And the Ship Sails On () is a 1983 Italian film directed and co-written by Federico Fellini. It depicts the events on board a luxury liner filled with the friends of a deceased opera singer who have gathered to mourn her. The film was selected as the Italian entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee. Plot The film opens depicting a scene in July 1914 immediately prior to the cruise ship Gloria N. setting sail from Naples Harbor. The opening sequence is in sepia tones, as if it were a film shot in that era, with no sound other than the whirring of the projector. Gradually the sepia fades into full colour and we can hear the characters’ dialogue. Orlando, an Italian journalist, supplies commentary by directly addressing the camera, explaining to the viewer that the cruise is a funeral voyage to disperse the ashes of opera singer Edmea Tetua near the island of Erimo, her birthplace. Considered the greatest singer of all time, Tetua is celebrated for her goddess-like voice. The bumbling but lovable journalist also provides highly subjective anecdotes and gossip on the wide array of cartoon characters that evoke the golden age of the "funny papers" (Little Nemo, Bringing Up Father, The Katzenjammer Kids) but with a perverse Felliniesque twist. These include more opera singers, voice teachers, orchestra directors, theatre producers, actors, prime ministers, counts, princesses, Grand Dukes, and panic-stricken fans of the deceased diva. A jealous and bitter soprano named Ildebranda desperately tries to penetrate the secret behind Edmea Tetua's unforgettable voice. A bristle-haired Russian basso is shown around the ship's vast mess hall where, using only his voice, he hypnotizes a chicken. A curly-cued actor travels with his mother in order to seduce sailors. Sir Reginald Dongby, a voyeuristic English aristocrat, relishes spying on Lady Violet, his nymphomaniac wife. The Grand Duke of Harzock, a Prussian, is an obese bubble of a young man whose blind sister (the Tanztheater performer and choreographer Pina Bausch) schemes with her lover, the prime minister, to disinherit her brother. The brooding Count of Bassano closets himself in his cabin transformed into a temple dedicated to the diva's memory. An awful stench rises from the ship's hold and soon it's revealed that a love-sick rhinoceros has been neglected by the ship's crew. The beast is pulled up, washed