the third wing; the fourth, towards the rear of the house, contains the kitchen and servants' quarters. Wright incorporates diagonals into several other places in his design – the dining room has a prow-shaped end bay and another prow-shaped projection, the reception room has a similar prow-shaped bay, the art glass light over the entry stairway is rotated 45 degrees, again emphasizing the diagonal, and the terminating piers of the porte cochere are offset from the end wall by 45 degrees. The first floor contains the living room that faces the street, the dining room, kitchen, pantry, servants' quarters, reception, porte cochere, veranda, and terrace. The first floor also contains several fireplaces that are clustered together. An entrance-stair hall, living room, dining room and kitchen rotate around the central fireplace. The plan of the house begins to open up and the rooms are linking much more strongly outward. The house is less contained and architecture that moved outwards was one of the main features. Moving to the second floor of the house, it contains five bedrooms, a sewing room and a library over the south entrance. Instead of continuing the west bedroom (directly over the living room) the full width of the wing, Wright left space for second-floor side porches and urns . The Willits House was seen as an entertainment-style home. The use of the Romanesque archway in the entrance, an emphasis on horizontals as seen in the low roofs of the dining room wing and porte cochere and the use of different trim materials in the upper part of the house. When light shines on this area, the roof appears to be hovering and displays very deep and dark shadows. Another unique feature of this house is that Wright was able to design everything in the house, from the furniture to the lighting fixtures. Architect-client relationship Wright and the Willits's became friends soon after meeting and realizing that with Wright's architectural expertise and Willits's company making contributions to many architectural projects, a vision for the Ward Willits House was possible. The client and architect continued their relationship after the house was completed, and Willits and his wife accompanied Frank Lloyd Wright and his first wife, Catherine (Tobin) Wright, on a trip to Japan in 1905. The trip went well and was a first for Wright; however, the relationship could not withstand the hardships that occur by being an