Johann Mouse is a 1953 American one-reel animated cartoon and the 75th Tom and Jerry cartoon, released in theaters on March 21, 1953 by Metro-Goldwyn-Mayer. The short is directed by William Hanna and Joseph Barbera, composed by Scott Bradley, and animated by Kenneth Muse, Ray Patterson, Ed Barge, and Irven Spence. It won the 1952 Academy Award for Best Short Subject: Cartoons, the seventh and last Oscar given to a Tom and Jerry short. Plot In 19th century Vienna, Tom Cat and Johann Mouse played by Jerry Mouse live in the house of composer Johann Strauss. Whenever Strauss plays the piano, Johann comes out of his hole to dance to the music, and Tom would repeatedly try to catch him with no success. One day, Strauss goes away on a journey, much to Tom's dismay. Tom realizes that the key to catching Johann would be through music, so he begins teaching himself how to play the piano using Strauss' written tutorial, "How to Play the Waltz in Six Easy Lessons." As Tom plays the piano, he is able to lure out and capture Johann, but his playing is immediately praised by the house servants, and so he lets go of Johann and happily continues his performance. Tom's piano playing and Johann's dancing spread by word-of-mouth across Vienna, eventually reaching the Emperor of Austria. Tom and Johann are then commanded to perform at the palace before the emperor. Tom and Johann perform with vigor and delight at the palace, but Tom eventually succumbs to his instincts and tries to chase after Johann, only to fail once again and making the audience clap once again. Production As with every short of Tom and Jerry during its first two decades, Johann Mouse is directed by William Hanna and Joseph Barbera, with its score composed by Scott Bradley. The piano arrangements for the short was created and played by Jakob Gimpel, a Polish-born concert pianist. Within the Tom and Jerry series, Johann Mouse is unique for having a record album directly adapted from the short itself, released in May 1953 and with Bret Morrison substituting Hans Conried as narrator. Reception Ben Simon of Animated Views praised Johann Mouse for its "extraordinarily exquisite watercolor production values", and noted that Hans Conried was "having fun as the narrator". Writer and historian Michael Samerdyke considered the short to be "simply adorable", and observed that continues "Tom and