explosives. Coalhouse and his gang storm the Morgan Library, taking the priceless collection hostage and wiring the building with dynamite. Father is drawn into the escalating conflict as a mediator, as is Booker T. Washington. Coalhouse agrees to exchange Conklin's life for safe passage for his men, who leave in his restored Model T. Coalhouse is then shot as he surrenders to the authorities. Interwoven with this story is a depiction of life in the tenement slums of New York city, focused on an Eastern European immigrant referred to as Tateh, who struggles to support himself and his daughter after driving her mother off for accepting money for sex with her employer. The girl's beauty attracts the attention of Evelyn Nesbit, who provides financial support. When Tateh learns Nesbit's identity, however, he takes his daughter out of the city. Tateh is a talented artist and earns a living cutting out novelty paper silhouettes on the street. He tries working in a factory, where he experiences a successful workers' strike, but becomes disillusioned when he sees it change little about the workers' lives, although in the final chapter he still describes himself as a socialist. He starts making and selling moving picture books to a novelty toy company, becoming a pioneer of animation in the motion picture industry. Tateh becomes wealthy and styles himself "the Baron" in order to move more easily through high society. He meets and falls in love with Mother, who marries him after Father is killed in the sinking of the RMS Lusitania. They adopt each other's children, as well as Coalhouse's son, and move to California. Mixed into the interwoven stories are subplots following prominent figures of the day, including those named above as well as in the Historical figures section below. Historical figures The novel is unusual for the irreverent way that historical figures and fictional characters are woven into the narrative, making for surprising connections and linking different events and trains of thought about fame and success, on the one hand, and poverty and racism on the other. Harry Houdini plays a prominent yet incidental part, reflecting on success and mortality. As his success grows, he becomes increasingly depressed and believes his work is ultimately meaningless. After his mother's death, he becomes obsessed with exposing fraudulent occultism, while secretly longing to find a true mystic experience. Arch-capitalist financier J. P. Morgan, pursuing his complex