a key moment in the subsequent Young British Artist era, culminating in the Charles Saatchi collected "Sensation" exhibition. Since 2005, there have been vending machines produced by the association Un Certain Détachement from Grenoble, France. The association was founded by artists Mary Veale, Claude Gazengel and Alain Quercia in 2005. There have been 40 contemporary artists making multiples in video, books, sculpture, design etc. All are works are individually signed and numbered and displayed in shows throughout France, including the 2011 Biennale d'art contemporain de Lyon. Consumer protection laws California became the first state to regulate the sale of artist's multiples and limited edition art prints with the "California Print Law" of 1971. The state of Illinois later expanded on the California statute. However, it was not until 1986 that more comprehensive provisions, still in place today, were enacted with the passage of the "Georgia Print Law". That law became the template for statutes subsequently enacted by other states. The Georgia Print Law written by (former) State Representative Chesley V. Morton, became effective July 1, 1986. The law requires art dealers, artists, or auctioneers to supply information to prospective purchasers about the nature of the print, the number of prints and editions (including HC editions) produced, and the involvement (if any) of the artist in the creation of the print. The penalty for violation of the law ranges from simple reimbursement to treble damages, in the case of a willful violation. Those found to be in violation of the law are also liable for court costs, expenses, and attorney fees. The law applies to works of art valued at more than $100.00 (not including frame). Charitable organizations are specifically exempt from the provision of the law. The statute of limitations is one year after discovery, and, if discovery of the violation is not made within three years of the sale, then the purchaser's remedies are extinguished. A limited edition is normally hand signed and numbered by the artist, typically in pencil, in the form (e.g.): 14/100. The first number is the number of the print itself. The second number is the number of overall prints the artist will print of that image. The lower the second number is, the more valuable and collectible the limited editions are likely to be, within whatever their price range is. A small number of "artists' proofs" may also be produced as well, signed and