Etude in G minor for piano (1907) Allegro patetico Etude in A-flat major for piano (1907) Animato assai Three Preludes for piano (1907) 1. Lento in C-sharp minor; 2. Con moto in D major; 3. Adagio in E-flat minor Canon in B minor for piano (1908) Prelude in E major for piano (1908) Prelude in Lydian mode for piano (1908) Prelude and Fugue in G minor for piano (1909) Trio for piano, violin and cello (1907–10) Three Preludes for piano (1907–10) 1. In G minor 2. In F minor 3. In B major Ten Scottish Songs to poems by Robert Burns (1907–10) Twelve Sketches Op. 1 for piano (1911) 1. Moderato in C minor 2. Presto in G minor 3. Vivace in D major 4. Lento cantabile in A minor 5. Allegro in A-flat major 6. Andante epico in Dorian mode 7. Adagio teneramente in C-flat major 8. Molto vivace in G-sharp minor 9. Largamente in D minor 10. Con moto in A major 11. Allegro con spirito in F-sharp minor 12. Presto assai in C major Variations in A minor for piano (1911) Five Preludes for piano (1907–12) I. Andante in C minor II. Lento espressivo in F minor III. Presto in B-flat minor IV. Animato in B minor V. Largo in C minor Piano Sonata No. 1 in F major (1911–12) Allegro Op. 2 for piano (1912) Piano Sonata No. 2 in G major (1912) Four Canon-Preludes for piano (1913) [A]. Allegro risoluto in C major [B]. Vivace in G major [C]. Andante sostenuto in E mixolydian [D]. Veloce in E-flat minor/G-flat major “Canon a 2 voci per l’aumentazione” There are other works that are credited yet were left unfinished or destroyed by Stanchinsky due to his brash nature in his composition lessons, and his later desire to create his own musical voice. Much of what has survived was credited to his colleagues and more importantly Zhilyayev and Taneyev for preventing the mass burning of his works during their lessons with Stanchinsky. Inspirations Alexei Stanchinsky is often reviewed as a revolutionary Russian composer, but there are many aspects of his work that can be viewed as a sort of tribute to those musicians that he admired. His first piano sonatas have a sort of texture that resembles the works of Scriabin and Grieg, and in many other works there is a simplicity to them gathered from folksongs that