Michael Pacher ( 1435 – August 1498) was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a comprehensive artist with a broad range of sculpting, painting, and architecture skills producing works of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art. Pacher's masterpiece, the St. Wolfgang Altarpiece (1471–1481), is considered one of the most remarkable carved and painted altar shrines in all of European art. It contains scenes from the life of Jesus and the Virgin Mary. Pacher's other great work, the Altarpiece of the Church Fathers, created in 1483 for Neustift Monastery, combined painting and sculpture to produce a unique art form. Pacher's influence was primarily North Italian, and his work shares characteristics with that of painters such as Andrea Mantegna. German influences, however, are also evident in his work, especially in his wood sculpture. Pacher's fusion of Italian Renaissance and Northern Gothic realism helped him to produce a uniquely personal style of painting. Early life Though Pacher's exact date of birth is not certain, he was born c. 1435 near Brixen on the southern slopes of the Alps in the County of Tyrol. Little is known of his training. His earliest recorded work is an altarpiece that was dated 1465 and signed, but which is now lost. Pacher visited Padua in northern Italy, where he became heavily influenced by the modern fresco work of Andrea Mantegna. Mantegna was considered the renowned master of perspective, whose stunning, low-set standpoint spatial compositions were important to the development of Pacher's own style. Pacher's Italian influences set him apart from most German artists of the time. By 1467 Pacher was a distinguished artist and sculptor in Bruneck, twenty-five miles east of Brixen in the Puster Valley, where he had a workshop for making altarpieces; the house still exists. His skill in wood carving and painting provided him with employment for German style altars. They usually consisted of carved figural centerpieces, carved Gothic summits on top, a platform where the altar stands below, and painted scenes on panel wings. Pacher spent much of his time during the 1470s in Neustift by Brixen, where his work mainly consisted of painting frescoes. In 1484 he was commissioned by the Franciscan Order in