sibara, laglag-bunga, and lukob. For example, in kuhit-kuhit the player must touch a forefinger on the ground at each throw while also collecting the stones. The last stage of the game is known as pipi, where the losing player is flicked on the knuckles by the player. A variant of the game does not use an ina-ina stone, but players instead just throw the collected pebbles (more than one at a time in later stages). The other game of throwing stones in the Philippines is known as siklot (meaning "flick"). It uses a large number of small stones, shells, or seeds (called sigay) which are tossed in the air and then caught on the back of the hand. The stones that remain on the hand are collected by the player and are known as biik ("piglets") or baboy ("pigs"). The player with the most biik plays the second stage first. The second stage involves the stones that fall on the ground. These are flicked into each other and collected if they hit each other. This is done until the player fails to hit a stone, then the next player does the same thing with the remaining stones, and so on. In Malaysia, Indonesia, Brunei, and Singapore, the game is called batu seremban (literally "five stones"), selambut, or serembat. Like the name implies, it only uses five pieces, usually stones, seeds (usually Adenanthera pavonina), or small pyramidal bags of sand or rice. It also involves multiple levels of difficulty, varying in the number of stones collected and tossed. It does not have a specialized stone for throwing, though the one picked for throwing is also referred to as the "mother". In Polynesia, the game is called by various names including kōruru, ruru, kai makamaka, ti kai and tutukai among the Māori; kimokimo among Hawaiians; timo or timo timo among Tahitians; lafo litupa among Samoans; and lavo among Fijians. It was very common among the natives of the Pacific Islands and were documented by early European explorers. It was played by people of all ages and traditionally includes a meaningless rhythmic chant sung by the players. Like in the Philippine version, the game uses only one hand for catching the thrown stones and has multiple stages ramping up in difficulty and mechanics. The names, mechanics, and number of stages varies depending on ethnic group. Among the Māori, the game uses a marked