the 49th Venice Biennale, While Interwoven Echoes Drip into a Hybrid Body – an Exhibition about Sound, Performance and Sculpture in the Migros Museum für Gegenwartskunst in Zürich, and This Is Not a Love Song in La Virreina Centre de la Imatge in Barcelona. The music video was also on permanent exhibition at the Museum of Modern Art in New York City. Chris Cunningham served as a model for a character in the novel Pattern Recognition (2003) by William Gibson, in which a fictitious music video director who puts "robot girls in his video" makes a clip characterised by the following words: "No sci-fi kitsch for Damien. Dreamlike things in the dawn half-light, their small breasts gleaming, white plastic shining faints as old marble", as a reference to "All Is Full of Love". In 2004, similarities were noted between the design of the robots in the music video and those in the film I, Robot, raising accusations of plagiarism by fans. E! News contacted Cunningham and 20th Century Fox—the studio behind the film—but neither of them returned calls for comment. According to Tymon Smith of The Times, 2015 American film Chappie "ends with a rip off" of the music video. It also was an inspiration for the opening title sequence of the television series Westworld. Live performances Björk first performed "All Is Full of Love" live in July 1997, playing the whole album for a press conference and presentation concert concerning Homogenic at the Old Truman Building, an old beer factory in London, wearing a pink dress designed by Hussein Chalayan, which she would later sport in the video for "Bachelorette" (1997) and photoshoots. The song was part of the set list for her Homogenic Tour, on which Björk embarked with Mark Bell and Icelandic String Octet from late 1997 to early 1999. "All Is Full of Love" was also performed during the Vespertine World Tour in 2001, which featured Vespertine collaborators Matmos and Zeena Parkins, an Inuit choir, and an orchestra. During the tour, Björk performed in concert halls and opera houses in order to "have the best acoustics possible" and avoid the "appalling acoustics" of stadiums and rock venues. The track was the most performed of the tour, alongside "Frosti" and "Pagan Poetry". Björk's concert at the Royal Opera House of 16 December 2001, which included a performance of the song, was broadcast on BBC Four and released