With My Baby" (w/ Patricia Jackson, Bobbie Priest and Dee Turnell) from Easter Parade (1948). "Who Wants To Kiss The Bridegroom" from The Belle of New York (1952). "That's Entertainment!" (w/ Jack Buchanan, Nanette Fabray and Oscar Levant) from The Band Wagon (1953). "Triplets" (w/ Jack Buchanan and Nanette Fabray) from The Band Wagon (1953). "Daydream Sequence (2nd Section)" from Daddy Long Legs (1955). "Too Bad" (w/ Peter Lorre, Jules Munshin, Barrie Chase et al.) from Silk Stockings (1957). "Man With The Blues" from An Evening with Fred Astaire (1958). Choreographic collaborators Although Astaire was the primary choreographer of all his dance routines, he welcomed the input of collaborators. This is particularly true in the case of his principal collaborator, Hermes Pan, where the seamless nature of the collaboration has been described by Astaire's rehearsal pianist Hal Borne, the only independent witness present throughout the entire process of dance creation of the Astaire-Rogers films: "It was hard to figure who contributed what to the choreography". Borne also describes the working atmosphere of such collaborations: "It was always pleasant. Never a hint of unpleasantness." Given the consistency of Astaire's dance style in subsequent films made with or without the assistance of Pan, and the fact that he choreographed all the routines during his Broadway career with his sister Adele, dance historian John Mueller is of the opinion that Astaire acted as lead choreographer in his solos and partnered dances throughout his career. Later in his career he became a little more amenable to accepting the direction of his collaborators, however this was almost always confined to the area of extended fantasy sequences, or "dream ballets". Occasionally Astaire took joint screen credit for choreography or "dance direction" as it was known in the 1930s and 1940s but, as was the custom in musical films of the period, he generally left the screen credit to his collaborator. This can lead to the completely misleading impression that Astaire merely performed the choreography of others. Later in life he admitted: "I had to do most of it myself." Robert Alton in You'll Never Get Rich (1941), Ziegfeld Follies (1944/1946), Easter Parade (1948), The Barkleys of Broadway (1949), and The Belle of New York (1952). Nick Castle in Royal Wedding (1951). Bobby Connolly in Broadway Melody of 1940 (1940). Danny Dare in Holiday Inn (1942). Dave Gould in Flying Down to Rio (1933) and The Gay