Jess Thomas (August 4, 1927 – October 11, 1993) was an American operatic tenor, best known for singing Wagner compositions. Biography Jess Floyd Thomas was born in Hot Springs, South Dakota. As a child, he took part in various musical activities and studied psychology at the University of Nebraska. For several years, he worked as a high school guidance counselor, before enrolling at Stanford University for an MA. Learning that the operatic department was producing Verdi's Falstaff, he auditioned for Otto Schulmann, the vocal professor, and obtained the role of Fenton. Although by now 27 years old, Thomas decided to change careers and to become a singer. He studied with Schulmann for three years before his operatic debut in 1957. In 1958, he joined the Badisches Staatstheater in Karlsruhe, Germany. He was awarded the Wagner Medal at Bayreuth in 1963. His many appearances in North America and Europe between the late 1950s and early 1980s included fifteen seasons in 109 performances of fifteen roles at the Metropolitan Opera in New York City. Thomas died in Tiburon, California in 1993, aged 66. Operatic career Thomas made his operatic debut in 1957 for the San Francisco Opera, performing in Richard Strauss's Der Rosenkavalier as the Haushofmeister. In 1958, he debuted in the title role of Richard Wagner's Lohengrin for the Karlsruhe Staatstheater at the commencement of a career in Germany. It was at Bayreuth that he established his reputation as a Wagnerian tenor, performing in the following roles and operas: Parsifal 1961–63, 1965 Lohengrin 1962, 1967 Siegmund in Die Walküre (Bayreuth Festival on Tour in Osaka) 1967 Walther in Die Meistersinger von Nürnberg 1963, 1969 Tannhäuser 1966–67 Siegfried 1969, 1976 In 1963, Thomas joined the roster of the Metropolitan Opera and went on to sing 109 performances of fifteen roles with the company, including all the major tenor roles of Wagner's work. Among the highlights of his career with the Met was appearing at the opening of the new Metropolitan Opera House at Lincoln Center, in the first performance of Samuel Barber's Antony and Cleopatra with Leontyne Price. On December 9, 1981, San Francisco Opera general director Kurt Herbert Adler called Thomas an hour before a performance of Die Walküre. Heldentenor James King had lost his voice, and Adler asked Thomas if he would like to sing the role in an hour. "But I haven't even shaved yet", Thomas said. Though he