Tomorrow (previously known as The In Crowd and before that as Four Plus One) were an English musical group active in the 1960s, whose music touched on psychedelic rock, pop and freakbeat. Despite critical acclaim and support from DJ John Peel, who featured them on his "Perfumed Garden" radio show, the band was not a great success in commercial terms. They were among the first psychedelic bands in England, along with Pink Floyd and Soft Machine. Tomorrow recorded the first ever John Peel show session on BBC Radio 1 on 21 September 1967. The band included Steve Howe on guitars, who would later join the British prog band Yes. History As The In Crowd, (not to be confused with the "Questions and Answers" In Crowd) they recorded the songs "Am I Glad to See You" and "Blow-Up" especially for the film Blowup in 1966. The lyric to "Blow-Up" is an almost-literal interpretation of the film's plot. The two songs remained unused however when the Yardbirds were hired to film the nightclub sequence that The In Crowd would have appeared in. As Tomorrow, they appeared in the 1967 film Smashing Time under the name of the Snarks. John "Junior" Wood was ill during shooting of the film and was replaced by John Pearce, a clothes dealer. Again, their music was not used in the film. Instead, the music used in the film is performed by Skip Bifferty. During 1967 the band released two singles, one of which, "My White Bicycle", was later covered by heavy rock act Nazareth, and as a novelty record by Neil the Hippy (Nigel Planer) of the British sitcom The Young Ones. According to drummer John 'Twink' Alder, the song was inspired by the Dutch Provos, an anarchist group in Amsterdam which instituted a community bicycle program: "they had white bicycles in Amsterdam and they used to leave them around the town. And if you were going somewhere and you needed to use a bike, you'd just take the bike and you'd go somewhere and just leave it. Whoever needed the bikes would take them and leave them when they were done." Tomorrow's September 1967 single "Revolution" preceded the Beatles song "Revolution" by a year. In Joe Boyd's book White Bicycles – Making Music in the 1960s he asserts the band's performance of the song one night at the UFO Club as the apotheosis of the '60s