tambourine, Starr overdubbed maracas on the choruses, while Harrison added a twelve-string acoustic guitar solo. Employing a technique used extensively during the Help! sessions, another guitar plays simultaneously during the guitar solo to provide a contrasting sound. Gould writes that, in shifting from cut time to common time during the solo, Harrison's playing is reminiscent of both jazz guitarist Django Reinhardt and the French jazz organisation Le Hot Club. Pollack characterises the solo as a countrified', rhythmically flat rendering", and O'Grady writes it "approximates Bluegrass style in rhythmic regularity". "I've Just Seen a Face" features no bass guitar part. Music critic Tim Riley suggests the instrument's absence, together with the guitar solo being played on the low-end of the guitar, keeps the song rooted in the country genre. On 18 June, Martin and Smith mixed several songs on Help! for mono and stereo, including "I've Just Seen a Face". The two mixes of the song are nearly identical to one another. As was typical for their pre-Rubber Soul work, the Beatles participated minimally in the album's mixing process. In 1987, for Help! first CD release, Martin remixed the song for stereo, adding a small amount of echo. Release EMI's Parlophone label released the Help! LP on 6 August 1965. "I've Just Seen a Face" appeared on side two along with six other tracks not in the film, sequenced between "Tell Me What You See" and "Yesterday". McCartney was pleased with the finished recording and it became one of his favourite Beatles songs. In keeping with the company's policy of reconfiguring the Beatles' albums, Capitol Records removed "I've Just Seen a Face" and the other non-film songs from the North American version of Help!, replacing them with several orchestral pieces from the film's soundtrack. On the band's next album, Rubber Soul, Capitol again altered the track listing; in addition to omitting four songs they deemed "electric", the company selected "I've Just Seen a Face" and Lennon's "It's Only Love" as the opening tracks of side one and side two, respectively. Capitol's approach was motivated by the popularity of folk rock in the United States, with singles such as Sonny & Cher's "I Got You Babe", Barry McGuire's "Eve of Destruction", the Byrds' cover of Bob Dylan's "Mr. Tambourine Man", Simon & Garfunkel's "The Sound of Silence" and the Mamas & the Papas' "California Dreamin all representative of the style in 1965.