Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine (clarinet), Donegan (banjo) and Barber (bass) as the Monty Sunshine Trio. The bands played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox returned on trumpet in 1954 when Colyer moved on after musical and personal differences with both Barber and Donegan, and the band became "The Chris Barber Band". The band's first recording session in 1954 produced the LP New Orleans Joys, and included "Rock Island Line", performed by Donegan. When released as a single under Donegan's name, it became a hit, launching Donegan's solo career and the British skiffle boom. The Barber band recorded several In Concert LPs during the 1950s, regarded by critic Richie Unterberger as "captur[ing] the early Barber band in its prime.... [T]here's a certain crispness and liveliness to both the acoustics and the performances that make this in some ways preferable to their rather starchier studio recordings of the same era." The short documentary film Momma Don't Allow, made in 1956, features the Chris Barber Band live with the Irish blues singer Ottilie Patterson in a north London trad jazz club. It captures the emerging 'youth culture' of that period. Barber married Patterson in 1959. In 1959, the band's October 1956 recording of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Dick Smith on bass, Ron Bowden on drums and Dick Bishop on guitar, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959, Barber toured the United States several times (where "Petite Fleur" charted at No. 5). 1960s In the late 1950s and early 1960s, Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s. In January 1963, the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George