a follow-up to "Set Adrift on Memory Bliss", and peaked at No. 28 in early 1992. "Paper Doll" is said well over 100 times in the song, which makes it second only to M.C. Hammer's "Pray", which holds the record for the most times a title is repeated in an American top-40 hit (147). "Reality Used to Be a Friend of Mine", for which a music video was also produced, is featured as the opening song in the 1992 film Encino Man but does not feature on the film's retail soundtrack. Critical reception Of the Heart, of the Soul and of the Cross received rave reviews from critics. In The Village Voice, Robert Christgau wrote that Prince Be's escapist raps were skilled, thoughtful, and eccentric, while the music's varied synthesis was the most intelligently conceived since Prince: "It's got total outreach—moving effortlessly from speech to song, the quiet storm of sweet hooks and soft beats surprises like prime Big Star or XTC, only it's never brittle or arch." Spin magazine's Jonathan Bernstein said P.M. Dawn had effortlessly consolidated artistic and commercial sounds with a combination of substantial rap, lushly appealing music, and impressive vocal arrangements on their debut record, which he wrote "comes out of nowhere and ends up on the front stoop soundtrack of the summer." James Bernard from Entertainment Weekly felt that Prince Be's melodic, innovative lyrics and DJ Minutemix's unconventional sounds sounded sincere without being sappy, while drawing on influences from Jimi Hendrix and Prince without having either artist's sexual laments. Greg Kot, writing in the Chicago Tribune, found the songs memorable, artful, and infused with the silly raps of De La Soul, the compelling dance grooves of Soul II Soul, and the atmospheric acid rock of Lenny Kravitz. Of the Heart, of the Soul and of the Cross was voted the fifth best album of the year in The Village Voices annual Pazz & Jop critics poll for 1991. Christgau, the poll's creator, ranked it third on his own list. It was also named the tenth best album of 1991 by Spin magazine, and by Robert Hilburn of the Los Angeles Times. In his year-end list for The New York Times, Jon Pareles ranked it the fourth best album of 1991 and wrote that P.M. Dawn have found a synthesis of pop, hip hop, and spirituality that has eluded artists such as Prince. In a retrospective