"she answered, 'Most of it I wasn't born'". In the late 1980s a version for marching band (called "El Paso" (Miners Fight)) became the official fight song of the University of Texas at El Paso Miners. Sequels Robbins wrote two songs that are explicit sequels to "El Paso", one in 1966, one in 1976. Feleena (From El Paso) In 1966, Robbins recorded "Feleena (From El Paso)", telling the life story of Feleena, the "Mexican girl" from "El Paso", in a third-person narrative. This track was over eight minutes long. Robbins wrote most of it in Phoenix, Arizona, but went to El Paso seeking inspiration for the conclusion. Born in a desert shack in New Mexico during a thunderstorm, Feleena runs away from home at 17, living off her charms for a year in Santa Fe, New Mexico, before moving to the brighter lights of El Paso to become a paid dancer. After another year, the narrator of "El Paso" arrives, the first man she did not have contempt for. He spends six weeks romancing her and then, in a retelling of the key moment in the original song, beset by "insane jealousy", he shoots another man with whom she was flirting. Her lover's return to El Paso comes only a day after his flight (the original song suggests a longer time frame before his return) and as she goes to run to him, the cowboy motions to her to stay out of the line of fire and is shot; immediately after his dying kiss, Feleena shoots herself with his gun. Their ghosts are heard to this day in the wind blowing around El Paso: "It's only the young cowboy showing Feleena the town". El Paso City In 1976 Robbins released another reworking, "El Paso City", in which the present-day singer is a passenger on a flight over El Paso, which reminds him of a song he had heard "long ago", proceeding to summarize the original "El Paso" story. "I don't recall who sang the song," he sings, but he feels a supernatural connection to the story: "Could it be that I could be the cowboy in this mystery...," he asks, suggesting a past life. This song reached No. 1 on the country charts. The arrangement includes riffs and themes from the previous two El Paso songs. Robbins wrote it while flying over El Paso in, he reported, the same amount