combines pomp and ceremony with ballads and romantic arias. It includes the well known song for the Queen "O Peaceful England" and "The Yeomen of England", which became a favourite and was performed at Queen Elizabeth II's Jubilee celebrations in 2002. The opera opened at the Savoy Theatre in London on 2 April 1902, under the management of William Greet, and ran for 120 performances, closing on 30 July 1902. The piece then toured while the Kitty Loftus Company played at the Savoy. The production reopened at the Savoy on 24 November 1902 for 56 additional performances, ending on 17 January 1903. It starred Henry Lytton, Louie Pounds, Rosina Brandram, Robert Evett and Walter Passmore, among other regulars of the Savoy. Roles Synopsis Two versions of the plot exist: Hood's original from 1902 and a revised one by Dennis Arundell presented at Sadler's Wells in 1960. The opera is set in Windsor Town and makes frequent reference to mythology and folklore (Robin Hood, King Neptune, St. George and the Dragon and witchcraft). Act One During the May Day festival, the May Queen is crowned with "roses white and roses red ... the flowers of Merrie England". Her two guards are introduced – Long Tom and Big Ben – who are brothers identical in all but one thing. The "little difference between them" is that Big Ben (like the other men in Windsor) loves the May Queen, while Long Tom loves Jill (known as Jill-All-Alone). Jill is accused of being a witch by the jealous May Queen and is shunned by the townsfolk. Bessie Throckmorton, one of Queen Elizabeth's ladies-in-waiting, and Sir Walter Raleigh are in love, but they must keep their love a secret as the Queen is also in love with Raleigh. Bessie tells of how she carelessly lost a love letter from Raleigh ("She lost the letter from her love"). She worries that the letter may have fallen into Queen Elizabeth's hands and thus reveal their secret love. The Earl of Essex (Raleigh's rival for the affection of the Queen) is handed the love letter (an acrostic on the name Bessie) by Jill-All-Alone and plans to use it to dispose of Raleigh. Walter Wilkins, a travelling actor, appears and argues that any play can be vastly improved by the addition of song ("if it's played on a big brass band") and claims that "that's where [he] and Shakespeare