released in March 1969 and failed to chart. "Where the Sour Turns to Sweet" was released as a single on 27 June 1969 in an attempt to stimulate new interest. The album was released in the U.S. in 1974 after the group had grown in popularity, and peaked at No. 170 on the Billboard 200 in October of that year. Prior to its release, Decca discovered that an American act had also called themselves Genesis and asked the band to change its name to avoid confusion. King reached a compromise so the band's name would be omitted from the sleeve, leaving the album's title written in gold text in a Gothic style in order to evoke mystery when presented in music shops. The American Genesis in question was likely a Los Angeles-based group that released In the Beginning on the Mercury label in 1967. Banks later said that they remained Genesis in the UK and put themselves down as Revelation in the US, giving additional meaning to the album's title. However, King's idea for the sleeve failed after shops had placed the album in their religious sections, "and it sank without trace". He later said that Decca was unable to promote the album effectively and get the exposure it needed to succeed, leaving him to carry out much of the work himself which he lacked enough experience in at the time. The album sold 649 copies. Many record shops filed the album in their religious music sections, since the title From Genesis to Revelation was the only descriptive text on the album. Banks later deemed the material as merely poor renditions of their songs, rating "Silent Sun" and "In the Wilderness" as the strongest cuts. Noel Gallagher is a fan of the album, saying, "I became obsessed with early Genesis" despite being a frequent critic of the group's later work, particularly the Phil Collins-led era. The track "If Love Is the Law" from his album Who Built the Moon? was written as a pastiche of "The Conqueror". Aftermath When the album failed to become a success, the group decided to split and resume education. This marked the end of their association with King, who had grown increasingly dissatisfied with the band directing their material away from mainstream pop. In addition, Genesis had fulfilled their contractual obligation with Decca with the release of "Where the Sour Turns to Sweet", and neither