sang such that it moved the stars.") Personal life In 1926 Lehmann married Otto Krause, a former officer in the Austrian army. They had no children. Krause, who died of tuberculosis in 1939, had four children from a previous marriage. Lehmann never remarried. After Krause's death until her own death in 1976 Lehmann shared a home with Frances Holden (1899–1996), a psychologist who specialised in the study of genius, particularly that of classical musicians. The two women named their Santa Barbara house "Orplid" after the dream island described in Hugo Wolf's art song "Gesang Weylas". She held a long correspondence with numismatist Dorothy B. Waage. Legacy Lehmann helped establish the Music Academy of the West in Santa Barbara, California, where there is a hall named for her. The Lotte Lehmann Concert Hall on the campus of the University of California, Santa Barbara was also named in her honor. She had given many master classes there. The Lotte Lehmann Collection at the UCSB Library's Special Collections contains Lehmann's recordings, papers, photos, etc. A collection of manuscripts, photos and recordings called the Gary Hickling Collection on Lotte Lehmann is housed at the Stanford Archive of Recorded Sound at Stanford University. The bulk of Lehmann's private recordings is held at the Miller Nichols Library Marr Sound Archives at the University of Missouri-Kansas City. Lehmann's friend Hertha Schuch willed her large collection (now in 18 boxes) of Lehmann recordings, correspondence, photos, etc. to the Austrian Theatre Museum in Vienna (Österreichisches Theatermuseum, Wien). The Lotte Lehmann Foundation was established in 1995 to preserve and perpetuate Lotte Lehmann's legacy and at the same time to bring art song into the lives of as many people as possible. It ceased activity in 2011. In 2011, the Lotte Lehmann League developed a website in her honor. In her native city, Perleberg, the Lotte Lehmann Akademie was established in her name in 2009. A summer program for young opera singers wishing to specialize in the German repertoire, the academy's faculty has included Karan Armstrong and Thomas Moser, both former students of Lehmann. Honors Lehmann received the title of Kammersängerin (the first singer to receive that designation since the collapse of the monarchy), 1926. Lehmann was made Ehrenmitglied der Wiener Staatsoper [Honorary Member of the Vienna State Opera], 1928. The King of Sweden conferred upon her the golden medal Literis et Artibus after a performance of Fidelio in February 1929.