"Dir, dir Jehova, will ich singen" (version for choir), BWV 299Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299 Song "Wie wohl ist mir, o Freund der Seelen", BWV 517 Aria "Gedenke doch, mein Geist, zurücke", BWV 509 Chorale "O Ewigkeit, du Donnerwort", BWV 513 Compositions The Notebooks contain instrumental as well as vocal music. Recitative and Aria from Cantata Ich habe genug, BWV 82 The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of Cantata Ich habe genug, BWV 82, appear in the 1725 Notebook. Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299 The four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299, also appears in a two-part setting in Schemellis Musicalisches Gesang-Buch (BWV 452). Songs and arias, BWV 508–518 The second Notebook contains a number of songs and arias set for voice and continuo. Aria "Bist du bei mir", BWV 508 "Bist du bei mir", BWV 508, is an arrangement of an aria of the opera Diomedes by Gottfried Heinrich Stölzel. Aria "Gedenke doch, mein Geist", BWV 509 "Gedenke doch, mein Geist, zurücke", BWV 509 is an aria contained in the second notebook. Three settings of "Gib dich zufrieden", BWV 510–512 The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo. Sacred song "O Ewigkeit, du Donnerwort", BWV 513 The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the chorale melody with the same name, for voice and continuo: BWV 397 is the four-part realisation of this song. Sacred song "Schaffs mit mir, Gott", BWV 514 "Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo. Aria "So oft ich meine Tobackspfeife", BWV 515–515a The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first. Aria "Warum betrübst du dich", BWV 516 The aria "Warum betrübst du dich", BWV 516, is a setting for voice and continuo. Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517 "Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo. "Aria di G[i]ovannini", BWV 518 The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known