Rudolf Serkin (28 March 1903 – 8 May 1991) was a Bohemian-born Austrian-American pianist. He is widely regarded as one of the greatest Beethoven interpreters of the 20th century. Early life, childhood debut, and education Serkin was born in then Eger, Kingdom of Bohemia, Austro-Hungarian Empire (now Czech Republic), to a Russian Jewish family. His father, Mordko Serkin, "had been a Russian basso, and taught him to read music before he could read words." Hailed as a child prodigy, he was sent to Vienna at the age of 9, where he studied piano with Richard Robert and, later, composition with Joseph Marx, making his public debut with the Vienna Philharmonic at 12. From 1918 to 1920 he studied composition with Arnold Schoenberg and participated actively in Schoenberg's Society for the Private Performance of Music. Career Serkin began a regular concert career in 1920, living in Berlin with the German violinist Adolf Busch and his family, which included a then-3-year-old daughter Irene, whom Serkin would marry 15 years later. In 1921, at age 17, he made his Berlin debut performing in Busch's ensemble as the keyboard soloist in the Brandenburg Concerto No. 5. At the end of the concert, Busch told Serkin to play an encore to the enthusiastic audience. Serkin later reported that he asked Busch, "What shall I play?" and Busch "as a joke" told him to play the Goldberg Variations "and I took him seriously. When I finished there were only four people left: Adolf Busch, Artur Schnabel, Alfred Einstein and me." In the 1920s and early 1930s, Serkin performed throughout Europe both as soloist and with Busch and the Busch Quartet. With the rise of Hitler in Germany in 1933, Serkin and the Busches (who were not Jewish but who vehemently opposed the Nazi regime) left Berlin for Basel, Switzerland. In 1933, Serkin made his first United States appearance at the Coolidge Festival in Washington, D.C., where he performed with Adolf Busch. In 1936, he launched his solo concert career in the US with the New York Philharmonic under Arturo Toscanini. His performance of Ludwig van Beethoven's Fourth Piano Concerto was critically well received; Olin Downes of the New York Times wrote, "We have seldom heard a pianist's performance which so admirably combined the most penetrating analysis with artistic enthusiasm and warm feeling. Similarly, the technical performance was clean and precise, but also beautiful and of a