film Producer He went on to become a successful producer with credits including Cat Stevens' albums Tea for the Tillerman (1970), Teaser and the Firecat (1971) and Catch Bull at Four (1972). An article in The Washington Post praised Samwell-Smith's "deft, understated touch" on these recordings as a primary reason for their commercial success, and commented: "The chamber ensemble palette Samwell-Smith employed, consisting mainly of acoustic guitars, piano, upright bass and hand percussion, and the refined arrangements he crafted, perfectly complement the interior landscapes that Stevens was exploring. Stevens had the pure, raw talent, certainly, but it was Samwell-Smith who seemed to understand how best to transmute and position that talent for maximum artistic impact." Samwell-Smith also produced recordings for Jethro Tull, Carly Simon, Renaissance, Murray Head, Chris de Burgh, Beverley Craven, Toto Coelo, Illusion and Claire Hamill. Other production credits include two of Amazing Blondel's albums for Island Records; the first and second albums by All About Eve for Mercury; and "American Tune" (1973 single) with Paul Simon. Film Paul Samwell-Smith was the musical producer for the film Harold and Maude in 1971, with music written by Cat Stevens, which became a cult classic. In addition, two decades later, he produced Postcards from the Edge in 1990, as a music sound recording and recording supervisor. References Further reading Yardbirds (John Platt, Chris Dreja, Jim McCarty) Sidgwick & Jackson, 1983 Yardbirds : The Ultimate Rave-Up (Greg Russo) Crossfire Publications 1997 The Yardbirds (Alan Clayson) Backbeat Books 2002 External links 1943 births Living people English rock bass guitarists Male bass guitarists English record producers The Yardbirds members People educated at Hampton School People from Richmond, London Musicians from London British rhythm and blues boom musicians Box of Frogs members