sexual and educational oppression, as Brazilian society had been based on the standards and rules of the Catholic church after colonization. Some movie theaters were wrecked during the showing of rock and roll movies. Some radio disc-jockeys and recording companies set out to find new talents that could not only sing, but who would also do it in perfect English. While in Salvador, Raul Seixas formed the first rock band from this city in 1965, The Panthers, which soon changed names to Raulzito e os Panteras. Seixas was influenced by Luiz Gonzaga. In 1963, Roberto Carlos had two hits: "Splish Splash," a Bobby Darin cover with Portuguese lyrics by Erasmo Carlos, and "Parei na Contramão" (I stopped at the wrong way), the first collaboration between Erasmo and Roberto Carlos. Roberto and Erasmo created Jovem Guarda. The beginning of the Jovem Guarda, with Roberto Carlos, Erasmo Carlos and Wanderléa, was a kind of Brazilian version of the North American garage bands in the 1960s but with a bit of Motown soul influence, from artists like Otis Redding. Ronnie Von started his career with the garage influence of Jovem Guarda and his work unleashed on the psychedelic style and he was who suggested the name of the band Os Mutantes. Jerry Adriani is identified with the Jovem Guarda too, but his influence on Brazilian rock is greater with his Italian rock/pop style: he brought Raul Seixas from Salvador to success afterwards in Rio de Janeiro, allowing for his widespread national success and influence to future generations. Other artists and bands associated with the Jovem Guarda include Eduardo Araújo (and his late wife, Sylvinha Araújo), Martinha, Renato & Seus Blue Caps, Os Incríveis, Golden Boys, Os Vips, Vanusa and The Fevers. Jorge Ben Jor (then known only as Jorge Ben) had several hits and transited between Jovem Guarda and a new form of playing guitar, with a rhythmic form that he invented. This new style was named Samba-rock, a style which would be followed by Banda Black Rio, Trio Mocotó, Luís Vagner, Bebeto, Orlandivo and Wilson Simonal, among others. The band The Bubbles, formed in 1965 in Rio de Janeiro, and Serguei, with his first album in 1966, were the link between the garage rock of Jovem Guarda and psychedelic rock. In São Paulo there were Os Baobás, who recorded cover versions of the Kinks, Love, Turtles and the Rolling Stones, during the