a specific experience. The site was considered to be sensory, meaning that the architectural structure and design elicited a certain feeling through the senses, through sight and touch. It is perception, which is essentially a series of physiological responses. Sacred spaces, such as plazas, were designed to mainly disrupt visual impact, meaning that the sacred architecture was designed to be experienced more so than actually viewed. People who designed and built the architecture at Chavín are understood to be priests or religious leaders within the community. Configuration of the site also emphasizes that there was a presence of high-ranked officials. The architecture within Chavín was dictated by these individuals to keep the ritual elements of their culture prominent. This was done so through the details and formatting of each building, which in essence created the effect that those participating in the ritual were experiencing their religious phenomena. Construction of the sacred ritual spaces was done with a diverse labor pattern and no central authority was controlling the area during its actual construction. The ritual architecture of the Chavín is similar to other Andean coastal architecture. The earliest architectural forms on the site were plastered, rectangular chambers. One of these later housed the Lanzon. The architecture of the Chavín site allowed for a rich and diverse ritual practice within the ritualized spaces, leading scholars to speculate whether or not the Chavín served as a multi-ethnic ceremonial center; the architecture, materials, and offerings might have been inspired by other cultures, but there is a question as to whether or not it was symbolic of a greater diverse ritual practice. The ritual spaces themselves had a hierarchy, and legitimized and reflected cosmological and social order and structure. The Chavín buildings and spaces used for ritual were constructed to elicit an experience, and encompassed many of the overall architectural facets described previously. Two of the most well-noted ritual spaces include the Old Temple and New Temple, with a shift to the New Temple as time progressed. Both temples featured pathways and deity worship spaces on the north and south wings. In addition to this, the temples, most notably the Old Temple, had deities carved into stone. The temples were conformed into a U-shaped area, encompassing a circular plaza. The temples featured ceremonial chambers and sacred hearths. Another important structure designed and utilized for ritual included plazas, of which there were many. The Circular Plaza