Time magazine, the film is a "wondrous spectacle for children of any language, and quite a treat for their parents, too"; but the magazine concludes "Cocteau makes about a half-hour too much of a good thing—and few things pall like a dream that cannot be shaken off." In 1999 Chicago Sun-Times critic Roger Ebert added the film to his The Great Movies list, calling it "one of the most magical of all films" and a "fantasy alive with trick shots and astonishing effects, giving us a Beast who is lonely like a man and misunderstood like an animal." A 2002 Village Voice review found the film's "visual opulence" "both appealing and problematic", writing "Full of baroque interiors, elegant costumes, and overwrought jewelry (even tears turn to diamonds), the film is all surface, and undermines its own don't-trust-a-pretty-face and anti-greed themes at every turn." In 2010, the film was ranked #26 in Empire magazine's "100 Best Films of World Cinema". Adaptations and homages Jacques Demy's 1970 film Donkey Skin is a musical farce adapted from Charles Perrault's incestuous fairy tale about a widowed king who wishes to marry his beautiful daughter. Demy pays homage to Cocteau in numerous references to Beauty and the Beast, including the casting of actor Jean Marais as the king. At one point, the king woos the princess by reading from Cocteau's poem, "Ode à Picasso." American singer-songwriter Stevie Nicks wrote her 1983 ballad "Beauty and the Beast" after screening the film for the second time. While she performs the song, the film plays on the screen behind her and the band. The fourteenth episode of Faerie Tale Theatre, broadcast in August 1984, featured an adaptation of Beauty And The Beast which was an homage to this film. It borrowed many visual elements, including the makeup for the beast, along with segments of the dialogue translated from French into English. It featured Susan Sarandon as Belle and Klaus Kinski as the Beast. In 1994, composer Philip Glass created an opera version — also called La Belle et la Bête — one of a "Cocteau Trilogy" of operas. In its initial incarnation the musicians and singers would perform the work on stage with a restored, newly subtitled print of the film playing on a screen behind them. In the original presentation, Belle was sung by the mezzo-soprano Janice Felty. (The current Criterion Collection Blu-ray release offers the ability