The Ground Beneath Her Feet is Salman Rushdie's sixth novel. Published in 1999, it is a variation on the Orpheus/Eurydice myth, with rock music replacing Orpheus's lyre. The myth works as a red thread from which the author sometimes strays, but to which he attaches an endless series of references. The book, while at its core detailing the love of two men, Ormus Cama and Umeed "Rai" Merchant (the narrator of the story), for the same woman, Vina Apsara, provides a background and alternate history to the entire 1950s–1990s period of the growth of rock music. Defined by Toni Morrison as "a global novel", the book sets itself in the wide frame of Western and post-colonial culture, through the multilingualism of its characters, the mixture of East and West and the great number of references that span from Greek mythology, European philosophy and contemporaries such as Milan Kundera and the stars of rock'n roll. The title is taken from a song in the novel, composed by Ormus Cama after Vina's death. The lyrics to the song, with minor changes, were adapted and recorded by U2. The song was used in the 2000 film The Million Dollar Hotel, and the promotional music video featured Rushdie in a cameo appearance. Rushdie re-introduces characters from his previous novels, including Homi Catrack and William Methwold from Midnight's Children (1981), S.S. Sisodia from The Satanic Verses (1988), and Aurora Zogoiby from The Moor's Last Sigh (1995), as well as settings such as Warden Road and Everest Villas. The novel is set in a parallel universe, as revealed in the second half of the book. Thus, there are several historic events that are altered in the setting of the novel. In the novel, American president John F. Kennedy survives the Dallas assassination but is shot alongside his brother Robert F. Kennedy later on; the Watergate scandal is represented as a novel starring a fictional president Richard Nixon. Rushdie also deliberately miscredits some classic rock songs, such as The Rolling Stones' "(I Can't Get No) Satisfaction", which he credits to John Lennon, or Roy Orbison's "Pretty Woman", which he credits to The Kinks. The character named Jesse Garon Parker represents Elvis Presley in every way, while The Who are presented under their original name The High Numbers. In his description of the contribution of Vina's voice to the duet, he compares that of Guinevere Garfunkel to Carly