Reverend Canon John Gray (2 March 1866 – 14 June 1934) was an English poet and Catholic priest whose works include Silverpoints, The Long Road and Park: A Fantastic Story. It has often been suggested that he was the inspiration behind Oscar Wilde's fictional Dorian Gray despite evidence to the contrary. His great nephew is the alternative rock musician Crispin Gray. Early life Born in the working-class district of Bethnal Green, London, he was the first of nine children. He left school at the age of 13 and began work as an apprentice metal-worker at the Royal Arsenal. He continued his education by attending a series of evening classes, studying French, German, Latin, music and art. In 1882 he passed the Civil Service exams and, five years later, the University of London matriculation exams. He joined the Foreign Office where he became a librarian. Aesthetic movement Gray is best known today as an aesthetic poet of the 1890s and as a friend of Ernest Dowson, Aubrey Beardsley and Oscar Wilde. He was also a talented translator, bringing works by the French Symbolists Stéphane Mallarmé, Paul Verlaine, Jules Laforgue and Arthur Rimbaud into English, often for the first time. He is purported to be the inspiration behind the title character in Wilde's The Picture of Dorian Gray, but distanced himself from this rumour. In fact, Wilde's story was serialised in Lippincott's Monthly Magazine a year before their relationship began (though allegedly Wilde officially denied any earlier association at Gray's request). His relationship with Wilde was initially intense, but had cooled for over two years by the time of Wilde's imprisonment. The relationship appears to have been at its height in the period 1891–1893. Literary output Gray's first notable publication was a collection of verse called Silverpoints (1893), consisting of sixteen original poems and thirteen translations from Verlaine (7), Mallarmé (1), Rimbaud (2), and Baudelaire (3). In his review of it Richard Le Gallienne distinguished it from the output of many of the 'decadent' poets in its inability to accomplish "that gloating abstraction from the larger life of humanity that marks the decadent". Gray's second volume, Spiritual Poems, chiefly done out of several languages (1896), defined his developing identity as a Catholic aesthete. It contained eleven original poems and twenty-nine translations from Jacopone da Todi, Prudentius, Verlaine, Angelus Silesius, Notker Balbulus, St John of the Cross, and other poets both Catholic and