debuting that day—led by eighteen-year-old Nele Karajlić and nineteen-year-old Zenit Đozić—would go on to do the segment for the rest of its run on radio including eventually spinning it off into a television series. Their debut radio segment was conceptualized as a faux terrorist takeover of the radio station with insurgents reading out their manifesto along with a list of demands. These included: more young bands on radio and television, Dom mladih (Youth Center) being returned to those it nominally belongs to—the youth, removal of older radio executives from the station, more punk on the daily radio playlists, etc. Unbridled, raw, and unscripted, the debut segment done by Nele Karajlić, Zenit Đozić, Roki, Rizo Petranović, Zlaja Arslanagić, and Saša Kontić set the tone for what was to come: juvenile behaviour, infantile jokes, raucous street energy, with occasional cogent observation hinting at deeper social issues—all seldom heard prior on the buttoned-up state-run radio in communist Yugoslavia. The only adults in the mix were the Primus host and executive producer Boro Kontić and his sound engineer Husein Vladavić, both of whom were present behind the scenes during the segment tapings, but did not take part in them on the microphone. Right after the debut show, Boro Kontić asked his younger brother Saša not to come any longer. Karajlić would later speculate in his memoir Kontić did so realizing right away the amount of scrutiny segment would be under from the radio higher-ups thus not wanting the added pressure of having a close family member there. Roki also stopped coming after the debut show. In turn, Karajlić brought along Boris Šiber, a neighbourhood buddy from Koševo, while Zenit brought in Dražen "Para" Ričl, another Koševo lad. Though the attendance was spotty throughout its entire run on radio, five guys—Nele Karajlić, Zenit Đozić, Zlatko Arslanagić, Boris Šiber, and Dražen Ričl—established themselves as the core of the Top lista nadrealista segment over its initial weeks and months on the air. At first reserved and somewhat skeptical about the long-term radio prospects for this raw new group of kids, the segment's producer and Primus host Kontić would soon become one of their biggest media supporters, devoting a lot of his time and energy to championing their work in and outside of radio. According to Kontić, after completing several initial weekly radio segments with the new Top lista nadrealista kids, the catalyzing occurrence for his own realization