of grace. 'What a paradox!' exclaimed Salvini. 'You gave me enough time to revisit my whole life, which lasted sixty-three years. The same length of time was too short to review an object I made in 3 months.' In this work is all of your life and the life of all men,' the Angel replied. 'To review it would take an eternity.'” We end with the present day Marcel walking towards the younger Marcel on the beach. Cast Catherine Deneuve as Odette De Crecy Emmanuelle Béart as Gilberte de Saint-Loup Vincent Perez as Charlie Morel John Malkovich as Le Baron de Charlus Pascal Greggory as Robert de Saint-Loup Marcello Mazzarella as Marcel, voiced by Patrice Chéreau Marie-France Pisier as Madame Verdurin Chiara Mastroianni as Albertine Arielle Dombasle as Madame de Farcy Édith Scob as Oriane de Guermantes Elsa Zylberstein as Rachel Mathilde Seigner as Céleste Christian Vadim as Bloch Dominique Labourier as Madame Cottard Philippe Morier-Genoud as Monsieur Cottard Melvil Poupaud as Le Prince de Foix Alain Robbe-Grillet as Goncourt Bernard Garnier as Cambremer Logan Fuga as Josue Reception Release and awards Le Temps Retrouvé was released in France on 16 May 1999. The film was one of the nominations for the 2000 César Award for Best Costume Design. The budget for this film was about $10.4 million, however its gross income from box office amounted to about $4.5 million. The film is available to view online through Vudu and Amazon Prime. Critical reception The film was featured at the retrospective commemoration which was held at Lincoln Center at the end of 2016 which ran during the week ending December 22. As stated by Richard Brody of The New Yorker at that time: "[The film] is also a triumph of classical cinematic values, reviving Proust's era with an obsessive attention to detail: the trim of mustaches and the cut of collars, a cortege of umbrellas straight out of a painting by Renoir, and hypnotically opulent furnishings seemingly borrowed from movies of the era. Many of Ruiz's films... involve tricks of time and memory; working with Proust, Ruiz seems to mind-meld with him, raising his own artistry to exquisite new heights." Frédéric Bonnaud describes Time Regained as "a film of old fashioned illusionism." The New York Times article goes on to say that if there had been any reward for the film, it would have been for sheer ambition. Many thought