compilation Music For Movies: World of Susumu Hirasawa Soundtracks. Hirasawa had the soundtracks remastered for the 2012 boxset Haldyn Dome; his former record label did the same for the 2014 compilation Symphonic Code (since those were catalog-wide projects, songs that were also present on other albums were omitted to avoid duplication, being either included on earlier discs of the boxset or on the Archetype compilation). Glory Wars was bundled together with the soundtracks for these reissues. Hirasawa has seldom brought up his soundtracks for the series in his overall career. Some P-Model material originated out of the soundtrack. In his 1994 shows, the title theme was played over the PA system before they began; Hirasawa usually opened his shows with "Frozen Beach '94", a rearrangement of "YOHKO Mitsurugi" with the lyrics of "Frozen Beach". A studio recording of this version, simply titled "FROZEN BEACH", was released a year later on the Scuba Recycle album. Personnel Susumu Hirasawa – Synthesizers, Drum machine, Sampler, Sequencers, Amiga 2500, Programming, Vocals, Electric guitar, Classical guitar, Production – Backing Vocals on "Bandeira Travellers" Teru Uchida Strings – Strings on "Bandeira Travellers" and "SUNSET" Jun Togawa – Vocals on "Clear Mountain Top" , Osamu Takeuchi and Chūju Yamaguchi – Backing Vocals on "Clear Mountain Top" Shingo Tomoda – Drums on "Venus" Kayo "Kokubo" Matsumoto – Acoustic Piano on "Water in Time and Space (Full Size)" Section – Violins, Cellos, Violas and Contrabasses on "Root of Spirit" Yoshiaki Kondo – Engineering on "Venus" and "Root of Spirit" Masanori Chinzei – Engineering, Backing Vocals on "Clear Mountain Top" Yūichi Kenjo – Executive Production, Backing Vocals on "Clear Mountain Top" Michitaka Kikuchi – Illustrations (1 & 2) Masami Ōbari – Illustrations (3) Reception Detonator Orgun has received mostly mixed reception. Ben Carlton of Manga Mania praised the series' art: "Tomoru lives in a future world which is bright, clean, and scarily antiseptic. The military look like plastic toys in their chunky armour and craft. [...] skies are as rich and beautiful as any in Macross Plus". He also noted that: "Tomoru's world is also sharp and crisp as only anime can make it, with every edge and colour defined, giving more tension to the robot battles and dream sequences, where with every major change or impact the image loses definition in a sudden blur of brightness or shadow." On the other hand, Carlton criticized the UK dub's mixing, describing