is not to replace philosophy with poetry but "to enhance the poetic and endow it with philosophical import". As for Earthy Anecdote, Vendler believes that "this apparently trivial little poem" revealed to Stevens how much his art depended on obstructions and the consequent swerves they provoked. On the other (dramatically different) hand, Nicholson reads it as an anecdote about planet Earth. The bucks are spinning planets and the firecat is the Sun—so the poem's title is a pun. Stevens is on record as saying that he "intended something quite concrete: actual animals, not original chaos", commenting on Walter Pach's illustration for his poem, which he judged "just the opposite of my idea". If chaos is just the opposite of his idea, Nicholson's astronomical interpretation might fall under the same censure, and perhaps Vendler's "poet's struggles" reading as well. Martha Strom's approach may be more in line with Stevens' idea. She explains the position of the poem at the beginning of Harmonium as signifying Stevens' departure from the dominant 'local' school, which enjoined the poet to stay close to his roots and locale. She writes, Stevens locates the bucks in Oklahoma, which firmly situates the poem in the "local" school of writing, but he imbues the localist donnée — a particular landscape, some bucks, and a cat in Oklahoma — with the motion of his imagination, and the flat "local" scene acquires texture and life. She quotes from an editorial on 'Local Color' that Stevens wrote in 1900 while an undergraduate at Harvard and president of The Harvard Advocate, proposing that Stevens' interest in overcoming locality can be traced back to those days. So many of the stories submitted to us of late have had their scenes laid in and about the College...that a word in regard to local color may not be out of place. It is of course possible for an amusing event to take place in the Yard....But because an event does take place in the Yard does not make it amusing....Nevertheless it seems to be a popular fallacy with a great many contributors that it is only necessary to stay within the shadow of the dormitories to write an entertaining story or poem. This departure from the strictures of "locality" reaches a fulfillment in the final poem that Stevens wrote for Harmonium, "The Comedian as the Letter C", in which the poet voyages away from his local