was influenced by composers such as Richard Strauss and Richard Wagner, his mature style shows a highly individual harmonic language, which, although broadly tonal, is inflected with chromatic and polytonal passages. Reputation today After decades in obscurity, Schreker has begun to enjoy a considerable revival in reputation in the German-speaking world and in the United States. In 2005 the Salzburg Festival mounted an incomplete production of Die Gezeichneten, conducted by Kent Nagano (and filmed), and the Jewish Museum in Vienna presented an exhibition devoted to his life and work. New productions of Der ferne Klang were staged at the Staatsoper Unter den Linden in Berlin and the Zurich Opera in 2010, as well as in smaller opera houses in Germany. Irrelohe was performed at the Volksoper in Vienna in 2004, at the Bonn Opera in November 2010 then staged for the first time in France at the Opéra National de Lyon in March 2022. Earlier that year a Schreker opera was staged in the USA for the first time: Die Gezeichneten at Los Angeles Opera; and months after that came a second: Der ferne Klang during the Bard Summerscape Festival. Selected works Operas Flammen, Op. 10 (1901/02) Der ferne Klang (1903–1910) Das Spielwerk und die Prinzessin (1908; 1909–1912); revised as Das Spielwerk (1915) Die Gezeichneten (1911; 1913–1915) Der Schatzgräber (1915–1918) Irrelohe (1919–1922) Der singende Teufel (1924; 1927–1928) Christophorus (oder Die Vision einer Oper) (1925–1929) Der Schmied von Gent (1929–1932) Orchestral works 1896: Love Song for string orchestra and harp (lost) 1899: Scherzo (unpublished) 1899: Symphony in A minor, Op. 1 (unpublished, final movement lost) 1900: Intermezzo for string orchestra, Op. 8 (later incorporated into the Romantische Suite) 1900: Scherzo for string orchestra 1902–1903: Ekkehard: Symphonic Overture, Op. 12 1903: Romantische Suite, Op. 14 1904: Phantastische Ouvertüre, Op. 15 1906–1907: Nachtstück (from the opera Der ferne Klang) 1908–1910: Der Geburtstag der Infantin: Dance-pantomime for chamber orchestra after Oscar Wilde's The Birthday of the Infanta 1908: Festwalzer und Walzerintermezzo 1908: Valse lente 1908–1909: Ein Tanzspiel (Rokoko) 1913: Vorspiel zu einem Drama 1916: Chamber Symphony 1909/1922: Fünf Gesänge for low voice and orchestra (T: Arabian Nights, Edith Ronsperger) 1922: Symphonic Interlude (from the opera Der Schatzgräber) 1923: Der Geburtstag der Infantin: Suite for large orchestra 1923/1927: Vom ewigen Leben for soprano and orchestra (T: Walt Whitman) 1928: Kleine Suite for small orchestra 1929–1930: Vier kleine Stücke for large orchestra 1932–1933: Das Weib des