if it meant canceling the already arranged Belgrade appearance to the band's financial detriment), Mihaljek reportedly decided to get back at his former clients by accepting the presidential invitation despite not being authorized to do so. Discussing Mihaljek's reportedly underhanded role in the band's performance for Tito, journalist Dušan Vesić said: "Even if Mihaljek managed to exact some revenge by making them lose all that money, he unwittingly ended up doing them a long term favour because being seen performing for Tito sent a powerful implicit signal to all the executive aparatchiks on Yugoslav television that the band is now untouchable when it comes to TV appearances in Yugoslavia". Tour The tour following the album release was very successful. It featured three sold-out concerts in Belgrade's Pionir Hall in early February 1976. The tour confirmed and furthered Bijelo Dugme's standing as the most popular band in Yugoslavia, a status they had previously achieved with the success of their debut album. Yugoslav print journalists coined the term "Dugmemanija" (Buttonmania) that began to be used frequently as the public in the socialist country observed a new cultural phenomenon. In popular culture The album's record-breaking sales as well as the enormous popularity of the "Tako ti je, mala moja, kad ljubi Bosanac" track among all strata of Yugoslav society, in addition to its heavy rotation on Yugoslav radio, prompted film director Soja Jovanović to include the hit song in her Television Belgrade-produced 1976 comedy TV film Izvinjavamo se, mnogo se izvinjavamo (Sorry, Terribly Sorry), centered around Milić Barjaktarević (played by Slobodan Đurić), a prizewinning farmer on his way to an agriculture fair in Belgrade while on constant lookout for a woman to marry and take back to his village. The song becomes somewhat of a plot point in the train scene when Milić turns on his pocket radio, hears "Tako ti je, mala moja, kad ljubi Bosanac", and instantly starts rocking out to it in a clumsy attempt of wooing his somewhat more refined fellow passenger Borka (Milena Dravić). Legacy The album was polled in 1998 as the 17th on the list of 100 greatest Yugoslav rock and pop albums in the book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Pop and Rock Music). The title track was polled in 2000 as the 68th on the Rock Express Top 100 Yugoslav Rock Songs of