Carry On Cabby is a 1963 British comedy film, the seventh in the series of 31 Carry On films (1958–1992). Released on 7 November 1963, it was the first to have a screenplay written by Talbot Rothwell (although the first screenplay "Tolly" submitted to Peter Rogers was developed as Carry On Jack) from a story by Dick Hills and Sid Green (script writers for Morecambe and Wise). Regulars Sid James, Hattie Jacques, Kenneth Connor and Charles Hawtrey are all present. Liz Fraser makes her third appearance (and last for more than a decade) and both Bill Owen and Esma Cannon make their final (and in both cases, fourth) appearances. This was the first film in the series to feature Carry On regular Jim Dale, and the first not to feature Kenneth Williams in the cast. Williams turned down the role of Allbright due to what he considered an inferior script. The part was scaled down, and given to Norman Chappell. Carry On Cabby was originally planned as a non-Carry On film, called Call Me A Cab (after a stage play) but midway through development it became part of the Carry On series. The film is notable from others in the series for its dramatic plotline of a troubled marriage. Plot Charlie Hawkins (Sid James) is the workaholic owner of thriving taxi company Speedee Taxis, but his wife Peggy (Hattie Jacques) feels neglected by him because he works long hours. When Charlie misses their fifteenth wedding anniversary because he is out cabbing, after promising Peggy a night out, she decides to punish him. For tax reasons, all the company funds are held in Peggy's name, so she tells Charlie that she is going to 'get a job', then uses the money to establish a rival company, GlamCabs. The cars are brand new Ford Cortina Mk1s driven by attractive girls in provocative uniforms. Flo, the wife of one of Charlie's drivers, is appointed to the post of office manager. Charlie continues to coach his mainly inept drivers, including the clumsy Terry "Pintpot" Tankard (Charles Hawtrey), whilst Peggy refuses to tell Charlie about her new job. Charlie feigns a lack of interest, but he is dying to know what she is up to, particularly as he gets a taste of his own medicine because she now works long hours. He struggles to cope while Peggy's company becomes a thriving success due to the