for Lenny De Rose for Recording Engineer of the Year and one for art director Heather Brown and photographer Deborah Samuels for Best Album Graphic. In 1985, Dalbello was nominated for a seventh Juno in the category of Female Vocalist of the Year. In 1986, Dalbello wrote and recorded the songs "Black on Black" and "I Do What I Do" for the 9½ Weeks soundtrack. Although included in the film, Dalbello's recording of "I Do What I Do" was not on the soundtrack album, which instead featured a recording by John Taylor of Duran Duran; her recording of "Black on Black" did, however, appear in both the film and the soundtrack album. Dalbello also worked with other artists including Duran Duran's John Taylor, Heart, the band Nena, Glass Tiger and their producer Jim Vallance. Ronson and Dalbello planned to record a second album, however, Ronson was passed over by both her record label and her manager at that time, Roger Davies, over Dalbello's strong objections. Dalbello then submitted four self-produced song demos to her U.S. label and manager, only to have them rejected because they wanted a real producer. Accordingly, in 1986, it was reported that Rupert Hine had finished producing a new album for Dalbello. However, regardless of the status of the Hine-produced album, partly out of frustration and partly as a practical joke, Dalbello re-submitted her self-produced song demos—crediting the producer as "Bill Da Salleo", which was nothing more than a simple anagram of her name. To her surprise, her label and manager excitedly called her up saying that they loved the new demos and believed "Bill" was the perfect producer for the project. The Hine-produced album was subsequently scrapped, and remains unissued. However, Dalbello would contribute guest vocals to Hine's "virtual band" project Thinkman, appearing on the title track of their 1986 debut album, The Formula. Dalbello continued to produce her new album under the "Da Salleo" pseudonym, managing to keep both her label and manager from visiting the sessions by booking the studio time late at night. She broke the "news" of "Bill's premature death" to her Canadian A&R person Deane Cameron just prior to delivering the album to the label, and shortly after Cameron called her out of concern that the label had no signed production agreement between Bill Da Salleo and themselves. When the ruse was revealed, Cameron, a maverick in Canadian music circles