the Year award, sharing it with Storch and Waller. It was recognized as Most Performed Song in 2005, alongside Beyoncé's "Baby Boy" and "Naughty Girl". Beyoncé's live version of "Me, Myself and I" from The Beyoncé Experience Live gained a nomination for Best Female R&B Vocal Performance at the 2009 Grammy Awards. Chart performance "Me, Myself and I" failed to equal the chart-topping performances of "Crazy in Love" and "Baby Boy". However, like "Baby Boy" and "Naughty Girl", "Me, Myself and I" attained more immediate and commercial success than its predecessors. After its release, the album ascended the US Billboard 200 chart and was certified as multi-platinum. On November 16, 2003, the single debuted on the Billboard Hot 100 at number 96, while "Baby Boy" was still at number one. 14 weeks after its debut, the single peaked at number 4 for two weeks, becoming the third consecutive top five release from Dangerously in Love and Beyoncé's fourth consecutive top five hit. "Me, Myself and I" remained on the Billboard Hot 100 chart for 24 weeks. On January 30, 2009, the single was certified gold by the Recording Industry Association of America (RIAA). By October 6, 2010. "Me, Myself and I" had sold 119,000 CD copies in the US. The single was less successful internationally, peaking below the top 10. It reached number 11 in Australia and the UK, and the top 20 in the New Zealand and the Netherlands. It stayed in the UK Top 100 for seven weeks, and was the second shortest presence on a singles chart, after her 2009 duet with Lady Gaga on the extended remix version of "Video Phone". Music video Following her first two videos with Jake Nava, Beyoncé hired Johan Renck to direct the music video for "Me, Myself and I". While premiering the video MTVs Total Request Live on December 10, 2003, Beyoncé described the video's conception, When some of the behind-the-scenes footage was used in a BET Access Granted special, some of the scenes that Beyoncé was shown shooting did not appear in the finished video. Beyoncé said that the video did not turn out the way she wanted it to be and she had to reshoot most of it. In post-production, she decided that it would be more artistic to play the events in reverse. The footage follows the plot of the song's theme, in which Beyoncé deals with