of detachment from personal content and yet allowed me to write about themes that interested me," he said. He wrote The Last Run, which he called "an attempt to use the melodramatic crime chase to deal with whatever the hero's preoccupations might be." He then wrote a series of Westerns, such as Ulzana's Raid and Billy Two Hats. He called Night Moves "an attempt to use the classic detective format, the private eye, and then set him in a landscape in which he was unable to solve the case." TV movies From the 1980s, most of Sharp's screenplays were for American television productions. His 1993 television screenplay (with Walter Klenhard) for The Last Hit was nominated for the Edgar Allan Poe Award (best TV feature or miniseries). His feature film projects included The Osterman Weekend (Sam Peckinpah's swan song in 1982), Rob Roy (1995), and Dean Spanley (2008). He lived for a number of years in New Zealand on Kawau Island, but moved back to Scotland in 2000. In 1996, Peter Broughan announced that he and Sharp would be making two further feature films together, Vain Glory about Christopher Marlowe and Confessions of a Justified Sinner; neither was made. Nor was a film Sharp wrote about Scottish poet Robert Burns. Personal life The actress Rudi Davies is the daughter of Sharp and novelist Beryl Bainbridge, who used Sharp as the inspiration for the main character in the novel Sweet William (1975). Sharp was also one inspiration for Sometimes She'll Dance, by Brian Pendreigh, originally published as a short story in 2012 and used in a revised form as the concluding part of his critically acclaimed novel The Man in the Seventh Row and Related Stories of the Human Condition in 2020. A second daughter, Rachel Minnie Sharp, also briefly an actress, was married to Luke Perry. Sharp was survived by his fourth wife, Harriet Sharp, and a total of six children, two stepsons and 14 grandchildren, including professional wrestler 'Jungle Boy' Jack Perry. Reception According to one obituary of Sharp, "He never quite became a household name. He had a life and a lifestyle he enjoyed and that seemed to be enough. He had a huge talent, but sometimes seemed to lack ambition, or was reluctant to commit himself or seemed afflicted with doubt about his own abilities, dismissing his work as 'pastiche'." In the 1970s, six of Sharp's screenplays