The Boxer at Rest, also known as the Terme Boxer, Seated Boxer, Defeated Boxer, or Boxer of the Quirinal, is a bronze sculpture, either a Hellenistic Greek original or a Roman copy, of a sitting nude boxer at rest, still wearing his himantes (, plural of ), a type of leather hand-wrap. It has been given various dates within the period of about 330 to 50 BC. It was excavated in Rome in 1885, and is now in the collection of the National Museum of Rome, normally displayed in the Palazzo Massimo alle Terme. The Boxer at Rest is one of the finest examples of bronze sculptures to have survived from the ancient world; survivals from the period are rare, as they were easily melted down and transformed into new objects. The work comes from a period in Greek art where there is a movement away from idealized heroic depictions of the body and youth, and an exploration of emotional as well as psychological themes and greater realism. These traits are typical of Hellenistic art and thoroughly displayed in this sculpture, making it a hallmark of the Hellenistic style. Discovery The Boxer is one of two unrelated bronzes (the other being the unidentified Hellenistic Prince) discovered on the slopes of the Quirinal within a month of each other in 1885, possibly from the remains of the Baths of Constantine. It appears that both had been carefully buried in antiquity. The archaeologist Rodolfo Lanciani, who was present at the sculpture's discovery, wrote: I have witnessed, in my long career in the active field of archaeology, many discoveries; I have experienced surprise after surprise; I have sometimes and most unexpectedly met with real masterpieces; but I have never felt such an extraordinary impression as the one created by the sight of this magnificent specimen of a semi-barbaric athlete, coming slowly out of the ground, as if awakening from a long repose after his gallant fights. Description and Interpretation The statue is a masterpiece of Hellenistic athletic professionalism, with a top-heavy over-muscled torso and scarred and bruised face, penis bound by a kynodesme, cauliflower ears, broken nose, and a mouth suggesting broken teeth. The boxer was also depicted as bearded, which would have been a typical characteristic of ancient boxers. R.R.R. Smith believes that the statue does not show a true portrait: this is genre realism, individuality removed in favor of a generic