Matthew Tobin Anderson (born November 4, 1968), is an American writer of children's books that range from picture books to young adult novels. He won the National Book Award for Young People's Literature in 2006 for The Pox Party, the first of two "Octavian Nothing" books, which are historical novels set in Revolution-era Boston. Anderson is known for using wit and sarcasm in his stories, as well as advocating that young adults are capable of mature comprehension. Biography Anderson was born in Cambridge, Massachusetts. His father Will Anderson was an engineer, and his mother Juliana Anderson was an Episcopal priest. He attended St. Mark's School, Harvard College, the University of Cambridge (England), and Syracuse University. Anderson worked at Candlewick Press before his first novel Thirsty (1997) was accepted for publication there. He has also worked as a disc jockey for WCUW radio; as an instructor at Vermont College of Fine Arts, where he now serves on the Board; and as a music critic for The Improper Bostonian. He currently lives in Cambridge (Mass.) and is on the Board of the National Children's Book and Literacy Alliance, a national non-profit organization that advocates for literacy, literature, and libraries. Writing style Anderson is known for challenging his readers, of varying ages, to look at the world in new ways. Anderson has also remarked "We write because we can't decipher things the first time around." His novels directed at young adults, such as Thirsty and Feed, tend to direct their satire at society. He's also written children's picture books such as Handel, Who Knew What He Liked, and novels directed toward pre-teen readers such as The Game of Sunken Places. Anderson tends to write with sophisticated wit and storylines, making the point that young people are more intelligent than some might think. In response to the question of why he gives so much credit to his young audience, Anderson stated in an interview with Julie Prince: "Our survival as a nation rests upon the willingness of the young to become excited and engaged by new ideas we never considered as adults." While he was writing Feed, Anderson took in younger, pop-culture oriented media, such as Seventeen, Maxim, and Teen Vogue. He used these media sources to convey an accurate teenage voice, but even more depleted and abbreviated. He's used this method many times, including reading 18th century novels during his writing of The