The coach used in the film, a Plaxton-bodied Bedford VAL, carried the registration number URO 913E. The vehicle was new to coach company Fox of Hayes in 1967. The Hard Rock Cafe acquired the coach in 1988, and the vehicle is now completely refurbished. In the race, Starr himself drives the bus around the airfield racetrack. During the filming, an ever greater number of cars followed the colourful, hand-lettered bus hoping to see what its passengers were up to, until a running traffic jam developed. The spectacle ended after Lennon angrily tore the lettering off the sides of the bus. Editing The eleven weeks that followed shooting were mostly spent on editing the film from ten hours to 52 minutes. Scenes that were filmed but not included in the final cut include: A sequence where ice cream, fruit, and lollipops were sold to the Beatles and other coach passengers; Lennon, McCartney, Harrison and Starr each looking through a telescope; Happy Nat the Rubber Man (Nat Jackley, especially recruited for his 'funny walks', which the Beatles had long been drawn to) chasing women around the Atlantic Hotel's outdoor swimming pool, a sequence which Lennon directed; Mr. Bloodvessel (Ivor Cutler) performing "I'm Going in a Field"; and The band Traffic performing their song "Here We Go Round the Mulberry Bush". For the psychedelic visual sequence during the song "Flying", some of the flying footage from Stanley Kubrick's 1964 film Dr. Strangelove was re-used. As told by editor Roy Benson in the BBC Radio Documentary "Celluloid Beatles", the film lacked footage to cover the sequence for the song "Flying". Benson had access to the aerial footage filmed for the Dr. Strangelove B52 sequences, which was stored at Shepperton Studios. The use of the footage prompted Kubrick to call Benson to complain. Reception Magical Mystery Tour was broadcast in the UK on 26 December on BBC1, which at the time only broadcast in black and white for technical reasons. George Martin, the band's producer, later said: "When it came out originally on British television, it was a colour film but shown in black and white, because they didn’t have colour on BBC1 in those days. So it looked awful and was a disaster." Lennon later said: "What the BBC – stupid idiots – did, they showed it in black and white first. Can you imagine, around Christmas? And then they [the critics] reviewed it