feminists are comfortable working alongside gay men, they are uncomfortable interacting with bisexual men. Jeffreys states that while gay men are unlikely to sexually harass women, bisexual men are just as likely to be troublesome to women as heterosexual men. In contrast, Bi Any Other Name (1991), an anthology edited by Loraine Hutchins and Lani Kaʻahumanu considered one of the seminal books in the history of the modern bisexual rights movement, contains (among other things) the piece, "Bisexuality: The Best Thing That Ever Happened to Lesbian Feminism?", by Beth Elliot. Views on transgender people Though lesbian feminists' views vary, there is a specific lesbian feminist canon which rejects the transgender rights movement, transsexuals and transvestites, positing transgender people as, at best, gender dupes or functions of a discourse on mutilation; or at worst, shoring up support for traditional and violent gender norms. This is a position marked by intense controversy. Sheila Jeffreys summarized the arguments on this topic in Unpacking Queer Politics (2003) and Gender Hurts (2014). These views on transsexuality have been criticized by many in the LGBT and feminist communities as transphobic and constituting hate speech against transsexual men and women. Lesbian feminism is sometimes associated with opposition to sex reassignment surgery, as some lesbian feminist analyses see sex reassignment surgery as a form of violence akin to BDSM. In 1979, lesbian feminist Janice Raymond published The Transsexual Empire: The Making of the She-Male. Controversial even today, it looked at the role of transsexualism – particularly psychological and surgical approaches to it – in reinforcing traditional gender stereotypes, the ways in which the medical-psychiatric complex is medicalizing "gender identity", and the social and political context that has been instrumental in making transsexual treatment and surgery a normal and therapeutic medicine. Raymond maintains that transsexualism is based on the "patriarchal myths" of "male mothering," and "making of woman according to man's image." She claims this is done in order "to colonize feminist identification, culture, politics and sexuality," adding: "All transsexuals rape women's bodies by reducing the real female form to an artifact, appropriating this body for themselves .... Transsexuals merely cut off the most obvious means of invading women, so that they seem non-invasive." In her book, Raymond includes sections on Sandy Stone, a trans woman who had worked as a sound engineer for Olivia Records, and Christy Barsky, accusing both of creating divisiveness in women's spaces. These writings