went on to dominate the Hawaiian architecture of public buildings and estate residences during the 1920s building boom in the Territory of Hawaii. Later projects Later Goodhue's architectural creations became freed of architectural detail and more Romanesque in form, although he remained dedicated to the integration of sculpture, mosaic work, and color in his surface architectural details. Towards the end of his career, he arrived at a highly personal style, a synthesis of simplified form and a generalized archaic quality, and those innovations paved the way for others to transition to modern architectural idioms. This style is seen in his last major projects: the 1926 Mediterranean revival and Egyptian revival Los Angeles Public Library; the Nebraska State Capitol; and in his 1922 entry for the Chicago Tribune Tower competition. Influence Goodhue died in 1924 in New York City. He was interred within a wall vault in the north (left-hand) transept of his Church of the Intercession, at his request in the building he considered his finest. Architectural sculptor Lee Lawrie created a Gothic styled tomb for him there, featuring Goodhue recumbent, crowned by a carved halo of some of his buildings. He received the AIA Gold Medal in 1925. Collaboration Over the course of his career, Goodhue relied on frequent collaborations with several significant artists and artisans. These included architectural sculptor Lee Lawrie, and mosaicist and muralist Hildreth Meiere. Their work is central to the aesthetic power and social messages implicit in Goodhue's best work. Lee Lawrie worked with Cram and Goodhue on: the Chapel at West Point, the Church of St. Vincent Ferrer, St. Bartholomew's, and the reredos at the Church of St. Thomas. Lawrie worked after 1914 with Goodhue's independent practice on: the Los Angeles Public Library, the Nebraska State Capitol, the Rockefeller Chapel at the University of Chicago, the National Academy of Sciences Building in Washington, D.C., and the Christ Church Cranbrook completed after Goodhue's death at the Cranbrook Schools in Bloomfield Hills, Michigan. Edward Ardolino was a frequent collaborating sculptor. After Goodhue's unexpected death in 1924, many of his designs and projects were brought to completion by architect Carleton Winslow Sr. in California, the successor firm of Mayers Murray & Phillip in New York, and other former associates. Goodhue's offices had employed, before they established their own independent practices and reputations, designers and architects such as Raymond Hood, Carleton Winslow Sr., Clarence Stein, and Wallace Harrison.