Tour of Hell". A version of the convict ballad "Moreton Bay", detailing the brutal punishments meted out by commandant Patrick Logan and his death at the hands of Aborigines, is also attributed to Frank. Other convict ballads include "Jim Jones at Botany Bay". The ballad "Botany Bay", which describes the sadness felt by convicts forced to leave their loved ones in England, was written at least 40 years after the end of transportation. Perhaps the most famous convict in all of fiction is Abel Magwitch, a main character of Charles Dickens' 1861 novel Great Expectations. The most famous convict novel is Marcus Clarke's For the Term of His Natural Life (1874), followed by John Boyle O'Reilly's Moondyne (1879). The Broad Arrow by Caroline Woolmer Leakey was one of the first novels to depict the convict experience, and one of the only to feature a female convict as its protagonist (Marcus Clarke drew on Leakey's book in writing For the Term of His Natural Life). Thomas Keneally explores the convict era in his novels Bring Larks and Heroes (1967) and The Playmaker (1987). Convicts feature heavily in Patrick White's take on the Eliza Fraser story, the 1976 novel A Fringe of Leaves. Convictism is canvassed in Bryce Courtenay's "Australian trilogy": The Potato Factory (1995), Tommo & Hawk (1997) and Solomon's Song (1999). The title character of Peter Carey's 1997 novel Jack Maggs is a reworking of Dickens' Magwitch character. Many modern works of Tasmanian Gothic focus on the state's convict past, including Gould's Book of Fish (2001) by Richard Flanagan, a fictionalised account of convict artist William Buelow Gould's imprisonment at Macquarie Harbour. Kate Grenville based the novel The Secret River (2005) on the life of her convict ancestor Solomon Wiseman. Along with bushrangers and other stock characters of colonial life, convicts were a popular subject during Australia's silent film era. The first convict film was a 1908 adaptation of Marcus Clarke's For the Term of His Natural Life, shot on location at Port Arthur with an unheard-of budget of £7000. This was followed by two more films inspired by Clarke's novel: The Life of Rufus Dawes (1911), which draws on Alfred Dampier's stage production of His Natural Life, and the landmark For the Term of His Natural Life (1927), one of the most expensive silent films ever made. W. J. Lincoln directed many convict melodramas including It Is Never Too