million domestically. It resulted in a loss for Walt Disney Productions and put the future of the animation department in jeopardy (earning it the nickname "the film that almost killed Disney"). It was not distributed as a home video release for more than a decade after its theatrical run after its poor performance. Adding insult to injury, the film was also outgrossed by The Care Bears Movie ($22.9 million domestically), which was released four months earlier by the much-smaller Canadian animation studio Nelvana. The film was however more successful outside North America, notably in France, where it had 3,074,481 admissions and was the fifth most attended film of the year. The film was the last Disney animated film to be completed at the original Animation Building of the Walt Disney Studios (Walt Disney Productions) in Burbank, California. The animation department was moved to the Air Way facility in nearby Glendale in December 1984, and, following corporate restructuring, eventually returned to the Burbank studio in the mid-1990s at a new facility. Reception and legacy On the review aggregator website Rotten Tomatoes, the film had an approval rating of based on reviews, with an average score of . The critics' consensus reads: "Ambitious but flawed, The Black Cauldron is technically brilliant as usual, but lacks the compelling characters of other Disney animated classics." On Metacritic, the film had a weighted average score of 59 out of 100, based on 16 critics, indicating "mixed or average reviews". Roger Ebert of Chicago Sun-Times gave the film 3.5 stars out of 4, praising the film as "a rip-roaring tale of swords and sorcery, evil and revenge, magic and pluck and luck... And it takes us on a journey through a kingdom of some of the more memorable characters in any recent Disney film." He noted how "involving" the story was, and felt "the key to the movie is in the richness of the characterizations, and the two best characters, I think, are the Horned King and a fuzzy little creature named Gurgi." Charles Solomon of the Los Angeles Times wrote that the "highly dimensional sound track, with its opulent Elmer Bernstein score and excellent vocal performances, is a technological work of art. But it is the animation itself with some of the best work the studio has produced since Walt Disney's death in 1966 that dazzles the viewer." He felt that if "its script and