last song written together. Band members have performed with other groups as well. Caroline Azar has recorded with Kickstand from New York, and Jolly Tambourine Man, Shadowy Men on a Shadowy Planet, Greek Buck and Hidden Cameras from Toronto. Since the breakup of the band: Azar produces her librettos/compositions for her dramatic musicals MAN-O-REXIC and D.I.N.K and other musical commissions. In 2015, Azar combined Wilfred Owen's anti-war poem Anthem for Doomed Youth with original music she composed for Peter Hinton's play The End at Theatre 20. Azar surprised audiences with her (2018 and 2019) two-part one-woman comedy stand up walking tour/lecture on the absurdity of civics, expressly written for actress-comedienne Jamillah Ross as PEO Rita Mae Nelson entitled "St. Peon Of The People and St. Peon of Parkdale. The third installment was entitled St. Peon Of The Planet and was slated to go to The Edinburgh Festival, also starring GB Jones and Joel Gibb. Beverly Breckenridge toured with The Spinnanes and was also a member of Phono-Comb. Prior to her involvement with Fifth Column, Jones was part of the electropunk band Bunny and the Lakers. She has collaborated with the Italian dark ambient group Mariae Nascenti and appeared on the single "Party With The Devil" by Agnoema. Jones now performs with Opera Arcana. In 2015, Caroline Azar teamed up with Opera Arcana to create a theatrical performance called The Bruised Spirits of Southern Ontario, an adult gothic folk musical experience based on the music of Opera Arcana, featuring Jones and Minus Smile (formerly of Kids On TV). Azar wrote the story (inspired by Jones' and Kerr's trance-based meditations) and directed and produced the experimental multi media event for Opera Arcana at Videofag (run by Jordan Tannahill and William Ellis). Opera Arcana appeared as guest musicians on UK artist Nick Hudson's 2016 release Ganymede In A State of War. In 2017, Opera Arcana recorded an original soundtrack for the film Downroad by Kelly Wydryk, released on CD in 2019. Fifth Column have been nominated for a Polaris Music Prize in the Heritage section for the 2016 Polaris Music Prize, 2017 Polaris Music Prize, and 2018 Polaris Music Prize. In popular culture In 2004 the song "All Women Are Bitches" was covered and re-imagined by the band Lesbians On Ecstasy on their self-titled debut album, Lesbians On Ecstasy, as "Bitchsy". in 2005, it was remixed and sampled along with "Bitchsy" by Kids