one person you're afraid of in the movie. The idea is along the lines that adults can be horrible, without being outside what society says is acceptable." Swanson commented that she found herself and the other actors caught up in the studio's attempts to strong-arm Craven into making the film more visceral than what was originally intended. During both production and re-shoots, changes to the script were being made, title changes were being discussed, and there were many discussions about how violent and bloody the final film would be. All of these issues caused problems for the actors. Regarding the title changes, when Craven started the project, it was titled Friend, much like the Diana Henstell novel it was based on. The title was later changed to Artificial Intelligence and then to A.I. before the studio and producers finally settled on Deadly Friend. In a 1990 interview with Fangoria journalist Daniel Schweiger, screenwriter Bruce Joel Rubin said this about the ending and why it stayed in the film: "That robot coming out of the girl's head belongs solely to Mark Canton, and you don't tell the president of Warner Bros. that his idea stinks!" Rubin also said how at the time, people were still blaming him for the ending where Samantha turns into a robot, even though Canton was the one who conceived it. He also mentioned that despite the fact that the studio destroyed the love story of the movie that he and Craven enjoyed, he still enjoyed working with Craven, confirming that he was not the one who wanted to change the film and that he should not be blamed for what happened to it. Rubin even said that production was one of the happiest experiences he ever had. In another interview, Rubin told the story about how the $36,000 that he got paid for writing the script for Deadly Friend saved him from going nearly broke due to the four months long Writer's Guild strike and also helped him with a bar mitzvah for his son and to buy a house. In the same interview, Rubin said how at first, he did not want to write the script, but after changing his mind, he called Robert M. Sherman and got the job. He also said how working on the film was one of the most extraordinary experiences of his life: "It was a horror film with a