said of Moore that she "has the voice and the face of an angel" and added that she is luminous. Moore explained that she was moved by the book: "I had such a visceral reaction to it that I remember not being able to read because I was almost hyperventilating while I was crying." Commenting on the film, she said: "It was my first movie and I know people say it may be cliche and it's a tearjerker or it's cheesy, but for me, it's the thing I'm most proud of." Comparisons to novel While there are many similarities to the novel by Nicholas Sparks, many changes were made. On his personal website, Sparks explains the decisions behind the differences. For example, he and the producer decided to update the setting from the 1950s to the 1990s, worrying that a film set in the 50s would fail to draw teens. "To interest them," he writes, "we had to make the story more contemporary." To make the update believable, Landon's pranks and behavior are worse than they are in the novel; as Sparks notes, "the things that teen boys did in the 1950s to be considered a little 'rough' are different than what teen boys in the 1990s do to be considered 'rough.'" Sparks and the producer also changed the play in which Landon and Jamie appear. In the novel, Hegbert wrote a Christmas play that illustrated how he once struggled as a father. Due to time constraints, the sub-plot showing how he overcame his struggles could not be included in the film. Sparks was concerned that "people who hadn't read the book would question whether Hegbert was a good father", adding that "because he is a good father and we didn't want that question to linger, we changed the play." A significant difference is that at the end of the novel, unlike the film, it is ambiguous whether Jamie died or simply disappeared into the shadow world. Sparks says that he had written the book knowing she would die, yet had "grown to love Jamie Sullivan", and so opted for "the solution that best described the exact feeling I had with regard to my sister at that point: namely, that I hoped she would live." Soundtrack The film's soundtrack was released by Moore's first label Epic Records and Sony Music Soundtrax on January 15, 2002. It features six songs by