containing a tower with space for tool storage. Ultimately, a simpler one-story restroom structure was erected in 1904, at a site on 114th Street that had been the original location proposed for the "Restawhile". Many residents and neighborhood organizations strongly opposed an oval stadium, proposed between 118th and 120th Streets in 1909, and the idea was eventually scrapped. In 1913, the Carl Schurz Memorial by Karl Bitter and Henry Bacon was placed in the park, followed the next year by Edgar Walter's Seligman (Bear and Faun) Fountain. Morningside Park quickly began to deteriorate, and complaints of vandalism were recorded as early as 1905. The sidewalks around the park were paved in 1911. When the city proposed to "popularize" Central Park in 1911, local residents complained that Morningside Park had been neglected, was crime-ridden, and had declined because of its use as a playground as opposed to a passive-recreation space. New York City parks commissioner Charles B. Stover stated that the park's issues, which included hillside erosion and lawn damage, were because the southern area had not been outfitted with proper drainage. Further erosion and deterioration was caused by a large Independence Day celebration in 1912, the erosion of the cliff near Blockhouse No. 4 in 1913, and the destruction of part of the overhanging cliff rock in 1915. A request for $94,500 toward Morningside Park's renovation was made in 1914, and by 1916, protests had resulted in the reported completion of the renovation. Also in 1914, a fence was installed around part of the park. Further controversy developed in the mid-1910s because of the proposed construction of a Catskill Aqueduct pumping station within the park. While a temporary structure had existed in the park since at least the early 1910s, the New York Board of Water Supply began construction of a steel-frame pumping station in January 1916. The plans were not public, and had not been authorized by either the New York City Department of Parks and Recreation (NYC Parks), the New York City Board of Aldermen, or the Municipal Art Commission. Once the public learned of plans for the structure, several civil engineers and associations organized opposition to the project. The sculptor, Gutzon Borglum, filed a lawsuit to stop construction of the pump building that February. Shortly afterward, New York Supreme Court justice Edward R. Finch issued an injunction to stop the project temporarily, citing the project's status as