music director for JBC, to compose music for some of the scenes set in Jamaica. Ranglin was also the bassist on many early Prince Buster hits, including the 1963 ska release "Wash Wash" - a situation that arose from his contractual obligations to Federal Records, which barred him from appearing as a named guitarist on recordings not made or licensed by them. In 1963 Ranglin played guitar on and arranged "My Boy Lollipop", which was sung by Millie Small, who had recently been signed to Blackwell's Island label. "My Boy Lollipop" (a cover version of a song written by Robert Spencer of the doo-wop group the Cadillacs and originally recorded by Barbie Gaye in 1956) became a worldwide hit after being released by Island on licence to Fontana in March 1964. Ranglin was also employed by Duke Reid as an A&R man for Reid's Treasure Isle label as well as fulfilling the same role for the labels Federal (owned and operated by Ken Khouri who recorded and produced Ranglin's 1965 Guitar in Ernest album) and Gay Feet. His solo releases during this period saw him return to his jazz roots with the albums Wranglin (1964) and Reflections, (1965) both issued by Island. He was also involved with Merritone, a subsidiary record label started by Federal. In 1964 Ranglin was in London with Blackwell, who was enquiring if it would be possible for Ranglin to play at Ronnie Scott's Jazz Club. Initially the manager of Ronnie Scott's was reluctant to agree but eventually allowed Ranglin to sit-in with the house band. The reception the audience gave to his performance overcame any reservations that the manager may have had and Ranglin was invited to become the venue's resident guitarist. He stayed for nine months, backing numerous guest artists as well as appearing onstage with the Ronnie Scott Quartet and Quintet. In 1964 a live set was recorded at the club which was released on the Fontana label as The Night Is Scott And You're So Swingable in 1966. Ranglin's tenure at Ronnie Scott's brought him to the attention of UK Jazz audiences with the Melody Maker′s readers duly voting Ranglin into first place in the guitar category of the paper's 1964 Reader's Jazz Poll. Upon his return to Jamaica he found himself once again doing A&R and session work for Federal (musical director from 1965 to 1972) and Coxsone. He was involved