cadence of the U.S. Army marching drill. He then worked the "hip hop" cadence into part of his performance. This led to the term "hip hoppers" being used derogatorily by the culture's early detractors, most of whom were from the disco set, to label the music used. This evolved into the term "Hip Hop" and was later adopted by the industry. Melle Mel and Kidd Creole were the first rappers to call themselves "MCs" (Masters of Ceremonies). The 3 emcees worked with Flash, who went on to bring in Scorpio and Rahiem (Guy Todd Williams). After the formation of the Furious 5, Flash also worked with rapper Kurtis Blow doing parties in Queens. During the time Flash worked with Kurtis Blow, it was mainly due to internal disputes with the emcees, so for a short time prior to the formation of the Cold Crush Brothers in 1979, DJ Charlie Chase was the Furious 5's DJ. Grandmaster Flash & The Furious 5 were the number one rap group on the streets of New York City before rap music was embraced by the music industry, setting the standard for all other emcee groups who came after them. The first single they released was "We Rap More Mellow", which was registered under the name The Younger Generation. The name change was made by the producer, who considered it better. The group was popular locally, gaining recognition for their skillful raps and deejaying, but it was not until the Sugarhill Gang's "Rapper's Delight" proved that hip hop music could achieve mainstream success that they began recording. In 1979, they released their first single on Enjoy Records, "Superappin". The group went on to sign with Sylvia Robinson's Sugar Hill Records, following an agreement that they could perform over a then-popular DJ favorite. Mainstream success and The Message (1980–1982) In 1980, the group released their Sugarhill Records debut, "Freedom", which reached #19 on the R&B chart and sold over 50,000 copies. The follow-up, "Birthday Party" was also a hit. In 1981, Grandmaster Flash released The Adventures of Grandmaster Flash on the Wheels of Steel, which was a multi-deck, live recording of one of his routines that featured Queen's "Another One Bites the Dust" and Chic's "Good Times". The release marked the first time that scratching & turntablism were featured on a record. In 1982, the group released "The Message", which was produced by Clifton "Jiggs" Chase