campaign began, the Kickstarter successfully reached its first funding goal of $50,000, needed for production of concept art and promotional material, which the pair had aimed to use to help them find an investor who would be interested in helping with the revival. A more major goal of $200,000 would allow the pair to produce a 22-minute episode, while a pledge total of $1,000,000 would allow them to do a mini-series of five episodes. Their highest pledge, $1.5 million or more, would help them to make a film of the SWAT Kats. The campaign ended on August 22, 2015, with $141,500 pledged, and already passing another goal of $100,000 will help to create a 2-minute-long trailer of how the series should look. On February 17, 2016, the Tremblay Brothers confirmed they had started development on the trailer, which they will show to a TV company in order to have the green light for production on SWAT Kats Revolution. Christian Tremblay, confirmed Warner Bros. had expressed interest in "bringing back" SWAT Kats on Boomerang, but were unable to convince the parent network to commit for a new series, and thus they passed on the project. Tremblay then started working with investors to create independent episodes of SWAT Kats that will be available online for streaming. In a Kickstarter campaign update on July 23, 2020, show co-creator Christian Tremblay alluded to the issues being faced in getting the Swat Kats: Revolution re-boot picked up:"It has been a long time coming to provide an update on Swat-Kats Revolution, we sincerely apologize. I hope this update will bring you comfort that the efforts to bring back SK is very much alive and we are actively pushing to make it happen...For us the challenge is not IF a new series will be produced, but WHEN will it be done...So we encountered roadblocks after roadblocks: Hulu passed, Netflix passed, Warner Bros passed. Amazon was not really the place for it and changed its animated content approach. A fairly important movie producer wanted to bring Swat-Kats to Netflix, where he has an output deal, but ultimately, the deal did not make sense for us. I can't count the number of potential business investors we met, trips we did, meetings we held. There have been many opportunities we believed were very promising (with some very important mini Major studios, among others), and we hold on to those opportunities