the greater death's-head hawkmoth the host plant is usually the potato, but may also be tomato, woody nightshade, jasmine or common buckthorn. None of the three species is restricted to a single family of host plant, but hosts are typically in the families Solanaceae, Verbenaceae, Oleaceae, Bignoniaceae and others. The larvae are stout, reaching 120–130 mm, with a prominent tail horn. Larvae do not move much, and will click their mandibles or even bite if threatened. When mature, they burrow underground and excavate a chamber where they pupate. Behaviour These moths have several unusual features. All three species have the ability to emit a loud chirp if irritated. The sound is produced by inhaling and expelling air, which vibrates the epipharynx like an accordion, often accompanied by flashing of the brightly colored abdomen in a further attempt to deter predators. The chirp of the death's head hawkmoth takes approximately one-fifth of a second. A study by National Geographic found that the epipharynx was originally built to suck up honey, but later evolved to produce sound. Adults of all three species are commonly observed raiding beehives of different species of honey bee; A. atropos only invades colonies of the well-known western honey bee, Apis mellifera, and feeds on both nectar and honey. They can move about in hives without being disturbed because they mimic the scent of the bees and are not recognised as intruders. If their disguise is discovered, the moth's thick waxy cuticle helps to protect it against stings. Leaves of the potato plant contain calystegines, a group of polyhydroxy alkaloids, which are toxic. The larva of A. atropos feeding on potato foliage accumulates these alkaloids. In popular culture The skull-like pattern and its fanciful associations with the supernatural and evil have fostered superstitious fears of Acherontia species, particularly Acherontia atropos, perhaps because it is the most widely known. The moths' sharp, mouse-like squeaking intensify the effect. Nor is this a new attitude: during the mid-19th century, entomologist Edward Newman, having earlier mentioned the mark on the thorax wrote: "However, let the cause of the noise be what it may, the effect is to produce the most superstitious feelings among the uneducated, by whom it is always regarded with feelings of awe and terror." These moths have often been featured in art, such as by German artist Sulamith Wülfing and English artist William Holman Hunt in his 1851 painting