V, and another copy to Marguerite, Queen of Navarre, the latter of which was provided to Rondelet. The picture being the gift of Marguerite, a great patron of the sciences, meant it was not something to be readily dismissed, but rather authenticated, by Marguerite, treated as an authority on par with Pliny. Rondelet's information was imperfect in other ways: he stated the creature had been taken in "Norway [sic.] at Diezum near the town called Denelopoch", but this was a garbling of Die Sund ("the Sound" of Øresund) off of Ellenbogen (Malmö, Sweden). The information was conveyed through some intermediary German source. Belon (1555) in his French edition about the monk-fish also classed the monk-fish as a merman (), and garnished his commentary with mention of merfolk from ancient writings, specifically sirens, tritons, naiads, and nereids. Belon, according to Steenstrup's assessment, had faith in the existence of this sea monk without ever having seen one. Belon attributed these curiosities to "playfulness of Nature". The fourth volume of Conrad Gesner's famous Historia Animalium described it, and although much of Gesner's piece was derivative or even copied wholesale from his predecessors, Belon and Rondelet, he appended a collolarium section containing his own findings and observations. As to the creature that measured 4 cubits, Gesner added that it had a black face like an Ethiopian, according to a German rhyme. Gesner here quoted Albertus Magnus's account of the monachus maris. He also mentioned a similar monster found in the Firth of Forth, citing Scottish historian Hector Boethius (Hector Boece). Gesner had two other sources to draw from, namely Georg Fabricius and Hector Mythobius. The aforementioned Lycosthenes in Prodigiorum ac Ostentorum Chronicon [Of Portents and Shown Times] (1557) described the 1546 sea monk as having a black head, and gave an illustration of it as such. Literary works The sea monk was subsequently popularised in Guillaume du Bartas's epic poem La Sepmaine; ou, Creation du monde, where the poet speaks of correspondences between land and sea, mentioning both the "mytred Bishop" and the "cowled Fryer": "Seas have (as well as skies) Sun, Moon, and Stars; (As well as ayre) Swallows, and Rooks, and Stares; (As well as earth) Vines, Roses, Nettles, Millions, Pinks, Gilliflowers, Mushrooms, and many millions of other Plants lants (more rare and strange than these) As very fishes living in the Seas. And also Rams, Calfs, Horses, Hares, and Hogs, Wolves,