The Lucan portrait of Leonardo da Vinci is a late 15th- or early 16th-century portrait of a man that was discovered in 2008 in a cupboard of a private house in Italy. It strongly resembles a portrait of Leonardo da Vinci by Cristofano dell'Altissimo held by the Uffizi Gallery. The painting was previously thought by its owners to represent Galileo but on its discovery a claim was made that it is a self-portrait by Leonardo da Vinci. Alessandro Vezzosi, director of the Museo Ideale Leonardo da Vinci at Vinci said in 2011 that he had excluded the possibility that it was a self-portrait, but that the painting "remains intriguing because it adds a new element to the Leonardo puzzle". Painted in tempera grassa on panel, , it depicts a man in three-quarter view, with a long beard and wearing a dark hat. In 2019 it is being exhibited in Madrid along with other material related to Leonardo. It is usually in the Museo delle Antiche Genti di Lucania (Museum of the Ancient People of Lucania) in Vaglio Basilicata, a region of Southern Italy. In 2008 Nicola Barbatelli, Director of the Museo, discovered the painting, attributed it to Leonardo, and gave it the name Lucan portrait, from Lucania, the ancient name of Basilicata. In 2010 a conference was held at which a team comprising David Bershad, Professor at University of Calgary (Canada); Peter Hohenstatt, Professor at the University of Parma; Felice Festa, Professor of Orthodontics and Gnathology at the D'Annunzio University of Chieti–Pescara; and Nicola Barbatelli, presented the findings in support of Barbatelli's attribution. In 2017, the University of Malta refused permission for an exhibition in which the Lucan Portrait was meant to be the centrepiece, citing doubts by its art history department over the attribution to Leonardo. Nicola Barbatelli has however dismissed this decision, stating that the university did not have academics "with sufficient expertise on the subject". Provenance The painting was found in 2008 by Nicola Barbatelli, director of the Museo delle Antiche Genti di Lucania, in the private collection of an aristocratic family at Acerenza (population 3,000), a village on the river Bradano near Potenza in Basilicata. The family, who asked to remain anonymous, believed it to be a portrait of Galileo. According to Professor Peter Hohenstatt of the University of Parma, the portrait is listed on page 116 of Napoli Antica e Moderna, vol. I (1815) edited