Good Night, and Good Luck (stylized as good night, and good luck.) is a 2005 historical drama film about American television news directed by George Clooney, with the movie starring David Strathairn, Patricia Clarkson, Jeff Daniels, Robert Downey Jr., and Frank Langella as well as Clooney himself. The film was co-written by Clooney and Grant Heslov, and it portrays the conflict between veteran journalist Edward R. Murrow (Strathairn) and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, it was filmed on color film stock, but on a grayscale set, and was color-corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when U.S. journalism offer voices of dissent from government policy. The movie takes its title (which ends with a period or full stop) from the line with which Murrow routinely signed off his broadcasts. The film was a box office success and received critical acclaim for Clooney's direction, the writing, cinematography, production design and performances (particularly Strathairn's). It was nominated for six Academy Awards, including Best Picture, Best Director and Best Actor for Strathairn. Plot The setting is 1953, during the early days of television broadcast journalism. Edward R. Murrow, along with his news team, producer Fred Friendly and reporter Joseph Wershba, learn of U.S. Air Force officer Milo Radulovich, who is being forcibly discharged because of family members being known Communists and his refusal to denounce them. Interest is piqued when it is found that the compilation of charges at Radulovich's hearing was in a sealed envelope and nobody saw them. Murrow presents the story to CBS News' director, Sig Mickelson, who warns Murrow that the story will bring serious accusations and repercussions to CBS and their sponsors, some of whom have government contracts. He reluctantly allows the story to air, which gains positive responses from the public. Murrow also tries to ease the worries of his colleague, Don Hollenbeck, who is struggling with both the strain of his recent divorce and attacks from newspaper writer Jack O'Brian, who is accusing him of being biased in his news reporting and being a "pinko". While covering a story in Washington DC, Wershba is given an envelope suggesting that Murrow has previously interacted with the Soviets and used to be on their