See the King (March 1971) and Ten Man Mop, or Mr. Reservoir Butler Rides Again (December 1971), both featuring traditional folk songs and dance tunes with innovative electric arrangements. The bringing in of manager Jo Lustig who pushed for a more commercial sound was probably what prompted the more traditionally minded Carthy and Hutchings to leave the band, which continued with changes of line-up and achieved considerable mainstream success. The Albion Country Band, Morris On and Etchingham Steam Band By this point the ever active Hutchings already had other projects underway. He had gathered together the first incarnation of what has been the major outlet for his work, the Albion Country Band, to provide backing for his then wife Shirley Collins on her solo collection, No Roses (1971). Some of these personnel co-operated with him for the album Morris On (1972), an affectionate electric tribute to Morris Dancing and others joined him in his next project the Etchingham Steam Band from 1974–6. When this dissolved without releasing a record he returned to the Albion Band in 1976, which, with many bewildering line-up changes, continued to record and tour regularly until 2002. Other projects Outside of the Albion Band, Hutchings has been a frequent guest on the albums of a wide variety of folk artists. He has also continued to pursue a diversity of projects, some alone and some with groupings of more or less stability and continuity. The Morris On project has spawned several sequels across his career: Son of Morris On (1976), Grandson of Morris On (2002) and Great Grandson of Morris On (2004). There have also been several other dance projects including, with John Kirkpatrick and other artists, The Compleat Dancing Master (1974), Rattlebone & Ploughjack (1976) and Kickin' Up the Sawdust (1977). In 1984, Hutchings wrote and toured with a one-man show about folk song collector Cecil Sharp, which resulted in the album An Hour with Cecil Sharp and Ashley Hutchings, (1986). From this point he often combined writing and narration with his music, as in By Gloucester Docks I Sat Down and Wept: A Love Story (1987), which was produced as a live show and album in 1990. He produced an album of spoken-word material as A Word in Your Ear (1991) another themed album combining music and narration with Judy Dunlop, as Sway with Me (1991). In the late 1980s he toured with the Ashley