their first meeting lets her know that it is not who she really is, and that she is guilty of nothing. In the scene at the Ivolgins' apartment, Nastasya Filippovna mocks Ganya's family (who she knows disapprove of her) and intentionally provokes a scandalous scene, but "Myshkin's voice, intersecting with her internal dialogue in another direction, forces her to abruptly change that tone". She kisses the hand of Ganya's mother and acknowledges the truth of Myshkin's reproach. In the subsequent scandal scene at Nastasya Filippovna's apartment, Myshkin again directly addresses her true, innocent self, prompting her once more to abandon the self-destructive course of the 'fallen woman'. Although it is only temporary, and Nastasya Filippovna persistently reasserts the negative voice of her guilt in her words and actions, Myshkin remains in her consciousness as the voice of her innocence. Near the end of the novel, when Aglaya Ivanovna (with whom the Prince is in love) has become Nastasya Filippovna's accuser, Myshkin again defends her, telling Aglaya that the accusations are unjust. According to the narrator, Nastasya Filippovna "—though she sometimes behaved with such cynicism and impudence—was really far more modest, soft, and trustful than might have been believed... Myshkin understood this." Rogozhin —Parfyón Semyónovich Rogózhin (pre-reform Russian: ; post-reform ) After meeting Myshkin on the train to Petersburg in the opening scene of the book, Rogozhin labels him a yurodivy (holy fool). In the Eastern Orthodox tradition the yurodivy was usually a greatly respected figure. According to Frank, "though the gentlemanly and educated Prince bears no external resemblance to these eccentric figures, he does possess their traditional gift of spiritual insight." Rogozhin, sensing the Prince's unique qualities, immediately makes him his confidant and tells him the story of his obsession with Nastasya Filippovna. Later in the novel when, out of jealousy, Rogozhin has developed a hatred for him, Myshkin continues to treat Rogozhin as his friend and brother and, as with Nastasya Filippovna, is able to temporarily draw him out of his darkness and into a space of light and hope. But like Nastasya Filippovna, the negative voice of his obsession always reasserts itself in Myshkin's absence, and provokes him to violence. Aglaya Ivanovna Aglaya Ivanovna's noble and passionate nature leads her to idealise the Prince, turning him into a Don Quixote-like figure, particularly in relation to his attempts to 'save' Nastasya Filippovna. Although the Prince is fascinated by Aglaya