was always wanting to quit the cast or leave school or kill herself. And yet, at the same time, I felt she was extraordinary, the most talented young actress I'd ever worked with, the potential peer of Geraldine Page and perhaps even Kim Stanley. I was sure she'd be a big star one day, and I wanted to be with her when that happened. Dillon's first major role was as Honey in the original 1962 Broadway production of Edward Albee's Who's Afraid of Virginia Woolf, for which she was nominated for the Tony Award for Best Performance by a Featured Actress in a Play, and she also appeared in You Know I Can't Hear You When the Water's Running and Paul Sill's Story Theatre. In 1959, she acted in The Cry of Jazz, an influential short film dealing with jazz music and Black culture. Dillon's first feature film was The April Fools in 1969. She also worked in television, notably in a guest-starring role in 1969 on an episode of the hit TV series Bonanza titled "A Lawman's Lot Is Not a Happy One" (Season 11). She co-starred with David Carradine in the 1976 Woody Guthrie biopic Bound for Glory and was nominated in the Best Female Acting Debut category of the Golden Globe for her role as Memphis Sue. The following year she was nominated for a Best Supporting Actress Oscar for the role of a mother whose child is abducted by aliens in Steven Spielberg's Close Encounters of the Third Kind. That same year, she made an uncredited cameo in The Muppet Movie and had a role in the comedy Slap Shot with Paul Newman. Four years later, Dillon was again nominated for a Best Supporting Actress Oscar for her performance as a suicidal teacher in Absence of Malice in 1981, working again with Newman. Dillon was perhaps best known for her role as the mother of Ralphie and Randy in Bob Clark's 1983 movie A Christmas Story. The film was based on a series of short stories and novels written by Jean Shepherd about young Ralphie Parker (played by Peter Billingsley) and his quest for a Red Ryder BB gun from Santa Claus. Four years later, Dillon co-starred with John Lithgow in the Bigfoot comedy Harry and the Hendersons. She continued to be active in stage and film throughout the 1990s, taking roles in the Barbra Streisand