as the work of the non-existent American photographer Robert Capa; a convenient name overcoming the increasing political intolerance prevailing in Europe and attractive for the lucrative American market. Capa was derived from Friedmann's Budapest street nickname "Cápa" which means "Shark" in Hungarian. The secret did not last long, but Friedmann kept the more commercial name "Capa" for his own name, while Pohorylle adopted the professional name of "Gerda Taro" after the Japanese artist Tarō Okamoto and Swedish actress Greta Garbo. The two worked together to cover the events surrounding the coming-to-power of the Popular Front in 1930s France. Coverage of the Spanish Civil War When the Spanish Civil War broke out in 1936, Taro travelled to Barcelona, Spain, to cover the events with Capa and David "Chim" Seymour. Taro acquired the nickname of La pequeña rubia ("The little blonde"). They covered the war together in northeastern Aragon and in the southern Córdoba province. Always together under the common and using the bogus signature of Robert Capa, they succeeded in publishing through important publications (the Swiss Zürcher Illustrierte, the French Vu). Their early war photographs are distinguishable since Taro used a Rollei camera which rendered squared photographs while Capa produced rectangular pictures using a Contax camera or a Leica camera. However, for some time in 1937 they each produced similar 35 mm pictures under the label of Capa&Taro. Subsequently, Taro attained some independence. She refused Capa's marriage proposal. Also, she became publicly related to the circle of anti-fascist European and intellectuals (such as Ernest Hemingway and George Orwell) who crusaded particularly for the Spanish Republic. :fr:Ce Soir, a communist newspaper of France, signed her for publishing Taro's works only. Then, she began to commercialise her production under the Photo Taro label. Regards, Life, Illustrated London News and Volks-Illustrierte (the exile edition of Arbeiter-Illustrierte-Zeitung) were among the publications that used her work. Reporting the Valencia bombing alone, Taro obtained the photographs which are her most celebrated. Also, in July 1937, Taro's photographs were in demand by the international press when, alone, she was covering the Brunete region near Madrid for Ce Soir. Although the Nationalist propaganda claimed that the region was under its control, the Republican forces had in fact forced that faction out. Taro's photographs were the only testimony of the actual situation. Death During her coverage of the Republican army retreat at the Battle of Brunete, Taro hopped onto the