Sir John Martin-Harvey (22 June 1863 – 14 May 1944), known before his knighthood in 1921 as John Martin Harvey, was an English stage actor-manager. Born in Bath Street, Wivenhoe, Essex, he was the son of John Harvey, a yacht-designer and shipbuilder, and Margaret Diana Mary (née Goyder). His father expected him to follow his own profession, but Martin Harvey had his sights set on the stage. One of his father's clients was the dramatist W.S. Gilbert, and it was through Gilbert that young Martin Harvey met his first teacher, John Ryder. Martin Harvey joined Henry Irving's Lyceum Theatre company in 1882. For many years he played only minor parts in Irving's productions. His most famous play was first produced at the Lyceum on 16 February 1899. This was The Only Way, an adaptation of Charles Dickens' A Tale of Two Cities in which Martin Harvey played the lead role of Sydney Carton. Many other plays followed and many tours in both Great Britain and North America. His success was always greater in Canada than the United States. After Irving's death in 1905, Martin Harvey continued to revive his old manager's plays, often using Irving's own props which he had bought. These plays included The Bells and The Lyons Mail. His early successes included Pelleas in Maeterlinck's Pelleas and Melisande, with Mrs. Patrick Campbell as Melisande and incidental music written for the production by Gabriel Fauré. His later successes included A Cigarette-maker's Romance, Oedipus (in Max Reinhardt's Covent Garden production), Shaw's The Devil's Disciple and Maeterlinck's The Burgomaster of Stilemonde. By the time he retired, Martin Harvey claimed to have performed The Only Way more than 3,000 times, though this would not have been possible in reality. Early days Early on in Irving's company, when cast as the attendant to the messenger in the scene with Beatrice in Much Ado About Nothing, Martin Harvey decided that here was his opportunity to be more than a mere extra with a non-speaking part . "I bought a remarkable feather", he explained, "and wore it in my hat, and on the day of the dress rehearsal I painted on my face a very elaborate moustache. Alas! my efforts were unavailing. I expect in Irving critical eyes I was a figure of fun. Irving pointed his lean forefinger at me, and with that dreadful preliminary, 'Ha, hm,' of his, he growled. Take out that