for six weeks; this in turn earned the song a platinum certification. It was also a top ten hit in Canada. Worldwide, the single was successful, as it peaked within the top ten in most European nations and Australia, which reached the top ten in Norway, Sweden, United Kingdom, Switzerland, Belgium and Australia. "Where You Are" was released as the second single from the album. The single failed to reach even the top fifty of the Billboard Hot 100, peaking at sixty-two. The song did, however, become a relative Adult Contemporary hit. Strangely enough though, dance fans reacted strongly to the physical single of the song and the song became a hit on the Hot Dance Music/Maxi-Singles Sales reaching number four. Internationally, the song was not released in major music markets excluding Canada. "I Think I'm In Love With You" was the third and final single released from her debut album. It was more up tempo than Simpson's previous singles and became a moderate hit, reaching number twenty-one on the US Billboard Hot 100, largely on the strength of its radio airplay; it reached the top five on Billboard's Top 40 Mainstream and achieved success on the Adult Contemporary and Rhythmic Top 40 charts. Worldwide, it was a moderate hit, peaking at number ten on Australian ARIA Singles Chart, and reached the top twenty in Canada, United Kingdom and New Zealand. Critical reception The album received mostly mixed reviews. Allmusic gave the album three out of five stars, quoting, "She delves into the frothy dance-pop that's teen pop's stock-in-trade, but the heart of her album lies in adult contemporary ballads like her breakout hit "I Wanna Love You Forever," which gives her a chance to show off the richness of her voice. She doesn't over-sing, like Aguilera occasionally does, even if she has moments where she pushes the envelope slightly — just like her idol Dion. However, there are already indications that she's developing her own voice, since she is equally capable of delivering danceable urban R&B ("Final Heartbreak," "I've Got My Eyes on You," the Destiny's Child duet "Woman in Me") as she is mature balladry ("Faith in Me," the Nick Lachey duet "Where You Are"). Like most teen-pop albums, Sweet Kisses suffers from inconsistent material, yet the filler is well-produced and performed, making the record every bit as listenable as Aguilera's fine debut." People Magazine was less critical