down and reassembling the building piece by piece. All the parts were catalogued, mapped, and their condition recorded. Damaged structural members were repaired or replaced, and decorative fixtures such as transom carvings and other artwork, were painstaking restored. When the building was reassembled, aseismic structural augmentation (dampers) was installed to protect it from earthquake damage. New gold leaf was applied to the indoor pillars, and all exposed surfaces were finished with vermilion using traditional methods. The building is known for its decorative transoms that depict various Buddhist deities that are believed to occupy the Treasure Tower of the Lotus Sutra. A decorative Stupa is erected nearby the Mieido to commemorate the donations of Lady Manhime Ogasawara remains present to this day. Hōandō The Enshrinement Hall, built in 2002, houses the Dai Gohonzon of the High Sanctuary of the Essential Teaching, the supreme object of worship in Nichiren Shōshū. The Hōandō is built in the style of a Kura storehouse to signify that the Nichiren Shoshu faith has not yet taken hold as the primary religion of the world's people. Nichiren Shoshu claims that Nichiren willed that the Dai Gohonzon is not to be made publicly accessible, but rather stored away and only viewed by those who have asked for and been granted an audience by the High Priest, until such time. Another interpretation of this is that, as different from all other Nichiren Shoshu altars, the one in the Hōandō has neither offerings of evergreens nor drums, and non-believers are not permitted entry. Handicapped believers and their attendants are given priority entry and seating within the building. On the high altar, the Shumidan, of the Hōandō is a Buddhist Stupa containing the ashes of Nichiren Daishonin (left), a grand Butsudan housing the Dai Gohonzon (center), and another stupa containing a statue of Nichiren Daishonin carved by Izumi Ajari Nippō Shōnin from the same camphorwood leftover plank that the Dai Gohonzon was inscribed on; while pious tradition claims that Nichiren approvingly characterized the statue as an exact image of himself. Taiseki-ji has traditionally regarded the Mieidō (see above) as the temple's Hondō (main hall), but only its provisional main hall until wide propagation is achieved, when the building housing the Dai Gohonzon would take over that role. The Hōandō replaced the controversial name of the Shōhondō (正本堂: true main hall), after its demolition in April 1998. (See below for details on