review by Maurice Willson Disher in The Times Literary Supplement of 22 July 1944 was overwhelmingly positive: "Undiscriminating admirers of Miss Christie must surely miss the thrill of realizing when she is at her best. If this argument is sound then Towards Zero is for the critical. By virtue of masterly story-telling it makes the welfare of certain persons at a seaside town seem of more importance at the moment than anything else in the world. Mechanized brains may object that the murderer "perfects" his mystery by methods imposed upon fiction's police, but even when the maze is vaguely recognised the tale still grips. The characters become so much a part of the reader's existence that he must know what their ultimate fate may be before he will rest satisfied. How alive they are is apparent when two men, both dogged, laconic, poker-faced, never seem alike. The wife and the ex-wife, who neither like nor dislike one another, also reveal creative power. As an exhibition of the modern brand of human nature, Towards Zero deserves higher praises than any that can be awarded to it as an excellent detective story." Maurice Richardson in the 6 August 1944 issue of The Observer wrote, "The new Agatha Christie has a deliciously prolonged and elaborate build-up, urbane and cosy like a good cigar and red leather slippers. Poirot is absent physically, but his influence guides the sensitive inspector past the wiles of the carefully planted house party, and with its tortuous double bluff this might well have been a Poirot case. How gratifying to see Agatha Christie keeping the flag of the old classic who-dun-it so triumphantly flying!" Robert Barnard: "Superb: intricately plotted and unusual. The murder comes later, and the real climax of the murderer's plot only at the end. The ingenuity excuses a degree of far-fetchedness. Highly effective story of the child and the bow-and-arrow (part II, chapter 6) and good characterization of the playboy-sportsman central character – very much of that era when one was expected to behave like a gentleman at Wimbledon." Publication history 1944: Dodd Mead and Company (New York), June 1944, Hardcover, 242 pp 1944: Collins Crime Club (London), July 1944, Hardcover, 160 pp 1947: Pocket Books (New York), Paperback, 210 pp (Pocket number 398) 1948: Pan Books, Paperback, 195 pp (Pan number 54) 1959: Fontana Books (Imprint of HarperCollins), Paperback, 192 pp 1972: Ulverscroft Large-print Edition,