the Festival's audience. Gal's first album Domingo was released in 1967 through Philips Records. It was also Veloso's debut. Gal stayed on the label, which later became PolyGram, until 1983. One song released from this album, "Coração Vagabundo", became a huge hit. The same year, Gal also performed two songs on the 2nd International Music Festival, which was then hosted by Rede Globo. They were "Bom Dia", written by Gil and Nana Caymmi, and "Dadá Maria", written by Renato Teixeira. The latter was performed with Sílvio César at the Festival and with Teixeira on the recording. In 1965, Costa began to record inedited songs from Gilberto Gil and Caetano Veloso. In 1968, Gal became a part of the tropicália movement. Tropicalia is a mix of Samba, Bossa Nova and modern genres like rock and beat. She recorded four songs on Tropicália: ou Panis et Circenses. They were "Mamãe coragem", written by Veloso and Torquato Neto, "Parque industrial", by Tom Zé, "Enquanto seu lobo não vem", by Veloso, and "Baby", also by Veloso. The latter became one of Costas best known songs. The same year, she participated in the 3rd International Music Festival, performing "Gabriela Mais Bela", written by Roberto and Erasmo Carlos. In November, she participated in Rede Record's 4th Music Festival, performing the song "Divino Maravilhoso", by Gil and Veloso. The song also became a nationwide hit and a classic song of popular music. When Gilberto Gil and Caetano Veloso were living in exile in London, she would visit them and keep performing their music, but stayed in Brazil. In 1969, Gal released her eponymous solo debut album, which included "Baby" and "Divino Maravilhoso". The album is considered a Tropicalismo classic, balanced between Brazilian stylizations and North American psychedelic influences. It also featured Gal's third and fourth solo hits, Jorge Ben Jor's "Que pena (Ele já não gosta mais de mim)" and Veloso's "Não identificado", respectively. In the same year, she recorded her second solo album, titled Gal, and featuring the hits "Meu nome é Gal", by Roberto and Erasmo Carlos, and "Cinema Olympia", by Veloso. The album served as the basis for the repertoire of the concert Gal! Her next album, Legal, was not as far from the mainstream as its predecessor, and a live album the following year again balanced smooth Brazilian sounds with heavy rock. In 1973, the cover of Costa's album Índia was censored —