Storefront for Art and Architecture is an independent, non-profit art and architecture organization located in SoHo, Manhattan in New York City. The organization is committed to the advancement of innovative positions in architecture, art and design. Background The organization was founded in 1982 by Kyong Park with R.L. Seltman and Arleen Schloss in a tiny storefront at 51 Prince Street, "to support the idea that art and design have the potential and responsibility to affect public policies which influence the quality of life and future of all cities.” With co-director Glenn Weiss (1984–86), Storefront implemented its "civic dialogue and activist" project format and moved Storefront to its location at Kenmare Street. The artist Shirin Neshat co-directed Storefront with her husband Kyong Park until the mid 1990s, and Park was the Executive Director from its founding until 1998. At its outset, Storefront balanced solo or group exhibitions with ideas competitions and exhibitions to functionally and/or poetically address NYC issues with social implications. Early topics addressed include the polluted Gowanus Canal in 1983, New York City Homeless Shelters in 1985, preservation of Adam Purple's "Garden on Eden" in 1984, and removal of Richard Serra's "Tilted Arc" in 1985. At the beginning, Storefront hosted solo or group exhibitions that functionally and/or poetically addressed NYC issues with social implications including the polluted Gowanus Canal'83, NYC Homeless Shelters '85–86, preservation of Adam Purple's "Garden on Eden" '84 and removal of Richard Serra's "Tilted Arc" '85. Early exhibitors included Lebbeus Woods, Coop Himmelblau, Dan Graham, Carolee Schneemann, Michael Sorkin, Richard Serra, Imre Makovecz, Neil Denari, Zvi Hecker, SITE, Steven Holl, Thom Mayne, and Tehching Hsieh. The 1987 exhibition "Bodybuildings" was the first solo show of the New York-based architecture practice Diller + Scofidio. In 1993 Storefront commissioned a collaboration between artist Vito Acconci and architect Steven Holl to redesign the facade of the Kenmare Street gallery space. The resulting project transformed the structure by placing rotating panels of various orientation along the length of the gallery's facade. When the panels are open the design is meant to blur the border between the gallery and the street in order to create a dialogue between the experimental projects being exhibited inside and the city outside. Though the original design was only intended to last for two years, the unique architecture has stuck around since its completion in 1993. The facade underwent restoration in the summer of 2008. In