and Richard on "Louisianna CoCo." The title track was inspired by a nickname given to the Youngs' family farm. "Too Much to Lose" was the album's first single, peaking at number 66 on Billboard country chart. Richard considered this song an unusual single release because it was the band's first ballad. Neither of the next two singles, "Louisianna CoCo" and "Love That Woman," appeared on the music charts. Giving it three stars out of five, Al Campbell of Allmusic said that it was "crowd-pleasing" but "nothing out of the ordinary." An uncredited review in The Ledger, which gave the album two-and-a-half stars out of four, said that the up-tempo songs were "nothing very original[…]but lots of fun" but added that its ballads were "mushy and earnest." 2003–2006: Soul and Big Boss ManSoul followed in 2003, also on Audium. This album also featured Johnnie Johnson, as well as guest appearances by organist Reese Wynans (of Double Trouble), saxophone player Jim Horn, and a local musician named Robbie Bartlett, who sang guest vocals on "Everyday People." It included the non-charting single "Lonely Nights" and a tribute song to Carl Perkins entitled "Last Night I Met Carl Perkins", as well as two covers: "I Still Wanna Be Your Man," originally recorded by Eddie Hinton, and "Have You Ever Loved a Woman?," a blues standard made famous by Eric Clapton. This album received generally favorable reviews. Mark Deming gave a three-star rating for Allmusic, saying that the album's more rhythm and blues and soul-influenced sound worked well due to the blues influences present in Southern rock, although he added that the album retained the "big guitar bombast" of the band's previous works. Matt Bjorke of About.com considered its sound a departure from the earlier albums, but added "it's not hard to see that the band fully enjoys what they are doing" and highlighted the presence of a horn section and Hammond B-3 organ on some tracks. Ray Waddell of Billboard magazine considered Wynans' and Johnson's contributions "perfect fits", and noted that the album was "laid back" until the second half. His review also mentions the extended drum solo and "stone blues coda" of the closing track "What You See Is What You Get." In 2005, following the closure of Audium, the band signed to the CBuJ Entertainment label. Its first release for the label was Big Boss Man, an album composed entirely of cover