menacing the Birds, and publicly reveals Black Canary's civilian identity and frames her for a murder. While the team contends with White Canary in the streets of Gotham, Oracle is kidnapped by her former associates, Savant and Creote. This is eventually revealed to be a ruse in order to trick White Canary. Following the team's victory against White Canary, Oracle fakes her death during a battle with Calculator. With most of the criminal underworld now believing that she is dead, Oracle cuts off ties with all but a select few Gotham heroes, and is shown refusing to help Blue Beetle, Manhunter, and Booster Gold when they attempt to call her for assistance during battle. In Grant Morrison's Batman: The Return (2010), an installment of the limited series Bruce Wayne: The Road Home (2010), Batman enlists Oracle to help him run Batman Incorporated, a new global team of Batmen. He tasks her with helping him fight crime on a virtual front and shows her a new modified Batgirl design that acts as her virtual avatar. Oracle is later shown directing Cassandra Cain, now known as "Black Bat", on a mission in Hong Kong, where she captures some heroin smugglers for Batman. In Scott Snyder's Black Mirror storyline, Barbara Gordon is kidnapped by her brother, James Gordon Jr., who had returned to Gotham after a lengthy absence to become a serial killer. He stabs her in both of her legs, positioning the knives so that if she removes them, she will bleed to death. As she slowly bleeds, she can use her wits to distract him long enough for Batman and Commissioner Gordon to arrive and defeat her brother. The New 52: Batgirl, Birds of Prey, and other appearances (2011–2016) In September 2011, following the company-wide relaunch, Barbara Gordon stars in a new Batgirl series—one of The New 52 titles featuring the company's most iconic characters. The conclusion of the limited series Flashpoint (2011) establishes a new continuity within the DC Universe, with all characters regressing to a younger age and earlier stage in their careers while remaining in a modern timeline. DC Senior VP of Sales, Bob Wayne, explained that with each of their titles reverting to issue #1, "our creative teams have the ability to take a more modern approach—not only with each character, but with how the characters interact with one another and the universe as a whole, and