church of Sant' Ercolano, and the towers of Baglioni palaces. Translation to San Pietro Left of the altar wall in the Priori Chapel is the fresco Translation to San Pietro. The scene takes place after the fall of Perugia to Totila and the martyrdom of Herculanus. A procession carries the uncorrupt body of Herculanus, having passed Sant’ Ercolano and San Domenico and about to enter San Pietro. Herculanus is carried on a bier, and a small boy behind him to the left represents the boy whom had been buried with him and brought back to life. Translation to the Duomo The whole of the left wall of the Chapel was covered with a scene that has been badly damaged. The frescos depict the translation of the relics of St. Herculanus in 936 from San Pietro to the Duomo. The surviving fragments show three different scenes; a group of Dominicans entering the Duomo, the Palazzo dei Priori with city magistrates passing along the side; and a group of women passing alongside the San Domenico Vecchio. These scenes are logically the last scenes of the story of St Herculanus, but Bonfigli placed them in clockwise sequence between the Translation to San Pietro and Totila's siege of Perugia, likely because of the expanse of the left wall. The commission was supposed to be completed in two years, but the work took far longer because of a delay of payment by the Commune for the first commission. The contract was renegotiated in 1469 with a debt owed by one Bartolomeo di Gregorio to Bonfigli. The frescoes were not completed by Bonfigli's death in 1496, but the painter dedicated the outstanding debt to complete the rest of the chapel frescoes. The Annunciation One of Bonfigli's best preserved works, the Annunciation depicts mother Mary receiving two small flames into her heart from the Dove of the Holy Spirit, sent down by God surrounded by cherubs. The work is believed to have been executed between 1440 and 1445. The Virgin Mary appears to pray on the right next to the Archangel Gabriel with gold wings on the left. Gabriel is kneeling with a lily in his left hand, and his right hand raised in blessing while he pronounces the phrase on the marble-panelled parapet, "AVE MARIA GRATIA PLENA," or "Hail Mary full of grace." Within the open terrace enclosed by the decorated parapet is Mary's lectern and