Beton and Memphis. However, a revival of interest did appear after the war both in America and Europe: Vivian Ridler commented that "What seemed pestiferous thirty years ago is now regarded as rugged, virile and essential for an advertising agency's self-respect." Revivals A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation. The original Clarendon became the property of Stephenson Blake in 1906, who marketed a release named Consort, cutting some additional weights (a bold and italics) in the 1950s. The original materials were transferred to the Type Museum collection when Stephenson Blake left the printing business in 1996. Designs for wood type copying Clarendon were made from the mid-1840s onwards. Most hot metal typesetting companies offered some kind of slab serif; Linotype offered it duplexed to a Roman type so that it could be easily switched in for emphasis. The typeface was reworked by Monotype, with a redesigned release as "New Clarendon" in 1960. Hermann Eidenbenz cut a version, in the early 1950s, issued by Haas and Stempel, and later, Linotype. Freeman Craw drew the Craw Clarendon family, a once popular American version, released by American Type Founders, in 1955, with light, bold and condensed variants. Aldo Novarese drew the Egizio family for Nebiolo, in Turin, Italy. The design included matching italics. David Berlow, of the Font Bureau, released a revival as Belizio in 1998. The Clarendon Text family, with italics inspired by Egizio, was released by Patrick Griffin of Canada Type. Volta, sold as Fortune in the U.S., a modern view of Clarendon, was designed by Konrad Friedrich Bauer and Walter Baum for the Bauer Type Foundry in 1955. Ray Larabie, of Typodermic, released the Superclarendon family in 2007, using obliques instead of italics. A wide, display-oriented design with small caps and Greek and Cyrillic support, it is bundled with macOS. Sentinel, from Hoefler & Frere-Jones, another typeface family based on Clarendon with italics added, was released in 2009. Intended to have less eccentric italics suitable for body text use, it was featured heavily in President Barack Obama's 2012 campaign website advertisements. Besley* from Indestructible Type is an open-source revival