Gualtiero Jacopetti (4 September 1919 – 17 August 2011) was an Italian documentary film director. With Paolo Cavara and Franco Prosperi, he is considered the originator of mondo films, also called "shockumentaries". Early life Gualtiero Jacopetti was born in Barga, in Northern Tuscany, in 1919. During World War II, he served in the Italian Resistance to fascist dictator Benito Mussolini. After the war, on the advice of his friend and mentor Indro Montanelli, he began to work as a journalist. He co-founded the influential liberal newsweekly Cronache (considered to be a direct predecessor to l'Espresso) in 1953, only to be forced to shut down production after publishing risque photographs of actress Sophia Loren which caused the paper to be charged with manufacturing and trading pornographic material (a charge which also earned Jacopetti a year-long prison sentence). He subsequently worked as a journalist, editor, newsreel writer, actor and short-subject film maker. He also worked on screenplays for René Clément (The Joy of Living, 1961) and Alessandro Blasetti (Europa di notte, 1959) before undertaking his own career as a director. Film career In 1960, he approached his colleagues Franco Prosperi and Paolo Cavara with the unusual idea of making an "anti-documentary". The result, which premiered in 1962, was Mondo Cane (which roughly translates to A Dog's World, a minor curse in Italian), a non-narrative compilation of shocking and unusual footage from around the world. It premiered at the 1962 Cannes Film Festival, where it was well-received and even nominated for the Palme d'Or. The theme song "More" by Italian composer Riz Ortolani was nominated for the Academy Award for Best Original Song in 1963, the year of its premier in the United States. The success of Mondo Cane inspired an entire genre of documentaries featuring lurid or shocking subjects, which came to be known as mondo film. Jacopetti and Prosperi (who would become film-making partners for the remainder of Jacopetti's directorial career) went on to make several more entries into this genre, including Women of the World (with Paolo Cavara), Mondo Cane 2, Africa Addio and the faux-documentary Goodbye Uncle Tom. In the 2003 documentary The Godfathers of Mondo, Jacopetti describes the style they used to make these films: "Slip in, ask, never pay, never reenact." During the filming of Africa Addio—which includes footage of intense fighting and mass death in the Mau Mau Uprising, the Zanzibar Revolution, the Simba rebellion, and