"Harem Man" (Duet*; Rehearsal Tape; recorded at Lucas Residence, NY City; 1/92) – 5:45 "Malign Fiesta (No Soul)" (Band***; Live broadcast from the Knitting Factory on Nicholas Hill's Music Faucet, WFMU; 3/22/92) – 4:21 "Grace" (Live) (Duet*; Soundboard tape; recorded at club Roulette, NY City; 4/5/92) – 6:27 "*" = Jeff Buckley (vocals) / Gary Lucas (guitars) "**" = Jeff Buckley (vocals, harmonica) / Gary Lucas (guitar) / Jared Nickerson (bass) / Tony Lewis (drums) "***" = Jeff Buckley (vocal, guitar) / Gary Lucas (guitar) / Tony Maimone (bass) / Anton Fier (drums) "****" = Jeff Buckley (vocal, guitar) / Bill Frisell (guitars) "*****" = Jeff Buckley (vocal, guitar) / Gary Lucas (guitar) / With Sex Mob (Steven Berstein: trumpet; Briggan Krauss: baritone sax; Tony Scherr: bass; Kenny Wollesen: drums; Brian Mitchell: organ) Personnel Gary Lucas The chronological plan for these recordings were to ultimately form the basis of a debut album for Gods and Monsters. However, due to the breakdown of the collaboration in 1992, these tracks remained archived until 2002. Instead, these tapes became the backbone of a posthumous project. Songs To No One 1991—1992 was an idea originally pitched by Gary Lucas, with the aim of documenting the pair’s musical collaboration during this time. Mary Guibert The compilation lay under the direction of Buckley’s mother, Mary Guibert — who holds jurisdiction over Buckley's estate. The production choices made by Guibert, specifically to rework tracks with newer musical contributions, led to Lucas’ lack of artistic control and overall negative response to its release, stating that "it did not quite turn out like I envisioned, to say the least". Hal Willner Hal Willner, who remained friends of both Buckley and Lucas after meeting at St Ann’s in 1991, was responsible for both the track listing on Songs To No One 1991—1992, as well as producing the additional overdubs and reworked songs that were also included on the album. In the CD liner notes, Willner further explained his role in the compiling of this work:"These tracks were originally recorded for demo purposes and never intended for release. I am usually suspicious of this kind of thing, but I decided to take it on because I knew that this project or a similar one would be done eventually whether it was authorised or not, so I told myself that Jeff would have wanted me to do it." Jack Vartoogian In February