identifying the characters in the following order. Moses is holding the table of laws, while the prophet holds his scroll case. The other two figures are of Noah who is holding a model of the ark while David seems to be holding nothing due to the disappearance of the harp, yet he can still be identified by his character. Figures are well rendered but the lower part of the seat in each figure seems to be incomplete. Moses and the prophet are seated in antique chairs that have an “X” form. The prophet’s scroll held a quotation, which has been lost. References Bibliography Bernard S. Myers & Trewin Copplestone. 1985. Gothic Art: The History of Art: Architecture, Painting, Sculpture: England: Viscount Books Bernard S. Myers & Trewin Copplestone. 1985. The Saint Chapelle: The History of Art: Architecture, Painting, Sculpture: England: Viscount Books Michael Camille. 1996. New Visions of Time: Gothic Art-Glorious Visions: New Jersey: Prentice Hall Mitchell. H.P. "Two Bronzes by Nicholas of Verdun", the Burlington Magazine for Connoisseurs. Vol 38, NO217, April 1921 Laurence Terrier Aliferis. 2016. L'imitation de l'Antiquité dans l'art médiéval, 1180–1230, Brepols (Terrier Aliferis 2016) Tournai. 1996. Turnai: Our Lady’s Shrine (N. Verdun) External links Tournai Shrine Photographs of all Plaques of the Klosterneuburg Altarpiece with iconographic descriptions in the Warburg Institute Iconographic Database Altar of Plenty a pedagogical online catalog, Elfie Raymond (1931–2012), emeritus professor of Sarah Lawrence College, documented the theological program and inscriptions 1130s births 1205 deaths French artists French goldsmiths Romanesque artists