at Mercury Records in New York. There he linked with Western classical composer John Corigliano, and together they wrote the Grammy award-winning rock opera The Naked Carmen, which became a big hit of the Berlin Ballet Week in 1970. His work with Mercury included And the Children Toll the Passing of the Day, a 1969 album he wrote for Irish actor Malachy McCourt. 1972–2011: Acting and film In 1972, his career split into several new directions with his starring role in the Wes Craven horror classic The Last House on the Left, for which he also composed the soundtrack. In this movie, he was noted to have been a reckless, merciless character. A Method actor, he famously threatened to attack costar Sandra Peabody to get a more genuine reaction from her. He scored , a children's film based on a collection of Jack London stories. The film won the top prize for film and direction at the Giffoni Film Festival. He also had roles in Hitchhike and The House on the Edge of the Park. A subsequent job offer from PolyGram's German affiliate gave Hess the opportunity to move to Munich, Germany, and a multilingual career in film dubbing from 1972 to 1976 which in turn led him to writing the English language shooting scripts for German directors such as Rainer Werner Fassbinder, Reinhard Hauff, and Peter Schamoni. In 1980, he directed To All a Good Night, his first American feature film, for Media Home Entertainment in 1980. He also appeared in two horror films directed by Ruggero Deodato: La Casa sperduta nel parco (1980) and Camping del terrore (1987). He appeared as a villain in Wes Craven's Swamp Thing in 1982. In 1991, he played the part of the American in Peter Schamoni's Max Ernst—My Wanderings, My Unrest (1991). From 1993 to 1995, he produced Niki de Saint Phalle: Wer ist das Monster - du oder ich? (1996). In later years, he released two albums: Caught Up in the Moment and Live & Unplugged in Hollywood, 2002. He worked on several tracks for the horror film Cabin Fever (2002), directed by Eli Roth, and worked as an improv acting teacher at the California Film Institute's Young Critics' Jury Training program. In 2013, One Way Static Records released the soundtrack to The Last House on the Left on vinyl, compact disc, cassette and digital download. This was intended as a