cart, Perceval, is situated in Cullum Street, London. Writing in The Guardian, in 2011, Aida Edemariam said that "Lucas was the wildest of the Young British Artists, partying hard and making art that was provocative and at times genuinely shocking." In 1996, she was the subject of a BBC documentary, Two Melons and a Stinking Fish. Exhibitions Lucas had her first solo exhibition in 1992 at City Racing, an artist run gallery in south London, and her first solo show in New York at the Barbara Gladstone Gallery in 1995. One-person museum exhibitions at Museum Boymans-van Beuningen in Rotterdam, at Portikus in Frankfurt, at Museum Ludwig in Cologne and at Kunsthalle Zurich, Kunstverein am Hamburg and Tate Liverpool have accompanied exhibitions in less conventional spaces—an empty office building for The Law in 1997, a disused postal depot in Berlin for the exhibition Beautiness in 1999, and an installation at the Freud Museum called Beyond the Pleasure Principle in 2000. Lucas's work has been included in major surveys of new British art in the last decade including Brilliant!—New Art From London at the Walker Art Center, Minneapolis, in 1995, Sensation (Young British Artists from the Saatchi Collection at the Royal Academy in 1997), and Intelligence—New British Art, 2000, at Tate Britain. In 2003, Sarah Lucas participated in the 50th International Biennale of Art in Venice, Outlook: Contemporary Art in Athens, and In-A-Gadda-Da-Vida, a three-person exhibition for Tate Britain with Angus Fairhurst and Damien Hirst in 2004. From October 2005 to January 2006, Tate Liverpool presented the first survey exhibition of Lucas's work. In 2012 Lucas curated Free, an exhibition at the Southbank Centre by the Koestler Trust. The annual exhibition displays art works by prisoners, detainees and ex-offenders. The theme was '50', to acknowledge the 50th anniversary of Koestler Trust and Lucas was 50 years old at the time. In 2013 the Whitechapel Gallery in East London hosted a retrospective of Lucas' work. In 2015 Sarah Lucas represented Britain at the 56th Venice Biennale with SCREAM DADDIO. She was interviewed by close friend Don Brown during the installation of the exhibition. In September 2018, The New Museum presented the first American survey of Lucas’ work in the exhibition "Sarah Lucas: Au Naturel". Lucas has also created new sculptural works for the exhibition, including This Jaguar's Going to Heaven (2018), a severed 2003 Jaguar X-Type—the car’s back half burned and its front