news of the time referred to her as 'Miss Holland' or 'Miss Marty Holland.' Perhaps Marty, that gender-neutral name, sounded more hardboiled than did Mary." Holland lived in Los Angeles until her death from cancer in 1971. The film's location shots were in Orange, California. Reception Critical response New York Times film critic Bosley Crowther liked the acting in the film but was disappointed by the story. He wrote, "As the frustrated adventurer, Dana Andrews adds another excellent tight-lipped portrait of a growing gallery. Linda Darnell is beautiful and perfectly cast as the sultry and single-minded siren, while Miss Faye, whose lines often border on the banal, shoulders her first straight, dramatic burden, gracefully. Charles Bickford, as a dishonorably discharged cop, Anne Revere, as Miss Faye's spinster sister, and Percy Kilbride, as the lovesick proprietor of the diner in which Miss Darnell works, are outstanding among the supporting players. But for all of its acting wealth, Fallen Angel falls short of being a top-flight whodunit." Critic Tim Knight of Reel.com notes that if the viewers can forget the "... headlong dive into preposterousness, it's still a lot of fun". His review adds, "... the movie does have much to recommend, from Joseph La Shelle's atmospheric, black-and-white cinematography to Preminger's taut direction to the juicy, hard-boiled dialogue. Veteran character actors Charles Bickford, John Carradine, and Percy Kilbride (of Ma and Pa Kettle fame) lend strong support to the sizzling twosome of Andrews and Darnell, who made only one more film together, when they were both past their prime: 1957's Zero Hour!, a forgotten grade-Z thriller." Critic Fernando F. Croce wrote of the film, "Fallen Angel, the director's follow-up to his 1944 classic, is often predictably looked down as a lesser genre venture, yet its subtle analysis of shadowy tropes proves both a continuation and a deepening of Preminger's use of moral ambiguity as a tool of human insight...Preminger's refusal to draw easy conclusions—his pragmatic curiosity for people—is reflected in his remarkable visual fluidity, the surveying camera constantly moving, shifting dueling points-of-view in order to give them equal weight. Fallen Angel may not satisfy genre fans who like their noir with fewer gray zones, but the director's take on obsession remains no less fascinating for trading suspense for multilayered lucidity." See also List of American films of 1945 References External links 1945 films 1945 crime drama films 20th Century Fox films American