to have a marked grave; as a mark of the respect they accorded him, his men had retrieved his body and carried it back through No Man's Land. Posthumous renown Kelly's final piece was the Somme Lament, completed in October 1916, just two weeks before he died during the Somme campaign. It was completed in piano score. Christopher Latham orchestrated the work for a 2020 recording. At the memorial concert held at the Wigmore Hall, London on 2 May 1919, some of his piano compositions were played by Leonard Borwick, and some of his songs were sung by Muriel Foster. The centrepiece of the concert was the Elegy for String Orchestra, written at Gallipoli in memory of Rupert Brooke, a work of profound feeling. Frank Bridge was the conductor – he had conducted its first performance at Rugby School on 28 March 1916. Kelly's "Serenade for Flute" with accompaniment of Harp, Horn, and String Orchestra (Op. 7), written in 1911, received its first recording 100 years after he composed it, by the Canadian flautist Rebecca Hall, who recorded it for CD label Cameo Classics. José Garcia Gutierrez was the horn soloist, with the Malta Philharmonic Orchestra conducted by its Musical Director, Michael Laus. His piano works include the 12 Studies, Op. 9 (1907–13) and 24 Monographs, Op. 11 (1911–16) in all the major and minor keys, as well as a set of etudes, modelled on Chopin and Scriabin. The Preludes and Monographs have been recorded on Toccata 0524 by Alex Wilson. Unmarried, he had lived at his home Bisham Grange, near Marlow, Buckinghamshire, with his sister Mary (Maisie). There is a memorial to him in the village of Bisham. His elder brother, William Henry "Willie" Kelly, was a politician who held the seat of Wentworth in the Australian House of Representatives from 1903 to 1919. His papers are held in the National Library of Australia. Compositions Two Songs, Op. 1 (1902) Aghadoe, an Irish Ballad for contralto and orchestra (edited by Richard Divall) Waltz-Pageant, Op. 2, for piano; arranged for two pianos (1905, rev. 1911) Allegro de concert, Op. 3, for piano (1907) A Cycle of Lyrics, Op. 4, for piano (1908) Theme, Variations and Fugue, Op. 5, for two pianos (1907–11) Six Songs, Op. 6 (1910–13) Serenade in E minor, Op. 7, for flute with accompaniment of harp, horn and string orchestra (1911). (This has been recorded by Rebecca