color shots of Duff performing the song. The video premiered on MTV's Total Request Live on August 26, 2004. "Someone's Watching over Me" was released in Australia as a second and final single from the album. The music video was the shot from the 2004 movie "Raise Your Voice" where Duff plays the lead role. Other notable songs Duff said during the time the album was released that she was considering "Haters" as the second single, but she later changed her mind and decided she wanted "Weird" to become the next single. Towards the end of 2004, several radio singles were released to promote the album. "The Getaway" was issued in the US in November 2004 and in Canada in January 2005, and "I Am" was released to Radio Disney in December 2004; shortly after, promotion for "Weird" began in Spain. Promotion Duff embarked on a concert tour of North America, and several of her shows in Canada sold out in minutes. Critical reception The album received mixed to negative reviews. Ken Barnes of USA Today, which gave Metamorphosis a negative review, commented positively on the album and said it exemplified "a more wholesome brand of rock-flavored pop aimed at teens". Barnes praised the "unstoppably rousing choruses" in some of the songs and said "Duff avoids overextending her thin but pleasant voice, except for a bit of Avrilesque syllable stretching", while he criticised the high number of tracks and the preponderance of "hackneyed self-affirmation messages". AllMusic's Stephen Thomas Erlewine categorised Hilary Duff as "a virtual companion to Ashlee Simpson's Autobiography, from its rock/dance-pop fusion to its earnest demeanor" and "a varied, ambitious album ... it feels like the soundtrack to the life of a smart, ambitious, popular teenager trying to sort things out". A review of Hilary Duff in The Village Voice was far less praising; it said "Duff's role in the tween-rock firmament is playing pious Lisa Loeb opposite Simpson's post-diluvian Courtney Love ... despite liberal amounts of gold-dust guitar glitter, blow-dried backing vocals, and even the post-crash-Skynyrd 'Rock This World', Hilary Duff is too often the vanilla-bean fantasia AOR chauvinists take all girl-pop for." Stylus magazine wrote that Duff's attempt to follow "the [Avril Lavigne] template that she previously softened" yielded "mixed results ... to a certain extent, [she] is a prisoner of her image and her attempts at Chrissie Hynde-intensity fall far short of even Ashlee Simpson's