Modena Cathedral ( but colloquially known as simply Duomo di Modena) is a Roman Catholic cathedral in Modena, Italy, dedicated to the Assumption of the Virgin Mary and Saint Geminianus. Formerly the seat of the Diocese, later Archdiocese, of Modena, it has been since 1986 the archiepiscopal seat of the Archdiocese of Modena-Nonantola. Consecrated in 1184, it is an important Romanesque building in Europe, and along with its bell tower, the Torre della Ghirlandina, is designated as a World Heritage Site. History Since the 5th century, two churches had existed on the site of the present cathedral: the discovery of the burial site of Saint Geminianus, Modena's patron saint, led to the destruction of those churches and building of this cathedral by 1099. The initial design and direction was provided by an architect known as Lanfranco, little else is known about this architect. The Saint's remains are still exhibited in the cathedral's crypt. The present cathedral was consecrated by Pope Lucius III on July 12, 1184. This is also the place where Modena kept Bologna's Bucket from the War of the Bucket. Embellishment After Lanfranco's work, the cathedral was embellished by Anselmo da Campione and his heirs, the so-called "Campionese-masters". The current façade therefore exhibits different styles. The majestic rose-window was added by Anselmo in the 13th century, while the two lions supporting the entrance's columns date to Roman times, probably discovered while digging the foundations. Façade The façade also has notable reliefs by Wiligelmus, a contemporary of Lanfranco; these include portraits of prophets and patriarchs, and most of all the Biblical Stories, a masterpiece of Romanesque sculpture. The scholars have pointed out the splendid achievements in the creation of Adam and Eve, the original sin and the story of Noah. The side portals are also noteworthy. On the Piazza Grande, the porta regia di piazza (piazza portal), also by the campionesi, and the porta dei principi (princes' portal), decorated with a relief depicting episodes of the life of Saint Geminianus, by a pupil of Wiligelmus. On the northern side is the porta della pescheria (fish market portal), with reliefs inspired by the cycle of the twelve months on the doorposts, and tales from the Breton Cycle of King Arthur on the archivolt. Interiors The interior is divided into three naves. Between the central nave and the crypt is a marble parapet by Anselmo da Campione portraying the Passion of