with other disputes (royalties not being paid for this LP), lead to them signing with DRO in 1991, giving them better distribution and promotion, and the means to the success that later years brought. Signing up with DRO Atlantic DRO (Discos Radioactivos Organizados) was a record company founded in the '80s as Spain's first independent record label by members of the Aviator Dro techno pop outfit. When Extremoduro got signed up with them in 1992, it was one of the largest independent labels in Spain. However, it was in the process of being sold off to Warner Music International, one of the most important multinational actors in the music business. Although the label has changed its name (DRO-Atlantic, DRO East-West, Warner Music España...), Extremoduro has published all of its albums through them since signing up. Indeed, they have re-edited their two previous albums with DRO. In 1992, the third studio album came to be; the first within their contract with DRO, Deltoya. This had its origin in a spin-off project from the band, of Robe's: Extremozoide, although circumstances would cause this to be published as another album of Extremoduro's. The album has a more erotic—and less social—theme than the previous discs, and most of the lyrics are adaptations of the poems by Kiko "Luna Creciente", Tomás Rodríguez (the band's manager) and Manolo Chinato. The album includes the voices and participation of other artists, such as Argentinian singer and guitarist Ariel Rot in "Volando solo". It would not be the last time that Robe hatched upon a project that was independent of the group, nor the last time that this independence would prove to be short lived. 1993 is a crucial year in the history of Extremoduro. For starters, they cross paths with Iñaki "Uoho" Antón (then guitarist of Platero y Tú) in Bilbao and together with other musicians start a new project: La Pedrá. Robe is responsible for voice and guitar, Uoho for a second guitar, keyboards and percussion, and they join Dieguillo (bassist for Quemando Ruedas, Cicatriz, Antisocial), Gary (drums for Quattro Clavos) and Selu (from Reincidentes) with his saxophone and cante jondo. In August, they take to the studio to record a half-hour of music but it is highly experimental and discontinuous and the label refuses to back it, as it is seen as too risky. They would have to wait two more years for it to be