hold on her family, it must have been with her implicit approval that he was adopted. As a result, Alexios and Constantine, Maria's son, were now adoptive brothers and both Isaac and Alexios took an oath that they would safeguard his rights as emperor. By secretly giving inside information to the Komnenoi, Maria was an invaluable ally. Just as on previous occasions, the betrothal of her granddaughter to a relative of Botaneiates' did not stop Anna's intrigues against the new regime. As stated in the Alexiad, when Isaac and Alexios left Constantinople in mid-February 1081 to raise an army against Botaneiates, Anna quickly and surreptitiously mobilized the remainder of the family and took refuge in the Hagia Sophia. From there she negotiated with the emperor for the safety of family members left in the capital, while protesting her sons' innocence of hostile actions. Under the falsehood of making a vesperal visit to worship at the church, she deliberately excluded the grandson of Botaneiates and his loyal tutor, met with Alexios and Isaac and fled for the forum of Constantine. The tutor found them missing and eventually found them on the palace grounds but she was able to convince him that they would return to the palace shortly. Then to gain entrance to both the outer and inner sanctuary of the church the women pretended to the gatekeepers that they were pilgrims from Cappadocia who had spent all their funds and wanted to worship before starting their return trip. However, before they were to gain entry into the sanctuary, Straboromanos and royal guards caught up with them to summon them back to the palace. Anna then protested that the family was in fear for their lives, her sons were loyal subjects (Alexios and Isaac were discovered absent without leave), and had learned of a plot by enemies of the Komnenoi to have them both blinded and had, therefore, fled the capital so they may continue to be of loyal service to the emperor. She refused to go with them and demanded that they allow her to pray to the Mother of God for protection. This request was granted and Anna then manifested her true theatrical and manipulative capabilities: "She was allowed to enter. As if she were weighed down with old age and worn out by grief, she walked slowly and when she approached the actual entrance to the sanctuary made