sense of design and a wise use of color. Berruguete's last assignment was the high altar of the Ávila Cathedral, which he was unable to finish due to his death. He painted for this work of late Gothic architecture several paintings of episodes from the life of Christ for the altarpiece, and figures of patriarchs for the predella. These paintings, perhaps reflecting the prevailing style in Castile at the time, use gold backgrounds and somewhat rigid compositions. The figures are of a more robust and monumental form than in previous works, perhaps in order to stand out in the distance of the main chapel. After the master's death the altarpiece was completed by Juan de Borgoña. Gallery References Sources Brown, Jonothan (1991).The Golden Age of Painting in Spain. Yale University Press. Campbell, Gordon (2003) "Berruguete, Pedro (c. 1450-c. 1500)" The Oxford Dictionary of the Renaissance Oxford University Press, Oxford; Carter, David Giles. “Justus of Ghent, Berruguete, and the Court of Urbino.” Art Quarterly, no. 21 (Spring 1958): 40-46; Chilvers, Ian and Osborne, Harold (eds.) (1988) "Berruguete, Pedro (d. 1504)" The Oxford Dictionary of Art Oxford University Press, Oxford; Galperín, Karina. “The Passion According to Berruguete: Painting the Auto-de-Fé and the Establishment of the Inquisition in Early Modern Spain.” Journal of Spanish Cultural Studies 14 (2013): 315-347; Langmuir, Erika and Lynton, Norbert (2000) "Berruguete, Pedro (d. 1504)" The Yale Dictionary of Art and Artists Yale University Press, New Haven, CT; Osborne, Harold (ed.) (1970) "Berruguete, Pedro (d. c. 1503)" The Oxford Companion to Art Oxford University Press, Clarendon Press, Oxford, England; Marías, Fernando, and Felipe Pereda. "Petrus Hispanus En Urbino Y El Bastón Del Gonfaloniere: El Problema Pedro Berruguete En Italia Y La Historiografía Española." Archivo Español De Arte 75 (2002): 361-80; Myers, Bernard S. (ed.) (1969) "Berruguete, Pedro" McGraw-Hill Dictionary of Art McGraw-Hill, New York; Parry, Melanie (ed.) (1997) "Berruguete, Pedro (1450-1504)" Chambers Biographical Dictionary Sixth edition, Larousse Kingfisher Chambers, New York; Silva, Pilar. Pedro Berruguete. Salamanca: Junta De Castilla Y León, Consejería De Educación Y Cultura, 1998; Silva, Pilar. Pedro Berruguete: El Primer Pintor Renacentista De La Corona De Castilla: Iglesia De Santa Eulalia, Paredes De Nava (Palencia), Del 4 De Abril Al 8 De Junio De 2003. Junta De Castilla Y León, Consejería De Educación Y Cultura, 2003; Strehlke, Carl Brandon. "Pedro Berruguete. Paredes De Nava (Palencia)." The Burlington Magazine 145, no. 1204 (July 2003): 539-41; Webb, Jennifer