Antonio Garrido Monteagudo (September 26, 1887 – February 15, 1967), better known as Antonio Moreno or Tony Moreno, was a Spanish-born American actor and film director of the silent film era and through the 1950s. Early life and silent films Born in Madrid, Spain, Moreno emigrated to New York in 1901 and settled in Massachusetts, where he completed his education. Although he claimed to have attended Williston Seminary in Easthampton, Massachusetts, the Archives of the school, now the Williston Northampton School, have no record of his having done so. He became a stage actor in regional theater productions. In 1912, he moved to Hollywood, California, where he was signed to Biograph Studios, and began his career in bit parts. His film debut was in Iola's Promise (1912). In 1914, Moreno began co-starring in a series of highly successful serials at Vitagraph opposite popular silent film actress Norma Talmadge. These appearances increased Moreno's popularity with nascent filmgoers, and by 1915, he was a highly regarded matinee idol, appearing with successful actors such as Tyrone Power, Sr., Gloria Swanson, Blanche Sweet, Pola Negri, and Dorothy Gish. Moreno often was typecast in his early films as the "Latin Lover". These roles predate Rudolph Valentino's breakthrough as a "Latin Lover" in the 1921 film The Four Horsemen of the Apocalypse. By the early 1920s, Moreno joined film mogul Jesse Lasky's Famous Players and became one of the company's highly paid performers. In 1926, Moreno starred opposite Swedish acting legend Greta Garbo in The Temptress, and the following year, he had a starring role in the enormous box-office hit It with Clara Bow. Sound films With the advent of sound films in the late 1920s and early 1930s, Moreno's career began to falter, in part because of his heavy Spanish accent. While still acting in English language films, Moreno began taking parts in Mexican films. During the early 1930s, Moreno directed several well-received Mexican films, including the 1932 drama Santa, which has been hailed by film critics as one of the best Mexican films of the era. By the mid-1930s, he began rebuilding his faltering Hollywood career by taking notable roles as a character actor. By the mid-1940s and throughout the 1950s, Moreno appeared in a number of well-received roles, most notably, his 1954 role in the classic horror film Creature from the Black Lagoon and his 1955 role as Emilio Figueroa in film director