Earl Wild (November 26, 1915January 23, 2010) was an American pianist known for his transcriptions of jazz and classical music. Biography Royland Earl Wild was born in Pittsburgh, Pennsylvania, in 1915. Wild was a musically precocious child and studied under Selmar Janson at the Carnegie Institute of Technology there, and later with Marguerite Long, Egon Petri, and Helene Barere (the wife of Simon Barere), among others. As a teenager, he started making transcriptions of romantic music and composition. In 1931, he was invited to play at the White House by President Herbert Hoover. The next five presidents (Franklin D. Roosevelt, Harry S. Truman, Dwight D. Eisenhower, John F. Kennedy and Lyndon B. Johnson), also invited him to play for them, and Wild remains the only pianist to have played for six consecutive presidents. In 1937, Wild was hired as a staff pianist for the NBC Symphony Orchestra. In 1939, he became the first pianist to perform a recital on U.S. television. Wild later recalled that the small studio became so hot under the bright lights that the ivory piano keys started to warp. In 1942, Arturo Toscanini invited him for a performance of Gershwin's Rhapsody in Blue, which was, for Wild, a resounding success, although Toscanini himself has been criticized for not understanding the jazz idiom in which Gershwin wrote. During World War II, Wild served in the United States Navy as a musician. He often travelled with Eleanor Roosevelt while she toured the United States supporting the war effort. Wild's duty was to perform the national anthem on the piano before she spoke. A few years after the war, he moved to the newly formed American Broadcasting Company (ABC) as a staff pianist, conductor and composer until 1968. He performed for the Peabody Mason Concert series in Boston in 1952, 1968, and 1971 and three concerts of Liszt in 1986. Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul, Beijing, and Tokyo to Argentina, England and throughout the United States. Wild created numerous virtuoso solo piano transcriptions, including 14 songs by Rachmaninoff (1981), and several works on themes by Gershwin, as well as transcriptions of Berlioz, Buxtehude, Chopin, Fauré, Saint-Saëns, and Tchaikovsky. His "Grand Fantasy on Airs from Porgy and Bess" (1973), in the style of the grand opera fantasies of Liszt, is the first extended piano paraphrase on an American opera,