ser amada"), and Latin dance songs (like "Seducción" and "No me voy a quebrar"). She also covered "Amor Prohibido", which belongs to the fellow Latina Selena, Thalía performed the song Live on Selena ¡VIVE! concert in 2005 and "24,000 Besos", a 1960s Italian hit by Adriano Celentano. On the other hand, El Sexto Sentido Re+Loaded (a reissue of this album) included the bachata-ballad styled song "No, no, no" featuring American singer Anthony "Romeo" Santos. Lyrically, it talks about the loss of a loved one as in "Olvídame", optimism as in "No Me Voy a Quebrar", fun as in "Seducción" and even to an extremely sensual point in "Sabe Bien". According to Diana Rodriguez which was the marketing director for Spanish-speaking artists from EMI Latin America the album was the company's most expensive and parallel release at the time, it was treated as an EMI priority and was released simultaneously in United States, Latin America and Japan. Four singles were released from the album. The lead single, "Amar sin ser amada", is a song that instantly impressed the female audience, thus peaking at the first positions on the charts of Latin America and some European countries. The next three singles, "Un alma sentenciada", "Seducción" and "Olvídame" became moderate hits on the charts. Commercial performance El Sexto Sentido debuted at number 3 on the U.S. Billboard Top Latin Albums and at number 63 on the U.S. Billboard 200 with sales of 25,000 copies. The album was held off from being number one on the Billboard Top Latin Albums chart by Shakira's Fijación Oral Vol. 1, which sold 60,000 copies that week. The album also debuted at number 2 on the U.S. Billboard Latin Pop Albums chart. On July 28, 2005, only two weeks after the album's release, El Sexto Sentido was certified gold in Mexico by AMPROFON for sales/shipments of 50,000 copies within the country. The album was certified Gold in Argentina. Even though the song "24,000 Besos" was not released as a single it peak at #83 in Romania. This album was a financial success internationally according to Leila Cobo from Billboard and became the first Spanish-language release in the United States to have a preorder campaign through iTunes. The album sales reached 1 million copies worldwide. Critical reception Johnny Loftus from AllMusic gave the album a mixed review and wrote that it's "a straightforward Latin pop album, with the requisite