rival music magazine Rolling Stone by publisher Jann Wenner for "disrespecting musicians" after a particularly harsh review of the group Canned Heat. Bangs fell in love with Detroit, calling it "rock's only hope", and remained there for five years. Many of the staff members lived in the Walled Lake farmhouse, where there were occasional physical altercations between writers. One day, Marsh, who objected to Bangs' poorly housebroken dog, placed the dog's dung on Bangs' typewriter. This resulted in a fistfight that gave Marsh a gash on his head. Eventually, the magazine was successful enough to move to editorial offices in downtown Birmingham, Michigan. In 1971, Bangs became editor, and in 1976 he left the magazine; he never wrote for it again. On January 29, 1981, Kramer died of an accidental overdose of nitrous oxide. A year later, on April 30, 1982, Bangs died in New York City of an accidental Darvon overdose. The magazine's offices were geographically separated from most of the entertainment industry in the United States, which was then primarily based in Hollywood and New York City. It was known for its irreverent, deprecatory and humorous tone, and became famous for its comical photo captions, which poked fun at rock stars, the industry, and even the magazine itself. The magazine dubbed the tall Plexiglas pyramid that was presented to the winner of the annual American Music Award "the Object From Space", and said it was endowed with the power to force celebrities to look ridiculous while holding it. Because of the magazine's location, it was among the first national publications to provide in-depth coverage of many popular Detroit-area artists, such as Bob Seger, Mitch Ryder, Alice Cooper, The MC5, The Stooges, Iggy Pop, and Parliament-Funkadelic, as well as other Midwestern acts such as Raspberries and Cheap Trick. Influence By the mid-1970's Creem had a circulation of over 200,000, making it the second largest rock magazine after Rolling Stone. Creem picked up on punk rock (which many claim the magazine helped to conceptualize, if not invent) and new wave movements early on. Creem gave massive exposure to artists like Lou Reed, David Bowie, Roxy Music, Blondie, and The New York Dolls years before the mainstream press. In the 1980s, it also led the pack on coverage of such upcoming rock icons as R.E.M., The Replacements, The Smiths, The Go-Go's and The Cure, among numerous others. It was also among