Paul Gonsalves ( – ) was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," a performance credited with revitalizing Ellington's waning career in the 1950s. Biography Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves' first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. He also played with fellow Cape Verdean Americans in Phil Edmund's band in the 1940s. Before joining Duke Ellington's orchestra in 1950, he also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie (1949–1950). At the 1956 Newport Jazz Festival, Gonsalves' solo in Ellington's "Diminuendo and Crescendo in Blue" went through 27 choruses; the publicity from this performance is credited with reviving Ellington's career. The performance is captured on the album Ellington at Newport. Gonsalves was a featured soloist in numerous Ellingtonian settings. He received the nickname "The Strolling Violins" from Ellington for playing solos while walking through the crowd. Gonsalves died in London ten days before Duke Ellington's death, after a lifetime of addiction to alcohol and narcotics. Mercer Ellington refused to tell Duke of the passing of Gonsalves, fearing the shock might further accelerate his father's decline. Ellington and Gonsalves, along with trombonist Tyree Glenn, lay side by side in the same New York funeral home for a period of time. Gonsalves is buried at the Long Island National Cemetery in Farmingdale, New York. Discography As leader/co-leader Cookin' (1957, Argo) Diminuendo, Crescendo and Blues (1958, RCA Victor) Ellingtonia Moods and Blues (1960, RCA Victor) Gettin' Together! (1961, Jazzland) Tenor Stuff (1961, Columbia) – with Harold Ashby Tell It the Way It Is! (1963, Impulse) Cleopatra Feelin' Jazzy (1963, Impulse) Salt and Pepper (1963, Impulse) – with Sonny Stitt Rare Paul Gonsalves Sextet in Europe (1963, Jazz Connoisseur) Boom-Jackie-Boom-Chick (1964, Vocalion) Just Friends (1964, Columbia EMI) – with Tubby Hayes Change of Setting (1965, World Record Club) – with Tubby Hayes Jazz Till Midnight (1967, Storyville) Love Calls