under the direction of Alfredo Antonini. Throughout his opera career, Tucker maintained a Jewish identity. He kept kosher, and regularly officiated as a cantor on Rosh Hashana, Yom Kippur and other sacred events in the Jewish liturgical calendar, especially in Chicago. He oversaw the religious development of his three sons, Berel (Barry, born 1938); David N. Tucker, M.D. (born 1941); and Henry (born 1946). Their father arranged for them to sing with him on a popular television program hosted by Sam Levenson, 9 March 1952. Tucker had a long-running contract with Columbia Records, and eventually recorded for RCA Victor as well. But, measured against the sheer length of his career, Tucker's commercial recordings are proportionately sparse and inadequately convey the power and roundness of his voice, according to most of his artistic colleagues. However, his recordings with soprano Leontyne Price (especially in Madama Butterfly and La forza del destino) invariably show him in fine ringing voice and with a convincing dramatic presence. He also made a famous recording of Aida with a colleague from his Verona debut, Maria Callas. He recorded the Verdi Requiem with George London. Many other commercial recordings, as well as private recordings of his concerts and broadcast performances, have been digitally remastered and are available in CD and online downloadable formats. A number of his national television appearances on "The Voice of Firestone" and "The Bell Telephone Hour" were preserved in kinescope and videotape form, and have been reissued in VHS and DVD format. A complete video performance of the tenor's portrayal of Canio in the Zeffirelli production of Pagliacci, which was to be paired with Cavalleria rusticana featuring Tucker's friend and tenor colleague Franco Corelli as Turiddu, was never telecast and has not been issued commercially, for legal reasons. Although Tucker's well-crafted public image was that of a competitive, overwhelmingly self-confident performer, his offstage demeanor was that of an inherently private but unfailingly considerate man, especially where fans and colleagues were concerned. Never prone to looking back upon his career, Tucker always lived in the moment and maintained a boyish outlook on life. He also displayed a propensity for playing pranks on some of his fellow singers, often provoking a smile at some inappropriate moment in a performance. Once, during a broadcast of La forza del destino with baritone Robert Merrill, Tucker sneaked a nude photograph into a small trunk that Merrill opened onstage. In