here too the ceiling has collapsed), examplifying an earlier, simpler cave structure at Kizil, which is also known from Bamiyan (Cave 24). The origin of the paintings in caves 84 seems Indian, probably from Kashmir. They show groups of people standing around figures of the Buddha, who is either seated or standing. The depth of placement is rather shallow, the figures are graceful with curved torsos. The faces are round and plump. Rhies suggest a date of the first half of the 4th century for Cave 84. All the paintings were sent to Berlin by Grünwedel. These two caves are adjoined to cave 82, an undecorated vihara also dated to 300–350 CE, and cave 85, a small ruined cave. "Peacock Cave" (Cave 76, circa 400 CE) The "Peacock Cave" (Pfauenhöhle in German) is also an early cave, although dated slightly later to circa 400 CE, and next located "Cave of the statues" (Cave 77), in the second rocky outcrop just outside of the central valley. It has been carbon dated to mid 4th-end 5th century CE. It is said to be "the most recognizably Indian in the whole Kizil cycle". The paintings echoe the Art of Gandhara and the murals of Ajanta Caves. A rectangular vestibule, the vaulted roof of which is now collapsed, preceded the main chamber. The main chamber has a domed ceiling, an innovation first seen in early caves at Bamiyan, and in caves 83 and 84 at Kizil. Numerous statuettes of the Buddha, as well as decorated wooden benches and low display tables were discovered in the antechamber of the cave. In the center of the main chamber, there is a large podium, on which probably stood some major statuary associated with the Buddha. The architecture of the cave displays a marked advancement compared to earlier caves, but is anterior to the "central pillar" cave structure. Several paintings illustrate the life of the Buddha. Only the left wall of the main cella had remained in great part intact by the time Grünwedel visited. The top part of the wall showed four important moments of the life of the Buddha, while celestial observers stand on a balcony above: 1) the Birth of Siddharta and the first Three Steps in which the Buddha appears naked and already tall, 2) the Four Encounters outside of the palace, 3) the Seduction of Mara's daughters, who are turned into old women,