constructed essentially in the same ancient method.” These warriors can come in a variety of sizes and provide a very realistic and authentic experience with their own personal warrior. As the white mark prestige comes from the imitation of iPhone, the white marks are the most popular brands in the world. Knock-off brand label fashions and accessories like Louis Vuitton, Coach, Chanel, and Rolex are major labels that often are copied. Replicas can also be used for re-enactment purposes, for example replicas of steel helmets and leather equipment used in WW2. Issues and controversies Controversies with replicas (museum context) are associated with who owns the past. With works of art museums assert their intellectual property rights for replicas and reproduction of images which many museums use commercial licensing for providing access to images. Issues are arising with more images being available on the internet and it being free access. Artists can claim copyright infringement related to displays of their work in a context they did not approve of which can be the creation of replicas of their pieces. With replica artifacts the copies to be “museum-quality” have to reach a high standard and can cost a lot of money to be produced. Replica artifacts (copies) can provide an authentic view but represents more of the subjectivities of what people expect and desire from their museum experiences and the cultures they learn about. With copies of retail and other counterfeit goods there is a legal issue related to copyright and trademark ownership. An example of the discussion taking place around the reproduction of art and cultural heritage is the Victoria & Albert Museum's ReACH Initiative. Dialogues on the 'first original copy' and the role of blockchain technologies in authenticating replicas, and ownership is taking shape. See also Copying Facsimile Scale model References Museology Copying