Richard Brooks (May 18, 1912 – March 11, 1992) was an American screenwriter, film director, novelist and film producer. Nominated for eight Oscars in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958), Elmer Gantry (1960; for which he won the Academy Award for Best Adapted Screenplay), In Cold Blood (1967) and Looking for Mr. Goodbar (1977). Early life and career Brooks was born as Reuben Sax to Hyman and Esther Sax, Russian Jewish immigrants. Married teenagers when they immigrated to the United States in 1908, they found employment in Philadelphia's textile and clothing industry. Their only child, Reuben Sax, was born in 1912 in Philadelphia. He attended public schools Joseph Leidy Elementary, Mayer Sulzberger Junior High School and West Philadelphia High School, graduating from the latter in 1929. Sax took classes at Temple University for two years, studying journalism and playing on the school's baseball team. He dropped out and left home when he discovered that his parents were going into debt to pay for his tuition. He rode freight trains around the East and Midwest for a period of time, eventually returning to Philadelphia to seek work as a newspaper reporter. At some point in the 1930s, during the Great Depression, Sax began using the name Richard Brooks professionally. He changed his name legally in 1943. Brooks wrote sports for the Philadelphia Record and later joined the staff of the Atlantic City Press-Union. He moved to New York to work for the World-Telegram; shortly afterward he took a job with radio station WNEW for a larger paycheck. As a newsman for the station, he reported and read stories on the air and provided commentary. Brooks also began writing plays in 1938 and tried directing for Long Island's Mill Pond Theater in 1940. A falling out with his theater colleagues that summer led him to drive to Los Angeles on a whim, hoping to find work in the film industry. He also may have been trying to escape a marriage; a legal document indicates he was married at least part of the time he lived in New York. He did not find film work but was hired by the NBC affiliate to write original stories and read them for a daily fifteen-minute broadcast called Sidestreet Vignettes. His second marriage, in 1941, to Jeanne Kelly, an actress at Universal Studios, may have