various shots of Gordon Jackson, followed by a pan to a close-up shot of a computer terminal keyboard, and various shots of Martin Shaw running through an oil refinery and wielding a kendo stick. It then cuts to shots of Lewis Collins walking down a street, weightlifting, and using a punching bag, before cutting to a car driving through a dimly lit tunnel; Gordon Jackson walking out of a government building (10 Trinity Square, City of London); and the three of them walking down the street away from that building and towards the camera. Controversy Although depictions of actual bloodshed were scarce, the series was often criticised for its level of violence, with shootings, martial arts and asphyxiation a common means of assassination. To help maximise the on-screen action, Martin Shaw and Lewis Collins were taught stunt driving skills and encouraged to propel their respective cars through streets as rapidly as possible, although LWT insisted that the stars had to be chauffeured when travelling to filming sets. In his last interview about the series, Brian Clemens laughed off the actors' claims about 'doing their own stunts' in the cars. He said that they had been taught little more than how to execute a handbrake turn. The British stuntman and stunt co-ordinator Peter Brayham did most of the precision driving, and with his dark curly hair, often stood in for Martin Shaw during the scenes where Doyle was driving. Shaw in particular, was known within the production team to be fairly inept with the cars. He was far too heavy on the brakes and throttle, regularly kerbed the cars, and often over-steered himself into trouble. This can be seen in many episodes. In the episode "Weekend in the Country", Gordon Jackson can be seen pulling away from a stationary position at the roadside, in a Chrysler Alpine. He can be seen pulling out without fully checking the traffic flow, directly in front of an approaching Volkswagen Beetle. This inevitably led to either an accident, or a dramatic near miss, but the editor obviously cut to the next scene at this point. Some quarters of the British press seized on these aspects to insist that the programme was moronic and "comic-strip". However, reaction from other critics, including The Times and The Daily Telegraph newspapers, was more favourable. The first series episode "Klansmen" was withdrawn in the UK, ostensibly due to its race-related