Paul Kent (October 13, 1930 – October 7, 2011) was an American actor and the founder/artistic director of the Melrose Theatre in West Hollywood. Biography Early life Kent was born as Paul Inglese on October 13, 1930 in Brooklyn, New York. He studied acting at the Pasadena Playhouse and briefly served in the United States Army during the Korean War. In 1958, he and his parents moved from New York to California, where he trained under Sanford Meisner and later assisted Meisner with his classes. The two became close friends and colleagues during Meisner's life, and when Meisner left Los Angeles to go back to New York, he left his teaching methods to be carried on in the West by Kent who consequently taught acting for many years through his theater. Kent played a part in the formation of Lucille Ball's Desilu Workshop, where he became the first acting student signed by the workshop. According to Hedda Hopper, when Kent appeared at the workshop to help a female friend at an audition, he was discovered by Ball and promptly signed to an actor-stage manager contract. Kent's acting roles during this period included a small part in an episode of December Bride in 1957. Acting instruction In 1964, Kent founded the Melrose Theater, in the city of West Hollywood, with the assistance of fellow actors including Tom Troupe, Carole Cook, Richard Bull and Don Eitner. Funds for the theater were partially raised by a guest appearance with Lucille Ball and Gary Morton on Password. Kent later recalled in an interview with The Los Angeles Times: In 1976, Kent entered into a partnership with workshop organizer Jomarie Ward to purchase a former bakery and photographer's studio at 733 North Seward Street, a half block north of Melrose Avenue, in the Hollywood neighborhood of Los Angeles. With the assistance of Ward and members of the workshop, the building was renovated and converted to the new Melrose Theater in 1977. The new, larger theater became the permanent headquarters of the Melrose, with Kent installed as artistic director and Ward as managing director. In 1984, Kent decided to create a production employing the largest possible number of Melrose actors, and convened several playwrights at the Mark Taper Forum to write a play in a bar setting to be produced by the theater. The resulting collaboration, The Bar Off Melrose, was credited to fifteen playwrights and