by Revolting Cocks, 1000 Homo DJs, PTP, Pailhead (with Ian MacKaye), and Acid Horse. This culminated in the release of the Ministry Trax! Box, a 7 CD plus bonus LP compendium of 101 tracks from the 1980-1985 period including 29 previously unreleased recordings all packaged in a patent leather, foil-stamped box with a 64-page book. The label also published a massive tome of unreleased photos and ephemera of Bauhaus, entitled Bauhaus Undead, curated by founding member Kevin Haskins. That led to a record deal for Haskins’ project with Daniel Ash, Poptone, featuring newly recorded versions of songs by Bauhaus, Tones on Tail, and Love & Rockets. 2017 & 2018 saw the label partner with a number of underground and indie artists such as The Warlocks, Bestial Mouths, Magic Wands, Fantome (featuring Hanin Elias of Atari Teenage Riot), Gary Wilson, Egrets On Ergot, Descartes A Kant, Pastel Ghost, United Ghosts, Holygram, Whispering Sons as well as more familiar acts such as The Guess Who, Tom Keifer (of Cinderella), and Gin Blossoms plus live albums from Jane's Addiction, Culture Club and Sheryl Crow. Also in 2018, the label staged another major foray into the world of hip hop through the imprint X-Ray Records with releases by Gunplay, Riff Raff, Onyx, Luniz, Black Sheep, Brokencyde, Petey Pablo, and R&B icon Case. The year culminated in one of the imprint's highest profile releases ever, the new studio album from Wu-Tang Clan member Ghostface Killah, The Lost Tapes, and two remix albums released simultaneously as The Ghost Files. Now Glenn Danzig — who recently unveiled his debut horror film, Verotika — has devoted an entire album to hailing the King. The long-in-the-works Danzig Sings Elvis, released April 24, 2020, features Evil Elvis’ covers of iconic Presley numbers like “Always on My Mind,” “Baby, Let’s Play House,” and even the distinctly un-Danzig-like “Pocket Full of Rainbows.” What’s most surprising is how faithful his versions are to the originals. His take on “One Night” — Presley’s foot-stomping rockabilly barnburner, which made it up to Number Four in 1957 — retains all the lustful passion of the original with gently buzzing guitar and as much glorious slap-back reverb as Danzig could find. Never does it drift into metal territory; it’s simply a reverent tip of the pompadour to the King. A teaser for Powerman 5000's new single, "Black Lipstick", is available. The track is taken from the band's