as "Aria di G[i]ovannini", is doubted. For organ The first Notebook contains two compositions for organ. The chorale prelude Wer nur den lieben Gott lässt walten is No. 11 in the second Notebook. Fantasia in C major, BWV 573 The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook. Chorale prelude Wer nur den lieben Gott lässt walten, BWV 691 The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the Kirnberger Collection. Chorale setting Jesus, meine Zuversicht, BWV 728 The chorale setting Jesus, meine Zuversicht, BWV 728, is ranged among Bach's chorale preludes for organ. For keyboard The keyboard pieces are the largest group of compositions in both Notebooks. Five French Suites, BWV 812–816 The first Notebook contains early versions of the first five French Suites, BWV 812–816. the first and the second French Suite also appear in the second Notebook. Third and sixth partita from Clavier-Übung I, BWV 827 and 830 The second Notebook starts with the third Partita, BWV 827, from Clavier-Übung I, followed by the sixth Partita, BWV 830, from that opus. Minuet in G major, BWV 841 The Minuet in G major, BWV 841, is also contained in the Klavierbüchlein für Wilhelm Friedemann Bach. First prelude of The Well-Tempered Clavier, BWV 846/1 The prelude of Prelude and Fugue in C major, BWV 846, from The Well-Tempered Clavier appears in a short version in the second Notebook. Aria of the Goldberg Variations, BWV 988/1 No. 26 in the second Notebook is the aria with which the Goldberg Variations start: Air with variations, BWV 991 The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook. Minuet in F major, BWV Anh. 113 The Minuet in F major, BWV Anh. 113, is No. 3 in the second Notebook. Its attribution to J. S. Bach is considered doubtful, and for that reason it is included in Anhang (Anh.) II of the Bach-Werke-Verzeichnis. Two Minuets by Christian Petzold, BWV Anh. 114–115 Start of Minuet in G major, BWV Anh. 114: The two Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in Anh. III of the Bach-Werke-Verzeichnis. Four Minuets and three Polonaises, BWV Anh. 116–121 Seven pieces