Vesselina Kasarova (; born 18 July 1965) is a Bulgarian operatic mezzo-soprano. Early life and education Kasarova was born in the central Bulgarian town of Stara Zagora. Under the communist regime she studied Russian as a second language and had an early start in music education. She started taking piano lessons at the Pionerski Dom at age 4 (in 1970) and enrolled at Hristina Morfova School of Music and Performing Arts (normal studies in the morning, and music in the afternoon) in her native town in 1979. As she studied piano and worked as accompanist at recitals, Kasarova became so drawn to the voice as a musical instrument that upon earning her concert pianist diploma in 1987, she switched to study singing under Ressa Koleva at Bulgarian State Music Academy in Sofia, focusing on the works of Mozart and Rossini. Kasarova gave her first singing performance in her native town singing "Habanera" from Bizet's Carmen. She performed at Sofia National Opera while still a student. She performed the part of Rosina in The Barber of Seville for her graduation exam. Singing career In 1989, her final year at the Sofia Conservatory, she and 5 other students were sent to a month-long concert tour of France. The artist agent Luisa Lasser-Petrov made a recording of one of her performances which she sent to Herbert von Karajan, who immediately requested to see her in Salzburg and then in Vienna. They met in Salzburg where she was asked to sing "Agnus Dei" from Bach's Mass in B minor. Karajan wanted to engage her to sing Bach's mass with him at the Salzburg Festival the following year, but died shortly after. The Impresario of the Vienna State Opera, Ioan Holender (then jointly directing with Eberhard Wächter) was persuaded by Lasser-Petrov to hear her auditions and immediately offered her a 2 yrs contract at that house to start in 1991-92 season. When she returned to Bulgaria, she took part in another audition at Stara Zagora Opera where she was heard by Christoph Groszer, the impresario of the Zürich Opera. He also immediately engaged her for his company. After graduation, Kasarova joined the ensemble at Zurich Opera in 1989 and made her professional stage debut in Wagner's Götterdämmerung as the 2nd Norn and Wellgunde. She soon became a local favorite there with the audience appreciative of her unique vocal timbres, expressive intensity, and virtuoso ability. She