actors and watching the filmmakers and how they respond because you’re all trying to get the job. For Francis, it was about mixing and matching the ensemble, saying 'Dennis Quaid, you read this, and Rob Lowe, you read that. As a New Yorker who didn't know any of the other actors auditioning, Macchio also stated that he felt like an outsider during the process. Filming The film was shot on location in Tulsa, Oklahoma. Filming took place from March 29 to May 15, 1982. A newspaper used to show a story about the three greasers saving the kids in The Outsiders includes a real story from 1982 regarding the death of a man hit by a train in Boston. Coppola's craving for realism almost led to disaster during the church-burning scene. He pressed for "more fire", and the small, controlled blaze accidentally triggered a much larger, uncontrolled fire, which a downpour doused. The original length of the film was two hours and 13 minutes. Warner Bros. felt that the film was a mistake and was too long. As a result, Coppola cut it down to 91 minutes for the theatrical release. The pranks that went on during the filming have become legendary, mostly initiated by Matt Dillon, Rob Lowe, Tom Cruise, and Patrick Swayze. The targets were often C. Thomas Howell and Diane Lane. Ralph Macchio was not involved because he was so focused on getting his role right. The author of the original novel, S.E. Hinton, was involved during the filming as she and Coppola wrote the screenplay together; she appears as a nurse near the end of the film. She also later stated that she served as an informal "den mother" to many of the actors, as she was "close to all of them." Soundtrack Reception Critical response Review aggregator Rotten Tomatoes has a rating of 69% based on 48 reviews, with an average score of 6.3/10. The site's consensus reads, "The cracks continue to show in Coppola's directorial style, but The Outsiders remains a blustery, weird, and fun adaptation of the classic novel." Roger Ebert awarded the film two and a half out of four stars, citing problems with Coppola's vision, "the characters wind up like pictures, framed and hanging on the screen." Metacritic gave the film a score of 45, indicating "mixed or average reviews". The film's casting directors Janet Hirshenson and Jane Jenkins, wrote in