to residents and sailors alike. She listened to and learned from the sailors' tales until she too was able to speak with that authoritative nautical air that pervades her written work. On 23 November 1913, Smith, with her mother and sister, arrived home in Liverpool aboard the White Star Line steamer Teutonic on the eve of World War I. She and her family then settled in Hampshire. Poet She soon put her experiences to use in a great outpouring of poetry, some of it clearly focused on supporting England's war efforts. Much of her poetry was from the point of view of the sailor. The detailed nautical content of her poems made it easy to understand why so many readers assumed that Smith was male. One correspondent wrote to her as "Capt. Fox Smith" and when she tried to correct him he wrote back "You say you are not a master but you must be a practical seaman. I can always detect the hand of an amateur." He was almost correct. She was familiar with life at sea as few armchair amateur would ever be. It was only when she was well established that she started routinely using the by-line "Miss C. Fox Smith" or "Cicely Fox Smith." Smith initially had her poetry published in a variety of magazines and newspapers: Blackwood's Magazine, Blue Peter, Canada Monthly, Country Life, Cunard Magazine, Daily Chronicle, Grand Magazine, Holly Leaves, the Outlook, Pall Mall Gazette, The Daily Mail, The Dolphin, The London Mercury, The Nautical Magazine, The Spectator, The Sphere, The Times Literary Supplement, Westminster Gazette, White Star Magazine, The Windsor Magazine, The Week and The Daily Colonist (BC) and Punch for which she wrote many poems between 1914 and her death in 1954. She later re-published much of this poetry in her many books. In all, with the new edition, she published well over 660 poems. In June 2012, the first edition of The Complete Poetry of Cicely Fox Smith, edited by Charles Ipcar (US) and James Saville (UK), was published by Little Red Tree Publishing in the US, and contained all the poems known at that time. The second edition (2015) added 74 new poems, some published for the first time, thanks to the work of numerous researchers around the world, including Jake Wade and Danny McLeod. Included in the second edition is an important introduction by Marcia Phillips McGowan, PhD,