days, becoming Capitol Records' fastest selling debut LP since Meet the Beatles! in 1964. In August, the album reached number one on the Billboard 200, where it remained for five weeks, and was certified platinum by the RIAA for one million copies sold. The lead single, "My Sharona", also met with immediate success, becoming Capitol's fastest selling debut single since the Beatles' "I Want to Hold Your Hand" and staying at number one on the Billboard Hot 100 for six weeks. A negative backlash against the Knack's overnight success formed among critics who found the band's image too contrived and their attitude too brash. San Francisco conceptual artist Hugh Brown, who had designed the Clash's Give 'Em Enough Rope album cover, started a "Knuke the Knack" campaign complete with T-shirts, buttons and bumper stickers. Some music writers began to criticize the band for what they perceived as arrogance, hype and a misogynist attitude expressed in their songs. The band's refusal to do interviews was also viewed negatively by the music press. One entertainment weekly, Scene magazine, refused to publish a review of the Knack's concert in Cleveland due to what it called "attempts at censorship" by the band's management. Robert Christgau of The Village Voice was critical of the album's misogynistic themes and remarked that if the Knack "felt this way about girls when they were unknowns, I shudder to think how they're reacting to groupies." However, Christgau countered critics who had dismissed the band on "purely technical terms", arguing that "if they're less engaging musically than, say, the Scruffs, they have a lot more pop and power going for them than, say, the Real Kids." Billboard critic Dick Nusser was particularly complimentary of tracks such as "Let Me Out", "Maybe Tonight" and "That's What the Little Girls Do", while noting that the pleading song "Oh Tara" indicates that the Knack "aren't strict girl haters." Legacy In a retrospective review, AllMusic critic Chris Woodstra wrote that the Knack's attempt to "update the Beatles sound for the new wave era" was "a good idea that was well executed", describing Get the Knack as "at once sleazy, sexist, hook-filled, and endlessly catchy – above all, it's a guilty pleasure and an exercise in simple fun." Trouser Press noted the negative portrayal of the female protagonists of certain songs and singled out "Maybe Tonight" as "bottom-of-the-barrel sap", but praised "My Sharona", "Let Me