shakers. Depending on the size of the community and the number of visitors in attendance, the number of people joining the circle may range from less than ten up to several hundred. Usually a round of dancing continues until at least four songs are completed by the dance leader, and then everyone returns to their seats until another singer is called on to "lead out". There is usually a few minutes of rest between each leader, but the breaks may stretch longer if there are fewer people present to participate. The stomp dance is not meant to be a grueling and physically challenging event, but almost every participant on the grounds will dance most of the night. Dance grounds Although not as widespread as they were in the past, there are still many ceremonial grounds, or stomp grounds, located in what is now the southeastern United States and Oklahoma, where so many of the southeastern peoples were forced to move during the 1800s. Stokes Smith Stomp Dance Ground, which is located in an isolated area of the Cherokee Nation tribal lands, is one of approximately seven active Cherokee grounds. The Eastern Band Cherokee stomp grounds is currently located in Raven's Roost, North Carolina, on the Qualla Boundary. The Echota Ceremonial Ground has been located in Park Hill, Oklahoma since 2001. There is one active Tuscarora arbor located adjacent to the Tuscarora Nation Longhouse in the rural community of Prospect, North Carolina. The Creek tribe today has 16 active ceremonial grounds located throughout northeast Oklahoma. One of which is Flat Rock, located west of Eufaula and south of Mill Creek. Other active communities include Hossossv Tvlvhvse Ceremonial Ground on the Poarch Creek Indian Reservation near Atmore, Alabama, Kvnfvske Etvlwv in Fountain, Florida, and the White Oak Shawnee Tribe's grounds. Music Men sing stomp dance songs in a call-and-answer format. A leader is chosen for a song and the other men provided a chorus. For some dances, the male dance leader carries a handheld rattle – commonly made from box turtle shells, gourds or coconuts. Women provide the primary rhythm accompaniment with shakers worn on their legs, which are traditionally made from turtle shells as well, but may also be made from condensed milk cans. During certain dances, a water drum can be used. Ethnomusicologist Victoria Lindsay Levine writes that, "Stomp dance songs are among the most exhilarating and dramatic musical genres