The Haunting was the first full-length album by the American deathrock/gothic rock band Theatre of Ice, recorded in 1981, and released in 1982. The recording sessions took place in a supposedly haunted house somewhere in the deserts of Nevada. While many at the time thought it nothing more than a gimmick, the band claimed that it inspired them to create what is now considered one of the more deranged albums ever recorded. Rather than opting for one musical style, the album alternates between hard, razor-sharp, creepy-crawly punk rock with echo-like wolf howls to textural synthesizer soundtracks filled with strange noises. But while the musical style varied, the themes remained rooted in modern horror. Musicians Brent Johnson – vocals, guitars John Johnson – vocals, guitar, keyboards Mark Johnson – drums Eric Johnson – bass guitar Lyle Johnson – keyboards Track listing "A Militant Hymn" "Down Arizona Way" "Theatre of Ice" "You Are The Children" "Puppet Love" "The Burning Man" "A Single Bullet" "The Ghost Did A Scarey Walk" "Driven" "Monsters From Beyond" "A Wagonload of Corpses" "Fade To Red" "The Sound" "Creature on the Hill" "On and On" "Comfort" "Brain Damage" "Message From Home" "From the Ruins of My Mind" "Procession" "Golden Girl" Reviews Maximum Rock N' Roll, San Francisco, California – "Unlike anything I've heard before. Whether that is a good thing or a bad thing is yet to be determined. Very weird." OPtion Magazine, Los Angeles – "Hard, razor sharp, creepy crawly rock'n'roll with echo-like wolf howls. Rumored to have been recorded in an actual haunted house in the Nevada desert, with khemical/magikal rituals to 'inspire' the musicians and derange their music. 'A Wagonload of Corpses' sounds like time warp travel back to Middle Ages Black Plague Epidemic Rot. These maniacs were born to score horror flicks." – Nik Wax. Unsound Magazine, San Francisco, California – "This is the first release from the band which describes their sound as a fusion of Suicide's minimalism, Chrome's psychedelia, Snakefinger's pop and Throbbing Gristle's violent confusion. This album is well produced and moves smoothly within its conceptual nature. Their focus is the morbid, bloody horror of B-monster movies with the campy mystery of blood and guts. Textural synthesizer lines and strange noises create a soundtrack style piece, a great substitute for ghost stories around the campfire." Flipside (fanzine), Los Angeles, California – "Moody post punk to experimental droney music. Perhaps the 'scariest'