and is detected by the Editor. The Editor allows the Doctor and Rose to travel to Floor 500, with Cathica following soon after. On Floor 500 the Doctor and Rose find the Editor directing control over the station through a number of dead humans. On the ceiling resides the Editor-in-Chief, the Jagrafess, to whom the Editor answers. The Doctor learns that the Jagrafess controls the lives of the people on the planet below by manipulating the news. Meanwhile, Adam discovers that he can gain access to information about Earth's future. He has an information port installed in his brain and uses Rose's phone to call his answering machine at home and transfer data to it. The port also allows the Jagrafess into Adam's mind. The Jagrafess learns about the Doctor and makes plans to kill him. The Doctor, aware of Cathica's presence outside the room, loudly comments on how altering the environmental systems will likely kill the Jagrafess. Cathica reverses the cooling system, causing Floor 500 to overheat, killing the Jagrafess and the Editor. As the humans on board the station and on Earth come to wake from the stupor they have been in, the Doctor congratulates Cathica and gives her hope for the future. The Doctor discovers Adam's duplicity and takes him to his home on Earth. The Doctor destroys Adam's answering machine and tells Adam he is no longer welcome in the TARDIS. The Doctor leaves with Rose, just as Adam's mother arrives at home; she accidentally activates his port. Production In the book The Shooting Scripts, Russell T Davies claims that he had originally set out to write this episode from Adam's perspective, watching the adventure unfolding from his point of view (exactly as Rose did in "Rose") and seeing both the Doctor and Rose as enigmatic, frightening characters. He even gave this outline a working title: "Adam". Another working title for this story was "The Companion Who Couldn't". According to Davies, the concept of "The Long Game" was originally written in the early 1980s and submitted to the Doctor Who production office. Whether it was ever read by the production team of the time is unclear, as Davies received a rejection from the BBC Script Unit, who advised him to write more realistic television about "a man and his mortgage" instead. Davies reworked the story for the new series. In the DVD commentary for this episode,