dislike of Crawford, with McCambridge labeling Crawford, "a mean, tipsy, powerful, rotten-egg lady". Hayden said in an interview, "There is not enough money in Hollywood to lure me into making another picture with Joan Crawford. And I like money." Crawford for her part said of McCambridge, "I have four children – I do not need a fifth." Later, Ray claimed that Crawford, during a rage, drunkenly threw McCambridge's costumes into the street. Crawford later laughingly admitted she had thrown McCambridge's own clothing into the street. Ray also said of that time, "Joan was drinking a lot and she liked to fight," but that she was also "very attractive, with a basic decency." Home media On September 20, 2016, Olive Films released the film on Blu-Ray and DVD as part of its lineup, Olive Signature. The release features an archival introduction from Martin Scorsese, an audio commentary from Geoff Andrews, and several featurettes. Reception Box office During its initial theatrical run, Johnny Guitar had grossed $2.5 million in North American rentals. Critical reaction Variety commented, "It proves [Crawford] should leave saddles and Levis to someone else and stick to city lights for a background. [The film] is only a fair piece of entertainment. [The scriptwriter] becomes so involved with character nuances and neuroses, all wrapped up in dialogue, that [the picture] never has a chance to rear up in the saddle... The people in the story never achieve much depth, this character shallowness being at odds with the pretentious attempt at analysis to which the script and direction devotes so much time." Bosley Crowther of The New York Times singled out Crawford's physical appearance, stating "no more femininity comes from her than from the rugged Heflin in Shane. For the lady, as usual, is as sexless as the lions on the public library steps and as sharp and romantically forbidding as a package of unwrapped razor blades." He further commented that the film was no more than a "flat walk-through — or occasional ride-through—of western cliches...The color is slightly awful and the Arizona scenery is only fair. Let's put it down as a fiasco. Miss Crawford went that away." Harrison's Reports praised the film as "one of the better pictures of its type. Filmed in what is without question the best example of Trucolor photography yet shown, its mixture of romance, hatred and violence grips one's attention throughout, in spite of