colonnades, gates, statuary, and marketplaces for other filming requirements. The complex was serviced by tented "costume villages" that had to change rooms, storage, armorers, and other facilities. The rest of the Colosseum was created in computer-generated imagery using set-design blueprints and textures referenced from live action, and rendered in three layers to provide lighting flexibility for compositing in Flame and Inferno software. While Crowe and Harris became good friends during filming, the actor did not get along with Reed. In a 2010 interview with GQ, Crowe stated that he "never got on with Ollie. He has visited me in dreams and asked me to talk kindly of him. So I should... but we never had a pleasant conversation." Crowe was uncomfortable with Reed's excessive drinking during filming. Phoenix was initially anxious about filming and requested Scott he dropped out early, but to help calm a then 25-year-old Phoenix's nerves, Crowe and Harris decided to get him drunk. "It was actually Richard Harris' idea," Crowe later recalled, "because Joaquin was very nervous on the set and I went to Richard and said, 'Mate, what are we gonna do with this kid, he's asking me to abuse him before takes.'" Script revisions and complaints Throughout filmmaking, the actors complained about the problems with the script. William Nicholson was brought to Shepperton Studios to make Maximus a more sensitive character. Nicholson reworked Maximus' friendship with Juba and developed the afterlife thread in the film, saying, "he did not want to see a film about a man who wanted to kill somebody." The screenplay faced many rewrites and revisions, with several actors providing changes. Crowe questioned every aspect of the evolving script and strode off the set when he did not get answers. According to Nicholson, Crowe reportedly told him that his "lines are garbage, but I'm the greatest actor in the world and I can make even garbage sound good." According to a DreamWorks executive, Crowe "tried to rewrite the entire script on the spot. You know the big line in the trailer, 'In this life or the next, I will have my vengeance'? At first he absolutely refused to say it." Crowe described the script situation: "I read the script and it was substantially underdone. Even the character didn't exist on the pages. And that set about a long process, that's probably the first time that I've been in a situation where