it. Eventually he would finish a scene in the morning, deliver it during lunch, and filming of it would begin in the afternoon. Although Edith Head won an Oscar for Best Costumes, most of Hepburn's outfits are rumored to have been created by Hubert de Givenchy and chosen personally by the star. In a 1974 interview, Head stated that she was responsible for creating the dresses, with inspiration from some Givenchy designs that Hepburn liked, but that she made important changes, and the dresses were not by Givenchy. After Head's death, Givenchy stated that Sabrina's iconic black cocktail dress was produced at Paramount under Head's supervision but claimed it was his design. The film began a lifelong association between Givenchy and Hepburn. It has been reported that when Hepburn called on Givenchy for the first time in Paris, he assumed that it was Katharine Hepburn in his salon. The location used to portray the Larrabee family's mansion in Glen Cove, New York was 'Hill Grove', the home of George Lewis in Beverly Hills, California. This mansion was later demolished during the 1960s. The location used to portray the Glen Cove train station was the Glen Cove train station on the Oyster Bay Branch of the Long Island Rail Road. The building at 30 Broad Street in Manhattan's financial district was used as the location for the headquarters of the Larrabee company. Reception The film opened in New York and Los Angeles on September 23, 1954 and was number one at the US box office for two weeks. Bosley Crowther, writing for The New York Times on its original release, lauded the film, thinking it, "in our wistful estimation, the most delightful comedy-romance in years". Crowther also offered praise to Audrey Hepburn's performance, declaring "she is wonderful in it — a young lady of extraordinary range of sensitive and moving expressions within such a frail and slender frame". Critical reception to Sabrina has been uniformly positive. James Berardinelli gave it 3 out of 4 stars and thought that it "will leave almost all viewers, even those as cold as Linus, with a smile on their lips and a warm glow in their hearts". Variety noted that "the Script is long on glibly quipping dialog, dropped with a seemingly casual air, and broadly played situations. The splendid trouping delivers them style. Leavening the chuckles are tugs at the heart." On film aggregator