their next clue. In this season's first Roadblock, one team member had to scuba dive into the Oceanworld shark and ray tank and search the floor of the aquarium for a compass. The compass included a guide to decode a message hidden in series of nautical flags outside. Teams had to correctly decode the message and then go to the Manly 16ft Skiff Sailing Club, find the Commodore, and give him the message "I am between the devil and the deep blue sea" in order to receive their next clue. At the Manly 16ft Skiff Sailing Club, teams had to join a sailing crew and sail a 16ft Skiff along a water course to a series of buoys that held their next clue, which directed them to the pit stop at Shelly Beach. Additional notes Graham Keating, Sydney's town crier and the pit stop greeter in leg 8 of season 2, made a cameo appearance in this leg. There was no rest period at the pit stop and all teams were instead instructed to continue racing. There was no elimination. Leg 2 (Australia) Episode 2: "I Never Looked So Foolish in My Whole Entire Life" (February 27, 2011) Prize: A trip for two to Cancún, Mexico (awarded to Zev & Justin) Eliminated: Amanda & Kris Locations Sydney (City Centre – Sydney Town Hall (To Sail To Stop Sculpture)) Sydney → Broken Hill Broken Hill (The Living Desert) Broken Hill (Central Football Club) Broken Hill (Intersection of Mercury Street & Bismuth Street) Broken Hill (Junction Mine) Episode summary At the previous pit stop, teams received their clue from Phil, which instructed them to find "To Sail To Stop" and had to figure that this referred to a sculpture of an anchor near Sydney Town Hall. There, teams had to sign up for one of two charter flights leaving the next morning to Broken Hill in the Outback. Once in Broken Hill, teams had to drive themselves to the Living Desert. This season's first Detour was a choice between Spirit World or Natural World. In Spirit World, teams had to make a traditional Australian Aboriginal stone mosaic based on a model, and then perform a dance on top of the mosaic before receiving their clue. In Natural World, teams had to make traditional Australian Aboriginal paintings by spraying a mix of water and pigment to create four silhouette images on a piece