in the band's musical abilities, Napier-Bell used session musicians on the recording. AllMusic described the single as a "disorienting piece of musical mayhem", but said it was "one of the first overtly psychedelic singles." To Napier-Bell's surprise "Smashed Blocked/Strange Affair" broke into the bottom of the US Billboard Hot 100 and reached local top ten charts in Florida and California. In early-1967 they released their second single, "Just What You Want – Just What You'll Get/But You're Mine", which also featured session musicians, plus a guitar solo from the Yardbirds's Jeff Beck on the B-side. This one made it to the British Top 40. The band's third single, "Not the Sort of Girl (You'd Like to Take to Bed)" was rejected outright by their UK label, which prompted the band to switch to Track Records, publishers of artists like the Jimi Hendrix Experience and the Who. In the meantime, their US label, White Whale Records asked for an album, and Napier-Bell and the group obliged, producing Orgasm. This was a fake live album they recorded in the studio with overdubbed screams taken from the Beatles's A Hard Day's Night soundtrack. It was Napier-Bell's idea to give the album a "live" feel to make it seem like the band was very popular in England. But White Whale rejected Orgasm because of its title and pressure from Daughters of the American Revolution. The label did, however, release it four years later in 1971. In March 1967 Napier-Bell replaced guitarist McClelland with Marc Bolan, another of his clients. Napier-Bell had Bolan, an acoustic guitarist, play electric guitar, and take on the role of the band's singer/songwriter. Bolan composed and sang on the band's next single, "Desdemona", which was banned by the BBC because of the controversial lyric, "Lift up your skirt and fly." He also featured on several unreleased songs and BBC radio sessions, and contributed to the band's antics by whipping the stage with a chain. The Who In April 1967 Napier-Bell arranged for John's Children to tour Germany with one of Britain's premier rock groups, the Who as the latter's supporting act. The Who were notorious for their own wild stage performances, which included smashing their instruments. John's Children pulled out all the stops and upstaged the Who with performances that included Bolan whipping his guitar with a chain, Townson attacking his drums, Ellison and Hewlett pretending to fight each other,