Santa Pudenziana is a church of Rome, a basilica built in the 4th century and dedicated to Saint Pudentiana, sister of Praxedes and daughter of Pudens (mentioned by Paul the Apostle in 2 Timothy, 4: 21). It is one of the national churches in Rome, associated with Filipinos. The authenticity of Pudentiana has been questioned and the name suggested to have originated in an adjective used to describe the house of Pudens, the Domus Pudentiana. History The Basilica of Santa Pudenziana is recognized as the oldest place of Christian worship in Rome. It was erected over a 2nd-century house, probably during the pontificate of Pius I in AD 140–55, re-using part of a Roman bath facility, still visible in the structure of the apse. The structure was the residence of the pope until, in 313, Emperor Constantine I offered the Lateran Palace in its stead. In the 4th century, during the pontificate of Siricius, the building was transformed into a basilica. In the acts of the synod of 499, the building bore the titulus Pudentis, indicating that the administration of the Sacraments was permitted there. The basilica is situated below the modern street level. Entrance is through wrought-iron gates. Steps that were added in the 19th century descend to a square courtyard from both sides of the entrance. The architrave of the entrance hall of the faded façade (1870) has a marble frieze that used to belong to a portal of the 11th century. It is a significant work of medieval sculpture in Rome. From left to right it depicts Pastore, the first owner of the basilica; Pudentiana; Praxedes; and their father, Pudens. The columns in the nave were part of the original edifice. The Romanesque belltower was added in the early 13th century. Restorations of 1388 by Francesco da Volterra, pursuant to order of Cardinal Enrico Caetani, Camerlengo of the Holy Roman Church, transformed the three naves into one and a dome was added that Francesco da Volterra also designed. The painting of Angels and Saints before the Savior in the interior of the dome is a fresco by Pomarancio. During these last restorations some fragments of a Laocoön group were found that were larger than those in the Vatican City. Because none was willing to pay extra for this find, the hole in the ground was filled. These fragments were never recovered. The façade was renewed in 1870