had some form of narration, and those that did featured stentorian voices. In the early 1960s, the face of motion picture trailers changed. Textless, montage trailers and quick-editing became popular, largely due to the arrival of the New Hollywood and techniques that were becoming increasingly popular in television. Among the trend setters were Stanley Kubrick with his montage trailers for Lolita (1962), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), and 2001: A Space Odyssey (1968). Kubrick's main inspiration for the Dr. Strangelove trailer was the short film Very Nice, Very Nice (1961) by Canadian film visionary Arthur Lipsett. Pablo Ferro, who pioneered the techniques Kubrick required as necessary elements for the success of his campaign, created the Dr. Strangelove trailer, as well as the award-winning trailer for A Clockwork Orange (1971). Many home videos contain trailers for other movies produced by the same company scheduled to be available shortly after the legal release of the video, so as not to spend money advertising the videos on TV. Most VHS tapes would play them at the beginning of the tape, but some VHS tapes contained previews at the end of the film or at both ends of the tape. VHS tapes that contained trailers at the end usually reminded the viewer to "Stay tuned after the feature for more previews." With DVDs and Blu-rays, and live streaming and mobile devices, trailers can operate as a bonus feature instead of having to watch through the trailers before the film. In summer 1993, the major movie studios started to make trailers available online with the Walt Disney Company providing promotions for Guilty as Sin, Life With Mikey and Super Mario Bros. available to Macintosh users via CompuServe and Columbia Pictures posting a trailer for In the Line of Fire available for download to AOL subscribers. Beginning in the mid-to-late 2010s, many trailers began incorporating a short 5- to 10-second preview of the trailer, sometimes called a "micro-teaser", at the very beginning of the video for the trailer itself. The reasoning behind this has been explained as being a way to grab the viewer's attention immediately. Definition Trailers consist of a series of selected shots from the film being advertised. Since the purpose of the trailer is to attract an audience to the film, these excerpts are usually drawn from the most exciting, funny, or otherwise noteworthy