George V. Higgins (November 13, 1939 – November 6, 1999) was an American author, lawyer, newspaper columnist, raconteur and college professor. He authored more than thirty books, including Bomber's Law, Trust, and Kennedy for the Defense, and is best known for his bestselling crime novels, including The Friends of Eddie Coyle, which established the Boston noir genre of gangster tales that spawned several popular films by followers in the late 20th and early 21st centuries. Life and career Higgins was born in Brockton, Massachusetts, grew up in the nearby town of Rockland and attended Boston College, where he was editor of the campus literary magazine, Stylus, and graduated in 1961. He received an MA degree from Stanford University in 1965, and a law degree from Boston College in 1967. His full name was George Vincent Higgins II, after an uncle living in Randolph, but he dropped the numeric (unofficially) in midlife. His books were all published as by George V. Higgins. He was married twice, first to Elizabeth Mulkerin Higgins (divorced 1979); second to Loretta Cubberley Higgins. Higgins worked as a deputy assistant attorney general for the Commonwealth, and an Assistant United States Attorney and a journalist and newspaper columnist before becoming a novelist. He wrote for the Associated Press, The Boston Globe, the Boston Herald American, and the Wall Street Journal. He spent seven years in anti-organized-crime government positions, including Assistant U.S. Attorney for Massachusetts. He entered private practice of law in 1973, and was active for ten years. During those years he represented several famous figures, such as Eldridge Cleaver (although he withdrew from the case after conflict with Cleaver) and G. Gordon Liddy. He was a professor at Boston College and Boston University. He died of a heart attack a week before his 60th birthday at his home in Milton, Massachusetts. Writing Higgins was a stylist, particularly noted for his realistic dialogue, a style reminiscent of the stories of mid-20th century writer John O'Hara whose work Higgins praised in his preface to a collection of O'Hara stories. Higgins was proud of his skill in rendering dialogue with great accuracy. He liked to point out that accurate dialogue is not a verbatim transcription of things said but an imaginative recreation in compressed form. He was also an expert in lending atmosphere to a series of harsh or barren facts, inducing his readers to figure out important things artfully