The Eady Levy was a tax on box-office receipts in the United Kingdom, intended to support the British film industry. It was introduced in 1950 as a voluntary levy as part of the Eady plan, named after Sir Wilfred Eady, a Treasury official. The levy, paid into the British Film Production Fund, was made compulsory in 1957 and terminated in 1985. Background A levy was first proposed by Harold Wilson, then president of the Board of Trade, in 1949. The levy was intended to assist producers of British films. A direct governmental payment to British-based producers would have qualified as a subsidy under the terms of the General Agreement on Tariffs and Trade, and would have led to objections from American film producers. An indirect levy did not qualify as a subsidy, and so was a suitable way of providing additional funding for the UK film industry whilst avoiding criticism from abroad. Establishment The Eady Levy came into effect on 9 September 1950 on a voluntary basis to subsidize British film producers. In 1953, the UK Government indicated it would legislate if the exhibitors did not agree to continue the voluntary agreement. It was not established on a statutory basis until its incorporation in the Cinematograph Films Act 1957. In the Eady Levy, a proportion of the ticket price was to be pooled – half to be retained by exhibitors (i.e. effectively a rebate on the tax) and half to be divided among qualifying 'British' films in proportion to UK box office revenue, with no obligation to invest in further production. The Finance Act 1950 had previously made the necessary changes in the entertainments tax. The levy was collected by HM Customs and Excise and administered by the British Film Fund Agency. To qualify as a British film, a minimum of 85% of the film had to be shot in the United Kingdom or the Commonwealth, and only three non-British individual salaries could be excluded from the costs of the film, ensuring the employment of British actors, technicians and film crew. In the first year, the levy was one quarter of a penny (d) per ticket sold and raised $3 million; in the second year the levy was tripled for ticket prices over 12 pence (12d) to (d) to raise £3 million ($8.4 million) per annum. Note Impact The levy had the effect of both assisting the film industry, and