to make a quality product, so after the video songs got recorded and televised for the Doordarshan, Gautam decided to come out with an audio cassette with the support of Sourish and A. Mukherjee. The cassette album Abar Bochhor Kuri poray – compiled by Mohiner Ghoraguli: Mohiner Ghoraguli shompadita Bengali Gaan. Abar Bochhor Kuri Porey ("Again, After Twenty Years", a quotation from Jibanananda Das), released at the Kolkata Book Fair. It included Gautam Chattopadhyay's own compositions, a few original Moheener Ghoraguli classics from the 1970s, as well as songs recorded by selected music makers of the 90s. Although listeners were initially slow to catch on, the album proved to be a hit, and it introduced the MG movement to a new generation of music-lovers. Gautam Chattopadhyay finally saw Moheener Ghoraguli music gaining the popularity and critical recognition that had eluded their band in the 1970s. Several other successful compilations have followed since the first one. Both in their native West Bengal and in Bangladesh, Moheener Ghoraguli is now a much-admired movement. Gautam's death in 1999 was sudden. After returning from a location shooting of his last film Rong Bin, which was never completed, the next day he went to the Indropuri Studio to meet his longtime cinematographer friend and colleague, Vivek Banerjee and there he collapsed and died of a heart attack. An entire generation of old and new musicians who had been popularised by Gautam Kolkata mourned his untimely death and a tribute album "Moni Chara Shunno Laage" was released; Moni was not Gautam's nickname, but his siblings would call him Moni-da, moni, defining that he was the third of the brothers. His nickname was Manik. Meaning of the band's name The literal meaning of Moheen'er Ghora-guli is "Moheen's horses". While this obscure phrase puzzles many of the band's fans, it is actually taken from a poem Ghora ('Horses') from the poetry book Shatti Tarar Timir (Bengali: সাতটি তারার তিমির) by the great modernist Bengali poet Jibanananda Das. The second line of the poem is: "মহীনের ঘোড়াগুলো ঘাস খায় কার্তিকের জ্যোৎস্নার প্রান্তরে;" loosely translated as: "Moheen's horses graze on the horizon, in the Autumn moonlight" One of the band's most popular songs, Bhalobashi Jyotsnay (Bengali: ভালোবাসি জ্যোৎস্নায়), is a tribute to the natural beauty of the Bengali countryside; the influence of Jibanananda's pastoral poetry is evident throughout the song. There are other parallels: Jibanananda broke with the literary tradition