Great Crusade Against Liberty) and La Chasse à la Liberté (The Hunters in Pursuit of Liberty). These attacks on monarchy were taken seriously and were not without consequences. Louis Philippe's regime seized papers, levied fines, and sent editors, writes, and illustrators to prison. Daumier was fined 500 francs and spent six months in prison in 1832. Charles Philipon received even greater fines and longer prison terms as did other publishers. Grandville endured persistent harassment from the police, including searches, and one incident described as a mugging in his own building by thuggish policemen, foiled by a neighbor who confronted them with pistols. He is said to have been deeply distressed by these events. Grandville filed criminal charges asserting the police had entered his residence by force, and he later published a lithograph Oh!! Les vilaines mouches!! Philipon organized L'Association Mensuelle lithographique which offered fine prints to its members in the early 1830s. Grandville produced over half the prints, with the profits going to pay the paper's fines. As La Caricature was collapsing, Philipon launched yet another review, Le Charivari in 1832, in which political attacks were more subtle, oblique, and veiled and the cartoons often addressed broader, less political, social satire. Grandville, Philipon, and Daumier, achieved a level of celebrity status among factions of the public, as much for their defiant opposition as their cartoons. His political cartoons enjoyed great popularity with the public and were held in high regard by many. Publishers and editors such as Edouard Charton of Le magasin pittoresque, as gave Grandville the freedom to choose his own subjects and create his images. The business of caricaturing was financially tenuous. The papers typically paid cartoonist by the print and artist considered themselves lucky to receive a contract for drawing on a regular basis. Grandville had made his earlier lithographs himself, but after he started producing cartoons for the periodicals about 1831, and his later book illustrations, he typically turned his original drawings over to publishers who had lithographers and woodcut engravers copy his images for printing. Color was added in colorist studios, almost always women, who applied watercolor or gouache by hand, following notes supplied by the artists. The "Fieschi attentat", an unsuccessful assassination attempt on King Louis Philippe occurred on July 28, 1835, the fifth anniversary of the July Revolution. The September Laws soon followed, with censorship of the press and significantly longer prison sentences