which cadences in E major (measure 96). The orchestra plays two D diminished triads to conclude the first movement and prepare C minor as the next tonality. The second movement, in C minor and meter, is marked Allegro and opens with eight measures of eighth note motion in the strings. The orchestral eighth notes continue for 20 measures as the chorus enters in unison with Doch uns ist gegeben. The eighth notes intensify and climax at a in measure 132 as Brahms sets the lyric blindlings von einer Stunde zur andern to the chorus dividing into a B diminished seventh chord. In an effort to elicit an effect of gasping for breath, Brahms inserts a hemiola over the lyric Wasser von Klippe zu Klippe geworfen. By alternating quarter notes with quarter rests, this section feels as though the meter has changed, essentially converting two bars of into one of . The ordinary rhythm returns in measure 154 with the choir completing the stanza and ultimately cadencing on a D major triad in measure 172. After a 21-measure orchestral interlude, Brahms restates the last stanza of text with two separate fugal sections in measures 194–222 and 222–273. Following the fugal sections, Brahms repeats the entire second movement (excluding the fugues) in D minor. The chorus replaces their final D major triad of the first statement with a D diminished chord in measure 322. The cadential material then repeats, landing on the tonic C minor in measure 332. The second movement closes by way of a 54-measure orchestral section with a C pedal tone and the chorus intermittently repeating the last line of Hölderlin's poem. The addition of Es starting in measure 364 predicts the coming modulation to C major for the final movement. The third movement, marked Adagio, is in C major and returns to common time. This postlude is the same as the orchestral prelude, save for some changes in instrumentation and transposition into C major. Notes Further reading Adler, Guido, and W. Oliver Strunk. "Johannes Brahms: His Achievement, His Personality, and His Position". The Musical Quarterly, vol. 19, no. 2 (April 1933). . Bozarth, George S. "The First Generation of Brahms Manuscript Collections". Notes, second series, vol. 40, no. 2, pp. 239–262 (December 1983). Bozarth, George S. "Johannes Brahms and George Henschel: An Enduring Friendship". Music & Letters, vol. 92, no. 1 (February 2011). . Daverio, John. "The Wechsel