, Miyazaki exhibits "a profound dissatisfaction with modern life," particularly with the effects of technology and a disconnection from nature. Many of his films depict technological hubris as among the roots of evil. The battleships which are seen moving over the landscape are depicted as "gleaming with modernity and parading righteousness," but are then shown to be highly destructive. In contrast, the semi-organic castle demonstrates "Miyazaki’s Taoist presentation of industrialism needing to be aligned with nature" according to Carl and Garrath Wilson. Antonio Lioi writes that Miyazaki often depicts beautiful scenes in contrast to those containing symbols of modernity, such as the scene where Sophie's reverie is interrupted by a war machine. This contrast is part of an ecological criticism of modernity, but Miyazaki also offers an alternative, in the form of beautiful natural scenery. Old age and compassion Miyazaki stated that an attractive aspect of the story of Howl's Moving Castle was the relatively positive light it shed on growing old. When Sophie becomes old as a result of the witch's spell, she also feels more able to speak her mind. According to Miyazaki, old women are only infrequently allowed to dominate the screen as in Howl's Moving Castle, which made it a risky concept. Elizabeth Parsons stated that the film disrupts the stereotype of "aged unattractiveness," when the artificially aged Sophie manages to rescue two attractive men (who come to love her) and to unintentionally end the war in her country. Sophie's actions are those usually associated with grandmothers, such as being kind and nurturing to those around her, and engaging in housework; however, these actions are depicted as being powerful and heroic. Sophie is one of several strong female protagonists in Miyazaki's films. According to Parsons, this gives the film a feminist aspect as well. Additionally, even though Sophie manages to make her presence in the castle legitimate by claiming to be a cleaning lady, the film