laugh a page, rather than a line. And I don't care for all this up-dating—references to protest marches and civil disobedience. … Enough of this carping, for who else could possibly write, 'She uttered a sound rather like an elephant taking its foot out of a mud hole in a Burmese teak-forest'? I asked that question of a friend. (Not one of us.) 'Anyone else could', he replied. 'Tcha!' I said. And I meant it to sting". William Cole, The Saturday Review (5 April 1975): "The Cat-Nappers … is even better than the two that preceded it. A Jeeves-and-Bertie story about—no, not people who take snatches of sleep—people who steal a cat, with the idea of upsetting the cat's pal, a great racehorse. The whole thing is gloriously ridiculous, and if you've never read a Wodehouse, this would be a good place to start". Robert M. Strozier, The New York Times Book Review (22 April 1975): ""The Cat-nappers" features those favorites of the Wodehouse stock company, Jeeves the butler ('Would pusillanimous be the word for which you are groping, sir?') and Bertie Wooster ('Quite possibly. I know it begins with pu.') The ingredients are quite familiar: a theft, a sundered heart, an aunt, 'a hearty good morning to you, aged relative,' and numerous concatenations. People cross paths and call each other things like 'wee sleekit timorous cowering beastie' and 'elderly little gawd‐help-us,' but, as always, everything rights itself in the end, with no real harm done to anyone". Max Hastings, The Sunday Times (21 December 2008): "Aunts Aren't Gentlemen … was the last of the Bertie Wooster canon. We cannot pretend that this book (first published in 1974) is among the best, but its author was incapable of not being funny. A doctor scratching his nose with his stethoscope tells Bertie, who feels under the weather, that he sees no objection to his visiting his aunt, so long as the conditions are right. "'Whereabout in Worcestershire does she live?' 'Near a town called Market Snodsbury.' 'Is the air pure there?' 'Excursion trains are run for people to breathe it.'" The author's emphasis on ping-pong dialogue reflects long experience as a writer for the stage. His work translates effortlessly to television, because characters, plots and lines are those of great sitcom". Sundeep Khanna, Mint (31 December 2015): "This year I revisited an old favourite, Pelham Grenville Wodehouse’s "Aunts Aren’t Gentlemen" that