albums: Video Greatest Hits - HIStory, Number Ones and Michael Jackson's Vision. Live performances Michael Jackson performed this song on The Jacksons' Destiny Tour on the second leg, as well as the Triumph Tour. An arrangement of the song was performed on Jackson's Bad World Tour as part of the "Bad Groove" interlude. It was also performed on Jackson's 96-97 HIStory World Tour as part of the "Off the Wall Medley" along with "Rock with You" and "Off the Wall". Jackson would have also performed it on the This Is It concert series as part of the "Off the Wall Medley", but the shows were canceled due to his sudden death. Legacy James Montgomery of MTV noted that "Don't Stop 'Til You Get Enough", along with Off the Wall's other three singles, "showcased (or, more specifically, unleashed) Jackson's talents as entertainer, a vocalist, a writer and, most importantly, as a leading man." After Jackson's death, AOL's Radio Blog released a list, entitled "10 Best Michael Jackson Songs", which placed "Don't Stop 'Til You Get Enough" at number ten on the list. Rolling Stone and American Songwriter both ranked the song number three on their lists of the greatest Michael Jackson songs. William Ruhlmann, author of The All-Music Guide to Rock, praised "Don't Stop 'Til You Get Enough" as an "irresistible dance track". John Lewis, author of 1001 Albums You Must Hear Before You Die, noted that the "jittery, frenetic opening track" is the centerpiece of Off the Wall. He concluded that "Jackson's falsetto hollers and frisky yelps serve as an obbligato to the lead line, punctuating Ben Wright's thrilling string arrangement and Jerry Hey's tight horn charts". Jason Elias, a writer for Allmusic, noted that "Don't Stop 'Til You Get Enough" presents a "new Michael Jackson" that was "sexual, adult, and aggressive. Elias commented that "Like the best of Jones' late-'70s, early-'80s work, this [song] wasn't quite disco, couldn't be hardcore funk - it was an amalgam of styles with the all-important pop accessibility." Jackson's biographer J. Randy Taraborrelli described Jackson's vocal styling as a "sexy, playful falsetto" that "no one had ever heard from him before". Nelson George stated that the argument for Jackson's greatness began with the arrangements of "Don't Stop 'Til You Get Enough". He noted that the percussion and backing vocals were "artfully choreographed" to "create drama and ecstasy on the dance floor". He concluded, "It's