I. Quartet "Gütigster, Bester! Weisester Größter!" for two tenors and two basses (1st and 2nd settings; 2nd setting [formerly D 441] for two tenors, bass and piano) II. Aria "So Güt’ als Weisheit strömen mild" for tenor and piano III. Canon "Unser aller Großpapa, bleibe noch recht lange da" for three voices D 423, Trio "Andenken" ['Ich denke dein, wenn durch den Hain'] for two tenors and bass (1816, 2nd setting) D 424, Trio "Erinnerungen" ['Am Seegestad, in lauen Vollmondnächten'] for two tenors and bass (1816, 2nd setting) D 425, Trio "Lebenslied" ['Kommen und scheiden, suchen und meiden'] for two tenors and bass (1816, lost; see also D Anh. I,23) D 426, Trio "Trinklied (Herr Bacchus ist ein braver Mann)" ['Herr Bacchus ist ein braver Mann'] for two tenors and bass (1816, lost) D 427, Trio "Trinklied im Mai" ['Bekränzet die Tonnen'] for two tenors and bass (1816) D 428, Trio "Widerhall" ['Auf ewig dein, wenn Berg und Meere trennen'] for two tenors and bass (1816) D 494, Quintet "Der Geistertanz" ['Die bretterne Kammer der Toten erbebt'] for two tenors and three basses (1816, 4th setting) D 538, Quartet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for two tenors and two basses (1817, 2nd setting) D 572, Quartet "Lied im Freien" ['Wie schön ist's im Freien'] for two tenors and two basses (1817) D 598, Quartet "Das Dörfchen" ['Ich rühme mir mein Dörfchen hier'] for two tenors and two basses (1817, 1st version; sketch without a piano part) D 635, Quartet "Leise, leise laßt uns singen" ['Leise, leise laßt uns singen'] for two tenors and two basses, Ruhe (1819) D 656, Quintet "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for two tenors and three basses (1819, 4th setting) D 657, Quartet "Ruhe, schönstes Glück der Erde" ['Ruhe, schönstes Glück der Erde'] for two tenors and two basses (1819) D 709, Quartet "Frühlingsgesang" ['Schmücket die Locken mit duftigen Kränzen'] for two tenors and two basses (before 1822, 1st setting) D 778B, Quartet "Ich hab’ in mich gesogen" ['Ich hab’ in mich gesogen den Frühling treu und lieb'] for two tenors and two basses (1827?, sketch) D 873A, Quartet "Nachklänge" ['?'] for two tenors and two basses (?) (1826?, sketch without text) D 893, Quartet "Grab und Mond" ['Silberblauer Mondenschein fällt herab'] for two tenors and two basses (1826) D 901, Quartet "Wein und Liebe" ['Liebchen und der