William Baylebridge (12 December 1883 – 7 May 1942), born Charles William Blocksidge, was an Australian writer, poet, and political theorist. Baylebridge was born in Brisbane, Queensland, the son of George Henry Blocksidge. He studied at Brisbane Grammar School, then under a private tutor, the classicist David Owen. In 1908, he sailed to London with his friend (and future brother-in-law) Robert Graham Brown. He travelled extensively throughout the Continent, absorbing much of the intellectual milieu of that period. At that same time, he published several volumes of juvenilia, starting with Songs o’ the South in 1908, which was published by the secularist Charles Albert Watts. These early works were generally poorly received, and later, in order to dissociate himself from the embarrassment of having produced them, Blocksidge adopted the name ‘William Baylebridge’, both personally and professionally, in around 1925. While living in London, Baylebridge also published his earliest statements of fascist political theory, in both verse and aphoristic prose. These works were The New Life (1910) and National Notes (1913), both of which advanced a form of proto-fascism he called the ‘New Nationalism’, thus preceding the Italian movement by several years. In this regard, he was influenced primarily by British interpreters of Nietzsche, particularly the British eugenicists, notably John Davidson and George Bernard Shaw, as well as the Italian writer and revolutionary Gabriele D’Annunzio. He remained in Europe until 1919. When he returned to Australia in 1919, after over a decade abroad, he quickly moved to Sydney, where he divided his time between the city and a cottage in Blackheath. That same year, he released his first Australian publication, Selected Poems, which was published in Brisbane by Gordon & Gotch, partly through the help of a circle of Melbourne writers which included Nettie Palmer and Frank Wilmot. Shortly afterwards, he published his first novel, An Anzac Muster (1921), in London, possibly—as with his other English publications—with the help of a relative, the printer Edwin Blocksidge (Daily Telegraph, 3 November 1934, pp. 5). For the rest of his life, Baylebridge consciously cultivated the air of a mysterious and reclusive prophet-poet. This involved not only the archaic style of his poetry and prose, but also his eschewing of all forms of conventional publicity. He rarely published in anthologies; he refused to sit for portraits (despite several offers); he also refused, when asked, to speak at public events. Though he was considered one