Disillusion is a German progressive metal band from Leipzig. History Beginnings without record deal Disillusion was founded in 1994 by Andy Schmidt, Tobias Spier, Alex Motz, Markus Espenhain and Jan Stölzel. The band played thrash metal. Despite the departure of bassist Markus Espenhain in early 1996, the first demo Subspace Insanity was recorded in March the same year. Red followed in 1997 as the band developed their own style. The second demo was mixed and mastered by Andy Schmidt and Alex Tscholakov at TAM Recording in Zwickau. Despite growing local success and the prospect of the band becoming more serious, Disillusion was put on hold because of lack of time of some band members. With the recruitment of guitarist Rajk Barthel and drummer Jens Maluschka in 1999 and 2000 Disillusion started again. They played some concerts and recorded their third demo Three Neuron Kings in summer 2001 (again with Alex Tscholakov at TAM Recording). The record received positive reviews by the music press. In spring of 2002 Disillusion went on tour again and won an EP production at the Legacy Band Contest. The record was recorded at TAM Recording in 2002 and called The Porter. It also reached international reputation in the music press and attracted the attention of larger labels. Back To Times of Splendor Disillusion signed a contract with Metal Blade Records and released the first album Back to Times of Splendor in 2004. Stylistically, the music is mostly progressive death metal. Back to Times of Splendor was very well received by the critics. The magazine Rock Hard even spoke of a hot contender for the title "Debut of the Year." After the release Disillusion performed at several festivals (including Summer Breeze Open Air) and a European tour as support for Amon Amarth and Impious. During this time, the album was presented in special shows together with Leipzig musicians from Dark Suns and Unloved. Gloria The successor named Gloria was released on October 20, 2006. With the album, Disillusion entered new musical territory and relied heavily on distorted vocals as well as more electronic sounding elements. The latter was developed mainly by the production duo Philipp Hirsch and Heiko Tippelt of film-m. The new album showed a clear change of style compared to the predecessor. Disillusion did not want stylistically a successor to Back To Times of Splendor, because from the perspective of the band in the album