make a living with music," and he would work for much of the next decade as a professional musician. Never paragons of commercial success (the band's first album, The Gilded Palace of Sin, peaked at #164 on the Billboard album chart), the Flying Burrito Brothers would go on to influence generations of popular musicians. One of the first pedal steel players to work in a rock context, Kleinow favored the outmoded Fender 400, a cable-operated eight-string model. According to bandmate Bernie Leadon, "Sneaky uniquely played an eight-string Fender cable pull steel tuned to B6 instead of the more common C6. He played a usually more jazz or swing tuning in a style that most other players use an E9 tuning for. His rationale was [that] B is the 'five chord,' or dominant chord, to the key of E. This resulted in absolutely-to-Pete steel licks. And no one else thinks like him anyway." In addition to favoring atypical tunings, Kleinow liberally incorporated such electronic accoutrements as the fuzzbox, the Leslie speaker and the Echoplex into his style. His unorthodox style of playing would immediately influence a number of second-generation country rock pedal steel players, including Jerry Garcia, Buddy Cage of the New Riders of the Purple Sage and his eventual replacement in the Burrito Brothers, session musician Al Perkins. Favoring a relatively abstemious and reclusive lifestyle in comparison to some of his bandmates (nevertheless, according to bassist Chris Ethridge, he "loved to drink wine" and frequently exhibited science fiction films at the "Burrito Manor" shared by Parsons and Hillman in Reseda throughout 1968); intolerant of the group's infamously erratic live performances; and increasingly disenchanted by his exclusion from the creative process—including the diminution of his parts in released mixes and the summary rejection of his songwriting efforts—Kleinow eventually left the Flying Burrito Brothers in 1971. Despite this setback, the imprimatur of the band allowed Kleinow to enjoy a lucrative career as a session musician throughout this period. He appeared on albums by Joe Cocker (Joe Cocker!, 1969), Delaney, Bonnie and Friends (To Bonnie from Delaney, 1970), Joni Mitchell (Blue, 1971), Billy Joel (Cold Spring Harbor, 1971), Little Feat (Sailin' Shoes, 1972), Little Richard (The Second Coming, 1972), Sandy Denny (Sandy, 1972), Frank Zappa (Waka/Jawaka, 1972), the Bee Gees (Life in a Tin Can, 1973), Yoko Ono (Feeling the Space, 1973), John Lennon (Mind Games, 1973), John Cale (Paris 1919, 1973), Linda