up primarily of local Burlington musicians, featured on the majority of Phish's sets during this tour, utilizing both pre-written charts as well as factoring into the improvisational segments. This horn section, or a variation, would occasionally make one-off appearances with Phish in the years to come, and would eventually serve as the inspiration, and basis, for the horns in Anastasio's solo band. Most notably, Phish also held their first official concert festival – Amy's Farm – held in upstate Maine at the horse farm of longtime fan Amy Skelton. It was a free show and, like many of their future festivals, was an outdoor camp out that closed the band's summer tour. Phish would go on to host three more summer festivals in Maine. Fall 1991 saw Phish touring with great intensity, from coast to coast and back again, culminating in their third consecutive New Year's Eve show, and the first to run for three sets. Original song debuts in 1991 included "Guelah Papyrus", "Chalk Dust Torture", "Setting Sail", "Poor Heart", "Brother", "It's Ice", "Sparkle", "All Things Reconsidered", and "Glide." 1992 1992 saw Phish continue to tour intensively, all over the United States, and even enjoy their first taste of Europe. The year's live activity kicked off on 6 March, in Portsmouth NH, with a significant amount of new material. This show also featured the band clueing the audience in on their "secret language", which is a series of musical cues and signals that the band would use to communicate with one another. While this had been happening on stage for a couple of years at this point, new signals were devised to include the audience, such as the Homer Simpson "D'oh!" signal, the "turn turn turn" signal, the "aw fuck!" signal, and several others. A handful of shows early in the tour featured Trey instructing the audience on what to look out for (with the correct assumption that tape trading would effectively spread the word), and those signals featured heavily in the various jams and song intros during this year. Another bit of audience participation premiered this year in the form of the "Big Ball Jam", where three giant beach balls would be unleashed into the audience. Each of the melodic performers would follow one particular ball and provide musical accompaniment as it would make its journey around the venue, and back towards the stage. While this often resulted