is indeed a difference in the terms gender performance and gender performativity. In a 2011 interview, Butler stated it this way: Thus, Butler perceives gender as being constructed through a set of acts that are said to be in compliance with dominant societal norms. Butler is, however, not stating that gender is a sort of performance in which an individual can terminate the act; instead, what Butler is stating is that this performance is ongoing and out of an individual's control. In fact, rather than an individual producing the performance, the opposite is true. The performance is what produces the individual. Specifically, Butler approvingly quotes Nietzsche's claim that "there is no 'being' behind doing... 'the doer' is merely a fiction added to the deed – the deed is everything." Thus, the emphasis is placed not on the individual producing the deed but on the deed itself. On Butler's hypothesis, the socially constructed aspect of gender performativity is perhaps most obvious in drag performance, which offers a rudimentary understanding of gender binaries in its emphasis on gender performance. Butler understands drag cannot be regarded as an example of subjective or singular identity, where "there is a 'one' who is prior to gender, a one who goes to the wardrobe of gender decides with deliberation which gender it will be today". Consequently, drag should not be considered the honest expression of its performer's intent. Rather, Butler suggests that what is performed "can only be understood through reference to what is barred from the signifier within the domain of corporeal legibility". Amelia Jones proposes that this mode of viewing gender offered a way to move beyond the theories of the gaze and sexual fetishism, which had attained much prominence in academic feminism, but which by the 1980s Jones viewed as outdated methods of understanding women's societal status. Jones believes the performative power to act out gender is extremely useful as a framework, offering new ways to consider images as enactments with embodied subjects rather than inanimate objects for men's viewing pleasure. Infancy and young childhood The idea around gender performativity, when applied to infancy and young childhood, deals with the idea that from the moment one is conceived, arguably even before that, who they are and who they will become is predetermined. Children learn at a very young age what it means to be a boy or girl in our society. Individuals are