The Combahee River Collective issued a statement in 1977 that described the organization's vision as being opposed to all forms of oppression — including sexuality, gender identity, class, disability, and age oppression (later incorporated in the concept of intersectionality) that shaped the conditions on black women's lives. In its "Statement", the Combahee River Collective defined itself as a left-wing organization leaning towards socialism and anti-imperialism. The organization also claimed that unlike some white feminist groups or NBFO, the Collective members are in "solidarity with progressive Black men and do not advocate the fractionalization" and emphasizing that "the stance of Lesbian separatism ... is not a viable political analysis or strategy." Other organizations under the stance of black lesbian feminism include Salsa Souls Sisters, formed in 1974 in New York City and considered to be the oldest black lesbian feminist organization; and Sapphire Sapphos, formed in 1979 in Washington, DC. Visual art works The more recent art form used to express black lesbian feminist ideas is film. In particular, Aishah Shahidah Simmons, an award-winning black lesbian feminist, made NO! The Rape Documentary (2006), a documentary that explores how rape is used as a weapon of homophobia. For Simmons, a sexual assault survivor herself, the film was also an exploration of how rape impacted her Black feminist lesbian journey. Chicana lesbian feminism Chicana lesbian feminism emerged from the Chicana feminism movement in the late 1970s and early 1980s. During this time, Chicana feminism began to form as a "social movement aimed to improve the position of Chicanas in American society." Chicanas separated from the Chicano movement began drawing their own political agendas, and started to question their traditional female roles. Specifically, Chicana feminists (see also Chicana literature) started addressing the forces that affected them as women of color and fighting for social equality. In With Her Machete in Her Hand: Reading Chicana Lesbians (2009), the first monograph dedicated to the work of Chicana lesbians, Catriona Rueda Esquibel stated "Chicana lesbians are central to understanding Chicana/o communities, theories, and feminisms." Similarly to black lesbian feminists, Chicana lesbian feminists use literature as a way of naming themselves, expressing their ideas, and reclaiming their experiences flagged with a number of accusations. They are accused of being lesbians, of betraying society by denying men of their reproductive role, and of betraying their Chicana identity by adhering to feminist and lesbian ideologies, both things considered by Chicano