front, there are four doors placed opposite one another, although one is a fake door for symmetry. The front of the hall is covered in wallpaper, while the back has raised painted paneling. The primary chamber was a private room and was less ornate than the public rooms. Toward the end of Mason's life, it was painted in emerald green, which was considered a desirable color. The windows had pocket shutters, and are believed to be the only windows in the house to have curtains during Mason's lifetime. The little parlor was private and decorated plainly. The walls were painted a neutral grey. Above the fireplace was a split pediment overmantel (a rectangle, and a partial triangle above that). During Mason's lifetime, the rectangle contained either a painting or a mirror. On either side of the fireplace are deep-shelved beaufats (niches) to store and display the tableware, with doors to secure valuable possessions. The western room (called the parlor or the dining room) was a public, ornately decorated room. The walls are painted a yellow ocher, and the woodwork is Chinese-style. The wall of the fireplace has a mantel decorated with fretwork, pagoda-like scalloped moldings, as well as canopies topped by pine cone finials. Above the doors are similar canopies, which might have displayed Chinese porcelain vases or ceramic figures. The two long windows are topped by scalloped pediments, decorated with fretwork. During Mason's lifetime, three of the walls were probably wallpapered. During the 18th century, chinoese (Chinese-style) design was popular in Great Britain, however the Gunston Hall museum does not know of any other rooms in colonial America with this type of coordinated chinoiserie woodwork. The southern room (called the dining room or the palladian room), was public, and was the most elaborately decorated in the house. The classical woodwork shows touches of the fashionable rococo design. The fireplace wall has an ornate chimney breast. On either side of the fireplace are beaufats, these ones with shallower shelves than in the little parlour, and no doors. Classical broken pediments top the chimney breast and the beaufats. The floor was made of carefully matched blind-doweled planks, an expensive feature. Egg-and-dart carved patterns surround the black-walnut entry doors. During Mason's lifetime, painted or decorated paper covered the thin pine paneling on the walls. The two windows look out onto Mason's garden. Second floor Unlike other 18th-century houses of Gunston Hall's stature,