that evokes Roy Orbison's "Pretty Woman", "A Whiter Shade of Pale" and the Beach Boys' "Heroes and Villains" (1967). Like "Pump It Up", it concerns the insignificance of modern life; people spend their lives purchasing superfluous items, sleeping with each other and ultimately amounting to nothing, becoming busy bodies. Originally written for Ian Dury, "Sunday's Best" is a waltz that targets the worst aspects of British life. Gouldstone writes that it shows how ordinary people are "trivial and monotonous". On the song, Costello said that it is "not so much a song as an attack on the small-ads page of The News of the World with a big pair of scissors". It has been musically compared to John Cooper Clarke's "You Never See a Nipple in the Daily Express". Murray considered "Moods for Moderns" a "charming pastiche of Booker T & the MGs overlaid with an oddly disturbing ghost of a song". Gouldstone finds it "borderline funk", while Bruno compares it to Bowie's "plastic soul" era. Lyrically, the song is about the pain one feels at the end of a relationship, with sinister undertones that reflect moods of disillusionment, alienation and fear. "Chemistry Class" combines the personal and political themes to tell a tale about the natural attraction of two people. One of the last lines references Adolf Hitler's Final Solution as a metaphor for two lovers parting ways. Costello described it as a reaction to the gratification of American college campuses he experienced while on tour in America. Like the previous track, "Two Little Hitlers" captures the album's dual themes of love and politics, fully comparing the disagreements in personal relationships to opposing factions of fascism. According to Hinton, it paints a picture of two long-time lovers, "like beasts engaged in a fight to the death". Musically, it uses Bowie's "Rebel Rebel" (1974) riff and elements of "TVC 15" (1976). Title and packaging The new album was to be titled Emotional Fascism until the last minute. Author Tony Clayton-Lea nevertheless contends that Armed Forces, coined by Pete Thomas, continued Costello's theme of "control and domination over both governing and individual bodies". In his memoir, Costello acknowledged changing the title to Armed Forces after knowing radio stations would refuse to play an album titled Emotional Fascism. Although Hinton opined that the titles were "much [of] the same", Murray argued that Emotional Fascism was the superior title, stating: "Armed Forces tells