hope for the future of the race. Context The America of the 1880s and 1890s was one of white hostility toward African Americans. There was also the belief that the African-American race would not have been able to survive without the institution of slavery. Popular culture played in to the ideas of "black criminality and moral decline" as can be seen in the characters Jim_Crow_(character) and Zip Coon. When Washington began his writing and public speaking, he was fighting the notion that African Americans were inherently stupid and incapable of civilization. Washington's primary goal was to impress upon the audience the possibility of progress. Furthermore, living in the Black Belt, Booker T. Washington was vulnerable to mob violence and was, therefore, always mindful not to provoke the mob. As would be expected for a man in such precarious position, when violence erupted, he tried to stem his talk of equality and progress so as not to exacerbate the situation. Lynching in the South at this time was prevalent as mobs of whites would take the law into their own hands and would torture and murder of dozens of men and women, including white men. The offenses of the victims included: "for being victor over a white man in a fight;" "protecting fugitive from posse;" "stealing seventy-five cents;" "expressing sympathy for mob's victim;" "for being father of boy who jostled white women." It is clear that any white person to show sympathy or offer protection for African-American victims would be labeled complicit himself and become vulnerable to violence by the mob. In 1901, Reverend Quincy Ewing of Mississippi charged the press and pulpit with uniting public sentiment against lynching. Lynching would continue into the 1950s and 1960s. Some blame Washington's comparatively sheepish message upon a lack of desire for true African-American uplift. Some, taking into account the environment in which he was delivering his message, support Washington for making any public stance at all. The relationship between Washington and his critics Since its publication, according to biographer Louis Harlan, Up From Slavery has been read as painting Booker T. Washington as both an "accommodationist and calculating realist seeking to carve out a viable strategy for black struggle amidst the nadir of race relations in the United States." While more contemporary ideas of black civil rights call for a more provocative approach, Washington was certainly a major figure in his time. Most