Ince estate and the court dismissed the suit on technicalities. She made one screen comeback. Signing a contract with Associated Exhibitors, she played the role as Nina Olmstead, the conniving other woman, in the Henri Diamant-Berger directed drama Fifty-Fifty (1925) opposite Hope Hampton and Lionel Barrymore. Vaudeville and the stage Glaum stayed away from Los Angeles for over three years as she headlined on the big-time vaudeville circuit in the East. She did a tour of Loew's Theatres in two dramatic playlets. One of them was The Sins of Julia Boyd by Paul Gerard Smith. The other was The Web, which Glaum wrote herself. She was the only character in the one person show, putting over the argument of the piece chiefly by a telephone conversation. On January 19, 1926, Glaum and movie theater owner Zachary M. Harris (January 22, 1878 – March 5, 1964) were married in New York City. When she returned to Los Angeles, with her husband and business manager, Zack Harris, to visit her family and friends, they decided to stage the play Trial Marriage at the Egan Theatre, 1320 South Figueroa Street, with Glaum in the starring role. When asked by a reporter for the Times whether she would be doing any picture work, she said she had not thought of it, but acknowledged that she was interested in talking pictures. On November 16, 1928, Glaum opened in Trial Marriage, the story of a woman who wants to test the suitability of her prospective mate and herself to each other without the benefit of wedlock before they make it permanent. Although she received good reviews, the play did not fare so well. She and Harris lived at 2282 Cambridge Street in Los Angeles, in 1930. Glaum continued to act on the stage and also became a drama instructor, opening and appearing in her own theatre in Los Angeles in the mid-1930s. Glaum's theatres On January 6, 1935, Glaum announced in the Los Angeles Times the opening of the Louise Glaum Little Theatre of Union Square, which was inside a remodeled and redecorated movie theater with a seating capacity of 400 located at 1122 West 24th Street near Hoover in the West Adams District. The stated purpose was to provide drama with enlivening moments by way of scheduled plays of moment and actual integrity. Several New York plays were considered, and the intention was to present