lawns, which have since been transformed into parking spaces. The building is up to four stories high. The architect's original plan was to have the entire exterior in polychrome, like in ancient Greece. For this purpose he created a show-piece on the southern side of the building, with gilded capitals and red and gilded friezes. The plan was not implemented due to budgetary constraints. Roof Corresponding to the horse tamers at the Ringstraße ramp, eight quadrigas made of bronze decorate both ends of the roof. The quadriga is a symbol of victory, driven by the goddess of victory Nike. The attic design of both chambers is rich in symbolism, with 76 marble statues and 66 reliefs forming a decorative ensemble. There are 44 allegorical statues which represent human qualities and branches of human activity, while 32 statues represent famous personalities from Classical Antiquity. The reliefs are allegorical as well and correspond to the areas of public life on which the famous personalities impacted. The crown lands, important cities, and rivers of the empire are portrayed in 50 smaller reliefs. The roof is for the most part kept in the ancient Greek form, decorated with ancient Greek-style caps and palmettes made of copper sheet metal. Material It was the emperor's personal wish to use Austrian marble for the construction of the buildings on the Ringstraße. For that purpose, marble from the village of Laas in the county of Tyrol was brought in and generously used on the Hofburg Imperial Palace and the Reichsratsgebäude. For the architect Baron von Hansen, the white, sturdy stone was perfect, since the building blocks for the façade and statues could be made to look like those in ancient Greece. Over the decades and with increased air pollution, the marble has proved remarkably resilient, stronger than its famous counterpart from Carrara. Bronzework Four bronze statues of the horse tamers are located at the two lower ends of the ramp (Auffahrtsrampe). They are a powerful symbol of the suppression of passion, an important precondition for successful parliamentary cooperation. They were designed and executed by J. Lax in the Kaiserlich Königliche Kunst-Erzgießerei in 1897 and 1900. Further bronze works are the two quadrigas on top of the roof, each chariot pulled by four horses and steered by the goddess Nike. The bronze works had to undergo extensive conservation and restoration work in the 1990s, due to damage from acid