Kong art world. Reporters from cultural and education newspapers dash back and forth in the art center looking for Ju Ming. Three television stations invite him onto the air. (“Ju Ming’s Shock” by Shih Shu-Cing) 1981 Individual Exhibition at the National Museum of History, Taipei 1981 Individual Exhibition at the Max Hutchinson Gallery, New York Took his creative work to New York, his first international exposure. The result was an exhibit in the Max Hutchinson Gallery, New York, that was called a miracle by the head of the gallery. The Living World Series gradually took shape. 1983 Individual Exhibition at the Max Hutchinson Gallery, New York 1984 Individual Exhibition at the Ayala Museum, Manila 1984 Individual Exhibition at the Bhirasri Institute of Modern Art, Bangkok 1985 Solo Exhibition at the Max Hutchinson Gallery, New York 1986 Solo Exhibition in Exchange Square, Hong Kong 1986 Solo Exhibition at the Singapore History Museum (the old National Museum of Singapore), Singapore 1987 Solo Exhibition at the Taipei Fine Arts Museum, Taipei 1988 Solo Exhibition at the National Taiwan Museum of Fine Arts (the old Taiwan Museum of Art), Taichung 1989 Solo Exhibition at the Phyllis Kind Gallery, New York 1991 Solo Exhibition at the Hong Kong Arts Center, Hong Kong 1991 Solo Exhibition at the Southbank Center, London First Chinese exhibition at the Southbank Center, one of only three large outdoor sculpture exhibitions in the ten years since its founding, and the only Asian artist invited. The Times of London writes, “Though we have been late in finding out about Ju Ming, now that we know him, we won’t forget him.” 1991 Exhibition at Browns Gallery, London 1991 Solo Exhibition at the Yorkshire Sculpture Park, London 1991 Solo Exhibition at the Shin Kong Mitsukoshi Department Stores, Taipei 1991 Solo Exhibition at the Musée d’Art Contemporain de Dunkerque, France Dunkerque Modern Arts Association Chairman G. Delaine describes the work “Living World Series—Parachute”: “The strength of these sculptures does not lie merely in the dimensions of their figures; it is in the life force set free by them. These warrior gestures make us think they are about to overthrow their opponents in a single swift move.” 1992 Individual Exhibition at the Hanart TZ Gallery, Taipei 1992 Exhibition at the Nippon International Contemporary Art Fair (NICAF), Yokohama 1992 Individual Exhibition at the Taipei Fine Arts Museum, Taipei 1992 Exhibition at the ART ASIA－International Fine Art Expositions,