album, After the Rain, which would never be released. The single was entitled "I Belong to You". As the 1970s progressed, Frederick would sign with another label, spawning a third album in the process; as in the last project at Bearsville, it never saw the light of day. In a partnership with producer Jeff Koz (who had worked with Frederick on The Last Horror Film in 1982 and Treasure: In Search of the Golden Horse in 1984), Frederick formed the band The Kinetix and released the single, "Don't Stand In The Shadow" for Columbia Records, in 1984. Late 1970s to early 1980s: film composing and acting in film on stage By the late 1970s, Frederick had changed his beat to movie and TV score composing. In 1980, he performed vocals for the character "Tommy Dee" (played by Paul Land) in the Taylor Hackford film The Idolmaker. A single from the picture's soundtrack, "Here Is My Love", was released in both stereo and mono formats. That same year, Frederick played Alice Cooper's roadie in the film Roadie. Also that year he performed in Goosebumps a rock musical stage show directed and choreographed by David Winters. It co-starred Carl Anderson, and Shabba Doo. In 1982, Frederick reunited with director Winters and composed the score for his motion picture The Fanatic (aka The Last Horror Film). Many more major theatrical titles would follow, including that of Garry Marshall's 1984 hit The Flamingo Kid. Mid to late 1980s: foray into TV: Bennett Salvay and Miller/Boyett In the mid-1980s, as a result of his movie scoring work, Frederick began a partnership writer/composer (Paul) Bennett Salvay. The two musicians had both come off Garry Marshall-produced projects at the time they began working together. Frederick had just completed his scoring for The Flamingo Kid, while Salvay had been music director in the later seasons of the hit series Happy Days, Laverne & Shirley and Mork & Mindy, for Garry Marshall's Henderson Productions, Miller-Milkis-Boyett Productions and Paramount Television. The pair found they had a dynamic spark of creativity between them, and sought out work on original compositions that would be pitched to TV and movie projects. As Frederick worked on new musical material with him, Salvay would eventually lead them to new opportunities with his TV employers. When producers Thomas L. Miller and Robert L. Boyett left Paramount for Lorimar Productions in 1984, they retained many of their