Mention of textiles in folklore is ancient, and its lost mythic lore probably accompanied the early spread of this art. Textiles have also been associated in several cultures with spiders in mythology. Weaving begins with spinning. Until the spinning wheel was invented in the 14th century, all spinning was done with distaff and spindle. In English the "distaff side" indicates relatives through one's mother, and thereby denotes a woman's role in the household economy. In Scandinavia, the stars of Orion's belt are known as Friggjar rockr, "Frigg’s distaff". The spindle, essential to the weaving art, is recognizable as an emblem of security and settled times in a ruler's eighth-century BCE inscription at Karatepe: "In those places which were formerly feared, where a man fears... to go on the road, in my days even women walked with spindles" In the adjacent region of North Syria, historian Robin Lane Fox remarks funerary stelae showing men holding cups as if feasting and women seated facing them and holding spindles. Egypt In pre-Dynastic Egypt, nt (Neith) was already the goddess of weaving (and a mighty aid in war as well). She protected the Red Crown of Lower Egypt before the two kingdoms were merged, and in Dynastic times she was known as the most ancient one, to whom the other gods went for wisdom. According to E. A. Wallis Budge (The Gods of the Egyptians) the root of the word for weaving and also for being are the same: nnt. Easton's Bible Dictionary (1897) refers to numerous Biblical references to weaving: Greece In Greece the Moirai (the "Fates") are the three crones who control destiny, and the matter of it is the art of spinning the thread of life on the distaff. Ariadne, the wife of the god Dionysus in Minoan Crete, possessed the spun thread that led Theseus to the center of the labyrinth and safely out again. Among the Olympians, the weaver goddess is Athena, who, despite her role, was bested by her acolyte Arachne, who was turned later into a weaving spider. The daughters of Minyas, Alcithoe, Leuconoe and their sister, defied Dionysus and honored Athena in their weaving instead of joining his festival. A woven peplos, laid upon the knees of the goddess's iconic image, was central to festivals honoring both Athena at Athens, and Hera. In Homer's legend of the Odyssey, Penelope the faithful wife of Odysseus was a