This Day Forward was a Philadelphia-area band active from 1996 to 2003 whose style varied from metalcore to post-hardcore with indie rock influences. History The band was formed in 1997 in the Philadelphia suburbs by brothers Mike and Gary Shaw on vocals and bass, respectively, along with Randy Wehrs and Mike Golen on guitars and Colin Frangicetto on drums. They initially played local venues, recording their first demo in 1998 and releasing their first full-length, Fragments Of An Untold Story Born By Shunning The Opportunity in 1999 on Break Even Records. This was a raw combination of metalcore and screamed vocals, often compared to Converge, but arguably with more melodic riffs. Soon after, they were signed to Eulogy Recordings and released The Transient Effects of Light on Water in 2000. Being on Eulogy allowed them to play larger shows, such as Hellfest 2000 in Syracuse, and they quickly developed a devoted fan base outside of their home area. Shortly after the release of Transient Effects, Vadim Taver, a friend of the band and former guitarist of the metal band A Life Once Lost (also from the Philadelphia area) joined This Day Forward, and in 2002, this new lineup went on to release the Kairos EP. While Transient Effects had been a progression from the first release but had stayed more or less true to the same style, Kairos was a definite shift. The riffs were often more subtle and not strictly metal-influenced, and the songs, while still generally heavy, were interspersed with many softer parts. In addition, Shaw varied the vocals greatly, incorporating clean singing and an almost spoken-word-like yelling in addition to his original throaty scream. The album was well received by critics and featured Thursday's Geoff Rickly doing guest vocals at the end of the song "Sunfalls and Watershine," which received a fair amount of play on college radio stations. This Day Forward signed to Equal Vision Records in late 2002 with new guitarist Brendan Ekstrom (formerly of 200 North) by which time they had already completed several US tours, and in the following year released In Response. This album strayed even farther from their initial sound, largely abandoning the screams and incorporating more traditional song structures as well as softer backup vocals by Taver. As a result, the band was predictably accused of selling out by some fans, though others still consider it their best and most