McQueen, which covers only the lower portion of her body. The upper portion of the dress consists of pearls piercing her skin, which is shown throughout the first half. The video ends with a shot of a Corset piercing. The video had three stages of shooting: a video shoot of piercings, a private video shoot handled by Björk, and a film shoot of Björk. The piercings video and film shoot were done in a day in June 2001 in Knight's studio in London. The sole light source was diffused sunlight shining through the ceiling windows of the second floor daylight studio. This studio gave a "northlight" look and had a rawness to it that matched the subject matter, photography director Simon Chaudoir said. Five young women who were into subculture and piercings were cast for the video. Knight directed Chaudoir to shoot the piercings by placing the Sony Mini DV camera on the women's bodies—mostly chests, arms, and shoulders—and getting as physically near as he could while maintaining a close, macro focus on a wide-angle lens. A nurse and piercing unit were on hand, but no thimble, so the bleeding most often came from cast girls' thumbs as they pushed the needles in. "It was one of the most difficult things I've ever filmed because I felt I was on the verge of throwing up. I liked to actually only watch it by the video monitor rather than with my eyes as it were because it was just too much", Chaudoir said. Björk also pierced her own ear at the shoot, but all other piercings were the cast girls'. Knight gave Björk a Sony Mini DV camera and asked her to shoot her own private scenes. Tired of music videos which featured the singer looking to the camera and lip-synching throughout, Chaudoir suggested having Björk lip-synch and look into the camera only for some of the last lines. He also suggested using a track so they could move closer to her as she sings these lines or move closer before she sings them—"so it's like a reveal of her", he said. There was no script, so some improvisation made it to the final cut. Since blue-screening and CGI work were not involved, Chaudoir did not use diffusion or consulted with post-production, and he arrived with only a few assistants—a gaffer, loader, grip, focus puller, and some electricians. "Basically what I