1960s. In 1952, he settled into his most enduring game show role as host of ABC's The Name's the Same. In 1954, Lewis gave up the show to devote more time to his variety program; several times during his tenure, contestants appeared on the show bearing the name Robert Q. Lewis. In 1958, he hosted the short-lived original version of Make Me Laugh. In 1962, he substituted for and ultimately replaced Merv Griffin as host of Play Your Hunch. In 1964, he hosted the short-lived game show Get the Message on ABC. He was a frequent participant on the panel show What's My Line?, making 40 appearances on the show. He first appeared as a panelist in 1951, about a year into the show's run. His most regular run on the show was alternating weeks with comedian Fred Allen following the departure of regular panelist Steve Allen, beginning in 1954 through early 1955; Fred Allen ultimately took the spot on the panel on a regular basis for approximately a year until his death. Lewis continued to make regular guest appearances on the panel right up to the show's final year in 1967. He also made one appearance as the show's "Mystery Guest" in 1955. He was also a guest panelist/player on a number of Goodson-Todman shows, including To Tell The Truth, Get The Message and both the original and 1970s versions of Match Game. Records Lewis was always an enthusiast of vintage music. He frequently revived old Tin Pan Alley tunes on his radio and TV shows, and in his very popular nightclub act. From the 1940s he sang for Columbia Records, MGM Records, and Coral Records. He scored his biggest hit in 1951 with the dialect novelty song, "Where's-a Your House?", an answer record to the Rosemary Clooney hit "Come On-a My House". In 1967, he recorded I'm Just Wild About Vaudeville for Atco—this collection of circa-1930 songs has Lewis cleverly imitating different singing styles of the day. Movies, TV, and theater Lewis's fondness for show-business nostalgia was well known within the industry, and in 1949 he was hired to narrate the "lighter side" segment of the feature-length March of Time documentary film The Golden Twenties. He was too busy to pursue a movie career at the time because of his hectic radio, television, and nightclub schedule. Later in his career, Lewis acted in a few movies, notably An