Eight Iron Men (1952) The Hitch-Hiker (1953) The Glass Wall (1953) The War of the Worlds (1953) The Bigamist (1953) The Wild One (1953) Private Hell 36 (1954) Crashout (1955) The Treasure of Pancho Villa (1955) The Scarlet Hour (1956) World Without End (1956) Julie (1956) The Garment Jungle (1957) Lizzie (1957) Ride Out for Revenge (1957) Eighteen and Anxious (1957) The Green-Eyed Blonde (1957) Violent Road (1958) The Gun Runners (1958) But Not for Me (1959) The Gene Krupa Story (1959) Hell to Eternity (1960) The Interns (1962) A New Kind of Love (1963) The Night of the Grizzly (1966) Chuka (1967) Assault on the Wayne (1971) He also provided uncredited contributions to the Frank Capra film classic It's a Wonderful Life. The James Dean Story Stevens composed and conducted the music accompanying the film The James Dean Story. In 1957, Capitol Records released the eponymous album containing this music, and its anonymous sleeve notes state, "Here is the music direct from the soundtrack of The James Dean Story, a different kind of motion picture. This is a film in which there are no actors, there is no fiction. It is, instead, the story of a young man in search of himself - a story of a lonely boy growing into a lonely manhood, of a quest for discovery and meaning, of a great talent and zest for creative expression, and of a tragic end which brought more questions than answers." The sleeve notes continue, "The life of James Dean is presented on the screen through the means of a new technique - dramatic exploration of a still photograph. Together with tape recordings, existing motion picture material, and the people with whom he lived and worked, these photographs create the presence of the living character. If there are supporting roles in this picture, the parts must be credited to the people of Fairmount, Indiana, where Dean lived as a boy; to the nine million faces of New York City, where he struggled for recognition as an artist and as an individual; and to the men and women of Hollywood who shared in the development of his career." The sleeve notes describe the music as "...unusual and exciting as the motion picture itself. Leith Stevens, the composer, captures a haunting reflection of the violent yet strangely understandable uncertainties of modern youth. Stevens, whose musical scores have distinguished such films as