the group, Guevera and Balingit had first created an acoustic folk singing group called Think God, playing covers of James Taylor and Crosby, Stills and Nash songs at various Shakey's Pizza parlors in the Philippines. They changed their name to The Woods, after the Jethro Tull album Songs from the Wood. Bobby Wuds continues to perform; he attended a street concert in Baguio City during the Baguio Day Celebrations in 2012 that was organized in Assumption Road by Christel Pay Seng. 1990s During the start of the decade, The Hayp, Introvoys and AfterImage were among the prominent bands enjoying mainstream recognition. An underground music scene was already burgeoning in some unknown bars in Manila. Red Rocks (which later became Club Dredd), together with Mayric's (Sazi's Music Bar) and Kampo (Yosh in the mid '90s), were the only venues where unsigned bands were allowed to play their own songs. Bands were influenced by such genres as power pop, shoegazing, post-punk, alternative rock (Eraserheads, Color It Red, The Youth, Half Life Half Death, Feet like Fins, Advent Call, Alamid, Parokya Ni Edgar), Dominion Gothic, hard rock, heavy metal (Razorback, Askals, Wolfgang, Dahong Palay), hardcore Loads of Motherhood, RDA, punk Philippine Violators, Bad Omen and death metal (Skychurch, Genital Grinder, Death After Birth, Disinterment, Mass Carnage, Savannah's tool, Aroma, Kabaong ni Kamatayan, Barang, WUDS, Yano, Bad Omen, Rumblebelly, Disinterment (Death Metal Philippines), Dethrone, Signos (Cebu City's underground death metal) and Iconoclast. The late 1980s and early 1990s marked the beginning of what was known as the era of underground rock and progressive music, with NU107.5 playing unknown bands through Francis Brew's "In the Raw". It was through this station that many of the prominent and promising rock bands were discovered such as The Breed, GreyHoundz, Slapshock, Sugar Free, Fatal Posporos, Itchy Worms, Peryodiko, Monsterbot, Tanya Markova, Pedicab, and many others. NU107.5 was the only radio station that played music longer than the standard radio format would allow, as well as soundtracks (The Reel Score). Apart from allotting air time to new and known foreign rock bands such as Save Ferris, Veruca Salt, Metallica, Audioslave and Soundgarden etc., it gave full exposure to Filipino groups such as Sugar Hiccup, Eraserheads, Imago, Cynthia Alexander, Parokya ni Edgar, Wolfgang, Razorback, Ciudad, Teeth, Urbandub, Put3ska, Tropical Depression, Rivermaya, Yano, Siakol, and Cheese. Its prestigious NU107 Rock Awards honored the Philippine rock industry's best and brightest for 17