POC before and offered them a deal to record an album at an extraordinary reduced rate. POC found out that the aim behind Bop Studios was to entice big music stars to record there to legitimise Bophutatswana as a sovereign state. When the group heard about this while they recorded there, they included the lines "Fuck Mangope (Bophutatswana's head of fake state) even if we record here". The head engineer confiscated all the mixed DATs and confronted the group about certain remarks made on the album. After a heated debate the group left with a 'stolen' backup copy of the mixed album that eventually became the released version. Lyrical themes POC's songs were often filled with socio-political messages about the state of South Africa's social and economic issues in the urban areas, which were the most economically depressed. According to the article "Globalization and Gangster Rap: Hip Hop in the Post-Apartheid City", their 1993 song "Understand Where I'm Coming From" was a "lament about poverty and social dislocation in the ghetto, questioning the wisdom of patriotism in a class stratified society", as can be inferred from the opening of the song: "Why should I fight for a country's glory / When it ignores me? / Besides, the township's already a war zone / So why complain or moan?" The song also questions the degree to which this new post-Apartheid South Africa is actually new, since there are still racial and class inequalities throughout the communities. The music created as a result of these types of struggles takes the form of hip hop because "young African and Coloured youth... see hip hop and its subcultures as the art form that best expresses their feelings of economic marginality and social dislocation". Many connections can be seen between POC's style of hip hop and the broader American style of hip hop. In "Understand where I'm Coming From", feelings of rebellion and separation from central government are rapped about just as they might be in politically conscious American hip hop; also, in the POC song "Dallah Flet 2", "negative and misogynistic attitudes towards single mothers" are rapped about, something which author Zine Magubane claims is "ubiquitous in American rap music". POC's gender politics on Age of Truth was first analysed in a 2001 article titled “Black Thing: Hip-Hop Nationalism, ‘Race’ and Gender in Prophets of da City and Brasse vannie Kaap” by Adam Haupt,