Prince Lev Nikolayevich Myshkin (pre-reform Russian: ; post-reform ) is the protagonist of Fyodor Dostoevsky's 1869 novel The Idiot. Dostoevsky wanted to create a character that was "entirely positive... with an absolutely beautiful nature", someone who is truly 'Christian'. According to Joseph Frank, the character of Prince Myshkin approaches "the extremest incarnation of the Christian ideal of love that humanity can reach in its present form, but he is torn apart by the conflict between the contradictory imperatives of his apocalyptic aspirations and his earthly limitations." At the beginning of The Idiot, Prince Myshkin has been in Switzerland for the last four years, at a sanatorium for treatment of his epilepsy. At age 26, having recovered his health, and in possession of a legal document suggesting entitlement to a significant inheritance, he returns to Russia. In St. Petersburg, his purity and guilelessness lead many to the false conclusion that he is an "idiot". In fact, he possesses an incisive intellect, deep emotional intelligence, and a wisdom that surpasses all the other characters in the novel. Significance of the character to the novel As a polyphonic novel each character in The Idiot has a unique voice and perspective in relation to the action and the other actors. As such every scene is a dramatic convergence of multiple independent voices and perspectives rather than simply being a monological recounting of the event by a narrator. Dostoevsky makes Prince Myshkin a character whose voice is capable of "actively and confidently interfering in the interior dialogue of the other person." He is thus significant not merely to the plot, but to the very consciousness of the individual characters. His insight, compassion, sincerity, candour, disinclination to judge and lack of normal social egoism awaken a responsive consciousness in most of the people with whom he engages, and serve to disrupt the habitual flow of their self-centred thoughts and actions. Nastasya Filippovna —Nastásya Filíppovna Baráshkova (Настасья Филипповна Барашкова) It is in the character of Nastasya Filippovna that the capacity of the Prince to affect an other's interior dialogue is most marked. Viewed by both society and herself as a 'fallen woman' because of years of sexual exploitation by Totsky, Nastasya Filippovna often embraces the sharp-tongued, destructive persona of a cynical courtesan. Myshkin understands that this persona grows out of an internalisation of the abuse she suffered and the unjust moral condemnation consequent upon it, and from