other artistic genres, collaborating with H.T. Chen, Chiang Chin, Gao Xingjian, Loni Ding, Ellen Perry and several others. After a decade, Zhou Long was given the ASCAP Adventurous Programming Award in 1999. He won the 2011 Pulitzer Prize for Music for his opera, Madame White Snake, premiered on Feb. 26, 2010, by the Opera Boston at the Cutler Majestic Theatre. Zhou Long has been a citizen of the United States since 1999 and is married to the composer-violinist Chen Yi. In July 2017, the National Youth Orchestra of China, conducted by Ludovic Morlot of the Seattle Symphony, performed Zhou Long's piece "The Rhyme of Taigu" to a sold-out Carnegie Hall. Musical style Accompanied by other Chinese composers such as Tan Dun, Bright Sheng, and Chen Yi, Zhou Long and his contemporaries all primarily entered conservatories in Beijing and Shanghai immediately following the Cultural Revolution. After their studies, they all arrived in the United States in pursuit of higher degrees and evolving their music by intertwining elements of their old and new musical cultures. Considering himself as neither a solely Chinese nor American composer, Zhou Long draws upon influences from both musical spheres to create unique and unheard sounds in Western music circles. After arriving in the United States, a culture different from China (especially in the years following the Cultural Revolution), the different music culture in America allowed Zhou long to explore his expressive world, expand his compositional techniques and obtain a musical language of his own. He says, "Thinking about what we could do to share different cultures in our new society, I have been composing music seriously to achieve my goal of improving the understanding between peoples from various backgrounds. My conceptions have often come from ancient Chinese poetry." In this regard, Zhou Long utilizes the resources of two different cultures’ sound spectrums and traditions as well as media and technology. He writes, “Verses of poetry may give you the frame; the movements of calligraphy may give you the rhythm; an ancient dark ink painting may give you space, distance and layers; a variety of sound sources may give you the color. Finally, craft ensures your own full expression.” As described in his own words, Zhou Long works to capture Chinese timbres and folk themes and incorporate them with Western conceptions of harmony, chromaticism and angularity. He also frequently takes familiar sounds and tunes, alters them through dissonances