button controls. Had increase/decrease push buttons for shutter speed selection instead of a traditional shutter speed dial."Annual Guide To 47 Top Cameras: Asahi Pentax ME Super," p. 88. Modern Photography, Volume 44, Number 12; December 1980. Norman Goldberg, Michele A. Frank and Norman Rothschild, "Lab Report: Pentax ME Super," pp. 115–119, 128–129, 137. Popular Photography, Volume 87, Number 9; September 1980. As digital computerized SLR features multiplied, push button controls also multiplied and replaced analogue electromechanical dial switches in most 35 mm SLRs by the late 1980s. 1979 Sedic Hanimex Reflex Flash 35 (Australia/Japan): first SLR with built-in electronic flash. Otherwise a wholly forgettable camera; a cheaply made 35 mm SLR of low specifications and poor quality, with a fixed Hanimar 41mm f/2.8 lens and mirror gate shutter. 1980s 1980 Nikon F3 (Japan): first SLR with viewfinder liquid crystal display digital data display. LCD showed shutter speeds; manual mode and under/overexposure indicators."Annual Guide To 47 Top Cameras: Nikon F3," p. 104. Modern Photography, Volume 44, Number 12; December 1980. Stafford, Hillebrand & Hauschild, pp. 29–38, 272–273 As computerized SLR features multiplied, comprehensive viewfinder LCD panels became normal in virtually all 35 mm SLRs by the late 1980s. 1981 Rolleiflex SL 2000 F (West Germany): first 35 mm SLR to not use the oblong body plus viewfinder head configuration and handling established by the Kine Exacta, 45 years before (see above). Had a cubic body, like a miniature 2¼ medium format SLR, with fixed dual telescopic eyelevel plus folding waist level finder. Also had interchangeable film backs, built-in motor drive, aperture priority AE and TTL autoflash.Herbert Keppler, "Keppler on the SLR: Pentax sets out to knock off Canon and Olympus with smallest SLRs ever – Rollei's unbelievable SL2000," pp. 55–57, 186, 208, 212–214, 230. Modern Photography, Volume 40, Number 12; December 1976. The 1980s saw varied attempts to stand out in a crowded marketplace by using unconventional 35 mm SLR body layouts.Steven Pollock and Barry Tanenbaum, "SLR Notebook: Three for the Road Ahead," pp. 24–25. Modern Photography, Volume 52, Number 5; May 1988. Besides the professional level Rolleiflex, they included the vertical Yashica Samurai series and the flat Ricoh Mirai"Popular Photography: Test Report: Ricoh Mirai: Why let it all hang out if you can build it in?" pp. 56–65. Popular Photography, Volume 96, Number 7; July 1989. (both 1988 and from Japan) point-and-shoot SLRs."Modern Picks! Pointers, Shooters…and Specialties for '89," pp.