Callejeros (streetwise or stray dogs) was an Argentine rock band that gained international notoriety when the nightclub where they were playing, República Cromañon, was set on fire during one of its shows, killing 194 attendees, in 2004. History The band was formed in mid-1995 by a group of young people of Villa Celina, Greater Buenos Aires. They were known initially as Río Verde ("Green River") and mostly played covers of Chuck Berry, Creedence Clearwater Revival and Patricio Rey y sus Redonditos de Ricota. At the end of 1996 the band changed its lineup and recruited new members. Given the extensive change to the original group, in January 1997, they changed their name to Callejeros. A new guitarist and a saxophonist came into the band between late 1999 and early 2000, and it is with this lineup that Callejeros recorded the three albums it has released to date. In 2001 they recorded their first album, Sed ("Thirst"), in which they followed the rock format they had kept for years, but with the participation of sax player Juan Carbone, former member of Viejas Locas. A single came out of this album, Vicioso, jugador y mujeriego, and a video was made for it, but did not see much TV airtime. Their second album, Presión ("Pressure"), also self-released, came out in 2003. It premiered at the Atlanta football stadium in Buenos Aires and it included fourteen songs, ranging in style from tango, ballad, rhythms of candombe (black music from Uruguay) and Latin rock up to classic rock'n'roll. This record made their name known in almost the whole country and, to some degree, in Latin America. Not long after the release of the album, the first single, Una nueva noche fría ("A New Cold Night"), was aired on radio and music TV stations during several months. After playing at the Obras Sanitarias Stadium, known in Buenos Aires as the "temple of rock", in 2004, it seemed as if the band would reach far, because of its growth in popularity in such a short time. In a six months span, they went from drawing less than a thousand people, to play in arenas with capacity of five thousand or more attendees. In late 2004, they released their third album, Rocanroles sin destino ("Rock 'n roll without Destiny"). It did not have the "power" of previous albums, but more attention went into describing themselves, their lives, their