a multimedia presentation inspired by Thelonious Monk's 1959 "large band" concert at The Town Hall in New York City. It utilises filmed and taped material of Monk's rehearsal, found in the archive of W. Eugene Smith, and video art by David Dempewolf. A text-laden painting from Glenn Ligon extracted the words "In My Mind" - which Monk says on one of Smith's tapes - as did Moran, incorporating the soundbite into the set. The program is played by The Big Bandwagon: the trio with a largely changeable five piece horn section. The New York Times wrote, "It had a magical balance of theory and intuition, and the crowd stayed fully with it." The February 2009 installation is the subject of a documentary film of the same name. In April 2007 Moran took the piano in Charles Lloyd's New Quartet, succeeding Geri Allen. He was the last member to join the group, which keeps touring (as of 2014), having recorded one studio album and two live ones. Moran and Lloyd recorded a duo album, Hagar's Song, in 2013. From September 2009 to about 2012 Moran toured with Dave Holland's Overtone Quartet. "Live: Time" is a 2008 complement to the Philadelphia Museum of Art exhibition on The Quilts of Gee's Bend. Cane was written for classical wind quintet Imani Winds - among them Moran's college classmate Toyin Spellman. It premiered in October 2008, and appeared in their album Terra Incognita in 2010; it relates to Marie Thérèse Metoyer and Moran's family history in Natchitoches, Louisiana. "Refraction" is a ballet Moran scored and accompanied for Alonzo King LINES Ballet in 2009. Four independent short films and a feature documentary appeared in the 2000s with soundtracks by Moran (see below). In addition, he collaborated with Ligon on 2008's The Death of Tom: an abstract, conceptual, video artwork. Reflecting their shared historical interests, Moran contributed a score based on the song "Nobody" by Bert Williams. The work is in the MoMA collection, but he played to it again in a screening in 2011. 2010s The album Ten, released in 2010, marked a ten-year interval from the Bandwagon's debut, Facing Left. It features "Blue Blocks" off the Philadelphia Museum commission, "RFK in the Land of Apartheid", from an original score to a documentary film of the same name, and "Feedback Pt. 2", an homage to Jimi Hendrix's performance at the 1967 Monterey Pop Festival. Monk's "Crepuscule