Tricking the Eye, Shadow puppets, Early optical device, The Phantasmagoria, Optical toys, Photography, Magic lanterns, Projection, Persistence of vision, The arrival of Cinema (Lumiere Brothers), Early Technical advances, British Pioneers including Birt Acres, Méliès, The early cinemas World War I, The formation of Hollywood, The Temple to the Gods of the Silent Cinema, Charlie Chaplin, The Russian Agit prop Train, Experimental Film, German Expressionism, The coming of sound film, Censorship, Newsreel, The Documentary Movement, Cinema of France, Animation, The Hollywood Studio System, The Great Days of Cinema Going in Britain including Odeon Cinemas, British film, World War II, Cinema architecture, The arrival of television, Expansion of television, Cinema fights television, World Cinema, Television heritage, Television today, a Doctor Who exhibit that was used in several documentaries about the early years of the show, plus a temporary exhibition area. A series of temporary exhibitions were held in the final room at the end of the museum tour: The World of Jim Henson Magical Lanterns Charlie Chaplin's Centenary Catching the Action: Muybridge and the Chronophotographers Ray Harryhausen: Creatures of Fantasy Behind the Sofa: Doctor Who at MoMI Irn-Bru Pop Video The Western: West of the Mississippi and North of the Rio Grande Judy Garland Georges Méliès Special Effects in the Cinema Imagine (the next 100 years of the moving image) Museum building MOMI was housed in a glass-sided steel framed metal-clad building (designed by Bryan Avery of Avery Associates Architects), with red roofs running along each side of Waterloo Bridge. Legacy An exhibition called Moving Pictures ran at the Sheffield Millennium Galleries 14 February – 19 May 2002. The exhibition offered a scaled down version of MOMI using actors and items from the museum collection to tell the history of the moving image. It was planned as the first location of a touring exhibition but was not well received and the tour was cancelled. Later in October 2002 the BFI announced it no longer planned to recreate MOMI. The MOMI programme was discontinued and its site reopened as BFI Southbank on 14 March 2007, providing a new entrance to the National Film Theatre complex. A programme of commissioned artists' moving image work was seen as a better fit for the BFI's remit to promote the moving image in all its forms than that of MOMI: an Exhibitions Department was established and a contemporary art gallery dedicated to the moving image opened, the