great job producing the album too. It was a great sounding record." The album's artwork was inspired by the artwork of American progressive metal band Fates Warning's 1985 album The Spectre Within. Quiet Riot wanted a similar look for the Down to the Bone album. The focus of the artwork was to be the band's mascot character of previous albums. The artwork was later reproduced as posters, T-shirts, stickers, backstage passes, tour backdrops and sold as a limited edition print. The artwork's creator Ioannis, later sold the original artwork for $8000 circa 2008. He recalled "At first I kinda dragged my feet but then I really got into the technique and it turned into one of my favorite dark metal illustrations. We met at their hotel during one of their dates on tour and went over everything, both Frankie Bannali and Kevin Dubrow were great guys." In the Billboard Magazine issue dated March 4, 1995, an article featuring a short interview with DuBrow stated that after MTV had made it clear that they didn't want to play clips of bands like Quiet Riot, the band reeled a remake of the Kinks' classic "All Day and All of the Night" for distribution via computer online services. In a 2001 interview with DuBrow for Metal Sludge, DuBrow was asked to choose which album he preferred between Down to the Bone and the band's 1986 album QR III. DuBrow chose Down to the Bone and explained "A lot of people didn't really get "Down to the Bone" but I dug it. I thought it was really musical and adventurous. "QR III" was such an abomination because of the producer Spencer Proffer." Release The album was released by Kamikaze Records on CD and cassette in America and Canada only. Like the band's previous 1993 album Terrified, the album was released on CD in Japan via Alfa Records, Inc. This was the only version of the album to feature two exclusive bonus tracks; "Slam Dunk" and "Love Can Change You". "Slam Dunk", written by DuBrow and Perris, was originally recorded in 1991 by Pretty Boy Floyd for the movie Switch. Additionally a newly recorded Quiet Riot version of "Slam Dunk" would later appear on the band's following 1999 studio album Alive and Well. Critical reception Barry Weber of AllMusic stated "Although not quite as disappointing as the 1993 release Terrified, Down to the Bone once