Morgan, Denise Cooper, and others from the Third Wave of Black feminism blended their passions for hip-hop culture and Black feminism or womanism, ultimately leading to the inception of hip-hop feminism. Some argue hip-hop feminism does not simply overlap with Black feminism but is an extension or expansion of Black feminism. Dr. Whitney A. Peoples argues that examples of Black women being sexually objectified in hip-hop are hyper prominent due to deep-seated racist ideologies and stereotypes that deem Black women as sexually and morally deviant. Hip-hop feminism explores hip-hop as a vehicle for addressing the complexities of misogyny in hip-hop and any discrepancies in mainstream feminism. More than speaking out against misogyny in hip-hop, however, a key characteristic of hip-hop feminism has been said to be its mission to uplift black women and girls who partake in hip-hop culture in their everyday lives. Black women grapple with some of the complexities and influences of hip-hop culture within discourse and writing surrounding black feminists and hip-hop feminists. 21st century Social media The new century has brought about a shift in thinking away from "traditional" feminism. Third-wave feminism claimed the need for more intersectionality in feminist activism and the inclusion of Black and other ethnic minority women. Moreover, the advancement of technology fostered the development of a new digital feminism. This online activism involved the use of Facebook, Twitter, Instagram, YouTube, Tumblr, and other forms of social media to discuss gender equality and social justice. According to NOW Toronto, the internet created a "call-out" culture, in which sexism or misogyny can be called out and challenged immediately with relative ease. As an academic response to this shift, many scholars incorporated queer of color critique into their discussions of feminism and queer theory. Queer of color critiques seeks an intersectional approach to misidentifying with the larger themes of "radicalized heteronormativity and heteropatriarchy" in order to create a more representative and revolutionary critique of social categories. An example of queer of color critique can be seen in the Combahee River Collective's statement, which addresses the intersectionality of oppressions faced by Black lesbians. The 2010s saw a revitalization of Black feminism. As more influential figures began to identify themselves as feminist, social media saw a rise in young Black feminists willing to bring racist and sexist situations to light. One of the defining moment of the re-emergence of black feminism - and feminism in general