not believe it was what he had envisioned. In December 1988 the band returned to the studio to record what would become their true debut release, Altars of Madness. Almost all of the songs on that original demo recording have since been re-recorded and appeared on various Morbid Angel albums. The band has explained that in many ways they felt unprepared when they entered the studio, despite them having practiced extensively beforehand. The band chose the studio because it was located close to the band in Tampa, and considered it the preeminent studio at the time. David Vincent called it a "trial run", but that he was "really pleased that everything came together when it finally did." Original vinyl and cassette pressings of Altars of Madness did not include "Lord of All Fevers and Plague"; this track has appeared as a bonus track on nearly all CD versions of the album (between "Maze of Torment" and "Chapel of Ghouls"), while the remastered 2002 release included remixes of three songs from the album, "Maze of Torment", "Chapel of Ghouls" and "Blasphemy". The album saw a 2006 DualDisc release with the 2002 remaster on the audio side and Live Madness 89 recorded at Nottingham Rock City on November 14, 1989, on the DVD side. The album was remastered and reissued by Earache Records in 2011 and 2015, and in May 2016 a 'Full Dynamic Range' remaster was released digitally and on vinyl. On November 23, 2018, there will be a digipak edition of the album, with remastered sound and the bonus tracks, along with a bonus clip of "Immortal Rites". Artwork The cover artwork, by Dan Seagrave, depicts "a flat disk made of a fossil material, that has captured souls". Seagrave has said that,This was something I'd been working on at home, which the band saw partially finished. It consequently became my first Death Metal cover. Prior to that I'd been making album covers for British thrash bands like Warfare, and Hydravein. Even though I was 18 when I did it, I still think it's quite interesting. It's not supposed to be spherical as has been suggested. It's more like a flat disk made of a fossil material, that has captured souls. Reception and legacy Many death metal fans and critics consider Altars of Madness to be one of the best death metal albums of all time. Jason Birchmeier of Allmusic wrote