2013. Warp Records reissued the band's entire discography in March 2015, and announced further rare release reissues from the band in 2022. Other projects Cargill formed the project Children of Alice with House and former Broadcast member Stevens; they released their eponymous debut album in February 2017. The group's name is a tribute to Keenan, who had cited Alice in Wonderland as a main inspiration. Artistry Musical style FACT described Broadcast's music as blending "pop songcraft and experimentally-minded electronic music into a contemporary blend of psychedelia that resonated deeply with listeners". The Guardian described their work as incorporating direct pop while "mixing together influences such as the primitive electronics of the BBC Radiophonic Workshop, 1970s public information films, Czech surrealism, Moog organ, forgotten film soundtracks and kitsch ephemera." A mixture of electronic sounds and Keenan's 1960s-inspired vocals, the band is heavily influenced by the 1960s American psychedelic group the United States of America, using many of the same electronic effects. The band were also known for using samples taken from both library music compilations and real-life field recordings. The band's musical style has been variously labeled psychedelic pop, dream pop, avant-pop, and space age pop. Their preoccupation with past cultural aesthetics saw them grouped with the 2000s electronic trend known as hauntology. Keenan said that the group "[listens] to a lot of soundtracks", and in a 2007 interview, she stated that the group aspired with each album to "make a soundtrack for a film that doesn't exist." In their early years, the band was frequently compared to acts such as Portishead and Stereolab. The group's musical output, according to journalist Mikey Jones, "fused the worlds of pop songcraft and experimentally-minded electronic music into a contemporary blend of psychedelia that resonated deeply with listeners, effectively expanding the conventions of what could be considered psychedelic." Keenan's first love had been primarily folk music, but this influence was downplayed in the early years of Broadcast due to Cargill's initial dislike of the genre. However, it became prominent as the band's sound became more open towards experimentation. Other recurrent elements in the band's music (particularly their first two albums) were "science fiction" atmospheres and "skewed variants" of swing and jazz music, which "offered a Eurocentric counterpoint to the mostly American psych innovators they’d imbibed." In a review published in Spin in 2001, the band were unfavourably likened to being "stuck in a time warp–the