Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released in December 1973. It was McCartney's fifth album after leaving the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. The album was mostly recorded at EMI's studio in Lagos, Nigeria, as McCartney wanted to make an album in an exotic location. Shortly before departing for Lagos, drummer Denny Seiwell and guitarist Henry McCullough left the group. With no time to recruit replacements, McCartney went into the studio with just his wife Linda and Denny Laine. McCartney therefore played bass, drums, percussion and most of the lead guitar parts. The studio was of poor quality and conditions in Nigeria were tense and difficult; the McCartneys were robbed at knifepoint, losing a bag of song lyrics and demo tapes. After the band's return to England, final overdubs and further recording were carried out in London, mostly at AIR Studios. In 2000, Q magazine placed Band on the Run at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, it was listed at 418 on Rolling Stones revised list of "the 500 Greatest Albums of All Time". A contemporary review by Jon Landau in Rolling Stone described the album as being "with the possible exception of John Lennon's Plastic Ono Band, the finest record yet released by any of the four musicians who were once called the Beatles". It was McCartney's last album issued on the Apple record label. In 2013, Band on the Run was inducted into the Grammy Hall of Fame. Background By 1973, three years after the break-up of the Beatles, Paul McCartney had yet to regain his artistic credibility or find favour with music critics for his post-Beatles work. After completing a successful UK tour with his band Wings, in July 1973, he planned their third album as a means to re-establish himself after the mixed reception given to Wild Life and Red Rose Speedway. Keen to record outside the United Kingdom, McCartney asked EMI to send him a list