The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, the Divine Child, Child Jesus, the Holy Child, Santo Niño, and to some as Señor Noemi refers to Jesus Christ from his nativity to age 12. The four canonical gospels, accepted by most Christians today, lack any narration of the years between Jesus' infancy and the Finding in the Temple when he was 12. Liturgical feasts Liturgical feasts relating to Christ's infancy and childhood include: The Feast of the Nativity of Jesus Christ (25 December); The Feast of the Circumcision of Christ (1 January – Eastern Orthodox Church, Extraordinary Form of the Roman Rite); The Feast of the Holy Name of Jesus (3 January – Roman Rite; others – various); The Feast of the Epiphany (6 January or 19 January in the Gregorian equivalent of the Julian calendar) The Feast of the Presentation of the Lord (2 February) Depictions in art From about the third or fourth century onwards, the child Jesus is frequently shown in paintings, and sculpture. Commonly these are nativity scenes showing the birth of Jesus, with his mother Mary, and her husband Joseph. Depictions as a baby with the Virgin Mary, known as Madonna and Child, are iconographical types in Eastern and Western traditions. Other scenes from his time as a baby, of his circumcision, presentation at the temple, the adoration of the Magi, and the flight into Egypt, are common. Scenes showing his developing years are more rare but not unknown. Saint Joseph, Anthony of Padua, and Saint Christopher are often depicted holding the Christ Child. The Christian mystics Saint Teresa of Ávila, Saint Thérèse of Lisieux, along with the devotees of Divino Niño such as Mother Angelica and Father Giovanni Rizzo claim to have had apparitions of Jesus as a toddler. During the Middle Ages The Christ Child was a popular subject in European wood sculpture beginning in the 1300s. The Christ Child was well-known in Spain under the title montañesino after the santero sculptor Juan Martínez Montañés began the trend. These icons of the Christ Child were often posed in the contrapposto style in which the positioning of the knees reflected in the opposite direction, similar to ancient depictions of the Roman Emperor. The images were quite popular among nobility of Spain and Portugal. Colonial images of the Christ child also began to wear vestments, a pious practice developed by the