Richard Virgil Dean Steinheimer (August 23, 1929 – May 4, 2011) was an American railroad photographer, often called the "Ansel Adams of railroad photography." His work has been published in Trains Magazine, Railfan, Locomotive and Railway Preservation and Vintage Rail, and more than seventy books. He lived in Sacramento, California. A pioneer in railroad photography, Steinheimer lived through and documented the railroads' heyday and their transition to diesel motive power from steam. He is one of very few photographers who appreciated the aesthetics of all locomotives, from steam engines to the latest diesel-powered behemoths. He had a particular fondness for the landscape of the American West, and many of his images situate trains in the larger geography and culture of the time. Known for taking pictures at night, in bad weather, and from risky perches on top of moving trains, Steinheimer had an enormous creativity and productivity. His photograph, "Southern Pacific steam helper at Saugus, California, 1947," was included in the Center for Railroad Photography and Art's 20 Memorable Railroad Photographs of the 20th Century. Early life Richard Steinheimer was born in Chicago in 1929. His parents divorced in 1935, and he, with his mother and sister, moved to Phoenix, Arizona. It was this trip that first exposed him to trains. In 1939 his family moved to Glendale, California. The Southern Pacific main line was adjacent to his home. Career In 1945 he started his photographic career with a Kodak Baby Brownie, shooting wartime traffic in the common "wedgies" style. Also, in 1945 he received two books by Lucius Beebe, Highball and High Iron, from which he drew inspiration. By 1946 his photos had evolved into more of an experimental style. In 1946 he began using an Argus A-2 camera, and in 1947 he started using a 3×4 Speed Graphic. With the Speed Graphic now in hand, the flood gates were opened for the creation of some of the best night photos of railroads ever taken. He used yard lights, flashbulbs or whatever lights were available. His night work predates O. Winston Link's by almost seven years. By 1949 he was going to San Francisco City College and one of his teachers was Joe Rosenthal. From 1956 through 1962 he worked for the Marin Independent Journal as a photojournalist. Kalmbach Publishing produced in 1963 his Backwoods Railroad of the West. Although it failed commercially at the time, it would one