because they have the ability to look so real and accurate that people can feel the authentic feelings that they are supposed to get from the originals. Through the context and experience that a replica can provide in a museum setting, people can be fooled into seeing it as ‘original’. The authenticity of a replica is important for the impression it gives off to tourists or observers. “According to Trilling, the original use of authenticity in tourism was in museums where experts wanted to determine 'whether objects of art are what they appear to be or are claimed to be, and therefore worth the price that is asked for them or…. worth the admiration they are being given'.” These reproductions and the values of authenticity presented to the public through artifacts in museums provide “truth”. However, authenticity has a way of also being represented in what the public expects in a predictable manner or based on stereotypes within museums. This idea of authenticity also relates to cultural artifacts like food, cultural activities, festivals, housing, and dress that helps to homogenize the cultures that are being represented and make them seem static. For luxury goods, the same authentic feel has to be present for consumers to want to buy a “fake” designer bag or watch that provides them with the same feelings and desired experiences, but as well achieves the look of higher class. Examples of replicas Replicas and reproductions are also for purely consumption and personal value. Through souvenirs people can own their very own physical representation of their experience or passions. People can buy on-line full size replicas (museum-quality) of the Rosetta Stone or prints and museum-quality copies of the Mona Lisa and other famous pieces of art. For example, Difference Engine No. 2, designed by Charles Babbage in the 19th century, was reconstructed from original drawings studied by Allan Bromley in the 1980s and is now on display at the Science Museum in London, England. A second example is Stephenson's Rocket where a replica was built in 1979, following the original design fairly closely, but with some adaptations. In China the terra-cotta warriors can be recreated to be personalized for customers. The “Talented craftspeople use their hands and proper tools reproducing every masterwork precisely in the same manner as the royal craftsmen did 2200 years ago. They are made from the same local clay as the originals and