further singles from Human Frailty were released: "Everything's on Fire" in August and "Is There Anybody in There?" in October, both reached the top 50 in New Zealand (No. 44 and 41 respectively) but not in Australia. The album included a cover version of a track originally recorded by Sardine v, "Stuck on You", written by Ian Rilen and Stephanie Falconer aka Stephanie Rilen. Hunters & Collectors signed a parallel deal with I.R.S. Records for North America, which released the album in July 1987, although with a different track listing from the Australian version. I.R.S. Records also re-issued the album in a CD format, including all three tracks from the Living Daylight extended play (April 1987, Australasia-only). In July 1991 White Label Records re-issued the album on CD, also including Living Daylight tracks. Liberation Music released a re-mastered issue of Human Frailty on 7 July 2003. On 20 September 2007, SBS in Australia aired a one-hour documentary on Hunters & Collectors and Human Frailty as the part of their Great Australian Albums series. The series was subsequently released on DVD on 22 October 2008. Reception In May 1986 Pollyanna Sutton of The Canberra Times reviewed Human Frailty, she felt that their "early rythmical drum beats, abstract music and sometimes inaudible lyrics have been turned around to produce [the album], something of a showpiece for lead singer, Mark Seymour". The album had "broadened the band's audience, taking away the uncertainty which manifested itself" earlier. In the next month her colleague, Lisa Wallace, declared it "the best album I have heard in a long, longtime. It's clean, fresh, emotional and very, very good. Not for many a moon (far too many) has there been an Australian band which has proved itself such a consistent winner". Fellow Australian music journalist, Ed Nimmervoll, noted "Seymour's themes of alienation and sexual politics came to the fore" with this album. He described how the group "had discovered how to tap the unique vein they had unearthed; where, in a sweat-dripping venue packed to the rafters with a beer swilling macho rock fans the audience would and could at the top of their voices unselfconsciously sing along to a chorus like 'you don't make me feel like a woman any more'". While Ian McFarlane saw it showed "further refinement of the sinewy and dynamic approach established on The Jaws of Life". Allmusic's Steve Kurutz saw the group