to Auschwitz. Jewish Council (Judenrat) of the Kraków Ghetto A 24-person Jewish board was formed in the city of Kraków and later in the Krakow Ghetto, when the ghetto was formed on March 3, 1941. This Jewish Council was in charge of the inhabitants of the ghetto but received many orders from local Nazi officials, even though it retained some degree of autonomy. Some of its functions included overseeing labor and welfare, conducting a census and taxing the population. Cultural life Cultural life in the Kraków Ghetto was bleak and dangerous for the Jewish population. Each day dragged on, consistently becoming harder and harder to tolerate and survive. There was not much for the Jews to live for. The mood was somber, spirits were low, and the majority of the ghetto's inhabitants remained hopeless. Jews in the Kraków ghetto were required to wear a Star of David on their arm, identifying them as being Jewish, which led to the revoking of most rights. A curfew was implemented that stripped Jews of many opportunities to participate in the cultural life. As time went on, Jews needed to obtain permits in order to enter and exit the ghetto, robbing them of any freedom they felt they had left at this point. Even though the Jews were unable to participate in certain areas of cultural life in the Kraków ghetto, “various cultural and religious activities continued within the ghetto." Although the practice of religion was banned, that did not stop those in the Kraków ghetto from praying and staying true to Judaism. At least three synagogues or other religious facilities were still in use that served as a place for the Jews to go to and pray. There was also a café where artists played live music within the ghetto, which proved to be instrumental in keeping Jews' spirits up. Finally, there was a ghetto pharmacy, which was a place where people could go to discuss problems, read underground and official newspapers and learn the realities of what was happening and what atrocities they were living through. Numerous songs were created by those living the ghetto, serving three major purposes: “documentation of ghetto life, a diversion from reality, and the upholding of tradition.” These songs portrayed their immense suffering coupled with their dedication and determination to survive. Some of the most popular lyrics are “Me hot zey in dr’erd, me vet zey iberlebn,