is afraid for Anna, so he and Oranoff rush down to the tip where they see Anna's dead body. Quin turns up and Satterthwaite asks why the maid could not see Mr Quin as he could. Quin replies that Satterthwaite can see things other people cannot, and then quietly departs. Literary significance and reception The Times Literary Supplement review of 29 May 1930 failed to comment on the merits of the book, confining itself to summarising the relationship between Quin and Satterthwaite and concluding that the latter is helped "to solve old mysteries, sometimes to restore happiness to the unfortunate, and sometimes to see, if not avert, impending tragedy". The New York Times Book Review of 4 May 1930 started by saying, "To call the tales in this collection detective stories would be misleading. For though all of them deal with mystery and some of them with crime, they are, nevertheless, more like fairy tales." The anonymous reviewer described Mr Satterthwaite and Mr Quin and their relationship to the stories and each other, and then concluded, "The book offers a rare treat for the discriminating reader." In the Daily Express (25 April 1930), Harold Nicolson said, "Mr. Quinn and Mr. Satterthwaite are, to me, new characters, and I should like much more of them. Mrs. Christie always writes intelligently, and I enjoyed these stories as much as any she has written." Robert Barnard wrote: "An odd collection, with the whimsical-supernatural element strong, though not always unpleasing. There are some notably dreadful stories (Bird with the Broken Wing, Voice in the Dark) but the unusual number of erudite or cultural references bears witness to Christie's own opinion of these stories – they were aimed more 'up-market' than usual." References and allusions References to other works The character of Mr Harley Quin is clearly based upon Harlequin from the 16th century Italian Commedia dell'arte. The earlier versions of the character were that of a clown or fool, but in the 18th century the character changed to become a romantic hero. In The Coming of Mr. Quin, Quin tells Satterthwaite "I must recommend the Harlequinade to your attention. It is dying out nowadays – but it repays attention, I assure you." The Harlequinade was the still-later British stage version, in which Harlequin has magical powers, and brings about changes of scenery by a touch of his slapstick. Christie also refers to the Harlequin