in (Cleveland, Ohio), the Walters Art Museum, and the British Museum in London in 2010–11. Works in the medieval collection are the subject of active research by the curatorial and conservation departments of the museum, and visiting researchers frequently make use of the museum's holdings. In-depth technical research carried on these objects is made available to the public through publications and exhibitions, as in the case of the Amandus Shrine (accession no. 53.9), which was featured in a small special exhibition titled The Special Dead in 2008–09. There are also Late Medieval devotional Italian paintings by these painters at the Walters: Tommaso da Modena, Pietro Lorenzetti, Andrea di Bartolo (Resurrection), Alberto Sotio, Bartolomeo di Tommaso (Death of Saint Francis), Naddo Ceccarelli, Master of Saint Verdiana, Niccolo di Segna (Saint Lucy), Orcagna, Olivuccio di Ciccarello, Master of Panzano Triptych and Giovanni del Biondo. Renaissance, Baroque and 18th-century European art The collection of European Renaissance and Baroque art features holdings of paintings, sculpture, furniture, ceramics, metal work, arms and armor. The highlights include Hugo van der Goes' Donor with Saint John the Baptist, Heemskerck's Panorama with the Abduction of Helen Amidst the Wonders of the Ancient World, Giambattista Pittoni's Sacrifice of Polyxena, the Madonna of the Candelabra, from the studio of Raphael, Veronese's Portrait Of Countess Livia da Porto Thiene and her Daughter Porzia, El Greco's Saint Francis Receiving the Stigmata, Bernini's "bozzetto" of Risen Christ, Tiepolo's Scipio Africanus Freeing Massiva, and The Ideal City attributed to Fra Carnevale. The museum has one of ten surviving examples of the Sèvres pot-pourri vase in the shape of a ship from the 1750s and 1760s. 19th-century European art William and Henry Walters collected works by late-19th-century French academic masters and Impressionists. Highlights of the collection include Odalisque with Slave by Ingres (a second version); Claude Monet's Springtime; Alfred Sisley's panoramic view of the Seine Valley; and Édouard Manet's realist masterpiece, The Café Concert. Henry Walters was particularly interested in the courtly arts of 18th-century France. The museum's collection of Sèvres porcelain includes a number of pieces that were made for members of the Royal Bourbon Court at Versailles Palace outside of Paris. Portrait miniatures and the examples of goldsmiths' works, especially snuffboxes and watches, are displayed in the Treasury, along with some exceptional 19th- and early-20th-century works. Among them are examples of Art Nouveau-styled jewelry by René Lalique, jeweled objects by the House of