Evangelist begins part 2 with a recitative on , "Jesus sprach zu Simon" (Jesus said to Simon), the following direct speech of Jesus, calling Peter as his disciple, is sung by the bass: "Fürchte dich nicht; den von nun an wirst du Menschen fahen" (Fear not, from henceforth thou shalt catch men). In the central movement of Es ist dir gesagt, Mensch, was gut ist, BWV 45, (11. August 1726) beginning Part II, the voice of Christ appears in a "highly virtuosic aria, half Vivaldian concerto, half operatic scena", according to John Eliot Gardiner. The central movement of Es wartet alles auf dich, BWV 187, (4 August 1726) is Darum sollt ihr nicht sorgen ("Therefore do not be anxious") from the sermon on the mount. The words of Jesus are sung by the bass, accompanied by the violins in unison and the continuo, which also takes part in their motifs. In Herr, deine Augen sehen nach dem Glauben, BWV 102, (25 August 1726) Bach himself marked movement 4 for bass Arioso on words from the Epistle to the Romans 2:4—5, Verachtest du den Reichtum seiner Gnade ("Do you scorn the riches of His mercy"). In Ich geh und suche mit Verlangen, BWV 49, (3 November 1726), a cantata for soprano and bass soloists which is termed a Dialogus between the Bride (the Soul) and the Bridegroom (Jesus), the soprano is the Bride and the bass, the vox Christi, is the Bridegroom. Later additions to the chorale cantata cycle: In Wachet auf, ruft uns die Stimme, BWV 140, (25 November 1731) Jesus "appears" with the "Soul" in movement 3, a duet for soprano and bass, Wann kommst du, mein Heil? ("When will you come, my salvation?"). In Es ist das Heil uns kommen her, BWV 9 (composed between 1732 and 1735), three bass recitatives based on stanzas of the chorale can be considered a sermon on the Lutheran creed, based on the Sermon on the Mount. In one of the other late church cantatas by Johann Sebastian Bach: In Schwingt freudig euch empor, BWV 36, (2 December 1731) in the bass aria beginning part II, "Willkommen, werter Schatz!" (Welcome, worthy treasure!) the bass voice is the vox Christi, addressing the bride. Vox Christi performers Some basses and baritones are especially known for singing the words of Jesus in Bach's Passions, including: Dietrich Fischer-Dieskau Kieth Engen Franz Kelch Max van Egmond Klaus