relatively small venues such as the Dublin Castle and Upstairs at the Garage, this featured London-based bands such as Billy Mahonie, Guapo, Rothko, Nub, Delicate AWOL, Geiger Counter (later Foe) and the Shrubbies, plus affiliated acts such as the Oxford-based Nought and developing indie acts such as Seafood. The band's first (and only) album, I Dig Your Voodoo, arrived in 1999. Like the singles, it was released on Weird Neighbourhood Records. It received reviews in the mainstream press in publications as disparate as The Guardian, Heat, and NME. The latter, giving the album eight points out of ten, said "it is with longing arms that we clutch The Monsoon Bassoon close to our heavy bosom. They have come with a malicious intent to bludgeon all musical preconceptions into mush. And they will, ultimately, tug hard on your heartstrings in ways that you won't quite understand. It's all in the delivery. I Dig Your Voodoo... is psychedelic pop that has been hung, drawn and quartered only to be dipped into an acid pickle and served with a liberal helping of punk rock angst... Every spurt of sonic agitation is brimful of intent." Comparing the music to Nomeansno, Cocteau Twins’ Liz Fraser and Cardiacs, the review concluded that the album was "one fuck-off cosmic rock'n'roll sensation, with scant regard for the songwriting rulebook. Truly, it's a world of unfathomable prog-new-wave wonders. Pop music, then, but not as those in their right mind know it." The band gigged persistently in and around London during this year, playing once again with Snow Patrol in July. Final years (2000 to mid-2001) Despite the positive response to their album, The Monsoon Bassoon did not get signed by any major labels to enable them to make the next step in scaling up their career. Undeterred, they continued to perform live, and to record and release on Weird Neighbourhood. 2000 saw the release of two seven-inch vinyl split singles, intended as the first two parts of an ongoing collaborative series, in which the band would cover/adapt one piece by a chosen collaborator in and in return would have one of their own pieces covered or adapted in a similar way. Wall of Suss 1 saw the band working with Rothko and Wall Of Suss 2 was a collaboration with Max Tundra. In mid-2001, The Monsoon Bassoon provided three tracks for the "Summer 2001" box-set release in Day Release