IMAX 70mm format, see List of IMAX films. American 65/70 mm films Oklahoma! (1955) – Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s Around the World in 80 Days (1956) – Todd-AO; shot twice, with cameras running at 30 and 24 frame/s, respectively Raintree County (1957) – MGM Camera 65; exhibited only in 35 mm CinemaScope since all the 70 mm cinemas were booked South Pacific (1958) – Todd-AO Ben-Hur (1959) – MGM Camera 65 Porgy and Bess (1959) – Todd-AO The Big Fisherman (1959) – Super Panavision 70 Scent of Mystery (1960) – Todd-70 and Smell-O-Vision. Todd-Belock 8-channel Sound, which used a control signal to "steer" the single surround channel to three surround tracks (right wall, left wall and rear wall). This title was later re-edited, optically converted to 3-strip Cinemiracle and re-released without the odors as Holiday in Spain in 1961. It was exhibited in both Cinerama and Cinemiracle. Can-Can (1960) – Todd-AO The Alamo (1960) – Todd-AO Exodus (1960) – Super Panavision 70 West Side Story (1961) – Panavision 70 Mutiny on the Bounty (1962) – Ultra Panavision 70 It's a Mad, Mad, Mad, Mad World (1963) – Ultra Panavision 70; shown in 70 mm Cinerama Cleopatra (1963) – Todd-AO (shooting started in CinemaScope, changed to 3-panel Cinerama and finally to Todd-AO. The anamorphic and 3-panel footage was discarded.) The Fall of the Roman Empire (1964) – Ultra Panavision 70 My Fair Lady (1964) – Super Panavision 70 Cheyenne Autumn (1964) – Super Panavision 70 The Sound of Music (1965) – Todd-AO (second unit photography [aerial shots] in Superpanorama 70) Those Magnificent Men in Their Flying Machines (1965) – Todd-AO (some scenes in Superpanorama 70) The Agony and the Ecstasy (1965) – Todd-AO The Greatest Story Ever Told (1965) – Ultra Panavision 70; shown in 70 mm Cinerama The Hallelujah Trail (1965) – Ultra Panavision 70; shown in 70 mm Cinerama Battle of the Bulge (1965) – Ultra Panavision 70; shown in 70 mm Cinerama Lord Jim (1965) – Super Panavision 70 Khartoum (1966) – Ultra Panavision 70; shown in 70 mm Cinerama Grand Prix (1966) – Super Panavision 70 (some scenes in Superpanorama 70); shown in 70 mm Cinerama The Bible: In The Beginning (1966) – Dimension 150 (credited as D-150) Doctor Dolittle (1967) – Todd-AO 2001: A Space Odyssey (1968) – Super Panavision 70; some shots in Todd-AO;