recorders and radios used in the CIA during that time. Music The music for the film was by Bruce Fowler and Marcelo Zarvos. They replaced James Horner, who left the project due to creative differences. The violin solo is an extract from Tchaikovsky's Violin Concerto In D though this is misattributed to Marcelo Zarvos on the soundtrack CD. Release and reception Box office The Good Shepherd was released on December 22, 2006 in 2,215 theaters, grossing $9.9 million on its opening weekend. Ultimately it grossed $100,266,865 worldwide. Critical response On review aggregation website Rotten Tomatoes, the film holds an approval rating of 55% based on 171 reviews, with an average rating of 6.14/10. The site's critics consensus states: "Though ambitious and confidently directed by Robert De Niro, The Good Shepherd is ultimately a tedious drama that holds few surprises and succumbs to self-seriousness." At Metacritic the film has a weighted average score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale. In her review for The New York Times, Manohla Dargis wrote, "The Good Shepherd is an original story about the C.I.A., and for the filmmakers that story boils down to fathers who fail their sons, a suspect metaphor that here becomes all too ploddingly literal", but praised De Niro's direction: "Among the film's most striking visual tropes is the image of Wilson simply going to work in the capital alongside other similarly dressed men, a spectral army clutching briefcases and silently marching to uncertain victory". Kenneth Turan, in his review for the Los Angeles Times, praised Matt Damon's performance: "Damon, in his second major role of the year (after The Departed) once again demonstrates his ability to convey emotional reserves, to animate a character from the inside out and create a man we can sense has more of an interior life than he is willing to let on". Time magazine's Richard Corliss also gave Damon a positive notice in his review: "Damon is terrific in the role-all-knowing, never overtly expressing a feeling. Indeed, so is everyone else in this intricate, understated but ultimately devastating account of how secrets, when they are left to fester, can become an illness, dangerous to those who keep them, more so to nations that base their policies on them". In his review