by Arthur Macrae; then an open air Shakespeare festival – As You Like It (1934) (with Anna Neagle), Twelfth Night (1934), Comedy of Errors (1934). Some of these productions were done on radio. The Maitlands by Ronald Mackenzie (1934) was for John Gielgud's company. He was Horatio to Gielgud's Hamlet (1934). He also appeared in Accidentally Yours by Clifford Grey (1935), The World Waits by Clifford Hummel (1935), Coincidence by Bryce Robertson (1935) and The Frog (1935). Films in the late 1930s included Beauty and the Barge (1937), The Frog (1937) (which Hawkins played on stage), Who Goes Next? (1938), A Royal Divorce (1938), Murder Will Out (1939) and The Flying Squad (1940). Theatre appearances included A Winter's Tale (1937), Autumn by Margaret Kennedy and Gregory Ratoff (1937, with Flora Robson for Basil Dean), The King's Breakfast by Rita Welman and Maurice Marks (1937–38), No More Music by Rosamund Lehman (1938), Can We Tell? by Robert Gore Brown (1938), Traitors Gate by Norma Stuart (1938) and Dear Octopus by Dodie Smith (1938–39). Second World War Having attended an Officer Cadet Training Unit, he was commissioned into the Royal Welch Fusiliers, British Army, as a second lieutenant on 8 March 1941. On 22 January 1944, he transferred to the Expeditionary Force Institutes in the rank of lieutenant. He served with ENSA in India and Southeast Asia. He relinquished his commission as a lieutenant (substantive) on 11 October 1946, and was granted the honorary rank of colonel. During his military service, he made The Next of Kin (1942) for Ealing Studios. Post-war career Hawkins left the army in July 1946. Two weeks later he appeared on stage in The Apple Cart at £10 a week. The following year he starred in Othello, to a mixed reception. Hawkins's wife became pregnant and he became concerned about his future. He decided to accept a contract with Sir Alexander Korda for three years at £50 a week. Hawkins had been recommended to Korda by the latter's production executive, Bill Bryden, who was married to Elizabeth Allen, who had worked with Hawkins. The association began badly when Hawkins was cast in Korda's notorious flop Bonnie Prince Charlie (1948) as Lord George Murray. However he followed it with a good role in the successful, highly acclaimed The Fallen Idol (1948) for Carol Reed. Also acclaimed was The Small Back Room (1949), for Powell and Pressburger; he impressed