featured such guest stars as Dick Powell, Bob Hope, Edward G. Robinson, Gary Cooper, and many others. After a frustrating encounter with Gary Cooper, Oboler decided that he would need to direct his plays in addition to writing them. Arch Oboler caused more controversy with his script contribution to the 12 December 1937 edition of The Chase and Sanborn Hour. In Oboler's sketch, host Don Ameche and guest Mae West portrayed a slightly bawdy Adam and Eve, satirizing the Biblical tale of the Garden of Eden. On the surface, the sketch did not feature much more than West's customary suggestive double-entendres, and today it seems quite tame. But in 1937, that sketch and a subsequent routine featuring West trading suggestive quips with Edgar Bergen's dummy Charlie McCarthy caused a furor that resulted in West being banned from broadcasting and from being mentioned at all on NBC programming for 15 years. The timing may have been a contributing factor, according to radio historian Gerald S. Nachman in Raised on Radio: "The sketch resulted in letters from outraged listeners and decency groups... What upset churchgoing listeners wasn't the Biblical parody so much as the fact that it had the bad luck to air on a Sunday show." Arch Oboler's Plays, Part I In 1939, with his own money, Oboler recorded an audition record of his play The Ugliest Man In the World, from which he hoped to launch a new radio series of idea plays. He brought the recording to his network, NBC. At the time, NBC was looking to launch an experimental radio series to rival CBS's Columbia Workshop. NBC was also looking for a radio writer and director to rival CBS's Norman Corwin. NBC gave Oboler his own series, without a sponsor and with complete creative control. It was NBC that named the series Arch Oboler's Plays. It was an almost unheard-of honor. The time slot was less auspicious; the series occupied the Sunday 7–7:30 period opposite Jack Benny. An impressive roster of actors worked for scale to appear in Oboler's plays, including Bette Davis, Ronald Colman, Edmond O'Brien, Elsa Lanchester and James Cagney. Perhaps the most memorable broadcast was Oboler's adaptation of Dalton Trumbo's Johnny Got His Gun, starring James Cagney. The harrowing story of Joe Bonham, a World War I casualty with no limbs, eyes, ears, or mouth, was particularly suited to radio. Oboler created striking sound effects