art parodied Presley's 1956 debut album Elvis Presley, while its title and back cover parodied the Clash's London Calling, the artwork of which was itself an homage to Elvis Presley. It consisted of two more reworked Elvis numbers, "(Marie's the Name) His Latest Flame" and "Lawdy Miss Clawdy" redone respectively as "Maria's the Name (of His Latest Flame)" (using Bow Wow Wow's 1982 version of "I Want Candy" as its musical foundation) and "Lordy Miss Lupe". Also in 1991, the original lineup of the Zeros—Lopez, Escovedo, Chanelle, and Penalosa—reunited to play a benefit show for Lopez's former Catholic Discipline bandmate Craig Lee. Recording sessions the band conducted in San Diego that December produced the singles "I Don't Wanna" backed with "Little Latin Lupe Lu" and "Bottoms Up" backed with "Sneakin' Out", both released in 1992. Lopez continued releasing records as El Vez over the next few years: The EP Not Hispanic came out in 1992 through Spain's Munster Records, combining different mixes of songs from the prior two El Vez EPs with three new tracks: "Samba Para Elvis" (combining the music of the Santana instrumental "Samba Pa Ti" with the lyrics to Elvis' version of "Always on My Mind"), "Black Magic Woman" (mixing elements of the Santana version of the song with a sped-up take on the Stray Cats' 1981 rockabilly hit "Stray Cat Strut"); the title came from Lopez's reworked lyrics for the closing track, "Never Been to Spain" (inspired by Elvis' 1972 performance of the song as captured on As Recorded at Madison Square Garden). The compilation album How Great Thou Art: The Greatest Hits of El Vez followed in 1994, combining the tracks from the three prior EPs with a version of "Samba Para Ti" featuring keyboardist Paul Morris of Rainbow and a recording of "How Great Thou Art"; the album's title and cover art were an homage to Elvis' 1967 album How Great Thou Art. A Spanish language version of the album was also released under the title Fun in Español, the title and cover parodying Elvis' Fun in Acapulco (1963). The first proper full-length El Vez studio album, Graciasland, was released in 1994 by Sympathy for the Record Industry. Its title and cover art parodied Paul Simon's 1986 album Graceland, and the track "Aztlán" reworked Simon's title track with politically charged lyrics describing a search for the ancestral home of the Aztecs. Several more Elvis