Cecil André Mesritz (20 August 1909 – 28 November 1978), known professionally as André Morell, was an English actor. He appeared frequently in theatre, film and on television from the 1930s to the 1970s. His best known screen roles were as Professor Bernard Quatermass in the BBC Television serial Quatermass and the Pit (1958–59), and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles (1959). He also appeared in the films The Bridge on the River Kwai (1957) and Ben-Hur (1959), in several of Hammer's horror films throughout the 1960s and in the acclaimed ITV historical drama The Caesars (1968). His obituary in The Times newspaper described him as possessing a "commanding presence with a rich, responsive voice… whether in the classical or modern theatre he was authoritative and dependable." Biography Early life and career Morell was born in London, the son of André and Rosa Mesritz. Prior to taking up acting professionally he trained as a motor engineer, while also participating in amateur theatrical productions. He turned professional in 1934, initially acting under the name André Mesritz; he anglicised his surname to Morell in 1936, and adopted the latter name legally by deed poll in 1938. In 1938 he joined the Old Vic theatre company, and appeared in several of their high-profile productions both at their home theatre and on tour throughout Britain and across the rest of the world. He appeared in Hamlet as Horatio opposite Alec Guinness in the title role, and as Alonso in John Gielgud's production of The Tempest. He played Mercutio in a production of Romeo and Juliet mounted by the Old Vic company at Streatham in 1939, with Robert Donat as Romeo. This was Morell's favourite role from his career. His performance in the play was praised by The Times'''s critic as "a neat and carefully studied portrait; he is admirable in all his cynical and humorous passages", although the reviewer did add that "one could wish that he had left this manner for the speech about Queen Mab and addressed this, as a piece of direct poetry, directly to the audience." Towards the end of the 1930s he began appearing in films, making his debut on the big screen in 13 Men and a Gun (1938). He appeared frequently in several early drama productions on the BBC's fledgling television service, featuring in such roles as Mr