lot of doors for me," and led to other assignments. The script was first optioned in 1979 by producer Mort Engelberg for Steve McQueen, with whom he teamed on The Hunter; however McQueen died of cancer shortly after completing The Hunter. The script was bought by CBS Theatrical Films where it was attached to director Rick Rosenthal. It then went to Warner Bros with Tom Selleck to star and Lewis Gilbert to direct around 1987. Warner Bros had the script for three years but then dropped their option. The script then became the subject of bidding between Pathe Entertainment, Disney and Warner Bros. It sold to Pathé for $250,000 which Hill said "is pretty good, when you consider that for 15 years I'd been making money optioning and rewriting that screenplay." Pathé's then head of production, Alan Ladd Jr., agreed to commit a $20 million budget. Selleck agreed to star and the director was an Australian, Simon Wincer. Wincer felt a good story had been ruined by numerous rewrites from people who knew little about Australian history, so he brought on Ian Jones as writer. They went back to the original draft, re-set it from the 1880s to the 1860s and made it more historically accurate. Shooting The firearm used by Quigley (Selleck) is a custom 13.5 pound (6 kg), single-shot, 1874 Sharps Rifle, with a 34-inch (860 mm) barrel. The rifle used for filming was a replica manufactured for the film by the Shiloh Rifle Manufacturing Company of Big Timber, Montana. In 2002 Selleck donated the rifle, along with six other firearms from his other films, to the National Rifle Association, as part of the NRA's exhibit "Real Guns of Reel Heroes" at the National Firearms Museum in Fairfax, Virginia. The film was shot entirely in Australia. Scenes were filmed in and around Warrnambool and Apollo Bay, Victoria. Although several scenes of the story depict violence and cruelty toward and involving animals, a film spokesperson explained that no animal was harmed, and special effects were used. For example, Quigley and Cora are reduced to consuming "grub worms" (actually blobs of dough) for survival. A pack of dingoes attacks Cora, and she finally saves herself by shooting the animals. Those animals were specially trained, and were actually "playing" for that scene, which was later enhanced by visual and sound effects. Several scenes involve falling horses; they were performed by specially-trained