a classroom to sped-up city-scapes and freeways at night. Interspersed in the scenes is Madonna dancing and singing the track, her image partially merged with the backdrop of the fast-sped cityscape. During the intermediate verse the high-speed motion stops with the camera focusing on Madonna only against a sunset backdrop but quickly speeds up again. As the clip continues into nightfall, high-speed images of Madonna dancing in a discothèque is shown, with the camera focusing on the revelers. She suddenly starts screaming. After that she is seen falling asleep on the dance floor, and a revolving shot of planet Earth. On June 23, 1998, the clip was released on VHS as a limited edition of 40,000 copies by Warner Music Vision. It had sold 7,381 copies of the following month after its release, becoming the best-selling video singles of the Nielsen SoundScan era. The video charted on Billboards Music Video Sales chart for a total of 13 weeks. A few days after its release, Italian director Stefano Salvati accused Madonna's Warner Bros. Records imprint Maverick Records for plagiarizing the concept of a music video he directed for Biagio Antonacci's 1994 single "Non è Mai Stato Subito". According to Salvati, copies of his videos were submitted to Maverick before the "Ray of Light" video was shot and requested it to be pulled from distribution. Both clips featured the respective singers performing at regular speed against a backdrop of high-speed images. However, he did not sue the singer or her companies. With "Ray of Light", Madonna debuted her "Earth Mother" look, complete with long strawberry blond hair and bronzed body. Author Georges Claude Guilbert wrote in his book, Madonna as Postmodern Myth, that her "straggly, expensively unwashed look" was comparable to that of singer Alanis Morissette and to Venetian paintings. According to Madonna, she went for an Italian Renaissance look, invoking work of painter Raphael and Botticelli. Guilbert found the singer's description as catering to postmodernism, in tune with the zeitgeist, and noted that it was just one of her "many reinventions". The book recalled how Madonna "quickly grew tired of the Botticelli-Earth Mother phase" with subsequent singles being promoted with a new Asian inspired look. In the book Ex-foliations: Reading Machines and the Upgrade Path, author Terry Harpold commented about the time-lapse sequences, especially the image of a clock and its hands rotating past the hours. He felt that the clip