Faraway, So Close! () is a 1993 German fantasy film directed by Wim Wenders, who co-wrote the screenplay with Richard Reitinger and Ulrich Zieger. It is a sequel to Wenders' 1987 film Wings of Desire. Actors Otto Sander, Bruno Ganz and Peter Falk reprise their roles as angels who have become human. The film also stars Nastassja Kinski, Willem Dafoe and Heinz Rühmann, in his last film role. The story follows the angel Cassiel, who unlike his friend Damiel, chose not to become human in the original despite being told of the joys of life. Cassiel only becomes human in the reunified Berlin, but quickly becomes involved in a criminal enterprise that threatens his newfound life and his friends. Wenders opted to pursue the project, desiring to make a film set in Berlin after the fall of the Wall. Sander also wished to pursue a storyline in which his character becomes human, and contributed ideas for the plot. Faraway, So Close! won the Grand Prix du Jury at the 1993 Cannes Film Festival, but enjoyed less critical success than its predecessor. Plot Cassiel and Raphaella, two angels, observe the busy life of reunited Berlin. Due to their divine origin, they can hear the thoughts of the people around them, and try to console a dying man. Cassiel has been following his friend Damiel (a former angel), who senses his presence and talks about his experiences as a human. He owns a pizza parlor named Casa dell'angelo (Angel's House) and has married Marion, a trapeze artist whom he met when an angel. She works in a local bar in West Berlin, and the two have a young daughter, Doria. Cassiel follows Raissa Becker, an 11-year-old girl who lives in the former East Berlin. He observes her life and notices that she and her mother Hanna Becker are being followed by Philip Winter, a detective who works for Anton Baker. The latter is an American arms dealer and pornographer who owns a transport company. Cassiel follows Hanna Becker (and Winter) to an abandoned building in the outskirts of East Berlin. As Raphaella and Cassiel sit on top of the Brandenburg Gate, he expresses a desire to experience human life. Visiting Raissa, he finds her alone at her flat and leaning over the balcony railing. As she falls, Cassiel tries to save her and suddenly becomes human, catching the child. He has to