painting, engraving, collating, and exhibiting. New York struck him as luxurious, consumerist, materially wealthy, and spiritually poor. He conveyed these observations in subsequent work with a touch of social irony. His New York paintings display a great protagonism of color and include Aeropuerto (Airport), Los Hippies, Calles de Nueva York (Streets of New York), Almuerzo (Lunch), Chelsea Hotel and Promesa de castidad (Promise of Chastity). He also produced several decorative panels, scenographic sketches, illustrations, and collaborations for books. Berni's work gradually became more spiritual and reflective. In 1980 he completed the paintings Apocalipsis (Apocalypse) and La crucifixion (The Crucifixion) for the Chapel of San Luis Gonzaga in Las Heras, where they were installed the following year. Antonio Berni died on 13 October 1981 in Buenos Aires, where he had been working on a Martín Fierro monument. The monument was inaugurated in San Martín on 17 November of the same year. In an interview shortly before his death, he said, "Art is a response to life. To be an artist is to undertake a risky way of life, to adopt one of the greatest forms of liberty, to make no compromise. Painting is a form of love, of transmitting the years in art." Legacy Since the late 1960s, various Argentine musicians have written and recorded Juanito Laguna songs. Mercedes Sosa recorded the songs Juanito Laguna remonta un barrilete (on her 1967 album Para cantarle a mi gente) and La navidad de Juanito Laguna (on her 1970 album Navidad con Mercedes Sosa). In 2005 a compilation CD commemorating Berni's 100th birthday included songs by César Isella, Marcelo San Juan, Dúo Salteño, Eduardo Falú, and Las Voces Blancas, as well as two short recordings of Berni speaking in interviews. After his death, he was granted the Honour Konex Award as the most important deceased artist from Argentina, given by the Konex Foundation in 1982. Several Argentine government organizations also celebrated Berni's centennial in 2005, including the Ministerio de Educación, Ciencia y Tecnología de la Nación, and Secretaría de Turismo de la Nación. Berni's daughter Lily curated an art show entitled Un cuadro para Juanito, 40 años después (A painting for Juanito, 40 years later). Through the organization, De Todos Para Todos (By All For All), children across Argentina studied Berni's art and then created their own using his collage techniques. In July 2008, thieves disguised as police officers stole fifteen Berni paintings that