Golan v. Holder, 565 U.S. 302 (2012), was a Supreme Court case that dealt with copyright and the public domain. It held that the "limited time" language of the United States Constitution's Copyright Clause does not preclude the extension of copyright protections to works previously in the public domain. In particular, the case challenged the constitutionality of the application of Section 514 of the Uruguay Round Agreements Act of 1994, which implemented the provisions of trade agreements seeking to equalize copyright protection on an international basis. In the United States, the Act newly granted copyright status to foreign works previously in the public domain. The two main arguments against the application of the Act in the case were that restoring copyright violates the "limited time" language of the United States Constitution's Copyright Clause, and that restoring to copyright works that had passed into the public domain interferes with the peoples' First Amendment right to use, copy and otherwise exploit the works and to freely express themselves through these works, thus also violating the Constitution's Copyright Clause. The US Supreme Court held on January 18, 2012 that Section 514 of the Uruguay Round Agreements Act does not exceed Congress's authority under the Copyright Clause, and the court affirmed the judgment of the lower court by 6–2, with the opinion written by Justice Ginsburg. The practical effect of the decision is to confirm that works that were previously free to use, such as Prokofiev's Peter and the Wolf, are no longer in the public domain and are subject to use only with the permission of the copyright holder, such as through paid licensing, until their copyright term expires again. History After the Supreme Court of the United States upheld the 1998 Copyright Term Extension Act in Eldred v. Ashcroft (2003), the United States District Court for the District of Colorado dismissed the plaintiffs' challenge to that act in 2004 (Golan v. Ashcroft). The remaining constitutional challenge to the 1994 Uruguay Round Agreements Act was dismissed the following year (Golan v. Gonzales). The case affected the copyright status of potentially millions of works, including: Metropolis (1927) The Third Man (1949) The works of Igor Stravinsky Several works of H. G. Wells, including the film Things to Come (1936) The case was heard by District Chief Judge Lewis Babcock and was decided by the United States District Court for the District of Colorado in