Sikkim is a 1971 Indian documentary about the nation of Sikkim, directed by Satyajit Ray. The documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India, when Sikkim merged with India in 1975. In 2000, the copyright of the film was transferred to the Art and Culture Trust of Sikkim. The ban was finally lifted by the Ministry of External Affairs (MEA) in September 2010. In November 2010 the director of the Kolkata film festival stated that upon screening the documentary for the first time, he received an injunction from the court of Sikkim again banning the film. Production Satyajit had planned several documentaries about with people in their setting in focus, like musicians of Rajasthan, dancers in Ellora, but eventually ended up making only one. Ray's cousin who lived in Darjeeling, had appeared in film, Kanchenjungha (1962) also shot in Darjeeling, was acquainted with Chogyal of Sikkim Palden Thondup Namgyal and his American wife Hope Cooke, the couple commissioned the film and his cousin convinced Ray to take on the project. Overview No critics have seen the film, but Ray described it in the following way: "While they're reaching this point, I cut to a shot of a piece of telegraph wire. It's raining and there are two drops of rain approaching on a downward curve. It's a very poetic seven minutes. And the end is also very lively, very optimistic, with children, happy, laughing, smoking, singing. The whole thing builds up into a paean of praise for the place." The documentary was screened for public viewing for the first time in 39 years at the 16th Kolkata Film Festival. Mathures Paul of The Statesman wrote in his review, "Sandwiched between Pratidwandi, Seemabaddha and Asani Sanket, Sikkim is beautiful, more an essay from a respected travel journal from Ray’s era accompanied by detailed photographs that graced magazines like Life". Censorship Revival Except a screening for the Chogyal family, the film never got formally released. For many years, the film was considered to be lost and it was thought that the only surviving record of the film is a scene-by-scene written reconstruction of the film by the remaining film team members. However, in January 2003 it