for clues. While leaving, they get trapped in the lift and accidentally stumble across Lillian's body inside the emergency exit panel. At that moment, the lights go out and the Liptons stumble into the basement in pitch darkness. Upon exiting the street, they spot Paul putting the body in the trunk of his car. They follow him to a junkyard where they witness him disposing of the body in a melting furnace. The Liptons meet Ted and Larry's friend and client Marcia Fox and hatch a plan to bring Paul to justice by telling him they retrieved Lillian's body from the furnace and tricking Helen into a fake audition where her voice is recorded, edited, and later used to harass Paul, by demanding he gives Larry and Carol $200,000 or kill them if he wanted everything covered up. Marcia also tells them her theory that the dead body in the apartment is Lillian's rich sister who looked similar to her and that when she visited the Houses she had a heart attack. They then took advantage of the situation by claiming Lillian had died so that they could profit from her will. However, Paul double-crossed Lillian and killed her so that he could run away with Helen who he had been having an affair with. The plan backfires as Paul kidnaps Carol and calls Larry, demanding Lillian's body, in exchange for Carol. Paul and Larry meet in the theater and get into a scuffle. Larry breaks free and searches for Carol, with Paul in pursuit. An array of mirrors and glass behind the theater reflect the film being screened (Orson Welles' The Lady from Shanghai) and mislead Paul several times. Suddenly, Paul's loyal assistant Mrs. Dalton, an older paramour earlier brushed aside by him in favor of Helen, shoots him in an exchange of gunfire. Larry rescues Carol and they call the police. After the cops arrive, Marcia discusses with Ted that her theory was correct and they arrange to have dinner together. Cast Production Allen started Manhattan Murder Mystery as an early draft of Annie Hall, but he did not feel that it was substantial enough, and he decided to go in a different direction. He had put off making the film for years because he felt it was too lightweight, "like an airplane book read". Allen decided to revisit the material in the early 1990s. He contacted Marshall