the Art Deco style by William Delano of the firm Delano & Aldrich. It is LaGuardia Airport's only remaining structure from the 1940s; the other buildings from that era had also been designed in the Art Deco style. Landside access to the main terminal building is via Marine Terminal Road, which ends at a turnaround directly in front of the building. This turnaround is served by the buses, as well as the LaGuardia Airport shuttle bus. Originally, the terminal was accessed by 85th Street, a boulevard planted with hedges. Parking lot P10 is located next to the terminal. Exterior The terminal's main building is a circular two-story structure flanked by a pair of one-story wings facing northwest and northeast toward Bowery Bay. The main building is approached by a triple-height rectangular pavilion facing south. The entrance pavilion and the rear wings were all intended as access points into the central core, which housed the primary functions of the terminal. The brick facade was originally painted buff with black details but, by the 1980s, had been repainted beige with brown details. The buff and black color scheme has since been restored. A horizontal band runs across the facade between the first and second stories. The terminal's windows are largely oriented horizontally, rather than vertically as in other Art Deco structures; this may be attributed to the fact that the terminal was completed later than other Art Deco buildings and is also relatively short. The circular core measures across. It contains a setback above the ground story, which makes it appear as though it is designed in a wedding-cake style. There are dark brick window frames on the ground and second stories, which surround groups of tripartite windows. Faceted brick panels are placed between each group of windows, and there were originally grilles over the windows themselves. A cornice of stainless steel, as well as a parapet and a rooftop balcony, run above the ground story. The rooftop balcony originally contained two observation decks. In addition, the second story is topped by a terracotta frieze, which depicts yellow flying fish against a background of light and dark blue waves. The frieze contains 2,200 individual tiles. A similar motif was also used on several of Delano and Aldrich's other structures. There is an attic with a facade of stainless steel panels, as well as a control tower at the rear of the attic.