acted in garden theatres, travelling troupes, and then in Kraków Juliusz Słowacki Theatre directed by Tadeusz Pawlikowski. Her defiant, suffragist nature led to conflicts with theatre principals. Following Pawlikowski's departure, in 1900 she abandoned her contract. After that, Zapolska set up her own stage which was active time-by-time. In 1902 Zapolska ran a drama school in Kraków and the Gabriela Zapolska Independent Theatre was founded later. Her experiences in Paris let her to produce two Maeterlinck stage adaptations – Princess Maleine, and L'Intruse (The Intruder), both produced in 1902. In 1904 she moved to Lwów and married a painter, Stanisław Janowski. She became a patron of the travelling theatre named after her (Gabriela Zapolska Theatre) which during the years of 1907–1908 toured Galicia. She divorced her second husband in 1910. In the years of 1912–1913 Zapolska was a literary director of Teatr Premier. As a feuilletonist and theatre critic she collaborated with Gazeta Krakowska, Słowo Polskie, Nowa Reforma, Ilustracja Polska and Wiek Nowy. In 1915, after Lwów was captured by the Russian Army, she ran a small confectionery. Zapolska died on 17 December 1921 in Lwów (now Lviv, Ukraine) and buried at the Lychakivskiy Cemetery there. Style and themes Gabriela Zapolska's works were dominated by naturalism – a literary movement seeking to replicate everyday reality. She was mainly influenced by Émile Zola, a French naturalist writer. Her output has a journalistic and didactic tone. She portrayed the lives of the poorest and most vulnerable people including proletarians, Jews, servants, prostitutes, etc. Characters in Zapolska's works are mostly of ordinary type. She tends to skip psychological analysis as it was specific for the Young Poland writers. She also brought up controversial subjects, such as prostitution and venereal disease (O czym się mówi, O czym się nawet myśleć nie chce). Zapolska created acrimonious and embittered literary characters, such as those in her best-known works, Moralność pani Dulskiej, Żabusia, Ich czworo. Tragedia ludzi głupich, Sezonowa miłość, and Panna Maliczewska. Prose Gabriela Zapolska made her own short story debut in 1881 by Jeden dzień z życia róży. Many of her early works was published in parts in Lwów and then, in Warsaw press, mainly in Przegląd Tygodniowy. She collected her early short stories in the volume of Z dziejów boleści (1890). Her novels and short stories were translated into many languages, including English, Russian, German, Swedish, Czech, Slovak, Hungarian, Ukrainian. Zapolska was criticized by