Blacks descended from relocated American slaves, mostly settled Samana and Puerto Plata. Haitian immigrants also have a big presence in places with a lot of construction and tourist activity, larger cities and tourist towns like Punta Cana, as well as in the border region. Cultural contributions African cultural remnants seen in the Dominican Republic in many different aspects, including music, dance, magic-religious beliefs, cuisine, economy, entertainment, motor habits, and language. Music Perhaps the greatest influence of enslaved Africans is observed in music and dance. Such influence comes from the dances, that, like the calenda, practiced in the Dominican Republic, as elsewhere in America, from the early years of slavery. We must Father Labat, who toured the West Indies in the eighteenth century, a fairly thorough calenda. This dance derives, according to research by the folklorist Fradique Lizardo, several Dominican popular rhythms. One of the most widespread is the Música de palos (Music of sticks), name that designates both the pace and the membranophones used. National Rhythms with obvious African imprint are sarandunga, Música de Gagá (Ganga's music, arrived from Haiti), Baile de Palos (dance of Sticks), Música de Congos (Music of Congos), Cantos de Hacha (Songs of axe), los congos, la jaiba (the crab), el chenche matriculado (the chenche enrolled), etc. The salve, which in the words of the U.S. ethnomusicologist Martha Davis, is the most typical of the traditional Dominican genres, has two styles: one distinctly Spanish, amétrico and antiphonal, and another polyrhythmic, strongly hybridized between the Spanish and African styles. Among African instruments are the los palos (the sticks), balsié, and the gallumba. It is important to also mark other musical instruments Dominicans of African origin such as the Palo mayor (mainmast), the canoita, los timbales (present in the bachata, also called bongos), and the tambora (Key instrument in the merengue music, the Dominican national dance). For his part, the Bachata is a hybrid of the bolero (especially the bolero rhythm) of the Dominican Republic with other musical influences of African origin and other musical styles like the son, the merengue and the chachachá. On the other hand, there are also music genres Dominican widespread across the country, whose origin is uncertain, being considered of Spanish and African origin, depending of musicologists and historians. Such is the case of the merengue music. So, Luis Alberti, one of the musicians considered as fathers of merengue, thinks that the roots