its first week of release, it spawned five singles and sold over four million records worldwide. It also netted Korn their first ever Grammy Award ("Here to Stay"- Grammy Award for Best Metal Performance- 2004) and is singer Jonathan Davis' favorite Korn record. Jonathan Davis- "We were coming off of Issues, and we wanted to make an amazing record. That’s when we hooked up with Michael Beinhorn, and Beinhorn’s whole vision was to make an amazing sounding rock record that could never be made again. [...] I wanted to shoot a documentary about that record. We spent so much money, on the drums alone we spent a whole month just getting drum sounds. There were 50 mics just on the drumset that they picked out and tested. [...] Usually, I do my vocals and it takes me a month or two weeks, but just vocals it took me five, almost six months. With Beinhorn, sometimes I’d walk in and sing and he’d just say, “Go home, your voice ain’t right.” [...] It was the peak and pinnacle of everything in Korn. I still can’t believe how much work went in on it. It was a lot." 2003-Present From 2003, Beinhorn went on to work with a diverse array of artists such as Fuel, Mew, The Bronx, Courtney Love, Pete Yorn, Natalie Maines, Leon Russell and Dave Grohl. In 2015, Beinhorn wrote a book called "Unlocking Creativity" (published by Hal Leonard) which outlines his personal experience with the creative process as a record producer. However, his attention consistently returned to the issue of artist development, as well as other concerns facing artists, producers and other individuals who are trying to maintain their creative ethics in the radically shifting environment of a new music industry. Being a staunch advocate of album pre-production, he also felt the need to address the changing music industry climate and the lack of reasonable budgets available to most musicians. To address these concerns and redefine the role of the music producer through the incorporation of new technology, Beinhorn started one of the world's first completely remote services for working with artists and producing music in 2018, called Beinhorn Creative. He sees this as a way to help musicians achieve their greatest potential while pursuing a return to excellence. Productions discography 1979: Temporary Music 1 - Material 1980: Temporary Music 2 - Material 1981: Memory Serves - Material