the 1920s; for example, his wind quintet Op. 24 No. 2 (1922) was designed as ; one may compare his operas Sancta Susanna (part of an expressionist trilogy) and (a parody of modern life). His music typically harkens back to baroque models and makes use of traditional forms and stable polyphonic structures, together with modern dissonance and jazz-inflected rhythms. Ernst Toch and Kurt Weill also composed New Objectivist music during the 1920s. Though known late in life for his austere interpretations of the classics, in earlier years, conductor Otto Klemperer was the most prominent to ally himself with this movement. Legacy The New Objectivity movement is usually considered to have ended with the Weimar Republic when the National Socialists under Adolf Hitler seized power in January 1933. The Nazi authorities condemned much of the work of the New Objectivity as "degenerate art", so that works were seized and destroyed and many artists were forbidden to exhibit. A few, including Karl Hubbuch, Adolf Uzarski, and Otto Nagel, were among the artists entirely forbidden to paint. While some of the major figures of the movement went into exile, they did not carry on painting in the same manner. George Grosz emigrated to America and adopted a romantic style, and Max Beckmann's work by the time he left Germany in 1937 was, by Franz Roh's definitions, expressionism. The influence of New Objectivity outside of Germany can be seen in the work of artists like Balthus, Salvador Dalí (in such early works as his Portrait of Luis Buñuel of 1924), Auguste Herbin, Maruja Mallo, Cagnaccio di San Pietro, Grant Wood, Adamson-Eric, and Juhan Muks. Notes See also History of Painting Western Painting References Albright, Daniel, ed. (2004). Modernism and Music: an anthology of sources. Chicago: University of Chicago Press. Becker, Sabina (2000). Neue Sachlichkeit. Köln: Böhlau. Print. Beaumont, M. (2010). A concise companion to realism. Malden, Mass.: Wiley-Blackwell. Crockett, Dennis (1999). German Post-Expressionism: the Art of the Great Disorder 1918-1924. University Park, Pa.: Pennsylvania State University Press. Grüttemeier, Ralf; Beekman, Klaus; Rebel, Ben, eds. (2013). Neue Sachlichkeit and Avant-Garde. Avant-Garde Critical Studies 29. Amsterdam / New York: Rodopi. Kaes, Anton; Jay, Martin; Dimendberg, Edward, eds (1994). The Weimar Republic Sourcebook. Berkeley: University of California Press. Lethen, Helmut (1970). Neue Sachlichkeit 1924-1932: Studien zur Literatur des "Weissen Sozialismus." Stuttgart: Metzler. Lindner, Martin (1994). Leben in der Krise. Zeitromane der neuen Sachlichkeit und die intellektuelle Mentalität