band's more mature approach. The release also marked the start of a period when other artists, in an attempt to emulate the Beatles' achievement, sought to create albums as works of artistic merit, with a consistently high standard of original compositions and with increasingly novel sounds. Among the albums influenced by Rubber Soul was the Rolling Stones' Aftermath, which included fuzz-toned bass parts on the songs "Under My Thumb" and "Mother's Little Helper". Author John Kruth writes that, with its vitriolic tone and an "edge" that was unfamiliar in the Beatles' work, "Think for Yourself" was "somewhat startling" to many listeners. In his album review for the NME, Allen Evans interpreted the song's message as "advice to someone who's going off the rails to think for himself and rectify things", and he admired the track's "good tempo and vocal sound". Record Mirror review panel opined: "Nice song but a feeling hereabouts that there's a sameness about some of the melody-construction ideas. Maybe we'll lose it later on …" While recognising Rubber Soul as another example of the Beatles "setting trends in this world of pop", KRLA Beat highlighted the "wonderful sound effect" created by McCartney's fuzz bass and concluded: "a good, strong, driving beat will keep this one on top." Melody Maker said that "Think for Yourself" was among the album's best tracks and also admired its "double tempo" sections and "good chugging maraca beat". Michael Lydon, who interviewed Lennon and McCartney for Newsweek laudatory feature on the Beatles in early 1966, quoted the song's chorus in the conclusion to his 1972 article for The Boston Globe, in which he reflected on the passing of the 1960s cultural revolution. He introduced the lyrics with a statement on the Beatles' impact: "Freedom to have a good time, to boogie, they showed, was a practical possibility for the average human. I'm glad I got the message." "Think for Yourself" was one of the seven Beatles tracks that Capitol Records included on the 1976 compilation album The Best of George Harrison, released following the expiration of Harrison's contract with EMI. Coinciding with the release of the newly restored Yellow Submarine film in 1999, a new mix of the song was issued on the Beatles' Yellow Submarine Songtrack album. Retrospective assessment and legacy Among Beatles biographers, Tim Riley considers the track to be "a step beyond" Harrison's two contributions on Help!, with the fuzz