panelled gallery with original box pews round the other sides of the ellipse. The pulpit was lowered and the sounding board removed during a 1953 refurbishment, with sections of 19th century box pews removed during 2012 refurbishments. The original design for St Andrew's Church included a short tower but the Town Council opted for a 51m steeple, built in 1787. It contains a unique peal of eight bells cast in 1788 by William and Thomas Mears at the Whitechapel Bell Foundry, the oldest complete ring in Scotland. The bells were refurbished in 2006 and restored to full change ringing. The original Georgian crown glass sash windows with glazing bars no longer exist. Of the replacements the most noteworthy are stained glass windows depicting The Beatitudes by Alfred Webster (1913) and The Son of Man by Douglas Strachan (1934). In 1976 the cellar space under the church was adapted for use as the "Undercroft", later linked by a stair to the vestibule. In 1947 St Andrew's Church was united with Queen Street Church of Scotland, with the Queen Street church building used as church halls. Queen Street Church had been formed by the union in 1891 of Tollbooth Free Church and St Luke's Free Church to form Queen Street Free Church, which became Queen Street United Free Church in 1900 (at the union of the Free Church and the United Presbyterians) and then Queen Street Church after the 1929 union of the United Free Church and Church of Scotland. St George's Church St George's Church, on the west side of Charlotte Square, was begun in 1811, with Robert Reid adapting Adam's design from 1791. The original estimate of £18,000 rose to over £23,600 by the time the church was opened in 1814. Severe structural defects, caused by the use of wood and stone underneath the dome, led to its closure in the 1960s when it was taken over by the Ministry of Public Building and Works and converted for use as archives (now part of the National Records of Scotland). St George's West Church Free St George's Church was built in 1866–69 to designs by David Bryce in Roman Baroque style. The tower in the south-west corner is partly by Bryce, but was completed by Robert Rowand Anderson, who had briefly been in partnership with Bryce, in 1879–81 with a 56m Venetian campanile, modeled on that of San Giorgio Maggiore. In