we had enough of our own songs to do a performance was 'Running to Stand Still'. For 'Heroes' we've changed the order of things but kept every musical theme in the song. We wrote it with the members of U2 in mind. War Child do exactly what it says on the tin. These kids shouldn't be in such circumstances in the first place, but they are, so thank god someone's doing something about it". A cover of "Working Class Hero" was recorded by the band as part of a John Lennon tribute album, Lennon: Covered Vol. 1, given away with Q Magazine in 2005. A The The cover of "August and September" was recorded as part of a tribute album Q Covered: Best of 86/06 in 2006. In 2010, Peter Gabriel released a version of Elbow's song "Mirrorball" on his album Scratch My Back. In return, Elbow recorded a version of Gabriel's song "Mercy Street" from his 1986 album So, which appeared on the album of Gabriel cover versions And I'll Scratch Yours, released in 2013. The song "Fallen Angel" appeared in the 2004 film 9 Songs, and the song "The Night Will Always Win" was used in the opening credits and title sequence of 2012's Call of Duty: Black Ops II. Elbow created the song "What Time Do You Call This?" for the film Man Up, where it was featured in the end credits. Elbow covered the song "Golden Slumbers" by The Beatles for the 2017 John Lewis Christmas commercial. Musical style and influences Elbow's musical style has been described as alternative rock, indie rock, indie pop, Britpop, art rock, progressive rock, dream pop, post-rock, and post-Britpop. Elbow have cited a number of influences on their music, including Genesis (in particular the progressive rock years featuring Peter Gabriel and Steve Hackett), Talk Talk and Radiohead. Guy Garvey has said: "I grew up listening to every Genesis record. I learned to write harmonies by listening to Peter Gabriel." The song "Newborn" from Elbow's debut album was directly influenced by "Entangled" from the Genesis album A Trick of the Tail. Garvey has also said "there'd be no Elbow without Radiohead". He credits the band's sense of dynamics to the influence of Talk Talk and has said: "Volume dynamics are an essential part of classical music, but a lost art with guitar music. I think it's incredibly boring and shortsighted if a