[the singer] from musician to icon." The artwork was held in display at the Padiglione d'Arte Contemporanea in Milan, Italy, as part of the 2016 So Far So Goude exhibition, focused on the French artist. Video According to Barry Waters of The Pitchfork Review, "Jones' singular appearance and meticulously crafted presentation made her a natural fit for the burgeoning music video medium, especially in its early, experimental days." Jean-Paul Goude directed the music videos for "I've Seen That Face Before (Libertango)" and "Pull Up to the Bumper", as well as the celebrated 1982 VHS release A One Man Show. The latter – a montage of still photography, concert footage and music videos – "asserted [Jones] as an astute visual artist" and was nominated for Best Long Form Music Video at the 26th Annual Grammy Awards. Nelson George, reviewing the release for Billboard in early 1983, called it "one of the more fascinating and defiantly visual concert videos yet produced." According to Ernest Hardy of CraveOnline, the film "seamlessly blends cabaret, performance art and underground nightclub cool." Release Nightclubbing became Jones' chart breakthrough and remains one of the greatest commercial triumphs of her entire career. It entered the top five in no less than four countries, and became the singer's highest-charting record on the US Billboard mainstream albums and R&B charts. The album brought Jones from being a former disco diva with a loyal cult following but dropping sales figures to an international star with mainstream chart success. It later formed the basis of her groundbreaking concept tour A One Man Show. Universal Music Group re-released the album on vinyl in 2009. Release of a two-disc deluxe set, containing most of the 12" single versions of singles, plus two unreleased tracks from the Nightclubbing sessions, occurred on 28 April 2014, and Jones enjoyed a UK top 50 chart placing the following week – her first since 2008. To promote the album, Jones appeared on various TV shows in 1981, including the French Palmarès, the Spanish Esta noche, and Aktuelle Schaubude in West Germany. Singles The lead single from the album was "Demolition Man". The single was not a commercial success and did not chart, although would later become one of Jones' signature songs. "I've Seen That Face Before (Libertango)" was released as the second single and became one of the most commercially successful songs in Jones' repertoire. It secured top 20