[[Image:Esaltation of the Eucaristy - Sputnik.png|thumb|right|Celestial sphere of the Disputa', often mistaken for the Sputnik satellite']] Ventura di Archangelo Salimbeni (also later called Bevilacqua; 20 January 1568 – 1613) was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci. Biography Salimbeni was born in Siena. He studied painting, together with his half-brother Francesco Vanni, under their father Arcangelo Salimbeni in his native Siena, He possibly spent some time, in Northern Italy and then moved to Rome in 1588 to work, together with others, on the fresco painting of the Vatican Library under pope Sixtus V. During 1590-1591, he received a commission from Cardinal Bonifazio Bevilacqua Aldobrandini for paintings in the Roman Jesuit Church of the Gesù and the Basilica di Santa Maria Maggiore. These paintings show the influence of Cavalier D'Arpino and the Counter-Mannerist Barocci pupil Andrea Lilio. Salimbeni returned to Siena in 1595. Here he persisted in a Reformist or Counter-Maniera style. He was here influenced by Federico Barocci as can be seen in the draperies, highlighted with abrupt changes of light and flickering surfaces, of his painting "Birth of a Virgin" in the San Domenico church in Ferrara (1607–1608). He completed painting cycles (1595–1602) for Sienese churches such as the Oratory of Santa Trinità. He is known for detailed preparatory drawings, most of which are now in the Uffizi in Florence or the Fine Arts Museum of San Francisco. At around 1600, he began painting the "Life of St Hyacinth" for the Sienese church of Santo Spirito. These paintings show the innovative perspective and style of the Florentine Reformers Ludovico Cigoli Cigoli and Domenico Passignano Domenico Passignano. He continued to create paintings for churches throughout Italy, including Florence. At the Basilica della Santissima Annunziata di Firenze, he frescoed lunettes (1605–1608) illustrating events in the history of the Servite Order. In the Duomo di San Salvatore, he executed a magnificent John the Baptist. At about the same time, around 1600, he got an assignment in Assisi for a fresco of the "Resurrection of Christ" and the "Dying Saint Clare is visited by the pope" in the vault of chapel of San Massimo in the Basilica of Santa Maria degli Angeli. In 1603, Salimbeni was commissioned to paint frescoes with scenes from the church's patron saints Quiricus and Julietta for the church of Ss Quirico e Giulitta, one of the oldest churches