Sarah Lucas (born 1962) is an English artist. She is part of the generation of Young British Artists who emerged during the 1990s. Her works frequently employ visual puns and bawdy humour by incorporating photography, collage and found objects. Life and work Education Lucas was born in London, England in 1962. She left school at 16, returning to study art at The Working Men's College (1982–83), London College of Printing (1983–84), and Goldsmiths College (1984–87), graduating with a degree in Fine Art in 1987. Work Lucas was included in the 1988 group exhibition Freeze along with contemporary artists including Angus Fairhurst, Damien Hirst, and Gary Hume. In 1990, Lucas co-organized the East Country Yard Show with Henry Bond, in which she also exhibited. Her first two solo exhibitions in 1992 were titled The Whole Joke and Penis Nailed to a Board. It was in the early 1990s when Lucas began using furniture as a substitute for the human body, usually with crude genital punning. Created for a show organised by fellow artist Georg Herold at Portikus, Au Naturel (1994) is an assemblage of objects—a mattress, a bucket, a pair of melons, oranges and a cucumber—that suggest male and female body parts. For six months in 1993, Lucas and fellow artist Tracey Emin rented a retail space in east London, The Shop, where they made artworks, ranging from printed mugs to T-shirts with slogans, and put them on sale. In works such as Bitch (table, T-shirt, melons, and vacuum-packed smoked fish, 1995), she merges tabloid culture with the economy of the ready-made. In earlier work, she had displayed enlarged pages from the Sunday Sport newspaper. Through her career, Lucas has continued to appropriate everyday materials (including, for example, freshly made fried eggs) to make works that use humour, visual puns and sexual metaphors of sex, death, Englishness and gender. Sarah Lucas is also known for her self-portraits, such as Human Toilet Revisited, 1998, a colour photograph in which she sits on a toilet smoking a cigarette. In her solo exhibition The Fag Show at Sadie Coles in 2000, she used cigarettes as a material, as in Self-portrait with Cigarettes (2000). And in 2001, Sarah Lucas used Neon tubes for her artwork ‘New Religion’ in which a transparent coffin has been lit up violet. It was later acquired by George Michael in 2004. Lucas' 2006 sculpture of a life-size bronze horse and