Charnett Moffett (June 10, 1967 – April 11, 2022) was an American jazz bassist. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis. In 1987 he recorded his debut album Netman for Blue Note Records. He worked with Art Blakey, Ornette Coleman, Pharoah Sanders, Dizzy Gillespie, Ellis Marsalis, Sonny Sharrock, Stanley Jordan, Wallace Roney, Arturo Sandoval, Courtney Pine, David Sanborn, David Sánchez, Dianne Reeves, Frank Lowe, Harry Connick, Jr., Herbie Hancock, Joe Henderson, Kenny Garrett, Kenny Kirkland, Kevin Eubanks, Lew Soloff, Manhattan Jazz Quintet, Melody Gardot, Mulgrew Miller and Tony Williams. Early life and career Charnett Moffett attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City and later studied at Mannes College of Music and the Juilliard School of Music. In 1983, he played on saxophonist Branford Marsalis' debut as a leader, Scenes in the City, and the following year he joined trumpeter Wynton Marsalis’ quintet, appearing on 1985's Grammy-winning Black Codes (From the Underground). During the 1980s, Moffett also worked with Stanley Jordan, appearing on the guitarist's best-selling 1985 Blue Note debut, Magic Touch, as well as two Blue Note albums with drummer Tony Williams’ quintet: 1987's Civilization and 1988's Angel Street. In 1987, Moffett signed with Blue Note and debuted as a leader that year with his first of three albums for the label, NetMan (1987) which featured Michael Brecker, Kenny Kirkland and Al Foster. His second Blue Note release, Beauty Within (1989) was a family affair featuring his father Charles Moffett on drums, older brothers Mondre Moffett on trumpet, Charles Moffett, Jr on tenor sax, Codaryl Moffett on drums, and his sister Charisse on vocals. Also featured were Kenny Garrett on alto saxophone, and Stanley Jordan on guitar. HIs third Blue Note release, Nettwork (1991), produced by Kenny Kirkland, especially focused on Moffett's piccolo bass and electric bass work. In 1993, Moffett recorded Rhythm & Blood for Sweet Basil's Apollon Records. A mix of jazz and pop, it placed high on the music charts in Japan. He later scored artistic triumphs on the Evidence label with 1994's Planet Home (featuring his electronically enhanced rendition of "The Star-Spangled Banner" in tribute to Jimi Hendrix's Woodstock showstopper) and 1997's Still Life, featuring keyboardist Rachel Z and drummer Cindy Blackman. Starting