Arts, and from 1946 to 1948 he was in charge of drawing and illustration at the Central School of Art and Design. At the same time he continued to draw and paint, sharing a studio for some years with Robert Colquhoun and Robert MacBryde, and later with Keith Vaughan. Reviewing a 1944 exhibition, The Times remarked that Minton was clearly in the tradition of Samuel Palmer, something frequently remarked on by later critics. Minton's output was considerable. Between 1945 and 1956 he had seven solo exhibitions at the Lefevre Gallery, notwithstanding his work as tutor to the painting school of the Royal College of Art in 1949, a post that he held until the year before his death. Minton's appearance in this period is shown in a 1952 portrait by Lucian Freud, as well as in self-portraits. In the 1940s he, Freud and fellow artist Adrian Ryan had been in a homosexual love triangle. Minton's range was wide. Although he is best remembered as an illustrator, he also worked on a very large scale, with unusually big paintings for the Dome of Discovery at the Festival of Britain and "two vast set-pieces" for the Royal College of Art, and at the Royal Academy a huge painting of the soldiers dicing for the garment of Jesus, described by The Manchester Guardian as "one of the most elaborate and serious paintings with a religious theme produced since the war." He designed textiles and wallpapers; he produced posters for London Transport and Ealing Studios; and he was highly regarded as a portrait painter. He also worked in collage. He painted scenes of Britain, from rural beauty to urban decay, and travelled overseas, producing scenes of the West Indies, Spain and Morocco. The Times wrote, "Even when they were ostensibly of Spain and Jamaica, Minton's landscapes looked back to Samuel Palmer for their mood. They were densely patterned and luxuriantly coloured, and it was always the fullness and richness of the scene which attracted his eye and which he painted with such evident enjoyment." Minton's posthumous fame is principally as an illustrator. Many of his commissions for illustrations came from the publisher John Lehmann. Both men were homosexual, and they were so much in one another's company that some people supposed that they were partners, though the biographer Artemis Cooper thinks it unlikely. For Lehmann, Minton illustrated A Book of Mediterranean Food and French