a feeling of tension and release. In order to convey this quality to the listener, Haydn wrote this sonata form movement slightly faster and shorter than the first movement of the symphony to create a climactic ending. The symphony, which began with three slow, soft G major chords ends with three loud, emphatic ones. See also List of symphonies by name Notes References Robbins Landon, H. C. (1963) Joseph Haydn: Critical Edition of the Complete Symphonies, Universal Edition, Vienna J. Peter Burkholder, Donald J. Grout, Claude V. Palisca, "A History of Western Music Seventh Edition," p. 536-538. J. Peter Burkholder, Claude V. Palisca, "Norton Anthology of Western Music Volume 2: Classic to Twentieth Century," p. 111-175. Steinberg, Michael, The Symphony (Oxford and New York: Oxford University Press, 1995). . Symphony 092 Compositions in G major 1789 compositions