to drown his misery. When Charlotte reads the news about Capra losing his actors, she returns to the theater, only to find that George has left. Charlotte and Rosalind (their daughter who has recently come to visit) contact all the bars in the city, looking for him. They can't find him, but Charlotte does meet Howard, Roz's new fiancé, whom Charlotte's hard-of-hearing mother mistakenly introduces as Frank Capra. Thinking that Howard is the famous director, Charlotte gives him the "red carpet" treatment, for which Howard is grateful, but confused. And when George returns, he believes that Howard is actually Eileen's brother, seeking revenge for George's affair with Eileen. In what he thinks is self-defense, George ties up the innocent Howard and locks him in a closet. When Charlotte and Roz finally meet George again, they try to get him prepared for the afternoon's showing of Private Lives, which Capra intends to see. George, in his drunken stupor, decides he would rather do Cyrano, and dresses appropriately. The resulting show is a disaster, as George is several minutes late to arrive onstage and in the wrong costume and character. In the end, Howard, still bound in ropes, hops onstage and calls out for help; then George falls into the orchestra pit, presumably breaking a few instruments and sending him to the hospital. After the show, a sober George offers his apology to Howard. Brushing that aside, Howard announces that he has met an old love and in walks Eileen. Howard and Eileen have decided to get engaged and eagerly plan to start a family right away. Everyone is relieved... and happy. Now that Roz is single, Paul takes the opportunity to propose to her, and they get engaged again on the spot. Charlotte forgives — or at least forgets — George's infidelity and decides to stay with him instead of Richard. Finally, in a deus ex machina-like plot twist, Capra himself calls to say that he missed the afternoon performance and will instead see the show in the evening, thus allowing George and Charlotte another chance at Hollywood stardom. Productions Directed by Tom Moore, Moon Over Buffalo opened on Broadway at the Martin Beck Theatre on October 1, 1995, where it ran for 309 performances, after 22 previews and an out-of-town tryout in Boston. Philip Bosco was nominated for the Tony Award, Best Actor in Play and Carol Burnett was nominated