Jan Kaplický (; ; 18 April 1937 – 14 January 2009) was a Neofuturistic Czech architect who spent a significant part of his life in the United Kingdom. He was the leading architect behind the innovative design office, Future Systems. He was best known for the neofuturistic Selfridges Building in Birmingham, England, and the Media Centre at Lord's Cricket Ground in London. Childhood and early life Jan Kaplický, the only child of a sculptor and a botanical illustrator, was born on 18 April 1937 in Prague, Czechoslovakia, and grew up in a suburb of Prague called Ořechovka. Between 1956 and 1962 he studied at the College of Applied Arts and Architecture and Design (VSUP) in Prague, receiving a Diploma in Architecture. He worked in private practice in Czechoslovakia between 1964 and 1968. In the wake of the Prague Spring, the Soviet invasion of Czechoslovakia, he escaped to London in September 1968 with fellow architect Jaroslav Vokoun carrying only US$100 and a few pairs of socks. In 1969 in London he met again Eva Jiřičná whom he had known in Prague, who then became his girlfriend. Career In England, Kaplický first worked for Denys Lasdun and Partners (1969–1971), then obtained employment with the office of Renzo Piano and Richard Rogers (1971–1973), where he worked on DRU extension at Aybrook Street, London and later helping to develop the design for the Centre Georges Pompidou (constructed 1971–1977) in Paris by joining the team of more than 30 strong. When the practice relocated to Paris, he was unable to follow as at that time he still did not have a British passport. After working with Jiřičná, and a short spell at Spencer and Webster, Associates (1974–1975), he joined Foster Associates, now Foster and Partners (1979–1983). At the same time, in 1979 Kaplický set up his own architectural think tank called Future Systems with David Nixon, and began to develop an architectural style that combined organic forms with high tech futurism. Among the drawings he made were structures orbiting the earth built by robots, weekend houses resembling survival capsules that could be transported by helicopter, and home interiors that could be manipulated. In the 1980s his design for the Grand Buildings in Trafalgar Square, London, was a free-form monocoque structure pierced by portholes; it lost to a more conventional reconstruction of an Edwardian facade. Kaplický told BusinessWeek in 2005: "Where is it written that buildings