and lyrics "Hidden Place" features choirs of space sirens, and lyrically is about a new love that has a private side. "I'm not sure what to do with it or where to put it/ I'll keep it in a hidden place", Björk sings. According to The Wire magazine, the song "hints at the extent to which her lyrics parallel their fragile musical arrangements: 'I'm so close to tears and so close to simply calling you up/ I'm simply suggesting/ We go to that hidden place'". For Ryan Schreiber of Pitchfork the track opens Vespertine with a "glitchy, almost lo-fi melodic loop, paired with the deep sub-bass attack that has dominated the low-end of Björk's music in recent years". MusicOMH's Michael Hubbard noted that it is reminiscent of Björk's previous single "Hunter" (1997), although he felt the beats were not "so central this time round". Critical reception "Hidden Place" received positive reviews from music critics. Greg Kot from Blender magazine commented that album openers "Hidden Place" and "Cocoon" "live up to their billing as sound sanctuaries, with Björk singing a barely-above-a-whisper lullaby enhanced by the plush embrace of a choir". David Fricke of Rolling Stone called it "floating beauty". British magazine NMEs Joe Logic was also positive saying, "'Hidden Place' is a mellow and low-key opener that combines Matmos sneezing-cricket beats with deep warm bass and a distant choir. The chorus is almost mantra-like, drawing you further into this immeasurably gorgeous record". However, Steve Granlee from The Boston Globe commented that "Hidden Place" was "a subtle update" of "Human Behaviour", but "it won't have any radio appeal". Katy Widder of PopMatters shared a similar sentiment, saying the song "is by no means top 40 material". Music video The music video for "Hidden Place" was directed by Inez van Lamsweerde and Vinoodh Matadin and co-directed by M/M Paris. It was shot in four days in February 2001 in London. It was originally planned for a song from Selmasongs, but Björk felt the project was more appropriate for Vespertine. The video consists of close-up shots panning around Björk's face, as fluids flow in and out of her facial orifices. M/M Paris explained the concept behind the video: "We always wanted to get as close to her as we could, as we all felt she had never been portrayed as the "real" and beautiful woman she is. This is somehow taboo, to observe a