Love in the City () is a 1953 Italian anthology film composed of six segments, each with its own director. The segments and filmmakers are: Paid Love (Carlo Lizzani), Attempted Suicide (Michelangelo Antonioni), Paradise for Three Hours (Dino Risi), Marriage Agency (Federico Fellini), Story of Caterina (Francesco Maselli and Cesare Zavattini), and Italians Stare (Alberto Lattuada). Synopsis Paid Love Filmed by Carlo Lizzani, seven Roman prostitutes of different age, some of them single mothers, tell their "stories of abandonment and deceit". Attempted Suicide Five young women, who have tried to commit suicide after being left by their partner, tell and re-enact their stories in front of Michelangelo Antonioni's camera. Paradise for Three Hours Dino Risi depicts the various encounters at a dance hall event which takes place every Sunday evening between 5 and 8. Marriage Agency Federico Fellini tells the story of a journalist doing research on marriage agencies, pretending to be looking for a wife for a rich friend who suffers from lycanthropy. To his surprise, he is presented with a prospect only a few days later. Story of Caterina Francesco Maselli and Cesare Zavattini follow Caterina, a young single mother ostracised by her parents, who is put on trial for abandoning her child which she can't feed. Italians Stare A sequence of men reacting to the passage of pretty women, filmed by Alberto Lattuada. Cast Attempted Suicide Rita Josa Rosanna Carta Enrico Pelliccia Donatella Marrosu Paolo Pacetti Nella Bertuccioni Lilia Nardi Lena Rossi Maria Nobili Paradise for Three Hours Luisella Boni Marriage Agency Antonio Cifariello Livia Venturini Maresa Gallo Angela Pierro Rita Andreana Lia Natali Ilario Malaschini Cristina Grado Sue Ellen Blake Silvio Lillo Story of Caterina Caterina Rigoglioso Italians Stare Marisa Valenti Marco Ferreri Mario Bonotti Mara Berni Valeria Moriconi Giovanna Ralli Patrizia Lari Ugo Tognazzi Raimondo Vianello Edda Evangelisti Liliana Poggiali Maria Pia Trepaoli Production and release Cesare Zavattini, Marco Ferreri and Riccardo Ghione intended Love in the City as the first issue in a series of a new journal published on celluloid, of which only this one was realised. The project was a critical and commercial failure on its first release, with French critic André Bazin being one of the few commentators to write a favorable review, appreciating the concept and the interviewed nonactors. Other critics questioned the film's authenticity, arguing that the people in front of the camera were obviously following directors' instructions, or