"Virtual Insanity" is a song by British funk band Jamiroquai, released on 19 August 1996 as the second single from their third studio album, Travelling Without Moving (1996). The song interpolates parts of Jocelyn Brown's post-disco hit "Somebody Else's Guy" (1984), and its award-winning music video was released in September 1996. "Virtual Insanity" was a number-one hit in Iceland and reached number three on the UK Singles Chart. As well as becoming a top-ten hit in Finland, Ireland, and Italy, the song also climbed to number 38 on the Billboard Modern Rock Tracks chart upon the single's release in the United States in 1997. The song also earned the band a Grammy Award for Best Pop Vocal Performance by a Duo or Group. Composition The song's lyrics took inspiration from a walk in an underground city in Sapporo, Japan: "everything was covered in snow and there was absolutely no one about. [We took] these stairs that led down to this whole underground city … with all the colour and noise you get in Japanese streets." Thematically, the lyrics are concerned with issues like overpopulation, human genetic enhancement, eugenics and ecological collapse. The first B-side of the single is the song "Do U Know Where You're Coming From", in collaboration with M-Beat. It was released as a single earlier in 1996. The second B-side of the single is "Bullet". The song starts with a 3-second percussion intro, and switches into a longer, very claustrophobic introduction. During this part, very faint vocals can be heard in the background, while the melody progresses. In the beginning of the song, a sound that is sampled from the film Alien appears. It is the sound sequence when the S.O.S. signal appears on the screens of the spaceship Nostromo at the start of the film. Critical reception The song received favourable reviews from music critics. Scottish newspaper Aberdeen Press and Journal viewed it as "cool if lyrically trite". Justin Chadwick from Albumism wrote that the "midtempo, piano-driven groove" finds the singer "lamenting the proliferation of technology at the expense of human connection and preservation of our planet", as best evidenced in the chorus with lines such as, "Always seem to, be governed by this love we have / For useless, twisting, our new technology / Oh, now there is no sound—for we all live underground". He added, "While the song itself reflected Jamiroquai's more mature and