Davis. The same meta-structures of mind or mindprints reappear along the evolution of culture: tool making, language and all of the cultural domains but on ever higher levels of abstraction. Understanding of the cognitive mechanisms necessary for reading the footprints led to Avital's most important finding: mindprints theory and they are the central axis of all his life's research. Avital assumes that these are the basic organizational structural tools of the mind, and find expression in all branches of culture through all time, and that apparently these organizational structures, at some level, exist in plants and animals as well. Avital claims that these mindprints that were necessary to read footprints four million years ago, and are necessary today to read footprints, are the same qualities necessary for making stone tools 2.6 million years ago, prehistoric art, language and its derivatives, technology and science. A tentative table of mindprints: 1. Connectivity–Disconnectivity (Codis) (Unity–Plurality) 2. Open-Endedness–Closed-Endedness 3. Recursiveness (Recurrence)–Singularity (“One-off") 4. Transformation–Invariance 5. Hierarchy–Randomness (Anti-hierarchy, Disorder) 6. Symmetry–Asymmetry 7. Negation–Affirmation (Double Negation) 8. Complementarity–Mutual Exclusiveness 9. Comparison–Imparison (No Comparison?) 10. Determinism–Indeterminism (Probability, Selection, Choice) Over time, the level of abstraction and sophistication in the application of these patterns became more and more complex. Similarly, awareness of the existence of these organizational patterns grew throughout the development of culture. In this paper Avital claims that the evolution of culture is to a large extent the evolution of levels of application of mindprints. To make the matter concrete, he demonstrates and compares the appearance of mindprints in reading footprints 3.8 million years ago: prehistoric art from its beginning 40,000 years ago, and modern science today. In contrast, in modern art these organizational patterns are in part lacking, and in part appear in a distorted or ruined condition. That is, in modern art the structural skeleton that held art together over tens of thousands of years is lacking, and therefore this is not art at all, but rather the debris of the figurative art which modernism broke into shreds. For example, the footprint of a deer of some particular age, sex and physical condition relates or connects all deer of the same kind, but also differentiates them from other animals. The prehistoric painting of a horse relates all horses of the same kind, but also separates them from other animals. Newton's law of gravity shows the force of attraction between any two masses as a