gross over million (million). Santos was awarded the Box Office Queen title at the 30th Box Office Entertainment Awards. In 2000, Santos was cast alongside Leandro Muñoz and Piolo Pascual in the romantic drama Kahit Isang Saglit (2000). Pascual was in three releases with Santos from 2001 to 2003. In the first, she played the wife of Pascual's character in the television drama series Sa Puso Ko Iingatan Ka (2001). Santos trained in boxing for her role in the Boots Plata-directed romantic comedy Bakit 'Di Totohanin (2001). She then starred in Joyce Bernals comedy Till There Was You (2003) as a woman hired by a single father to pose as his wife. That same year, she appeared in the police procedural series Basta't Kasama Kita opposite Robin Padilla as a lawyer who gives up on her career to enlist as a National Bureau of Investigation (NBI) agent, which she found a "welcome change" from soap operas. 2004–2007: Transition into adult roles and critical success Joel Lamangan cast Santos as a woman with dissociative identity disorder in the psychological drama Sabel (2004), whose script she found risky but necessary for artistic growth. The film required her to perform explicit sex scenes with co-stars Wendell Ramos and Sunshine Dizon. Santos's performance garnered critical acclaim; The Philippine Star described her portrayal as "multi-layered" and "one of the most complex female characters ever created for a Philippine film". Johven Velasco from The Manila Times praised Santos for challenging traditional gender roles of women and called the film the "turning point of her career". She won Best Actress at the Gawad Urian and Golden Screen Awards for the film. Santos next starred as the title character in the superhero series Krystala (2004). She considered the role to be a "childhood dream fulfilled", and trained in wushu and Muay Thai to prepare. Santos earned a Star Award for Best Actress for the series. Santos and Lamangan reunited in the period drama Aishite Imasu 1941: Mahal Kita playing a widow who becomes a guerilla leader. Santos said in regards to her decision to take up adult roles, "It was part of [my] desire to mature as an actor, to grow, and to establish my identity and versatility in the public's mind." Reviews of the film were mixed: Gibbs Cadiz from the Philippine Daily Inquirer criticized its "narrative incoherence and shockingly flippant grasp of history", but Rina Jimenez-David