Blues". Scene 12 – Wall Street. The Beauty meets the Richman on Wall Street. The Beauty watches as The Richman invests in stock, and, also, takes a turn at gambling. Thinking that this may be the thrill she's seeking, The Beauty tries her hand at gambling as well, and eventually, The Richman tells her the biggest gamblers play the stock market. Scene 13 – Wall Street Plaything. At the conclusion of the Wall Street sequence, which ends the first act, an elaborate costumed ballet performs a dance interpretation of gambling. Photographs from the performance show dancers dressed as dice, coins, a roulette wheel, and a gold statue, not unlike the extravagant Busby Berkeley dance numbers seen in 1930s film. Act II Scene 1 – Art Curtain. The second act opens with an unknown song by The Melvin Sisters. Scene 2 – The Inception of Drapery. Zeppo takes his turn to woo The Beauty. He does so by giving her the thrill of clothing and jewels from foreign lands, each carried onstage by a chorus girl, with The Beauty trying on a plethora of the risque garments. This does nothing to thrill The Beauty, and Zeppo walks off, telling her: Zeppo: It's the Beggarman's chance now. He will give you the thrill of Cinderella backwards. He will take you from riches to poverty. Good-Night! Scene 3 – Cinderella Backwards. Groucho, dressed in a tutu and long underwear and smoking a pipe, enters from behind the curtain—an intentionally bad Fairy Godmother impersonation. The Beauty tells Groucho that she wants to experience the thrill of being poor, having been rich all her life. She then asks for him to take her to her Prince Charming, but Groucho refuses, since he has other Cinderellas he has to look after. He promises to be back at midnight, so The Beauty decides to call her Rolls-Royce. Groucho tells her no, if she wants to experience being poor. She'll have to walk. Groucho: No Rolls-Royce, no taxi, no street car, no roller skates, not even a Chevrolet, you'll walk! Beauty: Marvellous, it's the first time in all my life I've ever walked! Groucho: Ah, then you have never been automobile riding? Scene 4 – Hawaiian Scene. In early performances, a dance quartet performed a "marathon dance number" at this point in the revue. On Broadway, this was replaced by a Hawaiian dance featuring "Sixteen Yankee Girls". Scene