printed a quarterly literary journal, American Indian Magazine. Dr. Montezuma joined Pratt at the Carlisle Indian School as a resident physician from 1895 to 1897. Montezuma a correspondent with Pratt since 1887, was drawn to the noble experiment at Carlisle. The physician Charles Eastman and his wife, Elaine Goodale Eastman, and children, resided at Carlisle in 1899, and were frequent visitors and lecturers. Native Americans in mainstream culture at the time World fairs and expositions During the Progressive Era, from the late 19th century until the onset of World War I, Native American performers were major draws and money-makers. Millions of visitors at world fairs, exhibitions and parades throughout the United States and Europe observed Native Americans portrayed as the vanishing race, exotic peoples and objects of modern comparative anthropology. Reformists Progressives fought a war of words and images against popular Wild West shows at world fairs, expositions and parades. In 1893, the fight for the image of the Native American began when Reformist Progressives pressured organizers to deny William F. ("Buffalo Bill") Cody a place at the Columbian Exposition of 1893 in Chicago, Illinois. Instead, a feature of the Exposition was a model Indian school and an ethnological Indian village supported by the Bureau of Indian Affairs. In style, Buffalo Bill established a fourteen-acre swath of land near the main entrance of the fair for "Buffalo Bill's Wild West and Congress of Rough Riders of the World" where he erected stands around an arena large enough to seat 18,000 spectators. Seventy-four "Wild Westers" from Pine Ridge, South Dakota, who had recently returned from a tour of Europe, were contracted to perform in the show. Cody also brought in an additional one hundred Wild Westers directly from Pine Ridge, Standing Rock and Rosebud reservations, who visited the Exposition at his expense and participated in the opening ceremonies. Over two million patrons saw Buffalo Bill's Wild West outside the Columbian Exposition, often mistaking the show as an integral part to the World's Fair. The Louisiana Purchase Exposition of 1904, known as the St. Louis World's Fair, was the last of the great fairs in the United States before World War I. Organizers wanted their exotic people to be interpreted by anthropologists in a modern scientific manner portraying contrasting images of Native Americans. A Congress of Indian Educators was convened and Oglala Lakota Chief Red Cloud and Chief Blue Horse, both eighty-three