and finally accepts his position in the world, his liberation derives from the futility of his existence. The liberation is seen in the final scene with the gorilla. Yank goes and meets his symbolic equal in that to the upper class, they are nothing but beasts to exploit. Yank comes to terms with his position in the world again and dies knowing that he belongs somewhere. Masculinity Not only does O’Neill explore the depths of the existential crisis, but he also delves into the primitive nature of Man. He presents his readers with a protagonist that exhibits almost every facet of what it means to be masculine. He is strong, brutish, and hard working. In almost every description, Yank is shown as a Neanderthal that barges around yelling orders and swearing. In some instances he hunches over as if he is Rodin’s The Thinker contemplating his brutish existence. Yank’s world changes when he meets Mildred because suddenly his world got a lot bigger than he thought it was. He is exposed to an entire class of people that did not see him for his worth and appalled at the sight of him. Mildred comes to symbolize the upper class that he devotes himself to rebelling against. O’Neill pairs this origin-type man with the seemingly inferior upper-class modern man. The foil not only allows for audience sympathy towards Yank, the protagonist, but also forces the audience to consider what they have become as modern Man. This was a time when the “idealization of lower-class masculinity was rampant” and at their helm came Yank, the epitome of that lower-class, masculine Man. Yank’s heroism lies in his inherent ability to be the best at everything physical, he lives and dies by the work he does with his hands. The affinity with the masculine has always been an important part of storytelling, but it takes on new meaning in the twentieth century in the light of rapid technological progress. Themes Social recession by industrialization The Hairy Ape displays oppression of the industrial working class. Despite demonstrating in The Hairy Ape O'Neill's clear belief that the capitalist system persecutes the working man, he is critical of a socialist movement that can't fulfill individual needs or solve unique problems. The industrial environment is presented as toxic and dehumanizing; the world of the rich, superficial and manipulative. Yank has also been interpreted as representative of the human