instrumentals; however, the sound would mostly disappear after the album was released. Many of the R&B singers that were singing over R&G were inconsistent and would regularly disappear. The subgenre made a comeback in the 2010s after American singer Kelela released a mixtape in 2013, Cut 4 Me, featuring a heavy R&G influence. In 2014, she collaborated with British artist Bok Bok to make Melba's Call, another modern take on R&G. Terror Danjah formed R&G Records, a record label dedicated to R&G. In 2017, Terror Danjah and Olivia Louise released "I'll Follow U" on the label. In 2018, Gemma Fox released Grime Vocals Archive, a collection of previously unreleased or unheard rhythm & grime songs. Sinogrime Sinogrime is a term coined by Kode9 in 2005 to describe a style of grime that incorporated East Asian motifs, such as traditional East Asian instruments and samples from vintage Kung Fu films. The style was present before this however, such as in Jammer's instrumental "Chinaman" which was released in 2003 and included a sample from the 1993 martial arts film Twin Warriors. The sound was initially pioneered by many people, such as DJ Target, Wiley, Terror Danjah, Ruff Sqwad, Jammer, Geenus, DJ Wonder and Wookie. In a 2003 interview, Wiley stated he "used to watch a lot of Kung Fu films" and used to go to a store called Sterns to find world music to sample. Dizzee Rascal stated his song "Brand New Day", released in 2003, was also inspired by Kung Fu films. The term does not necessarily apply to grime made in Japan or China, unless the instrumental includes East Asian motifs. Sinogrime first began being noticed in China in 2009 and would influence local producers, particularly in Shanghai and Beijing. Shanghai-based producer Swimful remixed Wiley's sinogrime instrumental "Shanghai" in 2016. Beijing-based producer Howie Lee also produced an album with Sinogrime elements, called Mù Chè Shān Chū. Howie Lee described sinogrime as "propaganda", a sound that represents an image in people's heads, but one that is not necessarily accurate. Sinogrime was described by music critic Dan Hancox as a genre that "barely existed". Dan Hancox suggested that sinogrime reflected a shift away from looking towards America for influence, and instead looking East. This was possibly the result of the rising popularity of Japanese video games and Chinese movies which featured music from their respective countries. Both Wiley and Dizzee Rascal have