is known in a letter dated 1923 that Martin expressed his desire to begin tooling for a third Martin company, but in 1924 he suffered the first of three strokes and was forced to resign from Buescher. The company from 1912 to 1971 From 1912 into the 1920s production expanded rapidly to include a full line of brasswinds and saxophones for the professional and amateur markets. The trademark name "Martin Handcraft" acquired modifiers designating specific models such as "Master," "Troubador," "Imperial," "Committee," and "Standard," with "Standard" designating second-line instruments sold under Martin's name prior to 1942. The mid-1930s saw introduction of the "Martin Committee" model trumpets and "Martin Handcraft Committee" saxophones. Production was very limited during World War II and the Korean War, however Martin was able to survive as a company thanks to their limited production and strong reputation. The "Handcraft Committee" name for saxophones was dropped in 1945. Martin's postwar "Committee III" saxophones were branded "The Martin (saxophone type)" without the "Handcraft," although the "Committee" name for saxophones was officially revived during the late 1950s. Martin also produced limited edition and commemorative versions of their saxophones with names such as "Centennial' and "Music Man" and, from 1956 on, a deluxe version called the "Magna." Martin saxophones were distinctive for having tonehole chimneys soldered onto the body decades after other manufacturers switched to drawing them out of the body tube to save production costs. Martin was also a major source of "stencil" instruments sold under various merchandisers' brands, and created the Indiana Band Instrument Company in 1928 as a paper entity to distribute its second-line products sold under those brands. That entity was officially dissolved by 1942. "The Indiana by Martin" designated second-line instruments from 1942 until the early 1960s, followed by "Medalist" and "Imperial" (not to be confused with Handcraft Imperial). The Indiana by Martin line continued the serial sequence of the old IBIC rather than the main Martin sequence, which sometimes leads to confusion regarding the ages of Indiana by Martin instruments. Some of the stencil instruments such as the postwar "Dick Stabile" and "Olds Super" saxophones were professional grade. In 1961 Paul E. Richards combined Martin, E. K. Blessing, and F.A. Reynolds under the "Roundtable of Music Craftsmen," or RMC. Richards desired increased production for the student market. Key personnel left the company and the arrangement fell apart in 1964. The rights to the Martin trademark