sex films. Her other films included Clinic Exclusive (1971), Can You Keep It Up for a Week? (1974), Keep It Up Downstairs (1976) and the more mainstream Game for Vultures (1979). Filming location The film was shot in Surrey in 1970 and previewed in the December editions of Mayfair and Continental Film Review (in which the title was stated to be "The Virgin Witch"). The country house location – Admiral's Walk in Pirbright – was subsequently used by Norman J. Warren for his films Satan's Slave (1976) and Terror (1978). Release Censorship history Although it was rejected by the British Board of Film Censors (BBFC) in April 1971, the film was granted an X certificate by the Greater London Council for a limited release in the capital. The BBFC eventually relented and passed a cut version for general release in January 1972. The 1990s video releases on the Redemption and Salvation labels are uncut, as are the current UK and US DVD releases. Glamour model Teresa May appeared on the cover of the 1993 UK video release of the film on the Redemption label. (She also modelled for the cover of their video release of Baron Blood and the never-issued release of Don't Deliver Us From Evil.) Critical response The Michelle sisters have disowned the film. Vicki's website makes no mention of it, while Ann's refers to it as "not an experience Ann cares to remember". Writing for The Monthly Film Bulletin in 1972, Nigel Andrews praised Haines' performance as well as the editing of the climax. He also complimented Virgin Witch for "[giving] the illusion of telling a coherent story", in contrast with similarly themed films, and considered the erotic and horror aspects to be "blended effectively enough to make one overlook the usual quota of sex-film inanities", such as poor writing and "pneumatic but lifeless heroines". In 1994, Mark Kermode and Peter Dean of Sight & Sound described Virgin Witch as an "amusingly dated British horror-cum-skin-flick" with a script "so bad, it's almost good." According to M. J. Simpson, "[w]hat starts off as a pretty crappy movie picks up towards the end, leaning more towards – though never reaching – the sort of unnerving, slightly-too-serious atmosphere of menace that characterised the best witchcraft films (The Devil Rides Out, for example)." Shane M. Dallmann of Video Watchdog magazine calls Virgin Witch an "undemanding" film that "primarily exists to supply