image of the Buddha, and asparas flying over. The murals were photographed in black and white in-situ by Charles Nouette in September 1907, but all of them were later taken to Germany by Von Le Coq. A reconstruction of the rear corridor was recently built in the Museum für Asiatische Kunst. Cave 181: Cave of the High Place in the Small Valley The Cave of the High Place in the Small Valley (Cave 181), also called the "Highest Cave", is described extensively by Albert Grünwedel, as a particularly interesting cave of the small ravine. He explains that the cave is located high up on the right side of the ravine, which accounts for the fact that its murals have been preserved from the usual iconoclastic vandalism: the faces in particular are well preserved. Also, the murals did not use gold foils for decoration, which reduced the incentive for theft. In his plates, Grünwedel illustrates the murals of the cave, where he names the cave by its official name: Hochliegende Höhle der 2. Schlucht ("Cave of the High Place in the 2nd Valley"), which is the German name for cave 181. Grünwedel explains that the structure of the cave is extremely rare, as it is not a barrel-vaulted cave: instead, the ceiling has the shape of a tent. The flatness of the sides of the tent-like ceiling is the reason why Grünwedel was able to remove easily most of the ceiling paintings in large panels, something which is impossible with the strongly curved surface of a barrel-vaulted ceiling. The tent-like ceiling is bordered by a row of seven bejewelled princes on each side. The side wall depict rather tumultuous scenes of the sermon of the Buddha, no fewer than eight of them, with a multitude of attendants in various attitudes and clothing. The entrance wall had paintings of Tocharian donors and monks on both side. Above the entrance was the usual painting of Maitreya with surrounding Devaputras. The side corridors had paintings of Jataka stories, while the back corridor behind the niche had a bench or pedestal along the back wall for the display of the Parinirvana of the Buddha, with deities flying over. On the opposite wall was a scene of the Cremation of the Buddha. Grünwedel sent most of the murals to Germany. A headless wooden statue of a Dhyanasana Buddha, about 164 cm tall, was found in the