it is her scar; she reboards the bus, convinced she has had a miracle ("Surprised [Reprise]"). When she gets out at the Fort Smith station, Monty is there waiting. His efforts at sympathy make plain to her that her face has not changed at all. Crushed, she rejects Monty's invitation to marry him before he ships out to Vietnam. Flick is also at the station and recognizes that Violet has changed, though her scar has not. He entreats her to stay with him ("Promise Me, Violet [Reprise]"). Violet's healing is complete when she takes Flick's hand and commits to a new life with him ("Bring Me to Light"). Casts Musical numbers "Opening (Water in the Well)/Surprised" – Young Vi, Violet "On My Way" – Violet, Old Lady, Flick, Bus Driver, Young Vi, and Company "M&M's" – Company "Luck of the Draw" – Father, Young Vi, Violet, Monty, Flick "Question 'n' Answer" – Monty, Violet "All to Pieces" – Violet, Monty, Flick "A Healing Touch" – Preacher, Violet, Gospel Choir "Let it Sing" – Flick "Anyone Would Do" – Hotel Hooker "Who'll Be the One (If Not Me)" – Radio Singer, Radio Trio "You're Different" – Monty* "Lonely Stranger" – Music Hall Singer "Lay Down Your Head" – Violet "Anyone Would Do (Reprise)" – Music Hall Singer, Landlady, Hotel Hooker "Hard to Say Goodbye" – Flick, Violet "Promise Me, Violet" – Violet, Flick, Monty "Raise Me Up" – Gospel Choir, Preacher, Gospel Soloist "Down the Mountain" – Young Vi, Father "Raise Me Up (Reprise)" – Violet, Preacher "Look at Me" – Violet, Young Vi "That's What I Could Do" – Father "Surprised (Reprise)" – Violet and Company "Promise Me, Violet (Reprise)" – Flick, Violet "Bring Me to Light" – Young Vi, Flick, Violet, and Company *Song replaced by "Last Time I Came to Memphis" in the 2014 Broadway Revival Recording Cast members of the 2014 Broadway revival began a new cast recording by PS Classics on April 7, 2014. The cast album was released on June 3. Charts There was also a cast album of the 1997 Off-Broadway run, released by Resmiranda in October 1998. Critical reception In his review in The New York Times, Ben Brantley wrote that the musical "raised the topicality quotient...and reconfigured its source's love story to put direct emphasis on parallels between Violet and Flick, who as a black man in the southern United States knows