Wake of the Flood is the sixth studio album (tenth overall) by rock band the Grateful Dead. Released October 15, 1973, it was the first album on the band's own Grateful Dead Records label. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, backing vocalist Donna Jean Godchaux, also joined the group and appears on the album. The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching 18. An expanded version was released in 2004. Recording After three (official) live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." The new compositions drew on many of the band's influences, blending genres from country folk and R&B to ragtime and jazz rock, the latter being more prominent than previously. As had become routine, Robert Hunter and Jerry Garcia wrote the majority of the songs, with Bob Weir's contribution being the epic "Weather Report Suite". The "Prelude" section of this piece had been developed onstage, but the "Part 1" and "Part 2 (Let it Grow)" debuted after the album's recording. "Let Me Sing Your Blues Away" is the band's only singing-songwriting contribution from Keith Godchaux. It was performed live just six times, in September 1973, between the recording and release of the album. Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered: The band chose to record at the recently built Record Plant between August 4–15, 1973. It was in Sausalito, near their San Rafael home base, and had been used by cohorts New Riders of the Purple Sage for