being a relatively small label, the album achieved moderate commercial success, which was big for the label. According to Pitchfork, "after two years of hectoring Stones Throw for making unsalable records, distributor EMI couldn't keep Madvillainy in stock." The album peaked at number 179 on Billboard 200 and sold approximately 150,000 copies, making it one of the label's best-selling albums. Its success allowed Stones Throw to open an office in Highland Park, Los Angeles. Four official videos were created for the album upon its initial release : "All Caps" (directed by James Reitano), "Rhinestone Cowboy" and "Accordion" (both directed by Andrew Gura), and "Shadows of Tomorrow" (directed by System D-128). "All Caps" and "Rhinestone Cowboy" appear on the DVD Stones Throw 101 along with a hidden easter egg video for "Shadows Of Tomorrow" as a special bonus feature. An impromptu video for "Accordion" was filmed in 2004 but was not released until 2008's In Living the True Gods DVD. An instrumental version of the album was released in 2004 only in vinyl format and digitally through various online stores, with the tracks "The Illest Villains", "Bistro", "Sickfit", "Do Not Fire!", and "Supervillain Theme" being omitted. It was re-released in 2012 on vinyl with picture sleeve. In 2014, in honor of the 10th anniversary of Madvillainy, Stones Throw released a special edition of the album on vinyl. The album re-entered Billboard 200 chart, peaking at number 117, higher than it did originally. The same year Madvillainy was also released on Compact Cassettes, as part of the Cassette Store Day. Remixes Several remixes of the album were released. Two remix EPs of Madvillainy were released on Stones Throw in 2005. The remixes were done by Four Tet and Koushik. Madvillainy 2: The Madlib Remix was released on Stones Throw in 2008, containing a complete remix of the album by Madlib as a part of a Madvillain box set. According to Stereogum, it was Madlib's "attempt to get Doom excited enough to work on a true follow-up", recorded after he got tired of waiting for Doom to record the official sequel. Critical reception Madvillainy was met with widespread critical acclaim from music critics and became one of the most critically acclaimed projects of both artists. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 93, based on 20 reviews; it