lovers. Sherry Jones's 2014 novel, The Sharp Hook of Love, is a fictional account of Abélard and Héloïse. Mandy Hager's 2017 novel, Heloise, tells Heloise's story from childhood to death, with frequent reference to their writings. Rick Riordan's 2017 book, Trials of Apollo: The Dark Prophesy, has a pair of gryphons named Heloise and Abelard. Luise Rinser's 1991 novel Abaelard's Liebe (German) depicts the love story of Héloïse and Abelard from the perspective of their son, Astrolabe. Abelard and Héloïse are referenced throughout Robertson Davies's novel The Rebel Angels. Henry Adams devotes a chapter to Abelard's life in Mont Saint Michel and Chartres James Carroll's 2017 novel The Cloister retells the story of Abelard and Héloïse, interweaving it with the friendship of a Catholic priest and a French Jewish woman in the post-Holocaust twentieth century. Melvyn Bragg's 2019 novel Love Without End intertwines the legendary medieval romance of Héloïse and Abélard with a modern-day historian's struggle to reconcile with his daughter. In art Héloïse et Abeilard, oil on copper, Jean-Baptiste Goyet, 1830. Abaelardus and Heloïse surprised by Master Fulbert, oil, by Romanticist painter Jean Vignaud, 1819 Monument to Abelard and Heloise at Le Pallet by Sylviane and Bilal Hassan-Courgeau Heloise & Abelard, painting by Salvador Dalí Abelard und Heloise, oil on canvas, by Gabriel von Max, circa 1900-15, The Jack Daulton Collection In music Abelard and Heloise is a 1970 soundtrack album by the British Third Ear Band. Mon Abélard, mon Pierre , one track of the quebec singer Claire Pelletier in her album Murmures d'histoire. In poetry François Villon's "Ballade des Dames du Temps Jadis" ("Ballad of the Ladies of Times Past") mentions Héloïse and Abélard in the second stanza. Their story inspired the poem, "The Convent Threshold", by the Victorian English poet Christina Rossetti. Their story inspired the poem, "Eloisa to Abelard", by the English poet Alexander Pope. In Robert Lowell's poetry collection History (1973), the poem "Eloise and Abelard" portrays the lovers after their separation. Onstage and onscreen Ronald Millar's play Abelard & Heloise was a 1971 Broadway production at the Brooks Atkinson Theatre, starring Diana Rigg and Keith Michell, script published by Samuel French, Inc, London, 1970. In the film Being John Malkovich, the character Craig Schwartz (played by John Cusack), a failed puppeteer, stages a sidewalk puppet show depicting correspondence between Héloïse and Abélard. This gets him beaten up by an irate father, due to