his son but Amit refuses and is sent on emergency leave. Sunder is released and disrupts the marriage of the woman he kidnapped and kills her mother. Unable to bear the loss, the woman kills herself. Amit detains Sadhu and Sunder, and takes them to the police station but an enraged mob stops Amit and demand their deaths by gangaajal. Amit prevents the mob from killing them, saying anarchy only brings social decadence. He wants Sadhu and Sunder to be tried by the law but they escape. They hold a family hostage to ward Amit off and a fight takes place between them. Sunder and Sadhu are killed after falling onto a plough, piercing their eyes. Cast Credits adapted from Bollywood Hungama: Ajay Devgn as Superintendent of Police (SP) Amit Kumar Gracy Singh as Anuradha (wife of Amit Kumar) Mohan Joshi as Sadhu Yadav Yashpal Sharma as Sunder Yadav (son of Sadhu Yadav) Mohan Agashe as DIG Verma (boss of Amit Kumar) Akhilendra Mishra as DSP Bhurelal (junior of Amit Kumar) Mukesh Tiwari as Inspector Bachcha Yadav Ayub Khan as the Inspector Shaheed Khan Anup Soni as the Inspector Neelkanth Tiwari Daya Shankar Pandey as SI Mangni Ram Krati Redkar as Apurva (Love interest of Sunder Yadav) Master Yash Pathak as Ravi (Younger Brother of Apurva) Chetan Pandit as the ASI Bholanath Pandey Vishnu Sharma as Home Minister Dwarka Rai Manyata Dutt made a special appearance in the song "Alhad Mast Jawani Bemisaal". Production During the production of his directorial debut Damul, a 1984 political drama, Prakash Jha conceived the idea for his next film, which would be named Gangaajal: The Holy Weapon, which he wanted to be about corruption and political violence. In an interview with Screen, Jha said he decided to make films set in rural cities because he believed they have an "earthy quality" that would attract audiences. For this film, he chose his home state Bihar as the main setting because he is familiar with the local culture, people, and tradition. He did not want to have another topic for his film at the time so he improved the story for the next twenty years, after which the principal photography started. According to Jha, the film's title reflects a metaphor that indicates ritual purification with "astonishing, stark and powerful" elements. Many of his friends suggested other suitable titles, including Police, because they felt the original title