Cookie Crew, MC Crazy Noddy and DJ Fingers, and others. After the first single, Sipho and Biznizz officially left the group – Sipho to work with Derek B, and Biznizz to work on Tim Westwood's radio show (although Biznizz continued to work with the group as a DJ and produce some of the group's later tracks). Rodney P and Bionic continued to record as a duo, releasing the single "Money Mad" (Justice, 1988) with Westwood's Justice label, which gained a great deal of radio exposure. Westwood, however, did not feel that he could continue to run a label, and the duo moved to Island Records subsidiary Mango. As well as appearing on the anti-apartheid B.R.O.T.H.E.R. track "Beyond The 16th Parallel" alongside Demon Boyz, MC Mell'O, Cookie Crew, She Rockers, London Rhyme Syndicate, Katch-22, Gunshot, Hijack, Icepick and Overlord X, they released "Live Like The Other Half Do" in 1989. Their classic (and only officially released) album, Gangster Chronicle (Mango Records) was released the following year. Produced primarily by Sparki (a member of the Jus Badd Crew, along with MC Mell'O and Monie Love), DJ Devastate and the Posse themselves, it had its roots firmly in reggae and hip hop, and the album sounded quite different from the predominant hardcore of their contemporaries, and cemented London Posse's reputation as one of the UK scene's most talented groups. According to the NME, on its release it was "a musical Molotov cocktail". They also toured during this time with Public Enemy and N.W.A, along with Demon Boyz and MC Mell'O'. After two more singles ("Tell Me Something" and "Jump Around"), Mango was closed down by its parent company and the London Posse moved to Bullitt Records, run by their manager Errol Bull (who features on both "How's Life in London" and the Ragga remix). The group began recording a second album (preliminary titled "Ladies Love Roughnecks") but could not afford to release it with the financial responsibilities of running a label, so it was permanently shelved. Instead, they released a selection of singles and guest spots with other artists. 1993 saw several tracks released as singles: "How's Life in London" / "Shut The Fuck Up" / "How I Make Papes" (Bullit), the "How's Life In London Bogle remix", produced by Dobie and Tony Gadd (of Aswad), "Supermodel / Here Comes The Rugged One" (Bullit) (produced by DJ Devastate), and the Kicks Like a