or obtrusiveness. ... No part of the walls is left undecorated. From everywhere the praise of the Lord is drummed into you." The rear of the chancel features a series of paintings on gilded boards, within a delicately carved brightly patterned gothic screen, the work of Ninian Comper and a restoration of earlier work by William Dyce. The decoration of the Lady Chapel is also by Comper. The north wall is dominated by a large ceramic tile frieze designed by Butterfield, painted by Alexander Gibbs, and fired by Henry Poole and Sons, installed in 1873. It depicts a variety of scenes from the Old Testament, a central Nativity scene and depictions of Early Church Fathers. The stained-glass windows are limited in All Saints due to the density of buildings around the church. The original windows were designed by Alfred Gérente but his work was not held in high regard and was subsequently replaced. The large west window, which was originally fitted with glass by Gerente in 1853–58, was replaced in 1877 with a design by Alexander Gibbs based on the Tree of Jesse window in Wells Cathedral. The glass in the clerestory dates from 1853 and is the work of Michael O'Connor, who also designed the east window of the south chancel aisle which depicts Christ in Majesty with St Edward Martyr and St Augustine. The baptistery in the south-west corner of the church is noted for its marble tiling which features an image of the Pelican in her Piety in the ceiling tiles, a symbol of the fall and redemption of man. The reredos, by Butterfield, was moved to St Catherine's Church, Wickford, at some time during the 20th century. Anglo-Catholicism The church's style of worship is Anglo-Catholic, "the Catholic faith as taught by the Church of England", offering members and visitors a traditional style of liturgy, as advocated by the Oxford Movement of the mid-nineteenth century, including ritual, choir and organ music, vestments and incense. As a traditional Anglo-Catholic parish, All Saints passed a resolution under the House of Bishops' Declaration on 26 November 2016 (affirmed on 13 July 2020) to ask that episcopal and priestly sacramental ministry in the parish be exercised by male bishops at whose consecration a male bishop presided and who stand in the historic, apostolic succession of bishops so ordained, and by male priests ordained by such bishops. It receives alternative episcopal oversight