you what institution Mr. Costello has in his gunsights this time around... but Emotional Fascism tells you what attitude is about to be subjected to both long-and-short-range fire." In the 2002 liner notes for the album, Costello explained: "Two or three half-formed notions collided uneasily in that title, although I never would have admitted to having anything as self-conscious as a 'theme' running through the songs. Any patterns that have emerged did so as the record was completed or with the benefit of hindsight." Bruno contends that the album "embodies a critique" under either title, but also deduces that it "does not present an argument". The packaging for Armed Forces was designed by Barney Bubbles and featured different cover artworks for the UK and US releases. In the UK, the cover was a painting depicting a herd of elephants in front of mountains, with birds flying overhead and mist overlaying the ground. The lead elephant stares directly at the onlooker, which Gouldstone notes mirrors Costello on the cover of This Year's Model. For the first time, the Attractions received co-artist credit on the sleeve. The artist credit is on top while the album title is on bottom. Initial UK editions boasted an elaborate fold-out sleeve containing four colour postcards of the band. The back cover illustrated art pop geometric patterns, of which emerged various army soldiers and animal prints. Meanwhile, the inner sleeve contained two photographs: one showed Costello and the Attractions on a suburban road, while the other featured Costello laying across a swimming pool diving board with a body lying submerged at the bottom, overall surrounded by numerous yellow boxes; the words "my place... or yours" and "emotional fascism" appeared on the sides. When it was reissued on CD, the album failed to replicate the elaborate fold-out sleeves, instead having the booklet appear in the shape of a cross. Bruno argues that the cover "conveys an unmistakable sense of attack" and is more significant for its statement on Costello's position at that point in his career rather than its actual design. The US release opted for a more standarised LP packaging. The elephant cover was replaced with the drip-image that was unveiled in the inner sleeve of the UK release. The UK image had various black scribble lines extending into the outer panels that utilised various animal prints. Additionally, the US sleeve moved the elephant cover to the