rope weaving etc. Sailing Folklore The Maldivian folklore is the body of myths, tales and anecdotes belonging to the oral tradition of Maldivians. Even though some of the Maldivian myths were already mentioned briefly by British commissioner in Ceylon HCP Bell towards the end of the 19th century, their study and publication were carried out only quite recently by Spanish writer and artist Xavier Romero-Frias, at a time when that ancestral worldview was quickly disappearing. Music and dance Culturally, Maldivians feel some affinity to Northern India through their language, which is related to the languages of North India. Most older generation Maldivians like to watch Hindi movies and listen to Hindi songs. Many popular Maldivian songs are based on Hindi tunes. The reason is that out of a similar language, similar rhythms and cadences develop. In fact, it is very easy for Maldivians to fit local lyrics to a Hindi song. Bollywood songs are among the most popular songs in Maldives, especially the old ones from Mohammad Rafi, Mukesh, Lata Mangeshkar, and Asha Bhonsle. Therefore, most local Maldivian dances and songs are based in (or influenced by) North Indian Kathak dances and Hindi songs. The favourite musical instrument of Maldivians is the bulbul tarang, a kind of horizontal accordion. This instrument is also used to accompany devotional songs, like Maulūd and Maadhaha. The Bodu Beru (literally "Big Drum") drumming performances are said to have African roots. See also Folklore of the Maldives References Divehiraajjege Jōgrafīge Vanavaru. Muhammadu Ibrahim Lutfee. G.Sōsanī. Male' 1999. HCP Bell, The Maldive Islands, An account of the physical features, History, Inhabitants, Productions and Trade. Colombo 1883, Xavier Romero-Frias, The Maldive Islanders, A Study of the Popular Culture of an Ancient Ocean Kingdom. Barcelona 1999, Divehi Tārīkhah Au Alikameh. Divehi Bahāi Tārikhah Khidmaiykurā Qaumī Markazu. Reprint 1958 edn. Male’ 1990.