The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. Hippodrome is an archaic word referring to places that host horse races and other forms of equestrian entertainment. History Hippodrome The London Hippodrome was opened in 1900. It was designed by Frank Matcham for Moss Empires chaired by Edward Moss and built for £250,000 as a hippodrome for circus and variety performances. The venue gave its first show on 15 January 1900, a music hall revue entitled "Giddy Ostend" with Little Tich. The conductor was Georges Jacobi. Entry to the venue was through a bar, dressed as a ship's saloon. The performance space featured both a proscenium stage and an arena that sank into a 230 ft, 100,000 gallon water tank (about 400 tons, when full) for aquatic spectacles. The tank featured eight central fountains, and a circle of fountains around the side. Entrances at the side of the auditorium could also be flooded, and used for the entry of boats. Shows included equestrian acts, elephants and polar bears, and acrobats would dive from a minstrels' gallery above a sliding roof, in the centre of the proscenium arch. The auditorium featured cantilevered galleries, removing the columns that often obstructed views in London theatres, the whole was covered by a painted glass retractable roof, that could be illuminated at night. The building included the headquarters of Moss Empires. Theatre 1909–1951 In 1909, it was reconstructed by Matcham as a music-hall and variety theatre with 1340 seats in stalls, mezzanine, gallery and upper gallery levels. It was here that Tchaikovsky's Swan Lake received its English première by the Ballets Russes in 1910. The Albert de Courville revues were performed here from December 1912. The Hippodrome hosted the first official jazz gig in the United Kingdom, by the Original Dixieland Jazz Band, in 1919. Its reputation was for revue and musical comedy, among them The Five O'Clock Girl, the West End production of Vincent Youmans' hit Broadway musical Hit The Deck (1928) and also Mr. Cinders, both in 1929; Ivor Novello's Perchance to Dream in 1945 with Margaret Rutherford; and the revue High Spirits in 1953 with Cyril Ritchard and Diana Churchill. Julie Andrews made her stage debut here