League (SKJ) congress with delegates taking turns to speak at the podium. Named the 7th Extraordinary New Primitivism Congress, it concluded that the movement is to be disbanded immediately by its members with the mantra "better us [to do it] than somebody else". Reaction and reception 1983 The initial wider Yugoslav media reaction to the movement wasn't positive. During New Primitivism's nascent stage, following a summer 1983 double-bill concert by Elvis J. Kurtovich & His Meteors and Plavi Orkestar at Belgrade's SKC, a blurb appeared in the high-circulation Politika daily reviewing the show, but also discussing the movement in general. In his negative review, rock critic Ljuba Trifunović places New Primitivsm in the same context with commercial folk singer Lepa Brena's then-current flirtation with rock sound (which he pejoratively terms "naïve rock"), expressing disappointment that "both appeared precisely when we began to think Yugoslav rock finally became immune to such diseases due to new wave effectively washing away the so-called 'shepherd rock' and all of its derivatives". Seeing New Primitivsm in continuity with several past offerings from the Sarajevo musical scene such as composer Nikola Borota Radovan's opus, Jutro, early Bijelo Dugme, and Milić Vukašinović's collaboration with Hanka Paldum, Trifunović feels the adjective "new" to be entirely superfluous in the movement's name: "Elvis J. Kurtovich & His Meteors and Plavi Orkestar are representatives of this renewed and stripped-down primitivsm, and even if some inconsequential differences do exist when comparing the two bands' interpretative dilettantism (with EJK&HM coming out on top), what's really depressing is their absolute creative pathos embodied in the creed 'let's be ourselves'—primitive Balkanoids". Though initially mostly negatively reviewed by the Yugoslav rock critics, the movement did receive an unexpected compliment from Yugoslavia's most successful and famous rock musician Goran Bregović, himself often mercilessly lampooned by the new primitives. During fall 1983, in a televised interview for TV Sarajevo's rock music show Rock oko, he referred to New Primitivism as "the only authentic Yugoslav answer to punk". 1984 As the movement got more profiled in late 1983 and especially throughout 1984—with the emergence of Zabranjeno Pušenje's debut album and start of Top lista nadrealista on television—it began getting better notices in Yugoslav media. In July 1984, rock critic Darko Glavan wrote a detailed opinion piece on New Primitivism in general as well as EJK&HM and Zabranjeno Pušenje specifically. Expressing mild approval, he outlines his personal acceptance of the