in the order. The altarpiece consisted in fourteen tables. There was a sculpture of Saint Jerome in the middle. In addition, he made other altarpieces for the chapels of the church and the chapterhouse. Also he produced paintings for different parts of the monastery. He painted four great linens for the stations of the low cloister. However, the only work conserved in its original place was The Saint Supper painted in fresco. It is placed in what nowadays is known as the oil mill, that originally was the dining hall (refectory). He took the habit in 1575, and professed final vows the following year. He passed the rest of his life painting, leaving twelve altarpieces in the church alone, and spent his own money to hire sculptors and builders for the monastery's embellishment. The Ecclesiastical Confiscations of Mendizábal sold off the religious buildings to pay state debts. The monks left the monastery on August 6, 1835. In 1843, it was acquired by the Trénor family and remains in their bands until today. The Trénor family has owned it since 1843, although it became a military hospital temporarily during the Spanish Civil War. In 1994, the monastery was declared as an item of cultural interest (BIC), and is now being restored. The doors were opened to the public on May 26, 2005. The restoration work has been carried out on the area behind the church's retable and Nicolas Borrás painting gallery. Nowadays, most of the monastery is open to visitors. Architecture The construction of the monastery began in the 14th century and continued through the 16th century, though its current layout dates from reconstruction in the 17th and 18th centuries. The main facade is overlooked by the main and priory towers. The gothic church has a rectangular ground plan with one aisle and chapels between buttresses, as well as Baroque elements from the 18th-century renovation. The most significant areas on the upper floor are the presbytery and the choir. The bell tower's facade features 17th-century blue and white carvings, and includes the founder's date and name in Valencian. The cloister is arranged in four galleries on two floors encircling a garden. The lower cloister includes arches and vaults in two-coloured Mudéjar style reminiscent of the Córdoba mosque. The sala capitular houses the remains of Prince John and Princess Blanche of Aragon, children of the mediaeval Duke Alfonso the Old. Sections of