are Series Editors of "Quick Takes: Movies and Popular Culture," a series of books offering fresh perspectives on film and popular culture published by Rutgers University Press; and "New Perspectives on World Cinema Series" a collection of monographs on global studies in international cinema published by Anthem in the UK. Her films have been screened at Outfest LA, Bi+ Arts Festival, The Nederlands Filmmuseum, Rice Museum, Collective for Living Cinema, Swedish Cinemateket, National Museum of Women in the Arts, DC, International Film Festival of Kerala, India, Films de Femmes, Créteil, Women's Film Festival of Madrid, Kyobo Center, Korea, Santa Barbara Museum of Art, Metropolitan Museum of Art, Université Laval, Quebec, Forum Yokohama, Anthology Film Archives, Amos Eno Gallery, NY, SLA 307 Art Space, NY, Maryland Institute College of Art, NETV, Studio 44 Stockholm, X-12 Festival, UK, and other museums and festivals around the world. In March and April 2018, the BWA Contemporary Art Gallery in Katowice, Poland, presented a month long retrospective of Foster's new video work. In May 2018, she presented a screening of her videos, along with the work of Bill Domonkos and Wheeler Winston Dixon at The Museum of Human Achievement in Austin, Texas. In the summer of 2018, she had a one woman show at Filmhuis Cavia in Amsterdam, and her film Self Portrait [Détournement] was screened as part of NewFilmmakers at Anthology Film Archives on September 11, 2018. Her one woman show, Queer Experimental Films was screened July/August 2018 on Salto Netherlands International TV, and she had a one woman show at The Museum of The Future in Berlin, Germany on October 28, 2017. Personal life Foster's life partner is Wheeler Winston Dixon. Books Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film (Palgrave Pivot, 2016) Hoarders, Doomsday Preppers, and the Culture of Apocalypse (Palgrave Pivot, 2014) 21st Century Hollywood: Movies in the Era of Transformation, co-written with Wheeler Winston Dixon, Rutgers University Press, 2011 A Short History of Film co-written with Wheeler Winston Dixon (Rutgers, 2008) 3rd Edition, March, 2018. Class-Passing: Performing Social Mobility in Film and Popular Culture (Southern Illinois, 2005) Performing Whiteness: Postmodern Re/Constructions (SUNY, 2003) Experimental Cinema: the Film Reader, co-edited with Wheeler Winston Dixon, London: Routledge, 2002 Troping the Body: Etiquette, Conduct and Dialogic Performance (Southern Illinois University Press, 2000) Captive Bodies: Postcolonialism in the Cinema (State University of New York Press, 1999) Women Filmmakers of the African and Asian