stood in Cademan Wood, Whitwick, which formed part of Ambrose de Lisle's Grace Dieu estate. Soon after being built, the chapel became referred to locally as "The Temple" and the part of Cademan Wood in which it stood became known as Temple Wood. De Lisle had the chapel built after being inspired by similar examples of wayside shrines in Bavaria and it was designed to form part of a devotional walk on his land, which comprised fourteen Stations of the Cross and a Calvary along the route. The chapel contains "two most exquisite and remarkable figures executed by the Austrian sculptor, (1818-80) of Munich, and representing in painted wood the Blessed Virgin weeping over her divine Son, who has just been taken down from the Cross, the nails being laid at His feet". A student of Konrad Eberhard, Petz was also an architect and an artist and was highly sought after in England and the United States as a sculptor and church designer. Several locations for which he designed churches and their decorations are Cham, Arnschwang, Seeon, Vilsbiburg, Isen, and Riedering. Most notably, he contributed the design for a sculpture of the Last Supper for the Frauenkirche in Munich in 1859, though this was lost in air raids during World War II. By the middle of the twentieth century, the chapel had succumbed to vandalism, having stood derelict for many years and in 1955, at the suggestion of Captain Ambrose de Lisle, it was dismantled and reassembled on its present site by the monks of Mount St Bernard. The semi-circular foundations of the original Chapel of Dolours can still be found on an outcrop not far from the Man Within Compass public House in Whitwick and further trace of its memory can be found in the naming of Temple Hill, a residential road developed close by, around the time of the chapel's removal. E. W. Pugin Also in Cademan Wood - about a quarter of a mile away from site of the Temple - there is a mound, upon which are still to be seen the foundations of another wayside structure commissioned by De Lisle, built between 1863 and 1864. This had been a tower, eighty feet in height, built as a memorial to De Lisle's son, Everard Aloysius Lisle Phillipps VC, and which became known locally as "The Monument". The surrounding woodland became known as "Monument Wood". The tower