the relationship between Raisuli and Eden is based on the 1921 film The Sheik. Raisuli's rescue of the Pedecarises on the beach is similar to another mounted sword-fighting scene in Akira Kurosawa's 1958 film The Hidden Fortress, and the scene of Jennifer Pedecaris being cornered by Aldo Sambrell's character and kidnapped is a reference to the 1956 film The Searchers. Most noticeably, the film inherits a cavalier attitude towards imperialism, foreign policy, and military intervention, attitudes which were relatively unpopular in 1975 America at the end of the Vietnam War. Milius' apparent endorsement of imperialism was not attacked by critics, perhaps due to the film's subtle satiric manner and for the accurate recreation of the era in which its story is set. "I think people should take home more understanding – or rather awareness – of what I think is the American character", said Milius. "It's very well put in the grizzly bear. I don't think Americans are necessarily civilised or too calm and rational about their approach to life. I rather like that. I really like grizzly bears too. I like grizzly bears a lot more than most people ... You can take the [film's] politics to be anyway you want, for or against the United States". Milius also had inspiration from more recent films while making the film. He based the film's cinematography, use of desert landscapes, and filming of battle scenes on David Lean's 1962 film Lawrence of Arabia, also using many of the same sets, including the "Aqaba" set which had been constructed for Lean's film, here serving as the setting for the final, three-way battle between the Berbers, the Europeans and their Moroccan allies, and the Americans. The Bashaw's palace was the Palace of the Americas in Seville, having appeared in both Lawrence of Arabia and Anthony Mann's 1961 film El Cid. Another major influence is the 1969 film The Wild Bunch, which inspired the final confrontation between the American and German troops and the earlier scene where the Sultan test-fires his Maxim gun. Production The film was a co production between MGM, then under the control of Daniel Melnick, and Columbia Pictures, then run by Peter Guber. It was produced by Herb Jaffe making his first film as an independent after five years as head of production at United Artists. Milius originally wanted Omar Sharif to play Raisuli and Faye Dunaway to play Eden