record digitally. Its digital sales stood at 20,000 at that time, whereas digital sales for "Jump" were around 9,000. Additionally, "Get Together" was also chosen as the third single to coincide with the start of Madonna's 2006 Confessions Tour. On July 12, 2006, it was confirmed by Billboard that "Jump" would be the fourth single from the album. The song was sent to hot adult contemporary radios in the United States on September 11, 2006, by Warner Bros. Records, as the record company wanted to establish the track as a hit at those formats before they attempted to bring it to Top 40 CHR radio stations. They hoped it could fare better on radio following the disappointment of "Get Together", but according to Billboards Keith Caulfield, "but we're being realistic here: If programmers turned up their collective noses at the super-catchy 'Sorry,' then why would they suddenly come to the table for 'Jump'?". It was made available digitally in the region on October 24, 2006, while it was issued in the United Kingdom on November 6. "Jump" was also used in the soundtrack of the 2006 film The Devil Wears Prada, as well as on the Ugly Betty season 2 finale, titled "Jump", aired on May 22, 2008. Composition and lyrics "Jump" was written and produced by Madonna and Stuart Price. Musically, the song is a pop, synth-pop, techno and disco song which finds Madonna singing in her lower register. The song is set in common time with moderately fast tempo. It is set in the key of E major. Madonna's voice spans from D3 to A4. The track follows in the chord progression of E–D–C–D in the verses, and C–D–E in the chorus, with an E synth drone playing continually. Some reviewers observed that the opening synth line of "Jump" was similar to that of English duo Pet Shop Boys' 1984 single "West End Girls". For Slant Magazines Ed Henderson, the song is "paced about a half-dozen BPMs slower than a disco gallop—giving the impression of a DJ pitch-shifting a familiar chestnut to give it a blue, after-hours glow". Lyrically "Jump" talks about empowerment and the urge to move on from one situation to another. For Alan Light from Rolling Stone, the lyrics reflected Madonna's change of style from her previous singles about supremacy like "Everybody" (1982), "Vogue" (1990) and "Music" (2000), which were centered around the subject of