Reginald Herbert Dixon, MBE, ARCM (16 October 1904 – 9 May 1985) was an English theatre organist who was primarily known for his position as organist at the Tower Ballroom, Blackpool, a position he held from March 1930 until March 1970. He made and sold more recordings than any other organist before him, or since. He was in high demand throughout the 1930s, 40s, 50s, 60s and 70s. During his fifty-year career he was one of the top-selling artists, his prolific output ranking alongside that of Victor Silvester and Bing Crosby. Biography Early life Dixon was born in Ecclesall, Sheffield on 16 October 1904. By the age of two, Dixon started to play the organ and piano. Seeing the keen spirit and potential that he possessed for music made his father realise that his son was worthy of tuition. In addition to Dixon's tuition he also practised two hours a day on piano. By the age of twelve, he was already performing in concerts at local music festivals, and by the age of thirteen, he began taking lessons in organ at his local church. At the age of thirteen, he had to give up his schooling in order to continue his music studies. He was now practising at least 8 hours per day or more. He also had applied for the post of organist at Birley Carr Methodist church and was chosen from several applicants, and was also assistant organist at Hillsborough Methodist church. He enrolled at the University of Sheffield studying counterpoint and harmony, and was awarded Associate of the Royal College of Music (ARCM) when he was 17 years old. Cinema experience Dixon auditioned at the Stocksbridge Palace, near Sheffield. The piece he played was Debussy's "Arabesque" and he was employed as pianist and musical director, for the sum of £3 per week. Dixon gained a lot of experience in this job, and greatly enlarged his repertoire and developed his technique further. After eighteen months, Dixon accepted a job as pianist and deputy organist at Chesterfield Picture House, where his wage was £5 a week. To supplement this wage, he was also giving lessons. At Chesterfield he was called upon more and more often to play the organ, and when he was 21, he became a fully professional theatre organist. A year later he became organist and pianist of the Heeley Palace in Sheffield, and was still teaching.