representing the human figure as it is (which was one of the pivotal features of Dutch Golden Age painting), but as it ought to be according to the classical canons of beauty. More specifically, de Lairesse claimed it was necessary to ennoble genre painting, in order to take it to the same level of excellence and public admiration awarded to history painting. To achieve this purpose, the Amsterdam art theoretician proposed that the human protagonists of genre painting (especially women), no matter which social class they belonged to, be represented after classical antiquity sculptures, with their unsurpassable perfection and proportion. De Lairesse's views fascinated Van Mieris, especially after he had the opportunity to experiment directly with classicizing figures thanks to the sculptures of the Flemish artist Francis van Bossuit, who had previously lived and worked in Italy and took inspiration from classical antiquity sculpture for his works. Van Mieris drew many illustrations after Bossuit's sculptures, and borrowed some of their poses for his paintings. Another distinctive feature of van Mieris's oeuvre is the repetition of certain figures and poses in many of his paintings. This phenomenon, which was actually widespread among both Dutch 18th century history and genre painters, can yet again be tracked back to the new classicizing tendencies of Dutch art. In fact, the social scenario in the Netherlands changed dramatically after 1672, the so-called "year of calamities", and the subsequent war against France, England, and several German states: the aftermath of the conflict saw most of the commercial power of Holland ending up shattered, thus drastically reducing the number of rich collectors interested in buying new works of art. Subsequently, the painters started to modify their style in order to get accustomed with the predominant taste of the few, powerful regents left in the country, who usually aimed at formally elegant and proportionate paintings rather than truthful representations of real life such as those produced during the Golden Age. Thus, artists like Willem van Mieris, who dedicated himself both to history and genre painting, started using figures taken from mythological and biblical works in genre scenes, trying to present them either as common people or, more frequently, as exponents of the nobility, of course with an appropriate background setting (e.g. a richly decorated Palladian villa). Moreover, reusing the same motifs and figures in several paintings allowed the artists to save time and energy, thus leading them to