as a whole and to the encyclopedia's other articles in small caps, as in the "Insurance" article's direction, at one point, to "See ", "No-Fault Insurance" being another of the encyclopedia's articles. Criticism George Eliot's 1856 essay "Silly Novels by Lady Novelists" is critical of Victorian novelists for using excessive small caps and italics to indicate unnecessary emphasis. History Research by Margaret M. Smith concluded that the use of small caps was probably popularised by Johann Froben in the early 16th century, who used them extensively from 1516. Froben may have been influenced by Aldus Manutius, who used very small capitals with printing Greek and at the start of lines of italic, copying a style common in manuscripts at the time, and sometimes used these capitals to set headings in his printing; as a result these headings were in all caps, but in capitals from a smaller font than the body text type. The idea caught on in France, where small capitals were used by Simon de Colines, Robert Estienne and Claude Garamond. Johannes Philippus de Lignamine used small caps in the 1470s, but apparently was not copied at the time. Small capitals are not found in all font designs, as traditionally in printing they were primarily used within the body text of books and so are often not found in fonts that are not intended for this purpose, such as sans-serif types which historically were not preferred for book printing. Fonts in Use reports that Gert Wunderlich's Maxima (1970), for Typoart, was "maybe the first sans serif to feature small caps and optional oldstyle numerals across all weights." (Some caps-only typefaces intended for printing stationery, for instance Copperplate Gothic and Bank Gothic, were intended to be used with smaller sizes serving as small capitals, and had no lower case as a result.) Italic small capitals were historically rare. Some digital font families, sometimes digitisations of older metal type designs, still only have small caps in the regular or roman style and do not have small caps in bold or italic styles. This is again because small caps were normally only used in body text and cutting bold and italic small caps was thought unnecessary. An isolated early appearance was in the Enschedé type foundry specimen of 1768, which featured a set cut by Joan Michaël Fleischman. (Bold type did not appear until the nineteenth century.) In 1956, Hugh Williamson's