Lovesongs for Underdogs, recorded with Gilbert, Fisher, Jones, Narcizo, and engineer Wally Gagel on assorted instruments. Career since 2000 In 2000, Donelly performed live in her first reunion with Throwing Muses at a special fan gathering called "Gut Pageant" in Cambridge, Massachusetts, and at a Rhode Island festival. She continued to record and release symbol-laden, alternative folk-pop solo EPs and full-length LPs on 4AD in 2001, 2002, and 2004. Belly's Sweet Ride: The Best of Belly retrospective was also released in 2002. As Donelly's writing continued to mature into a softer rhythmic vein than with the Belly material, allusions to motherhood were heard in songs like "Life is But a Dream" and "The Night You Saved My Life" on her 2002 Beautysleep release. Mark Sandman, of Boston's Morphine indie-rock group, sang on "Moonbeam Monkey." Donelly's background vocals are heard on several tracks of the 2003 self-titled Throwing Muses reunion album, which she helped promote with public performances as backing vocalist and guitarist for a few concerts in 2003. Boston post-punk band Mission of Burma included Donelly's backing vocals on their reunion album, Onoffon in 2004. The same year, she released Whiskey Tango Ghosts, a sparely arranged, acoustic album laced with Gilbert's pedal steel guitar touches. The album's personnel included Steen on piano, Narcizo on drums, and Fisher on guitar, bass, and drums. The album's lyrics explored, in part, marital relationships and family life. Donelly has said the album's minor-key tone was influenced by "a horrible war, a horrible administration, a bleak, mean winter." She then followed that acoustic album release with three weekend shows of old and new songs performed in 2004 before audiences at The Windham, an old hotel in Bellows Falls, Vermont. Backing Donelly in concert were Fisher on guitar, Gilbert on pedal steel and acoustic guitar, Joan Wasser ((of the Dambuilders, and Joan as Policewoman), Lou Reed, Antony and the Johnsons) on violin and backing vocals, Joe McMahon (of Señor Happy and Will Dailey) on upright bass, Bill Janovitz (lead singer of Buffalo Tom) contributing vocals, and Arthur Johnson (of Come) on drums. The performances were recorded by Donelly's manager, veteran producer Gary Smith of Fort Apache Studios, which helps operate the small concert space and recording room in The Windham's lobby. While Donelly included some of her longtime lyrical allusions to nature imagery, such as bees and honey, in the songs recorded at the Vermont concerts,