the same time, the studio was looking for an actor to portray Peter Pan, to which Kerry suggested her dancing teacher Roland Dupree. He was interviewed and eventually won the role, providing visual reference for the flying and action sequences. Bobby Driscoll also served as the live-action reference model for Peter Pan, although he was mainly used for the close-up scenes. Kathryn Beaumont, who was the voice of Wendy, performed the live-action reference footage for the character. Hans Conried completed the voice work over the course of a few days, but served as the live-action reference for two and a half years. Character animation Milt Kahl wanted to animate Captain Hook but was instead assigned to animate Peter Pan and the Darling children; he claimed he was "outmaneuvered". During production, while animating Peter Pan, Kahl claimed that the hardest thing to animate was a character floating in mid-air. While observing the animation of Peter Pan, Disney complained that the animators had let too many of Bobby Driscoll's facial features find their way into the character design, telling Kahl that "[t]hey are too masculine, too old. There is something wrong there." Kahl replied, "You want to know what's wrong!?...What's wrong is that they don't have any talent in the place." The job of animating Captain Hook was assigned to Frank Thomas, who faced conflicting visions of the character. Story artist Ed Penner viewed Hook as "a very foppish, not strong, dandy-type, who loved all the finery. Kind of a con man. [Co-director Gerry] Geronimi saw him as an Ernest Torrence: a mean, heavy sort of character who used his hook menacingly." When Disney saw Thomas' first test scenes, he said, "Well, that last scene has something I like I think you're beginning to get him. I think we better wait and let Frank go on a little further." Because Thomas could not animate every scene of Hook, certain sequences were given to Wolfgang Reitherman, such as Hook trying to escape Tick-Tock the crocodile at Skull Rock. Ollie Johnston animated Mr. Smee. To best capture his comedic yet fear-ridden, sycophantic personality, Johnston used a variation of the Dwarf design from Snow White, and had Mr. Smee blink repeatedly. Johnston's former mentor, Fred Moore, worked in his unit as a character animator for Smee's minor scenes. Moore also animated the mermaids and the Lost Boys. On November 22, 1952, Moore and his wife