Kurdistan in Shârazûr. He embarked on studies under the tutelage of renowned scholars and mastering many disciplines from the religious disciplines, mathematics, and others - especially in linguistics. In the year of twelve eighty something he came to Mecca he became our president's friend the Sheriff Abdoullah Pasha Bin On... he has a great experience in Arabic literature...) these two references refuse Nali's death day in 1855 or 1858, in Nazhat al Fikr the year (In the year of twelve eighteen something 128-) we can consider it from 1280-1289 is about 1863-1873. In the Muhammed Tahir Borsali’s book (Otmanli Mualifleri) talks about Nali’s return from Hijaz or Saudi Arabia to Istanbul, he mentioned that Nali was return in 1290 that means 1873. Even before finding these books the researchers doubted Nali’s year death, 1856. Nali’s Pen Name The name of Nalî is word going back to the Sanskrit, a proto-Indo-European root or 'nala' or 'nalika' that is a 'species of reed, 'nali' wind instrument, which in modern Kurdish refer to a Kurdish folk musical instrument, similar to a type of flute called Shimshal; as well as pencils which traditionally were made of reed. Clearly, this reveals two important aspects of both the pseudonym and the Kurdish language. One is that the Kurdish language has a cognate as deep-rooted and antiquated as Sanskrit. The other is that this particular pseudonym was apellated to him for his poetry and literary skills to enchant his listeners like a reed player as the wind instruments are considered to be ecstatic. Nali and his Lover Nali had a lover, he mentioned her name in more than eight poems, and he mentioned her name as (Habiba) (حبيبة ), Aladdin Sajadi mention that in Qaradax Nali had another lover her name was Aisha, this (Aisha)(عائشة) was always proud of herself because she was Nali’s lover, even Shaikh Nuri Baba Ali mentions this subject too that he says he met her alive. But still now there is not any sign or word in whole Nali’s poems for this (Aisha). Many times Nali mentioned Habiba’s name, but sometimes he mentions her name as (Mahbuba) too. But there are big doubts in the real name of this woman, both of Aladdin Sajadi in his book (History of Kurdish Literature; Mêjûy edebî kurdî) and in (Diwani Nali) Abdul Karim Mudarris and his son they mentioned this doubt. The reason is Nali’s