calmness and warmth offered by a pastoral setting before closing his eyes results in a rush of overwhelming memories and fear. Accompanying the eye-closing moment is a swelling cacophony reminiscent of the orchestral crescendos heard in the Beatles' 1967 song "A Day in the Life". When the singer reopens his eyes, he is overtaken by the area's splendor. Ray contemporaneously described the composition as a "fishing song" and related it to his time spent fishing when he was a child. Side two "Animal Farm" Side two of the LP opens with "Animal Farm". While its title references the Orwell's 1945 novella of the same name, the song does not relate to the book's dystopic themes, but instead displays an anti-urban theme. The song's narrator expresses feelings of pastoral bliss, recalling an earlier time when he was happy living a simple life on a small farm. He yearns for his idealised world where people can be authentic rather than insincere actors. Recorded in Pye Studios's bigger studio, , the song has a larger sound than the rest of the album, featuring reverb on the drums, percussion and tack piano. "Village Green" Ray composed "Village Green" in August1966 while touring in rural England. He later recalled the song spawning from his disappointment after finding out that the beer at a pub was stored in a pressurised metal keg rather than in a traditional wooden barrel. The song's lyrics lament the decline of a fictional English community's traditional village green. The singer mourns the town's invasion by American tourists and the community's cheapening atmosphere, while remembering it as the place he left his romantic love Daisy. He declares that he will return to see Daisy so they can reminisce about the green as it was. The composition and instrumentation of "Village Green" evoke Baroque music; Hopkins played the prominently featured harpsichord, and Whitaker's orchestral arrangement features oboe, cello, viola and piccolo, all played by session musicians. "Starstruck" Ray later said he wrote "Starstruck" as a tribute to his favourite Motown groups, including the Four Tops and the Temptations, and Miller writes it has a slight resemblance to the Four Tops' 1965 single "It's the Same Old Song". Rogan instead writes "Starstruck" displays "a distinct Acapulco-flavouring" with vocal harmonies influenced by the American band the Turtles. In the song, the singer politely chastises a female listener for failing to distinguish between stardom and real-life