1980). UA wanted the series to continue, but Edwards refused to cast another actor as Clouseau, possibly recalling the negative reception that Inspector Clouseau (1968) suffered upon release. The production featured Alan Arkin in the title role and was without the involvement of Edwards and Sellers. After Arthur made Moore a huge star, he was unwilling to talk about committing to a film series. MGM/UA wanted a transition film if Edwards was to introduce a new character as the series' star. Using outtakes was, according to Edwards, a brilliant idea (shooting scripts for Return, Strikes Again, and Revenge demonstrate a great amount of comedic material from the three films that was left on the cutting room floor). Edwards had originally hoped to construct a Citizen Kane-esque narrative, with Clouseau having gone missing at the very beginning of the story, whilst the memories of the supporting characters would showcase the deleted or unused content. Unfortunately, MGM/UA refused to pay ITC the fee they were asking for the use of the Return outtakes, and Edwards fell behind schedule on shooting Trail/Curse (MGM/UA also ended up cutting both films' budgets considerably), with the result being that Trail failed to live up to its potential. Edwards's wife, Julie Andrews, has an unbilled cameo as a cleaning lady, dressed as her friend Carol Burnett's charwoman character. Soundtrack Unusually the soundtrack album by Henry Mancini featured a compilation of themes from other Pink Panther movies, with only "Trail Of The Pink Panther (Main Title)" and "The Easy Life In Paris" being from the film itself. The other tracks included "It Had Better Be Tonight (Meglio Stasera)" (from The Pink Panther), the title theme from A Shot in the Dark, "The Return Of The Pink Panther (Parts I And II)" and "The Greatest Gift" (from The Return of the Pink Panther), "Come To Me", "The Inspector Clouseau Theme" and "Bier Fest Polka" (from The Pink Panther Strikes Again), and "Simone", "After the Shower" and "Hong Kong Fireworks" (from Revenge of the Pink Panther). The soundtrack album for the film was released by Liberty Records (LT-51139). Critical and commercial reception The film was a critical failure. Although the film was marketed as a tribute to Sellers, the sequel was universally disdained. On review aggregator Rotten Tomatoes, the film has an approval rating of 23% based on 13 reviews, with an average score of 4.30/10. On Metacritic, the film