other post-colonial African conflicts—the crew was interrogated in Zaire, and arrested and nearly executed in Tanzania, before an army official intervened on their behalf, shouting "Stop — they're not whites, they're Italians." A scene depicting the execution of a Simba rebel during the Simba rebellion in the Republic of the Congo (Léopoldville) resulted in Jacopetti being charged with murder in Italy; he was acquitted after producing documents demonstrating the footage had not been staged for the cameras. Following the critical and commercial failure of the faux-documentary Goodbye Uncle Tom (which reviewer Roger Ebert called "...the most disgusting, contemptuous insult to decency ever to masquerade as a documentary"), Jacopetti and Prosperi attempted a fictional film, 1975's Mondo candido (a modern version of Candide by French philosopher Voltaire). Jacopetti went on to write (but not direct) one further documentary, 1981's Fangio: Una vita a 300 all'ora (which follows the career of Formula One driver Juan Manuel Fangio) before returning to print media for the remainder of his career. Death Jacopetti died on August 17, 2011 at the age of 91. His ashes were interred in the Non-Catholic Cemetery in Rome. Italian press articles had reported that he wished to be buried next to his girlfriend, the British actress Belinda Lee, who died in 1961 in a car accident in which Jacopetti was also hurt. Criticism Despite their early success with Mondo Cane, controversy followed Jacopetti and Prosperi's careers. New York Times reviewer Pauline Kael dismissed Mondo Cane, claiming that its advocates were, "too restless and apathetic to pay attention to motivations and complications, cause and effect." Criticism became even more pronounced with Africa Addio, which Roger Ebert called "brutal, dishonest, and racist" and claims that it "slanders a continent". Ebert's review was not based on the original film but on an edited version for US audiences. This version was edited and translated without the approval of Jacopetti. Indeed, the differences are such that Jacopetti has called this film a "betrayal" of the original idea. Notable differences are thus present between the Italian and English-language versions in terms of the text of the film. Many advocates of the film feel that it has unfairly maligned the original intentions of the filmmakers. Jacopetti claimed his intent was to create films that "...would play on the big screen whose subject was reality." In the 2003 documentary The Godfathers of Mondo, Prosperi went on to claim