in the rest of the world for a worldwide total of $256.3 million. Critical response On review website Rotten Tomatoes Erin Brockovich holds an approval rating of 85% based on 150 reviews, with an average rating of 7.50/10. The critics consensus reads, "Taking full advantage of Julia Roberts's considerable talent and appeal, Erin Brockovich overcomes a few character and plot issues to deliver a smart, thoughtful, and funny legal drama." On Metacritic, the film has a weighted score of 73 out of 100 based on 36 critics, indicating "generally favorable reviews." Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. In his review for The New York Observer, Andrew Sarris wrote, "We get the best of independent cinema and the best of mainstream cinema all in one package. Erin Brockovich, like Wonder Boys right before it, makes the year 2000 seem increasingly promising for movies". Newsweek magazine's David Ansen began his review with, "Julia Roberts is flat-out terrific in Erin Brockovich." Furthermore, he wrote, "Roberts has wasted her effervescence on many paltry projects, but she hits the jackpot this time. Erin, single mother of three, a former Miss Wichita who improbably rallies a community to take on a multi-billion-dollar corporation, is the richest role of her career, simultaneously showing off her comic, dramatic and romantic chops". Rolling Stone magazine's Peter Travers wrote, "Roberts shows the emotional toll on Erin as she tries to stay responsible to her children and to a job that has provided her with a first taste of self-esteem". In his review for Entertainment Weekly, Owen Gleiberman gave the film a "B+" rating and wrote, "It's a delight to watch Roberts, with her flirtatious sparkle and undertow of melancholy, ricochet off Finney's wonderfully jaded, dry-as-beef-jerky performance as the beleaguered career attorney who knows too much about the loopholes of his profession to have much faith left in it". Sight & Sound magazine's Andrew O'Hehir wrote, "Perhaps the best thing about this relaxed and supremely engaging film (for my money the best work either the director or his star has ever done) is that even its near-fairytale resolution doesn't offer a magical transformation". In her review for The Village Voice, Amy Taubin wrote, "What's pretty original about the picture is that it focuses an investigative drama based on a true story around a comic performance". However, film critic Roger