Mikelatz seems to have a more negative or wild character ; he is sometimes assimilated into the spirit of storms, Hodei, or embodied as a young red bull. Another legend presents Mari as wife to the Lord of Biscay, Diego López I de Haro. This marriage may symbolize the legitimacy of the dynasty, much in the style of the Irish goddess marrying the kings of that island as a religious act of legitimacy. In any case, the condition that Mari imposes on her husband is that, while he could keep his Christian faith, he was obliged to keep it outside the home. Once, apparently after discovering that his wife had a goat leg instead of a normal human foot, he made the sign of the cross. Immediately after that act, Mari took her daughter, jumped through the window and disappeared, never to return. This account can be heard as delegitimizing the de Haro family, who had been placed as lords by the Castilian conquerors not long before this myth arose. Other legends are more simple. For example, there is a legend that when one is lost in the wild, one only has to cry Mari's name loudly three times to have her appear over one's head to help the person find his or her way. The people of Oñati believed that the weather would be wet when she was in Anboto, and dry when she was in Aloña. In Zeanuri, Biscay, they say that she would stay seven years in Anboto, then the next seven in a cave in Oiz called Supelegor. A similar legend in Olaeta, Biscay substitutes Gorbea for Supelegor. A legend from Otxandio, Biscay tells that Mari was born in Lazkao, Gipuzkoa, and that she was the evil sister of a Roman Catholic priest. In other legends, the priest is her cousin Juanito Chistu, rather than a brother, and is a great hunter. She was said to take a distaff by the middle and walk along spinning, and leaving storms in her wake. In Elorrieta, Biscay, it was said that she would be in her cave, combing her hair, and not even a shepherd could draw near to her. It was also said that her malign power did not extend to those who were innocent of sin. Folklorist Resurrección María de Azkue ties Mari Urraca to a legend about a princess of the Kingdom of Navarre, widow