2:10–19 {P*} 2:20–23 Zechariah: 1:1–6 {P*} 1:7–17 {P*} 2:1–2 {P*} 2:3–4 {S*} 2:5–9 {P*} 2:10–11 {P*} 2:12–13 {S*} 2:14–17 {P*} 3:1–10; 4:1–7 {P*} 4:8–14; 5:1–8 {S*} 5:9–11 {P*} 6:1–8 {P*} 6:9–15 {P*} 7:1–3 {S*} 7:4–7 {P*} 7:8–14 {P*} 8:1–5 {P*} 8:6 {P*} 8:7–8 {P*} 8:9–13 {S*} 8:14–17 {P*} 8:18–19 {P*} 8:20–22 {S*} 8:23 {P*} 9:1–8 {S*} 9:9–17; 10:1–2 {P} 10:3–12 {P} 11:1–3 {P} 11:4–11 {S} 11:12–14 {P} 11:15–17 {P} 12:1–14; 13:1–6 {P} 13:7–9 {P} 14:1–11; 14:12–21 Malachi: 1:1–13 {S} 1:14; 2:1–9 {P} 2:10–12 {P} 2:13–16 {P} 2:17; 3:1–12 {P} 3:13–18 {P} 3:19–21 {S} 3:22–24 Poetic layout of Psalms, Proverbs and Job The three poetic books of Psalms, Proverbs and Job are collectively known as Sifrei Emet (see the article on Ketuvim). These three books share a unique system of cantillation unlike that of the other 21 books in Tanakh, a system designed to highlight the parallelisms in their verses. In the Tiberian masoretic codices, the unique system of cantillation for Sifrei Emet is complemented by a scribal layout unlike that of the rest of the Bible: Instead of the three narrow columns per page typical of these codices, Sifrei Emet are written in two wide columns per page. In each line of these wide columns text begins on the right, followed by a gap, and then continued by further text until the left margin of the column. Although there is ample evidence that the scribes attempted to place the gaps in the middle of the lines at the points where the cantillation divides the verses, they often did not succeed in doing so because of space limitations. Modern editions based upon the Aleppo Codex have implemented the idea fully by allowing wide full-page columns for Psalms, Proverbs, and Job. In poetic layout, parashah divisions are typically indicated by a blank line for an open parashah. The gaps in the middle of lines are not considered parashah divisions, and each scribe formatted the verses as he saw fit for aesthetic and practical reasons. An exception to this rule, however, is for the introductory titles of many individual psalms which are followed by formal parashah breaks, often by continuing the text at the beginning of the next line. These formal breaks will be indicated in the list of parashot for Psalms. The special poetic cantillation and layout are not implemented for the narrative opening and conclusion of the book of Job (1:1-3:1