Henry Ward Ranger (January 29, 1858 – November 7, 1916) was an American artist. Born in western New York State, he was a prominent landscape and marine painter, an important Tonalist, and the leader of the Old Lyme Art Colony. Ranger became a National Academician (1906), and a member of the American Water Color Society. Among his paintings are, Top of the Hill, Corcoran Gallery of Art, Washington, D.C.; and East River Idyll, Carnegie Institute, Pittsburgh, Pennsylvania. Early life Henry Ward Ranger was born on January 29, 1858, in New York State. His mother was Martha Marie, and his father Ward Valencourt Ranger. He was born in the rural western part of New York State, most likely in Geneseo and grew up in Syracuse, where his father worked as a commercial photographer, but his father also had some artistic training and later taught drawing. As a young man he studied music, excelling on the piano and organ. Ranger grew up drawing and painting and received initial encouragement from his parents. After graduating from public school, he studied at Syracuse University for two years, where he studied art formally for the first time. While he worked in his father's photographic business, he began painting watercolor landscapes, which were said to have surprisingly free brush work for someone who had not yet studied abroad. He moved to New York City in 1878 where he saw works of the Barbizon School for the first time. He supported his art studies by reviewing music and theater for several New York newspapers. In 1883, he married an Helen Jennings, a divorced actress with a son. Europe The newly formed Ranger family moved to Europe, visiting Paris first, but then settling in Laren, Holland where he became active with the Hague School painters, Jozef Israëls, Anton Mauve and the Maris brothers. Ranger was rapidly adopted by the Dutch painters and he quickly adopted their subjects and way of working. He sketched with the Hague School artists and learned to paint the quickly changing skies of the low counties. Because of the flatness of the land, the skies were important in Hague School paintings, and the cloud-filled skies with their diffused light became characteristic of Ranger's early work. The artist enjoyed living in the modest town, and his work advanced enough to be accepted by the Paris Salons by the late 1880s, and his work was accepted