Sun." On December 6, 2019, Nadler and Brodsky released two cover songs on Bandcamp that were not included on the Droneflower album: "In the air tonight" by Phil Collins and "More than words" by Extreme. Nadler's figurative and sonic work again converged at the Grauzone Festival in The Hague in February 2020 with a stage performance and simultaneous exhibition of self-portrait paintings. In addition, 2020 saw the publication two limited-edition books of photography, a cover of Simon & Garfunkel's "Old Friends/Bookends" and two albums of previously unreleased songs and demo versions, Unearthed and Covers 3. 3 July 2020 saw the release of the EP moons which has a meditative, ambient atmosphere. 2021: Instead of Dreaming and The Path of the Clouds In February 2021, she released the single "Sleepwalk & Lonely People", and in May 2021 the compilation album Instead of Dreaming. Nadler released her ninth solo album, The Path of the Clouds on October 29, 2021. Like others, the album found its origins in the Covid-19 pandemic: "Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder." A review from the magazine UNCUT notes that, "[e]scape is a central theme of the album, and several songs recall historical cases of mysterious disappearances, but infused with personal experience, blurring the line between fact and fiction." This self-produced album contains the most sonically elaborate work of her discography. Various guests make an appearance on The Path of the Clouds including harpist Mary Lattimore and former Cocteau Twins bassist Simon Raymonde. Emma Ruth Rundle contributes a guitar solo to "Turned into Air" and Amber Webber of Black Mountain provides backing vocals on "Elegy". Milky Burgess played various instruments throughout the album. The Path of the Clouds has received critical acclaim. NME gave the album a positive review, writing, "This is a departure for Nadler in a number of ways, with more sophisticated production, unusual storytelling, and a firm look ahead to her future as an artist (more piano, more power vocally)." Pitchfork awarded the album a score of 7.5, comparing the album favourably to the true crime genre that inspired it: "The thrills of The Path of the Clouds are far richer than most true crime fiction, but like the best examples of the genre, it leaves you breathless."