gives some antiquity and there may be some original events serving as a basis to the stories. The Golden Calf story is only in the E version and a later editor added in an explanation that God made a second pair of tablets to give continuity to the J story. The actual Ten Commandments as given in Exodus 20 were also inserted by the redactor who combined the various sources. Current historiography considers that this episode was introduced into the Exodus account in the time of Josiah (622) or later to discredit the custom rooted in the Kingdom of Israel (North) of identifying Yahweh with a bull. The cult of the bull was rooted in Palestine from pre-Israelite times, as attested by the archaeological find of a bronze bull in the sanctuary of the acropolis of Jasor dated to the late Bronze Age. A bronze bull has also been found in an Israelite sanctuary east of Tel Dothan, in the mountains of Samaria, dated to around the 11th century. Albertz says that when we read in 1Kings 12:28 that the first monarch of the northern kingdom, Jeroboam, had introduced the worship of golden calves in Bethel and Dan, we must interpret that what Jeroboam really does is to return to the traditional Israelite religion, as opposed to the syncretistic innovations introduced by David and Solomon in centralizing the cult in Jerusalem. According to Michael Coogan, it seems that the golden calf was not an idol for another god, and thus a false god. He cites as evidence: Importantly, there is a single calf in this narrative. While the people refer to it as representative of the "gods", this is a possessive form of the word Elohim ( elo'hecha, from ), which is a name of God as well as general word for "gods". While a reference to singular god does not necessarily imply Yahweh worship, the word usually translated as 'lord' is Yahweh in the original, so at least it can't be ruled out. In the chronology of Exodus the commandment against the creation of graven images had not yet been given to the people when they pressed upon Aaron to help them make the calf, and that such behavior was not yet explicitly outlawed. Another understanding of the golden calf narrative is that the calf was meant to be the pedestal of Yahweh. In Near Eastern art, gods were