predella has paintings in miniature of the Annunciation and the Evangelists. Another fine altarpiece, similar in delicacy of detail, and probably painted about the same time, is that in the cathedral of San Severino — the Madonna enthroned looks down toward the kneeling donor. In beauty of face and expression, the angels at the sides recall the manner of Lorenzo di Credi or Da Vinci. The Vatican gallery has the largest of Pinturicchio's panels — the Coronation of the Virgin, with the apostles and other saints below. Several well-executed portraits occur among the kneeling saints. The Virgin, who kneels at Christ's feet to receive her crown, is a figure of great tenderness and beauty, and the lower group is composed with great skill and grace in arrangement. In 1504, he designed a mosaic floor panel for the Cathedral of Siena: the Story of Fortuna, or the Hill of Virtue. This was executed by Paolo Mannucci in 1506. On top of the panel, a symbolic representation of Knowledge hands the palm of victory to Socrates. Among the public collections holding works by Pinturicchio are, the Ashmolean Museum (University of Oxford), Biblioteca Ambrosiana (Milan), the Cleveland Museum of Art, the Courtauld Institute of Art (London), the Denver Art Museum, the Fitzwilliam Museum (University of Cambridge), the Honolulu Museum of Art, the Louvre, the Museum of Fine Arts, Boston, the National Gallery, London, Palazzo Ruspoli (Rome), the Philadelphia Museum of Art, the Pinacoteca Ambrosiana (Milan), Princeton University Art Museum, Walters Art Museum in Baltimore, the Vatican Museums, and the Museum of Fine Arts (Budapest). Works Miracles of St Bernardino (1473), Galleria Nazionale dell'Umbria, Perugia, Italy Saint Jerome in the Desert (1475-1480), Walters Art Museum, Baltimore, Maryland, USA The Crucifixion with Sts. Jerome and Christopher, c. 1475, oil on wood, 59 × 40 cm, Galleria Borghese, Rome Della Rovere Chapel (late 1470s to 1482), Santa Maria del Popolo, Rome; including The Adoration of the Child with St. Jerome Madonna with Writing Child and St. Jerome (c. 1481), 49.5 × 38 cm, Gemäldegalerie, Berlin, Germany Assumption of Mary, fresco, Sistine Chapel (1481), later destroyed Madonna with Blessing Child (c. 1480), National Gallery, London Bufalini Chapel (c. 1484–1486), frescoes, Santa Maria in Aracoeli, Rome Basso Della Rovere Chapel (c. 1484–1492), frescoes, Santa Maria del Popolo, Rome Cybo Chapel (c. 1489–1503) in Santa Maria del Popolo, Rome (destroyed); including The Virgin and the Child now in the