November 6, 1996. "I Could Fall in Love" peaked at number five on the RPM Top 100 Singles chart. It was the only single by Selena to chart on the New Zealand Singles Chart, peaking at number ten. In 1996, "Dreaming of You" performed better in Canada on the RPM Adult Contemporary and the Top 100 Singles chart, peaking at numbers seven and thirty, respectively. "I'm Getting Used to You" debuted at number ninety-six on the RPM Top 100 Singles chart on the week ending June 10, 1996, and became the third single by Selena to chart in Canada. After five weeks on the chart, "I'm Getting Used to You" peaked at number sixty-five. At number ninety-three, "I'm Getting Used to You", exited the Top 100 Singles chart after spending nine weeks on it. Critical reception The majority of contemporary reviews were positive. Stephen Thomas Erlewine of AllMusic said Dreaming of You was the first recording by Selena to have been heard by the general population of the United States because her death attracted American listeners to her album. This was echoed by Alisa Valdes of The Boston Globe. Erlewine said Amor Prohibido is "a more consistent release" and that Dreaming of You was not the singer's best work, and he called it an introductory effort. According to Erlewine, the English-language tracks on the album "are no different than her Spanish songs"; he also said the album "would have been stronger" if the singer had lived. He finished his review by calling the album a "powerful—and touching—testament to her talents". John Lannert of Billboard magazine called the album's commercial success "hardly a fluke". Vibe magazine contributor Ed Morales, described the album as a summation of her cumbia-influenced songs, her Tex-Mex (Texas-Mexico) "excellence", and a "poignant glimpse" of the path the singer's musical career may have taken had she lived. Writing for Time magazine, David Browne said Dreaming of Yous release was "one of the quickest posthumous albums ever cobbled together". He said the producers who worked with Selena on the album had decisively paired her with recordings that reminded him of lighter versions of Paula Abdul and called them "greeting-card sentiments". He recognized the later half of Dreaming of You as "the true, unbridled Selena", calling them "traditional ballads or tropical fantasies, Selena evokes lust and passion"; illustrating that those qualities found on her English-language songs are absent from the