be denied the uprisings harshly repressed Lyon (April 9 ) and Paris (13 April). Several lithographs emerge, including Hercules winner Travies (La Caricature, 1 May 1834) and especially Rue Transnonain Daumier (Monthly Association, September 24, 1834), which refers to the killing by troops of the inhabitants of this street 15 April 1834. "This is not a caricature ," says Philipon, " it is not a burden, it's a bloody page of our modern history page drawn by a strong hand and dictated by an old indignation " (La Caricature, October 2, 1834). July 28, 1835, bombing of Fieschi has immediate consequences : arrest of Armand Carrel at the Hotel Colbert, ransacking offices Charivari, an arrest warrant is issued against Philipon and that Desnoyers prefer to escape and hide . The day before the attack, had published Philipon red number Charivari, real firebrand with as an article a list of men, women and children killed by the troops and the National Guard since 1830. He was accompanied by a lithograph Travies ironically titled " Personification of the sweetest and most humane system " ( Le Charivari, July 27, 1835 ), where the body of the "patriots" murdered forms an image of Louis-Philippe back. Philipon be accused of "moral complicity" in the attack. On 5 August 1835, new press laws are presented in the House. At the meeting of August 29, Thiers said: " There is nothing more dangerous [...] that infamous caricatures, seditious designs, there is no more direct provocation to attack " (The universal monitor, August 30, 1835). Caricature ceased publication . In November 1835, Le Charivari is sold for a pittance, but Philipon canned Officer until 1838. Taking stock of five years, he wrote : "I started November 4, 1830 the country's liberal illusions and I arrived in September 1835 in the kingdom of the saddest realities". From political cartoon to satire of manners (after 1835) If the " September Laws " mark the end of the political cartoon in his " vehement " version Philipon not remains active . In addition to the reissue of La Caricature Caricature became Provisional (1838), also called " non-political cartoon ," he published in Le Charivari series Robert Macaire (1836–1838), the Museum to laugh designs for all cartoonists Paris (1839–1840), the Museum or comic store Philipon (1843), Paris comic (1844), Le Journal pour rire (1848–1855), became the fun Journal (1856), where the