camera acting as her surrogate, but finally framing her against the embarrassingly majestic Cultural Center of the Philippines. The scene captures it all: the decadence of the Martial Law regime, along with its perverse aspirations to art, has doomed the destinies of Filipinos. From that time on, Bernal was established as an innovative and intelligent filmmaker who would not be content with conventional formulas of local film making. Under his name is a broad range of film genres and themes: historical dramas like El Vibora (The Viper), and the Bonifacio episode in the unreleased Lahing Pilipino (The Filipino Race); sophisticated comedies like Tisoy (Mestizo), Pabling (Playboy), Working Girls I and Working Girls II; experimental films like Nunal sa Tubig (Speck in the Water) and Himala (Miracle); and contemporary dramas exploring human psyches and social relationships, such as Ligaw Na Bulaklak (Wildflower), Mister Mo, Lover Boy Ko (Your Husband, My Lover), Ikaw Ay Akin (You Are Mine), Relasyon (The Affair), Aliw (Pleasure) and the film classic Manila by Night (or City After Dark). His sturdy filmography is mainly clustered around the themes and problems that inevitably encrust the "social" as the core of personal malaise. Bernal considered himself a feminist director and admitted that it was part of his interest to tackle issues affecting women. A significant part of his work is stories about and for women. For example, Relasyon, Hinugot sa Langit (1985), and Working Girls. Before Bernal died in Quezon City on June 2, 1996, he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines. In Philippine television Aside from film, Bernal also directed television shows like the long-time drama series Ang Makulay Na Daigdig ni Nora (The Colorful World of Nora) for which he was named Outstanding Director in a Drama Series by the Patas Awards in 1979; Metro Magazine, Isip Pinoy, Dear Teacher and episodes for PETABISYON and Lorna. As an actor, he played lead roles in stage plays like Kamatayan Sa Isang Anyo Ng Rosas (Death in the Form of a Rose) in 1991 and Bacchae in 1992. Activism Bernal had been an activist since university, when he was a member of the Student Cultural Association of the University of the Philippines. After graduation, he became involved in Kabataang Makabayan youth organization. He protested film censorship and was part of the