15. It was then edited by Randy Carter and composited with special effects by Stuart Scoon. The movie premiered on 16 August 2013 at the Fetish Convention, held in Tampa Bay and was put on sale on Amazon.com. In 2018, Cuti sold the Moonchild franchise to Nakoma DeMitro. The series is being rebooted with no known tentative release date. Charlton (1972–76) In 1972, when he was hired as the assistant to George Wildman, editor of the Charlton Comics in Derby, Connecticut. Charlton was a low-paying outfit that nonetheless produced a variety of comic book genres from 1946 until its demise in 1986, even after most publishers had long since turned to a steady diet of superhero titles. Cuti began turning out scripts for Charlton's horror and fantasy titles, working with artists such as Steve Ditko, Don Newton, Wayne Howard and Tom Sutton. He recruited younger artists such as John Byrne and Mike Zeck, who began freelancing for Charlton and illustrated some of Cuti's stories. In less than three years, Cuti produced well over 200 story scripts and text features for Charlton. In 1973, he teamed with Joe Staton, who collaborated with him in the creation of E-Man, a naive alien superhero who became a cult favorite. The character epitomized Cuti's disdain for the melodramatic, cape-wearing superheroes of other publishers. Cuti and Staton also co-created Michael Mauser, a grubby and uncouth private investigator, who began as an extra in E-Man but was quickly spun off into a series of his own. Both characters survived the implosion of Charlton and continue to the present, with Cuti and Staton collaborating on one-shots and series of new E-Man and Michael Mauser comics and stories. Post-Charlton Cuti left Charlton in 1976 and went back to work for Warren, producing more than 100 story scripts for Warren's horror and fantasy magazines, until that company's demise in the early 1980s. At various times he held the positions of contributing editor, assistant editor and consulting editor. During the same period, he taught himself the medium of scratchboard, emulating an artist he admired, Frank Kelly Freas. Cuti developed a realistic scratchboard style in contrast to his inked cartoon style and began selling illustrations to mainstream magazines such as Alfred Hitchcock's Mystery Magazine, Analog, Amazing Stories and Heavy Metal. After he left Warren, Cuti became an assistant editor and then digest editor at DC Comics, handling various superhero and children's