the United States and Canada. The album would not be released worldwide until February 3, 2003. The album yielded three singles; "Stole," a pop rock -influenced mid-tempo track about school bullying, was released as the album's lead single. The song entered the top 20 on the majority of the charts it appeared on, reaching the top five in Australia, Ireland, New Zealand and the United Kingdom, where it remains her highest-charting solo single to date. The album's second single was an up-tempo track entitled "Can't Nobody". The final single, "Train on a Track", was featured on the soundtrack of the romantic comedy film Maid in Manhattan (2003). Singles Although "Dilemma" was not technically the lead single from the album, it was the first song on the album recorded and released before Rowland even began the process of recording the album. "Dilemma" was generally well received by critics. It was number one in ten countries, including the UK, the US and Australia, selling over 7.6 million copies worldwide also becoming Rowland's first number one single as a solo artist, her highest charting and most successful single to date and her biggest international hit. "Stole" was released as the album's lead single in October 2002, following the worldwide success of "Dilemma", it entered the top twenty on the majority of the charts it appeared on but only a moderate hit compared to its predecessor. "Can't Nobody" was released as the album's second single (3rd overall) although it widely failed to match the success of "Dilemma" or "Stole". "Train on a Track", was the final track released from the album and only entered the top twenty on the UK Singles Chart, although it was featured on the soundtrack to the romantic comedy film The Seat Filler and Maid in Manhattan. Critical reception Upon its release, Simply Deep received generally mixed to lukewarm reviews from most music critics. British morning newspaper The Independent gave the album a generally favorable review, writing that "on the whole the album sticks closely to the standard urban-diva formula, mixing garage twitchers with the usual billing and cooing on ballads such as "Haven't Told You". But it's all done with style and intelligence, whether she's luxuriating in the loneliness of "Everytime You Walk Out That Door" or evoking the momentum of the first flush of love in "Train on a Track"." Lisa Verrico of The Times stated "on first