city, with the god Quirinus and still retain Republican liberty. Similarly, Rome's ancestor-hero Aeneas was worshipped as Jupiter Indiges. The Romans worshipped several gods and demi-gods who had been human, and knew the theory that all the gods had originated as human beings, yet Republican traditions (mos maiorum) were staunchly conservative and anti-monarchic. The aristocrats who held almost all Roman magistracies, and thereby occupied almost all of the Senate, acknowledged no human as their inherent superior. No citizen, living or dead, was officially regarded as divine, but the honors awarded by the state—crowns, garlands, statues, thrones, processions—were also suitable to the gods, and tinged with divinity; indeed, when the emperors were later given state worship, it was done by a decree of the Senate, phrased like any other honor. Among the highest of honors was the triumph. When a general was acclaimed imperator by his troops, the Senate would then choose whether to award him a triumph, a parade to the Capitol in which the triumphator displayed his captives and spoils of war in the company of his troops; by law, all were unarmed. The triumphator rode in a chariot, bearing divine emblems, in a manner supposed to be inherited from the ancient kings of Rome, and ended by dedicating his victory to Jupiter Capitolinus. Some scholars have viewed the triumphator as impersonating or even becoming a king or a god (or both) for the day but the circumstances of triumphal award and subsequent rites also functioned to limit his status. Whatever his personal ambitions, his victory and his triumph alike served the Roman Senate, people, and gods and were recognised only through their consent. In private life, however, tradition required that some human beings be treated as more or less divine; cult was due from familial inferiors to their superiors. Every head of household embodied the genius – the generative principle and guardian spirit – of his ancestors, which others might worship and by which his family and slaves took oaths; his wife had a juno. A client could call his patron "Jupiter on earth". The dead, collectively and individually, were gods of the underworld or afterlife (Manes). A letter has survived from Cornelia, the mother of the Gracchi, expecting that when she was dead, her sons would venerate her as deus parens, a parental (or a nurturing) divinity; such piety was expected from any dutiful son. A prominent