with front cover photo was taken by Susan Wood while Ono was bedridden in Room 1, Second West Ward, at Queen Charlotte's Hospital. The back cover was a news photo of Lennon and Ono leaving Marylebone Police Station on 19 October 1968, after their arrest for hashish possession the previous day, at 34 Montagu Square, Lennon's residence. The arrest later caused problems for Lennon with US immigration authorities. The back cover also carried a "quote" from Beatles producer George Martin: "No comment". The couple followed the album with the Wedding Album in 1969. Unfinished Music No.2: Life with the Lions was reissued through Rykodisc under the observation of Ono, with two bonus tracks, "Song for John" and "Mulberry", on 3 June 1997. The album was reissued on LP, CD, and digitally by Secretly Canadian on November 11, 2016 with bonus tracks and rare photos. Critical reception Contemporaneously, Ed Ward wrote in Rolling Stone that the album was "utter bullshit" and "in poor taste". The Boston Sunday Globe writer Gregory McDonald advised readers not to buy the album, and described "Cambridge 1969" as resembling "a well recorded vocal by a mosquito". Alan Jones of Lincolnshire Echo warned that the album ranged "from Yoko singing their press cuttings in a high cat-like voice to John twiddling the dial on the radio", and did not advise the record for those "on small record-buying budgets." The Sault Star were more favourable, deeming its contents and artwork to "sum up the total of rock as a revolutionary force." In a review for Cambridge Evening News, Douglas Oliver said the Cambridge concert was "strange and chilling. Not in a bad sense, but because there was so much unusual texture. At no time did the music become comforting. It was an extraordinary experience." Record Mirrors reviewer described Life with the Lions as "a fine example of how two young people CAN amuse themselves without television". In a retrospective review, AllMusic's William Ruhlmann wrote of Lennon and Oko: "If, as they suggested, their lives were their art, then this is, too. Maybe." Seth Colter Walls of Pitchfork deemed the album "less idyllic" than Two Virgins, and wrote that while "Cambridge 1969" does not "create most interest over its 26 minutes", it reveals that Ono's more successful performances work because they typically find her "switching up [her] extreme textures with greater frequency." Uncut reviewer Neil Spencer similarly described the