to accept the award in the red kimono. The live performance received positive reviews from most music critics; Jason Kaufman from NY Rock commented, "Her constant nationality morphing has got to go. With her geisha-girl-gone-club-hopping outfit last night, [...] the woman proved she's a walking Epcot Center, long on fashion and short on culture. And what were those women dancing behind her in her musical number holding? The objects looked like fetuses from last week's The X-Files". Bradley Stern from Idolator hosted a poll, asking viewers what was their best Madonna Grammy performance. Alongside the 1999 Grammys, Stern listed Madonna's performances of "Music" at the 2001 ceremony, "Hung Up" at the 2006 ceremony, and "Same Love" and "Open Your Heart" at the 2014 ceremony. "Nothing Really Matters" came third in the poll with 102 votes. InStyle staff highlighted the performance as one of the best Grammy performances to date. Legacy and other usage in media "Nothing Really Matters" has been noted as one of Madonna's most underrated singles to date. Louis Virtel from NewNowNext listed the song at number 94 on their Top 100 Madonna Songs list, stating, "Copping both new-age maxims and Beatle sentiments ('Everything I give you all comes back to me'), 'Nothing Really Matters' is as queer and curious as a red patent-leather geisha costume." The Gaultier kimono has been cited by several publications as one of Madonna's most notable re-inventions and looks, including fashion magazines InStyle, Elle and Harper's Bazaar. Alongside this, the kimono has been recognized as one of the Grammy's best and worst looks. Louis Virtel listed the music video at number 49 on his ranking of 55 Best Music Videos by Madonna. Julien Sauvalle from Out listed the video at number eight on his Top 20 Most Stylist Madonna music videos list. Idolator's Nicole Sta called the clip as one of Madonna's best music videos. Nikki Ogunnaike from Glamour magazine listed the video as one of Madonna's Top 5 Most Fashionable music videos. The geisha look was further reproduced for Madonna's appearance on the May–June 1999 issue of Harper's Bazaar magazine. The singer took partial creative control of the issue, and requested photographer of the shoot Patrick Demarchelier to incorporate elements of the novel Memoirs of a Geisha into it, both visually and typographically. Three covers were selected for different regions around the world. In 2016, the geisha look was adapted on the