{{Infobox person | name = Pan Yuliang | image = Pan-yuliang-self-portrait 1924.jpg | native_name = 潘玉良 | native_name_lang = Chinese | pronunciation = | other_names = Zhang Yuliang, Chen Xiuqing, Pan Shixiu | birth_date = | birth_place = Yangzhou, Jiangsu, Qing Empire | death_date = | death_place = Paris, France | resting_place = Montparnasse Cemetery, Paris | nationality = Chinese | education = Hong Ye, Zhu Qizhan, Wang Jiyuan | alma_mater = | occupation = Painter | television = Is the character in A soul Haunted by Painting 画魂 (1994 movie), Pan Yuliang (1990 TV series) | known_for = Being the character in A soul Haunted by Painting 画魂 (1994 movie), Pan Yuliang (1990 TV series) | notable_works = Female Nude (女人體) | movement = | style = | spouse = | awards = {{unbulleted list | Female Nude receives the Roman International Art Exhibition’s Gold Prize | Paris Gold Prize | L'art Libre Confédération Française. Salon International Prize | Gold Medal, French Cultural Education Prize" | Arts-Sciences-Lettres Prize }} | module = }} Pan Yuliang (, 14 June 1895 – 22 July 1977), born as Chen Xiuqing, and was renamed Zhang Yuliang (張玉良) when adopted by her maternal uncle after the early passing of her parents. She was a Chinese painter, renowned as the first woman in the country to paint in the Western style. She had studied in Shanghai and Paris. Because her modernist works caused controversy and drew severe criticism in China during the 1930s, Pan returned to Paris in 1937 to live and work for the next 40 years. She taught at the École des Beaux Arts, won several awards for her work, had exhibits internationally in Europe, the United States and Japan, and was collected by major institutions. In 1985 after her death, much of her work was transported to China, collected by the National Art Museum in the capital of Beijing, the larger part are collected by the Anhui Museum in Hefei, the capital of Anhui Province. Nevertheless, significant paintings, sculptures and prints are still conserved in France in the collection of the Cernuschi museum. Her life as an artist has been portrayed in novels and film in China and the United States. Her art evolved within the flux of transformations where conflicting dichotomies of East and West, tradition and modernity, male chauvinism and emerging feminism co-existed. Pan is also figured as who engaged