intervention was believed to have brought relief from an outbreak of plague in 1464. The painting shows the figure of Christ and the Virgin Mary in Glory, while below, St Sebastian, standing on a Classical plinth and bristling with arrows, suffers martyrdom and is crowned by angels. Benozzo Gozzoli received his training under Lorenzo Ghiberti while working on the Baptistry doors. He fulfilled two other important commissions in San Gimignano. Both were at the Church of Sant' Agostino, a fresco cycle of the life of St Augustine of Hippo executed 1464-65, and another St Sebastian, showing the townsfolk sheltering beneath his cloak. The Annunciation In the Baptistery Loggia to the south of the church are several small frescoes of saints, and a major work, The Annunciation, previously attributed to Ghirlandaio but now believed to be the work of Sebastiano Mainardi and dated to 1482. In front of The Annunciation stands the font, which was removed from the church and placed in this position in 1632. It is hexagonal, with a sculptured relief on the side, that to the front being the Baptism of Christ, with the two adjoining panels containing kneeling angels. It is the work of the Sienese sculptor Giovanni di Cecco and was commissioned by the Wool-workers Guild in 1379. Works by Jacopo della Quercia and others The Annunciate angel and the Virgin Mary, two figures carved in wood by Jacopo della Quercia stand towards the end of the nave. They were created around 1421 and later decorated with polychrome by Martino di Martolomeo. Pope Gregory predicts the death of St Fina, an early 14th-century fresco in a lunette of the right nave arcade, thought to be the work of Nicolo di Segna di Bonaventura. The main altar of the church has a large marble ciborium and two kneeling angels with candlesticks, the work of Benedetto Maiano, created at the same time as the altarpiece and tabernacle in the Chapel of Santa Fina, 1475. The crucifix of the chancel is by the Florentine sculptor, Giovanni Antonio Noferi, 1754. Noferi also designed the marble pavement of the chancel. Further reading Franz Hofmann Der Freskenzyklus des Neuen Testaments in der Collegiata von San Gimignano München 1996 Aldington, Richard (1945). A Wreath for San Gemignano, with illustrations by Netta Aldington and sonnets of Folgóre da San Gimignano titled The Garland of Months and translated by Richard Aldington. New York: Duell, Sloan