Fifinella was a female gremlin designed by Walt Disney for a proposed film from Roald Dahl's book The Gremlins. During World War II, the Women Airforce Service Pilots (WASP) asked permission to use the image as their official mascot, and the Disney Company granted them the rights. Origins The story of Fifinella began in 1942 when Roald Dahl, who had been removed from flying with the RAF due to injury, wrote The Gremlins, a fairy tale about the hazards of combat flying; in this incarnation, the word "fifinella" only refers to female gremlins as opposed to any specific one. Dahl took the name from the great "flying" filly, Fifinella, who won The Derby and Epsom Oaks in 1916, the year Dahl was born. As an RAF-trained pilot, he was familiar with prewar RAF folklore about the Gremlin, the mischievous source of any unknown problem. Although gremlins predated Murphy's Law that "whatever can go wrong, will go wrong," they were obviously motivated by the same principles. Finella was used as the WASP badge The Gremlins The Gremlins is a children's book, written by Roald Dahl. It was published in 1943 by Random House for Walt Disney and serialized in Cosmopolitan. It was Dahl's first children's book, and was written for Walt Disney Productions, as a promotional device for a feature-length animated film that was never made. With Dahl's assistance, a series of gremlin characters was developed, and although pre-production began, the film project was eventually abandoned, in part because the studio could not establish the precise rights of the "gremlin" story, and in part because the British Air Ministry, which was heavily involved in the production because Dahl was on leave from his wartime Washington posting, insisted on final approval of script and production. The publication of The Gremlins by Random House consisted of a 50,000 run for the U.S. market with Dahl ordering 50 copies for himself as promotional material, handing them out to everyone he knew, including Lord Halifax and First Lady Eleanor Roosevelt, who read the book to her grandchildren. The book was considered an international success with 30,000 more sold in Australia but initial efforts to reprint the book were precluded by a wartime paper shortage. Reviewed in major publications, Dahl was considered a writer-of-note and his appearances in Hollywood to follow up with the film project were met with notices in Hedda Hopper's columns. Facing copyright