Front and Warzone, and later of Danzig. Chuck Valle replaced Pete Martinez on bass, and Doug E. Beans took over drumming duties from Petey Hines. In 1989, Murphy's Law opened for the Red Hot Chili Peppers on their Mother's Milk tour. The Best of Times (1991–1992) Murphy's Law ushered in the 1990s with a reinvigorated blast of their debauchery-laced brand of comedic punk. Stylistically, Murphy's Law made quite a jump on The Best of Times. The band did dabble in skacore long before it exploded, but was always pretty much a flat-out hardcore unit in the 1980s. The Best of Times finds Jimmy Gestapo and friends combining funk, reggae, ska, and hardcore into their own distinct brew, shedding any dogmatic restrictions applied to the standards of their genre in the 1980s. Production by Fishbone's John "Norwood" Fisher and Philip "Fish" Fisher lends authenticity and diversity to The Best of Times, as does the added instrumentation by several members of Fishbone. Covers of James Brown and Stevie Wonder provide some insight into Murphy's Law's sometimes controversial and misunderstood affiliation with the skinhead faction, finally putting to rest any allegations that racism or fascism have anything to do with the band's outlook. Although the group manages to shed this stereotype and expand musically on The Best of Times, the subject matter doesn't otherwise stray too far from earlier work. Songs about pot, beer, girls, and cars showcase the glorious immaturity and quest for fun that pretty much define Murphy's Law. When the band does get serious, which is not very often, it's in the interest of unity and friendship. The title track is basically a fan tribute, thanking a small but loyal group of followers for the support that's enabled Murphy's Law to continue the party. The ska-tinged but heavy "1%" revels in the outcast-minded punk rock ethos, giving nod to those who embrace the good and bad of surfing the fringe of culture and society. Classic Murphy's Law rage surfaces on "Harder Than Who", an attack on the mindless aggression and competition that sometimes rule the hardcore scene. Good for Now, death of Chuck Valle and two more albums (1993–2009) Murphy's Law collected a bunch of stomping, fast and anthem-style hardcore punk songs for this. It is first studio album in five years since The Best of Times. The personnel differed from previous efforts, but Jimmy G's vocals still provide the