a performance named Zambra with Manolo Caracol, which with small variations would be kept several years with great success. Zambra was decisive for Lola Flores's career, a spectacle very organized in all his elements for the one that they chose to León Quintero and Quiroga and that had her culminating number in "La niña de fuego" and of that there went out also "La Zarzamora", one of the songs most associated with Lola. The collaboration of the couple, who supported each other in both their private and professional life, led to a relationship that was more than professional reflected on the stage, and was very successful. This eventually lead them to become proper business owners. Together they produced two movies, "Embrujo" (1947) and "La niña de venta" (1951). In 1951, the professional and sentimental separation of the couple started, and they eventually stopped working together. 1951–1960: Career breakthrough and marriage In 1951 the Spanish film producer Suevia films wanted to consolidate a star-system of the Spanish cinema, which had his expansion towards America. The owner, Cesáreo González decided at the end of 1951 to contract Lola Flores. He signed an agreement with Lola Flores for two years and 5 films for an amount of six million pesetas. That contract included cinema, TV, theatre and also a tour along throughout America. The agreement was signed in Bar Chicote, in Madrid with the cameras of NO-DO, which was a great advertising event. With this agreement, Lola Flores started filming news films like "La niña de la venta", with Ramón Torrado in 1951 and "¡Ay pena, penita, pena!" with Miguel Morayta in 1953. Lola also appeared in advertising campaigns as part of the agreement. On 12 April 1952, Lola Flores went to Mexico with her family, where she obtained a great reception. From Mexico, she went to Havana, Rio de Janeiro, Ecuador, Buenos Aires and New York. It has gone down in history as an authoritative The New York Times review the following and famous quote that was never really written about her: "Lola Flores, a Spanish artist, she neither sings, and does not even dance, but you can't miss her". This statement has been spread all over the media as if it was true. The Spanish newspaper El País, conducted an investigation on the matter and concluded that it is part of the mythical history of the artist, but that this was