opportunity to take over the series and make it his own. He was unenthusiastic at first, "a weekly horror play that went on at Tuesday midnight to the somber introduction of 12 doleful chimes, was not exactly my idea of a writing Shangri-La...". But Oboler soon realized that the midnight time slot and the lack of a sponsor gave him the freedom to experiment with both story content and style. Although NBC maintained strict neutrality regarding Nazi Germany and Fascist Italy, Oboler smuggled anti-fascist messages onto the program. Additionally, he used stream-of-consciousness techniques that were often deemed too esoteric for commercial audiences. Oboler caused controversy with his very first play for the series, Burial Services. The ending of the play, in which a young girl is buried alive with no hope of rescue, was too much for audiences. Letters of protest poured into NBC. After this incident, Oboler toned down the realistic terror in his horror plays in favor of the fantastic. Perhaps the best remembered story from this series of Lights Out is Chicken Heart. In that story, the tiny heart of a chicken, kept alive in a Petri dish in a lab, grows exponentially until it covers the entire earth. Oboler was very innovative with sound effects, and the insistent beating heart creates much of the terror in the broadcast. The story made such an impression on a young Bill Cosby that he created a memorable comic routine (featured on the Wonderfulness album) around his childhood memories of Chicken Heart; Stephen King also singles out Chicken Heart as a memorable episode in his discussion of horror radio in the book Danse Macabre. Another well remembered story is The Dark, about a malevolent fog that turns people inside out. This story also features memorable sound effects. Like Chicken Heart, The Dark was also parodied, this time by The Simpsons on a "Treehouse of Horror" Halloween special. Oboler tired of Lights Out because he wanted to write realistic plays about Fascism. "I found myself wanting the dimensions of that half hour on the air expanded to take in the actual horror of a world facing, with half-shut eyes, the fascistic Frankenstein's monster moving over Europe.". Your Hollywood Parade and the Mae West incident Around the time that Oboler was writing for Lights Out, he was invited to Hollywood to write sketches for the Lucky Strike-sponsored Your Hollywood Parade. The show