ship. Kurt gives chase and frees Max, who tricks Glut into eating him. Max then kills Glut by exploding him from within. The two then escape and destroy Glut's ship. The ending sequence is a monochrome mix of a French music video ("Non Non Rien N'a Changé" by Billy Ze Kick) and clips from the MDK promotional video. Development Origins MDKs writer, co-designer and co-artist Nick Bruty has said the initial impetus for the game was his desire to move away from the type of game on which he had previously been working; family-friendly games such as Aladdin (1993), The Jungle Book (1993), Earthworm Jim (1994) and Earthworm Jim 2 (1995), all of which Bruty had worked on for the Sega Genesis. According to Bruty, Bruty's first image for the game was a doodle of an armor suit with a self-contained machine gun, and a helmet that could be used as a sniper rifle. Once he had this concept in place, he wrote a rough draft of the story, and brought together a small team of people with whom he had worked before; programmer Andy Astor, designer Tim Williams, artist and designer Bob Stevenson, animator Shawn Nelson and, later, programmer Martin Brownlow. One of the first decisions the team made was not to develop the game for the system with which they had the most experience, the Sega Genesis, but instead to develop it for the PC, making it Shiny's first PC game. Developing for the PC brought a number of advantages, not the least of which was it allowed the team to make the game using 3D computer graphics. As Bruty explains, "I wanted to work on PC because the game was 3D, which wasn't an option on consoles at that point." Tim Williams explains another advantage of working on PC was "it meant I wouldn't have to tone the game down to deal with the Sega and Nintendo's ratings boards. I loved [the concept]. I could see the game immediately would have a unique look and plenty of design opportunities. We were all big fans of the Alien movies and H. R. Giger, so that probably had some influence." As Shiny intended the game to be gory, even going so far as to study tapes of people dying in gruesome manners to see the effects of violent deaths on the human body, this lack of censorship was ideal.