of the museum's annual income is from a variety of sources such as exhibitions and events, sponsorship, donations and venue hire. The balance is made up through ongoing funding and support from the state government through Create NSW and the federal government through the Australia Council.). The renovations additionally supplied the new National Centre for Creative Learning with multimedia and digital studios, as well as a 117-seat lecture theatre. The dual entranceways of the new wing additionally connected George Street and Circular Quay for the first time. Marshall's primary inspiration for the new wing was the sculptures of Donald Judd. The volumes of the individual blocks vary to reflect the function of the space within them. Their colors are taken from those appearing in the vicinity: the bridge, expressway, and various buildings in The Rocks, all visible from the museum. Marshall and the architects who reviewed and advised on his plans were mindful of modern additions to older museums that have not been seen as architecturally successful, such as Daniel Libeskind's addition to Toronto's Royal Ontario Museum, where the inclined walls precluded hanging paintings. Reception Before it was even opened in full the new wing had sharply divided architects and critics, primarily over the question of how it balanced the new and the old. The direct connection between George Street and the Quay was praised by most commentators regardless of their overall verdict. Elizabeth Farrelly, generally cool to the wing in a March 2012 Sydney Morning Herald opinion piece, called that connection "undeniably the new building's triumphant spatial moment." Artist Profile, much more enthusiastic about the addition, which it said "successfully fuses the old with the new by forging innovative ways through which audiences can interact with and understand the work on offer", used similar language. But both they and Farrelly thought that entrance might have been better located at the MSB building's centre rather than the junction between the new and old wings. Another aspect of the addition that bridged both positive and negative views of it was a belief that the MSB building should have been demolished. Farrelly, who did not express that opinion, wrote that the best thing about the new wing was that it was now obvious that "inside the World's Dreariest Building, something interesting is happening." In a glowing review, calling the building "a resounding success", ArchitectureAUs Penny Craswell said it was "unfortunate" that the