first track recorded in this fashion was "Random Death Bag" which appeared on the third instalment of the No Holy Additive compilation CD from Godreah Zine, followed by the Little Miss Suicide EP which was released on the newly formed Liquid Len record label, and an unreleased demo album called 'Enough Is Too Much LP'. Stagger Lee quit the band with the release of their first CD, Little Miss Suicide EP in 1999. Phase Two: Liquid Len Records (2001–2006) In 2001, Godreah zine contacted the band with a request for them to appear on the fourth and final instalment of the No Holy Additive compilation CD. Del Alien and Max Rael recorded their first new material for two years, namely, Reconstructing Terror, Fact and Disconnect, they also completed two unfinished tracks left over from Enough Is Too Much sessions namely, 57 Days and Burn, which eventually got released as the Disconnect EP by the Liquid Len record label in 2002. Kevin Gerrish joined the band briefly in 2002 during the writing and recording of The Mirror Pond LP. Weeks before its release History of Guns issued a press released saying that they'd been "consumed by business rhetoric" and were thus "downsizing the album into an EP". Although many of the remaining tracks remain unreleased, the track 'Psycho' was included as a bonus track on the second edition of the CD, and 'Sunday Lunchtime (A Family Portrait)' and 'Soaked' were included on the 2007 release 'Issue Six:Archive One – Make It Look Like An Accident'. History of Guns released their debut album Flashes of Light LP in 2004. A dense slab of atmospheric dark electronica devoid of any guitars, noted for its unusual structure of having two long opening songs, four short middle songs, then two long closing songs. Recruiting a live band in 2004 History of Guns performed gigs around the south east of England as an edgy punk band, not performing any of the songs from their debut album. The last date was filmed and released on DVD as "Twenty Seven Paces". Their second album APOPHENIA was released in November 2005. It was named after the medical condition of seeing patterns in seemingly random data, Apophenia. This time the album was structured in two distinct halves, and every track on the album written and performed in a different genre. Responding to an interview with Dark Futures zine in which