Shola Ama (born 8 March 1979) is a British singer from London, who scored her biggest hits with "You Might Need Somebody" (1997), a cover of Randy Crawford's 1981 hit, "You're the One I Love" and "Still Believe" (1999) which was one of the first productions by the Norwegian producing team Stargate. Career When she was 15, Ama was singing to herself on a platform at Hammersmith tube station, and was overheard by Kwame Kwaten, a producer at the FreakStreet record label. In 1995, an unknown independent label released a single titled "Celebrate", which was a ballad produced by D'Influence. Although the single was not a commercial success, it did draw attention to Shola Ama as an artist. On her 16th birthday, she signed a recording contract with WEA. The single "You're the One I Love" was Ama's first single release for WEA in 1996; it barely made an impact on the charts, only managing to reach No. 85. Her second WEA single, "You Might Need Somebody", remains her biggest hit. This Turley Richards cover reached No. 4 on the UK Singles Chart in April 1997. It remained in the top 40 for almost two months, becoming one of 1997's biggest hits. A re-release of "You're the One I Love" followed in August 1997 and reached No. 3. Her third single "Who's Loving My Baby" was released in November 1997 and reached No. 13. At the age of 18, Shola Ama released her debut album Much Love (1997). In May 1997, Ama performed her single "You Might Need Somebody" at Wembley Stadium as part of the build-up to the rugby league Challenge Cup Final. On the success of the album, Ama won a Brit Award for Best British Female and two MOBO Awards for Best Newcomer and Best R&B Act. In 1999, Ama released her second album In Return. The project saw her working with the record producers Fred Jerkins III, Stargate, Shaun Labelle, Full Crew, D-Influence Productions and Ali Shaheed Muhammad (formerly of A Tribe Called Quest). Co-writers included Angie Stone and Babyface with David Foster. Despite having support from her record label, In Return was a commercial flop. Following this, Ama took a break from recording. In 2002, Ama went back into the recording studio to record her third album, Supersonic. Unable to obtain a major label deal, she instead formed a distribution deal with Pony Canyon. In