the 1959 film of the same name by Jean Renoir. Alain Jacquet copied in 1964 the composition of Manet in his Déjeuner sur l'herbe:, a serie of 95 serigraphies portraying the art critic Pierre Restany and the painter Mario Schifano, one of which was left in the lobby of the hotel Chelsea in New York City for payment of his room. Peruvian painter Herman Braun-Vega produced many works inspired by this painting. One of the first, Les invités sur l’herbe, 1970, Musée d’Art Moderne de Paris, is a mix between Las Meninas by Velazquez and Le déjeuner sur l’herbe by Manet, which features Picasso and Velasquez as naked guests. It is a tribute to Picasso who produced both a series of paintings inspired by Le déjeuner sur l’herbe and an other series inspired by Las Meninas. It also is part of a series called Picasso dans un déjeuner sur l’herbe described as “seriously hilarious” by art critic John Canaday. Later Braun-Vega produced other inspired works like Encore un déjeuner sur le sable,1984, where he pictures himself in place of one of the characters. This work as the following ones is typical of the syncretism that characterizes the work of Braun-Vega from the 80s. He mixes contemporary characters (mainly south american ones) with Manet’s characters as he does in Cita en el campo and Cita en la Playa in 1985; Fin d’un déjeuner sur l’herbe in 1987 and Picnic en el Patio in 1988, showing critical irony about his time as in I love the neutron bomb, lithography,1986. He also moves the scene to Central Park for his 1999 New-York exhibition with, Le déjeuner in Central Park (Château Malescasse collection). New Jazz Orchestra released the album titled Le Déjeuner sur l'Herbe in 1968 and its cover shows a photograph resembling Manet's painting. It was copied in the cover photo of the Bow Wow Wow LP See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy!, and the EP The Last of the Mohicans. Controversy arose because the naked girl (lead singer Annabella Lwin) was only 14 at the time. It was also parodied by Neon Park in the cover of Lowell George's only solo album, "Thanks I'll Eat It Here" with Marlene Dietrich, Fidel Castro and Bob Dylan as the diners. Priit Pärn used the painting as the basis of the 1987 short film Eine murul