Dorothy Patrick (born Dorothea Davis; June 3, 1921 – May 31, 1987) was a Canadian-American film actress and a John Robert Powers model. Early life Patrick was born on June 3, 1921, in St. Boniface, Manitoba, Canada, the daughter of Mr. and Mrs. Robert E. Davis. As a teen, Patrick was a professional photographic model for young ladies' fashions in Creed's, Hudson's Bay and Sears department store catalogues, popular in Canada. After growing up in Winnipeg, in 1938 at age 17, she and her "backstage" mother, Eva, emigrated to the United States. Settling in New York City at tony Tudor City in Manhattan, Patrick became a fashion model with the John Robert Powers Agency. She was seen on the runways of the City's haute couture salons and in fashion and entertainment magazines of the day. Career During her early career she was billed under her birth name, Dorothea Davis. In 1939, Patrick won Samuel Goldwyn's Gateway to Hollywood talent-search contest. With a movie contract in hand, she moved to Hollywood with her mother and young son to live in Culver City, California and work at nearby MGM studios. Patrick trained at the studio's repertory workshop and first appeared as a Goldwyn Girl in Up in Arms starring Danny Kaye (1944). Her most noted MGM appearance was opposite Robert Walker in the Jerome Kern musical showcase Till the Clouds Roll By (1946). As a "Queen of the Bs," she continued to appear in films produced in the 1940s and 1950s, including High Wall (1947) with Robert Taylor; New Orleans (1947) with Louis Armstrong and Billie Holiday; The Mighty McGurk (1947) with Wallace Beery; Follow Me Quietly (1949) with William Lundigan, and the Fritz Lang-directed noir classic, House by the River (1950). Apart from her film career, during the 1940s, she played several roles on Lux Radio Theatre. In the early days of television, she made guest appearances on the locally produced TV game show, Mike Stokey's Pantomime Quiz. The Korean War-era saw her at celebrity appearances for USO and she was Miss Naval Air Force Recruiting 1951. At Columbia Pictures, Patrick co-starred with Preston Foster and Wayne Morris in an oil wild-catting yarn, The Big Gusher (1951), and in a modern-day western, Outlaw Stallion (1954), opposite Billy Gray with Phil Carey. Patrick co-starred or was supporting actress in a series of Republic programmers. The studio was best known releasing Saturday matinee