Company's history: the Tacoma Building, the Flatiron Building, and the Fuller Building. These mosaics were made by Vincent Foscato in Long Island City. The ceiling is made of white plaster and contains an anthemion molding along its borders, as well as coffered ribs that divide the ceiling perpendicularly. The perpendicular ribs contain rectangular lighting fixtures, rosettes, and plain panels. The center of the ceiling contains hexagonal lighting fixtures. The Madison Avenue hallway contains nine elevators at the intersection with the 57th Street hallway. The south wall of the lobby has three elevators: a freight elevator west of the 57th Street hallway and two passenger elevators east of the elevators. The north wall contains six passenger elevators. Each elevator contains a double-leaf bronze door with eight hexagonal bronze reliefs depicting the process of construction, as well as Art Deco-style decorative molding. There is a staircase on the far eastern end of the Madison Avenue hallway, on the south wall. In addition, the service elevator next to the Madison Avenue entrance contains a cab. In total, the Fuller Building has ten elevators, of which eight are for passengers and two are for freight. Shops, galleries, and offices The lowest six stories were reserved for shops or art galleries. The New York Times said the base was designed to provide "salon shop space", and Walker and Gillette called it "the first high-class multiple-purpose skyscraper" in the city. Tenants could occupy ground-level storefronts on 57th Street or Madison Avenue, as well as space on the second through sixth floors above their respective storefronts. Each space could be served by its own elevator and circular stair. The arrangement of vertical storefronts and the lobby's design were intended to "give the greatest attraction to the exteriors of the shops", according to Douglas Grant Scott of the United States Realty and Construction Company, the Fuller Company's parent corporation. Rents for the stores was initially calculated by averaging the rates for the first through sixth floors; in typical buildings, space on higher floors was subjected to lower rates than space on lower floors. In the years after its opening, many galleries were opened on the storefronts in the lowest six floors. The Fuller Building became "one of Manhattan's most prestigious gallery addresses", as The New York Times described it. The gallery tenants over the years have included the Nailya Alexander Gallery, Andrew Crispo, the Charles Egan Gallery, André