Leonora Stafford in the film version of the Ben Travers' Aldwych farce Dirty Work with Robertson Hare and Ralph Lynn and appeared in Herbert Wilcox's Peg of Old Drury with Anna Neagle before again joining Alexander Korda in 1936. Engaged by Korda, Scott made three pictures for London Films: Things to Come (1936) as Roxana/Rowana in H. G. Wells' adaptation of his novel with Ralph Richardson, Raymond Massey and Ann Todd. Action for Slander (1937). Return of the Scarlet Pimpernel (1937). Second World War Throughout the war Scott continued to perform in theatrical productions both at home and abroad, touring North Africa and Italy with ENSA in 1944. In addition to seasons at the Shakespeare Memorial Theatre, Stratford upon Avon in 1941 and 1942, her stage credits included Clare Boothe's Margin for Error (1940), the premiere of James Bridie's The Holy Isle (1942) and the first British productions of Lillian Hellman's play Watch on the Rhine (1943) and John Patrick's The Hasty Heart (1945). Her screen roles meanwhile included Judith Bentley in The Girl in the News (1940), Marcia Royd in Anthony Asquith's comedy Quiet Wedding (1940), Atlantic Ferry (1941), Sabotage at Sea (1942) and Alicia in the Gainsborough Pictures melodrama, Fanny by Gaslight (1944). Post-war career In the late 1940s and throughout the 1950s Scott continued to play a wide range of roles on stage and screen. Her association with Shakespeare was maintained with performances in the first 1946 television productions of The Merchant of Venice and Othello and, on stage, in Macbeth and Hamlet, in addition to other productions at the Fortune, Saville, Cambridge and Her Majesty's theatres in London. At this time, she appeared in pictures such as The Man from Morocco (1945), Where's Charley? (1952), Town on Trial (1956), The Scamp (1957), and Crescendo (1970). Scott was active on the concert platform as a narrator/speaker under the batons of Sir Henry Wood, Sir Malcolm Sargent, Sir David Willcocks and Sir John Pritchard performing scores by Grieg, Honegger, Purcell, Elgar, Prokofiev and her late husband, the British composer, John Wooldridge. Over the course of the next three decades Scott appeared on stage throughout the United Kingdom and toured in plays abroad including the Far East, Canada and North and South Africa. Apart from world premieres of contemporary plays such as Aunt Edwina (1958) with Henry Kendall directed by the author William Douglas Home; The Right Honourable Gentleman