Three Dollars is a 2005 Australian film directed by Robert Connolly and starring David Wenham, Sarah Wynter, and Frances O'Connor. It was based on a 1998 novel of the same name by Elliot Perlman. It won the 2005 Australian Film Institute Award for Best Adapted Screenplay. Plot The film and book tell the story of Eddie (David Wenham), a principled man with a seemingly stable and happy life. He has a wife, the academic Tanya (Frances O'Connor), a daughter, Abby (Joanna Hunt-Prokhovnik), is paying off a house and has a job as a government land assessor. Yet when the forces of economic and social change threaten this, he realises just how fragile his reality and security is. After losing his job, he checks his bank balance and realises he has only the 'three dollars' of the title to his name. Eddie's life also becomes entwined with that of childhood friend Amanda (Sarah Wynter), whom he unfailingly runs into every nine-and-a-half years, and every time he has just three dollars. The novel and film are set largely in Melbourne, at a time when the policies of economic liberalisation were gaining credence in Australian politics and were arguably affecting many lives similarly to Eddie and Tanya. They explore the choices we make between what we have and what might be. Reception The film has received better reviews in Australia and New Zealand than in the United States. Generally, performances, cinematography, and observational details received praise, while direction and story flow received criticism. In New Zealand, The Lumiere Reader gave the film 5/5 stars as an "engaging and accessible film which gives the audience plenty to mull over. The cast all bring their roles to life in a fresh, believable fashion and the direction, whilst smart, is not overtly in your face." On the Australian At The Movies Margaret Pomeranz gave the film 3.5/5 and David Stratton gave 4.5/5 stars. TripleJ's Megan Spencer gave the film 4/5 stars, describing the film as "an authentic, intelligent and entertaining snapshot of contemporary middle class life," and, "it does have flaws, however: the key plot device of meeting Amanda over time amounts to...not very much. The ethical dilemma Eddie faces at work is dropped like a hot potato and there were some superfluous scenes that could have easily been trimmed from the cut, which would have made dramatically stronger." Andrew Urban of Australia's Urban Cinefile wrote: