of 1935, Frances "Klammie" Klampt became her tutor at the studio. 1935–1937 In the contract they signed in July 1934, Temple's parents agreed to four films a year (rather than the three they wished). A succession of films followed: Now and Forever starring Gary Cooper and Carole Lombard (Temple was billed third with her name above the title beneath Cooper's and Lombard's), The Little Colonel, Our Little Girl, Curly Top (with the signature song "Animal Crackers in My Soup"), and The Littlest Rebel in 1935. Curly Top was Temple's last film before the merger between 20th Century Pictures, Inc. and the Fox Film Corporation. Both Curly Top and The Littlest Rebel were named to Variety's list of top box office draws for 1935. In 1936, Captain January, Poor Little Rich Girl, Dimples, and Stowaway were released. Based on Temple's success, Zanuck increased budgets and production values for her films. By the end of 1935, her salary was $2,500 per week. In 1937, John Ford was hired to direct the sepia-toned Wee Willie Winkie (Temple's own favorite), and an A-list cast was signed, which included Victor McLaglen, C. Aubrey Smith and Cesar Romero. Elaborate sets were built for the production at the famed Iverson Movie Ranch in Chatsworth, Calif., with a rock feature at the heavily filmed location ranch eventually being named Shirley Temple Rock. The film was a critical and commercial hit. Temple's parents and Twentieth Century-Fox sued British writer/critic Graham Greene for libel and won. The settlement remained in trust for the girl in an English bank until she turned 21, when it was donated to charity and used to build a youth center in England. Heidi was the only other Temple film released in 1937. Midway through shooting of the movie, the dream sequence was added to the script. There were reports that Temple herself was behind the dream sequence and she had enthusiastically pushed for it, but in her autobiography she vehemently denied this. Her contract gave neither her nor her parents any creative control over her movies. She saw this as Zanuck's refusal to make any serious attempt at building upon the success of her dramatic role in Wee Willie Winkie. One of the many examples of how Temple was permeating popular culture at the time is the references to her in the 1937 film Stand-In: newly minted film studio honcho Atterbury Dodd (played by Leslie