A skipping rhyme (occasionally skipping-rope rhyme or jump-rope rhyme), is a rhyme chanted by children while skipping. Such rhymes have been recorded in all cultures where skipping is played. Examples of English-language rhymes have been found going back to at least the 17th century. Like most folklore, skipping rhymes tend to be found in many different variations. The article includes those chants used by English-speaking children. History Explorers reported seeing aborigines jumping with vines in the 16th century. European boys started jumping rope in the early 17th century. The activity was considered indecent for girls because they might show their ankles. There were no associated chants. This changed in the early 18th century. Girls began to jump rope. They added the chants, owned the rope, controlled the game, and decided who participated. In the United States, domination of the activity by girls occurred when their families moved into the cities in the late 19th century. There, they found sidewalks and other smooth surfaces conducive to jumping rope, along with a host of contemporaries. Another source suggests that, prior to 1833, the invention of pantalettes enabled girls to jump rope without displaying ankles. Chants are intended to structure the game and are secondary, explaining the nonsense or irrational lyrics. These chants are unusual inasmuch as they were transmitted from child to child usually without an underlying reason, as opposed to nursery rhymes which were transmitted from adult to child and often contained a moral. Chants may contain girlish references to boyfriends or marriage. Examples of chants Two girls with a long rope stood about apart and turned the rope as other children took turns jumping. If one were not a good jumper, one would be an 'Ever-Laster,' that is, one would perpetually turn the rope. When it was a child's turn to jump, she would enter as the rope turned, and jump to the rhyme until she missed. Then she would become a rope-turner, and the next child in line would take her place. Jump in, jump out For a line of potential jumpers, the jumpers were restricted on time by the length of the chant. They jumped in at the beginning, jumped out at the end, and the next jumper took their turn. Charlie Chaplin went to France To teach the ladies how to dance. First the heel, then the toe, Then the splits, and around you go! Salute to