Conference at the Borough of Manhattan Community College (BMCC) entitled Black Women and Black Liberation: Fighting Oppression and Building Unity. In 1991, the Malcolm X Conference was held again at BMCC, and the theme that year was "Sisters Remember Malcolm X: A Legacy to be Transformed". It featured plenary sessions, a workshop on "Sexual Harassment: Race, Gender and Power", and was held in a much larger theater that year. Black women were a central focus and not an aside as they were prior. Speakers included Sonia Sanchez, Audre Lorde, Verniece Miller, Reena Walker, Carol Bullard (Asha Bandele), and Vivian Morrison. At the same time, Reena Walker, along with the members of AWARE, also worked in coalition with AWIDOO (American Women in Defense of Ourselves), formed by Barbara Ransby, to sign a full-page ad in The New York Times to stand in support of Anita Hill. In 1995, Reena Walker went on to put out the call to various women and organized the group African Americans Against Violence that effectively stopped a parade that a group of reverends led by Al Sharpton were attempting to hold in Harlem for Mike Tyson. The group, including Eve and Kathe Sandler, Nsia Bandele, and Indigo Washington, worked successfully to stop the parade from happening, bringing attention to the struggle of Black women against sexism and domestic violence. A supporter of Mike Tyson, social worker Bill Jones, exclaimed "The man has paid his debt" (in regards to Tyson's rape conviction), and joined a large group of other Tyson supporters in heckling the African Americans Against Violence group, accusing them of "catering to white radical feminists". Hip-hop culture A particularly imminent medium of oppression for Black women in the 1980s and '90s was hip-hop music. The New York hip-hop scene was mainly dominated my men and most producers were focused on rap superstars such as Notorious B.I.G. and Sean "Diddy" Combs. A number of female emcees can be credited for having expanded Black womanhood in music during this time; notable artists in the '80s such as MC Lyte, Queen Latifah, and Salt-N-Pepa carved out space for later black female artists. Throughout the '80s and '90s, black female rappers were classified into four categories, often seamlessly traveling between or blending a number of labels together. The categories included the wise "Queen Mother," an intelligent, Afro-centric, and activist-driven image, the beautiful and outspoken "Fly Girl," characterized by fashionable