House by the River is a 1950 American crime melodrama directed by Fritz Lang and starring Louis Hayward, Lee Bowman and Jane Wyatt. It is based on the 1921 novel of the same title by A. P. Herbert. Plot A rich novelist, Stephen Byrne, who lives and works by a river, accidentally kills his attractive maid after she begins screaming when he makes a drunken pass. The writer manipulates his brother, John, who is physically impaired with a limp, to help him dispose of the body. Making use of a sack, which Stephen has borrowed from John for carrying firewood, they stuff the maid inside and dump her into the river. Days later, the sack and body float up and pass Stephen's house. He goes onto the water and desperately tries to retrieve it, but fails. The police recover the bundle and, because John's initials have been stencilled on the sack, it is all traceable to him. An inquest is held and, to Stephen's great pleasure, a cloud of suspicion hangs over John, who is tortured by his role in the situation and contemplates suicide. He and Stephen's wife, Marjorie, harbour feelings for each other. Stephen, meanwhile, has used the maid's disappearance and death as publicity for his books. Looking to reap great financial gain, he begins writing a novel specifically about the crime; in it he implicates himself. The circumstances are resolved after Stephen resorts to deliberate attempts at murder. Cast Louis Hayward as Stephen Byrne Jane Wyatt as Marjorie Byrne Lee Bowman as John Byrne Dorothy Patrick as Emily Gaunt Ann Shoemaker as Mrs. Ambrose Jody Gilbert as Flora Bantam Peter Brocco as Harry – Coroner Howland Chamberlain as District Attorney Margaret Seddon as Mrs. Whittaker – Party Guest Sarah Padden as Mrs. Beach Kathleen Freeman as Effie Ferguson – Party Guest Will Wright as Inspector Sarten Leslie Kimmell as Mr. Gaunt Effie Laird as Mrs. Gaunt Bob Burns as Courtroom Spectator (Uncredited) Production background Director Fritz Lang wanted to make the character of the murdered maid an African American woman, but the Hays Office was against it as sexual desire between blacks and whites was seen as problematic. Reception Critical response When the film was first released, film critic for The New York Times, Bosley Crowther, panned the film, writing, "... we fear that neither the enlightenment nor the excitement that a customer might expect in such