serviceable height and could be used to control access to the city. Selvo increased the height to around , which corresponded with the fifth of the eight present windows. Doge Domenico Morosini () then raised the height to the actual level of the belfry and is credited with the construction of the bell tower. His portrait in the Doge's Palace shows him together with a scroll that lists the significant events of his reign, among which is the construction of the bell tower: "Sub me admistrandi operis campanile Sancti Marci construitur...". Belfry and spire The first belfry was added under Vitale II Michiel (). It was surmounted by a pyramidal spire in wood that was sheathed with copper plates. Around 1329, the belfry was restored and the spire reconstructed. The spire itself was particularly prone to fire due to the wooden framework. It burned when lighting struck the tower on 7 June 1388, but it was nevertheless rebuilt in wood. On this occasion, the copper plates were covered in gold leaf, rendering the tower visible to distant ships in the Adriatic. Marcantonio Sabellico records in his guide to the city, De Venetae urbis situ (), that mariners looked to the gilded spire as a 'welcoming star': The spire was once again destroyed in 1403 when flames from a bonfire lit to illuminate the tower in celebration of the Venetian victory over the Genoese at the Battle of Modon enveloped the wooden frame. It was rebuilt between 1405 and 1406. Lightning again struck the tower during a violent storm on 11 August 1489, setting ablaze the spire which eventually crashed into the square below. The bells fell to the floor of the belfry, and the masonry of the tower itself cracked. In response to this latest calamity, the procurators of Saint Mark de supra, the government officials responsible for the public buildings around Saint Mark's Square, decided to rebuild the belfry and spire completely in masonry so as to prevent future fires. The commission was given to their proto (consultant architect and buildings manager), Giorgio Spavento. Although the design was submitted within a few months, the estimated cost was 50,000 ducats, and financial constraints in the period of recovery from the wars in Lombardy against Milan (1423–1454) delayed construction. Instead, Spavento limited repairs to the structural damage to the tower. A temporary clay-tile roof was placed over the belfry, and the