read more than 200 prospective screenplays and found most of them lacking in Judeo-Christian values and good story-telling. In the early 1990s, Courts was introduced to Warren Stitt, who eventually became the executive producer of "The Spitfire Grill." Stitt knew of the work of Lee David Zlotoff of MacGyver fame, and an introduction was made. Courts agreed to field screenplay treatments from Zlotoff, and in late 1994, the story of the film was written by Zlotoff. With private financing from Sacred Heart League, the film was shot in Peacham, Vermont and Troy, Vermont in 35 days in April–May, 1995. After editing the film, it was submitted to the Sundance Film Festival in the feature film competition, and was accepted for screening at the 1996 festival in Park City, Utah. Before screening at Sundance, Courts engaged composer James Horner to compose the musical score for the film. With the three female stars in attendance at Sundance, Courts and his team enjoyed the support of an enthusiastic crowd during the festival screenings. During one sold-out festival screening, a representative of Castle Rock Entertainment viewed the film and contacted her superiors in Los Angeles. A second print of the film was sent by courier to the Castle Rock headquarters for screening by its executives, who promptly offered $10 million for the film's rights, the largest sum paid outright for an independent feature film. On the heels of being sold to Castle Rock Entertainment, the film won the Audience Award at Sundance. The film was distributed worldwide with only a modest return and lukewarm critical reaction. Profits from the sale of the film were used to construct a kindergarten through eighth grade school for 450 children in Southaven, Mississippi, located 10 miles from the Sacred Heart League headquarters in Walls. In 2001, a musical adaptation of the film with a brighter ending, written by Fred Alley and James Valcq premiered at George Street Playhouse in New Brunswick, New Jersey, directed by David Saint and then moved to Playwrights Horizons Theater in New York. Reception The film received mixed to negative reviews. Critics generally were impressed by the film's efforts, but felt that the script was too underdeveloped and too similar to other films. Roger Ebert wrote "Watching this plot unfold, I was remembering last week's Heavy, which also premiered at Sundance; its cafe was run by an older woman (Shelley Winters), and had a