its usual 60,000. On 13 January 2015, the news came on BBC that the first issue after the massacre would come out in three million copies. On Wednesday itself it was announced that with a huge demand in France, the print run would be raised from three to five million copies. The newspaper announced the revenue from the issue would go towards the families of the victims. The French government granted nearly €1 million to support the magazine. The Digital Innovation Press Fund (French: Fonds Google–AIPG pour l'Innovation Numérique de la presse), partially funded by Google, donated €250,000, matching a donation by the French Press and Pluralism Fund. The Guardian Media Group pledged a donation of £100,000. Je suis Charlie After the attacks, the phrase , French for "I am Charlie", was adopted by supporters of Charlie Hebdo. Many journalists embraced the expression as a rallying cry for freedom of expression and freedom of the press. The slogan was first used on Twitter and spread to the Internet at large. The Twitter account and the original "Je suis Charlie" picture bearing the phrase in white Charlie Hebdo style font on black background were created by French journalist and artist Joachim Roncin just after the massacre. The website of Charlie Hebdo went offline shortly after the shooting, and when it returned it bore the legend Je Suis Charlie on a black background. The statement was used as the hashtag #jesuischarlie on Twitter, as computer-printed or hand-made placards and stickers, and displayed on mobile phones at vigils, and on many websites, particularly media sites. While other symbols were used, notably holding pens in the air, the phrase "Not Afraid", and tweeting certain images, "Je Suis Charlie" became more widespread. Republican marches A series of rallies took place in cities across France on 10–11 January 2015 to honour the victims of the Charlie Hebdo shooting, and also to voice support for freedom of speech. Luz, one of the survivors of the attack, welcomed the show of support for the magazine, but criticized the use of symbols contrary to its values. He noted: "People sang La Marseillaise. We're speaking about the memory of Charb, Tignous, Cabu, Honoré, Wolinski: they would all have abhorred that kind of attitude." Willem, another surviving cartoonist, declared support of free expression would be "naturally a good thing", but rejected that of far-right figures such as Geert Wilders and Marine