their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); and addresses the formation of historical memory in postconceptual art (James Coleman). The second volume of Buchloh's collected essays Formalism and Historicity: Models and Methods in Twentieth-Century Art was released in February 2015. It collects a series of important and widely influential essays on thematic and historical issues in twentieth-century art including the "return to order," Soviet "factography," and the "paradigm repetitions" of the neo-avant-garde. Bibliography Andy Warhol: A Retrospective, with Kynaston McShine and Robert Rosenblum, 1990, Gerhard Richter: Documenta IX 1992, 1993, Gerhard Richter, with José Lebrero, 1994, James Coleman: Projected Images 1972-1994, with Lynne Cooke, 1995, Experiments in the Everyday: Allan Kaprow and Robert Watts--Events, Objects, Documents, with Judith Rodenbeck, 2000, Thomas Struth: Portraits, with Thomas Weski, 2001, Gerhard Richter: Acht Grau, 2002, Allan Sekula: Performance Under Working Conditions, with Karner Dietrich, 2003, Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975, 2003, Art Since 1900 with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, 2004, Thomas Hirschhorn, 2004, Flashback: Revisiting The Art of the Eighties, with John Armleder, 2006, Hans Haacke: For Real, with Rosalyn Deutsche, 2007, Andy Warhol: Shadows and Other Signs of Life, 2008, Ground Zero, with David Brussel and Isa Genzken, 2008, Nancy Spero, with Mignon Nixon and Hélène Cixous, 2008, Bauhaus 1919-1933, with Barry Bergdoll, Leah Dickerman, and Brigid Doherty, 2009, Gerhard Richter: Large Abstracts, 2009, Art Since 1900: 1900 to 1944, with Hal Foster, Yve-Alain Bois, and Rosalind Krauss, 2011, Gerhard Richter: 18 Oktober 1977, 2011, Formalism and Historicity: Models and Methods in Twentieth-Century Art, 2015, Sarah Sze, with Okwui Enwezor and Laura Hoptman, Phaidon Press, 2016. Conceptual Art 1962-1969: From Aesthetic of Administration to the Critique of Institutions, 1990. References External links American Academy in Berlin profile 1941 births Living people Writers from Cologne German art historians Academic staff of Kunstakademie Düsseldorf NSCAD University faculty California Institute of the Arts faculty State University of New York at Old Westbury faculty University of Chicago faculty Massachusetts Institute of Technology faculty Columbia University faculty Barnard College faculty Harvard University faculty German male non-fiction writers