on the Hot Dance Music/Club Play chart. The remix album peaked at number 30 on the Hot Dance Music/Maxi-Singles Sales chart. In mid-August, "Stupid Girl" peaked at number 26 on the Hot 100 Airplay chart and picked up enough mainstream rock airplay to spend two weeks at number 39 on the Mainstream Rock Tracks chart. In early September, "Stupid Girl" became a crossover success on both alternate and contemporary hit radio, and it reached number 25 on the Top 40 Mainstream chart. Two weeks later, the song became Garbage's highest-peaking single on the Hot 100 when it reached number 24. It also peaked at number 33 on the Hot 100 Singles Sales chart and at number five on the Hot Dance Music/Club Play chart. "Stupid Girl" continued to gain a larger crossover audience throughout October, debuting on the Adult Top 40. The song left the Modern Rock chart in mid-November after 25 weeks and remained on the Hot 100 for 20 weeks until the start of December. Music video The music video for "Stupid Girl" was filmed on January 16, 1996, in a Los Angeles warehouse by director Samuel Bayer. The four-hour shoot took place after filming the "Only Happy When It Rains" music video. The "Stupid Girl" video was given a smaller budget, as Almo Sounds believed that "Only Happy When It Rains" would be more commercially successful than "Stupid Girl". According to Manson, the other band members were drunk and exhausted after three days shooting the first video. The "Stupid Girl" video debuted internationally on February 1, 1996, and in North America on May 5. MTV added the video the week of May 13 and certified "Stupid Girl" a Buzz Clip. It was the band's third consecutive video to be guaranteed heavy airplay on the network. VH1 added the video in early September and featured it in a Pop-Up Video episode. The video for "Stupid Girl" is a performance piece inspired by the title sequence from David Fincher's 1995 film Seven. The clip was shot in a warehouse decorated with plexiglas sheets upon which the song's lyrics were written. Bayer cut the film into pieces and soaked it in his bath, applying deliberate fingerprints and abrasions to the footage before putting it back together by hand. "Film is generally treated like this pristine canvas", Bayer later explained, "If it's scratched, it's considered ruined. I wanted to add to