with face-to-face encounters, including "Tell Me What You See", "You Won't See Me", "We Can Work It Out" and "I'm Looking Through You". Musicologist Naphtali Wagner instead categorises it with later McCartney compositions that "explore ambiguous, elusive and altered states of consciousness", such as "Got to Get You into My Life" from Revolver (1966) and "Fixing a Hole" from Sgt. Pepper's Lonely Hearts Club Band (1967). The lyrics are constructed using an irregular rhyme scheme, using both run-on verses and alliterations. McCartney later described them as insistent in quality, "dragging you forward... pulling you to the next line". Rhyming every two beats, the lyrics use a series of cascading rhymes ("I have never known/The like of this/I've been alone/And I have missed"). Appoggiaturas are used throughout for rhymes to line-up, such as "face" and "place" in the song's intro. The ends of stanzas are wordless, using vocal cadences like "lie-die-die-dat-'n'-die" that echo the descent of the song's instrumental intro (scale degrees –––––). Production Recording Having completed the filming of Help! on 11 May 1965, the Beatles recorded "I've Just Seen a Face" during the first of three sessions dedicated to filling out the album with songs not in the film. The session took place in EMI's Studio Two (now part of Abbey Road Studios) on 14 June, George Martin producing with assistance from balance engineer Norman Smith. During the same afternoon session, the band recorded McCartney's new rock and roll song "I'm Down" before breaking for dinner and returning to begin work on "Yesterday". The three songs of divergent styles reflected the range of McCartney's compositional abilities; author and musician John Kruth calls it "McCartney's famous marathon session". Taped on four-track recording equipment, the song consists of two backing tracks. On the first, George Harrison plays Lennon's Framus Hootenanny acoustic twelve-string guitar, McCartney his Epiphone Texan nylon-string guitar and Ringo Starr a snare drum with brushes. The second includes a lead vocal from McCartney and Lennon playing rhythm guitar with his Gibson J-160E acoustic. Overdubbing and mixing The band taped the basic track in six takes, overdubbing new parts onto take six. McCartney played a higher section in the intro with his Epiphone Texan and added a descant vocal, providing a contrapuntal backing during the refrains in a nasally country and western tone, similar to his backing vocal on another Help! track, "Act Naturally". Adding texture normally achieved with a