in the Central-Asian caftans with Sogdian textile designs, as well as Sogdian longswords of many of the figures. Other characteristic Sogdian designs are animals, such as ducks, within pearl medallions. Indo-Iranian influence also appears in mythological figures, such as the bird Garuda with snakes in its beak, the wind god Vayu, the sun god Aditya or the moon god Chandra. The use of strongly contrasted "blue and green" colours, made possible by the importation of lapis lazuli blue pigments from Central Asia, and the drawing of a line for contours, are characteristic of this style. This style, examplified by the Cave of the Musicians, using vivid colors and Ligne claire sharp lines to delineate body shapes, seems to be inspired by the Western art of the 4th century CE, and is very different from the style of the Kizil caves of the earlier period, which on the contrary is very elegant and "painterly" with nuanced colors and sophisticated shading of the bodies to express sculptural volume, and which probably points to different artistical roots. Still no East-Asian influence is visible in these paintings. Period 1: Initial transitional style The first period consist in a short interval of transitional style, in which paintings remain subtil and rather nuanced, but blue pigments have started to appear. The Cave of the Devil C (Cave 198) and Cave of the Devil A (Cave 199), as well as the Cave with the Steps (Cave 110) and sometimes the Red-domed Cave A (Cave 67) are considered as the first period of this new style. Period 2: main stylistic period "Cave of the Musicians" (Cave 38) According to Rhie, the "Cave of the Musicians" is probably the earliest of the "central pillar" caves at Kizil, dated to the mid-4th century CE, and its iconography is also among the earliest. Carbon testing by Su Bai gave dates ranging from 310 +/-80 CE to 350 +/-60 CE (i.e. a maximum range of 230-410 CE). Huo and Wang attributed the cave to the Second Period, giving it a date from mid-4th to late 5th century (circa 350–499 CE). The traditional German datation estimated the cave to be from the 600–650 CE period, and presented it as an example of the later "Blue-green style", said to succeed chronologically the "Orange-green style" group. The so-called "central pillar" which appears on a plan is actually not a pillar at all but only the