"It Won't Be Long" is a song by the English rock band the Beatles, released as the opening track on their second UK album With the Beatles (1963), and was the first original song recorded for it. Although credited to Lennon–McCartney, it was primarily a composition by John Lennon, with Paul McCartney assisting with the lyrics and arrangement. Composition John Lennon claimed this song in 1971 and 1980. In about 1995 Paul McCartney described the song as dominated by John, but written in collaboration. “John mainly sang it so I expect that it was his original idea but we both sat down and wrote it together." The chorus is a play on the words "be long" and "belong". The song features early Beatles trademarks such as call-and-response yeah-yeahs and scaling guitar riffs. Typical also of this phase of Beatles songwriting is the melodramatic ending (similar to "She Loves You", which had just been recorded and was about to be released) where the music stops, allowing Lennon a brief solo vocal improvisation before the song finishes on a "barber shop" major seventh ("She Loves You" ends on a major sixth). The middle eight uses chromatically descending chords over which Lennon, McCartney and Harrison sing in counterpoint. John Lennon, in his final interview, told Playboy magazine that the song was the beginning of a wider audience for Beatles music than the youthful throngs that had fervently followed them from their Liverpool clubbing days. "It was only after a critic for the [London] Times said we put 'Aeolian cadences' in 'It Won't Be Long' that the middle classes started listening to us. ... To this day, I have no idea what 'Aeolian cadences' are. They sound like exotic birds." In fact, the critic, William Mann, had written this about the song "Not a Second Time." Rolling Stone stated that "It Won't Be Long" was "the kind of song Bob Dylan had in mind when he wrote that Beatles chords were 'outrageous, just outrageous.'" With its composers not being versed in musical theory, the song incorporates chords it "shouldn't", being in the key of E but veering off into D, C and F♯, and "a hybrid of D and Bm". Recording and release The Beatles recorded this song on 30 July 1963 in two sessions. The first session was in the morning, where they recorded 10 takes. The second session was in the afternoon,