of the main theme in both strings and bassoon. From here, a second section begins which modulates to various other keys, including G minor and B major, but continues to feature the melody of the main theme. After arriving on the dominant of G major, the music of the first section returns. The rest of the movement consists of a modification of the first section of music, with several changes in rhythm and more prominence to the winds, especially the flute. Third movement The third movement is a minuet and trio in D major. The minuet section consists of a rounded binary (A,B,A') form with an opening section emphasizing the tonic, while the second section visits the relative minor (B minor) and the dominant (A major). The trio is in B major, and uses the oboe and bassoon extensively. Like in the minuet, this trio's B section emphasizes the relative minor (in this case, G minor). The trio ends with a transition back to dominant of the main key in preparation for the return to the minuet. Fourth movement The exuberant finale, in fast tempo and in sonata form, opens in the mode of folk music (inspired by Haydn's experience in London) using a drone bass and a theme often claimed to have originated as a Croatian folk song; for details see Haydn and folk music. The development section settles on the dominant of the main key, as is typical, but the recapitulation does not occur immediately. Instead, the development is extended with a section in F minor, after which the recapitulation in D major follows immediately. See also List of symphonies by name References External links The Finale can be found on http://www.pointclassics.com/dl/2650902.4.Finale-%20spirituoso.48k.mp3 to listen to. Piano reduction (pdf) Symphony 104 Music about London Compositions in D major 1795 compositions