storm is gathering and Astrov talks with Sonya about the house's suffocating atmosphere; he says Serebryakov is difficult, Vanya is a hypochondriac, and Yelena is charming but idle. He laments how long it has been since he loved anyone. Sonya begs Astrov to stop drinking, telling him it is unworthy of him to destroy himself. They discuss love, and it becomes clear that Sonya is in love with him and that he is unaware of her feelings. When Astrov leaves, Yelena enters and makes peace with Sonya, after an apparently long period of mutual antagonism. Trying to resolve their difficulties, Yelena reassures Sonya that she had strong feelings for her father when she married him, though that love has proved illusory. The two converse at cross purposes. Yelena confesses her unhappiness and Sonya gushes about Astrov. In a happy mood, Sonya leaves to ask the professor if Yelena may play the piano. Sonya returns with his negative answer, which quickly dampens the mood. Act III Vanya, Sonya, and Yelena are in the living room, having been called there by Serebryakov. Vanya calls Yelena a water nymph and urges her, once again, to break free. Sonya complains to Yelena that she has loved Astrov for six years but that, because she is not beautiful, he doesn't notice her. Yelena volunteers to question Astrov and find out if he's in love with Sonya. Sonya is pleased, but before agreeing she wonders whether uncertainty is better than knowledge, because then, at least, there is hope. When Yelena asks Astrov about his feelings for Sonya, he says he has none and concludes that Yelena has brought up the subject of love to encourage him to confess his own feelings for her. Astrov kisses Yelena, and Vanya witnesses the embrace. Upset, Yelena begs Vanya to use his influence to allow her and the professor to leave immediately. Before Serebryakov can make his announcement, Yelena tells Sonya that Astrov doesn't love her. Serebryakov proposes to solve the family's financial problems by selling the estate and investing the proceeds in a bond which will bring in a significantly higher income (and, he hopes, leave enough over to buy a villa for himself and Yelena in Finland). Angrily, Vanya asks where he, Sonya, and his mother would live, protests that the estate rightly belongs to Sonya, and that Serebryakov has never appreciated his self-sacrifice in managing the property.