The Symphonic Game Music Concerts (shortened to: Game Concerts) are a series of award-winning orchestral video game music concerts first performed in 2003 at the Gewandhaus in Leipzig, Germany, notable for being the longest running and the first of their kind outside Japan. They are produced by Thomas Böcker and performed by various orchestras conducted by Andy Brick (2003–2007), Arnie Roth (2008, 2009 and 2011), Niklas Willén (2010, 2012) and Eckehard Stier (from 2012). In Leipzig, the Game Concerts series was held as GC in Concert from 2003 to 2007 as the official, annual opening ceremony of the GC - Games Convention. From 2008 to 2012, a cooperation with the WDR and its in-house orchestra, the WDR Funkhausorchester Köln, was established, with concerts primarily held at the Kölner Philharmonie. Since 2013, the events have been presented internationally, including performances with the London Symphony Orchestra at the Barbican Centre in London. Concerts in Leipzig (2003-2007) Development Inspired by Far Eastern concerts with music from video games, in particular the Orchestral Game Music Concerts from the nineties, Thomas Böcker developed the concept for the first event of its kind outside Japan. Wanting to reach as many people in the demographic as possible, he planned the concert alongside an established industry event. In 2002, he submitted his idea to the Leipzig Trade Fair, and they agreed to present a video game music concert during the GC - Games Convention, the first video game fair in Europe. The Leipzig Trade Fair promoted GC in Concert, while Böcker acted as creative director and producer. This involved creating a concert programme and obtaining the permission of individual publishers to perform music from their game releases. GC in Concert On 20 August 2003, the first GC in Concert took place as part of the official opening ceremony of the GC - Games Convention, performed by the Czech National Symphony Orchestra. Four annual concerts with different programmes followed until 2007, from then on featuring the FILMharmonic Orchestra Prague. Böcker decided not to limit the selection of compositions for the GC in Concert series to European games and instead chose Asian, American and European titles, resulting in a variety of musical styles. The focus of the first concert was on music from publishers that had been recorded previously with live orchestras, which reduced the development phase to four months, starting in mid-April 2003. After evaluating feedback from the audience,