documenta 9 in Kassel (1992); the 1993 and 1995 Biennial exhibitions at the Whitney Museum of American Art, New York; and Aperto ’93 at the 48th Venice Biennale, for which he was awarded the Europa 2000 Prize. For the season 2000/2001 in the Vienna State Opera, Barney designed a large scale picture (176 sqm) as part of the exhibition series "Safety Curtain", conceived by museum in progress. "Matthew Barney: The Cremaster Cycle", an exhibition of artwork from the entire cycle organized by the Solomon R. Guggenheim Museum, premiered at the Museum Ludwig, Cologne, in June 2002 and subsequently traveled to the Musée d'Art Moderne de la Ville de Paris and the Guggenheim Museum in New York. A large-scale exhibition of the entire “Drawing Restraint” series was organized by the 21st Century Museum for Contemporary Art, Kanazawa, in 2005 and traveled to Leeum, Samsung Museum of Art, Seoul; San Francisco Museum of Modern Art; Serpentine Gallery, London; and Kunsthalle Wien, Vienna. Barney has also had major solo exhibitions organized by Astrup Fearnley Museum of Modern Art in Oslo (2003), Living Art Museum in Reykjavik (2003), Sammlung Goetz in Munich (2007), and Fondazione Merz in Turin (2008). His work has been included in major group exhibitions including "Moving Pictures" at Solomon R. Guggenheim Museum in New York and Guggenheim Bilbao (2002), Venice Biennale (2003), "Quartet: Barney, Gober, Levine, Walker" at Walker Art Center in Minneapolis (2005), Biennial of Moving Images at Centre pour l’Image Contemporaine in Paris (2005), and "All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys" at Deutsche Guggenheim in Berlin (2006). In 2013, the Morgan Library & Museum mounted “Subliming Vessel: The Drawings of Matthew Barney”, the first museum retrospective devoted to the artist's drawings, later traveling to the Bibliothèque Nationale de France in Paris. In 2014, Barney exhibited "River of Fundament" at Haus der Kunst, Munich. The exhibition later traveled to the Museum of Old and New Art, Hobart, Tasmania and the Museum of Contemporary Art, Los Angeles. "River of Fundament" was considered the largest filmic project since the Cremaster Cycle and first major museum solo exhibition in Los Angeles. In 2019, the Yale University Art Gallery exhibited "Matthew Barney: Redoubt," the first solo museum exhibition in the U.S. since the presentation of "River of Fundament" at the Museum of Contemporary Art, Los Angeles, in 2015–16. Critical analysis Barney's work has provoked strong critical reaction,