best-known play. Paradise Now, a semi-improvisational piece involving audience participation, was notorious for a scene in which actors recited a list of social taboos that included nudity, while disrobing; this led to multiple arrests for indecent exposure. The group returned to the U.S. in 1968 to tour Paradise Now, Antigone, Mysteries and Smaller Pieces, and Frankenstein. "That madman who inspires us all, Artaud, does have some advice," Beck said in an informal address at Yale University after his return, "and I think he is the philosopher, for those of us who work in theatre, whom we can reach toward most quickly, of whom we can say, yes, here is one man since Rousseau who does uphold the idea of the non-civilized man." He added: "Our work had always striven to stress the sacredness of life." In 1971 they toured in Brazil, where they were imprisoned for several months, then deported. The Living Theatre has toured extensively throughout the world, often in non-traditional venues such as streets and prisons. It has greatly influenced other American experimental theatre companies, notably The Open Theater (founded by former Living Theatre member Joseph Chaikin) and Bread and Puppet Theater. The Living Theatre's productions have won four Obie Awards: The Connection (1959), The Brig (1963 and 2007), and Frankenstein (1968). In 2006, The Living Theatre signed a 10-year lease on the basement of a new residential building under construction at 21 Clinton Street, between Houston and Stanton Streets on Manhattan's Lower East Side. The Clinton Street theater is the company's first permanent home since the closing of The Living Theatre on Third Street at Avenue C in 1993. The company moved into the completed space in early 2007 and opened in April 2007 with a revival of The Brig by Kenneth H. Brown, first presented at The Living Theatre at 14th Street and Sixth Avenue in 1963. The re-staging, directed by Judith Malina, won Obie Awards for Direction and Ensemble Performance. In October 2006, the company opened a revival of Mysteries and Smaller Pieces, the 1964 collective creation that defined the interactive and Artaudian style for which the company became famous. In late 2007 / early 2008 the company founder Judith Malina performed in Maudie and Jane, a stage adaptation, directed by Reznikov, of the Doris Lessing novel, The Diary of Jane Somers. In April 2008, Hanon Reznikov suffered a stroke. He died on May 3,