Foray Forêt include local marching bands from the presenting city. For M. G. (1991; "M.G." refers to Michel Guy, a former French minister of culture who died in 1990) is sculptural and kinetic, opening with a dancer running in figure-eight circles around the stage, slowing into loping motion down the center. In You Can See Us (1995), she performed together with Mikhail Baryshnikov at the Brooklyn Academy of Music in 1996. Also in a mirror duet drawn from a solo, If You Couldn't See Me (1994), Brown performed entirely with her back to the audience for ten minutes with an electronic "sound score" on a bare stage. In the 1990s she also turned more to choreographing classical music, creating M.O. (1995) based on the Musical Offering by German composer Johann Sebastian Bach, and the opera production of L'Orfeo (1998) by Italian composer Claudio Monteverdi. Brown found inspiration in jazz for El Trilogy (1998–2000), completed her second opera, Luci mie traditrici (composed by Salvatore Sciarrino) in 2001, and in 2002 choreographed the song cycle Die Winterreise (Winter's Journey) by Austrian composer Franz Schubert for Simon Keenlyside. Brown worked again with Laurie Anderson in 2004 on O Zlozony/O Composite for the Paris Opera Ballet. Among her well-known disciples are Diane Madden and Stephen Petronio, Brown's first male dancer in 1979. Brown choreographed her last piece in 2011. Drawing Though Brown has long been known for her collaborations with artists, it is less known that she has also produced a substantial body of drawings. In recent years she has shown these drawings, including during a major multidisciplinary 2008 celebration of her work at the Walker Art Center, Minneapolis. In 2009, the Chelsea gallery Sikkema Jenkins & Company, which represents her husband, Burt Barr, presented her first solo exhibition in New York, featuring work dating to the 1970s. Exhibitions In 2003, "Trisha Brown: Dance and Art in Dialogue 1961-2001", was organized by the Addison Gallery of American Art at Phillips Academy and the Tang Teaching Museum and Art Gallery at Skidmore College; the exhibition later travelled to the Henry Art Gallery in 2004. In 2007, works of Brown's choreography and drawings were included in documenta 12. In 2008, the Walker Art Center presented "Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing." In honor of her company's 40th anniversary season in 2010, the Whitney Museum of American Art hosted