|- |bgcolor="gainsboro"| IV ||bgcolor="gainsboro"| IV ||bgcolor="gainsboro"| I ||bgcolor="gainsboro"| I |- || V || V or IV || I || I |- |} Examples include "rural" (as opposed to "urban") versions of "See See Rider" (as interpreted by, among others, Mississippi John Hurt, Lead Belly and Big Bill Broonzy); most renditions of "Going Down The Road Feelin' Bad" AKA "Lonesome Road Blues", e.g. by Henry Whitter (the first recording of this tune in 1924), the Blue Ridge Duo (George Reneau and Gene Austin) and Woody Guthrie; and "Sleepy Time Time" by Cream. In a further repeating variation, the transition from the ninth (dominant) to tenth (subdominant) twelve-bar chord is repeated twice, {|class="wikitable" style="text-align:center; width:200px" |+ |width=25%| I |width=25%| I |width=25%| I |width=25%| I |- | IV || IV || I || I |- | V || V or IV ||bgcolor="gainsboro"| V ||bgcolor="gainsboro"| V or IV |- |bgcolor="gainsboro"| V ||bgcolor="gainsboro"| V or IV || I || I |- |colspan=4| |} This can be heard, for example, in "Watermelon Man" by Herbie Hancock. In a final style, the transition from ninth (dominant) to tenth (subdominant) twelve-bar chord is repeated once and the last tonic chord bars are doubled in length, {|class="wikitable" style="text-align:center; width:200px" |+ | I || I || I || I |- | IV || IV || I || I |- || V || IV ||bgcolor="gainsboro"| V ||bgcolor="gainsboro"| IV |- || I || I ||bgcolor="gainsboro"| I ||bgcolor="gainsboro"| I |- |} Examples include "Let's Dance," written by Jim Lee, first performed by Chris Montez, and covered by bands including the Ramones. Adaptation from eight-bar progression Alternatively, a sixteen bar blues can be adapted from a standard eight bar blues by repeating each measure of the eight-bar progression and playing the result at double speed (doppio movimento). See also Eight-bar blues Thirty-two-bar form Blues ballad Talking blues '50s progression, another chord progression widespread in Western popular music References Chord progressions Sixteen bar sections