Jean-Pierre Marielle (12 April 1932 – 24 April 2019) was a French actor. He appeared in more than a hundred films in which he played very diverse roles, from a banal citizen (Les Galettes de Pont-Aven), to a World War II hero (Les Milles), to a compromised spy (), to a has-been actor (Les Grands Ducs), to his portrayal of Jacques Saunière in The Da Vinci Code. He was well known for his distinctive cavernous voice, which is often imitated by French humorists who considered him to be archetypical of the French gentleman. Early life Marielle was born in 1932 in Paris to an industrialist father and a dressmaker mother. His first acting experiences dated back to his high school years during which he staged some of Chekhov’s plays with his comrades. He initially wanted to study literature but one of his teachers encouraged him to become an actor instead, so that he joined the Conservatoire National where he became close friends with Jean-Paul Belmondo and Jean Rochefort and from where he left with the comedy second prize in 1954. Career Marielle's early career consisted of stage roles with the Grenier-Hussenot company, notably in Harold Pinter’s plays, and some small appearances on the large screen by the late 1950s, with his particular voice giving him the abilities to play older characters. However, disappointed by his first movie roles, he turned to cabaret for a certain time. He obtained a little more consistent roles in the 1960s in movies such as Faites sauter la banque! (1963), starring alongside Louis de Funès, Weekend at Dunkirk (1964) and in particular Un monsieur de compagnie (1965), where French director Philippe de Broca gave him the opportunity to express all of his talent. But his popularity really exploded during the 1970s as he appeared in a lot of comedies. In (1974) he played an Israeli spy having to hide in a trunk in order to be extracted from a country in the Middle East. Les Galettes de Pont-Aven (1975), Que la fête commence (1974) and Coup de Torchon (1981) confirmed him as a great actor. One of his best performances, which is also probably his darkest, lies in his wonderful interpretation of a disillusioned and suicidal cop in (1987). The other major role of his career was Monsieur de Sainte-Colombe in Tous les matins du monde (1994). In parallel he made a brilliant stage career