Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas. Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils. Life and career Early years Tear was born in Barry, Glamorgan, the son of Thomas Tear, a railway clerk, and his wife Edith, née Dodds. As a schoolboy at Barry Boys' Grammar School he sang in a local church choir and at the age of seven he took part in the nascent Welsh National Opera's first production, Cavalleria Rusticana in Cardiff in April 1946. In 1957 he won a choral scholarship to King's College, Cambridge, where he studied English. His biographer Raymond Holden counts as his chief university influences the critic and teacher F. R. Leavis, the writer E. M. Forster and the conductor David Willcocks. Tear graduated in 1960, and moved to London. where in 1961 he was appointed a vicar choral at St Paul's Cathedral. His choir duties left him time to study with the singing teacher Julian Kimbell and to sing with the Ambrosian Singers. In January 1961 he married Hilary Thomas; they had two daughters. Tear made his operatic debut in 1963 as the Male Chorus in Britten's The Rape of Lucretia with the English Opera Group (EOG); the composer approved of Tear's performance, and invited him to understudy Peter Pears in the original production of Curlew River at the Aldeburgh Festival in 1964. Tear then played Peter Quint in a production of The Turn of the Screw, before joining Britten and the EOG in a four-week tour of the Soviet Union in September and October 1964. Britten wrote two roles with Tear's voice in