markets, such as vacation spots. By 1979, even the last of these had converted to color and by the early 1980s, black-and-white sets had been pushed into niche markets, notably low-power uses, small portable sets, or use as video monitor screens in lower-cost consumer equipment. By the late 1980s, even these areas switched to color sets. Digital television Digital television (DTV) is the transmission of audio and video by digitally processed and multiplexed signal, in contrast to the totally analog and channel separated signals used by analog television. Digital TV can support more than one program in the same channel bandwidth. It is an innovative service that represents the first significant evolution in television technology since color television in the 1950s. Digital TV's roots have been tied very closely to the availability of inexpensive, high-performance computers. It wasn't until the 1990s that digital TV became a real possibility. In the mid-1980s Japanese consumer electronics firm Sony Corporation developed HDTV technology and the equipment to record at such resolution, and the MUSE analog format proposed by NHK, a Japanese broadcaster, was seen as a pacesetter that threatened to eclipse U.S. electronics companies. Sony's system produced images at 1125-line resolution (or in digital terms, 1875x1125, close to the resolution of Full HD video) Until June 1990, the Japanese MUSE standard—based on an analog system—was the front-runner among the more than 23 different technical concepts under consideration. Then, an American company, General Instrument, demonstrated the feasibility of a digital television signal. This breakthrough was of such significance that the FCC was persuaded to delay its decision on an ATV standard until a digitally based standard could be developed. In March 1990, when it became clear that a digital standard was feasible, the FCC made a number of critical decisions. First, the Commission declared that the new ATV standard must be more than an enhanced analog signal, but be able to provide a genuine HDTV signal with at least twice the resolution of existing television images. Then, to ensure that viewers who did not wish to buy a new digital television set could continue to receive conventional television broadcasts, it dictated that the new ATV standard must be capable of being "simulcast" on different channels. The new ATV standard also allowed the new DTV signal to be based on entirely new design principles. Although incompatible with the existing NTSC standard, the new DTV standard