suffered during the war. The high altar was added, topped by an 18th-century Rococo statue of Christ made of gilded lead made by Clodion, which had previously been part of the 18th-century altar screen, as well as two kneeling angels, made by Caffieri in 1766, and previously in the Church of Saint-Vincent de Rouen, which was destroyed in 1944. The Choir also received modern screens by 20th-century artist Raymond Subes, a new episcopal throne, and a modern communion table and pulpit made of cast iron and gilded copper.[ Choir stalls The Choir stalls were put in place between 1457 and 1470 by the master woodworker Philipott Viart. A majority of the original seats are still in place, along with the carved decorations, called Miséricordes, illustrating scenes from the Bible, as well as proverbs, fables and craftsmen at work. Unfortunately, the upper portions of the stalls were destroyed during the Revolution. Tombs of the Dukes of Normandy The remains of four Dukes of Normandy are placed in the simple tombs with their images on either side of the choir. These are the tombs of Rollo, a Viking and the first Duke of Normandy; William Longsword, the son of Rollo (died 942); Henry the Young King (died 1183); and a tomb with the heart of Richard the Lion-Hearted, Duke of Normandy and King of England (died 1199). The original tomb of Rollo was destroyed during the bombing of 1944, and was replaced by a copy of the tomb of Henry the Young King made in the 19th century. The remains of Rollo and his son William Longsword were transferred from the first cathedral to the Romanesque cathedral in 1063, shortly after it was built, then to the Gothic cathedral when it was completed. Collateral Chapels Eighteen small chapels are placed between the buttresses on the north and south sides of the nave. They are filled with art, sculpture and stained glass given by wealthy donors and the guilds of the city. Some of the chapels are very plain, while others are adorned with paintings and sculptures from the 17th and 18th centuries. The Chapel of Sainte-Catherine is distinguished by its highly ornate lambris with painted panels of the life of Saint Brice. The bombardment of the Catedral in 1944 destroyed the other five chapels on the south side of the nave; only the Chapel of Sainte-Catherine survived intact. Apse – The Chapel