The Finborough Theatre is a fifty-seat theatre in the West Brompton area of London (part of the Royal Borough of Kensington and Chelsea) under artistic director Neil McPherson. The theatre presents new British writing, as well as UK and world premieres of new plays primarily from the English speaking world including North America, Canada, Ireland, and Scotland including work in the Scots language, alongside rarely seen rediscovered 19th and 20th century plays. The venue also presents new and rediscovered music theatre. The Finborough Arms The Finborough Arms was built in 1868 to a design by George Godwin and his younger brother Henry. It was one of five public houses built by Corbett and McClymont in the Earls Court area during the West London development boom of the 1860s. The pub opened in 1871. The ground floor and basement of the building was converted into The Finborough Road Brasserie from 2008 to 2010 and The Finborough Wine Cafe from 2010 to 2012. The pub reopened under its original name of The Finborough Arms in February 2014. 1980s June Abbott opened the theatre above the Finborough Arms Public House in June 1980. In its first decade, artists working at the new theatre included Clive Barker, Kathy Burke, Ken Campbell, Mark Rylance, and Clare Dowie who appeared in the world première of her own play Adult Child/Dead Child. 1990s From 1991 to 1994, the theatre was best known for new writing with Naomi Wallace’s first play The War Boys; Rachel Weisz in David Farr’s Neville Southall's Washbag, Elton John’s Glasses; Holding Back the Ocean by Godfrey Hamilton; and three plays by Anthony Neilson: The Year of the Family; Normal: The Düsseldorf Ripper; and Penetrator, which transferred from the Traverse and went on to play at the Royal Court Upstairs. From 1994, the theatre was run by The Steam Industry under Artistic Director Phil Willmott. Productions included new plays by Tony Marchant, David Eldridge, Mark Ravenhill, and Phil Willmott. New writing development included Mark Ravenhill's Shopping and F*cking (Royal Court, West End and Broadway) and Naomi Wallace's Slaughter City (Royal Shakespeare Company), the UK première of David Mamet’s The Woods, and Anthony Neilson's The Censor, which transferred to the Royal Court. 2000s Productions since 2000 have included the UK premières of Brad Fraser’s Wolfboy; Lanford Wilson’s Sympathetic Magic; Tennessee Williams’ Something Cloudy, Something Clear; and Frank McGuinness’ Gates of Gold with William Gaunt and