albums While on vacation in January–February 1974, Grebenshchikov and George recorded their debut album The Temptation of St. Aquarium/Iskushenie Svyatogo Akvariuma (Russian: Искушение святого Аквариума). The band recorded the album with home recording equipment, with variable sound quality results. The Temptation of St. Aquarium was long thought lost, but in 1997 the record was found and released in 2001 on CD in the book Prehistoric Aquarium. All masters of this record appear to have been lost. Their second album was called Parables of Count Diffusor and was written by Grebenshchikov, George Fan and Dyusha Romanov, probably in the spring of 1975. They followed this up in 1976 with their third album, S Toy Storony Zerkalnogo Stekla, or From the Other Side of a Mirror Glass (Russian: С той стороны зеркального стекла), named using a line from an Arseny Tarkovsky poem. Theatre and regular performances In 1974 the group became heavily involved in amateur theatre, playing pieces of absurdity on the steps of the Engineers' Castle. However, when the theater was headed by professional director Eric Goroshevsky, Grebenshchikov became disillusioned with the idea of a fusion of rock, poetry and theatre, and shifted Aquarium's focus to concentrate on musical activities (though they only made a complete break from the theatre group in 1977). George left the band, but kept in touch with its members. The following year, cellist Vsevolod (Seva) Gakkel joined the band . Aquarium began to regularly perform live in 1976. Their first concert was on February 25, 1976, jointly with Grebenshchikov, Gakkel and Dyusha Romanov. On March 10 Aquarium was a surprise guest at the Tallinn Festival of Popular Music, where they played a set of four acoustic songs and won the prize for the most interesting and varied program. In 1977 Romanov and bassoon player Alexander "Fagot" Alexandrov ("fagot" ["фагот"] meaning bassoon in Russian) were drafted in the military for two years. With the loss of these members, Grebenshchikov recorded a highly successful solo album All Brothers are Sisters (Vse brat'ya - sestry). Aquarium also became popular to the point that Grebenshchikov was recognised in the street. In 1979 the band met with two important figures of Soviet rock, critic Artemy Troitsky and next year start to work with Andrei Tropillo as a manager in whose studio Aquarium recorded its first 'historic' albums. Tbilisi Rock Festival Aquarium burst into the consciousness of the Soviet rock scene by