to the network for a television film. Baer subsequently sued ABC for interfering with his prospective economic advantage, and was awarded $2 million by a court, who agreed that the network had wrongly interfered with the producer's plans. During the opening scene of Quentin Tarantino's 1992 film Reservoir Dogs, the character Mr. Brown (played by Tarantino himself) insists that "Like a Virgin" is "about a girl who meets a guy with a big dick"; when Madonna met Tarantino at a party after the film's release, she gave him an autographed copy of her album Erotica, signing, "Quentin: it's about love, not dick". In Baz Luhrmann's Moulin Rouge! (2001), "Like a Virgin" was turned into a "delightful comic number" performed by Jim Broadbent. A sing-along of the track was performed by the titular character (Renée Zellweger) and a group of prostitutes at a Thailand jail in the 2004 film Bridget Jones: The Edge of Reason; four years later, in "The Becoming", the fourteenth episode of the fourth season of American medical drama Grey's Anatomy, Cristina Yang (Sandra Oh) hums the song while she removes the hearts of 50 cadavers. It was namechecked in the Train's "Hey, Soul Sister" (2009) with the lyric "I believe in you/Like a virgin you're Madonna". In "The Power of Madonna" (2010), fifteenth episode of American television series Glee, "Like a Virgin" was sung by three couples played by Jonathan Groff, Jayma Mays, Lea Michele, Cory Monteith, Matthew Morrison, and Naya Rivera; the performance was praised by Entertainment Weeklys Tim Stack, who hailed it as "one of the more ambitious numbers of the night". Legacy Recognition "Like a Virgin" has been recognized as one of Madonna's best songs, as well as the one that turned her into a superstar. Samuel Murrian named it the singer's third greatest song, that marked "the moment she went from being a big star to being an icon". It was also named her third best by Gay Star News Joe Morgan. PopMatterss Enio Chola added that, "when ['Like a Virgin'] hit, [Madonna's] status was elevated to that of pop culture icon. [...] [it's] the song that defined for us who Madonna was (at the time) and would be turning into (in the near future)". Harrison Brocklehurst for The Tab referred to the song as one that "defined the genre"; he named "Like a Virgin" the singer's 18th best single. Sal Cinquemani named