de siete pozos (The World of Seven Wells), 1934. That volume, together with the final volume she published before her death, Mascarilla y trébol (Mask and Clover), 1938, mark the height of her poetic experimentation. The final volume includes the use of what she termed "antisonnets," or poems that used many of the versification structures of traditional sonnets but did not follow the traditional rhyme scheme. Friendship with Gabriela Mistral Around this time, Gabriela Mistral visited her in her house on Cuba street. It was a fateful meeting for the Chilean writer, who had already published en El Mercurio that year. Previously, when she arranged her appointment on the phone, she was impressed with Storni’s voice; and so when she was told that Storni was ugly, she expected a face that did not match the voice. When she finally met Storni, she told her her face did not match what she had been told about her appearance. “Her head was extraordinary” she remembered “Not because of her features, but because of her very silvery hair which framed her young face well.” She insisted “I haven’t seen more beautiful hair, it was as strange as the moonlight at noon. It was golden, and some blond was still visible in the white. Her blue eyes, her steep french nose, and her pink skin gave her something childish that gave her something different and made her almost unapproachable and mature. The Chilean was impressed by her simplicity and sobriety, by her control of her emotions, and her authenticity. And above all, she was impressed by her ability to absorb all around her. Mistral called her a woman of a great city “who has passed, touching all and incorporating all.” Relationship with Horacio Quiroga Jose Maria Delgado wrote to Horacio Quiroga and recommended that he travel to Buenos Aires to get to know Storni and talk about her poetry. They began to go to the movies together with both of their kids and had an opportunity to go to a meeting in a house on Tronador street, where many great writers of the age met to play games. One of these games consisted of Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch at the same time. As Storni’s lips approached the watch, Quiroga moved it out of the way and the two kissed, angering Storni’s mother, who was also present at the