ended their working relationship soon after the release of the album, In a 1997 interview, Creme explained: In the early 1990s, Godley and Creme were approached by Polydor Records executives about recording a reunion album with 10cc. However, according to Godley, the duo's contributions to the album, ...Meanwhile, were minimal. Studio musicians dominated the recording, and while Godley contributed a lead vocal on the song "The Stars Didn't Show", they rarely saw Stewart and Gouldman. The album was a commercial failure, and Godley and Creme went their separate ways once again. Freeze Frame, Ismism and Birds of Prey were subsequently reissued on CD, with addition of bonus tracks that had previously only been available on singles: Freeze Frame... Plus included four 1980 tracks that were originally only released on singles: "Silent Running" (the B-side of "An Englishman in New York"), "Wide Boy", and the instrumentals "Submarine" and "Marciano". Ismism... Plus included the single B-sides "The Power Behind the Throne", "Babies" and "Strange Apparatus" (a shortened edit of "An Englishman in New York"). Birds of Prey... Plus included the single tracks "Welcome to Breakfast Television", "Samson (Dance Mix)" and "Golden Boy". Video direction career Godley and Creme achieved their greatest success as the innovative directors of more than fifty music videos in the early 1980s. They created memorable videos for Status Quo ("Something 'bout You Baby I Like"), The Police ("Every Breath You Take", "Synchronicity II", "Wrapped Around Your Finger"), Culture Club ("Victims"), Duran Duran ("Girls on Film", "A View to a Kill"), Herbie Hancock ("Rockit"), Go West ("We Close Our Eyes"), Peter Gabriel and Kate Bush ("Don't Give Up"), Frankie Goes to Hollywood ("Two Tribes", "The Power of Love"), Sting ("If You Love Somebody Set Them Free", "Fields of Gold"), Toyah ("Thunder in the Mountains"), Visage ("Fade to Grey"), George Harrison ("When We Was Fab"), Lou Reed ("No Money Down"), Wang Chung ("Everybody Have Fun Tonight"), and Yes ("Leave It"), among many others, up to Godley's video for The Beatles' 1996 single, "Real Love", from the Beatles Anthology. The pair's innovation extended to their videos for their own songs, notably "Wide Boy" and "Cry". The latter's 1985 video consisted of faces blending into one other using analog cross-fading, anticipating the digital effect of morphing, later used in a similar way in Michael Jackson's 1991 video, "Black or White". This was hailed as "groundbreaking", though it was not without antecedents; a