2006, the highest in India for that year. Film studios in Hyderabad, developed by D. Ramanaidu and Ramoji Rao, are involved in prolific film production and employment. There is a fair amount of dispersion among the Indian film industries. Since 2005, many successful Telugu films have been largely remade by the Bengali cinema and Hindi film industries, while in the past, Telugu filmmakers drew inspiration from Bengali cinema and literature. Telugu film production accounts for one percent of the gross domestic product of the region. The digital cinema network company UFO Moviez marketed by Southern Digital Screenz (SDS) has digitized several cinemas in the region. The Film and Television Institute of Telangana, Film and Television Institute of Andhra Pradesh, Ramanaidu Film School and Annapurna International School of Film and Media are some of the largest film schools in India. The Telugu states consist of approximately 2800 theaters, the largest number of cinema halls of any state in India. Being commercially consistent, Telugu cinema had its influence over commercial cinema in India. The industry holds the Guinness World Record for the largest film production facility in the world, Ramoji Film City. The Prasads IMAX located in Hyderabad is one of the largest 3D IMAX screens, and the most attended cinema screen in the world. As per the CBFC report of 2014, the industry is placed first in India, in terms of films produced yearly. The industry holds a memorandum of understanding with the Motion Picture Association of America to combat video piracy. In the years 2005, 2006, 2008, and 2014 the industry has produced the largest number of films in India, exceeding the number of films produced in Bollywood. 1992 film Gharana Mogudu is the first Telugu film to gross over 10 crore at the box office. Produced on a shoe string budget of 1.2 crore, 2000 film Nuvve Kavali became sleeper hit of the late 1990s. It was screened for 200 days in 20 screens grossing over 20 crore. Neo Tollywood Dasari Narayana Rao directed the most number of films in the Telugu language, exploring themes such as aesthestics in Meghasandesam (1982), Battle of Bobbili in the biographical war film Tandra Paparayudu (1986), alternate history with Sardar Papa Rayudu (1980), and gender discrimination in Kante Koothurne Kanu (1998) for which he received the Special Jury Award (Feature Film - Director) at the 46th National Film Awards. K. Raghavendra Rao explored