but the society was more of a fundraising tool to help various far-right organizations in Italy. "Easy London" is still active. While in London, Morsello continued his musical activities. He played a concert entitled Scusate, ma non-posso venire ("Sorry, but I can't come in") that was transmitted to Italy by satellite on 22 July 1996. In the second half of the 1990s, Morsello was diagnosed with cancer. He attempted the controversial somatostatin therapy of Luigi Di Bella, with no success. In April 1999 Morsello was able to return to Italy without being incarcerated due to his worsening health condition. He nevertheless still managed to play music until his death in 2001 and helped Fiore found Forza Nuova. Music While most Italian right-wing musicians are influenced by Celtic music or Oi!, Morsello instead put far-right political themes into a more traditional acoustic, folk guitar-based songwriting. His self-admitted main influence is the Italian singer and songwriter Francesco De Gregori. In his later works he tried to develop a more personal style, influenced by psychedelia, especially in songs like Otto di Settembre and Vandea. His lyrics focused on themes like revolution, nationalism, Fascism, abortion and European Union, all from an unambiguously far-right point of view. The songs of Morsello are often of good quality and can be safely compared to those of much more famous Italian political left-wing songwriters like Francesco Guccini or Claudio Lolli. A self-proclaimed Fascist, his far-right political leanings, as expressed in his songs, won the praise of far-right supporters, but hindered his acceptance by the mainstream public. His first three albums were released as demo tapes and only later re-mastered on CD. Nevertheless, he was the best selling far-right Italian songwriter, selling 15,000 copies of his record Punto di non-ritorno. Morsello took advantage of the low profile he had in the mainstream to play a prank on the Italian communist newspaper Il Manifesto. He published a half-page ad of his record La direzione del vento declaring it "a truly revolutionary record" and emphasizing his friendly stance towards the Palestinians, one of the few platforms he shared with the far-left. The day after, the newspaper, having discovered from letters sent by its readers the identity of Morsello, publicly apologized and tried to give back the money paid by Morsello. Discography Per me… e la mia gente (1978), first released as demo tape I nostri canti assassini (1981), first released as