the most surprisingly, the arrangement of these different types plants presented a pleasing combination. There is another reason why Ellis’ paintings are not strong enough to be called the scientific illustration. It seems that Ellis had her own taste when she choosing the object, which resulted in the limitation of botanical species in her painting. She preferred colorful and showy species rather than many small-flowered herbaceous species, for example, waterlilies were her most favorite flowers, and there was no depicting of the large and significant sunflower family in her artworks. 3. Animals In spite of the spectacular botanical paintings, Ellis Rowan is also good at depicting animals and insects. The series about New Guinea bird and butterfly drawings are her major exploration into animal paintings. One-third of Ellis’ paintings which collected in the Queensland Museum were illustrated plenty of species of animal, such as beetles, butterflies, snakes and dragonflies. These insects or animals in Ellis’ works probably added later after the plants, because most of Ellis paintings finished indoor and the flower was often picked by herself or given to her by the local people. it has been questioned that whether the representation of these real species was accurate in their context. It is probably that Ellis combined plants and insects at random, without thinking carefully about the relationship between them. Ellis’ interest with animals was derived from her early experience with her family, as recollected by her niece Lady Casey: ‘She had inherited the interest of her grandfather John Cotton not only in flora and fauna but in insects and even reptiles; she enjoyed the accident of life, the fusion of one aspect of nature with another. … Some of our family, the Le Souefs, actually had a feeling for shakes. They liked running their warm fingers over those long cold exquisite bodies.’ Ellis Rowan full of enthusiasm with her artistic creation, which enabled herself to observe the insect world and animal life. These magical creatures brought her entertainment and helped her escape from her busy business of botanical painting. In spite of observing insects, Ellis also a collector of them. Her letters which wrote during her journey always mentioned collecting activities, and some of them were the adventurous stories of snakes. There were sheets of paper painted with rows and rows butterflies leaning on Ellis’ studio wall. They indicate the study that Ellis down as a source of