oak or maple frames and signed with the artist's signature on the reverse. The father and son team the Neates of Newport sold their works from a stall outside Carisbrooke Castle gates where visitors were offered sand pictures and sand jars priced from 1/- to 2/6 each and the son grew his fingernails abnormally long in order to distribute the sand on his pictures. During the 1930s and 1940s R.J.Snow of Lake came nearest to producing sand pictures in the manner of the Georgian craftsmen, but postcard size, although he did produce some fine commissioned work, particularly a view of Oddicombe in Devon, in which the sea and sky were also 'painted' in sand, but after the war years the quality of the postcard sand pictures deteriorated with the mass-produced article with little taste or skill being offered for sale for a few shillings. Senegal In Senegal, designs are glued to board and are typically of figures in the landscape. Sand bottles In the 1860s to 1890s, Andrew Clemens a deaf mute born in Dubuque, Iowa, USA became famous for his craft of creating unfixed pictures using multicoloured sands compressed inside glass bottles or ornate chemist jars. The sand was collected from the bluffs overlooking the Mississippi River. The subjects of his sand bottles included ornately decorated sentimental verses, sailing ships, plants, animals and portraits. He exhibited his work at the St. Louis trade fair and having spent hours creating a picture in a bottle would demonstrate to an incredulous audience that the picture inside was unfixed by destroying the bottle with a hammer. Clemens' sand bottles have become museum pieces and highly prized antiques which have since sold at auction for thousands of US dollars. Sand carpets In the province of Drenthe in the Netherlands in the late 19th, early 20th centuries it was custom to use a stiff broom to sweep patterns in white sand to form simple decorations on the tiled floors of the houses, mostly for special occasions or celebrations. The next day it was swept up. This custom was also practised in Northern Belgium by the Dutch speaking communities while in Hekelgem, 1973 was the centenary year of the craft of "Old Zandtapijt". The hotels and cafes would employ artisans to strew ornate sand pictures in unfixed coloured sands on the tiled floors of their premises to encourage passing tourists to halt and enjoy local