not only is Jackson from the future but from an alternate timeline, where Texas was not part of the United States and oil (not gold) is the standard. William Blandings Blandings (Laurie Main) is a mysterious figure who appears to the Marshalls as a pudgy, balding man in his late 40s with a British accent. He claims to be a "repairman" for the sun (although probably just the Sun pylon) and carries an umbrella and a valise with him. Although apparently human, Blandings displays considerable—nearly clairvoyant—knowledge about both the Marshalls and the Land of the Lost and the implements he carries with him are anything but ordinary. His umbrella acts something like an air conditioner keeping himself and Uncle Jack cool during the sweltering heat of increasing solar flare activity. Much like the pylons, his valise appears extradimensional in nature and from it Blandings can produce anything he wants. He also carries an amulet which produces a forcefield which he uses to repel the Sleestak. Although a formidable being, Blandings offers hints that he was sent by and actually serves a higher power. Malak Malak (Richard Kiel) calls himself the "God of the Cro-Magnon" and "King of the Teutons". He is an opportunistic barbarian who lies, steals, threatens, and bullies to get what he wants. How and when he came to the Land of the Lost, or where exactly in time and space he comes from, is never revealed. He diverts an underground river into the Sleestak egg caves as a means of exacting tribute from them. Nonhumans Pakuni Pakuni (singular: Paku, though this usage is not consistently obeyed) are a species of small ape-like humanoids, ground-dwelling and bipedal, but not fully upright in posture. They are primarily herbivores, though they do occasionally eat small animals (an iguana-like lizard in the episode "Stone Soup", for example). They know how to create fire using flints, and manufacture simple tools such as the sharpened sticks they use as defensive weapons. Pakuni display significant skill with representational art and have superstitious rituals that usually include chanting but they do not appear to understand music. They live in small family groups that construct strong bamboo enclosures as shelters. The family groups are territorial but they are quite capable of forming alliances and friendships with neighbors when resources are plentiful and they understand the concept of trade. Young Pakuni undergo a rite of adulthood in