to the content being discussed. Throughout the initial narration of the stories of Zachariah and John, Mary and Jesus, and other prophets, verses rhyme based on the syllable 'ya'. When the text moves on to a commentary on the true identity of Jesus, words rhyme due to a long 'ee' or 'oo' preceding a nasal 'm' or 'n', which is considered to give an air of settledness or finality to the subjects being discussed. The first rhyme scheme is then resumed during further accounts of earlier prophets and changes to a rhyme based on a medium 'a' following a voiced 'd' when the Surah discusses punishments for those who reject truth and the prophets. The strength of this vocalization is exchanged for the stronger still double 'd' sound when denouncing unbelievers for their criticism. 2–28 Sanaa 1 The sequence of the Sanaa manuscript (Sanaa 1) chapters do not follow any other known quranic order and folio 22 is shared with Chapter 9 (al-Tawbah) (Q9:122-129). Recto Verso 34 Significance of Mary Chapter 19 is the only surah in the Qur'an that is named after a woman. Mary, the figure from whom this Surah takes its name. Jesus is referred to by his familial connection to her in Q19:34, the identifying title 'son of Mary' places startling emphasis on Mary's motherhood in a culture in which individuals were identified by their descent from male family member. This emphasis draws attention to the unique circumstances of Jesus's birth; it was not a biological process, and no father was involved, but it rejects the Christian belief that he was begotten by God. The text describes the agony of Mary's childbirth in great detail, including her wish that she had died long ago in order to avoid such pain. Despite this great hardship, God is portrayed as compassionate and attentive to Mary's needs; He urges her not to worry and provides her with food. Feminist reading of the text points to this treatment of childbirth as verification of the process's special significance. Other scholars point to the interaction between Mary and the angel Gabriel as indicative of traditional gender roles at the time; when Mary, a solitary female, encounters the male angel, her first reaction is fear of the impropriety of the situation and uncertainty regarding the angel's intentions. She can hear the angel's message and question him only after he assures her that he