say anything about someone else's abuse when I'm doing it too." Schemel played drums on Hole's second critically acclaimed album, Live Through This (1994). She went on to tour with the band for the promotion of Live Through This, which featured dates at the Reading Festival, Big Day Out and Lollapalooza. While on tour in April 1995, Love said that "Schemel was the first woman ever to appear on the cover of Drum World magazine." However, this was a fictional statement and there is no Drum World magazine. Schemel publicly came out in a 1995 band interview with Rolling Stone, commenting: "It's important" and that she's "not out there with that fucking pink flag or anything but it's good for other people who live somewhere else in some small town who feel freaky about being gay to know that there's other people who are and that it's OK." Schemel's girlfriend, Stacey, at the time worked as Courtney Love's personal assistant during Hole's 1994–1995 world tour, while promoting Live Through This. Around this time, she also recorded with Phranc, playing drums on the 1995 Goofyfoot EP. In 1996, Schemel played drums on Hole's cover of Fleetwood Mac's song "Gold Dust Woman", which was the first song on the soundtrack to The Crow: City of Angels. She also sang backing vocals and appeared prominently in the video for the song. During this time, Schemel and Hole bassist Melissa Auf der Maur formed a short-lived side project called Constant Comment. The band played a small number of shows before disbanding. Hole became active again in 1997 and entered the studio to record Celebrity Skin (1998), the follow-up to Live Through This. Schemel worked on the writing of the album's material, and composed all of the drum parts herself. While in the studio, however, Love and Erlandson, at the insistence of producer Michael Beinhorn, suggested using a session drummer to record the drum tracks for the album. This led to Schemel voluntarily leaving the studio and quitting the band, and the final drum tracks were recorded by a session drummer provided by producer Beinhorn. In the months following the album's release, Schemel was not present in band interviews, and was eventually replaced by Samantha Maloney for the album's tour. However, due to her contribution to the writing of the album and its demos, Schemel's name and photo were still included on the album sleeve.