with schizophrenia), and they continued without a replacement. As a four-piece they recorded another single with Younger producing, "Out of Control", which was released on Citadel in December 1985. The Big Time: The Cave Comes Alive! Towards the middle of 1985 Lime Spiders split up again with Blood travelling to Europe as a tourist. Whilst Blood was in Europe, he performed as a guest singer with Swedish band the Pushtwangers (for a single release) and also with a Greek group, Last Drive. The remaining members – Bambach, Corben and Lawson – performed as Adolphus using Mark Green as lead singer. Prior to Blood's departure for Europe, the band had an offer to create a track for an in-production feature film, Young Einstein (1988). Its producers originally wanted "Slave Girl", but the song's rights were already assigned internationally; so they asked if the group could provide a track that matched its feel. Blood returned to Australian in September 1986 and Lime Spiders reconvened. They released "Weirdo Libido", which was co-written by Blood and original guitarist Mather and produced by Cameron Allan, as a single, in January 1987 on Virgin Records. It peaked at No. 48 in February. In April its music video was the first one ever shown on rage, an Australian Broadcasting Corporation TV music series. The track subsequently appeared on the Young Einstein soundtrack. Jakimyszyn rejoined in May 1987 in time for the release of Lime Spiders' debut album, The Cave Comes Alive! in June. The album was produced by David Price, and peaked at No. 54 on the Kent Music Report Albums Chart. AllMusic's David Szatmary found the album was the "snarling debut from the punk quartet who owe a debt to the '60s". Meanwhile, the six-track EP, Slave Girl, had reached the top of the United States college chart. It remained there long enough to generate interest in the group. With the release of the album, the band supported The Cult on a national tour. Jakimyszyn left the band again shortly afterwards. At the end of the year they began a North American tour spanning two months of shows in major US cities and several in Canada. The tour included supporting Faith No More and, for the final thirteen shows, supporting Public Image Ltd. Rolling Stone magazine described them as sounding like "the Sex Pistols on acid". Highlights included a backstage visit by Iggy Pop and Joey