Franz Seraph Lenbach, after 1882, Ritter von Lenbach (13 December 1836 – 6 May 1904), was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince). Biography His father, who originally came from South Tyrol where the family name was spelled "Lempach", was a Master Mason for Schrobenhausen, where Lenbach was born. Lenbach completed his primary education at Landsberg in 1848, then attended a business school in Landshut. From 1851 to 1852, he was apprenticed to the sculptor Anselm Sickinger in Munich. At that time, his father died and he went home to help in the family business. He was only there a short time before beginning studies at the Augsburg University of Applied Sciences. While there, he drew and painted in his spare time, befriended Johann Baptist Hofner (1832–1913), the animal painter, and decided to become an artist. In 1854, he obtained his family's reluctant permission to study at the Academy of Fine Arts, Munich, and later took private lessons from Hermann Anschütz. Lenbach was already an accomplished artist when he became the pupil of Karl von Piloty. In 1858, he was able to stage an exhibition at the Glaspalast and won a travel scholarship, which enabled him to accompany Piloty to Rome. A few works remain as the outcome of this first journey: A Peasant seeking Shelter from Bad Weather (1855), The Goatherd (1860, in the Schack Gallery, Munich) and The Arch of Titus (in the Palfy collection, Budapest). He also travelled to Paris and Brussels. It was about then that he started receiving his first portrait commissions. On returning to Munich, he was at once called to Weimar to take the appointment of professor at the newly established Weimar Saxon Grand Ducal Art School, where he became known for taking his students on painting expeditions en plein aire. He remained for only two years, however, when he felt the need for more studies and decided to take another trip to Italy. During this time, he also found an important patron; Baron Adolf Friedrich von Schack. Through his support, Lenbach was able to leave for Italy in 1863 with a guaranteed annual income. He returned to Munich in 1866. The following year, he won a gold medal at the Exposition Universelle and went to