Mita Vashisht (born 2 November 1967) is an Indian actress. Known for her work on screen, stage and television, she has played a wide range of roles. Her most prominent appearances includes; sci-fi television series Space City Sigma (1989-1991), Pachpan Khambe Laal Deewarein, Swabhimaan, Alaan (Kirdaar) to Trishna in Kahani Ghar Ghar Ki and Jethi Maa in Kaala Teeka to film roles with a wide spectrum of directors with different cinema styles. Early life Mita Vashisht was born on 2 November 1967 in Pune, Maharashtra, India to Captain Rajeshwar Dutt Vashisht, who retired as a colonel from the Indian Army and Meenakshi Mehta (née) Vashisht, a teacher and a singer (Indian Classical). She has done her post-graduation in literature from Punjab University, Chandigarh and graduated from the National School of Drama (Delhi) in 1987, Vashisht was for several years (1990–2010) also visiting faculty to some of the premier design, film and theatre institutes of India – the NIFT (Delhi), FTII (Pune), NSD (Delhi) and the NID (Ahmedabad). She has also conducted theatre workshops in the UK (London, Birmingham, Leicester) and in Damascus. She teaches students of fashion design, film direction and acting, using theatre techniques. She is married to filmmaker Anup Singh. Career Vashisht has played the lead roles in the avant-garde cinemas (notably Kumar Shahani and Mani Kaul films), the middle of the road cinemas (Notably Govind Nihalani's films) as well as in successful big budget Bollywood films. She has worked in theatre as actress and director too. She researches and writes her scripts as well. Since 2004, she has performed her solo play in English and Hindi, titled, Lal Ded, based on life of medieval Kashmiri mystic Lal Ded, all over India. Vashisht has written and produced three short films, as well as a serial for television. She was the executive producer of the film The Name of a River, a BFI (London) - NFDC (India) - Bangladesh film co-production. In June 2001, Vashisht established Mandala, space for arts collaborations research and education. Its aim was to spearhead a new movement in the arts, to centre stage and individuate the performing arts in society (she considers that imperative, in the face of an electronic media onslaught) and to aid artistic collaborations. Her first project under Mandala however took an unusual twist. A chance theatre workshop that she conducted with trafficked minors in a remand home in Mumbai led