appearing in films with small parts but continued primarily active in the theatre for several years — a year at the Théâtre National Populaire opposite among others Gérard Philipe and Robert Hirsch, then a breakout two years in dual roles in The Dazzling Hour by Anna Bonacci, then Jean Cocteau's La Machine Infernale and others before another two-year run, this time in Shaw's Pygmalion. From the late 1950s, after appearing in several successful films, she began to work with the emerging generation of French film-makers. Elevator to the Gallows (1958) with first-time director Louis Malle was followed by Malle's The Lovers (Les Amants, 1959). Moreau went on to work with many of the best known New Wave and avant-garde directors. François Truffaut's New Wave film Jules et Jim (1962), her biggest success internationally, is centered on her magnetic starring role. She also worked with a number of other notable directors such as Michelangelo Antonioni (La notte and Beyond the Clouds), Orson Welles (The Trial, Chimes at Midnight and The Immortal Story), Luis Buñuel (Diary of a Chambermaid), Elia Kazan (The Last Tycoon), Rainer Werner Fassbinder (Querelle), Wim Wenders (Until the End of the World), Carl Foreman (Champion and The Victors), and Manoel de Oliveira (Gebo et l'Ombre). In 1983, she was head of the jury at the 33rd Berlin International Film Festival. In 2005, she was awarded with the Stanislavsky Award at the 27th Moscow International Film Festival. Moreau was also a vocalist. She released several albums and once performed with Frank Sinatra at Carnegie Hall in 1984. In addition to acting, Moreau worked behind the camera as a writer, director and producer. Her accomplishments were the subject of the film Calling the Shots (1988) by Janis Cole and Holly Dale. She appeared in Rosa von Praunheim's film Fassbinder's Women (2000). Personal life Throughout her life, Moreau maintained friendships with prominent writers such as Jean Cocteau, Jean Genet, Henry Miller, and Marguerite Duras, (an interview with Moreau is included in Duras's book Outside: Selected Writings). She formerly was married to Jean-Louis Richard (1949–1964, separated in 1951), and then to American film director William Friedkin (1977–1979). She and Richard had a son, Jérôme. Director Tony Richardson left his wife Vanessa Redgrave for her in 1967, but they never married. She also had relationships with directors Louis Malle and François Truffaut, fashion designer Pierre Cardin, and the Greek actor/playboy Theodoros Roubanis. In