a tutti reprise. This leads into the trio, with a key change and a time change to 6/8, introducing a more delicate modal air played by the woodwind with a light accompaniment. In the past this melody has been identified erroneously as "The Trees They Do Grow High" (Roud 31), but more recent research has found a much closer correspondence with the song "Whistle, Daughter, Whistle" (Roud 1570), as sung by Walter Locock of Martock. This melody continues until the time signature changes back to the original 2/4, with the entry of a robust major melody, John Barleycorn (Roud 164), originally taken down by Sharp from Robert Pope of Minehead. This enters in the lower instruments (trombones and double basses in orchestrated version) while the cornets play decorative features above. The trio is then repeated in full before a D.C. is reached and the first two themes are revisited. The form of this movement can be represented by A–B–A. (ternary form) Instrumentation Original 1923 concert band version E-flat flute and piccolo, concert flute and piccolo, E-flat clarinet, solo B-flat clarinet, ripieno 1st B-flat clarinet, 2nd B-flat clarinet, 3rd B-flat clarinet, E-flat alto clarinet, B-flat bass clarinet, oboes and C clarinets, 1st bassoon, 2nd bassoon, E-flat alto saxophone, B-flat tenor saxophone, E-flat baritone saxophone, B-flat bass saxophone and contrabass clarinet, 1st B-flat cornets, 2nd B-flat cornets, B-flat trumpets, 1st and 2nd horns in F (E-flat in the score), 3rd and 4th horns in F (E-flat in the score), 1st trombone, 2nd trombone, bass trombone, B-flat baritone, euphonium, basses, timpani, drums (cymbals, bass drum, snare drum, triangle). The suite was published in 1923 by Boosey & Hawkes as Folk Song Suite. The part titled "concert flute and piccolo", although singular, requires at least two players since the flute and piccolo parts are simultaneous for much of the suite, and the final movement includes split parts. Other parts that require two players are the oboes and B-flat trumpets. The E-flat clarinet part has divisis in the final movement only, most of which is already doubled in the solo/first B-flat clarinet voice, making the second E-flat clarinet not entirely necessary. Solo and 1st B-flat cornets are printed on one part (originally titled "1st cornet"), but one player is required for solo and one for 1st. The part for B-flat baritone is actually for a baritone saxhorn, no longer present in the military band (not