In broadcast engineering, a remote broadcast (usually just called a remote or a live remote, or in news parlance, a live shot) is broadcasting done from a location away from a formal television studio and is considered an electronic field production (EFP). A remote pickup unit (RPU) is usually used to transmit the audio and/or video back to the television station, where it joins the normal airchain. Other methods include satellite trucks, production trucks and even regular telephone lines if necessary. History The first airing of a remote broadcast came in 1924, when Loew's Theater publicist and WHN (New York City) station manager Nils Granlund leased telegraph lines from Western Union to provide the first link in what became called cabaret broadcasting." By early 1925, Granlund had established remote lines between WHN and more than thirty New York City jazz nightclubs, including the Silver Slipper, The Parody Club, the Cotton Club, the Strand Roof, and Club Moritz. These big band remotes would become a staple of the old-time radio era, lasting well into the 1950s. Nils T. Granlund cited the 1925 WHN airing of Senator James J. Walker's announcement of his New York City mayoral candidacy through a remote broadcast from the New York Press Club as the first such remote link for a political forum. In Latin America on 27 October 1920, Dr Sussini made the first remote transmission in Argentina from the theatre El Coliseo in Buenos Aires. In Mexico on 27 September 1921, Adolfo Gomez Fernandez made a transmission from the Teatro Ideal, Mexico DF The very first live remote broadcast to the nation was by the Canadian Broadcasting Corporation in 1938 when Frank Willis reported on the Moose River Gold Mine disaster in Nova Scotia http://archives.cbc.ca/economy_business/natural_resources/clips/3860/ On 11 June 1955, NBC, The National Broadcasting Company, provided the 1st live remote broadcast to the nation from Niagara Falls, New York. Radio In radio, remotes are often used for special events, such as concerts or sporting events, where either the entire event or advertisements for the event are broadcast on location. The cost of personnel and equipment is usually paid for by the host at each performance. However, if the event is recurring, such as a weekly broadcast from a nightclub, then dedicated lines are usually installed by the local telephone company in order to save on costs. With low range radio stations, and at events with no