Charles Augustin Sainte-Beuve. However, the feuilleton would become a phenomenon only with the appearance of serialised novels. For instance, Alexandre Dumas' The Count of Monte Cristo, The Three Musketeers and Vingt Ans Apres all filled the "ground floors" of the Siècle. Eugène Sue's Mysteres de Paris ran in the Débate, and his Juif Errant (The Wandering Jew) appeared in the Constitutionnel. In The World of Yesterday, Stefan Zweig wrote of how the Neue Freie Presse'''s feuilleton, "in the lower half of the front page, separated sharply from the ephemera of politics and the day by an unbroken line that extended from margin to margin," had become the leading arbiter of literary culture in fin de siècle Vienna, such that a feuilleton writer's "yes or no... decided the success of a work, a play, or a book, and with it that of the author." The feuilleton was a common genre in Russia, especially during the Government reforms of Alexander II of Russia. Fyodor Dostoevsky wrote feuilletons. The feuilletonistic tendency of his work has been explored by Zhernokleyev. By 1870 Dostoevsky parodied the feuilleton for its celebration of ephemeral culture. Reference in Hesse novel In the novel The Glass Bead Game (1943) by Nobel Prize-winning novelist Hermann Hesse, the current era is characterised and described as "The Age of the Feuilleton". See also Causerie Op-ed Column (newspaper) Serial novel Sunday Supplement The Third Culture (1995), book that inspired several German newspapers to integrate scientific reports into their feuilleton'' sections References Newspapers