and including more than 6000 objects which bear witness to rural life, the museum allows visitors to rediscover daily life on a farm from that era. Exhibits show the barn, the granary, the stables, barn, vegetable garden, orchard, pasture, stables, the arboretum. Exhibits to do with the house itself include the kitchen, bedroom, lounge, the bakery, laundry, and the cellar. Village life is depicted with shops - a tavern, a grocer's, a hatter's, a bakery, a butcher's, a cobbler's, the apothecary, the basket maker, and a hairdresser. There is a school and several businesses including a thatcher, carder, saddler, carpenter, cooper, wheelwright, blacksmith and beekeeper. The Organ Farm This museum presents a collection of mechanical instruments, mechanical organs, music boxes, phonographs and mechanical pianos. There is also a mechanical violin, of which only a few remain in the world. Folk music, dance and celebration Totor: the festival giant Totor is a processional giant, inaugurated first in 1933, and used on various feast days. His body was made of wood having been made by the local carpenter and cooper; the papier-mâché head was bought in Lille and brought to Steenwerck by bicycle. He measured and weighed . Unfortunately, he disappeared during the Second World War. Another, much smaller one was made in 1947, but with the public celebration of feast days on the wane, this giant didn't last the humid conditions of storage. Since then, however, two more Totors have been made, one in 1978 and, the one in current use, in 2006. These two are identical to each other in design and measure , with a weight of clothed. Vonchelle: traditional music and dance In the northern French dialect spoken in Steenwerck "Vonchelle" is a bindweed, a plant which typifies the Flanders volunteer, in that it has very deep roots. Because of this the name has been given to a group which performs traditional dances music at Steenwerck. The group Vonchelle started in September 1981. Initially it only focused on getting to know and teaching traditional Flemish dances, but a decade later a band was formed and Vonchelle is now involved fully in the Folk circuit. Their repertoire includes quadrilles, rounds, schottisches, polkas, and waltzes. They also perform from a traditional Flemish heritage, with some borrowings from the Irish repertoire, for example, jigs, circles, and so on, or the centre of France, for example, bourées. The instruments they use are