Jason Robert Brown (born June 20, 1970) is an American musical theatre composer, lyricist, and playwright. Brown's music sensibility fuses pop-rock stylings with theatrical lyrics. He is the recipient of three Tony Awards for his work on Parade and The Bridges of Madison County. Career Brown grew up in the suburbs of New York City, and attended the Eastman School of Music in Rochester, New York for 2 years, rooming with fellow student, and vocalist, Christopher Mooney. During summer, he attended French Woods Festival of the Performing Arts in Hancock, New York. He said Sweeney Todd: The Demon Barber of Fleet Street and Sunday in the Park with George were two of his biggest influences, and had it not been for them, he would have joined a rock band and tried to be Billy Joel. He began his career in New York City as an arranger, conductor, and pianist, working on shows such as William Finn's A New Brain, and playing at several nightclubs and piano bars in the city. Songs for a New World marked the first major New York production of Brown's songs. An off-Broadway revue with a limited run, the show was directed by Daisy Prince, daughter of director/producer Hal Prince, and featured the 25-year-old Brown's pop-rock-influenced music. The song "Stars and the Moon" has since become a cabaret standard, and is probably Brown's best-known composition to date. Brown was subsequently hired to write songs for the Broadway musical Parade, based on the trial and lynching of Leo Frank, after meeting Hal Prince. Parade, directed by Prince and with a book by Alfred Uhry, won Brown the 1999 Tony Award for Best Original Score. During this production, Livent, one of the producers of Parade, pulled out after reviews were not as positive as they'd hoped. RCA Victor, the other major producer, decided it would pull out as well. Brown said of the event in 1999, "Livent dropped out shortly after the reviews came out. They announced they would not spend another dime on the show. RCA had an agreement to record all of Livent's shows. But when Livent pulled out of 'Parade,' the RCA higher-ups said they were pulling out, too. I had to go to Billy Rosenfield and ask him: 'What if we pay for this record and you just distribute it?' Billy said, 'Sure.'" Brown had to try to scrounge money from every corner, "In