script was written by Cherríe Moraga, with a musical score by Glen Velez. The production received funding from Opera America, the National Endowment for the Arts, and the Henson Foundation. Mettawee's 1999/2000 production of Molière's Psyche was presented at the Henson International Festival of Puppetry Arts in New York City and at the New Jersey Performing Arts Center in Newark. Funding and awards The company has received funding from the National Endowment for the Arts from 1980 to the present and the New York State Council on the Arts from 1978 to the present. The company has received additional grants from the New York City Department of Cultural Affairs (1980 and 1981), Meet the Composer (1984–1986, 1988), the Henson Foundation (1985, 1987, 1994, 2000, 2001, 2004, 2005, 2007), the Merck Family Fund (1986), the Bickford Foundation (1991–2008), the Agostino Foundation (2000–2007), and the Fan Fox and Leslie R. Samuels Foundation (2000–2008). Mettawee has received an Obie, two Citations for Excellence from UNIMA-USA, and two American Theatre Wing design awards. Other work Work with Mayan writer's collective Lee went to San Cristóbal de las Casas, Chiapas in February 1989 to work with the Mayan writer's collective Sna Jtz ‘Ibajom. He was invited by Robert Laughlin, anthropologist with the Smithsonian Institution. He then traveled there annually for twelve years, each year creating a new theater piece with the group, drawn from their folk material or the current political situation. The pieces have been performed extensively, within that community as well as throughout Mexico, in Honduras, Florida, and at the Mexican Museum and Cultural Center in Chicago. In January 2001, he directed a bilingual adaptation of their 2000 play El Origin de Maiz. The show was produced by the outreach program of the La Jolla Playhouse for an eight-week tour of schools and community centers throughout southern California. Lee has received grants from Fideicomiso Para la Cultura Comision (1993), Arts International (1992, 2002) and DTW's Suitcase Fund (1992) for this work. Cathedral of Saint John the Divine Lee has been an artist-in-residence at the Cathedral of St. John the Divine since 1984. At the Cathedral, he directed and designed the Mummer's Play for the Boar's Head Festival, directs plays for the Feast of Saint Francis, and provided staging for Johann Sebastian Bach's St. John Passion and the visual finale for Paul Winter's Carnival. His giant creatures roam through the Cathedral as the finale