1992, Buckley and Lucas visited photographer Jack Vartoogian’s home studio in New York to take publicity photos for the then upcoming March Gods and Monsters show back at St Ann’s. The photos taken not only appeared in advertisements for the show, but used as the front and back covers of both Lucas’ book, Touched by Grace, and Songs To No One 1991—1992. Reception Songs To No One 1991—1992 is the third posthumous release under Jeff Buckley’s name. Although audiences had high hopes of getting an insight into the musician at the beginning of his solo career, its response was mixed. Charts The album fell short for a lot of Buckley fans who had already had access to two previous posthumous releases, Mystery White Boy and Live At L’Olympia, both of which were unanimously agreed as being worthwhile releases. Songs To No One 1991—1992 however divided fans between articulating the album as a historical archive, and those who found it an irrelevant addition to both artist’s discographies. A reviewer on Amazon wrote "Songs To No One is hard to stomach, why listen to crappy versions of 'Grace' and 'Mojo Pin' when you could just listen to them on Grace?". Although fans' responses were divided, its professional reception was exponentially more positive. Bringing attention to the opening track 'Hymne à l’Amour', the Edith Piaf cover was praised for its experimental loops and Qawwali vocal influence. Pitchfork journalist Dominique Leone described this track as able to transform "a quaint melody into an alluring raga". Both Rolling Stone and Pitchfork journalists determined that the album was a snapshot of Buckley’s and Lucas’ brief musical encounter, arguing that it is "less a conventional album than an imperfect premonition of greatness". References Jeff Buckley albums Compilation albums published posthumously 2002 compilation albums Gary Lucas albums