distinction between therapeutic and enhancement technologies. Therapeutic uses of technology such as cochlear implants, prosthetic limbs, and psychotropic drugs have become commonly accepted in religious circles as means of addressing human frailty. Nevertheless, these acceptable technologies can also be used to elevate human ability. Further, they correct the human form according to a constructed sense of normalcy. Thus the distinction between therapy and enhancement is ultimately questionable when addressing ethical dilemmas. Human enhancement has come under heavy criticism from Christians; especially the Vatican which condemned enhancement as "radically immoral" stating that humans do not have full right over their biological form. Christians concerns of humans "playing God" are ultimately accusations of hubris, a criticism that pride leads to moral folly, and a theme which has been interpreted from the Genesis accounts of Adam and Eve and the Tower of Babel. In these stories, God was in no real danger of losing power; however, Patrick D. Hopkins has argued that, in light of technological advancement, the hubris critique is changing into a Promethean critique. According to Hopkins, "In Greek myth, when Prometheus stole fire, he actually stole something. He stole a power that previously only the gods had." Positive view of transhumanism Within progressive circles of Christian tradition transhumanism has not presented a threat but a positive challenge. Some theologians, such as Philip Hefner and Stephen Garner, have seen the transhumanist movement as a vehicle by which to re-imagine the imago dei. Many of these theologians follow in the footsteps of Donna Haraway's "Cyborg Manifesto." The manifesto explores the hybridity of the human condition through the metaphor of the cyborg. While the biological flesh/machine cyborg of pop culture is not a literal reality, Haraway uses this fictional metaphor to highlight the way that "all people within a technological society are cyborgs." Building off of Haraway's thesis, Stephen Garner engages the apprehensive responses to the metaphor of the cyborg among popular culture. For Garner, these "narratives of apprehension" found in popular movies and television are produced by "conflicting ontologies of the person." The cyborg represents a crossing and blurring of boundaries that challenges preconceived notions of personal identity. Therefore, it is understandable that a person's first reaction to the image of a cyborg would be apprehension. For Garner, the wider scope of Haraway's "cultural cyborg" can be characterized by the term "hybridity." According to Elaine Graham, hybridity does not only problematize traditional