Argene offers herself in his place; as proof that she is a princess, she shows Cleisthenes a chain given her by Lycidas. He recognizes it as belonging to his son, abandoned in infancy to forestall the prophecy that he would kill his father. Lycidas, reinstated, accepts Argene, leaving his sister to Megacles. Other settings of the libretto More than 60 baroque and classical composers used the libretto for their own settings. The first composer to reuse the libretto was Antonio Vivaldi in Venice in 1734. This was followed by Giovanni Battista Pergolesi's famous version in 1735. Although Pergolesi’s initial setting for Rome was not immediately successful, the number of subsequent stagings and extant manuscripts have particularly associated his name with this drama. In 1748 Baldassare Galuppi’s version premiered to resounding success in Milan and the opera is now regarded as his most successful opera seria. In 1765 Thomas Arne, who "still nursed the hope of achieving success in Italian opera", persuaded the directors of The King's Theatre in London to produce his own setting of the opera, which turned out however to be a complete failure. The libretto was also the source for one of Josef Mysliveček's finest dramatic works (1778, Naples). and a popular success for Antonio Sacchini in Padua 1763. Johann Nepomuk Poissl's Der Wettkampf zu Olympia, oder Die Freunde (1815) was the first German-language setting and his version enjoyed occasional revivals during the nineteenth century. Mozart set Cleisthenes' last aria twice, first for Aloysia Weber (KV. 294) and latter for a subscription concert by Ludwig Fischer (K 512). Beethoven set the duet "Ne' giorni tuoi felici" for tenor, soprano and orchestra in 1802 – 1803 (WoO 93). List of notable settings The following is a list of the most notable operas that subsequently utilized Metastasio's libretto in chronological order of first performance: Antonio Caldara, L'Olimpiade, Vienna, 1733 Antonio Vivaldi, L'Olimpiade, Venice, Teatro Sant'Angelo, 1734 Giovanni Battista Pergolesi, L'Olimpiade, Rome, 1735 Leonardo Leo, L'Olimpiade, Naples, 1737 Baldassare Galuppi, L'Olimpiade, Milan, 1748 Davide Perez, L'Olimpiade, Lisbon, 1753 Johann Adolf Hasse, L'Olimpiade, Dresden, 1756 Tommaso Traetta, L'Olimpiade, Verona, 1758 Niccolò Jommelli, L'Olimpiade, Stuttgart, 1761 Niccolò Piccinni, L'Olimpiade, Rome, 1761 Vincenzo Manfredini, L'Olimpiade, Moscow, 1762 Antonio Sacchini, L'Olimpiade, Padua, 1763 Florian Leopold Gassmann, L'Olimpiade, Vienna, 1764 Thomas Arne, L'Olimpiade, London, 1765 Giuseppe Sarti, L'Olimpiade, Florence, 1778 Josef Mysliveček, L'Olimpiade, Naples, Teatro San Carlo, 4 November 1778 Luigi Cherubini, L'Olimpiade, Venice, 1783