hers. As Sachiko is about to jump off the building intending to commit suicide with Kiyoko in her hands, her husband comes out of his apartment, located just across the street, and begs her to start over with him. Sachiko jumps off nevertheless, but Miyuki manages to catch her before she falls, but then Sachiko accidentally drops Kiyoko. Hana jumps off the building after Kiyoko, catching the baby and clinging to a banner on the side of the building. As the banner begins to give way, a gust of wind miraculously slows its descent, allowing Hana and the baby to land safely on the ground. Hana, Miyuki, and Gin are taken to the hospital. Miyuki hands Gin his cigarettes and drops the old man's small red bag on the floor, revealing a winning lottery ticket. Kiyoko's real parents want to ask the trio to become her godparents. When a police inspector introduces them to the trio, the inspector is revealed to be Miyuki's father. Cast Additional voices Japanese: Akiko Kawase, Akiko Takeguchi, Atsuko Yuya, Bin Horikawa, Chiyako Shibahara, Eriko Kawasaki, Hidenari Umezu, Kazuaki Itou, Masao Harada, Mitsuru Ogata, Nobuyuki Furuta, Toshitaka Shimizu, Tsuguo Mogami, Yoshinori Sonobe, Yuuto Kazama English (GKIDS): Crispin Freeman, David Manis, Erica Schroeder, Jaden Waldman, Jamieson Price, Jordan Cole, Kirk Thornton, Lexie Foley, Gloria Garayua, Marc Thompson, Michael Sinterniklaas, Orlando Rios, Philece Sampler Production During the production of Millennium Actress, a producer from Madhouse asked Kon if he had any plans for his next film. After completing the film, Kon took two months to write and submit a brief proposal, which was immediately accepted by Madhouse. The original story and screenplay were written by director Satoshi Kon, and co-written by Keiko Nobumoto, known as the screenwriter of the TV drama series Hakusen Nagashi and the TV anime Cowboy Bebop, and the creator of the TV anime Wolf's Rain. Kon had previously asked Nobumoto to write the script for Perfect Blue, but she was turned down at that time, citing her busy schedule. The animation director was Kenichi Konishi, who had worked on My Neighbors the Yamadas while at Studio Ghibli, and the Studio director was Shogo Furuya. While the previous two works focused on the progression of the story, this work prioritized the theatricality of the characters and their presence above all else in both the scenario and storyboarding. Although the story and theatrics are quite comical