Pedrito Fernández, and Lucerito had a prepubescent following. During the 1980s songwriters like Guillermo Méndez Guiú, Rafael Pérez Botija or Aureo Baqueiro wrote songs for singers like Yuri, Lucía Méndez and musical groups like Timbiriche, Flans and Fandango. These groups headed the radio charts in Mexico and launched international career by promoting their music in Latin America. Other pop music icons in Mexico during the 1980s include José María Napoleón, Magneto, Dulce, Franco de Vita, Juan Luis Guerra, Isabel Pantoja, Ana Torroja and Rocío Dúrcal. Although not all of these singers are from Mexico. The most well-known Mexican singer of the 1970s and 1980s was José José. Known as "El Principe de La Cancion" (The Prince of the Song), he is recognizable for his romantic ballads and gifted vocals. José José has sold over 40 million albums in his career and became a huge influence to very popular singers like: Cristian Castro, Vicente Fernández, Alejandro Fernández, Pepe Aguilar, Manuel Mijares, Lupita D'Alessio, Reyli, and Nelson Ned. When Thalía became part of Timbiriche in the 1980s, tension with Paulina a group member became instantaneous and the rivalry to monopolize the lead role was warming the atmosphere and culminated at a point in which they ended up graving each other's hairs on stage. Thalia and Paulina have frequently garnered comparisons ever since, even after the two directed their solo career. In which the media sets them up, competing for the title of Latin pop queen. Similar to the comparison between Christina Aguilera and Britney Spears in the American market who also both started as group membership at The Mickey Mouse Club. In the 1980s, the regional music scene in both Mexico and the Mexican American community in the United States was dominated by grupera. This style of Mexican music combines cumbia, norteño, and rock music. The lyrics are rooted with romantic themes including heartbroken songs. Several notable grupera ensembles include Los Caminantes, Los Yonic's, Los Bukis, and Los Temerarios. Norteño band Los Tigres del Norte continued their success from the 1970s with their corridos involving social commentary such as "Jaula de oro" ("The Golden Cage") which tells of a Mexican man who crosses the Mexico-United States border illegally and raises a family in the United States who denies their Mexican heritage while the man longs to return to his country. Its parent album reached number one on the Regional Mexican charts in