throwing stone called hai, and around four to fifteen identical but unmarked rounded stones called kai mahi ("workmen"). Sets of these stones were created by hand and kept for the games. In Hawaii, each player has a throwing stone called aliʻi ("chieftain"). The smaller stones were called pohaku. Among Samoans and Fijians, they used around fifty to one hundred flat circular seeds of Entada gigas for the game. Europe There were two methods of playing in ancient Europe. The first, and probably the primitive method, consisted in tossing up and catching the bones on the back of the hand, very much as the game is played today. In ancient Rome, it was called tali: a painting excavated from Pompeii, currently housed in the National Archaeological Museum of Naples, depicts the goddesses Latona, Niobe, Phoebe, Aglaia and Hileaera, with the last two being engaged in playing a game of knucklebones. According to an epigram of Asclepiodotus, astragali were given as prizes to schoolchildren. This simple form of the game was generally only played by women and children, and was called penta litha or five-stones. There were several varieties of this game besides the usual toss and catch; one being called tropa, or hole-game, the object of which was to toss the bones into a hole in the earth. Another was the simple game of odd or even. The second, probably derivative, form of the game was one of pure chance, the stones being thrown upon a table, either from the hand or from a cup, and the values of the sides upon which they fell were counted. The shape of the pastern bones used for astragaloi as well as for the tali of the Romans, with whom knucklebones was also popular, determined the manner of counting. The pastern bone of a sheep, goat, or calf has two rounded ends upon which it cannot stand and two broad and two narrow sides, one of each pair being concave and one convex. The convex narrow side, called chios or "the dog", was counted as 1, the convex broad side as 3, the concave broad side as 4, and the concave narrow side as 6. Four astragali were used and 35 different scores were possible in a single throw. Many of these throws received distinctive names such as: Aphrodite, Midas, Solon, and Alexander. Among the Romans, some of the names were: Venus, King, and