original manuscripts with motion picture possibilities, as well as tried plays from around the world. Both professionals and students were to be cast in productions, as well as some of the featured players of the past." Classes for students wanting to join the Union Square Players, and "learn by practical experience," began on January 21. The little theatre generated a great deal of interest among local playwrights inasmuch as Glaum had received some 15 plays by January 27. One of the most intriguing was Eulalia Andreas's A Friendly Divorce, which went into rehearsal with Johnstone White directing. Noted stars were lured to perform. In March 1935, Glaum and Betty Blythe, another star of the silent screen, starred in Angel Cake, which was written by Ansella Hunter, who had three plays staged by the Shuberts. In May, the Union Square Players presented the comedy Ask Herbert, which was written by Katherine Kavanaugh and declared in the Los Angeles Times to be "a riot of laughs" and "a fast-paced farce of Broadway caliber." Among the cast that Glaum assembled was Herbert Vigran, who went to New York and made his debut on Broadway later that year. In 1936, Glaum joined the Matinee Musical Club. A drama department was introduced as an innovation to the club and Glaum was appointed the director. Plans for three one-act plays to be presented in November at the club were discussed by the department members on August 7, at the department chairman's home in Beverly Hills. She presented three one-act plays for the club on November 17, 1937, in the Creative Arts Center at 4950 Franklin Avenue in Hollywood. In late September 1939, Glaum took over a theatre at 11th Street and Broadway in Downtown Los Angeles, designating it the "Louise Glaum's Happy Hollow." Opening on Wednesday night, September 27, in the rural play Aaron Slick From Pumpkin Creek, which had a continuous run for three months in Long Beach, specialties were offered between the acts. Another rural play with specialties was presented at the Happy Hollow Playhouse on January 11, 1940, for the Matinee Musical Club, which had a Gay Nineties party at the theatre. In September 1952, Glaum reopened the Beaux Arts Theatre, at the corner of West 8th Street and Beacon Avenue in Westlake, as the Louise Glaum Playhouse, which was generally referred to as the Louise Glaum Beaux Arts Theatre. The initial attraction,