the 19th century. For that reason, they installed a neogothic altar, which has a copy of the Virgin of the Health of Rotova's church. There is also a gothic tomb of the Infants Juan and Blanca of Aragon, children of the Duke Alfonso of Aragon. It still preserves the rests of the painting. In the southwestern corner of the room, there is a spiral staircase, which goes up to the high cloister. It was constructed in the 16th century. It is of gothic style, made in plaster with floral decoration. Tiles of the steps also stand out. Oil mill: Is next to the chapter house. Originally, this room was divided in three spaces: the infirmary, oratory and the dining hall (refectory). The latter only conserves the distemper of Friar Nicolas Borras that represents The Saint Supper. This room became the oil mill in the last stage of the monastery. For that reason there are large earthen jars that were used to store oil. The Monstrance is the more remarkable gold work of the monastery. It was made by Friar Antonio Sancho de Benevento in 1548. It measured one meter in height. It was a piece in tower form, with numerous images with great detail. His quality and his technique was comparable to the monstrances of the Toledo Cathedral or the Santiago de Compostela Cathedral, being one of the best examples of the Spanish Renaissance gold work. After the Ecclesiastical Confiscations of Mendizábal the mostrance went to the Collegiate Basilica of Gandia. It was exhibited in the Barcelona International Exposition in 1929. It disappeared during the Spanish Civil War. High cloister: The east superior gallery was built in the 16th century by Maria Enriquez de Luna, Duchess of Gandia. It is made of stone with a gothic style. The arcs are closed by double windows. The north gallery is from the 17th century. There are double windows with columns of dôrico capital. The underground store and the wine and oil press were in the low part. The library and the archive were on the upper floor. The dining hall (refectory) was constructed in the west wing at the end of the 15th and beginning of the 16th century. The armoury was next to this room. The superior gallery is of the 18th century. Romantic gardens: We can access the garden from the square going into an irrigation pool. The Trénor family