appearance on December 31, 1976, the year before both he and Lombardo died. From the mid-1950s until the early-1970s, Grauer's reports were part of the NBC television network's The Tonight Show, where he worked with Johnny Carson and prior to that, Jack Paar, and Steve Allen. Grauer was also one of NBC Radio's Monitor "Communicators" from 1955 to 1960. Grauer also was one of five hosts/narrators of "The First Fabulous Fifty", a five-part NBC Radio Network documentary series on the history of the network, featuring soundbites from past NBC programs. The series was broadcast on the occasion of the network's 50th anniversary in the autumn of 1976. Grauer narrated the first installment, which covered the network's first decade on the air, 1926 through 1936. Television Grauer provided the commentary for NBC's first television special, the opening in 1939 of the New York World's Fair. In 1948, Grauer, working with anchor John Cameron Swayze, provided the first extensive live network TV coverage of the national political conventions. For five months in 1950, Grauer was host of The Ben Grauer Show, an NBC talk show that focused on books and their authors. In 1954, NBC began broadcasting some of their shows in living color, and in 1957, the animated Peacock logo made its debut. It was Grauer who first spoke the now famous words, "The following program is brought to you in living color on NBC", behind the Peacock graphic. During his 40-year broadcast career, he hosted numerous TV programs on NBC, including game shows, quiz shows, concerts and news programs. Reissues It is for announcing the Toscanini radio concerts that Grauer is best known to modern classical music buffs. Several CD reissues have included those announcements to give the listener the feeling of hearing the NBC Symphony broadcasts exactly as they sounded when first aired. However, on the videocassettes and DVD's of Toscanini's television concerts, Grauer's voice has been replaced by that of Martin Bookspan. This was done because the music tracks now heard are not taken from the actual 1948-52 television audio, which was very inferior, but from live, hi-fi magnetic tape sound recordings made of these same concerts at the studio. They are exactly synchronized to the visual images so that it now appears that these programs were made with high-fidelity sound. In order to maintain a complete illusion of superior sound, the announcements had to be redone; the