in cities such as Oaxaca, Tijuana, Mexico City, Guadalajara, Monterrey and Puebla. It is also exported to the United States, especially to Miami. However, about 50 percent of all Otomi paper production is still done in standard 40 cm by 60 cm size and sold to Nahua painters from Guerrero, the market segment which made the mass commercialization of the product possible. Seventy percent of all the craft production of these Otomi and Nahuas is sold on the national market with about thirty percent reaching the international market. As most amate paper is sold as the backing for these paintings, many consumers assume the Nahua produce the paper as well. The amate paper paintings are a combination of Nahua and Otomi traditions. The Otomi produce the paper, and the Nahua have transferred and adapted painting traditions associated with ceramics to the paper. The Nahuatl word "amate" is applied to both the paper and the paintings done on the paper. Each Nahua village has its own painting style which was developed for ceramics, originally commercialized in Acapulco and other tourist areas as early as the 1940s. The adaption of this painting to amate paper came in the 1960s and quickly spread to various villages until it became the primary economic activity in eight Nahua villages in Guerrero, Ameyaltepec, Oapan, Ahuahuapan, Ahuelican, Analco, San Juan Tetelcingo, Xalitla and Maxela. The paper is that it evokes Mexico's pre-Columbian past in addition to the customary designs painted on it. The success of these paintings led to the Nahuas buying just about all of the Otomis' paper production in that decade. It also attracted the attention of the government, which was taking an interest in indigenous crafts and promoting them to tourists. The FONART agency became involved for two years, buying Otomi paper to make sure that the Nahua had sufficient supplies for painting. This was crucial for the development of national and international markets for the paintings and the paper. It also worked to validate the "new" craft as legitimate, using symbols of past and present minority peoples as part of Mexican identity. The paintings started with and still mostly based on traditional designs from pottery although there has been innovation since then. Painted designs began focusing on birds and flowers on the paper. Experimentation led to landscape painting, especially scenes related to rural life such as farming, fishing, weddings, funerals and religious festivals.