his own work and that of his contemporaries. His concise wit, sharp focus, and sense of abstraction make them interesting reading even for those who have not seen his paintings. Like his paintings, his writing remains controversial decades after its composition. Many of his writings are collected in Art as Art, edited by Barbara Rose, University of California Press, 1991. Graphics Reinhardt joined the staff of PM in 1942 and he worked full-time at this daily newspaper until 1947, with time out while drafted for active duty in the U.S. Navy. While at PM he produced several thousand cartoons and illustrations most notably the series of famous and widely reproduced How to Look at Art series. Reinhardt also illustrated the highly influential and controversial pamphlet Races of Mankind (1943) originally intended for distribution to the U.S. Army, but after being banned subsequently sold close to a million copies. He also illustrated a children's book A Good Man and His Good Wife. While attending Columbia University he designed many covers and illustrations for the humor magazine Jester and was its editor in his senior year (1934–35). In 1940 he was the designer of "The Chelsea Document", a public exhibition of five 4x8 foot panels. Other commercial art work was done "for such varied employers as the Brooklyn Dodgers, Glamour magazine, the CIO, Macy's, The New York Times, the National Council of American-Soviet Friendship, The Book and Magazine Guild, the American Jewish Labor Council, New Masses, the Saturday Evening Post, Ice Cream World, and Listen magazine. He illustrated many books such as Who's Who in the Zoo. Recent exhibitions The Guggenheim Museum has shown Reinhardt's Black Painting as part of their Imageless exhibition, which closed September 14, 2008. The Josef Albers Museum Quadrat in Bottrop, Germany showed Reinhardt's Last Paintings and earlier works along with works from Josef Albers (Hommage to the Square and other) from September 2010 to January 2011. Both worked at Yale University in 1952/53 when J. Albers offered Reinhardt a guest professorship. In the fall 2013, David Zwirner Gallery held a major exhibition of Reinhardt's black paintings, cartoons, and photographic slides, curated by Robert Storr. It was the first exhibition since Reinhardt's 1991 retrospective at MoMA to feature an entire room of black paintings (13 in all). Art vs. History, the first large scale exhibition in Europe focusing on Reinhardt's cartoons, comics and collages, was exhibited in Malmö