song dedicated to and named after Pierce. Morris, a friend and former housemate of Pierce, had suggested "The Gun Club" as a band name while they were living together. He described Pierce in 2010 as "not only one of my heroes, he's totally inspirational to me." At live performances, Morris has introduced "Jeffrey Lee Pierce" with a tribute to Pierce and their close friendship, describing the song as a "eulogy". Pierce is mentioned in the Gallows song, "Everybody Loves You (When You're Dead)", from their 2012 self-titled album. The song ends with the lines: Come back, Dee Dee Ramone. Come back, Jeffrey Lee Pierce. Come back, Frankie Venom. Come back, Lux Interior. Come back, Darby Crash. Come back, Johnny Thunders. Come back, Sid Vicious. Come back, Joe Strummer. We need you now. Henry Rollins, another friend of Pierce, played the Gun Club song "Bill Bailey" during his first show for the "Artist in Residence" feature on Australian national radio station Double J. Rollins stated before playing the song: "Jeffrey Lee Pierce was a very good friend of mine and I miss him horribly. I play a lot of his music because I miss him and I want people to never forget the Gun Club." Primal Scream's 2013 album More Light referenced Pierce and the Gun Club with a reworking of Pierce's "Goodbye Johnny" and use of the title "Walking with the Beast". In 2014, Sergio Rotman of the Argentinian band Los Fabulosos Cadillacs edited a special edition of 500 CDs with versions of 14 Gun Club and Pierce songs. His 2002 tribute "El Fuego Del Amor" had previously featured eight Gun Club songs. Dax Riggs, former front man of Acid Bath, Agents of Oblivion, and Deadboy & The Elephantmen, frequently performs a cover of the Gun Club's "Mother of Earth" at his live shows, always crediting Pierce and expressing admiration for his song-writing. Jeffrey Lee Pierce Sessions Project The Jeffrey Lee Pierce Sessions Project is a tribute initiative launched after Cypress Grove, one of Pierce's musical collaborators, cleaned out his loft following Pierce's death. Grove uncovered a recording of three songs on a cassette marked "JLP Songs", and realized they were from sessions he had worked on with Pierce for an album they were planning. The album was originally slated as a country-influenced album but eventually transformed into a blues recording. The sessions were recorded with acoustic guitars in Grove's