became lovers, but the romantic aspect of their relationship slowly dissolved into mutual loyalty and admiration. Name was responsible for taking still photographs at the Factory. Name lived and worked at the Factory, having taken residence in a closet at the back of the studio at 231 East 47th Street. With the gift of Warhol's 35 mm single-lens reflex Honeywell Pentax camera, along with its operating manual, Name taught himself the technical aspects of photography. He converted one of the Factory bathrooms into a darkroom, where he learned to process film. This, combined with his background in lighting and experimental approach to his work, resulted in a body of work which captured the "silver years" at the Factory (1963–70). Name's close friendship with Warhol – and his role in creating Warhol's artistic environment – provided him with a unique perspective of the Factory, with a particular focus on a core group of superstars, who largely improvised before the camera. Quotations about Name "Billy Name exquisitely transforms sexploitation into glamour, and the 'nudie' into a work of beauty." Debra Miller, on Name's stills from the 1967 Warhol film The Nude Restaurant. "B. Linich is like a dog, a poodle--one does not have to have the same responsibilities towards him as towards other people--he is loved for the reasons a poodle is loved." Soren Angenoux "Billy Linich arrived [at Diane di Prima's California home] the earliest and stayed the longest. Billy was at that time doing a bit of everything: writing, collaging, taking odd combinations of drugs, making mots that sounded way hipper than they probably were, and mostly looking wise with a little half-smile and crinkly eyes." Diane di Prima Later life Name resided in his native Poughkeepsie, New York until his death in 2016. In 1994, he produced a short lived (5-8 episodes) cable television series The Bunka Krunka Show on TCI Cable Channel 32. He worked with Emmy Award-winning video editor Nicholas Apuzzo as well as film and video editor Nick Stamper. No known archive recordings exist. Bibliography All Tomorrow's Parties: Billy Name's Photographs of Andy Warhol's Factory, by Billy Name, Dave Hickey, and Collier Schorr; Distributed Art Publishers (DAP) (August 1997) Billy Name: Stills from the Warhol Films by Debra Miller; Prestel Pub (March 1994) Scherman, Tony & Dalton, David, POP: The Genius of Andy Warhol, HarperCollins, New York, N.Y. 2009 Steven Watson, Factory Made: Warhol and the