the day to discuss the human place in the world, in a style similar to the one he honed teaching "Man and Environment." In 1963 Ian McHarg and David A. Wallace, his academic colleague from the University of Pennsylvania, founded the firm of Wallace and McHarg Associates, later Wallace McHarg Roberts & Todd (WMRT) which is known for its central role in the development of the American environmental planning and urbanism movements. The seminal work of the firm includes the plan for Baltimore's Inner Harbor, the Plan for the Valleys in Baltimore County, MD, and the Plan for Lower Manhattan in New York City from 1963 through 1965. As the first-wave American environmental movement swept across American college campuses in the 1960s and early 1970s, McHarg became an important figure, linking a compelling personal presence and a powerful rhetoric with a direct and persuasive proposal for a new integration of human and natural environments. Through the 1960s and 1970s, his course was the most popular on the Penn campus, and he was often invited to speak on campuses throughout the country. Design with Nature In 1969, he published Design with Nature, which was essentially a book of step-by-step instructions on how to break down a region into its appropriate uses. McHarg also was interested in garden design and believed that homes should be planned and designed with good private garden space. He promoted an ecological view, in which the designer becomes very familiar with the area through analysis of soil, climate, hydrology, etc. Design With Nature was the first work of its kind "to define the problems of modern development and present a methodology or process prescribing compatible solutions". The book also affected a variety of fields and ideas. Frederick R. Steiner tells us that "environmental impact assessment, new community development, coastal zone management, brownfields restoration, zoo design, river corridor planning, and ideas about sustainability and regenerative design all display the influence of Design with Nature". Design with Nature had its roots in much earlier landscape architecture philosophies. It was sharply critical of the French Baroque style of garden design, which McHarg saw as a subjugation of nature, and full of praise for the English picturesque style of garden design. McHarg's focus, however, was only partially on the visual and sensual qualities which had dominated the English picturesque movement. Instead, he saw the earlier tradition as a precursor of his