Laurindo Almeida (September 2, 1917 – July 26, 1995) was a Brazilian guitarist and composer in classical, jazz, and Latin music. He and Bud Shank were pioneers in the creation of bossa nova. Almeida was the first guitarist to receive Grammy Awards for both classical and jazz performances. His discography encompasses more than a hundred recordings over five decades. Background Laurindo Jose de Araujo Almeida Nobrega Neto was born in the village of Prainha, Brazil near Santos in the state of São Paulo. Born into a musical family, Almeida was a self-taught guitarist. During his teenage years, Almeida moved to São Paulo, where he worked as a radio artist, staff arranger and nightclub performer. At the age of 19, he worked his way to Europe playing guitar in a cruise ship orchestra. In Paris, he attended a performance at the Hot Club by Stephane Grappelli and famed guitarist Django Reinhardt, who became a lifelong artistic inspiration. Returning to Brazil, Almeida continued composing and performing. He became known for playing both classical Spanish and popular guitar. He moved to the United States in 1947; a trip financed when one of his compositions, a song known as "Johnny Peddler" became a hit recorded by the Andrews Sisters. In Los Angeles, Almeida immediately went to work in film studio orchestras. Early career in the United States Almeida was first introduced to the jazz public as a featured guitarist with the Stan Kenton band in the late 1940s during the height of its success. According to author Michael Sparke, Almeida and his fellow Kenton bandmember drummer Jack Costanzo "endowed the music of Progressive Jazz with a persuasive Latin flavor, and the music is enriched by their presence." Famed Kenton arranger Pete Rugolo composed "Lament" specifically for Almeida's cool, quiet sound, and Almeida's own composition "Amazonia" was also featured by the Kenton orchestra. Almeida stayed with Kenton until 1952. Almeida's recording career enjoyed auspicious early success with the 1953 recordings now called Brazilliance No. 1 and No. 2 with fellow Kenton alumnus Bud Shank, bassist Harry Babasin, and drummer Roy Harte on the World Pacific label (originally entitled "The Laurindo Almeida Quartet featuring Bud Shank"). Widely regarded as "landmark" recordings, Almeida and Shank's combination of Brazilian and jazz rhythms (which Almeida labeled "samba-jazz"-) presaged the fusion of Latin and jazz, which is quite different in bossa nova, although jazz critic Leonard Feather credited Almeida and