is a Japanese video game composer. After working for Konami in the early 1990s, he was employed by Squaresoft and then Square Enix from 1995 to 2009. He is best known for scoring Threads of Fate and co-composing Final Fantasy X for Squaresoft, arranging for Dawn of Mana and the Nintendo DS version of Final Fantasy IV for Square Enix, and scoring arcade video games such as X-Men and Mystic Warriors for Konami. Nakano has collaborated with Masashi Hamauzu on a number of games. He was introduced to music at the age of three when his parents offered him lessons in the electronic organ. After studying composition and arrangement at a vocational school, Nakano worked for Konami from 1991 to 1994, where he scored numerous arcade games. Nakano is noted for his ambient style and for using percussion, timbre, and rhythm in his compositions. Biography Junya Nakano was born in Kyoto, Japan. His parents introduced him to music when he was three years old, offering him lessons in the electronic organ through the Yamaha Music Foundation; they also encouraged him to join some brass bands. After playing the 1979 arcade game Lunar Rescue, he developed an interest in video games and subsequently began to enjoy chiptune music. By frequently listening to the radio, he started composing MIDI music using the NEC PC-9801 in 1985. In 1987, he attended a vocational school to study composition and arrangement in hopes of entering the gaming industry. After graduation, he joined the Kobe branch of Konami in 1991, where he contributed music to eight arcade games with several collaborators over a three-year period, including titles such as X-Men and Mystic Warriors. Deciding he wanted to create more original music and have a chance to receive individual recognition, Nakano left Konami after completing the score for Golfing Greats 2 in 1994. Nakano joined Square (now Square Enix) in 1995. He created four pieces for the 1996 video game Front Mission: Gun Hazard, which featured composers Nobuo Uematsu, Yasunori Mitsuda, and Masashi Hamauzu. His first solo project came about with Satellaview's Treasure Conflix the same year. In 1996, Nakano joined several of Square's composers to create the soundtrack for the fighting game Tobal No. 1; he contributed three compositions. Hamauzu and Nakano became friends after working on Front Mission: Gun Hazard and Tobal No. 1, and they have later collaborated on several titles. In 1997, Nakano