— Wie schmekt es so lieblich und wohl BuxWV 109 — Wie soll ich dich empfangen on Paul Gerhardt's hymn BuxWV 110 — Wie wird erneuet, wie wird erfreuet BuxWV 111 — Wo ist doch mein Freund geblieben? BuxWV 112 — Wo soll ich fliehen hin?Miscellaneous vocal music (113–135) Liturgical works (113–114) BuxWV 113 — Motet 'Benedicam Dominum in omni tempore' BuxWV 114 — Missa brevis Wedding arias (115–122) BuxWV 115 — Aria 'Auf, Saiten, auf! Lasst euren Schall erklingen!' BuxWV 116 — Aria 'Auf, stimmet die Saiten, Gott Phoebus tritt ein' BuxWV 117 — Aria 'Deh credete il vostro vanto' BuxWV 118 — Aria 'Gestreuet mit Bleumen' BuxWV 119 — Aria 'Klinget fur Freuden, ihr larmen Klarinen' BuxWV 120 — Aria 'O fröhliche Stunden, o herrlicher Tag' BuxWV 121 — Aria 'Opachi boschetti' (fragment of a lost wedding serenade) BuxWV 122 — Aria 'Schlagt, Künstler, die Pauken und Saiten' Canons (123–124) BuxWV 123 — Canon duplex per Augmentationem BuxWV 124 — Canon à 3 in Epidiapente et Epidiapason Titles of works not preserved (125–127) BuxWV 125 — Motet 'Christum lieb haben ist viel besser' (lost) BuxWV 126 — Musik zur Einweihung des Fredenhagen-Altars (lost) BuxWV 127 — Motet 'Pallidi salvete' (lost) Abendmusiken (128–135) BuxWV 128 — Die Hochzeit des Lammes / Und die Freudenvolle Einholung der Braut zu derselben (lost) BuxWV 129 — Das allerschröcklichste und Allererfreulichste, nemlich Ende der Zeit und Anfang der Ewigkeit (lost) BuxWV 130 — Himmlische Seelenlust auf Erden (lost) BuxWV 131 — Der verlorene Sohn (lost) BuxWV 132 — Hundertjähriges Gedicht (lost) BuxWV 133 — Die Abendmusiken des Jahres 1700 BuxWV 134 — Castrum Doloris (lost) BuxWV 135 — Templum Honoris (lost) Organ (or other keyboard) works (136–225) Freely composed (136–176)Note: Buxtehude preludes are multi-sectional and do not fit Bach-related terms such as "prelude and fugue" (despite this use by record companies); to make the distinction the German work "Praeludium" is conventional. Typical Buxtehude preludes begin free-style, switch to fugue, and then alternate between these forms, for a total of five to seven sections, two or three of which are fugues. The free-style sections are usually toccata-like. BuxWV 136 — Praeludium (with 3 Fugues) in C BuxWV 137 — Praeludium (with Fugue and Chaconne) in C BuxWV 138 — Praeludium in C BuxWV 139 — Praeludium (with 3 Fugues) in D BuxWV 140 — Praeludium (with 2 Fugues) in D minor BuxWV 141 —