performance "Love at First Sight" debuted and peaked at number two on the UK Singles Chart, being stalled from the top spot by Elvis Presley and JXL's remix of "A Little Less Conversation". The single was certified Silver by the British Phonographic Industry (BPI) for shipments of 200,000 units. In Australia, the single peaked at number three on the ARIA Charts. It stayed in the charts for eight weeks and achieved a Platinum certification by the Australian Recording Industry Association (ARIA) for shipments of 70,000 units. In New Zealand, the single debuted at number 45 on the Official New Zealand Music Chart and ultimately peaked at number nine. It stayed in the charts for 18 weeks and was certified Gold by the Recorded Music NZ (RMNZ) for shipments of 7,500 units. In the United States, "Love at First Sight" peaked at number 23 on the Billboard Hot 100, which became her third highest-charting single behind her 1988 single "The Loco-Motion" (number three) and her 2001 single "Can't Get You Out of My Head" (number seven). The single also peaked at number one on the Dance Club Songs chart and number ten on the Mainstream Top 40 chart. In Canada, the single peaked at number five, and has sold more than 134,000 units, becoming Minogue's second best-selling single in that country according to Nielsen SoundScan. Music video Background The accompanying music video for "Love at First Sight" was directed by Johan Renck and was shot on a virtual set in Dublin in May 2002. The video took two days to shoot and required several assistances and stylists to help Minogue and her backup dancers. The making of the video was released on the DVD single of "Love at First Sight", featuring four separate video excerpts and shows footage of Minogue dancing on set of the video. A photo gallery of the set was published on the DVD. Synopsis The video for "Love at First Sight" opens with a view of a sky of geometric shapes moving. It pans down to a staircase that is being digitally added on and has Minogue walking down. As Minogue dances to the song, the camera turns in several directions to show the room layout; the chorus features backup dancers on a top stand. The second verse and chorus features Minogue dancing with different patterns emerging on the walls. From the cut-outs of the walls, geometric