party. Quiroga frequently mentioned Storni in his letters between 1919 and 1922, but the true depth of their relationship is not known, and the fact that he mentions her stands out since there were not many female writers during that time. In his letters to his friend Jose Maria, Quiroga mentions his respect for her work and how he treats her as equal. On a note for the Anaconda group’s trip to Montevideo, the list of participants includes “Alfonsina” without her last name, a demonstration of their strong friendship. On the other hand, in a note dated May 11, 1922 about a future visit, Quiroga revealed that he would travel with both his children and Storni, and would have them all eat together. Furthermore, Emir Rodriguez Monegal, Quiroga’s biographer, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave a conference at the university where she might have been speaking about the poetry of Delmira Agustini. Quiroga did not want to attend the event, but did wait for Storni at the exit; she appeared, covered by a straw hat and surprised the people in the neighborhood that were near the exit. Storni accompanied Quiroga to the movies, to literary meetings, and to listen to music: both were fans of Wagner. Frequently, they traveled to Montevideo and took pictures where the two looked happy. They went on the trips together because Quiroga was assigned to the Uruguayan consulate and was always accompanied by a female intellectual. When Quiroga traveled to Misiones in 1925, Storni did not go with him on the advice of Benito Quinquela Martin, who told her: “You’re going with that psycho? No way!” As a result, the writer instead traveled to San Ignacio, leaving her apartment to Uruguayan Enrique Amorim. With this living arrangement, Storni was able to write to Quiroga, who did not write back. The trip lasted a year, and upon returning, Quiroga re-established a friendship with Storni. After a reunion in a house that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went out to the movies and various concerts offered by the Wagner Society. This relationship ended in 1927 when Quiroga met Maria Elena Bravo and started his second marriage. It is not known if Quiroga and Storni were lovers, since the two did not address the nature of their love very much. What is known