and beauty with magical, musical sounds through participatory experience." Sound sculptures with Wikipedia articles Blackpool High Tide Organ Gesundheit Radio Sea organ Singing Ringing Tree (Panopticons) A Sound Garden Golden Gate Bridge#Wind Gallery See also Notes References Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb, Columbia University Press, New York Kahn, Douglas. 2001. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press. . Licht, Alan. 2007. Sound Art: Beyond Music, Between Categories (with accompanying compact disc recording). New York: Rizzoli International Publications. . Peter Szendy. 2008. Listen: A History of Our Ears, Fordham University Press Brandon LaBelle. 2006. Background Noise: Perspectives on Sound Art, London & New York: Continuum. . Further reading Attali, Jacques. 1985. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. Minneapolis: University of Minnesota Press. (cloth) (pbk.) Bandt, Ros. 2001. Sound Sculpture: Intersections in Sound and Sculpture in Australian Artworks. Sydney: Craftsman House. . Cage, John. 1961. "Silence: Lectures and Writings". Middletown, CT: Wesleyan University Press. (Paperback reprint edition 1973, ) Cox, Christoph. 2003. "Return to Form: Christoph Cox on Neo-modernist Sound Art—Sound—Column." Artforum (November): [pages]. Cox, Christoph. 2009. "Sound Art and the Sonic Unconscious". Organised Sound 14, no. 1:19–26. Cox, Christoph. 2011. "Beyond Representation and Signification: Toward a Sonic Materialism". Journal of Visual Culture 10, no. 2:145–161. Cox, Christoph, and Daniel Warner (eds.). 2004. Audio Culture: Readings in Modern Music. New York: Continuum. . Drobnick, Jim (ed.). 2004. Aural Cultures. Toronto: YYZ Books; Banff: Walter Phillips Gallery Editions. . Groth, Sanne Krogh, and Holger Schulze (eds.). 2020. The Bloomsbury Handbook of Sound Art. New York: Bloomsbury. . Hegarty, Paul. 2007. Noise Music: A History. New York: Continuum International Publishing Group. (hardcover) (pbk) Kim-Cohen, Seth. 2009. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. New York: Continuum. LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York and London: The Continuum International Publishing Group. (cloth) (pbk) Lander, Dan, and Micah Lexier (eds.). 1990. Sound by Artists. Toronto: Art Metropole/Walter Phillips Gallery. Lucier, Alvin, and Douglas Simon. 1980. Chambers. Middletown, Connecticut: Wesleyan University Press. . Nechvatal, Joseph. 2000. "Towards a Sound Ecstatic Electronica". The Thing. Oliveros, Pauline. 1984. Software for People. Baltimore: Smith Publications. (cloth) (pbk) Paik, Nam June. 1963. "Post Music Manifesto," Videa N Videology. Syracuse, New York: Everson Museum of Art. Peer, René