of suffering in Jerusalem, quoting . The tenor as the Evangelist begins the narration from the verse 31, (Jesus gathered the twelve to Himself). The bass sings the announcement of the suffering, (Behold, we go up to Jerusalem), A choral fugue illustrates the reaction of the disciples. In O Ewigkeit, du Donnerwort, BWV 60, (7 November 1723) the bass as the voice of Christ answers in dialogue a recitative of the tormented Fear three times with Selig sind die Toten. In Schau, lieber Gott, wie meine Feind, BWV 153, (2 January 1724) the Bible word from , "Fürchte dich nicht, ich bin mit dir" ("Fear not, I am with you"), is given to the bass as the vox Christi, as if Jesus said it himself. In Mein liebster Jesus ist verloren, BWV 154, (9 January 1724) the bass sings in an arioso the answer of Jesus, found in the temple 12 years old, to the questioning of his desperate parents: "Wisset ihr nicht, daß ich sein muß in dem, das meines Vaters ist?" ("Do you not know that I must be in that which is My Father's?", . In Jesus schläft, was soll ich hoffen? BWV 81, (30 January 1724) the bass sings in an arioso, central within the cantata, the question of Jesus: "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (Why are ye fearful, O ye of little faith?), . The sixth movement of Halt im Gedächtnis Jesum Christ, BWV 67, (16 April 1724) is an "operatic scene", with the bass serenely repeating the words of Jesus from the Gospel, "Peace be with you", four times (three times each), contrasted by agitated choral answers which see Jesus as help in the battle, in strengthening of the weary in spirit and body, and in overcoming death. Cantata Wo gehest du hin? BWV 166, (7 May 1724) is opened by the bass singing a quote from the gospel, the third Farewell discourse, but turned into a general question about the direction of life. In the cantata Wahrlich, wahrlich, ich sage euch, BWV 86, (14 May 1724) the bass sings in the opening movement three times the promise from the farewell discourse of Jesus: "Verily, verily, I say unto you, whatsoever ye shall ask the Father in my name, he will give you" (). Bach uses the Vox Christi in several cantatas of his second cycle (1724–1725): In chorale cantatas composed in