first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out. "Jesus, meine Zuversicht", chorale prelude, BWV 728. A brief (9 bars) piece in three voices, features two sections with repeats for each. Minuet in G major, BWV 841 (not to be confused with Petzold's Minuet in G Major in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each. The 1725 notebook The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna Magdalena's initials and the year number "1725" are printed in gold. All pages feature gilt edging. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons Johann Christian and Carl Philipp Emanuel, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich. Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. The composers of still others, including several popular songs of the time, remain unknown. Here is a complete list of the pieces included, in order of appearance in the notebook: Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of . Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830. Minuet in F major, BWV Anh. 113. Minuet in G major, BWV Anh. 114. Usually attributed to Christian Petzold. Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold. Rondeau in B-flat major, BWV Anh. 183. This piece is by François Couperin and is best known under the original title: Les Bergeries (6e Ordre). Minuet in G major, BWV Anh. 116 Polonaise in F major, BWV Anh. 117b Minuet in B-flat major, BWV Anh. 118 Polonaise in G minor, BWV Anh. 119 Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691 Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510 Chorale setting "Gib dich zufrieden und sei