but may have occasionally lectured there, where his friend Charles Grafly was instructor in sculpture. Personal Calder married portrait painter Nanette Lederer on February 22, 1895, and they lived in Philadelphia for the first decade of their marriage. They had two children: Margaret Calder Hayes (1896–1988) and Alexander "Sandy" Calder III (1899–1976). Calder contracted tuberculosis in 1905, and he and his wife moved to Arizona for a year, leaving the children with friends (to protect them from the disease). Once he recovered his health, the family was reunited in 1906, and settled in Pasadena, California. They moved back east in 1910, and settled in Croton-on-Hudson, New York. Calder died in 1945. He is buried in West Laurel Hill Cemetery in Bala Cynwyd, Pennsylvania. His memoir, Thoughts of A. Stirling Calder on Art and Life (1947), was published posthumously. Selected works Architectural sculpture Twelve cast stone figures of Presbyterian clergymen, Witherspoon Building, Philadelphia, Pennsylvania, 1898–99, Joseph Miller Huston, architect. Six of the figures were removed in 1961, and relocated to the garden of the Presbyterian Historical Society. Six spandrel figures, cast concrete, Throop Polytechnic Institute (now California Institute of Technology), Pasadena, California, 1906–1909, Myron Hart & Elmer Grey, architects. Nature and Art, Energy and Law, Science and Imagination Oakland Civic Auditorium, Oakland, California, 1914, John J. Donovan, architect. The Riches of the Earth – Seven terra cotta, half-domed friezes within the arched entrances.Category:Riches of the Earth (1915) by Alexander Stirling Calder – Wikimedia Commons Missouri State Capitol, Jefferson City, Missouri, 1924, Tracy and Swartwout, architects. South Frieze, limestone, x , depicts Missouri history in 13 bas relief panels. The frieze flanks the tops of the central portico's columns and continues behind them. North Frieze, limestone, bas relief panels depict Native Americans and Europeans. The frieze flanks the tops of the central columns and continues inside the curved portico. Four figures of famous actresses, marble, I. Miller Building, Broadway and West 46th Street, Manhattan, New York City, 1927–1929: Sculpture program for University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania, completed 1931, Wilson Eyre, Frank Miles Day, and Cope & Stewardson, architects: Lion's Head Fountain (1920s). Peacock doorway (1920s). Youth doorway (1920s). Gateposts (1920s): Asia, Africa, Europe, America Medallions Life as a Dance (1938), Metropolitan Museum of Art, Manhattan, New York City References Armstrong, Craven et al., 200 Years of American Sculpture, Whitney Museum of Art, NYC, 1976 Bach, Penny Balkin,