G-minor 7th before resolving on an E-minor. Hymne à l'amour Credited on the album as a piece belonging to Edith Piaf and Marguerite Monnot, the underlying instrumental was written by Lucas. Akin to later developed musical styles of both Buckley and Lucas, the track is performed in drop d tuning. Recorded on January 22, 1992 on a DAT recorder, this version arose out of a d-modal improvisation in Lucas’ apartment. The single take was then edited down to 11 minutes and 35 seconds by Hal Willner. She Is Free Another home recording from the Lucas residence, the version of 'She Is Free' that appears on Songs To No One 1991—1992 was also edited by Willner. Under the instruction of Mary Guibert, the track contains overdubs from Bill Frisell and Sex Mob. In the CD liner notes, Guibert notes that "their subtle contributions to Satisfied Mind and She Is Free’ add a particularly enjoyable dimension otherwise absent from the original recordings. How Long Will It Take Inspiration for the inclusion of Pat Kelly’s 'How Long Will It Take' on Songs To No One 1991—1992 came from Lucas' solo guitar tour of the UK in early 1992. Lucas' tour manager, an avid reggae fan, introduced Lucas to 'How Long Will It Take' while on the road in between shows. "Jeff would be great singing this … this is the perfect song for us to cover!" Lucas wrote in Touched by Grace. 'How Long Will It Take' became a staple performance for the duo; its CBGB version is what appears on Songs To No One 1991—1992. Recording and production The recording and production of Songs To No One 1991—1992 began August 14, 1991. Upon Buckley’s return to New York, the pair ran through both instrumentals. On this day 'And You Will' became 'Mojo Pin', and 'Rise Up To Be' became 'Grace' formally, both of which exist as unreleased home demo tapes, and later appeared on Buckley’s solo debut album of the same name. Lucas contacted Gods and Monsters bassist Jared Nickerson and drummer Tony Lewis in the hopes of organising a full band rehearsal, which took place on August 16, 1991, at Countdown Studios in the West Village. Once the newly formed band had an agreed arrangement, and Buckley had finalised his lyrics, Lucas booked a session at Krypton Studios in Soho, to record the next day. Krypton Studios Krypton Studios was an