Steven Millhauser from Millhauser's 1990 collection The Barnum Museum. Together with The Prestige and Scoop, The Illusionist was one of three films in 2006 to explore the world of stage magicians. Magic consultancy and technical advice during the production was supplied by James Freedman, Ricky Jay, Michael Weber and Scott Penrose. Director Neil Burger wrote, "Starting in pre-production, James (Freedman) became a major collaborator; brainstorming, designing and refining everything from small sleight of hand tricks to major narrative set pieces. He worked with Edward Norton preparing him for his stage performances and acted as a hand double in various scenes. His contribution was enormous." Aaron Johnson, who plays the teenage Eduard in the beginning of the film, also learned how to do the ball trick seen in those scenes. The original story, on which the movie is based, does not include the artifice of the protagonist framing the crown prince for murder. Although the film is set in Austria, it was filmed mostly in the Czech Republic. The city of Vienna is represented in the film by Tábor and Prague, while the scenes set in Eisenheim's childhood village were shot in Český Krumlov. The Crown Prince's castle is actually the historical fortress of Konopiště (located near Benešov), formerly the home of Archduke Franz Ferdinand of Austria. The front gates of Leopold's Vienna palace (the Hofburg) were actually the front gates of Prague Castle. All other shots were at Barrandov Studios in Prague. Reception As of June 29, 2008 the film had earned worldwide box office receipts of $87,892,388, including $39,868,642 in the United States, exceeding its reported $16.5 million budget. In the first five months after it was released on DVD in January 2007, the film earned $35.99 million in rental revenue. The Illusionist received mostly positive reviews. Rotten Tomatoes gives the film an approval score of 74% based on 194 reviews, with an average rating of 6.94/10. The consensus reads, "The Illusionist is an engrossing, well-crafted story of mystery, magic and intrigue that is certain to enchant, if not hypnotize, audiences." On Metacritic, the film has a score of 68 out of 100 based on 37 reviews, indicating "generally favorable reviews." Jonathan Rosenbaum's review in The Chicago Reader praised Paul Giamatti's performance of "a character who feels sympathy for the magician but owes allegiance to Leopold and is therefore divided and compromised ... Giamatti's performance is subtle, expressive, and