History and in 1920 a university art journal called Painting Miscellany was published. He and his partner Jiang Biwei came back to China in 1927 and, from 1927 to 1929, he gained a number of posts at institutions in China, including teaching at National Central University (now Nanjing University) in the former capital city Nanjing. In 1933, Xu organized an exhibition of modern Chinese painting that traveled to France, Germany, Belgium, Italy, and the Soviet Union. He studied and travelled in Europe in more than a decade and was mainly inspired by Classic traditions of European art and culture, which helped him in incorporating improved creativity and innovation elements in his artwork. Through Xu's art work, the western world have had an opportunity to experience and understand Chinese culture, which was found to be interesting. During World War II, Xu traveled to Southeast Asia, holding exhibitions in Singapore and India. All the proceeds from these exhibitions went to Chinese people who were suffering as a result of the war. After the founding of the People's Republic of China in 1949, Xu became president of the Central Academy of Fine Arts and chairman of the China Artists Association. Xu Beihong was a master of both oils and Chinese ink. Most of his works, however, were in the Chinese traditional style. Xu beihong had a free technique of brush in his art works; he also believed that painting should be more real and should be more understood by people. In his efforts to create a new form of national art, he combined Chinese brush and ink techniques with Western perspective and methods of composition. He integrated firm and bold brush strokes with the precise delineation of form. As an art teacher, he advocated the subordination of technique to artistic conception and emphasizes the importance of the artist's experiences in life. Of all of the Painters of the modern era, it can be safely said that Xu is the one painter most responsible for the direction taken in the modern Chinese Art world. In the painting of Beihong in 1949 and the specific influence such has in the art as well as politics. It is evident that Xu's art was aimed at creating a picture to the viewers to understand various events occurring in China. Nonetheless, Xu's work could also be used in understanding not only social but also political events specifically in