life upon the contemplative ideal he has illustrated throughout the poem, which he imagines will be rewarded by a vision of the divine. Themes According to Barbara Lewalski, Il Penseroso, along with L'Allegro, "explore and contrast in generic terms the ideal pleasures appropriate to contrasting lifestyles ... that a poet might choose, or might choose at different times, or in sequence". In particular, Il Penseroso celebrates Melancholy through the traditional Theocritan pastoral model. The setting focuses on a Gothic scene and emphasises a solitary scholarly life. The speaker of the poem invokes a melancholic mood main character wanders through an urban environment and the descriptions are reminiscent of medieval settings. The main character, in his pursuits, devotes his time to philosophy, to allegory, to tragedy, to Classical hymns, and, finally, to Christian hymns that cause him to be filled with a vision. Besides being set in a traditional form, there is no poetic antecedent for Milton's pairing. Melancholy, in Il Penseroso, does not have the same parentage as Mirth does in L'Allegro; Melancholy comes from Saturn and Vesta, who are connected to science and a focus on the heavens. Melancholy is connected in the poem with the "heavenly" muse Urania, the goddess of inspiring epics, through her focus and through her relationship with Saturn. Furthermore, she is related to prophecy, and the prophetic account within the final lines of Il Penseroso does not suggest that isolation is ideal, but they do emphasise the importance of experience and an understanding of nature. The higher life found within the poem, as opposed to the one within L'Allegro, allows an individual to experience such a vision. The poems have been classified in various traditions and genres by various scholars, including: as academic writing by E. M. W. Tillyard; as pastoral by Sara Watson; as part of classical philosophy by Maren-Sofie Rostvig; as part of Renaissance encomia by S. P. Woodhouse and Douglas Bush, and as similar to Homeric hymns and Pindaric odes. Stella Revard believes that the poems follow the classical hymn model which discuss goddesses that are connected to poetry and uses these females to replace Apollo completely. Critical reception During the eighteenth century, both Il Penseroso and L'Allegro were popular and were widely imitated. The poet and engraver William Blake, who was deeply influenced by Milton's poetry and personality, made illustrations to both L'Allegro and Il Penseroso. L'Allegro, il Penseroso ed