Karl Theodore Francis Bitter (December 6, 1867 – April 9, 1915) was an Austrian-born American sculptor best known for his architectural sculpture, memorials and residential work. Life and career The son of Carl and Henrietta Bitter, he was born in the municipal district Rudolfsheim-Fünfhaus of Vienna. His early training took place at the Vienna Kunstgewerbeschule (the imperial school for the applied arts), and after that at the Kunstakademie (the Academy of Fine Arts). At the Academy, he studied with August Kühne and Edmund Heller. Upon his graduation, he was apprenticed to an architectural sculptor,. This was the period that the Ringstraße was being built in Vienna, and a large number of decorated buildings were being built. He was drafted into the Austrian Army, and deserted while on leave. He was unable to return to Austria for many years because of his desertion. He later was pardoned by Emperor Franz Josef of Austria, who hoped to lure the famous sculptor back to Vienna. Bitter immigrated to the United States in 1889, arriving in New York City. He applied for citizenship, and set to work as an assistant with a firm of house decorators. While employed with this firm, at age 21, he competed for the Astor memorial bronze gates of Trinity Church and won. The work gave him sufficient capital to build and establish a small studio on 13th Street. Bitter modeled seated statues of Thomas Jefferson and Alexander Hamilton to flank the entrance to the Cuyahoga County Courthouse in Cleveland, Ohio (1909–11). He portrayed the men in early middle age, as in the 1780s when they clashed over what kind of nation the United States should become. Missouri commissioned a copy of Jefferson (1913), and Bitter made minor alterations to portray Jefferson as he looked as president when he signed the Louisiana Purchase Treaty in 1803. For the commission from the University of Virginia, Bitter aged Jefferson further, portraying him as he looked in retirement. About this time, Bitter was discovered by Richard Morris Hunt, the architect of choice of many of New York's rich and famous. From that time on Bitter was never without work. After working as a sculptor at the World's Columbian Exposition in Chicago in 1893 and as director at the Pan-American Exposition in Buffalo, New York in 1901, Bitter's extraordinary organizational skills led him to be named head of the sculpture programs at both the