but a handful), a timeless feel and pop hooks by the truckload." He declared that the group had released "one of the best Australian debut albums of 1996." Less Is More provided three singles, "Don't Wait" (June), "Stop and Go Man" (September) and "Peaches and Cream" (February 1997). After supporting international acts, The Presidents of the United States, The Posies, Ash and Everclear, in Australia; Even toured the United States and then Europe from March 1997. At the ARIA Music Awards of 1997 in September Less Is More was nominated for Best Independent Release. In November 1997 they issued a third EP, One Side Not, with four tracks. It was recorded at Seed Studios by Wales with Tim Johnston. The group issued their second studio album, Come Again, on 28 September 1998, which was produced by Tony Lash (The Dandy Warhols, Eric Matthews). McFarlane felt it "fulfilled the promise of the debut with its full quota of bright guitar melodies and top-flight songs." AllMusic's James Damas described it as "one of the most overlooked and consistent rock & roll albums of the late '90s." Tim Rogers of fellow Australian group, You Am I, quipped that it was his "favourite Beatles album". It provided three singles, "No Surprises" (August 1998), "Black Umbrella" (November) and "Sunshine Comes" (September 1999). From early 1999 Naylor collaborated with alternative country artist, Sherry Rich, to form a folk pop duo, The Grapes. They issued a self-titled album in October which McFarlane observed was "full of rich sixties melodies, catchy guitar hooks, perfect harmonies, jangling guitars and country influences." Even's third studio album, A Different High, was issued on 14 May 2001, which peaked at No. 48 on the ARIA Albums Chart, and reached No. 10 on the ARIA Alternative Albums Chart. Guesting on the album were Renée Geyer on vocals, Graham Lee (ex-The Triffids) on pedal steel guitar and Bruce Haymes (of Paul Kelly Band) on organ, piano and Wurlitzer. Damas opined that for A Different High, "the scales begin to tip more heavily toward the more bloated side of '70s classic rock and away from modern pop." David Simons of OnStage Magazine noticed that it "finds Naylor sharpening the hooks, tightening the grooves, and multiplying the guitar sounds like never before. The result is an album's worth of the most tuneful pop you're likely to find on any continent." The album's lead single, "Shining Star"