Scotland, Spain, Sweden and Switzerland, while reaching the top of the charts in Finland and Italy. It received a silver certification in France for shipment of 125,000 copies. The song reached a peak of number two on the European Hot 100 Singles chart, also ranking number two in the 1999 year-end tabulation behind Britney Spears' "...Baby One More Time". Music video The song's accompanying music video was directed by Brett Ratner and filmed at Universal Studios in Los Angeles in May 1999. Madonna had previously shown interest in working with Ratner after seeing his video for D'Angelo's "Brown Sugar" (1995). Her make-up was done by Kevyn Aucoin, with whom she had previously worked on her music video for "The Power of Good-Bye". According to Ratner, it was a rather jovial shooting: Mike was in character the entire time. He and Madonna really had a great chemistry together. This video shows her absolutely hysterical sense of humour, and it's great for everyone to see that side of her. This was by far the most fun I've ever had making a video. The video begins with Myers as Austin Powers, receiving a call from his boss Basil Exposition (Michael York), who warns him against a dangerous spy describing her as a "master of disguise". The screen of his car depicts five images of Madonna wearing different looks, and Exposition clarifies that she has been "seducing our top agents". He also warns Powers "whatever you do don't fall in love. We've already lost 007 and 008". As the video continues, Powers finds Madonna at a club performing in front of a crowd, which includes Verne Troyer in character as Mini-Me. As he watches her perform, Powers finds himself fantasizing about the two of them dancing in front of a white background with psychedelic fluorescent whirls. He also imagines her in the passenger seat of his car, where she dances suggestively for him and playfully teases him whilst he is driving through London at night. According to Ratner, Myers was not comfortable with these scenes, as he felt it was too sexual and inappropriate; he even asked him to cut that particular shot. Madonna on the other hand, thought it was fun and convinced the director to keep it. The video ends with Powers' car fantasy, with Madonna playfully stroking his cheek as he says "It's good to be me!". Author Georges Claude Guilbert