of these "coupons" (whose buyers are credited in the finished production). After this, they produced 1000 copies of this first "demo" which already contained some of the quintessential anthems of the group, such as "Extremaydura" or "Jesucristo Garcia"; the collection is Rock transgresivo. The distribution of this transgressive musical offering of rock began to attract attention inside and outside their home region of Plasencia; it was so well received that the Spanish television program Plastic invited them for a live performance. They were then selected for the national final of the Yamaha trophy in which they finished third. It was in this final that Avispa Music noticed them and began negotiations for the release of their debut professionally recorded album, Tú en tu casa, nosotros en la hoguera. The album was recorded that summer, containing the same songs as Rock Transgresivo (in addition to "Amor Castúo"). The group often expressed dissatisfaction with the outcome and, in fact, in 1994 it was remixed and partially re-recorded to be reissued under another name. At the end of this deal-making 1989, Robe restructured the band again: he switched to the role of supporting guitarist, to focus on the delivery of the vocals. In this way, Salo became lead guitarist and Carlos "Dirty" took up the vacancy for a bassist. In 1991, a deal was struck with Wasp to record the second album, but due to the poor expectations that the label offered, they decided to break this contract and sign with Pasión-Área Creativa, like Avispa Music, an independent company, but this time with better conditions. They record a second album with them in Madrid Somos unos animales, published in July 1991. With the collaboration of vocalist and guitarist Madrid Rosendo Mercado (ex-Leño) on the songs " La canción de los oficios " (voice) and " Perro Callejero " (guitar), they themselves define it as the beginning of the true sound of Extremoduro that the band calls "transgressive Rock." In this first period, drugs – especially heroin – were the inseparable 'other member' of the group. As such, the group's live performances (usually considered their greatest asset) were unpredictable to say the least. Though they now had presence in the Spanish rock scene, it was said that Extremoduro's live gigs were either "unforgettable or a disaster." The group began to sell a lot and Pasión-Área Creativa proved too small for their ambitions, which together