the same level, and was usually inside the windows and storm shutters. The was often a ring of tatami-floored rooms, but could be an unmatted ; see also . In a large building, there could be further layers of tatami-floored rooms, courtyards, and further floorplan complications. In Shoin-style buildings, the positioning of the varied more, and the storm shutters slid rather than being hinged (usually horizontally). The modern Sukiya-style of building uses , storm shutters that not only slide but pack away in a cupboard called a by day; unlike the Shoin-style shutter, these generally run on the outside of the . The width of an varies with the building; is common, while large temples may have over of . The is supported on posts, identical to the other uprights of the house. The posts stand on half-buried stones or concrete footings. Cultural role are often proportioned so that one can sit on the edge and observe the garden. They provide a space for playing children and casual visitors. An is part of the house, and shoes are therefore not worn on it. Guests' shoes are lined up pointing outwards. While declined with the Westernization of Japanese architecture, they are making a comeback in modern architecture. See also Loggia Bay window Oriel window References Japanese architectural features Flood control