for Eastman Kodak and co-founder of Universal Pictures. Brulatour was also an advisor and producer for Eclair; he backed several of Gibson's films, including her 1912 hit Saved From the Titanic. A year later, while driving Brulatour's sports car in New York, Dorothy struck and killed a pedestrian. During the resulting court case, it was revealed in the press that she was his mistress. Although Brulatour was already separated from his wife, the humiliation of the scandal motivated her to sue him for divorce, which was finalized in 1915. Brulatour's rising fame and political power forced him to legitimize his relationship with Dorothy Gibson, and the pair were finally married in 1917. Its legality challenged, the union was dissolved two years later as an invalid contract. To escape gossip and start a new life, Dorothy left New York for Paris, where she remained, except for the four years she spent in Italy during World War II. Brulatour married film actress Hope Hampton in 1923. Later life A Nazi sympathizer and alleged intelligence operative, Dorothy renounced her involvement by 1944. She was arrested as an anti-Fascist agitator and imprisoned in the Milan prison of San Vittore, from which she escaped with two other prisoners, journalist Indro Montanelli and General Bortolo Zambon. The trio was aided through the intervention of Cardinal Ildefonso Schuster, Archbishop of Milan, and by a young chaplain of the Milanese resistance group Fiamme Verdi, Father Giovanni Barbareschi. Living in France, in 1946, Dorothy died of a stroke in her apartment at the Hôtel Ritz Paris at the age of 56. She is buried at Saint Germain-en-Laye Cemetery. Gibson's estate was divided between her lover, Emilio Antonio Ramos, press attaché for the Spanish Embassy in Paris, and her mother, who lived until 1961 when she too was found dead in a Paris hotel room. Legacy Dorothy Gibson's only surviving film is the adventure-comedy (1912). Salvaged by collectors David and Margo Navone in 2001, it was preserved by the American Film Institute and is now archived at the Library of Congress. The character of Susan Alexander in Orson Welles’ Citizen Kane (1941) may have been partly based on Dorothy, along with other real-life figures Marion Davies, Hope Hampton, and Ganna Walska. She was also the inspiration for a character in her friend Indro Montanelli’s novel General della Rovere, which was turned into an award-winning film by director Roberto Rossellini in