new generation of nasheed artists use a wide variety of musical instruments in their art. Many new nasheed artists are non-Arabs and sing in different languages. Some nasheed bands are Native Deen, Outlandish, and Raihan. Other well-known artists are Ahmed Bukhatir, Yusuf Islam (formerly known as Cat Stevens), Sami Yusuf, Junaid Jamshed, Maher Zain, Harris J, Siedd, Sulthan Ahmed, Humood AlKhudher, Hamza Namira, Atif Aslam, Raef, Mesut Kurtis, S'nada, Dawud Wharnsby, Zain Bhikha, Muhammad Al-Muqit and Mishary Rashid Al-Afasy, Maher Zain. In the Indian subcontinent, qawwali is famous for the Islamic relationship with spirituality in Urdu. It is said that many spiritual men like Bhullay Shah, Kabir Singh, Baba Fareed and others spread the message of Islam in Punjabi, Saraiki, and Urdu. The Grand Masters of qawwali are said to be Ustad (a form of respectfully addressing a teacher or master) Nusrat Fateh Ali Khan and Rahat Fateh Ali Khan. Nasheed artists appeal to a worldwide Muslim audience and may perform at Islamic oriented festivals (such as Mawlid), conferences, concerts and shows, including ISNA. Other artists and organisations such as Nasheed Bay promote an instrument-free stance, differing from the current trends of the increasing usage of instruments in nasheed. The Islamic State (ISIS) is known for the use of nasheeds in their videos and propaganda, notable examples being the chant Dawlat al-Islam Qamat ("The Islamic State Has Been Established"), which came to be viewed as an unofficial anthem of ISIL, and Salil al-sawarim ("Clashing of Swords"). ISIS has also produced nasheeds in French. The 2016 nasheed ("My revenge") contains praise of the January 2015 Paris attacks, the November 2015 Paris attacks, and the 2016 Brussels bombings. The 2016 chant ("For Love") glorifies martyrdom. See also References Further reading Thibon, Jean-Jacques, Inshad, in Muhammad in History, Thought, and Culture: An Encyclopedia of the Prophet of God (2 vols.), Edited by C. Fitzpatrick and A. Walker, Santa Barbara, ABC-CLIO, 2014, Vol. I, pp. 294–298. Nasheeds