something even an edgy TV network like MTV was unable to accept. That's what is so disturbing. And that really is what it feels like for a girl". Writing for the San Francisco Chronicle, Neva Chonin accused the video for being a marketing ploy and believed that the singer knew it would result in controversy and drive sales amidst the publicity. Nonetheless, she praised it for being a follow-up to Madonna's aesthetics and changing of her looks from her early career. Chonin realized that by making the violent video, Madonna proved the song's concept further by making a girl behave violently in place of a boy. Louis Virtel from The Backlot ranked it as the singer's 12th greatest video, calling it "the ultimate (read: solely tolerable) Madonna/Guy Ritchie collaboration [...] She's both chilling and totally confident. It’s her most frightening performance in a music video, and when she plows that car into a group of strangers, her stoic response makes for her greatest video moment of the 2000s". Andrew Morton opined that the video was "entirely consistent with the themes [Madonna] has been exploring for the last twenty years, namely the relationship between the sexes, the ambiguity of gender, and the unresolved conflict, for women in a patriarchal society of being fully female and sexual while exercising control over their lives". According to Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's Drowned Worlds, the video represented the female fantasy of behaving like a "bad boy" and doing things associated with men. They pointed out the scene in which Madonna winks at three men at a traffic light just before crashing their car, as they felt that on this particular shot she was "turning the tables of violence back on the men for whom such behavior is considered normal and putting them on the receiving end of violence, a position usually reserved for women". They noticed that unlike previous Madonna videos which were banned for religious themes or sexuality, MTV found violence as an offence. Even using the remix in the clip changed the song's feminine and bittersweet nature to something faster and harder, adjectives usually reserved for boys. The authors concluded that as always, Madonna inverted the traditional roles and characterization of male and female in the clip. Live performances and cover version "What It Feels Like for a Girl" was performed on the promotional concerts for Music in November