away." Watkins remembers the first time they saw the group: "I saw Mark Fox. And then I saw these little girls skipping and running around. And they looked about thirteen. This can't be them. No way!". Nevertheless, the Spice Girls managed to impress them. They played a few of their tracks, but neither Watkins nor Wilson particularly liked them, except for a song the group wrote with Richard Stannard and Matt Rowe, called "Feed Your Love", which the duo thought was "dark and cool". A songwriting session was booked within the next days. Writing and recording The songwriting session—held at Absolute's studio located on Tagg's Island near Chertsey—did not seem to go well at the beginning, as the duo was heavily into R&B music at the time, while the group according to Wilson was "always very poptastic". After two sessions the duo phoned their managers and told them that the musical association between them and the group was not working. At this point, the duo heard "Wannabe" for the first time, Wilson remembers: "We listen to it, and we didn't get it at all. It was so different to what we were doing. We thought, 'How's this gonna work? We're not the right people to be doing this band.'" For the next session the group wanted to write something uptempo and a bit more fun. A full-on disco backing track came up, and "Who Do You Think You Are" evolved from there. Wilson commented about that session: The thing is when they wrote they were also writing the dance routine, constructing the video, all at the same time as writing the song. And that's when the penny dropped. They say that the mother of invention is copying somebody and getting it wrong. Their sound was actually not getting R&B quite right. "Who Do You Think You Are" and three other tracks written by the group and Absolute appeared on the Spice album. The songs were produced and recorded for the most part at Olympic Studios in Barnes, London. At this time, the autotune facility was not available and most of the vocals were recorded with few adjustments made afterwards, as Wilson remembers: "Because of the fact we were not using computers, we had to work them very hard. They were in that recording booth for hours because we just had to get the right take". Composition "Who Do You Think