studio album, Lights in the Night (early 1980), Vanda and Young again used Arnott, Karski and Morgan. All eight tracks were co-written by Vanda and Young, who also co-produced it. The album reached the top 100 in Australia, and peaked at No. 1 on the Swedish Albums Chart in June. It provided two singles, "Welcome to the Universe" (July 1980) and "Media Man" (December 1980). In October 1981, UK-based artist Grace Jones released her cover version of "Walking in the Rain", the B-side of "Hey, St. Peter", as a single, which peaked at No. 34 in New Zealand. Dmetri Kakmi provided Stereo Stories with his recollection of first hearing it: "I was transported. Vanda and Young's lyrics and Jones's detached delivery captured the restlessness, alienation and pent-up emotions of a stifled adolescence... By the end of the track I was liberated, lifted out of a traditional Greek upbringing and pointed toward a future filled with wide horizons." Headlines, their third studio album, appeared in August 1982. Joining Vanda and Young in the studio were Arnott; Alan Dansow; Lindsay Hammond on backing and lead vocals (on loan from Cheetah); Ian Miller on guitar; Ralph White on brass instruments and keyboards; and Stevie Wright on backing vocals, as well as lead vocals on two tracks, "Where Were You?" (July 1982) and "Waiting for a Train" (December 1982), both of which were issued as singles. McFarlane felt that Headlines "featured a more basic rock approach, but with no loss of power or originality." Headlines reached No. 13 on the Swedish Albums Chart. Hammond's group, Cheetah, had been signed by Vanda & Young to Alberts in 1978. Arnott, Karski and Miller were all members of Cheetah during 1982, alongside Hammond and her sister, Chrissie. Wright was the duo's bandmate from the Easybeats, and they had written and produced material for his solo career, including his number one hit "Evie" (April 1974). "Waiting for a Train" reached the top 100 in Australia, but had greater chart success in Europe when issued there in April 1983: it peaked at No. 7 in the UK, No. 15 in Belgium and No. 26 in the Netherlands. According to Duncan Kimball of MilesAgo, it is "a song with definite drug overtones that could well have been written about Stevie's predicament." Late in 1984, they issued their fourth studio album, Early Morning Wake Up Call, which Neil Lade of The