traveller and landowner John Talbot Clifton and author Violet Clifton (1907) and Australian rules footballer Joe Fogarty (24 December 1916). Modern day After World War II, with the resettlement of thousands of Polish Allied servicemen (many of them Roman Catholics) coming to Britain, South Kensington became a temporary Polish hub. Nearby were the offices of the Polish government-in-exile, the Polish Hearth Club and Polish Institute and Sikorski Museum among other meeting places for exiles. Due to the generosity of the Oratory Fathers, a Polish Solemn Mass was held every Sunday at 1 pm from 1945 until 1962 while the Polish community migrated westwards in the capital and the Polish Catholic Mission was able to establish in 1962 a parish at St Andrew Bobola Church, Hammersmith. During the Cold War, the area between the pillars and the wall at the front of the Brompton Oratory was used as a dead drop by Soviet spies in Britain, from where they hoped to communicate with Moscow. In September 2010 decorative banners were erected at the Brompton Oratory to celebrate the beatification of Cardinal Newman during the Pope's visit to London. Architecture A design from Herbert Gribble, then 29, won a competition in March 1869. The foundation stone was laid in June 1869; and the new church was consecrated on 16 April 1884. The church is faced in Portland stone, with the vaults and dome in concrete; the latter was heightened in profile and the cupola added in 1869, standing tall. It was the largest Catholic church in London before the opening of Westminster Cathedral in 1903. The competition specified the "Italian Renaissance" style, but the Roman Baroque and Wren are also drawn on. Devon marble is used in the major order of pilasters and the minor order of columns, with more exotic marbles in the apse and the altars, with carvings in metalwork, plasterwork, wood and stone. It houses Italian Baroque sculpture: The Twelve Apostles by Giuseppe Mazzuoli (1644-1725) acquired from Siena Cathedral in 1895 and the Lady Altar, with sculptures by Tommaso Rues (1650–1690 ca.). The architectonical structure of the altar, originally decorating a chapel dedicated to the Rosary, was acquired from the church of San Domenico Brescia after its demolition in 1883. Gribble's decorative scheme for the apse was not proceeded with, but the decoration of the St Wilfrid and the St Mary Magdalene chapels do reflect his intentions. The St