race woman to make a comic-book film. In 2020, she and her husband signed a deal with Touchstone Television to produce their output using the banner "Undisputed Cinema." Prince-Bythewood directed the TriStar Pictures epic The Woman King, a feature inspired by true events that took place in the Kingdom of Dahomey, one of the most powerful states of Africa in the 18th and 19th centuries, The Woman King tells the story of Nanisca (Viola Davis), general of the all-female military unit known as the Amazons, and her daughter, Nawi, who together fought the French and neighboring tribes who violated their honor, enslaved their people and threatened to destroy everything they’ve lived for. She also directed the first episode of ABC's Women of the Movement. In March 2021, Prince-Bythewood took on a new role as Co-Chair of the Directors Guild of America African American Steering Committee (AASC). Working alongside Director Jeffrey W. Byrd, Prince-Bythewood will be addressing needs of the African American members of the Guild such as job creation and career advancement in this new position. On August 26, It was announced that because of Prince-Bythewood's commitments to other projects, she would not direct The Old Guard 2 and will be replaced by Victoria Mahoney. Prince-Bythewood will remain as producer on the film. Personal life In 1998 Prince-Bythewood married film director and writer Reggie Rock Bythewood, whom she met on the writing staff of A Different World. The couple have two sons, Cassius and Toussaint, and live in Southern California. Along with friends Mara Brock Akil, Sara Finney Johnson and Felicia D. Henderson, Prince-Bythewood endows The Four Sisters Scholarship. Directorial style Themes Through her films, Prince-Bythewood explores themes that often reflect the experiences of women of color. Specifically, Prince-Bythewood's films frequently challenge popular portrayals of women of color rooted in cultural stereotypes by presenting women as passionate and ambitious figures committed to the realization of their goals. Furthermore, Prince-Bythewood’s films work to resist negative conceptions and ideologies about the ability of women to be dynamic; people who are both successful in their professional pursuits and in their maintenance of romantic relationships. Commenting on her film Love & Basketball, Prince-Bythewood spoke to normalizing the idea that women can balance working toward career aspirations and being romantic partners: “Girls are often told you can’t have both, so I just wanted to normalize the belief that you can have both. I wanted to