at UCSD. Linton went on to become the first wheelchair user to be cast as a company member of the Oregon Shakespeare Festival and currently serves as 's Artistic Director. Dorwart is now assistant professor of Global Theatre Studies at Hong Kong Baptist University after spending four years as visiting assistant professor of theater at Oberlin College. In addition, Laura Alsum, one of the original actors/writers, completed the Masters program for screenwriting at UCLA where she won the Tribeca Sloan Student Grand Jury Prize for Screenwriting. Long-time member Lucy Roucis was featured doing her stand-up comedy act about Parkinson's disease in the 2010 romantic comedy Love & Other Drugs. Long-time company member Jeremy Palmer earned his MFA in Screenwriting from the University of Southern California and went on to win the Tribeca Sloan Student Grand Jury Prize in 2018. Inclusion As PTC values access and inclusion, the company provides accommodations that are not often seen in other theatre companies. For example, during the audition process, PTC provides actors with materials in braille and American Sign Language upon request, viewing events to explore the space, and neutral readers to assist in cold readings. In addition, PTC hosts post-show talkbacks with their audiences where actors laugh and connect with audiences who feel uncomfortable or unfamiliar with disabilities. Through the process of show production, accommodations have created a humanizing and de-sensitized space for disability. In addition, PTC manipulates the stage in innovative ways to place disability onstage. Urinetown, the Musical! is a prime example of the "provocative" productions which showcase the actors' differences and capabilities. For example, Steve Wilson's decision to incorporate a blind chorus line during the song "Mr. Cladwell," acquired a new meaning to an "ensemble" as performers helped one another to enter, exit, and change positions. The scenic design of the stage was also carefully and creatively calculated for the disabled actors, reimagining artistically the stigmatization of disability. By considering sight-line issues, the designers painted two traps with the prominent wheelchair logo, acting as a public pay toilet. As actors rolled over the traps, they were lowered to be in partial view of the audience to "empty their colostomy bag," thereby commenting on the daily realities and privacy concerns of those with physical disabilities. Production history (1990–2019) Previous productions have included: Guys and Dolls (1990) Oklahoma! (1991) Anything Goes (1992) Kiss Me, Kate (1993) Fiddler on the Roof (1994) How