Dau al Set (), the first post-World War II artistic movement in Catalonia, was founded in Barcelona in September 1948 by poet Joan Brossa. The movement, best known for translating the conscious and unconscious mind into art, was heavily influenced by both the Surrealist and Dadaist movements. In Catalan Dau al Set means "the seventh face of the dice", which expresses the movement's rupturist character. History Dau al Set first began as an avant-garde artistic collective led by Joan Brossa, a Catalan poet, in September 1948. Joan Brossa established the group in response to the period’s conservative reigning government, which gained power after the Spanish Civil War known as the "Guerra Civil". Under the new Spanish State, Francisco Franco radically changed many areas of the previous culture. One such example was the Spanish art community as seen in art and culture in Francoist Spain. During this time counterculture movements in Catalonia and Spain in general came to an abrupt halt. Such artistic groups were replaced with Nationalist Francoist Art, which often functioned as a means for government endorsement and propaganda. In an attempt to revive the avant-garde scene in Spain Dau al Set was formed. In 1949, with help from Joan-Josep Tharrats's private printing press, Dau al Set published its first self-entitled magazine journal. The majority of the publication was written in Catalan, a language prohibited in Francoist Spain. Dau al Set typically ran a print between one hundred and two hundred copies, consisting of four to twelve pages. The magazine journal was delivered throughout Barcelona to those with subscriptions and served a niche population at the time. The format of the magazine was 22.5 cm x 18.7 cm in the broadsheet style and never bound. These publications continued on a regular basis until the end of 1951 at which point Dau al Set began to dissolve. In 1952, Dau al Set founding member Antoni Tàpies left the group to promote his own independent work in the Surrealist and Informal art styles. The following year Joan Ponç left to Brazil to continue to paint and spread his unique style. And one year later Modest Cuixart left the group as well. During this time from 1953 till 1956 Dau al Set continued to be created and published by Joan-Josep Tharrats. During the final years the magazine decreased from an issue a month to an issue every season to then two issues