rights to the band's back catalogue. Squire remembered a "huge, 90-page contract" was produced to settle the various legal issues between the two bands, labels, and promoters. The album's original title was Dialogue, which was announced in the press as late as February 1991, while the album was being mixed. Recording and production Union includes nine tracks recorded by ABWH, these being "I Would Have Waited Forever", "Shock to the System", "Without Hope You Cannot Start the Day", "Silent Talking", "Angkor Wat", "Dangerous (Look in the Light of What You're Searching For)", "Holding On", "Evensong", and "Take the Water to the Mountain" Collectively they were recorded in five different studios, including Studio Guillaume Tell in Paris, SARM West Studios in London, Record Plant Studios in Los Angeles and Vision Sound Studios in New York City. Howe recorded "Masquerade" by himself in Langley Studios at his home in Devon, England. "Evensong" featured only Bruford and Tony Levin on Chapman Stick. The remaining four tracks were produced by Yes: "Lift Me Up", "Saving My Heart", "Miracle of Life", and "The More We Live – Let Go". According to White, Yes had roughly three months to finish their tracks. The majority of the bass parts on the album are played by Tony Levin (on both bass guitar & Chapman Stick), with Squire only playing bass on "Lift Me Up", "Saving My Heart" and "Miracle of Life". Sherwood played the bass on "The More We Live- Let Go". Squire sang backing vocals on the four tracks Yes produced, as well as several of the ABWH-produced tracks, including "I Would Have Waited Forever", "Without Hope (You Cannot Start the Day)" and "Dangerous (Look in the Light of What You're Searching For)". The number of people who worked on the album is highly unusual. There are seven different producers, roughly 17 recording engineers and mixers, six backing singers, nine synthesizer player/programmers and no less than four additional musicians who added parts as well. This is the only album in the Yes discography to feature participation from this many individuals who were not in Yes, or part of a regular, much smaller production team. Consequently, four pages of the album's CD booklet are dedicated to the song credits. Issues with ABWH tracks When Elias accepted Anderson's invitation to produce the ABWH tracks, with Anderson credited as an associate producer, Elias felt uneasy about the task as a