Chiara (Palazzo Pitti). Toward 1496 he frescoed a crucifixion, commissioned in 1493 for Maria Maddalena de' Pazzi, Florence (the Pazzi Crucifixion). The attribution to him of the painting of the marriage of Joseph and the Virgin Mary (the Sposalizio) now in the museum of Caen, which indisputably served as the original, to a great extent, of the still more famous Sposalizio painted by Raphael in 1504 (Brera, Milan), is now questioned, and it is assigned to Lo Spagna. A vastly finer work of Perugino's was the polyptych of the Ascension of Christ painted ca 1496–98 for the church of S. Pietro of Perugia, (Municipal Museum, Lyon); the other portions of the same altarpiece are dispersed in other galleries. In the chapel of the Disciplinati of Città della Pieve is an Adoration of the Magi, a square of 6.5 m containing about thirty life-sized figures; this was executed, with scarcely credible celerity, from March 1 to 25 (or thereabouts) in 1505, and must no doubt be in great part the work of Vannucci's pupils. In 1507, when the master's work had for years been in a course of decline and his performances were generally weak, he produced, nevertheless, one of his best paintings, the Virgin between Saint Jerome and Saint Francis, now in the Palazzo Penna. In the church of S. Onofrio in Florence is a much lauded and much debated fresco of the Last Supper, a careful and blandly correct but uninspired work; it has been ascribed to Perugino by some connoisseurs, by others to Raphael; it may more probably be by some different pupil of the Umbrian master. Among his pupils were Raphael, upon whose early work Perugino's influence is most noticeable, Pompeo Cocchi, Eusebio da San Giorgio, Mariano di Eusterio, and Giovanni di Pietro (lo Spagna). Monuments Perugia dedicated an important monument to Perugino built in 1923 by the sculptor Enrico Quattrini and today visible in the Carducci Gardens. Major works The Delivery of the Keys (1481–1482) — Fresco, 335 × 600 cm, Sistine Chapel, Vatican City Crucifixion (the Galitzin triptych, 1480s) — painted for San Domenico at San Gimignano, National Gallery, Washington Pietà (c. 1483–1493) -Oil on panel, 168x176 cm, Uffizi Gallery, Florence Cathedral of Saint Romulus of Fiesole - altarpiece, Fiesole, Italy Annunciation of Fano (c. 1488–1490) -Oil on panel, 212x172 cm, church of Santa Maria Nuova, Fano Portrait of Lorenzo di Credi (1488) -Oil on