of an early version of Canned Heat. However, Darrow returned briefly for studio work when the group backed first Johnny "Guitar" Watson and Larry Williams on their 1967 single "Nobody", and later Leonard Cohen on "So Long, Marianne" and "Teachers" on his first album. Vidican was also replaced by drummer Paul Lagos, who had a jazz and R&B background, having played with Little Richard, Johnny Otis, and Ike and Tina Turner. And Crill now billed himself as "Templeton Parcely" when playing with the band... but also billed himself as guest player "Max Buda", for his harmonica playing. The band recorded their third album, Incredible! Kaleidoscope, in 1968. It featured "Seven-Ate Sweet", a long progressive instrumental piece in 7/8 time signature which they had been playing live since the early days of the group. The album reached No. 139 on Billboard in 1969, the only Kaleidoscope album to chart. Around this time they also did soundtrack work on educational and other films, and also made an appearance at the 1968 Newport Folk Festival. Kaleidoscope's fourth and final album from their Epic Records era, Bernice, featured more electric guitar work than the earlier albums, and more country influence. There were further personnel changes, adding singer-guitarist Jeff Kaplan, and bassist Ron Johnston who replaced Brotman during the making of the album. Feldthouse also left the group. Crill was now billed as "Connie Crill", and as guest harmonica player "Max Buda". At the end of 1969, Kaleidoscope contributed two new songs ("Brother Mary" and "Mickey's Tune") to Michelangelo Antonioni's Zabriskie Point. The band split up soon afterwards. Later careers After the end of Kaleidoscope, Lindley became a highly respected session and live musician with Linda Ronstadt, Jackson Browne and others, before forming his own band, El Rayo-X, in the early 1980s. Feldthouse performed at Renaissance Pleasure Faires, and with various flamenco and Middle Eastern groups. Darrow joined the Nitty Gritty Dirt Band after Kaleidoscope and later formed the Corvettes with Bernie Leadon before becoming a leading session musician and solo performer. Crill became an underground comic writer for a time, co-writing the Mickey Rat series, and also produced the first 78rpm record by R. Crumb's group, Armstrong's Pasadenans. Brotman became involved with the LA folk dance scene and has done considerable work as a movie extra. In the 1980s he became active in Klezmer revival, playing bass and tsimbl for Brave Old World and