a base of operations on a facility that was the prototype of the Power Base. Lord Dread would have gained a new mechanical form, as actor David Hemblen was not required back except, perhaps, for voice work. His new army would have consisted of "Hunter-Seeker" troops and a new Warlord-class Bio-Dread called Xenon. Dread would also have gained a new assistant called Morgana II, a machine with the mind of his former lover – who would have proven to be Jonathan Power's mother. OverMind would have taken a larger role in the war and revealed a hidden agenda: after digitizing all the remaining human beings, it would erase them from existence. Wanting to keep this secret from Dread, the plot would have seen the AI give Soaron secret programming to assassinate Lord Dread in case he suspected anything. In the recent DVD release, series head writer J. Michael Straczynski reveals that the planned end for the series was Lord Dread learning of OverMind's hidden agenda, and as a result, teaming up with Captain Power to free all of humanity from OverMind. Adult storyline A great majority of the show's story line was filled with romance and intrigue, which was made for the adults who watched the show with their children. Thus, the story was filled with romantic kisses, sexual innuendo, and occasionally scenes which implied sexual encounters between characters. Mild profanity was also present; "damn" was said on at least one occasion, and Pilot told Blastarr to "go to hell" in response to his order to surrender. In addition, the violent death of one of the major ongoing characters in the series (detailed above) was also an unusual development for a children's series. The inclusion of a "Bio-Dread Youth", which recruited young survivors to Lord Dread's ideals to further advance his agenda, also paralleled fascist regimes. Criticism and cancellation Captain Power attempted to appeal to both children and adult audiences, with its dark, post-apocalyptic storyline showing the aftermath of nuclear war and featured allegories on topics such as Nazism. Ultimately, this became the show's undoing. It was seen as too violent for children because of its toys for shooting at the television and live-action violence. Its less mature aspects, such as the title, drove away adult audiences. Other factors contributing to the show's failure included the higher cost of a live-action show (each episode cost an estimated $1 million to