processes as industrial expansion. This is the same generation that enjoyed the democratic abertura (opening) and began to absorb rather quickly an infinite amount of new information, previously inaccessible. The universe of that generation appeared rich in diversity, implying a desire to enjoy the present. In the 1980s and beginning of the 1990s another group that mixes electronic music scene up appeared - in Santos, Campinas, São Paulo and Rio de Janeiro cities - Electronic post-punk, Industrial, EBM, Technopop, and the similar genres - and some bands and artists are well known in Europe: Loop B, Harry, Sicilian Unit, Individual Industry, Biopsy, Simbolo, City Limits, Tetine, Inhumanoids, Morgue, Suba (his album "São Paulo Confessions" is a worldwide milestone to the Electronic music), Tek Noir etc. It's important emphasize that the history of the record label Baratos Afins became forever intertwined with the indie history in São Paulo and Brazil. Two musicians and singer songwriters, Renato Russo from Legião Urbana and Cazuza from Barão Vermelho, begun brilliant solo careers from the 1980s to the 1990s, but were HIV fatal victims. 1990s In the beginning of the 1990s, the influence of the British and American noisy guitar bands such as Sonic Youth, The Jesus and The Mary Chain, My Bloody Valentine and The Telescopes, brought to life one of the most important independent movements ever seen in the Brazilian music: the Guitar. The movement was defined by loud and noisy guitars, intense feedback, vigorous performances and lyrics in English. Guitar bands began to appear all over the country, which annoyed music journalists, that would constantly criticize such bands due to their alleged lack of ability with a foreign language. The most influential guitar bands of this period were Maria Angélica Não Mora Mais Aqui, Pin Ups, Second Come, Killing Chainsaw, Mickey Junkies, PELVs, The Cigarettes, Low Dream, brincando de deus, Wry, Garage Fuzz (started as a guitar band and later became hardcore), Beach Lizards, Dash, Dago Red, Velouria, Shed, Dead Poets and Snooze. This moment can be called the first Brazilian independent scene (or indie scene). It was time to Grunge and Britpop, the distorted colors, the development of hardcore, and a return to Punk. The independent festival Juntatribo in Campinas in 1993 and 1994 and BHRIF - Belo Horizonte Rock Independente Festival, in Belo Horizonte (Minas Gerais), in 1994, were a milestone and became the independent attitude a new option. The