Ivan Moody is a composer born in London, England, in 1964. He studied composition with at London University, York University and privately with John Tavener. He also studied Eastern Orthodox theology at the University of Joensuu in Finland. Moody is active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir (United Kingdom), Capilla Peña Florida (Spain), Cappella Romana (United States), the Choir of the Cathedral of St George, Novi Sad, (Serbia) the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests include the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of Modernism and Postmodernism and their intersection with Orthodox church music and the musical culture of the Mediterranean. Work from the 1980s and 1990s Moody's compositions show the influences of Eastern liturgical chant and the Eastern Orthodox Church, of which he is a member (he is a protopresbyter of the Ecumenical Patriarchate of Constantinople)). His Canticum Canticorum I, written for the Hilliard Ensemble and premiered in 1987, achieved enormous success and remains his most frequently-performed work, and in 1990 he won the Arts for the Earth Festival Prize for Prayer for the Forests, subsequently premièred by the renowned Tapiola Choir of Finland. One of his most important works is the oratorio Passion and Resurrection (1992), based on Orthodox liturgical texts, premièred in 1993 by Red Byrd and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste at the Tampere Festival. In 1996 it was given its North American premiere by Cappella Romana. The Akáthistos Hymn (1998), the composer’s largest work to date, and the first complete musical setting of this text, was written for Cappella Romana following these performances. Other significant works include the ‘cello concerto Epitaphios (1993), the cantata Revelation (1995), Endechas y Canciones (1996), the recorder concerto Pnevma (1998), Lamentations of the Myrrhbearer (2001) for string quartet, Lumière sans déclin (2000) for string orchestra, and the choral triptych written for Trio Mediaeval - Words of the Angel (1998), Troparion of Kassiani (1999), A Lion’s Sleep (2002), and Chalice of Wisdom, using a text from Matins of the Feast of St Thomas, written in 2002 for the ensemble amarcord.