The Devil Is a Woman is a 1935 American romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel La Femme et le pantin by Pierre Louÿs. The film was based on a screenplay by John Dos Passos, and stars Marlene Dietrich, Lionel Atwill, Cesar Romero, Edward Everett Horton, and Alison Skipworth. The movie is the last of the six Sternberg-Dietrich collaborations for Paramount Pictures. Plot summary During Carnival in early-twentieth century Spain, the boulevards of Seville are jammed with revelers wearing grotesque costumes and masks. A detachment of Civil Guards stagger among the masquerading merrymakers, bewildered by the "riotous disorder". A frenzied merriment prevails. Antonio Galvan, a young bourgeois revolutionary home from his exile in Paris to visit his parents, mixes with the crowds while evading the authorities pursuing him. He makes eye contact with the dazzling Concha, who is perched on a float in the parade. She flees into the crowd with Antonio in pursuit, and he is rewarded with a secret note inviting him to meet with her in person that evening. Antonio has a chance encounter with a friend he has not seen in years, Don Pasqual, a middle-aged aristocrat and former Captain of the Civil Guard. The younger man, consumed with the image of the lovely Concha, asks the older gentleman what he knows of the mysterious girl. Don Pasqual solemnly relates, via a series of flashbacks, the details of a fateful relationship he had with the young temptress, his tale the confession of a man in thrall to the devastating girl. He says Concha subjected him to ridicule and humiliation, manipulating Don Pasqual in the manner of a puppet master, and he could not help but submit. His public prestige and authority were ultimately shattered, and he resigned his commission in disgrace, after which, satisfied with her conquest, Concha flung him aside for a final time. Don Pasqual says he has not seen Concha for several years, and assures Antonio that any desire he once felt for her is now utterly extinguished. He exhorts the young man to avoid any contact with the temptress, and Antonio vows to heed his warning, but he keeps his date with Concha. He intends to just tell her off and leave, but ends up going to a club with her. While they are there, a note is delivered to Concha from Don Pasqual that