work on the transition at the end of the song. Release An energetic tune about needing gratification and fulfillment without concern for commitment, "Fastlove" was the second single taken from Michael's third studio album, Older, which was his first studio album in six years and only the third of his solo career. For the single's B-side, a remake of the Wham! song "I'm Your Man" was used. Entitled "I'm Your Man '96", it was an update of one of their last singles, a decade earlier. Jon Kutner from 1000 UK Number One Hits said the line "Stupid Cupid keeps on calling me and I see lovin' in his eyes" had a dual interpretation which could imply Michael's homosexuality. Critical reception While reviewing Older, Stephen Thomas Erlewine from AllMusic said although "Fastlove" is the album's only dance track, it still "lacks the carefree spark of his earlier work." He later still chose the song as his one of his "track picks." Larry Flick from Billboard described it as a "sleek groove that is a direct descendant of "Good Times" by Chic." He noted that Michael "deftly cruises between breathy sensuality and full-bodied belting", adding that the "icing on the cake is a chorus and refrain that are immediate sing-along fodder." Daina Darzin from Cash Box wrote that "Fastlove" "pumps up both the volume and the velocity for a terminally danceable, happy-feet track that's sure to become a staple in discos across the U.S." She also said that it features "the sort of ultra-lush, opulent soul vibe that's been Michael's hallmark throughout his career." The Daily Vault's Melanie Love called it a "plea for noncommittal, one-night stands as a way to avoid the pain of relationships". She noted further, "It's got a silky-smooth groove with touches of brass, and Michael's voice is as stellar as ever, slick and teasing yet somehow revelatory, giving this track a hookiness despite lacking an actual chorus." Entertainment Weeklys Jim Farber gave the song an "A". He stated, "It took real guts to release a salute to a one-night stand in this, the era of abstinence," also praising its "devilishly seductive bass" and "sleekly probing horns". Farber concluded his review by calling the track "best slow-groove dance record since Lisa Stansfield's 'All Around the World'." Irish newspaper Evening Herald said it is "very like" his 1992 hit "Too Funky", adding that it "restores George to his rightful