is a 1929 novel by Jun'ichirō Tanizaki. It was first published in 1928–9 as a newspaper serial. The novel is often regarded as the most autobiographical of Tanizaki's works and one of his finest novels. The Japanese title of the novel is literally water pepper-eating bugs, and is the first half of the Japanese saying , or "Water pepper-eating bugs eat it willingly", equivalent to the English "Each to his own." The translation as Some Prefer Nettles was chosen by Edward Seidensticker. He considered it one of his most noted translations, and it has been included as a translation of the original saying in the authoritative Kenkyūsha's New Japanese-English Dictionary. Plot Kaname and Misako's marriage is drifting towards separation and divorce, and Misako has taken a lover, Aso, with Kaname's approval. Their young son, Hiroshi, does not yet know anything definite about their plans. Both are procrastinating over their decision. Kaname realizes that he is fascinated by his father-in-law's obsessions with the bunraku theater and with young mistress, O-hisa. Misako's father is a traditionalist who attempts to keep the couple engaged in the arts of Japan in order to purge the negative influence from the West. Themes Performance The theme that structures the novel is that of performance. As the book opens, Kaname is gently pressuring his wife, Misako, into meeting her father and his mistress at a bunraku performance. The "old man" (he is fifty-six or fifty-seven) has a deep interest in many forms of traditional Japanese performance, from samisen and song to rustic puppets. But these are only the framing performances, as the life being led by Kaname and Misako is itself a performance, as Tanizaki reminds us several times. Even their son, Hiroshi, becomes a performer. The closing words of the novel transform a wooden doll into a woman. In many ways, from local accent to clothing, the central characters assume roles they need and can hardly bear, making the story a series of mirrors in which artifice and reality become interwoven. East vs West The dissonance between Japanese tradition and Western modernity is present throughout the novel. Kaname's aesthetic tastes lean more toward the West. His romanticized version of it is manifested in the western wing of his house, in particular the veranda on which he likes to sit, in his fascination with American movie stars, and in his skimming through an English translation of the