which historian David Simonelli describes as "the most important cultural moment of 1967" through its resonance "across every boundary of class, age, gender, race and geography". Both records provided a soundtrack to that year's Summer of Love, a phenomenon that marked the full emergence of the 1960s counterculture. The Beatles were viewed as leaders of the counterculture and, during July and August, pursued interests related to the same utopian-based ideology. In a 1970 interview, when asked about Haight-Ashbury, the district of San Francisco that represented "the city of the beautiful people" in 1967, Lennon recalled that he was "all for going and living" there, but "George went over in the end." During this visit, on 7 August, Harrison was handed an acoustic guitar in Golden Gate Park and briefly performed "Baby, You're a Rich Man", leading a crowd around in a manner that press reports likened to the Pied Piper of Hamelin. Although the visit was viewed as the Beatles' endorsement of a youth movement that they helped inspire, Harrison was disappointed at how Haight-Ashbury represented a haven for dropouts and drug addicts, rather than a community looking to explore the possibility of enlightenment that LSD presented. On his return to London, he shared this disillusionment with Lennon. The pair subsequently became avid supporters of Maharishi Mahesh Yogi's Transcendental Meditation technique, after the Beatles had attended a seminar by the Maharishi in Bangor, Wales, where they publicly disavowed LSD on 26 August. In light of this development, author Nicholas Schaffner wrote that "Baby, You're a Rich Man", like "Strawberry Fields Forever", revealed the "redundant" aspect of repeated LSD "trips" after the initial sense of spiritual euphoria awakened by the drug, in that the songs "tend[ed] to provide more riddles than solutions". Against the Beatles' wishes, Capitol Records, EMI's North American affiliate, included "Baby You're a Rich Man" and other tracks from the band's 1967 singles on the US album Magical Mystery Tour, released in November that year. In the company's rush to prepare the album, a duophonic (or "mock stereo") mix of the song was used for the stereo version of the LP. While parts of the song were used in the 1968 film Yellow Submarine, it was not included on the accompanying soundtrack album. The sequence for "Baby, You're a Rich Man" appears towards the end of the film, when Sgt. Pepper's Lonely Hearts Club Band have been released