in Collins' book America Over the Water (published 2005). Back in Britain, Collins met Austin John Marshall, whom she later married. She also proceeded with her singing career, appearing on three compilations albums (A Jug of Punch, A Pinch of Salt and Rocket Along) in 1960 and an EP, Heroes in Love, in 1963 (now included with False True Lovers on the CD release). It was after that, in a series of influential albums, that she helped to introduce many innovations into the English folk revival. In 1964, she recorded the landmark jazz-folk fusion of Folk Roots, New Routes, with guitarist Davey Graham. English Songs Volume 2 and Shirley Sings Irish were both released in 1964. The Sweet Primeroses 1967 saw the essentially southern English song collection, The Sweet Primeroses, with Collins accompanied for the first time by her sister Dolly's portative organ. 1968's The Power of the True Love Knot also featured Dolly's accompaniment. 1969 brought another collaboration, The Holly Bears the Crown, this time with The Young Tradition – featuring, in addition to Dolly Collins, Peter Bellamy, Heather Wood, and Royston Wood. This album was not released until 1995. Anthems in Eden Anthems in Eden was released in 1969, the first album to be credited to Shirley and Dolly Collins. It featured a suite of songs centred on the changes in rural England brought about by the First World War. Dolly Collins created arrangements featuring David Munrow and various other players from his Early Music Consort. The unusual combination of ancient instruments included rebecs, sackbuts, viols and crumhorns. Some find it hard to imagine that electric accompaniment for traditional song, as successfully purveyed by Fairport Convention and Steeleye Span, could have developed quite as it did without the pioneering Anthems in Eden. All these recordings strove to marry a deep love and understanding of the English folk music heritage with a more contemporary attitude to musical settings. Anthems in Eden was followed by Love, Death and the Lady, also co-credited with Dolly, in 1970. Albion Country and Etchingham Steam Bands Collins married her second husband Ashley Hutchings in 1971. He left Steeleye Span that year and he and Collins assembled the first incarnation of the Albion Country Band to accompany her on the 1971 album No Roses, with a total of 27 musicians participating over numerous sessions. Collins also provided guest vocals on the Hutchings project Morris On