believed to have been wiped. The opening credits of each episode featured a cartoon from the magazine Punch, and the lettering was drawn by the graphic designer Terry Griffiths. The theme tune was composed by Alexander Faris and entitled The Edwardians. It won an Ivor Novello Award. Part of this tune would be made into the song What Are We Going to Do with Uncle Arthur?, sung by Sarah, with lyrics written by Alfred Shaughnessy. Pauline Collins released this as a single in 1973. The theme tune was also used as the processional march for the church wedding of Elizabeth and Lawrence in series 1, Episode 13: For Love of Love. Many writers wrote episodes throughout the five series, including Alfred Shaughnessy, John Hawkesworth, Fay Weldon, Terence Brady and Charlotte Bingham, John Harrison, Julian Bond, Raymond Bowers, Jeremy Paul, Rosemary Anne Sisson, Anthony Skene and Elizabeth Jane Howard. Production Each episode of Upstairs, Downstairs was made in a fortnightly production schedule. The book Inside Updown has a detailed production history. The first week and a half would be spent rehearsing, with two days in the studio - the latter part of the second day being used for recording. Location footage was usually shot beforehand. The exterior shots of 165 Eaton Place were filmed at 65 Eaton Place with the "1" painted on. Upstairs, Downstairs was one of the first major colour productions to be made by LWT. Interior sequences were first recorded in LWT's first studio facility in Wembley in London, for all of series one and the episode "A Pair of Exiles" in series two. For the rest of series two and for the remaining three series the interior sequences were recorded in LWT's new studio complex called Kent House (later known as The London Studios) on London's Southbank. Herne Bay features in series three, episode thirteen "The Sudden Storm", when the staff take a day out to the seaside. Awards Upstairs, Downstairs was nominated for and won many national and international awards, winning two BAFTA awards, two Royal Television Society awards, three Writers Guild Awards, eight Emmys, and a Golden Globe. It was nominated for a further seven BAFTAs, nine Emmys and four Golden Globes. It was nominated for the BAFTA Television Award for Best Drama Series in 1972, 1973, 1975, and 1976, winning in 1972 and 1974. Pauline Collins was nominated for Best Actress in 1973 for