a deal with Paramount in 1936, and Easy Living was his first assignment for them. Although putatively based on a story by Vera Caspary, Sturges in fact supposedly kept almost nothing of it except the fur coat. When a studio executive rejected the script because "1936 was not the time for comedies", Sturges took the script directly to Mitchell Leisen, of which Sturges said "going to a director over the head of my producer was not a sagacious move". Preston based the Hotel Louis on the Waldorf Towers, which was a financial flop when it first opened. Adolphe Menjou was to have been in the cast of Easy Living, but was forced to withdraw due to illness. The minor surgery of director Leisen caused production to be postponed a week to 5 April 1937. Leisen said that Ray Milland got stuck in the tub while shooting the bathtub scene, and although the incident wasn't in the script, Leisen kept the camera rolling and inserted the bit into the film. The phone gag with Esther Dale as the secretary was based on the behavior of Leisen's secretary, who got the phones on her desk mixed up. Under the belief that an actress needs to be satisfied with the way she will look in order to devote all her attention to her acting, Leisen personally directed all of Arthur's wardrobe and hair tests, and went so far as to style her hair himself. (Leisen had come to directing from the world of costume design and art direction). Leisen's pains paid off – the shy and nervous Jean Arthur had a reputation for being difficult, but the director had no trouble with her on Easy Living, which was all the more surprising since Arthur was in the middle of a bitter dispute with Columbia Pictures' Harry Cohn. Dissatisfied with the films Columbia was putting her in, she wanted out of her contract. (Arthur was contractually able to do two outside pictures a year, which is why she could do Easy Living for Paramount). It has been reported in Jean Arthur's biography and elsewhere (Bob Dorian on American Movie Classics a few years ago) that the jewels and furs Arthur wore in the film were genuine, and that guards were posted during the filming. A legal dispute between Twentieth-Century Fox and Paramount over the source for the film threatened to hold up its release.