in the categories of Best R&B Song and Best Rap/Sung Collaboration, which it won, and Record of the Year, which it did not win. A remix of "Crazy in Love", known as "Krazy in Luv" (Maurice's Nu Soul Mix), won the award Best Remixed Recording, Non-Classical for its remixer, Maurice Joshua. "Crazy in Love" was also recognized at the 2004 ASCAP Pop Music Awards Awards as one of the Most Performed Songs and its publisher, EMI, received the Publisher of the Year award. Vibe magazine's VIBE Awards recognized the song for Coolest Collaboration in 2003. In Europe, "Crazy in Love" won the Best Song award at the 2003 MTV Europe Music Awards. "Crazy in Love" won the awards for Best R&B/Urban Track and Best Pop Dance Track at the 22nd Annual International Dance Music Awards in 2003. It was recognized by Beyoncé's peers in the urban markets, and won the award for Best Collaboration at the BET Awards, where it also received a nomination in the Viewers Choice Awards category in 2004. "Crazy in Love" was nominated at the 36th NAACP Image Awards for the Outstanding Song award and for Favorite Song at the 2004 Kids' Choice Awards. Remixes "Crazy in Love" has various remixes, including the Rockwilder remix, Maurice Joshua's Nu Soul remix, and Juniors World remix. These versions appeared on the single releases of "Crazy in Love" under an alternative spelling, "Krazy in Luv". The Rockwilder remix slows down the beat and makes the song deeper and funkier with chopped up horn samples and sparkling synth textures from sampling Don't Stop the Music by Yarbrough and Peoples. Maurice's Nu Soul Remix speeds up the beat, taking it from hip-hop to house territory. A version of the song included on Asian special edition of Dangerously in Love features a rap in Mandarin Chinese performed by American-Taiwanese singer Vanness Wu, instead of Jay Z's performance. "Crazy in Love" was re-recorded by Beyoncé for the film Fifty Shades of Grey (2015) and used for its trailer, which was released on July 24, 2014. The slowed-down version was produced by Boots with violin arrangements by Margot, both of whom worked on Beyoncé's self-titled fifth studio album (2013), and, unlike the original, doesn't feature Jay-Z. Margot said: "It inspires me to work on other artists' songs [because] it pushes my boundaries in a direction that I wouldn't necessarily come up with. Obviously I