or cope); the other matches that of the inner bell (called the core). Generally these boards are stock profiles that have been developed, empirically and by calculation, for each size of bell. Constructing the mould An exact model of the inner face of the bell is built on a base-plate using porous materials such as coke, stone, or brick. It is then covered first with sand or loam (sometimes mixed with straw and horse manure) and clay to form a smooth profile. This is given a profile by means of the inner strickle board. It also known as the "false bell" and is then dried with gentle heat in a kiln. The false bell is then covered with molten wax and figures and inscriptions, also made of wax, applied on top by hand. The false bell is painted over with three coats of fireproof clay and then enclosed by a steel mantle overcasing. The empty space between the false bell and the mantle is filled in with cement and left to harden before the mantle is lifted off. The false bell is chipped away from the inner core to leave the wax and cement. Any leftover scraps of the false bell are removed with a blow torch. The mould is then set over a coke fire to melt the remaining wax and evaporate any water that has accumulated. Instead of using a steel mantle and cement, the inner and outer moulds can also be made completely out of loam. In that case, the moulds are usually constructed inside out—first the inner mould on top of a coke, stone, or brick core, then the false bell including wax decorations as above, and finally the outer mould with added iron ring and fiber (e.g. hemp) reinforcements. At this stage the steel staple, from which the clapper will hang, is inserted. Separating agents are used to prevent the false bell from sticking too closely to both of the moulds. Finally, after lifting up the outer mould, the false bell can be destroyed and the outer mould lowered back down onto the inner mould, ready for casting. Pouring the metal The outer bell mould in the cope or mantle is lowered over the inner mould and they are clamped together, leaving a space between them, which the molten metal will fill. The complete mould is sometimes in a casting pit which stabilises it and