raid of 1942 destroyed all the windows, including the stained glass windows that Carl Julius Milde had installed at Saint Mary's after they were rescued from the when the St. Mary Magdalene's Priory was demolished in the 19th century, and including the windows made by Professor from Frankfurt in the late 19th century. In the reconstruction, simple diamond-pane leaded windows were used, mostly just decorated with the coat of arms of the donor, though some windows had an artistic design. The windows in the Singers' Chapel (Lady Chapel) depict the coat of arms of the Hanseatic towns of Bremen, Hamburg and Lübeck, and the lyrics of Buxtehude's Lübeck cantata, (BuxWV 96). The monumental west window, designed by , depicts the Day of Judgment. The window of the Memorial chapel () in the South Tower (which holds the destroyed bells), depicts coats of arms of towns, states and provinces of former eastern territories of Germany. Both windows in the Danse Macabre Chapel (), which were designed by Alfred Mahlau in 1955/1956 and made in the Berkentien stained glass atelier in Lübeck, adopt motifs from the Danse Macabre painting that was destroyed by fire in 1942. They replace the (Emperor's Window), which was donated by Kaiser Wilhelm II on the occasion of his visit to Lübeck in 1913. It was manufactured by the Munich court stained glass artist and depicted the confirmation of the town privileges by Emperor Barbarossa. In 1981–82, windows by Johannes Schreiter were installed in the Chapel of Indulgences (). Their ragged diamond pattern evokes not only the destruction of the church but also the torn nets of the Disciples (). In December 2002, the tympanum window was added above the north portal of the Danse Macabre Chapel after a design by Markus Lüpertz. This window, like the windows by Johannes Schreiter in the Chapel of Indulgences (), was manufactured and assembled by Derix Glass Studios in Taunusstein. Churchyard , with its views of the north face of the , the , and the has the ambiance of a mediaeval town. The architectural features include the subjects of Lübeck legends; a large block of granite to the right of the entrance was supposedly not left there by the builders but put there by the Devil. To the north and west of the church, the courtyard is now an open space, mediaeval buildings having been removed. At the corner between