Viva (born Janet Susan Mary Hoffmann; August 23, 1938) is an American actress, writer and former Warhol superstar. Life and career Viva was born in Syracuse, New York, the daughter of Mary Alice (née McNicholas) and Wilfred Ernest Hoffmann. Hoffmann was the eldest of nine children born into a family of strict Roman Catholics. Her father was a prosperous attorney, and her parents were stalwart supporters of the Army–McCarthy hearings held to expose Communist government infiltration. The Hoffmann children were required to watch the televised proceedings. Raised in devout Catholicism, she considered becoming a nun. Viva began her career in entertainment as a model and painter. She retired from both professions, claiming that she believed painting to be a dead medium, and describing her time as a model as "...a period of my life I would rather forget." She was given the name Viva by Andy Warhol before the release of her first film but later used her married last name (Auder). She appeared in several of Warhol's films and was a frequent guest at the Factory. Viva's film career began in 1967, when she began filming Ciao! Manhattan, which was not completed until 1972. Viva approached Andy Warhol about being in one of his films, on the suggestion of her friend, actress Abigail Rosen McGrath. Warhol agreed but only on the condition that Viva take off her blouse for the role. Viva responded by adhering bandaids to her breasts and visiting Warhol at The Factory. Viva appeared in many of Warhol's films. The first, Tub Girls, consists of Viva lying in a bathtub with various people of both sexes, including Brigid Berlin and Rosen McGrath. She appeared in Bike Boy, a film about a motorcyclist trying to find himself; and The Nude Restaurant, in which she played a waitress, opposite Taylor Mead. By far, Viva's most controversial role was in Blue Movie (1969), a seminal film in the Golden Age of Porn that helped inaugurate the "porno chic" phenomenon in modern American culture. Viva starred opposite Louis Waldon. The film consists of improvised dialogue between Viva and Waldon about a multitude of topics, including the Vietnam War, President Richard Nixon, and various mundane tasks. These conversations are interrupted by the main event of the film, in which Viva and Waldon perform sexual acts in front of the camera. The film was seized by New York City Police for obscenity,