"I Got You Babe" is a song performed by American pop and entertainment duo Sonny & Cher and written by Sonny Bono. It was the first single taken from their debut studio album, Look at Us (1965). In August 1965, the single spent three weeks at number one on the Billboard Hot 100 in the United States where it sold more than one million copies and was certified Gold. It also reached number one in the United Kingdom and Canada. In 1985, a cover version of "I Got You Babe" by British reggae-pop band UB40 featuring American singer Chrissie Hynde peaked at number one on the UK Singles Chart and reached number 28 on the US Billboard Hot 100 chart. And in 1993, Cher recorded a cover version with the American animated characters Beavis and Butt-Head, which peaked at number 35 in the UK and became a top 10 hit in the Netherlands. Sonny & Cher version Background and composition Sonny Bono, a songwriter and record producer for Phil Spector, wrote the lyrics to and composed the music of the song for himself and his then-wife, Cher, late at night in their basement. When Cher was woken up to sing the lyrics, she hated the song and didn't think it would soon be a hit and immediately went back to bed. Session musicians known as The Wrecking Crew supplied the instrumental track. "I Got You Babe" became the duo's biggest single, their signature song, and a defining recording of the early hippie countercultural movement. Billboard said of the song "using the successful combination of folk and rock, this one has the performance and production of a smash." AllMusic critic William Ruhmann praised the song: Recalling Dylan's bitter 1964 song "It Ain't Me Babe" (soon to be a folk-rock hit for the Turtles), Bono wrote his own opposite sentiment: "I Got You Babe." Where Dylan was lyrically complex, Bono was simple: His lyrics began with the ominous youth-versus-grownups theme of "they" who set up barriers to romance, but soon gave way to a dialogue of teenage romantic platitudes. Where Dylan was musically simple, however, Bono, without fully rebuilding Spector's Wall of Sound, was more structurally ambitious, following the song's standard verse-chorus-verse-chorus-bridge-verse-chorus form with an ascending coda that built to a climax, then started building again before the fadeout, all in only a little over three minutes. Set to waltz time, the