the summer Galija performed in Makarska on the Adriatic shore; during the following years they would continue to hold regular concerts in the town. During the same year the band performed at the Split Festival, playing at Poljud Stadium with Azra, Metak, Drago Mlinarec, Generacija 5, Senad od Bosne, Aerodrom, Dado Topić and other acts. In Zenica the band performed on the Bilino Polje Stadium, alongside Riblja Čorba, Maja Odžaklievska, Davorin Popović, Aerodrom, YU Grupa and Vatreni Poljubac, on a concert organized as a celebration of Radio Zenica 11th anniversary. At this time Galija achieved huge success with the audience in Bosnia and Herzegovina, and until the beginning of Yugoslav wars the band had the biggest fanbase in Bosnia. The Yugoslav press, although mostly critical of the band's second album, praised their concerts, especially Nenad Milosavljević's charismatic on-stage appearance. In 1980 Pavlović left the band to serve his stint in the Yugoslav Army, and was replaced by Zoran Stamenković. In 1981 the band performed, alongside Pomaranča, Tunel, Radomir Mihajlović Točak Trio, Piloti, Bulevar, Siluete and other acts, at the second edition of Belgrade Rock Festival in Pionir Hall in front of some 10,000 people. In 1982, the album Ipak verujem u sebe (Nevertheless, I Believe in Myself) was released, bringing hits "Još uvek sanjam" ("I'm Still Dreaming") and "Burna pijana noć" ("Stormy Drunken Night"). The album was recorded with new guitarist, Branislav Radulović. At the beginning of 1982, Boban Pavlović returned to the band. In 1982 Galija performed as the opening band at Joe Cocker's concert in Pionir Hall in Belgrade. At the beginning of 1983 they toured Bosnia and Herzegovina with YU Grupa and Buldožer, and on 10 June 1983 they held a big concert at Belgrade's Tašmajdan Stadium with Potop (The Flood) and Kerber as the opening bands. Potop leader, keyboardist Saša Lokner, soon became Galija's new keyboardist. 1984–1988: shift to mainstream rock In October 1983 Galija recorded their fourth studio album Bez naglih skokova (Without Bounces), which marked the band's shift away from progressive rock towards more mainstream-oriented sound.. The album, released in 1984, was recorded in Manchester and was produced by Nightwing bass guitarist Gordon Rowley (who previously worked with another band from Niš, Kerber), and mixed in California. The material was offered to record label Jugoton, but the label refused the material, so the band once again signed with PGP-RTB. Unlike the band's previous releases,