arms). From that time a genre named "Rock Rural" had in the Brazilian folk music and the rock its influence and some expressive artists are Zé Rodrix, Ave Sangria, Sá & Guarabyra, Ruy Maurity Trio, Almôndegas and others. A more radical Brazilian folk (that can get muddled with the rock), a weighty influence in the Brazilian rock then, is found in Dércio Marques, Elomar, Xangai, Sérgio Reis, Diana Pequeno, and later by the 1980s, Almir Sater and Renato Teixeira. Even more radical is Marlui Miranda, an expert in the Brazilian indigene music and despite her music isn't rock in the classic form, the creative folk music that she makes is a great contribution to the alternative aesthetic, at a later time. The "carioca" (from Rio de Janeiro city) Azymuth, was formed in 1969 and is the Jazz rock side of this generation, but is responsible of the Brazilian pop music development too. There are great musicians that can add up here - Jazz rock influence: Airto Moreira, Raul de Souza, Flora Purim, Hermeto Pascoal, Naná Vasconcelos, Arthur Verocai, André Geraissati, Egberto Gismonti, Grupo D'Alma, Eumir Deodato, and Sérgio Mendes (with Funk influence too). This higher mix between rock and Brazilian pop music resulted in several famous musicians and bands: Secos & Molhados (identified as glam rock too), Raul Seixas, Novos Baianos, A Cor do Som, Robertinho do Recife and a union of Caetano Veloso, Gal Costa, Maria Bethânia and Gilberto Gil in the show named Doces Bárbaros. After the end of Secos & Molhados, João Ricardo continued his career and his first album was all glam, Ney Matogrosso continued with great success and Gérson Conrad was constructing an alternative career. Other musicians - that helped to turn the traditional Brazilian music more flexible, with powerful rock or pop influences - were a relative hit too, like Elis Regina, Alceu Valença, Geraldo Azevedo, Belchior, Gonzaguinha, Zé Ramalho, Raimundo Fagner, Luiz Melodia, Boca Livre, Maria Alcina, Luli e Lucina and after the end of Novos Baianos, Baby Consuelo (then Baby do Brasil), Pepeu Gomes and Moraes Moreira, but there were musicians that made a more experimental mix, who didn't have the same good luck in their careers and access to the media, and because of this are known as "malditos", the darns, but at a later time they will be an important reference for the second Brazilian alternative scene - they are: