Regina. While raising a family he continued to perform. His song "Mbube" had made him well known in South Africa. Linda is credited with a number of musical innovations that came to dominate the isicathamiya style. Instead of using one singer per voice part, the Evening Birds used a number of bass singers. He introduced the falsetto main voice, which incorporated female vocal texture into male singing. His group was the first known to use striped suits to indicate that they were urban sophisticates. At the same time, their bass singing retained some musical elements indicative of traditional choral music. Some of Linda's music can be interpreted as expressing political dissent. For example, "Yethulisgqoko" ("Take off your hat", Gallo GE 887) recalls treatment by Pass Office officials, and ends with the words "Sikhalela izwe lakithi" ("We cry for our country"). Such expressions were an occasional feature of Mbube songs. Groups such as The Alexandrians were associated with the Industrial and Commercial Workers Union in Johannesburg. Alan Lomax The original South African recording was discovered during the early 1950s by American musicologist Alan Lomax, who gave it to his friend, folk musician Pete Seeger of The Weavers. Seeger retitled it "Wimoweh", an approximate phonetic rendering of the song's Zulu language refrain, "uyimbube" ("you are a lion", from "u-" ["you"], "yi-" ["are"] and "imbube" ["lion"]), and it was introduced to America by The Weavers; they recorded a studio version in 1952 which became a Top 20 hit in the US, as well as an influential live version recorded at Carnegie Hall in 1955 and released in April 1957. The Weavers' version was subsequently covered by The Kingston Trio in 1959. The Weavers' Carnegie Hall version was also the inspiration for the 1961 version recorded by popular music group The Tokens, for whom English lyrics were written by George David Weiss and retitled "The Lion Sleeps Tonight"; this is the version most often played on popular radio today. (However, at the time, 1961–62, a fast-tempo version by the Karl Denver Trio was the more successful in the UK.) Illness and death During a performance in 1959, Linda collapsed. He was later diagnosed with kidney failure. His family suspected that he was bewitched by his musical rivals. Despite the popularity and wide use of the song, Linda died impoverished in 1962 of kidney failure. It was not until 18 years later that a tombstone