the late John Bennett in his last stage role which transferred to the West End; the London première of Sonja Linden’s I Have Before Me a Remarkable Document Given to Me by a Young Lady from Rwanda; the specially commissioned adaptation of W.H. Davies’ Young Emma by Laura Wade and directed by Tamara Harvey; the first London revival for more than 40 years of Rolf Hochhuth’s Soldiers; Keith Dewhurst's Lark Rise to Candleford, performed in promenade and in repertoire; the Great War drama Red Night, and five first plays by new writers: Jason Hall's Eyes Catch Fire; Chris Dunkley’s Mirita; Dameon Garnett's Break Away , Simon Vinnicombe's Year 10, Joy Wilkinson's Fair which transferred to the West End; Waterloo Day with Robert Lang; Sarah Phelps’ Modern Dance for Beginners, subsequently produced at the Soho Theatre; Carolyn Scott-Jeffs' comedy Out in the Garden, which transferred to the Assembly Rooms, Edinburgh; the London premiere of Larry Kramer's The Destiny of Me ; The Women's War – an evening of original suffragette plays; Steve Hennessy’s Lullabies of Broadmoor (about the Finborough Road murder of 1922); the Victorian era comedy Masks and Faces; Etta Jenks with Clarke Peters and Daniela Nardini; The Gigli Concert with Niall Buggy, Catherine Cusack and Paul McGann which transferred to the Assembly Rooms, Edinburgh); Hortensia and the Museum of Dreams with Linda Bassett, Albert's Boy by James Graham starring Victor Spinetti, Peter Oswald’s Lucifer Saved with Mark Rylance, Blackwater Angel, the UK debut of Irish playwright Jim Nolan with Sean Campion, the first London revival for over seventy years of Loyalties by John Galsworthy, the world premiere of Plague Over England by Nicholas de Jongh which subsequently transferred to the West End at the Duchess Theatre, the first revival of Hangover Square, adapted by Fidelis Morgan from the novel by Patrick Hamilton, the UK premiere of the musical Ordinary Days by Adam Gwon and a season of plays by William Saroyan. 2010s In March 2010 the theatre presented the world premiere of A Day at the Racists, a new piece of political theatre by Anders Lustgarten, charting the rise of the BNP in Barking. In 2011 productions included a critically acclaimed production of Mixed Marriage by St John Ervine, as well as Dawn King's Foxfinder, as well as revivals of Emlyn Williams's Accolade and Caryl Churchill's Fen. Air conditioning was also installed in 2011. In 2012 productions at the