The Electric Hellfire Club was an American industrial rock band mixing elements of glam metal, techno, gothic rock, and psychedelia. The band's lyrics contain tongue-in-cheek references to sin, violence, sex, devil worship and similar themes. The band also made use of sampling, mainly from low-budget horror films. History Based in Kenosha, Wisconsin, the Electric Hellfire Club was formed in 1991 when Thomas Thorn (a.k.a. Buck Ryder), departed the industrial/techno band My Life with the Thrill Kill Kult. The Electric Hellfire Club was initially composed of Thorn (vocals, keyboard programming), co-founder and keyboardist Shane Lassen (a.k.a. Rev. Dr. Luv), and guitarist Ronny Valeo. After the initial string of live shows, drummer Eric Peterson (a.k.a. Janna Flail) was added to enhance the band's live shows, thus completing the band's original lineup. Prior to recording the first album, Burn, Baby, Burn!, dancer and back-up singer Sabrina Satana joined the group, and Peterson was replaced on drums by percussionist Richard Frost. The EHC toured extensively throughout the early to mid-1990s, both as an opening act, and as headliners in their own right. They toured with Type O Negative, Christian Death, Spahn Ranch, Penal Colony, and Genitorturers, amongst others. On January 22, 1996, Shane Lassen was killed in an automobile accident. After the death of The Rev. Dr. Luv, the band regrouped and recorded the album Calling Dr. Luv, dedicating the title track, a cover of the KISS song from which Lassen drew his stage name, in his honor. After recording Calling Dr. Luv, the band began extensive touring again, setting out on the road with Boyd Rice. During this period of near-constant touring, the band toured with such acts as Type O Negative, Danzig, Coal Chamber, GWAR, Powerman 5000, Fear Factory, Godflesh, and played one-off shows with Spahn Ranch, and Alien Sex Fiend. Before setting off on tour with GWAR in the summer of 1997, the band entered the studio and recorded the single "D.W.S.O.B", which appeared on the soundtrack to the 1997 film Gummo. They also performed a cover tune for the television theme song "Charles in Charge" changing it and the inferred meaning with a goth and industrial style. The song was released on the two-CD set of 36 TV show opening tunes of TV cover songs done by gothic and industrial bands. The CD was titled TV Terror: Felching a Dead Horse, which was released in September 1997. Following the completion