the heat from simmer to meltdown between the verse and chorus." U2 chroniclers Bill Graham and Caroline van Oosten de Boer also see the song as a throwback to the group's earlier sound, but say that "the band doesn't sufficiently develop the initial idea to warrant the five minutes of 'Ultra Violet'". While "Ultraviolet" was not released as a single, it was used in a scene at the end of the 2006 Adam Sandler film Click, in which Sandler's character drives home from Bed, Bath and Beyond to happily see his family, and make up for the mistakes he made with his universal remote control. It was also featured in the 2007 film The Diving Bell and the Butterfly. The name Ultra Violet was also given to one of U2's improvised mid-1990s business initiatives, a joint merchandising venture with MCA Inc.'s Winterland division; the partnership soon dissolved, but not before producing several hundred thousand pairs of Bono "Fly" glasses. Live performances "Ultraviolet" was first performed at Lakeland Arena in Lakeland, Florida on 29 February 1992 at the start of the Zoo TV Tour, and it remained a staple of the band's set lists for the first four legs of the tour, often preceded by a prank call by Bono as his alter-egos Mirror Ball Man or Mr. MacPhisto. The Edge played the song on his Gibson Explorer. It was staged with silver-and-mauve lights thrown against two glitter balls, causing light fragments to swirl around the audience, and with lasers flashing in quick rhythms. Anthony DeCurtis of Rolling Stone characterised its essence as "desperately searching" and said that it helped transition the Zoo TV show towards an ambiguous, introspective conclusion. It became writer Beeaff's favourite live song on the tour, with Bono's intense, unrestrained singing producing a strong communal energy; she singled out the March 1992 Hampton Coliseum show as one in which Bono's fervent performance approached the point of emotional breakdown and generated "a transcendent and draining experience for everyone." Although acknowledging the song is an "epic ... with some gorgeous aspects", Edge has said the song is unwieldy to play live. During Zoo TV, almost all of the numbers from Achtung Baby (and the rest of the set list) were augmented by sequencers to fill out the sound; on "Ultraviolet", under-the-stage keyboard tech Des Broadberry playing a sampled guitar figure in the background during Edge's solo parts. Its last