take Matsunaga's ashes to be buried on her father's ranch, where she had offered to live with him. The doctor retorts that while he understands how she feels, he cannot forgive Matsunaga for throwing his life away. Just then, his patient, the female student, arrives and reveals that her tuberculosis is cured and the doctor happily leads her to the market for a celebratory sweet. Cast Production While looking for an actor to play Matsunaga, Kurosawa was told by one of the casting directors about Mifune, who was auditioning for another movie where he had to play an angry character. Kurosawa watched Mifune do this audition, and was so amazed by Mifune that he cast him as Matsunaga. On the film's Criterion Collection DVD, Japanese-film scholar Donald Richie comments that Kurosawa was impressed by the athletic agility and "cat-like" moves of Mifune, which also had bearing in his casting. Censorship issues in Drunken Angel are covered extensively in a supplemental documentary by Danish film scholar Lars-Martin Sorensen, created for the Criterion Collection DVD release of the film, entitled Kurosawa and the Censors. Produced and released during the American occupation in Japan, the Drunken Angel screenplay had to comply with a censorship board issued by the U.S. government. The board did not allow criticism of the occupation to be shown in Japanese films at that time. Kurosawa slipped several references to the occupation, all of them negative, past the censors. The opening scene of the film features unlicensed prostitutes known as "pan pan" girls, who catered to American soldiers. The gangsters and their girlfriends all wear Westernized clothing and hairstyles. Kurosawa was not allowed to show a burned-out building in his black-market slum set, but he did heavily feature the poisonous bog at the center of the district. English-language signage was also not allowed, but the markets on set have several examples of English usage on their signs. The dance scene in the nightclub features an original composition ("Jungle Boogie", sung by Shizuko Kasagi) with lyrics by Kurosawa, satirizing American jazz music; Kasagi imitates Johnny Weissmuller's famous yell from the Tarzan movies, and the way Kurosawa frames the singer parodies the American film noir movie Gilda. The censorship board was unable to catch these subtle breaches due to overwork and understaffing, but censors did require Kurosawa to rewrite the film's original, more "gruesome" ending. Music Kurosawa used music to provide contrast