View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker's View of the World or simply View of the World) is a 1976 illustration by Saul Steinberg that served as the cover of the March 29, 1976, edition of The New Yorker. The work presents the view from Manhattan of the rest of the world showing Manhattan as the center of the world. View of the World has been parodied by Columbia Pictures, The Economist, Mad, and The New Yorker itself, among others. The work has been imitated and printed without authorization in a variety of ways. The film poster for Moscow on the Hudson, led to a ruling by the United States District Court for the Southern District of New York in Steinberg v. Columbia Pictures Industries, Inc. in favor of Steinberg because of copyright violations by Columbia Pictures. The illustration was regarded in 2005 as one of the greatest magazine covers of the prior 40 years. Background Saul Steinberg created 85 covers and 642 internal drawings and illustrations for The New Yorker, including its March 29, 1976, cover, titled "View of the World from 9th Avenue". This is regarded as his most famous work. It is considered an example of unintentional fame: Steinberg has noted that the type of fame that resulted from the work has diminished his significance to "the man who did that poster". The work is sometimes referred to as A Parochial New Yorker's View of the World or A New Yorker's View of the World because it depicts a map of the world as seen by self-absorbed New Yorkers. At one point The New Yorker applied for a copyright from the United States Copyright Office for the work. It assigned the copyright to Steinberg and subsequently reproduced posters of the painting. Detail The illustration is split in two parts, with the bottom half of the image showing Manhattan's Ninth Avenue, Tenth Avenue, and the Hudson River (appropriately labeled), and the top half depicting the rest of the world. It is a westward view from Ninth Avenue. Buildings along Ninth Avenue are shown in detail, with those between Ninth Avenue and the river also shown but in less detail; individual cars and trucks are drawn along the streets, and pedestrians are drawn along the sidewalks. The rest of the United States is the size of the