Richard Guino (in Catalan Ricard Guinó i Boix; May 26, 1890 – February, 1973) was a French sculptor of Catalan origin. His work is an ode to femininity which revives the Mediterranean ideal of beauty. Richard Guino brings about a synthesis full of sensuality between classicism and modernity, using a great variety of techniques and materials – wood, wax, marble, bronzes, terracottas, plasters, ivories, glass, ceramics, majolicas, drawings and paintings. His fruitful collaboration with Pierre-Auguste Renoir constitutes a rare episode in the history of Art. Origins and Catalan youth Richard Guino was born on May 26, 1890 in Girona, Catalonia, Spain, the son of an ebony cabinet maker. His parents sent him to school in a Marist college where he underwent an extremely rigid education. A precocious sculptor, he entered the Art School of Girona at a very young age and left in 1906 to follow the courses of the Superior School of Fine Arts in Barcelona – Pablo Picasso's father was one of his teachers. He participated in collective exhibitions in Girona (1908) and Barcelona (1910) where Aristide Maillol, 30 years his elder, discovered him. Considering him "the most gifted European sculptor of his generation", Maillol asked him to join him in France to work at his side. Paris Guino settled in Paris in 1910, in a studio located in Rue Daguerre in the Montparnasse neighborhood, and he assisted Maillol in his studios in Paris and Marly-le-Roi. He attended the Ranson Academy in Montmartre where he met Maurice Denis, for whom he realized notably a few low reliefs for the Théâtre des Champs-Élysées. He exhibited at the Société des Artistes Decorateurs, at the Société Nationale des Beaux-Arts, at the Galerie Druet and at the Galerie Marseille and Vildrac. Count Kessel and Art dealer Ambroise Vollard purchased his works. His drawings also were exhibited, he realized striking inks of Isadora Duncan dancing, sketched from life. He worked mainly on feminine figures, supple and powerful: Torso with drapery, Woman bather squatting, The Egyptian woman, Woman with mandolin and others. The Renoir-Guino sculptured work It was around that time and at the request of Vollard that Maillol attempted to sculpt with Renoir. The old Master, urged on by Vollard, wished to explore sculpting. Handicapped by rheumatoid arthritis, he continued to paint, brushes slipped between his paralysed fingers, protected by narrow bandages. The dealer, who was admiring a medallion the painter had made