distributing imported French books and glamour magazines. Photographic exhibitions were held at the Gerrard Street studio. Marks was also the photographic consultant for the film Peeping Tom (1960), which featured Green in a cameo role. In the 1960s Marks moved his studio to Saffron Hill near King's Cross Station and began selling photoshoots to the American magazine Swank. His Kamera and Solo magazines ceased publication in 1968, with occasional single-issue magazines appearing subsequently. In later years he supplied photographs to the men's magazines Men Only and Lilliput, and sold photosets to David Sullivan's magazines Ladybirds and Whitehouse. Films In 1958, as an offshoot of his magazines, Marks began making short films of his models undressing and posing topless, for the 8 mm film market. These were popularly known as "glamour home movies". His films were available over the counter at camera shops, and also supplied discreetly by mail order from the back pages of his Kamera magazine. One Marks 8mm glamour film was The Window Dresser (1961), in which Pamela Green starred as a cat burglar who hides from the law by posing as a display mannequin in a lingerie shop. Marks appears in the film as the shop's owner; Green performs a striptease in the store's display window. Clips from The Window Dresser were used in a 1964 piece on the glamour film scene in the Rediffusion programme This Week. These clips showed Pamela Green fully unclothed; the ensuing controversy resulted in Green having to defend the film on the BBC Light Programme's Woman's Hour. After a judge threw out an obscenity charge against The Window Dresser, Marks continued to make 8 mm glamour films throughout the 1960s. One such film, Witches Brew (1960) features Pamela Green as a witch casting spells; Marks makes a brief appearance as her hunchback assistant. In another, Model Entry (1965), a cat burglar breaks into Marks' studio, strips and leaves him her address. In Danger Girl, a stripping secret agent is put into bondage by a Russian spy; the agent breaks free, ultimately throwing her captor onto a circular saw. Even more macabre is Marks' Perchance to Scream (1967) in which a model is transported to a medieval torture chamber. In this film, Stuart Samuels plays an evil inquisitor who sentences topless women to be whipped and beheaded by a masked executioner. His feature films as a director were Naked - As Nature