the controversy over the record and its sexy cover, it went gold the following year. The two hit singles from the album were "I'm a Singer, You're the Song", and "Texas (When I Die)". The latter reached number five on the country charts, and its B-side, "Not Fade Away", a Buddy Holly cover, peaked at number 70 on the Billboard Hot 100. 1979–1984: Sales decline and personal battles By the end of the 1970s, her sales were decliningin 1980 she only had two hits, one of them was "Can I See You Tonight?". Also in 1980, she recorded a few singles with Glen Campbell, with whom she was romantically linked. In addition to recording, she also made her feature-film debut in Hard Country, although she did have small roles in Jeremiah Johnson (1972) and the television miniseries The Rebels (1979). She also had begun drinking in her late teens, and she explained how it started: "You send your ass out on the road doing two gigs a night and after all that adoration go back to empty hotel rooms. Loneliness got me into it." In 1978, Tucker moved to Los Angeles to try, unsuccessfully, to broaden her appeal to pop audiences, and was quickly captivated by the city's nightlife. She also said that she "was the wildest thing out there. I could stay up longer, drink more and kick the biggest ass in town. I was on the ragged edge." Despite having a top 10 hit in March 1983 ("Feel Right") from her first and only Arista album Changes, she struggled to have her music played on the radio. By mid-1983, her singles were no longer making the top 40. She moved to Nashville after her breakup with Campbell in 1982 and began to lead a more secluded life. Finally, in 1988, her family confronted her and persuaded her to enter the Betty Ford Center. 1986–1997: Comeback In 1986, Tucker signed with Capitol Records; she returned to the charts with "One Love at a Time", which climbed to number three. Her career was revitalized with 1986's Girls Like Me, an album that spawned four top-10 country singles. In 1988, she had three number-one country singles: "I Won't Take Less Than Your Love" (with Paul Davis and Paul Overstreet), "If It Don't Come Easy", and "Strong Enough to Bend". Her music was now more country pop-styled and up-tempo, but this material