recorded on a Bösendorfer Imperial grand piano, specially tuned for Riley himself. Robert Silverman committed a complete Beethoven sonata cycle to computer hard drive on a Bösendorfer 290SE reproducing piano. John Atkinson of Stereophile magazine then recorded a similar piano at the Maestro Foundation recital hall in Santa Monica, California replaying the files; the resulting CDs were issued as a 10-disc set. Robert Ekelund – Two albums of piano pieces performed by economist and pianist Robert Ekelund, performed on the Murray N. and JoAnn B. Rothbard Bösendorfer Imperial Concert Grand Piano in the Mises Institute's Conservatory. Ekelund also performed Brahms Rhapsody Op. 79, No. 2; J.S. Bach, Gigue, French Suite No. 5 (G-major). Valentina Lisitsa Chopin's 24 Études D.V.D. track. Op. 10 and Op. 25 Études. Igor Stravinsky's Le Sacre du Printemps, The Firebird and Petrushka played by Dag Achatz and Roland Pöntinen on BIS Records was played on a Bosendorfer Model 275 Kimiko Douglass-Ishizaka has recorded J. S. Bach's Goldberg Variations for public domain release on the Internet by the Open Goldberg Variations project, an initiative sponsored in part by Bösendorfer. She played a C290 Imperial fitted with the CEUS system. Accompanying the recording—offered in MP3, FLAC, and 24 bit 44 K WAV formats—is a freshly made copy of the full score. Ishizaka also recorded Bach's The Well-Tempered Clavier on a Bösendorfer 280. Costantino Catena has recorded on new Bösendorfer VC280 the CD "Dedications—Schumann-Liszt / Costantino Catena plays the new Bösendorfer 280VC" for Camerata Tokyo Zoltán Kocsis recorded on Bösendorfer, together with conductor Ivan Fischer and the Budapest Festival Orchestra, the complete work for piano and orchestra by Bela Bartok for Philips. Popular Victor Borge was known for using Bösendorfer pianos during many of his shows. Peter Bence used a Bösendorfer 290 Imperial to record a cover of Toto's Africa. Richard Clayderman used a Bösendorfer for his recordings. Elvis Costello in his album Punch the Clock. Oscar Peterson used Bösendorfer almost exclusively from 1977 until 2006. Brian May and Freddie Mercury of the band Queen employed the Bösendorfer in the song Flash. Peter Gabriel in his album Up. Rick Wright played a Bösendorfer grand piano on "Shine On You Crazy Diamond (Part 8)" from the Pink Floyd album, Wish You Were Here. Roger Waters chose a Bösendorfer grand piano "9-foot-six, please" as his luxury item on Desert Island Discs, though only after he was denied a satellite link to