Elysian Fields is an American band based in Brooklyn, New York, founded in 1995 by the co-composers Jennifer Charles (vocals, instruments) and Oren Bloedow (guitar). Their music has sometimes been described as "noir rock", due to its sultry, dark and mysterious inflections, be it sonically or lyrically. The band uses mainly acoustic instruments, predominantly guitar, piano, bass and drums, with the occasional appearance of eastern instruments, classical strings, and subtle electronics, the focal point being the voice of Charles in the forefront. Based in New York City, Elysian Fields have found underground success in the United States but are more popular in Europe. The author of The Dark Stuff, Nick Kent, says of their music, "Maybe we have their out-of-the-mainstreamness to thank for a sound that is still unique -- as sensual as a sleepwalker's wet dream." Since its formation, the band has won quite a devoted cult following, largely by word of mouth. Besides its well received albums, the band is also noted for its strong live performances. The rest of the band has included many of New York's strongest players: all the members of Jeff Buckley's band, members of Medeski Martin and Wood, Ed Pastorini, Ben Perowsky, James Genus, Thomas Bartlett, Jamie Saft and members of Ollabelle have all played in Elysian Fields at various times. History Founders Jennifer Charles and Oren Bloedow had in common a mutual love for artists of multiple genres such as The Beatles, Billie Holiday, Charles Mingus, Iggy Pop, Siouxsie and the Banshees, Captain Beefheart, Ravi Shankar, and classical composers like Frederic Chopin and Olivier Messiaen. Elysian Fields first released an EP in 1996 on Radioactive/Universal Records with cameos from John Lurie and Marc Ribot, which was followed with the critically acclaimed full-length album, Bleed Your Cedar. The band then recorded its second album with Steve Albini which was never released because of artistic differences between the band and the record company. Despite their record company's urgings, Charles and Bloedow did not want to give the recording a more commercial feel, prompting a split with Radioactive/Universal, who retain the recording. Charles said, "We made our second full length with Steve Albini. It wasn't at all what the label was looking for, or wanted. The label wanted us to redo things, go in with more commercial people, and give them songs that they could sell. I didn't want to mess with what we made