piano for guests at parties. Soon the Ex-Colored Man spent most of his time working for the white gentleman, who paid him to play ragtime music for hours at a time. He would play until the white gentleman would say "that will do." The Ex-Colored man would tire after the long hours but would continue playing as he saw the joy and serenity he brought the white gentleman. The white gentleman frequently "loaned" the Ex-Colored Man out to other people to play at their parties. The gentleman was not "loaning" him out as a piece of property, but simply giving the narrator a broader palette to display his talents. The Ex-Colored man saw how the rich lived; he was thrilled to live in this lifestyle. The Rich White Gentleman influenced the Ex-Colored Man more than anyone else he met. In his relationship toward the Rich White Man he was aware of aspects of the slave/master, but saw there was also one of friendship. While he was with the white gentleman, the Ex-Colored Man decided he would use his skills to aid in abolitionism. Even though life was pleasant, it was void of substance; using his music to aid poor African Americans he felt would be a better use of his talents. The Ex-Colored Man continued to show devotion to the white gentleman, as the white gentleman treated him with kindness, which eventually led to the forming a friendship while in Paris. The Ex-Colored Man's devotion to the white gentleman expresses the relationship that some slaves had with their masters (slaves who showed devotion to the slave-owner). Johnson suggests that, although the Ex-Colored Man had "freedom," he was still suffering from the effects of slavery. After playing for the white gentleman while touring Europe, the Ex-Colored Man decided to leave him and return to the South to study Negro spirituals. He planned to use his knowledge of classical and ragtime music to create a new Black American musical genre. He wanted to "bring glory and honor to the Negro race," to return to his heritage, and proud and self-righteous race. Many critics have suspected that the Rich White Gentleman may not be white but is passing, as well. His love for ragtime music and his conviction that the Ex-Colored Man not embrace his blackness to pursue a career as a definitively black composer could be used to argue that he experienced