United States post office murals are notable examples of New Deal art produced during the years 1934–1943. They were commissioned through a competitive process by the United States Department of the Treasury. Some 1,400 murals were created for federal post office buildings in more than 1,300 U.S. cities. Murals still extant are the subject of efforts by the U.S. Postal Service to preserve and protect them. In 2019, the USPS issued a sheet of 10 Forever stamps commemorating the murals; the murals were from the post offices of Piggott, AR; Anadarko, OK; Florence, CO; Deming, NM; and Rockville, MD. History As one of the projects in the New Deal during the Great Depression in the United States, the Public Works of Art Project (1933–1934) was developed to bring artist workers back into the job market and assure the American public that better financial times were on the way. In 1933, nearly $145 million in public funds was appropriated for the construction of federal buildings, such as courthouses, schools, libraries, post offices and other public structures, nationwide. Under the direction of the Public Works of Art Project, the agency oversaw the production of 15,660 works of art by 3,750 artists. These included 700 murals on public display. With the ending of the Public Works of Art Project in the summer of 1934, it was decided that the success of the program should be extended by founding the Section of Painting and Sculpture (renamed the Section of Fine Arts in 1938) under the U.S. Treasury Department, through Treasury Secretary Morgenthau's executive order of October 14, 1934. The Section of Painting and Sculpture was initiated to commission 1,400 murals in federal post offices buildings in more than 1,300 cities across America. The Section focused on reaching as many American citizens as possible. Since the local post office seemed to be the most frequented government building by the public, the Section requested that the murals, approximately oil paintings on canvas, be placed on the walls of the newly constructed post offices exclusively. It was recommended that 1% of the money budgeted for each post office be set aside for the creation of the murals. The Treasury Relief Art Project (1935–1938), which provided artistic decoration for existing Federal buildings, produced a smaller number of post office murals. TRAP was established with funds from the Works Progress Administration. The Section supervised the creative output of TRAP,