which had newcomer Louise Brooks in an uncredited role as a moll. Career rise Brian was dubbed "The Sweetest Girl in Pictures." On loan-out to MGM, she played a college belle, Mary Abbott, opposite William Haines and Jack Pickford in Brown of Harvard (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Astor, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray. During her years at Paramount, Brian appeared in more than 40 movies as the lead, the ingenue or co-star. She worked with Brenon again in 1926 when she played Isabel in P.C. Wren's Beau Geste starring Ronald Colman. The same year, she made Behind the Front and Harold Teen. In 1928, she played ingenue Alice Deane in Forgotten Faces opposite Clive Brook, her sacrificing father, with Olga Baclanova as her vixen mother and William Powell as Froggy. Forgotten Faces is preserved in the Library of Congress. Successful transition to sound films Her first sound film was Varsity (1928), which was filmed with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in The Virginian (1929), her first all-sound movie. In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper). Brian co-starred in several hits during the 1930s, including her role as Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March, as herself in Paramount's all-star revue Paramount on Parade (1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien. After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common. The same year, she appeared on the vaudeville stage at New York City's Palace Theatre. Also in the same year, she starred in Manhattan Tower. Other movie roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (1933), in which she received top billing; Gloria Van Dayham in College Rhythm (1934); Yvette Lamartine in Charlie Chan in Paris (1935); Hope Wolfinger, W.C. Fields’s daughter, in Man on the Flying Trapeze (1935); Sally Barnaby in Spendthrift (1936); and Doris in Navy Blues (1937), in which she received top billing. In